Category: Features

  • Phish Sets the Gearshift Out of Control for SPAC Night Two

    Phish’s second night at the Saratoga Performing Arts Center was preceded by a beautiful early summer afternoon, a welcome change from Friday’s thunderstorms that served as the soaking precursor to the night one show. Fans also seemed to feel more settled, ready to dive into the middle of the run, despite having to wait in the lengthy security lines.

    Phish-SPAC-2016 (1)

    The boys kicked things off with “Crowd Control,” a solid but rather underwhelming choice considering the intensity that would awaken later in the show. Mike Gordon took the lead vocals on the “555,” with accompaniment from John Fishman before sailing into some improv grooves on “Seven Below.” The consistently upbeat and funky “Back on the Train” had fans howling with delight. Trey Anastasio slammed into a solo only to be matched by Page McConnell’s key shreds. This led to “Army of One” with additional impressive displays of jazz inspired liberties on keys. The “Divided Sky” included the basic choreographed dance jumps of Anastasio and Gordon. The song included its lengthy pause in which all four members appeared still as statues. The raw human emotion could not be hidden as a wide grin on Anastasio’s face shined like a pillar of light, letting the 20,000 or so die-hard fans know he was just as happy to be in the spa city as they were.

    “Martian Monster,” a Halloween 2014 debut track, gave Anastasio another chance to demonstrate melodic percussion on Fishman’s marimba lumina as he did the previous night during the massive and lengthy “Chalkdust Torture.” A quick “Rift” followed by “Water in the Sky” moved into a slamming “46 Days.” Chris Kuroda’s new LED light boards beamed throughout the song, mimicking the look of liquid in motion as Anastasio and McConnell drove the song to the first set’s closer, “Walls of the Cave.”

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    The jam-heavy second set began with “No Man in No Man’s Land” before diving into the intensity of “Fuego,” featuring long and deep improvisations and jams. The crowd sang along the tune’s “whoa-ohs” and simultaneously tossed boat loads of glow sticks into the night sky. “Light” included some type II style jams before teasing back the lyrics of “No Man in No Man’s Land” and ended with a fun rendition of TV on the Radio’s “Golden Age.”

    PHISH WRIGLEY ENZLAH WATERMARKED-34

    The later half of the second set was stocked with tour debuts, beginning with “Taste,” which featured some intricate piano playing that moved throughout the song with McConnell’s directive. “Horse” glided right into “Silent in the Morning,” as it typically does. The ever perky “Julius” made it nearly impossible not to boogie down before the foursome took to the Beatles’ “A Day in the Life” bringing the second set to a triumphant close. A small child on her father’s shoulders graciously accepted Anastasio’s guitar pick as a token of his appreciation for even his youngest fans.

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    A bubbly “Bouncing Around the Room” kicked off the two-song encore before exploding into “Run Like an Antelope,” demonstrating the extensive musical prowess of all four members and closing SPAC night 2 with a bang.

    As if your face hadn’t fully melted off after nights 1 and 2, there’s still time to grab the mop and bucket for night 3 at SPAC this evening. As they say, “never miss a Sunday show.”

    Setlist via Phish.net
    Soundcheck: Funky Bitch, How Many People Are You, Miss You, Tide Turns

    Set 1: Crowd Control, 555 > Seven Below > Back on the Train, Army of One, Divided Sky, Martian Monster[1] > Rift, Water in the Sky > 46 Days, Walls of the Cave

    Set 2: No Men In No Man’s Land > Fuego > Light -> Golden Age > Taste, The Horse > Silent in the Morning > Julius, A Day in the Life

    Encore: Bouncing Around the Room, Run Like an Antelope
    [1] Trey on Marimba Lumina.

  • 24 Songs and a Monster Chalkdust Torture Keep the Energy Flowing at Phish’s First Night at SPAC

    Phish made their triumphant return to SPAC for the first time since 2014 and brought with them a boatload of energy for a top show of tour thus far. The rain and tornado warnings peppered the pre-show with downpours and lightning, but a break in the weather gave the fans a chance to stroll Shakedown in the West 50 lot and catch up with friends new and old before heading into the venue for the band’s only three-night run on the east coast, and it’s a highly anticipated run at that.

    Opening the night with “Stealing Time From the Faulty Plan,” “The Birds” and “NICU,” Phish brought in the high energy from the outset, followed by “Cities” > “David Bowie,” which recalled the Ventura 98 “Bowie” > “Cities” > “Bowie,” if slightly short on replicating the magic from that sandwich.

    “Free,” “Uncle Pen” and “Halfway to the Moon” followed, which kept the energy rolling prior to “Let’s Go,” the sole debut of the night and a new tune penned by Mike Gordon with the most promise thus far. It could easily stand out as the single off the forthcoming Bob Ezrin-produced album expected later this year. First impressions and a few relistens give a JGB funk vibe mixed with Gordon’s “Andelman’s Yard”; fans will definitely be clamoring for “Let’s Go” throughout the tour.

    “Waiting All Night” dropped the tempo down slightly before a 10-plus minute “Bathtub Gin” took the reins and stood out as a highlight Type I jam of the set. A brief “Golgi Apparatus” seemed to be the set closer, but Trey let the crowd know “We’re gonna do one more,” leading into the perfect set closer, “The Squirming Coil.” A better first set in terms of song selection and maintaining energy could not have been scripted. Any dwelling on the memory of the storm that preceded the show had effectively been erased.

    The new light rig for Phish this tour is an upgrade visually and aesthetically, and it will get even better given how lighting designer Chris Kuroda evolves through each tour. The depth of the screens plus regular lighting mixed in accents the band in a different manner but accompanies the new material perfectly.

    #Phish @magicofspac Night 1

    A photo posted by pete mason (@phanart) on

    The second set of SPAC didn’t wait to get rolling, jumping out with “Sand” > “Carini,” two songs that signaled a stepping off point for Type II jamming. It was the “Chalkdust Torture” though that reigns supreme as the jam of the night and thus far of the tour, clocking in at more than 22 minutes and featuring intense, exploratory jamming, Trey on the Marimba Lumina, Mike on keys and a tone that derives from the drive-in set at Magnaball last August. Phish picked a great song to get weird during, rivaling the Randall’s Island “Chalkdust” from 2014 and creating its own moniker “SPACDust” almost immediately.

    Trey on the Marimba Lumina during a huge Chalkdust Torture jam at #SPAC #phish

    A video posted by NYS Music (@nystatemusic) on

    A mellow “Prince Caspian” and “Bug” followed and while not nearly as high energy as the 45 minutes that preceded, there was no drop off from the crowd response and thus, no complaints. “Shine a Light” by the Rolling Stones made its first debut of the tour, as did “My Sweet One,” thanks to a banner hanging in the balcony before the song. Trey pointed to the fans and led the band into the bluegrassy love song for a short two minutes. “Sleeping Monkey,” always welcome, teased Destiny’s Child’s “Say My Name” in the intro, and eventually jumped into “2001” out of the blue, dropping funk late into the set ahead of a set closing “Fire.” The band returned to the stage to close the show with “Character Zero,” not relenting on the energy one bit.

    Phish is having a lot of fun at SPAC, and it was only the first night. Given the extensive song selection already this tour, rare covers, new Phish songs and tour debuts, we could be looking at the best three-night SPAC run since 2012, if night one is any indication.

    Setlist via Phish.net

    Soundcheck: Alaska, Let’s Go, Unknown Trey Song, Unknown Mike Song
    Set 1: Stealing Time From the Faulty Plan, The Birds > NICU, Cities, David Bowie, Free, Uncle Pen, Halfway to the Moon, Let’s Go[1], Waiting All Night > Bathtub Gin > Golgi Apparatus, The Squirming Coil
    Set 2: Sand > Carini > Chalk Dust Torture[2] > Prince Caspian > Bug, Shine a Light, My Sweet One, Sleeping Monkey > Also Sprach Zarathustra > Fire
    Encore: Character Zero

  • Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    From the first moment festival-goers entered Timber Ridge in Windham, VT, the frendly feeling was immediate and overwhelming. Everywhere the eye could see, campers were setting up tents, walking around and looking for long-lost faces they hadn’t seen in what always seems is way too long. The vendor booths were starting to come alive as their first patrons wandered up to grab a drink and some food after the initial moments of the Frendly Gathering 2016 adventure started.

    Thursday, June 23: Day One

    The Frendly Stage kicked off Thursday’s music with the collaboration Zebra Muscle’s first of two sets of the weekend. The impromptu band led by Danny Davis’s roommate, Chris Emmington, was the first to sound the musical alarm, with the help of Twiddle’s drummer, Brook Jordan. Next to come up was Canyon Village, WY-based bluegrass quartet Canyon Collected, followed by the warmest of welcomes from the hosts, Jack Mitrani and Danny Davis – two of the seven founding members of the Frends Crew.

    The next two acts to take the stage were breathtakingly full, funky-soul Burlington, VT, natives Smooth Antics and the Van Morrison tribute band Into the Mystic. After more than three hours of action on the Frendly Stage, fans were given a chance to catch their breath. People kicked around the concert field catching up with frends who had arrived a set or two before. Others went back to their campsites to give their dancing feet a rest. However, all knew what was next – Twiddle’s first set of the weekend.

    As the clock neared 11 p.m., the excited gatherers climbed partway up the hill to a budding campfire, where the four rising stars of Vermont-based Twiddle, Mihali Savoulidis, Zdenek Parker Gubb, Ryan Dempsey and Brook Jordan, were organizing their respective basic setups for an intimate set. They began with “Lost in the Cold;” a song that has quickly become yet another that fans sing-along to in unison with the lion personified, Mihali. The boys played newer songs, like “White Light” and “Be There,” but were sure to hit other tunes along their timeline like “Hatti’s Jam” into “When It Rains It Pours” and “Frankenfoote” into the first night closer and ever-appropriate “Frends Theme.”

    Everyone slowly dispersed heading back to various campsites or to explore this year’s Frendly grounds. The first day of Frendly Gathering 2016 had come to a close. People laid their heads down, and smiles ran across their faces as they were thinking about the day.

    Friday, June 24: Day Two

    As the sun rose in the small southern Vermont town of Windham, campers awoke to what was assuredly going to be a beautiful day. Most people knew the weather was going to be nice, since they had prepared their camping gear in the previous days for the appropriate conditions, but the anticipation of the day’s beauty came from a source much closer to the heart. After all, it was the beginning of the second day of Frendly Gathering 2016.

    The day started as a crowd gathered with their mats in front of the Frendly Stage for Rise and Shine Yoga. Shortly after that, Burlington-based surf band the High Breaks were the first musical act of the day. Following the wave-riding music that helped shake the morning cobwebs off of people’s hips were traditional world-fusion Vermonters Mal Maiz, the first band to take the Wood Stage. Up next was Boston’s alternative folk rock trio Ballroom Thieves at the Burton Teepee.

    The day was gaining momentum and was certainly showing no signs of slowing as Twiddle prepared for their second set of the weekend. The resident headliner played on a platform in the middle of a camping area by the pond, situated next to the mountain’s lodge. A crowd of fans, frends and family gathered around as the mid-afternoon set began with “Amydst the Myst” from their latest album, Plump.

    The set wasn’t long, but brought giant smiles to everyone’s faces, especially when they led into the crowd favorite “Mamunes the Faun,” during which the muse of the song could be seen dancing on the lawn behind the stage. After the pond set had wrapped up, the rest of the day was filled with a litany of amazing music all over the mountainside. Marco Benevento rocked the Frendly Stage to a crowd who couldn’t stifle their excitement for the New York State native. Following him was Eminence Ensemble, a Boulder, CO, progressive rock band with a funky fusion, on the Wood Stage.

    On top of the typical stage performances there were the various acts who appeared in the Airstream camper, dubbed the FrendShip. The performances included Jaden Carlson Band and Trevor Hall with Mihali. There was also an open mic at the Martin Dome throughout each day where Martin and Co Guitars, a sponsor of the festival, provided a variety of guitars for everyone to play and try their hand at entertaining the crowd.

    As the night progressed, the highly anticipated upper-bill bands started to take the stage. Trevor Hall, the Los Angeles-based acoustic folk favorite, filled the Frendly Stage with his beautiful music. Pennsylvania native Cabinet found a happy home on the Wood Stage and as soon as their set was done, Brooklyn, NY-based power funk band Turkuaz exploded with their set on the Frendly Stage. Friday night’s main stages’ music was given its finale by Moon Hooch on the Wood Stage, followed by Big Gigantic on the Frendly Stage, who received guest appearances by both Mihali and the Turkuaz horns.

    After the final performance in the main concert field, a buzz filled the crowd; everyone was talking about a secret set. They all knew there were four sets of Twiddle but only three were on the schedule. This had to be it – everyone had to get up the mountain to ascend to the DJ Nest where Twiddle was about to play on platforms, built up in the trees. What could be expected from the set, no one knew.

    The lights flooded the trees and the set started. The Vermont-based quartet played their secret set in a single, hour-long jam, very much akin to a Phish secret set. There’s always the silly rumor that Twiddle’s ultimate goal is to one day be handed over the torch by Phish. Anyone who has grown with the band and their music knows that to be completely false. However, in this jam it was clear that these guys are heavily influenced by their Vermont jam band brethren and weren’t afraid to pay homage to them.

    After the amazing secret set everyone carefully traversed down the mountain. There was much to recap about the second day of Frendly Gathering 2016, sitting around campsites and on hillsides. Everyone went to bed, trying their hardest to forget that the next day would be the last day of what had already been an incredible weekend.

    Saturday, June 25: Day Three

    Many people awoke in their tents to the same atmosphere of beautiful weather and high anticipation of the day to come as they did for day two. Although it was the last day of the festival there was so much more to enjoy; what was to come would create memories that would help make the whole weekend last an eternity.

    The music kicked off at noon with New Paltz, NY-based Appalachian soul band Upstate Rubdown on the Frendly Stage. The stage was home to a few amazing sets in the afternoon, leading into the evening, including New York City’s first and only all-women mariachi group, Mariachi Flor de Toloache. They lit up the mountainside with their beautifully performed music, proudly displaying their Latina heritage. Once their set was complete, they were completely transparent in the fact that they had enjoyed every second of their Frendly experience, with the crowd fully reciprocating the feeling.

    Unlike the previous two days, day three was filled with overlapping performances while multiple stages were alive with music. While it was quite impossible to see every single act that day, there was one act that almost no one was prepared to miss — the late afternoon performance by Gubbulidis, featuring Jaden Carlson at the Burton Teepee. Starting off with the Twiddle song “Apples,” the trio, joined by Aaron Hagele on percussion, had the crowd completely mesmerized by a jaw-dropping and oh-too-quick set. The half-hour set ended the same way Twiddle’s campfire set ended, with the theme of the weekend, the theme of the hosts and the theme of many people’s lives, “Frends Theme.”

    As the sun started to set on the mountain, the teenage guitarist phenom, Jaden Carlson, had her first full set with her band, quite appropriately named Jaden Carlson Band, on the Wood Stage. The Boulder, CO-based band, filled with a fusion of jazz, funk and soul, was playing simultaneously with fellow westerners, Bozeman, MT’s Kitchen Dwellers, who were over in Wakers Barn. A Bluegrass band who is finally spreading their wings, the Kitchen Dwellers are more frequently dedicating time to playing east coast shows. Fans were torn between the two acts, but neither decision yielded anything resembling disappointment.

    The evening moved along in fine form with performances from Monophonics, Sinkane and a second set of the weekend from Zebra Muscle. As the clock approached 11 p.m., the frends on the mountain began feeling their much understood glee as Twiddle’s fourth and final set was coming up on the Frends Stage. Before the set started, the crowd was treated with a surprise from three young ladies known as The Jamflowgirls. Cassidy, Jamie and Georgia played a song, written with the help of Mihali, and performed on a Martin guitar Cassidy won earlier in the weekend. The song, “Frendly Gathering is Here,” will likely become another token theme for the festival.

    Twiddle’s final set was absolutely electrifying. Kicking off with “Jamflowman,” the host-band was quick to bring up their first guest, Jaden Carlson. She helped rock out “Hatti’s Jam” into “When it Rains it Pours.” When her guest appearance was finished, the little lady who had dropped jaws all weekend with her skill and phrasing, which could easily be attributed to her having an old soul, got an eruption of cheers from fans, new and old.

    Next up to help Twiddle close out the Frends Stage’s last act of the weekend was RAQ’s Todd Stoops. After he was announced, the crowd immediately cheered his name in the very familiar fashion, “Stooooops!” Before he and the band broke out into “Every Soul,” which he sat in on for the recording on the latest album, Plump, Todd wished his wife a happy birthday and anniversary; it was truly heartwarming. Stoops also came out a couple songs later to give support on a song continuously growing in popularity, “Lost in the Cold.” The last stand-in was by Torin Daniels from the Kitchen Dwellers, playing banjo on “Syncopated Healing.” The bluegrass sound was an amazing substantiation of the already fun and truly healing song.

    The weekend was capped off with a true mountain party, as festival-goers once again trekked up the mountain to the DJ Nest where the collaboration, the Smooths, played in the treetop platforms. They created a dance party, making sure to bring the crowd into full participation mode by covering Sublime songs, Talking Heads songs and much more. It gave everyone a feeling of fulfillment as Frendly Gathering 2016 had finally come to a close. Gatherers meandered down the mountain, looking for small final parties at various campsites. Sleep fell over the mountain as exhaustion from the joyous festivities finally settled deep into the bones of the mountainside frends. The only thing anyone could think of as they closed their eyes was what was to come with Frendly Gathering 2017.

  • Phish “Friends” Premieres at The Mann, Fishman shares Lyrics

    Phish premiered a new song, “Friends” from Syracuse’s favorite drummer, Jon Fishman on June 29 at the Mann in Philadelphia. Fishman posted the lyrics in the comments of a fan’s (Peter Banta) Facebook post earlier today.

    The band kicked off a three-night run at Saratoga Performing Arts Center Friday night, which included another debut, “Let’s Go.” NYS Music is on site and will have a full wrap up of the SPAC run.

    NYS Music loves new songs as much as other dedicated fans. Share your thoughts on this, and other premieres on this tour.

    Friends, by Jon Fishman

    Friends,
    If the lord ever comes

    descending from the skies in some fiery fashion
    as so many say he will
    You will not see me
    going joyously to greet him expecting my deliverance,
    but running for the hills
    For if such a day should come to pass
    this is no God come to save the human race,
    but a big boat
    like the ones our forefathers sailed
    having made it across the great ocean to our shores
    from outer space.
    And friends
    when that boat finally comes
    ascending from the depths of our imagination
    to appear within our sight
    We’ll be born again
    as we’ve been so many times all throughout the ages when we find that we’re not right,
    and with darkness lifted from our eyes, then we’ll find what should come as no surprise…
    We’re on a big boat like the ones our forefathers sailed
    headed across the great ocean from our shores to outer space

  • Miranda Lambert Brings the Sass to Darien Lake

    Keeper of the Flame is Miranda Lambert’s 2016 tour, and she brought some friends with her to Darien Lake on June 23. Brothers Osborne kicked things off, but didn’t kick things off right. They did not get the crowd engaged, and more so, their commentary was rather off-putting. Regardless, some of the crowd loved it and that’s what matters, making your fans happy.

    Kip Moore doesn’t quite fit into the country genre per say. He’s got the looks and charisma a country star might have but the raspy pipes of rocker. Regardless, he fit in and blew the opener away. He’s still in his infancy only being signed four years ago by MCA Nashville. Moore already has quite following and had some diehard fans singing along to almost every song. He belted some well-known songs like his very first single “Something ‘Bout a Truck” and his most played on the radio “Running for You.” Give him a few years and he’ll be ready to be the headliner of the shows.

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    As the lights went down the crowd began to scream, and a video that flaunted girl power featuring history icons from the decades sprawled across the screen, while Beyonce’s “Run the World” song played over the speakers. As the old saying goes, if you got it, flaunt it — and Lambert did just dazzling with a set that included each of the hits that have kept her name high atop the charts for the past decade, along with some new never heard before songs. Given that she writes much of her own music, Lambert let her songs do the talking from the stage and treated fans with tales of hard living, lost love, hope and happiness that made for an alluring evening of music.

  • Dave Matthews Band Gets Sexy With Sold Out Lakeview Amphitheater

    Dave Matthews Band brought an eclectic mix of its unique catalog of songs and covers to an enthusiastic crowd of 17,500 at the Lakeview Amphitheater in Syracuse on Wednesday June 22. The show marks the first sold out show at the newly opened amphitheater.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-1

    Fans were a bit apprehensive about the traffic, the no tailgating policy and the venue’s ability to handle the large crowd, but the venue seemed to do a good job managing traffic. Shuttles were running constantly to and from alternate parking locations as far away as downtown Syracuse. The no tailgating policy was generously overlooked. People were having a good time enjoying a few drinks but it didn’t appear that anyone was out of control. However, a no pop-up tent and no grill policy was strictly enforced. Some lighting could be added to improve visibility toward the exits and in the parking lots and they definitely need to add some additional porta-potties. The sound quality and the views are the best I’ve experienced compared to other amphitheaters in the northeast.

    Dave Matthews Band took the stage around 8:30 and opened with their classic tune “Warehouse,” followed by “When the World Ends” and mega hit “Crash Into Me.” It seemed as if every single person in the audience knew every song as they belted out the words with every breath. The audience continued singing and dancing through “Don’t Drink the Water.” The band slowed things down with “Stay or Leave” and immediately got the crowd revved up again with fan favorite “#41,” where Boyd Tinsley had the audience cheering as he showcased his awe inspiring violin skills.

    As the band is currently on tour celebrating their 25th anniversary before they go on a hiatus in 2017, they had no problem celebrating as fans jumped up and down, pumped their fists and occasionally took the lead singing parts of songs. At one point the fans lead a chant of “Thank You For Letting Me Be Myself,” to which Matthews took a step back and treated the audience to his trademark impish grin and eyebrow raise.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-2

    Between songs, Matthews was relatively quiet, thanking the audience and remarking about the beauty of the venue. He did leave fans hopeful by stating, “I hope we can come back here and play for y’all again sometime.” The celebration continued as the band paced through a nineteen song set. Stefan Lessard rocked a beautiful six string bass for the occasion. Carter Beauford, smiling as always, pounded the drums so fast at some points it looked like his hands were vibrating. Guitarist Tim Reynolds zipped up and down the fret board, producing intricate and unique sounds while making it look completely effortless.

    Jeff Coffin (saxophone) and Rashawn Ross (trumpet) were joined by saxophonist and old friend, Sam Kininger. Kininger has played with Ross in Lettuce and Soulive’s Shady Horns Section. The horn section showed they are more than just an accompaniment as they blared in perfect harmony through “What Would You Say” and “Jimi Thing.”

    Matthews showed his silly side as he borrowed a party hat from an audience member and wore it through the band’s almost hilarious version of Prince cover “Sexy Mother F*cker” to end the main part of the set. You would think that after almost two and a half hours that the fans would start to fade, but instead they roared, cheered and many chanted their “wish list” song hoping the band would oblige and play it during the encore. Shouts of “Two Step,” “Halloween,” and “Watchtower” rang out over the deafening cheers of the crowd. It is this intense level of excitement and anticipation that proves why Dave Matthews Band is a summer ritual for so many fans.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-3

    The band took a short break and ended the evening with a two song encore that included “The Song That Jane Likes” and fan favorite “Tripping Billies.” Carter Beauford tossed out buckets of drum sticks as fans roared and begged for more.

    Set list:

    Warehouse, When the World Ends, Crash Into Me, Sugar Will, Don’t Drink the Water, Stay or Leave, #41, Samurai Cop, Grey Street, Satellite, Break Free, Lie in Our Graves, Shake Me Like a Monkey, Typical Situation, What Would You Say (with Sam Kininger), Jimi Thing (with Sam Kininger), Sexy M.F. (Prince cover) (with Sam Kininger)

    Encore:

    The Song that Jane Likes, Tripping Billies

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  • Exclusive: Space Carnival Debuts “Moon Boots” Video

    Space Carnival, who are releasing their debut album Drawn In By The Sun later this year, have released the video for “Moon Boots,” a highly groovy upbeat number that was filmed at The Haunt in Ithaca, NY during their opening slot for Twiddle in April.

    Drawn In By The Sun has 8 tracks that cover the melting pot of the genres that influence this young group, which will shine on the studio album for a band that has until now been best appreciated live for their improvisation. The album is the result of a successful IndieGoGo campaign this past fall.

    The video was shot by Shane Sullivan, who has also been a featured vocalist on live covers since the band’s inception. Space Carnival is Cameron Fitch (keyboards/vocals), Jeremy Kraus (guitar/vocals), Chris Meier (bass/vocals), and Nick Tassinari (drums).

  • Grey Fox Bluegrass Festival: More than Music

    Beyond the incredible lineup promised for its four-day length, Grey Fox Bluegrass festival is guaranteed to host a unique music experience for every concert-goer this summer. Its ongoing activities and performances are sure to fill your whole weekend with activities, with plenty of opportunity to relax and enjoy the music as well. No matter what kind of concert-goer you are, we have a recommended event for you.

    If you have kids

    Unlike many other concerts that have booted out younger audiences with emerging festival culture, there is still a happy, safe place for families at Grey Fox. The Family Stage is live all weekend, featuring a variety of activities like tie dying and making instruments. There is also the well-known Bluegrass Academy for Kids, or BGA, which serves as a festival-long mock summer camp. Kids can learn to play and sing traditional bluegrass songs, featuring several performance opportunities.

    If you have time, swing by the Creekside Stage to learn about the business of bluegrass and opportunities to study music from the International Bluegrass Music Association and Berklee College of Music. Oh, and no need to worry about loud noise at night with the specially marked quiet areas for families that could use some sleep after a long day of music.

    If you’re a musician

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    Starting the minute you move in on Wednesday, musicians roam from all over Grey Fox to partake in their annual Open Mic. On a first come, first serve basis, you and your band (sadly, no solo acts) can play among with musical peers to add your voice to the vast space of Walsh Farm. With continuous jamming throughout the weekend, you can repair your own instrument or buy a new one with the various music vendors throughout the festival. Make sure you drop your name in the raffle as well for your chance to win a Deering banjo or a Beard Resonator guitar.

    If you’re a foodie

    If you plan on camping for four days, you should plan on buying some meals and snacks along the way. Luckily, Grey Fox offers more variety than your average festival cheeseburger. There is a variety of breakfast food, smoothies, pastries, pizzas, picnic foods, Greek specialties, Thai cuisine, Mexica10464343_10154174334272454_4697731366359745459_nn food, and various vegetarian wraps and entrees.

    The festival also features handcrafted beer from Sierra Nevada Brewing Co., New York State wines, coffee varieties, and other beverages to pair with your meals. For those with a sweet tooth, make sure to indulge in gourmet ice cream, chocolates, and crepes for that extra sugar rush, with vendors lining the festival common areas.

    In addition to loving great music, most Grey Fox attendees fall under some or all of these umbrellas, and with endless kid’s activities, yoga and mediation, musical training, artisan shops and products, and endless food and drink choices, there is bound to be something for everyone, and we can’t wait to see what this year will have in store for us. The countdown is 14 days.

    Never been to Grey Fox? Check out some of last year’s photos.

    Otherwise, join in and buy your tickets here.

  • Fitz & The Tantrums Dance the Night Away

    American neo-soul and indie-pop band, Fitz & The Tantrums strutted into Upstate Concert Hall in Clifton Park on June 23 to a large crowd of 18 and under kids accompanied by parents who for the most part stayed near the back of the venue.

    E.COKER-FITZ.TANTS02

    The Los Angeles band, fresh off the Firefly Festival in Dover the weekend before, dominated the stage from the start in support of their third and self-titled album, Fitz & the Tantrums featuring “HandClap.”

    Michael Fitzpatrick and Noelle Scaggs delighted the energetic crowd during their 19-song set, which included the band’s classics “Out Of My League,” “Money Grabber,” “Walker” and “6 AM.” Although the band’s style has progressively changed over the past few years, there’s no denying their stage presence and dedicated fan base.

    Opening the night were fellow Californians, Finish Ticket. Signed back in 2014, the band performed a surprisingly hypnotic set which even included a cover of the Killers’, “When You Were Young.”

    Fitz & The Tantrums Set List:

    Get Right Back
    Spark
    Don’t Gotta Work It Out
    Out Of My League
    Run It
    Breaking The Walls
    Breakin’ The Chains of Love
    Walking Target
    Complicated
    Fools Gold
    Roll Up
    Do What You Want
    Money Grabber
    Tricky
    Burn It Down
    L.O.V.
    HandClap
    6AM
    Walker

    [FinalTilesGallery id=’834′]

  • Phish Takes on Wrigley Field

    Phish made its Wrigley Field debut this weekend and what a debut it was. Among the many highlights on Friday were a powerful first set “Sand,” and a “Down with Disease” > “Fuego” > “Twist” that started the second set off as strong as you could ask. Night 2 brought the return of “Fluffhead,” which was found after the one-two punch of “Carini” > “Tweezer.”

    A new song “Miss You” debuted, as well as an acapella version of Bowie’s “Space Oddity”, with a “Run Like an Antelope” that followed for a “Space Antelope” encore on Friday. Phish returns to The Mann Music Center in Philadelphia, PA tonight.

    Phish Wrigley FieldFriday, 6/24/2016, Wrigley Field, Chicago, IL
    Set 1
    : Sample in a Jar, Chalk Dust Torture, Martian Monster > Rift, Yarmouth Road, Sand, Miss You[1], The Wedge, Free > Blaze On
    Set 2: Down with Disease[2] > Fuego > Twist > Twenty Years Later > Waste > Also Sprach Zarathustra > Backwards Down the Number Line, Loving Cup
    Encore: Space Oddity[3], Run Like an Antelope

    [1] Debut.
    [2] Unfinished.
    [3] Phish debut; a capella.

    Saturday, 6/25/2016, Wrigley Field, Chicago, IL
    Set 1
    : The Moma Dance, AC/DC Bag > 555, Waiting All Night, Heavy Things, Happy Birthday to You, 46 Days, I Didn’t Know, Divided Sky, Cavern > Good Times Bad Times
    Set 2: Carini > Tweezer > Fluffhead > Piper -> Steam > Wading in the Velvet Sea, Harry Hood > Tweezer Reprise
    Encore: I Am the Walrus

    Setlists via Phish.net