Category: Media

  • In Focus: Grace Potter at Xerox Rochester International Jazz Fest

    Day one of the Xerox International Jazz Fest and Grace Potter gave an energized performance.  Grace rocked the blues as the headlining act in the beautiful venue of Kodak Hall at Eastman Theatre.

    The packed venue of seated fans were told by Grace in between songs, her performance will feed from their energy.  She elaborated sharing that if people felt like like they wanted to stand, dance sway, tap their foot to feel comfortable with enjoying as they wished.  The crowd loosened up as she continued through her set and took up her offer to get up close to the stage if they wanted to.  Fans faces were lit up with smiles as they enjoyed her close interaction by reaching out to them from stage.  The air filled with the excitement while she was on stage.  A piece of that night stays with each person of the energy that was created by the performance, music and people.

    Grace and each member of the band played the whole set with meaning and directed it to those there to see them.  It was an incredible treat to have attended to see Grace in action whipping her hair as she moved to the music playing.  Every song was given the attention, emotion, energy and soul as if it was the first time they played it, no mechanical movement or sound could be noticed.

    http://www.youtube.com/watch?v=Ty7J5tJRZIQ[

    Setting on her piano had a large crystal on one side and an alien figurine on the other, a sign she is filled with wonder, depth, love and channeling energy.    It was unforgettable night because of Grace Potter coming to Jazz Fest.  The tone had been set for the remaining 9 days of the festival after that show.  The Jazz Fest had the positive vibe of people coming to enjoy music to dance, smile and have a good time with one another each day.  Check out these moments caught from the night brought to you by NYS Music.

  • Frendly Gathering 2016: Jack Mitrani Shares The Evolution

    The Frendly Gathering 2016 was an incredible 3 day adventure, that always delivers more love, compassion and new ‘frendships’ than one can imagine. Jack Mitrani & Danny Davis founders/owners of The Frendly Gathering festival, and the rest of the ‘Frends Crew‘ have had quite the journey throughout their growth with the Frendly community – fans, musicians, artists & ‘frends’.

    One thing that makes Frendly stand out far beyond any festival I have yet to attend, is the essence that remains year after year – no matter how big the festival gets, it maintains the inclusivity that it was founded upon. I got a chance to speak with Jack about his personal experience with this.

    jack mitraniChelsea Erin Wright: The Frendly Gathering 2016 has been incredible for me so far. Experiencing the evolution of Frendly since the very first one in Vermont, has been ahhh-mazing!

    Jack Mitrani: Ah yes, you’re a lucky one!

    CW: Yeah certainly, blessed. I’d love to hear a bit about how your journey manifesting your dreams to create Frendly, has transformed your life?

    JM: My life, wow…yeah. Great question. I think that over the years Frendly has just evolved and the way that it has evolved, is by so many amazing people being behind this to make it happen. It’s taught me so much…it’s taught me so much in business, in relationships, in health…the yoga, the musicians. It’s really been such a crazy lesson, and I take the lessons from what I’ve created with Frendly into my everyday life; a host in action sports, a boyfriend, and every other thing that I am outside of this, ya know? I just feel like I’m so lucky, because I never in a million years would’ve known if you asked me before I started this, if I would be an event planner or festival owner, or any of that…some of that kinda just popped up out of the ground, and has really shaped my life today.

    CW: Yeah that’s pretty incredible…it’s affected you on every level of your being.

    JM: Mhmm, literally. There’s so much you can learn from, like I was saying – the yoga, the community that this festival brings is so health conscious, Earth frendly conscious…you just get so much from it that I would never have gotten. In the action sports, snowboard world that I come from it’s definitely there, but this is like the core of real human beings.

    CW: Yeah, it is way more interconnected than any other festival I’ve attended.

    JM: Yeah exactly, on a spiritual level.

    CW: Definitely, and that’s one of the defining elements. It’s not about the typical kind of ‘party’ that you see at bigger festivals. The all inclusive vibe of Frendly is undeniable, which is one of many reasons why I have returned every year – what has been your favorite part of watching the Frendly community grow?

    JM: I can think about this and come up with one billion answers because there are so many things, but the first thing that popped in my head was year after year, it grows, it doubles in size, and no matter how many more new people come, everybody ripples with the Frendly inclusive energy. Like watching Twiddle play at the campfire, and everyone respects the band…no one trampled them for an autograph right after…it’s just great that no matter how big it’s grown, it’s still remained to the core of what it stands for.

    CW: You’ve been able to maintain the Frendly essence and it’s quite a beautiful, special energy. I’ll definitely say that where I come from there’s not a great sense of community, and this experience each year has opened my eyes up in a lot of ways.

    JM: That’s the best part about this weekend…for the Frendly crew that prepares the site beforehand, it’s like we’re building, and it’s stressful and crazy, and we’re like what are we doing?! And then all of the sudden everyone shows up, and we remember that’s why we do it – everyone’s so nice, everyone’s hugging you…we want to just embrace every single second around all of these people. I have a broken leg right now, for those of you who can’t see me, and people just come up to me and heal me…people ask if I’m okay, and what’s happened…it’s so nice, like you said, to just be surrounded by kindness everywhere you turn. I wish that the entire world was like that.

    CW: If only we could expand this to cover the Earth!

    JM: Yes if only…Vermont, I would say is very peaceful in this way. If you go to NYC and walk around on the streets you feel alone.

    CW: There has to be a pretty incredible shift, which needs to happen.

    JM: I agree, 100%…if we could bottle this up & turn this into a nuclear bomb of peace and blast it out everywhere…I was a huge John Lennon fan growing up, which is where a lot of this vision comes from, it’s is ingrained in me. I’ve always wondered why there needs to be borders and why everyone can’t be peaceful…this is like our version of it, our small little nugget of it that we get to live.

    CW: It’s a wonderful little world that you’ve created!

    JM: Thank you! That we’ve created…the team, and you for being here throughout the years…it’s all of us.

    CW: Yes! And speaking of Vermont being peaceful, this mountain is the perfect place for Frendly…what led you to Timber Ridge?

    JM: Well, we used to come to Timber Ridge when we were in highschool…a family friend owned it, so we would come here for prom and graduation parties…this was the spot, ya know? If Chris Waker was throwing a party at Timber Ridge, it was known that everyone was going to be there. So the first two Frendly gatherings we threw in California, and then we realized we should throw it in Vermont. So we called up Chris, he asked his dad and they were super excited…from that day on, it’s been the most solid connection and the ridge couldn’t be more perfect for this kind of event.

    CW: That’s wild that you’ve been coming here since you were in highschool…makes it even that much more special for you!

    JM: Yeah I know, if you only knew the memories I have from inside of this lodge from when we were kids! And I see a lot of people here from high-school, it’s kind of like a reunion. There are a lot of stories and history at Timber Ridge.

    CW: The stories that continue to be created are what make the space! Each year’s line-up has been pretty special…what inspired this years?

    JM: Every year the lineup comes from the same inspiration, which is a combination of myself and my partner Danny Davis’ vision…we’re huge music fans, so we spend the entire year looking for music. And then we have all of the facebook fans…we’ll throw out a post asking the fans who they think should headline and play the upcoming Frendly and we’ll get hundreds of comments. We go through each one and see who got the most recommendations, and we really spend time filtering through. We also have Higher Ground, a venue in Burlington that has talent booking, which suggests up and coming artists as well. It’s a year long process of making sure we’ve searched every band in the world!

    CW: It’s pretty incredible that you guys reach out to the fans & take their opinions into consideration. I’m not aware of any other festival that does that.

    JM: Yeah, of course – those are the people who are coming, and they have so many good suggestions…it’s a collaborative decision on the lineup. Our lineups are always very eclectic, and ultimately this is really about bringing people together for a good time, to shut off from technology and connect with each other, and the music is the catalyst for that experience. So we want bands from every genre, to hit every Frend. The whole point of this is because we want all of our frends to come here, to get them all in the same place…so in order to do that you have to cater to all of the frends!

    CW: It’s more about connection, which is most important! That’s just another aspect of what makes Frendly so special. What has been your favorite musical experience so far this weekend?

    JM: The Twiddle campfire set for sure…Thursday night Twiddle played around the campfire, and that was my favorite for sure. I talked to Mihali the lead singer and guitar player, and we were asking each other if it was possible…we talked about it for months. So then when it actually happened, and everyone was singing along, the feeling that we pulled it off. I think that’s the most special part about Frendly, is the unique performances that we get to put together and experience here.

    CW: There are definitely some unique ones! Like the pond sets, where people can be swimming & have the stage right there. I saw some very young kids right up in the front at the fire and was thinking wow, if I were one of those kids seeing Twiddle for the first time, at Frendly around a campfire…how incredible. And to look around, and see almost everyone singing along word for word. It was excellent!

    JM: Yes, yes! It’s so awesome! And the fact that the people respect it. Imagine if people didn’t respect that, ya know?…or like caused a riot…campfires can cause people to get wild!

    CW: A riot over Twiddle at the fire, imagine that…

    JM: Literally it could happen, our headlining band playing around a campfire…

    CW: Yeah it’s pretty incredible that we could have them there and they don’t have to be fenced in, they could be totally exposed and immerse in the experience. I’ve been seeing Twiddle since 2008, lucky for me I grew up about a half hour from where they formed in Vermont. I feel fortunate to have had the opportunities to see them play the much smaller and intimate shows around the area, including many of Mihali’s solo shows. Watching them transform over the past eight years has been so beautiful. But being able to see them play, without a fence…without a crowd pressing to be as close as possible – what a feat you pulled off! It says a lot about the energy created here, and the people that come.

    JM: Exactly! We don’t have to put a fence up, we don’t have security standing everywhere. We do have security in front of the big stage…and sometimes I just want to tell them to go home, like what are ya doing here?…ya look cool standing there with your arms crossed, but everyone’s respectful here.

    CW: Yeah exactly, it’s quite thing to know that you don’t truly need that barrier. What do you envision for the future of Frendly?

    JM: I’ve always envisioned multiple events…bottling up the same experience we have here, and trying to send it around the world to places that need it, places that need a sense of community. That would be the dream come true…doing what we do here around the world.

    CW: That would be awesome, and with how I’ve seen you manifest this into the beautiful creation that it is, I have no doubt that you’ll make that happen! Thank you for sharing your time with me, and for providing such a beautiful experience for so many people! I look forward to many more Frendly’s.

    JM: Thank you Chelsea! It was a pleasure.

    To read NYS’ review of the festival follow link: Frendly Gathering 2016: A Most Fulfilling Weekend in Vermont

    Stay tuned for several other photo galleries to come, of the bands from each day.

  • Visuals: Phish at Saratoga Performing Arts Center, July 2016

    Phish took their “en Fuego” summer tour to the beautiful park-set and spring fed Saratoga Performing Arts Center over Fourth of July weekend 2016. And while the overall set list selections may have not been everyone’s “AC/DC Bag” (Are they ever?), the bands deep jams and surprises provided much “Joy” throughout the weekend for the majority of true Phish Phans.

    Setlist(s) courtesy of phish.net

    Friday, 07/01/2016
    Saratoga Performing Arts Center, Saratoga Springs, NY

    Soundcheck: Alaska, Let’s Go, Running Scared, Unknown Mike Song
    Set 1: Stealing Time From the Faulty Plan, The Birds > NICU, Cities, David Bowie, Free, Uncle Pen, Halfway to the Moon, Let’s Go[1], Waiting All Night > Bathtub Gin > Golgi Apparatus, The Squirming Coil
    Set 2: Sand > Carini > Chalk Dust Torture[2] > Prince Caspian > Bug, Shine a Light, My Sweet One, Sleeping Monkey > Also Sprach Zarathustra > Fire
    Encore: Character Zero
    [1] Debut.
    [2] Unfinished. With Trey on Marimba Lumina and Mike on keys.
    Teases:
    · My Sweet One and Say My Name quotes in Sleeping Monkey

    Saturday, 07/02/2016
    Saratoga Performing Arts Center, Saratoga Springs, NY

    Soundcheck: Funky Bitch, How Many People Are You, Miss You, Tide Turns
    Set 1: Crowd Control, 555 > Seven Below > Back on the Train, Army of One, Divided Sky, Martian Monster[1] > Rift, Water in the Sky > 46 Days, Walls of the Cave
    Set 2: No Men In No Man’s Land > Fuego > Light -> Golden Age > Taste, The Horse > Silent in the Morning > Julius, A Day in the Life
    Encore: Bouncing Around the Room, Run Like an Antelope
    [1] Trey on Marimba Lumina.
    Teases:
    · Sleeping Monkey quote in Back on the Train
    · No Men In No Man’s Land quote in Light
    · The Birds quote

    Sunday, 07/03/2016
    Saratoga Performing Arts Center, Saratoga Springs, NY

    Soundcheck: Winterqueen (x2), Guelah Papyrus
    Set 1: The Wedge, Heavy Things, Tube, Sugar Shack, Lawn Boy, Sparkle > Sample in a Jar, It’s Ice > Guelah Papyrus, Ocelot > Scent of a Mule[1], Possum
    Set 2: Soul Shakedown Party, The Moma Dance[2] > Twist > Joy > Breath and Burning, Axilla > Theme From the Bottom > Harry Hood > Show of Life
    Encore: Rock and Roll
    [1] Fish on Marimba Lumina.
    [2] Unfinished.

  • Photo Gallery: Phish SPAC Afterparty with McLovins at Nanola

    As part of a series of Phish SPAC afterparties presented by NYS Music, McLovins took the stage at Nanola in Malta following Phish’s third night at SPAC. Check out NYS Music’s gallery and video from their set below.

  • Dweezil Zappa and Twiddle Both Play Whatever The F#%K They Want

    Canalside is one of the premier outdoor concert venues in beautiful Buffalo New York.  July 7 the free concert series brought Dweezil Zappa and Twiddle into town. Bryan Johnson and Family opened the night of music on the waterfront. Their set was high energy while providing a laid back sound.

    IMG_2886

    Twiddle took the stage next. They opened with Amydst The Myst. Buffalo’s own Mike Gantzer of Aqueous joined in on the fun during Apples and Indigo Trigger. The quartet from Vermont closed their set with Catapiller.

    IMG_3271

    Twiddle Set List:

    Amydst The Mist, Apples%, Indigo Trigger%, Catapiller

    % w/ Mike Gantzer (Aqueous)

    Set List Courtesy of uTwiddle

    Dweezil Zappa is currently on tour celebrating the 50th anniversary of Frank Zappa and The Mothers Of Inventions debut album “Freak Out”. He paid tribute to his late father by using a replica of Frank Zappa’s Gibson Roxy SG. That 80’s medley they played halfway through the set was a trip.

    [FinalTilesGallery id=’858′]

  • Dead and Company at Citi Field June 25-26

    Dead and Company returned to New York City having first visited Madison Square Garden this past fall. Their two-night run at Citi Field was met with excellent weather, some cool breezes, the return of Donna Jean Godcheaux to the microphone, and a chance for Oteil Burbridge to sing a chorus of “Going Down The Road Feeling Bad.”

    The band had previously in this tour made many song debuts not heard in the fall tour, though they broke out “Throwing Stones” for the first time.
    S Malinski - Dead and Company - Citi Field-22

    Dead and Company’s two shows at Citi Field had some more energy than their other appearance in New York at Saratoga Performing Arts Center a week prior, though to be fair to SPAC the crowd was much bigger as was the venue. Almost a year after Mayer experienced Fare The Well from the audience, he continued his Dead and Company trend to impress Dead Heads with his growing adaptability to the Grateful Dead format and style. To the New York City crowd, Mayer’s guitar and vocal work flowed even better than at their October/November 2015 shows at Madison Square Garden.

    Check out NYS Music’s gallery from the June 25 show below the setlists.

    S Malinski - Dead and Company - Citi Field-23

    June 25: (listen on archive.org)

    Set 1:
    Shakedown Street*, Jack Straw, Althea, Loose Lucy*, Ramble On Rose, Sugaree*, Passenger*, Casey Jones

    Set 2:
    Dark Star, Friend of the Devil*, Scarlet Begonias* -> Fire on the Mountain* -> Drums# -> Space -> The Other One -> Wharf Rat -> Throwing Stones+

    Encore:
    Ripple, One More Saturday Night

    June 26: (listen on archive.org)

    Set 1:
    St. Stephen, The Music Never Stopped*, Bertha*, Black-Throated Wind, Peggy-O, Box of Rain, Going Down the Road Feelin’ Bad*

    Set 2:
    Truckin’ -> He’s Gone*, Help on the Way* -> Slipknot! -> Franklin’s Tower* -> Drums -> Space -> Days Between, China Cat Sunflower -> I Know You Rider*

    Encore:
    Samson and Delilah*

    Notes:
    *With Donna Jean Godcheaux
    #Oteil Burbidge on marimba
    +Dead and Company debut

  • Journey Review: When The Lights Go Down at SPAC, You Want to be The-e-er-ere

    Leather-vested and sweat-covered, Neal Schon unearthed a solo that — even amid the political hatefest and madness of 2016 — could unite America. The SPAC lighting backdrop transformed into a slideshow montage of soldiers, flags and the like as the Journey founding member serenaded the crowd with an improvisation-heavy guitar rendition of “The Star Spangled Banner.”

    Though the concert was the Fifth of July — not the Fourth — Schon’s tight fretwork and re-defining of the term “rock anthem” could be appreciated at anytime. Nearly 50 years into his musical career, he had not lost much in strum speed, not any in his tonal quality.

    The masses hooted and hollered, as you might expect an upstate New York crowd to do for an homage to the troops, but the three-minute solo, just half an hour into Journey’s set, was far from the show’s sole highlight.

    Without an unfair comparison to the voice of Steve Perry, lead singer Arnel Pineda’s vocals were rich, rangeless and did justice to the classics. The Filipino, now in his ninth year heading the band, was running and hopping around the stage like a man half his age for many of the upbeat songs — “Any Way You Want It” and “Wheel in the Sky”. In the slower, ballad-like hits — “Faithfully”, “Lights”, “Don’t Stop Believing” — he focused more on the notes, avoiding any pitch wavers a jump or leg-kick might cause to a sentimental song.

    Drummer Steve Smith was an unsung hero of the Journey set. Smith, who backed the band from 1978 until 1985, through much of its heyday, rejoined the band this year after Deen Castronovo left in the fallout of a domestic violence arrest.

    Smith’s rolls were precise and military-like and his cymbal work seemed effortless during his solo, about two-thirds through the band’s performance. The drummer, using a traditional grip for increased roll speed, may have delivered the best drum solo at the venue since 2013, the last time Neil Peart and Rush were in town; Smith’s work on the kit was simply incredible.

    Journey was the third band in the night’s lineup, immediately preceded by fellow Bay Area group — and also fellow notable Rock n’ Roll Hall of Fame snub — The Doobie Brothers.

    A fan’s first observation of The Doobie Brothers taking the stage is likely the band’s size. With four men on guitars and basses across the front, two kit drummers in the back, and a saxophone and keyboard player too, the group’s look is imposing, and the sound was too.

    The Doobie Brothers were not as sing-along as Journey was (do not be mistaken, there were more than a couple patrons joining in on “Black Water”), but instead were jamming more. Whereas Journey’s song interludes isolated individuals soloing on their instruments, The Doobie Brothers had more collective instrumental sections.

    The first performance of the concert came from singer Dave Mason, originally of Traffic. Mason performed three of his own songs, including “We Just Disagree”, as well as three from Traffic.

    Mason’s guitar playing showed little wear from the years, as he demonstrated ample ability. The singer closed his set with “All Along the Watch Tower”, originally by Bob Dylan and made famous by Jimi Hendrix.

  • Summer Nights: Rascal Flatts, Kelsea Ballerini and Chris Lane Heat Up Syracuse

    The music of Rascal Flatts brings memories of summer cookouts, hanging by a bonfire with beers and friends and cruising down a lake in a pontoon boat, while the sounds of country music, the water lapping the hull of the boat and the motor fill the air. And the Lakeview Amphitheater in Syracuse, NY, was the perfect venue for the June 24 Rascal Flatts’ concert. The venue sits with its back to Onondaga Lake and the concert’s starting time of 7:30 p.m. made it coincide perfectly with the sunset, which gave the horizon an almost picturesque rose-colored tint.

    Rascal FlattsDressed in a tight, white T-shirt and wearing rounded vintage sunglasses, Chris Lane opened the show and brought many ladies to their feet with his laid-back weekend party jam, “Saturday Night.” Keeping the crowd pumped up by asking “Syracuse, are y’all ready to celebrate the weekend or what?! Let’s do it!,” he continued his set with his pop-driven love ballads, “Her Own Kind of Beautiful”and “Who’s it Gonna Be.” Lane showed his musical range and that he knew how to play to his target audience, by including covers of classic boyband anthems such as the Backstreet Boys’ “I Want It That Way” and ‘N Sync’s “Bye Bye Bye.” Lane finished his set with his latest single, from the album of the same title, “Fix.”

    After a short break, new-comer Kelsea Ballerini continued the show. Ballerini released her first album in 2014 and has been touted by many industry experts as the next Taylor Swift. The fact that Ballerini is a tall, beautiful blonde with a smile bright enough to almost make this photographer have to lower the brightness settings on his camera, certainly helps her comparison to Country superstars Swift and Carrie Underwood. Ballerini is also one of only five women to score number-one hits on the Billboard Country Airplay Charts with their first two charted singles. Ballerini’s talent was further recognized when in 2016, she won the Academy of Country Music award for “Female Vocalist Of The Year.” Watching her vocal range, great energy and enthusiasm as she belted out “Yeah Boy,” “Dibs” and “Looking at Stars,” one could see that the hype surrounding her career was definitely warranted. Ballerini kept the crowd engaged between songs by encouraging us to sing-along with her, telling us about her first heartbreak, holding hands and even taking selfies with the crowd. Unsurprisingly, the crowd seemed to especially respond to Ballerini’s two hits, the upbeat “Love Me Like You Mean It” and “Peter Pan.” Great things are to be expected from Ms. Ballerini in the coming years.

    Following a short period, which allowed the stage crew set up for the next act behind a large black curtain, Rascal Flatts took the stage to the cheers of the crowd. They kicked off their set with the same song that had been in my head since I arrived at the Lakeview Amphitheater earlier that day, “Summer Nights.” Lead singer Gary LeVox’s ability to hit the highest notes did not fail to impress. The concert was filled with shout outs to Syracuse, high fives/hand holding with the members of the audience, and on several occasions, Levox would take one of the many phones being held up by the fans in the front rows, turn around and take a selfie with the crowd in the background, before handing the phone back to the lucky fan. The group even ventured into new musical territory and in honor of the late, great Prince, played “Purple Rain.” The group wound down their set with the hit designed to honor their hordes of fans over the years, “Here’s To You,” before leaving the stage for a short time and returning for an encore with one of their biggest hits, “Me and My Gang.” Chris Lane and Kelsea Ballerini joined them on stage at this point creating a memorable grand finale.

    Rascal Flatts Setlist: Summer Nights, I Like the Sound of That, Banjo, Come Wake Me Up/I Melt/I Won’t Let Go, Life Is a Highway, Why Wait, Stand, Bless the Broken Road/Open Arms (Journey cover), Rewind, Fast Cars and Freedom, Purple Rain (Prince cover), Love You Out Loud, My Wish, Take Me There, What Hurts the Most, Here’s To You

    Encore : Me and My Gang

  • Phish in Hartford July 9 2016

    Phish stopped in Hartford on Saturday July 9 for the penultimate show of the Northeast leg.

    The first set featured a fantastic “Meat”, “Vultures” > “Free” segment which was the anchor while a “You Enjoy Myself” set closer kept the crowd buzzing all setbreak. The “Down with Disease” to open the second set took a bit for them to find their footing, but once they did it was worth the wait. “Sand” was funked out and led into a stellar version of “Tela,” with Trey nailing the solo. A “Lizards” encore is always a perfect choice and sent the crowd into the night with smiles on their faces.

    phish.hartford2016.8

    Setlist via Phish.net

    Set 1: Pigtail, The Moma Dance, Birds of a Feather, Meat, Vultures > Free, Let me Lie, Halley’s Comet > Julius, You Enjoy Myself[1]

    Set 2: Down with Disease[2] > Sand > Tela, Carini > Twenty Years Later > Run Like an Antelope > Backwards Down the Number Line

    Encore: The Lizards, Loving Cup

    [1] Trey on Marimba Lumina, Page on bass, Mike on keys for portion of the jam.
    [2] Unfinished.

  • Dave Matthews Band Gets Sexy With Sold Out Lakeview Amphitheater

    Dave Matthews Band brought an eclectic mix of its unique catalog of songs and covers to an enthusiastic crowd of 17,500 at the Lakeview Amphitheater in Syracuse on Wednesday June 22. The show marks the first sold out show at the newly opened amphitheater.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-1

    Fans were a bit apprehensive about the traffic, the no tailgating policy and the venue’s ability to handle the large crowd, but the venue seemed to do a good job managing traffic. Shuttles were running constantly to and from alternate parking locations as far away as downtown Syracuse. The no tailgating policy was generously overlooked. People were having a good time enjoying a few drinks but it didn’t appear that anyone was out of control. However, a no pop-up tent and no grill policy was strictly enforced. Some lighting could be added to improve visibility toward the exits and in the parking lots and they definitely need to add some additional porta-potties. The sound quality and the views are the best I’ve experienced compared to other amphitheaters in the northeast.

    Dave Matthews Band took the stage around 8:30 and opened with their classic tune “Warehouse,” followed by “When the World Ends” and mega hit “Crash Into Me.” It seemed as if every single person in the audience knew every song as they belted out the words with every breath. The audience continued singing and dancing through “Don’t Drink the Water.” The band slowed things down with “Stay or Leave” and immediately got the crowd revved up again with fan favorite “#41,” where Boyd Tinsley had the audience cheering as he showcased his awe inspiring violin skills.

    As the band is currently on tour celebrating their 25th anniversary before they go on a hiatus in 2017, they had no problem celebrating as fans jumped up and down, pumped their fists and occasionally took the lead singing parts of songs. At one point the fans lead a chant of “Thank You For Letting Me Be Myself,” to which Matthews took a step back and treated the audience to his trademark impish grin and eyebrow raise.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-2

    Between songs, Matthews was relatively quiet, thanking the audience and remarking about the beauty of the venue. He did leave fans hopeful by stating, “I hope we can come back here and play for y’all again sometime.” The celebration continued as the band paced through a nineteen song set. Stefan Lessard rocked a beautiful six string bass for the occasion. Carter Beauford, smiling as always, pounded the drums so fast at some points it looked like his hands were vibrating. Guitarist Tim Reynolds zipped up and down the fret board, producing intricate and unique sounds while making it look completely effortless.

    Jeff Coffin (saxophone) and Rashawn Ross (trumpet) were joined by saxophonist and old friend, Sam Kininger. Kininger has played with Ross in Lettuce and Soulive’s Shady Horns Section. The horn section showed they are more than just an accompaniment as they blared in perfect harmony through “What Would You Say” and “Jimi Thing.”

    Matthews showed his silly side as he borrowed a party hat from an audience member and wore it through the band’s almost hilarious version of Prince cover “Sexy Mother F*cker” to end the main part of the set. You would think that after almost two and a half hours that the fans would start to fade, but instead they roared, cheered and many chanted their “wish list” song hoping the band would oblige and play it during the encore. Shouts of “Two Step,” “Halloween,” and “Watchtower” rang out over the deafening cheers of the crowd. It is this intense level of excitement and anticipation that proves why Dave Matthews Band is a summer ritual for so many fans.

    Jim Houle Photography - Dave Matthews Band - Lakeview Amp - NYSMusic Watermark-3

    The band took a short break and ended the evening with a two song encore that included “The Song That Jane Likes” and fan favorite “Tripping Billies.” Carter Beauford tossed out buckets of drum sticks as fans roared and begged for more.

    Set list:

    Warehouse, When the World Ends, Crash Into Me, Sugar Will, Don’t Drink the Water, Stay or Leave, #41, Samurai Cop, Grey Street, Satellite, Break Free, Lie in Our Graves, Shake Me Like a Monkey, Typical Situation, What Would You Say (with Sam Kininger), Jimi Thing (with Sam Kininger), Sexy M.F. (Prince cover) (with Sam Kininger)

    Encore:

    The Song that Jane Likes, Tripping Billies

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