NYS Music 20​16

Category: Photo Gallery

  • Big Gigantic Got Rowdy with a Sold Out Terminal 5

    Big Gigantic commenced their Spring tour to a sold-out crowd at Terminal 5 this past Friday, March 11th. The performance was chock full of familiar samples, super funky sax, meticulous drumming and a new and unique stage setup that appeared to have the duo commanding a spacecraft through a galaxy of super light beams.

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    Upon entering the venue, the energy level was extraordinary. Once Big G took the stage it was clearly evident why; the combination of their music style and the amount of energy and intensity they put into a performance is infectious. When you see saxophonist Dominic Lalli belting out a solo whilst sweating bullets or drummer Jeremy Salken laying down an intricate groove with tons of focus it’s very easy to appreciate their talent & dedication and give it back by showing off your funkiest moves to those closest to you. Big G got the crowd super hyped with tracks new and old, namely their new single, “Little Things” (feat. Angela McCluskey) which has an excellent balance of EDM styled builds and drops and anthemic piano/sax along with an excellent dose of sultry, soulful vocals. They dropped some Griz x Big Gigantic with “Let The Good Times Roll” as well as their celebrated remix of Aloe Blacc’s “Need A Dollar” which had fans sending singles off of the third level balcony. Ivan Jackson from Brasstracks was Big G’s very special guest and ably brought his brand of brass to the sold out crowd by guesting on a few tracks.

    Big Gigantic is forging an awesome place for themselves in the live instrument/production genre as their evolution of sound has continuously been on an upward trajectory. I’m hoping to catch their sets at some festivals this summer as they will surely not disappoint.

    Around New York, you can see Big Gigantic performing at Summer Camp Music Festival on May 29 and Camp Bisco on July 14.

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  • Cradle of Filth Unleashes ‘Inquisitional Torture Tour’ On Cleveland

    Not since 2011, have the states been graced by one of the most renown British metal bands, Cradle of Filth. The North American Inquisitional Torture Tour was meant to kick off in Philadelphia, PA on January 26, but the first four dates were cancelled due to visa issues. The tour kicked off on January 31 in Charlotte, NC and wrapped up in New York, NY on March 8 before heading back overseas.

    Joining Cradle of Filth on this tour were Los Angeles natives, Butcher Babies and the Australian Progressive Death Metal band, Ne Obliviscaris, who were embarking on their first US tour.

    Cradle of FilthOn March 3rd, the House of Blues in Cleveland, Ohio fell under siege to the trio of metal bands. A long line of Cradle of Filth fans outside the venue, braving the elements eagerly waiting for the show. Some with their faces painted and donning wildly colored contacts similar to those of Cradle’s vocalist, Dani Filth.

    The night started off with Ne Obliviscaris, who immediately won the crowd over. From the powerful screams and growling vocals of Xenoyr to the clean vocals and symphonic cries of the violin by Tim Charles along with guitarists Benjamin Baret and Matt Klavins, bassist Brendan Brown and drummer Daniel Presland, this band knew how to leave you wanting more.  Their 2015 EPs Sarabande to Nihil and Hiraeth are worth checking out.

    Cradle of FilthIt’s always refreshing to see women, dominating the stage in the metal world and that’s just what the Butcher Babies did. With their their aggressive stage attire and vocals, the band’s frontwomen Heidi Shepherd and Carla Harvey kept the crowd screaming. Backed by Henry Flury on guitar, Jason Klein on Bass and Chrissy Warner on drums, the band played songs from their 2015 album, “Take It Like A Man.”

    Setlist: National Bloody Anthem, Blonde Girls All Look the Same, The Butcher, Gravemaker, Igniter, Jesus Needs More Babies for His War Machine, Monster’s Ball, Magnolia Blvd., The Deathsurround, Goliath, I Smell a Massacre and Axe Wound.

    Cradle of Filth’s long awaited US Tour brought fans flocking from out of state to Cleveland’s House of Blues. The band serenaded the crowd with favorites from albums past in addition to songs from their new album Hammer Of The Witches, the album cover which also made for the background for the stage. Frontman Dani’s entered the stage in spiked attire, a painted face and ghoulish contact lenses, later adding of a crown of horns. With their sometimes dark and provocatively poetic lyrics, symphonic musical style and macabre imagery  a Cradle of Filth performance is always a glorious spectacle. With the unique vocals of Dani Filth in addition to the vocal power of keyboardist, Lindsay Schoolcraft along with Martin ‘Marthus’ Skaroupka on drums, guitarists Richard Shaw and Marek ‘Ashok’ Šmerda, bassist Daniel Firth, Cradle of Filth never fails to deliver and outstanding performance.

    Setlist: Humana Inspired to Nightmare (Intro), Heaven Torn Asunder, Gilded Cunt, Blackest Magick in Practice, Lord Abortion, The Graveyard by Moonlight, Malice Through the Looking Glass, Right Wing of the Garden Triptych, Born in a Burial Gown, Cruelty Brought Thee Orchids, Nymphetamine (Fix), Her Ghost in the Fog, The Twisted Nails of Faith, Yours Immortally, From the Cradle to Enslave, At the Gates of Midian, Cthulhu Dawn, The Principle of Evil Made Flesh and The Forest Whispers My Name.

  • Soulful Folk: The Wood Brothers at Carnegie Hall

    On March 5, the Wood Brothers closed their 2016 Winter Tour to a sold-out crowd at Carnegie Hall. Oliver Wood reminded the crowd that even though the show was in Zankel Hall, we were to refer to the venue as the world famous Carnegie Hall, which is where this smaller room resides. (He mentioned, “…because it sounds fancier.”) Eleven years ago to the date in Manhattan, the Wood Brothers picked their first notes to a live audience. The recording of that show would later debut as their first official release, Live at Tonic EP. The soulful folk-filled family reunion from that evening in 2005 planted the seed for numerous records, dozens of tours and thousands of die-hard fans waiting to have their spirits moved at the next gathering.

    The band entered the front of the stage with percussionist Jano Rix on his homemade “shuitar” and opened with an instant fan favorite, “Never and Always,” off their new album Paradise. The trio took advantage of the amazing acoustics of the room and stayed standing for the next song “Atlas” which they also performed at their first show more than a decade before. Oliver delivered the lyrics, “It’s no accident I landed here, eyes wide open and seein’ clear, I have come a long, long way,” which couldn’t be more true on this milestone show. Time travel seemed to be the theme of the evening as they jumped from new tunes to old tunes and everything in between. Rix sat down at the drums for their third song, “Mary Anna,” and Oliver made sure the crowd knew it was a Saturday night party during “Snake Eyes,” another one from their freshest batch.

    During band introductions, Oliver referred to Chris Wood as his “little dancing brother” followed by Chris playfully firing back, calling Oliver his “older, but not more mature brother, and he meant that in a good way.” Over the years, we have seen the brothers create a signature sound while simultaneously forming a stronger bond with each other. The on-stage family banter always adds a bit of comic relief before returning to their deep and thought-provoking lyrics. “Heartbreak Lullaby” cooled things down before Chris Wood made his lead vocal debut for “Pay Attention.” Oliver thanked the crowd for embracing yet another Paradise tune, “American Heartache” before Chris grabbed his stand-up bass for an eerie, tripped-out intro to “Who The Devil?”

    The band brought out their “fourth member, Big Mic,” which is an old-fashioned, “time-machine” microphone utilized by the band to create an intimate sound or as Oliver calls it “O Wood Brother, Where Art Thou?” “The Muse” was the perfect piece for their sonic time portal which led to a blast from the past with “One More Day.” Even a tame, well behaved, Carnegie Hall-dressed audience was having difficulty staying in their red velvet seats during the quiet rendition of this classic, also performed live at Tonic, way back when. The Wood Brothers from the future returned as Chris pulled out his electric bass, which Oliver noted, “Some say it’s an abomination, I say it’s the bomb!” They got electric-funky right off the bat with their intro and jam during “Wastin’ My Mind” and “Singin’ to Strangers.”

    Once again, the band went back in time with an emotional “Postcards From Hell,” which was dedicated to their light designer, Heather, on her last night with the band. After they wiped the tears from their faces, Chris slapped the bass for the memorable cover of “Express Yourself” to get the crowd wiggling in their seats again. The energy reached an all-time high as the crowd began standing up and shaking for the set ending “Honey Jar.”

    Rix came out alone for the encore and played a beautiful intro to “Luckiest Man” on the keyboard before Chis and Oliver joined to send this jazzed-up version home. The crowd was encouraged to sing along and there wasn’t one person that didn’t know every word to one of their most played songs. Oliver kept the time-travel theme alive by closing out the encore with “When I Was Young,” a song soaked with memories from the past. In the small, dark space that is Zankel Hall, the crowd leapt to their feet to give the guys a well deserved standing ovation as we all looked ahead to a big and bright future for the Wood Brothers.

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  • Dr. Dirty Fills Turning Stone Casino Showroom Once Again

    On March 5, John Valby who’s known as “Dr. Dirty” once again packed the room to capacity at the Turning Stone Casino Showroom in Verona.

    dr. dirtyWith no opening performers scheduled, Dr. Dirty made his entrance to the stage and sat at his keyboard shortly after 8 p.m. Even before Dr. Dirty made his appearance, the adult crowd was ready for the night’s comedy and filled the room with vulgar chants and cheers. The entire night was filled with laughter by the crowd who were victims of Valby’s act. Throughout the evening, the Buffalo-based comedian went through many of his fan favorites along with a few new tunes. Many of the night’s jokes hit on current news stories, politics and more.

    Some of the highlights from the show were when Valby collected audience members’ names and used them as part of his songs. Another hight point was when Valby invited girls on stage to join him for another song. The night ended with a poem and a thank you from Dr. Dirty, noting his appreciation for the supportive fans at the Turning Stone.

    Watching the crowd as it emptied the Showroom venue, it was easy to see that everyone had a great time by all the smiles and continued laughter. For anyone who’s never seen John “Dr. Dirty” Valby and enjoys a good laugh, be sure to catch him at the Showroom next time he comes to town. In the meantime, check out “Poetry From Bed Pan Alley,” the new single from Valby’s forthcoming release, Keep Calm and Valby On.

  • Sister Sparrow Celebrates Live Album Release in Brooklyn

    Friday nights at the Brooklyn Bowl typically carry a heightened sense of expectation for a combination of sights and sounds that so reliably induce ecstasy. And the New York City-based funky soul-rock ensemble Sister Sparrow and the Dirty Birds made Friday, March 4, one to remember.

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    The early crowd was welcomed onto the dance floor by the Suitcase Junket, a one-man band performing original songs on a junkyard guitar and an arrangement of foot-operated percussion instruments, including a circular saw blade. The dedication that went into perfecting such rich and yet simple instrumentation rang through clear, and the set ended with strong crowd participation on the refrain of “Wherever I Wake Up.”

    Follow-up act Wild Adriatic could perhaps be likened to Upstate New York’s version of the Black Keys. Their musical territory, that of the hard-rock trio, is well trodden, but they inhabit it with purity of intention, as if there is no one to compete with. Frontman Travis Gray led the band through a set of speaker-frying blues and pop-rock driven by big, hot riffs and punctuated with psychedelic solos that shone with the emotion of personal soliloquies. Rich Derbyshire’s boxing-glove basslines bounced and jabbed all over drummer Maceo Vosganian’s pounding beats. Gray expressed thanks to the headliner and acknowledged Sister Sparrow’s common upstate heritage, giving a sense of cohesion and solidarity to the evening’s lineup.

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    The Dirty Birds began to unleash something fierce with their uptempo opener “We Need A Love.” From the get-go, the band projected a swagger that spoke of power, growth and change. In the most mundane sense, the band has changed its personnel with the recent addition of drummer Dan Boyden and the departure of founding trombonist Ryan Snow. But Sister Sparrow and her crew are evolving in a more profound sense that is impeccably documented on the live double-LP Fowl Play and showcased unadulterated at this Brooklyn Bowl gig, which also functioned as the release party for the aforementioned album. The past two years have seen this band undertake an exercise in the live recreation of a classic rock masterpiece (Led Zeppelin’s IV performed at Irving Plaza in January 2014) and a cycle of songwriting that resulted in their third studio effort The Weather Below, released last year, plus more songs debuted live since that release. The focus now seems to be on upping the ante in the live sphere. Hence the decision to drop a live disc at this juncture.

    The experience at Brooklyn Bowl last Friday night must have been similar in terms of energy and execution to the Fairfield, CT, New Year’s Eve shows that were captured on Fowl Play just two months ago. At the Bowl, the Birds were dishing out cuts from their latest studio record, playing other newer songs to boot, and sounding more musically in command of their older material than ever. Elements of improvisation hitherto unseen from this band were present throughout the handful of tunes that have been in heavy rotation over the past few years. In staples like “Don’t Be Jealous,” “Sugar” and “Mama Knows,” songwriter and vocalist Arleigh Kincheloe impressively varied the melodic inflections and rhythmic delivery of her compositions; she added an unprecedented new layer of nuanced personal expression to these tunes, which already resonate as autobiographical and sincerely heartfelt. Also present were new extended passages showcasing the band’s instrumental soloists and pushing the songs to the 10-minute mark.

    If you have ever been excited about Sister Sparrow and the Dirty Birds in the past (and many New Yorkers rightfully have been by now), now is the time to get even more excited. Ever the relentless touring band, the Sparrow and crew will make their way across the country between now and mid-April, delivering refined rock prowess to their loyal party fowl and hopefully reaching new ears at every show.

  • Geoff Tate Brings Operation: Mindcrime To The Westcott Theater

    After exiting Queensryche in 2012, vocalist Geoff Tate has kept busy by continuing to make new music and touring. On Thursday, March 3rd, Geoff brought his band Operation: Mindcrime to the Westcott Theater in Syracuse for a headlining performance.

    As the only act of the night, Geoff and Operation: Mindcrime took the stage at the Westcott shortly after 8PM. The band kicked off the night with “Neue Regel”, a Queensryche song off of the Rage For Order album from 1986. With Rage For Order being out for 30 years now, it was appropriate for Geoff to play “Screaming In Digital” as the second song of the night. These two songs got the crowd right up out of their seats and up to the barrier in front of the stage. Geoff’s band seemed to get in the groove of things as the crowd showed their love for the music.

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    Geoff Tate

    Just after the two song intro, Geoff took time to address the crowd and express his gratitude. After the short break, the band got back into things with songs such as “I Am I” and “I Don’t Believe In Love”. The band’s choice of songs for the evening stretched over the entire Queensryche catalog it seemed. The die-hard fans knew all the material, while the casual fans knew all the words to songs like “I Don’t Believe In Love” and other hits but not songs from the lesser known albums such as Hear In The Now Frontier and American Soldier.

    For the next portion of the show, Geoff and his band performed a few songs acoustically. The acoustic set consisted of songs, “Jet City Woman”, “Take Hold Of The Flame”, “Silent Lucidity” and “The Weight Of The World”. While hearing those songs in a different form was new and fresh for some people in the audience, others hoped to hear Geoff blast out the powerful notes of “Take Hold Of The Flame”. Unfortunately, Geoff seems to know his vocal limitations nowadays and simply does what he can. Changing the songs wasn’t necessarily a bad thing because the audience still sung along and seemed to really enjoy the show. The rest of the guys in Operation: Mindcrime stayed true to most of the Queensryche material by only making some minimal changes here and there.

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    Operation: Mindcrime Acoustic

    Last year, Operation: Mindcrime released their first of a series of three albums. The first album is titled, The Key, and the band jammed through four songs off of it. The songs Geoff and the band chose to perform from The Key were excellent. The four of them consisted of, “Re-Inventing The Future”, “The Stranger”, “Burn”, and “The Fall”. It’s apparent that Geoff was going back to his roots on The Key with the progressive metal sound. For instance, “The Fall”, is a track that sounds like it could be right off of a Dream Theater album and the fans definitely enjoyed hearing this song live.

    The evening ended with a bunch more Queensryche classics such as “Walk In The Shadows”, “Eyes Of A Stranger”, and “Empire”. Fans were left wanting more after the surprising “evening with” performance by Operation: Mindcrime. Overall, the band sounded great and Geoff’s interpretation on his old Queensryche tunes produced a great show that everyone in the audience seemed to thoroughly enjoy.

    Since the band has two more albums scheduled within the next year or so, fans of Geoff Tate can look forward to him coming back to the area in the near future. To keep track of Geoff’s schedule and album progress,  fans can check his official Facebook Page and the official Operation: Mindcrime Facebook Page.

    Setlist: Neue Regel, Screaming In Digital, I Am I, One More Time Around, I Don’t Believe In Love, SpOOL, At 30,000 Ft, Jet City Woman, Take Hold Of The Flame, Silent Lucidity, The Weight Of The World, Re-Inventing The Future, The Stranger, Burn, The Fall, Damaged, Walk In The Shadows, Eyes Of A Stranger, Breaking The Silence, Empire

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  • American Babies Raise the Dead in Albany

    On Thursday, February 25, those willing to boogie down on a school night took to the Hollow Bar and Kitchen in Albany to see Tom Hamilton’s American Babies. Considered to be “the hardest working man in show business,” Hamilton proved once again that this hard work pays off. The crowd, while somewhat sparse considering the talent on stage, was thoroughly impressed as evident by cheers, dancing and plenty of “Hamilton’s the man” exclamations.

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    The evening began with opening act Bump, a three piece ensemble with Americana sounds similar to that of their headliner. American Babies rhythm guitarist Justin Mazer joined the trio for a rendition of “Angels from Montgomery,” which was as rocking as it was sweet.

    American Babies played “What Does it Mean to Be” early in their set, a song from their new and still unreleased album, An Epic Battle Between Light and Dark, which kept the crowd as equally intrigued as it was satisfied. The song is about not feeling your age or what society tells us we should feel like at a certain age; the album is set to release on March 18.

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    The rest of the set was cover heavy and was surely influenced by Hamilton’s experiences in his other projects. “State Police” and “Let’s Start a Gang,” both Brother’s Past songs, provided opportunities for spacey yet upbeat jams. Directly following this was several Grateful Dead covers including “Big River” and “Cumberland Blues,” in which Mazer delivered the solo of the night.

    ER.COKER-AMERICAN.BABIES_05“Buckle in, we’re just getting started,” Hamilton tells the crowd as he took off his pin-decorated jacket to reveal a black t-shirt with the text “9:30” in large white letters, likely from the famed club in Washington D. C.  Drummer Al Smith also changed out a cymbal in preparation for what was to come.

    They picked up with another Grateful Dead song, “The Wheel” which led into the American Babies’ version of “Jolene” and then back into “The Wheel,” adding depth to the familiar sound and inches to my perma-grin.

    The Babies then did another cover, this time Bruce Springsteen’s “Atlantic City,” but again adding something to it all their own.

    Throughout the set, Hamilton seemed to have chemistry with every member of the band. Smith and Bassist Mark Sosnoskie looked to him as a leader, awaiting cues for their next move while he and Mazer bounced back and forth taking turns as the star. His professional chemistry was only amplified by that of the romantic sort with guitarist Raina Mullen. They harmonize well on stage and off it as well as a couple.

    The night ended with even more Dead, “Deal,” and I’m just left thinking how much Hamilton really sounds like Jerry Garcia at this point. Clearly, his work with Billy and the Kids and Joe Russo’s Almost Dead has become ingrained in his repertoire. If for any reason John Mayer stops playing with Dead and Company, Tom Hamilton is the obvious choice to step in.

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  • Gramatik Electrifies Sold Out PlayStation Theater

    Gramatik kicked off his Epigram Tour at PlayStation Theater this past Saturday, Feb. 20th, 2016. Those lucky enough to snag a ticket to the sold out performance were gifted an amazing live show and the chance to experience the new album, Epigram, in full.  Gramatik knows his New York crowd and he delivered thusly.

    Alexander Lewis and Sweater Beats provided some serious bass fodder for their opening performances and warmed up the fans for the main attraction.  Once Gramatik and his guitarist, Andrew Block, took the stage the crowd lit up. Gramatik got into a groove immediately and invited Queens rapper, Adrian Lau, out for a few tracks which got everyone super hyped.

    It’s safe to say that Epigram is going to be an amazing album as the music everyone was raging to touched upon numerous genres; 70s funk and soul meshed effortlessly with crunching French electro-esque beats with tons of hip hop influences for good measure. Throughout the night some Grizmatik tracks made a cameo, heavy, hard, bassy remixes of 90s hip-hop appeared, a tease of Stevie Wonder’s “Superstition” went down and my favorite moment of the night was an absolute beast of a remix of Michael Jackson’s “Smooth Criminal” which had people getting out of their seats and swiftly dance-walking to the crowd to get in the groove. Familiar tracks like “Just Jammin’” were also segued into the set to the crowd’s delight.

    A highlight of the night was when Orlando Napier came out and performed his vocals on “Native Son,” the first single off Epigram. It was a wonderful moment to experience the song live as that dude has some serious pipes and charisma.

    I’ll jump at the opportunity to see Gramatik perform again as his skill in creating funk-infused, crystalline soundscapes is unmatched. The Epigram Tour continues through the US this Spring. Check out Gramatik at Mysterland in Bethel Woods, NY this June as I’m sure he’s going to throw down some heat. Be on the lookout for Epigram’s release this Spring and be sure to download Gramatik’s entire discography for free here.

  • Lotus Rocks Terminal 5

    On Saturday, February 6, Lotus played Terminal 5 in NYC and brought some serious funk and covers for this stop on their Winter tour.

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    Arriving at the venue, the line stretched almost the entire length to the West Side Highway. Faces of eager fans contorted and cringed at the thought of waiting in the cold to see Lotus bring the heat. Once inside, the familiar funk of “Greet the Mind” warmed things up a bit; it’s a great opener in terms of getting everyone grooving and in terms of title. Lotus continued the funk with “Philly Hit” and then laid into some heavy jamtronica grooves with “Neon Tubes.” We were only three songs in and it seemed as though the crowd were bobbing their heads and weaving their shoulders in unison. They closed out their first set with “Age of Inexperience” which had guitarist Mike Rempel laying down some fiery licks.

    Second set opened with “Eats the Light,” a newly released single which is a Lotus track in every way, shape and layer. Keeping the flow with “Kodiak,” “Spaghetti,” and “Nematode,” Lotus jumped into an excellent vocoder-laden cover of Tame Impala’s “Elephant.” For their encore, Lotus played “Behind Midwest Storefronts” and then busted out an amazing rendition of Talking Heads’ “Once in a Lifetime.”

    Set 1: Greet The Mind> Philly Hit> Neon Tubes, Molluskunk, Travel> Greet The Mind, Marisol, Age Of Inexperience
    Set 2: Eats the Light, Kodiak, Spaghetti> Nematode, Elephant*, In An Outline, 128
    Encore: Behind Midwest Storefronts, Once in a Lifetime**
    * – Tame Impala Cover
    ** – Talking Heads Cover

  • Bryan Adams Romances Central New York on Valentine’s Night

    Negative temperatures in Central New York couldn’t keep Bryan Adams from heating up the Event Center at Turning Stone on Valentine’s night.

    A nearly sold-out crowd in the town of Verona, NY warmed up quickly as the band took stage shortly after 8pm and the Get Up! tour got underway.  Thrusting into a lofty single set, the band consistently churned up the big hits from the past three decades like “Run To You,” “Summer of ’69,” “Somebody,” and made sure the audience was dancing and singing along to “Cuts Like A Knife.”  The first encore of the evening was a three-song mix of new tracks “Brand New Day” and “That’s Rock and Roll,” sprinkled with a cover, titled “C’mon Everybody” by Eddie Cochran.  The second and last encore was a romantic send-off, featuring 2 solo-acoustic love ballads by Adams and a full band power end with “All For Love.”

    Set: Do What Ya Gotta Do, Can’t Stop This Thing We Started, She’s Only Happy When She’s Dancin’, Run To You, Go Down Rockin’, Heaven, Kids Wanna Rock, It’s Only Love, This Time, You Belong To Me, Summer Of ’69, When You’re Gone (Acoustic), (Everything I Do) I Do It For You, If Ya Wanna Be Bad Ya Gotta Be Good, Here I Am, Somebody, I’ll Always Be Right There, Have You Ever Really Loved A Woman?, Cuts Like A Knife, 18 Til I Die, The Only Thing That Looks Good On Me Is You

    Encore: Brand New Day, That’s Rock and Roll, C’mon Everybody (Eddie Cochran cover)

    Encore 2: She Knows Me (Solo Acoustic), Straight From The Heart (Solo Acoustic), All For Love (Bryan Adams, Rod Stewart & Sting cover)