Author: Zena Ballas

  • Lotus Fans Eat the Light at Playstation Theater

    On the night of November 25 at PlayStation Theater, an electronic jam band by the name of Lotus, set out to lift the hearts of many through musical madness. This five piece group has a way of capturing the attention of their soundwave-thirsty audience. A concert is one thing, but this was a performance.

    lotus playstationIt was quite refreshing to see this band live again. When you see a really good show live, you automatically wonder when you are ever going to get the chance to see them again. In that hiatus and chunk of time that you have not seen them, they have grown in many ways. Bands fashion and master fresh new tracks and work with each other to create something revitalizing and beautiful.

    Lotus commenced their musical power right at Playstation Theater before the turn of the 21st century. Since then, they have fabricated a style of unique instrumental post-rock and electronic dance, which makes their fans groove to the max.

    They dropped their newest album this past summer, Eat The Light. You better believe they killed it with a few fresh tunes off this energetic composition, such as “Sodium Vapor,” “I’ve Been a Fool,” as well as hits from the past including “Tip of the Tongue,” “Slow Cookin,’” “Basin to Benin,” “Juggernaut,” “Shimmer ‘n Out,” “Suitcases,” and many more. They also covered an awesome hit by Ratatat called “Cream on Chrome.”

    Lotus’ band members keep things alive and current all while adding flare to the mix to remain original. We must give thanks to Mike Rempel on guitar, Chuck Morris on percussion, Jesse Miller on bass, Luke Miller on guitar and keys, and Mike Greenfield on drums. These loyal members opened up the hearts of many like a blossoming lotus flower.

    This show made a grand impact on those who were destined to be there at that very moment in time. Each song mastered a journey of transcendence, telling a story unique to its own. The soothing lighting and delicate but strong jams of the evening had everyone feeling jovial, friendly, and dedicated – a true reflection of this amazing band’s powerful yet gentle nature.

  • STS9 Rewinds Time at Terminal 5

    Picture your mind and body being taken on an intergalactic journey through time and space where imagination is limitless. On November 12, Sound Tribe Sector 9 (STS9) truly made every soul in Terminal 5 rock their bodies to the charm of sweet sound waves. This galactic adventure transported and tickled the tummies of many with tasteful sounds and groovy jam produced by this very unique tribe.

    STS9 Terminal 5STS9 has the power to elevate sensations of happiness and fulfillment. This group brings instrumental electronic rock music to the next level – incorporating a bit of jazz, funk, hip hop, drum and some badass bass. Fans at Terminal 5 were truly astounded at the immense rhythm that filled the atmosphere. Many were ecstatic to hear songs from their latest album, The Universe Inside, recently released in September. They kicked off the night with one of their newest tracks “World Go Round”, and played various brand new songs including “Worry No More,” “Light Years,” and threw it back with a classic called “When the Dust Settles” released in 2011.

    Not to mention the light show was fantastic, which ultimately brought a sense of cosmic waves shooting through the air and lifted everyone’s spirits. The crowd gave thanks to this dynamic group. Hunter Brown expressed himself on guitar/keys, Jeffree Lerner gave into the groove on percussion, David Phipps smiled to the punch of his keyboard, Zach Velmer went crazy on drums, and Alana Rocklin simply rocked the bass to the max.

    STS9 Terminal 5Reflecting the stardust of the universe and everything within it, this band knows how to become one with its audience and its surroundings. Being at a show like this makes you reflect on living in the moment and how everything circles in a glorious manner. Their tunes wrap around you with warmth and a comfort that is lacking in this world. STS9 is an identity of the planet and beyond, reaching and rewinding a sense of timeless nature.

  • Tea Leaf Green Makes The Crowd Scream

    ‘Twas a night of dim lit eye candy and musicality, where Stop Light Observations opened up the evening ahead of Tea Leaf Green at Brooklyn Bowl on Saturday, October 15, like a fresh can of soda pop. SLO, a southern-retro-electro-rock band, holds an intricate blend of influences, some of which include revival, folk, Motown, and indie. Groups like this one build a strong bond over the years, having been formed in their teens.

    tea leaf greenThe members entered and dropped their little pup on the stage, being their biggest groupie. Fans obsessed over the charming pooch as his friendliness filled the atmosphere and matched the cool vibes of the performance.

    The crowd was getting rowdy, for Tea Leaf Green was due to perform next and blow the audience away. Alas, the musicians played a mean set at this fine tea party; Josh Clark sparked the floor with his guitar and powerful vocals, Trevor Garrod made love to the keyboard and killed it with the harmonica adding some vocals as well. Eric DiBerardino made the crowd bounce with his bass. Lastly, Cochrane McMillan and Scott Rager beat the drums to match the rhythm of the fan’s heartbeats.

    They played moving songs throughout the night, some of which included “Sleep Paralysis,” “Red Ribbons,” “Germanating,” “Bouncing Betty,” “Let us Go,” and ended the night with “Incandescent Devil.” Each song had its own bit of flare with an emotional build up and release, including a bit of rock, jam, and hypnotic beats.

    tea leaf greenTLG stems from the heart of the Golden State in San Francisco; these talented individuals pour love and dedication into their stellar performance, with an array of overlapping vocals. Each artist fused a piece of their soul into each album, which ultimately created an intriguing mix of sounds; if only I could spread this kind of jam onto my toast.

  • Twiddle Impresses in Plumpty Dumpty Tour Finale in Ithaca

    It had been a decade since I’d been to Ithaca. The final show of Twiddle‘s Plumpty Dumpty tour was more than enough reason to make the drive from Buffalo. I’m sure glad I did.

    Plumpty Dumpty TourIt was my first time being at The Haunt. It’s a great intimate venue. The security and staff there were nothing but “frendly” and helpful. The Haunt is historic in its own right. Seeing some of the bands pictures hung on the wall it just felt right that Twiddle was closing their spring tour there.

    Space Carnival opened up the night. They brought high energy to the stage and the crowd loved it. Their final song for the night was a cover of Lionel Richie’s “All Night Long.” Keep an eye and an ear out for these up-and-comers.

    Twiddle opened  with a great “Polluted Beauty,” one of my favorite songs off their latest Plump Chapter 1. Some of the guys were not feeling 100 percent healthy after spending a month on the road but you couldn’t tell with the way they hit the stage.

    Mihali Sauvolidis took flight from the start, shredding apart the 20-minute “Polluted Beauty.” Twiddle is on fire right now. In my eyes the sky really is the limit for these guys.

    My favorite part of the night was hearing the instrumental “Wasabi Eruption” > “The Box.” The set list for the night was very plump with Plump. We look forward to what Twiddle has in store with Plump Chapter 2.

    Twiddle ended the night with the crowd-pleaser “Lost In The Cold.” All in all it was a beautiful night. The crowd was nothing but friendly, especially to my pregnant girlfriend. With this upward trajectory, don’t expect to see Twiddle playing at such intimate venues for much longer.

    Next up for Twiddle is their May 7 date at the historic The Capitol Theater in Port Chester. If you are planning on attending, get your tickets soon. It will sell out.

    Space Carnival: Rango >Regal Krad , Entree The Giant, Pilb, Uh Oh, I slipped My Disco, Cyberia, Moon Boots, All Night Long (Lionel Richie cover)

    Twiddle: Polluted Beauty, Wasabi Eruption> The Box, Syncopated Healing, Amydst The Midst, White Light
    Encore : Lost In The Cold

    Setlist provided by uTwiddle

  • Oneonta Audience Grooves With Jimkata and Space Carnival

    Breaking in the new month, Jimkata, a musical trio from Ithaca, and Space Carnival, a fiery four-tet based out of Oneonta, hit the Oneonta Theatre on Saturday, April 2. Fans were raging about the floor and craved some more.

    Space Carnival unlocked the stage and were born into the atmosphere as they unleashed magical sensations throughout. With Jeremy Kraus on guitar, Cameron Fitch on keys and vocals, Chris Meier on Bass, and Nick Tassinari on drums, these four gentlemen took the night and fed their fans more of their funky psychedelic slippery disco.

    jimkata space carnivalThis group has become outstandingly popular; having been to several of their shows, they never seem to disappoint. Since their formation in 2013, they have created a beautiful fan base and evoke a sphere of jam and funky madness. On this night, they pumped the smoky carnival air with tunes such as “Regal Krad”, “Moon Boots”, “Uh Oh I Slipped My Disco”, “Rango”, “Mister Sam”, “Plibt”, and “Entree The Giant”. It is pleasing to witness how they have progressed over the years and it is an honor to watch them continue to grow into galactic flowers.

    jimkata space carnivalSpace Carnival meshes funk, progressive rock, and high-energy disco all while melting brains and hearts. They have a unique rhythm and spatial sound which all keep their fellow dancers afloat and on their toes. They performed covers throughout the night along with their fresh jams to keep the spacey flow going. Stay tuned as they are currently recording their debut album Drawn In By The Sun.

    jimkata space carnivalFollowing Space Carnival, Jimkata settled the night in the most perfect way, allowing the audience to cool down and sooth to the smooth moves of soft soundwaves. This night was about the promotion and celebration of their newest album In Motion. This band is much more than what they seem; their anthemic-synth-washed rock n’ roll and pop take you through the night and underground on a happy rollercoaster with sweet melodies and charming hooks. One can feel the emotional energy that emanates from their gentle tunes. It has an adventurous, continuous flow of undulating waves.

    jimkata space carnivalOn this night of the tour, Evan Friedell (guitar/vocals), Aaron Gorsch (synth/guitar), and Packy Lunn (drums) collectively embraced their listeners with a fresh perspective of feeling. Their music lures you with emotion and hits your body with the beat. The crowd cheered to some of their hits such as, “Wild Ride”, “Innocence”, “Won’t Let You Down”, “Jumping Out of Airplanes”, and “Ride The Wave”, all from their most recent album.

    They have a very natural sense of feeling and breath of life that they fuse into their hits. The background jams tune into the vocals as it creates a fresh experience all around. It shifts into different forms along the journey of each song. They were able to evolve their music, as they are now three members instead of four. They were able to successfully regroup after their recent transition. It was certainly a reflective time period for them; it is all about positive energy for Jimkata, a beautiful balance.

  • Big Mean Sound Machine Shakes B-Side Ballroom

    On March 11, Big Mean Sound Machine blew multiple minds away on a groovy Friday night at B-Side Ballroom in Oneonta, NY. A collection of nine talented souls graced the little nook of a stage that night, and gave it their all. It was evident that this group loves what they do, and are extremely cheerful about it. Throughout the night, they brought funkadelic afro-dance madness, with hints of worldly, succulent, jammy beats full of jazz and wonder. It can really get the best of someone in the best possible way, and I know it got the best of me.

    big mean sound machine B-Side BallroomHaving been the first time seeing Big Mean perform, my breath journeyed its way up through my esophagus and exited only to create electrical gasps. Smiles filled the air as each musical build up was brought to the attention of the B-Side audience; it was impossible to look away. It channeled energies and was not only mesmerizing, but jaw-dropping and awe-inspiring.

    To put the night into perspective, envision a tiny stage within a restaurant/bar, packed with assorted instruments and intense skill. Everyone was hanging out at first, but the next thing you know, the floor was filled with dedicated dancers who yearned to experience the largest and meanest sounds that this machine created. ‘Twas a machine indeed, and it lit up the floor and crowd, as if fanciful fireworks were exploding into thin air.

    The show commenced, and the performers wooed the audience with a song called “Whoa Gosh,” one of many various fresh tracks from Big Mean’s most recent album, Contraband (2014). The Ithaca, NY, band has the power to gather the vibes that instruments generate and transform sound waves into jiggy, psychedelic beauty. With their unique sense of musical style, Big Mean raises the bar with their originality and feel-good atmosphere.

    Angelo Peters rocked out on the bass, whileto his right Bobby Spellman owned the trumpet. Andrew Klein beat the drums to death, as Lucas Ashby brought the congas to life. Dan Barker and Ray McNamara created rhythm and movement with every jam from their guitars. Rob Tate hit up the audience with some electric rhythms, as Tyler Burchfield soothed souls with his baritone saxophone and Alicia Aubin danced the night away with her trombone.

    big mean sound machine B-Side BallroomThe fans handled every sound the band threw at them; the rhythms made each soul move and each body shake that night, bringing a sense of euphoria and enlightenment. Throughout the show, Big Mean rocked the stage with even more hits from their newest album, some of which included “In the Name of What,” “Contraband,” “Sweet Tooth” and “Wolfpack.” They also threw in “Marauders,” a classic from 2012, that brought a different sense of style and flair to the set.

    Big Mean Sound Machine is more than just a group; they are a beautiful arrangement and outstanding collective that brings life to every stage they perform on. Their jiggy style makes you want to move all night and it will resonate with you, as it is quite contagious my friends.

    big mean sound machine B-Side Ballroom