Author: Steve Olker

  • We’ve Only Just Begun – A Phish Night One Recap

    Phish opened their annual 4-night New Year’s run in grand fashion last night at Madison Square Garden. For night one, perhaps picking up on the palpable political tension this year has brought us, an a capella rendition of “The Star Spangled Banner” served as a somewhat fitting opener.

    With a raucous Garden crowd now energized, “Stealing Time From the Faulty Plan” followed, allowing guitarist Trey Anastasio to shine early with some fierce guitar licks. The first of three first set covers (not including our national anthem) then appeared in the form of “Lonesome Cowboy Bill,” a song prominently featured on the band’s cover of the The Velvet Underground album Loaded done in 1998 for their musical costume. This fun, semi-bustout of a cover then gave way to “Free” which picked up the energy level in the building significantly and seemed to have everyone dancing in unison for the first time all night.

    Phish Night One However, the pace settled back down again afterwards as “Train Song” and “Prince Caspian” followed, two songs featured on the now 20-year-old album Billy Breathes. “Roggae” kept the mellow first set vibe in full gear, allowing lighting director Chris Kuroda to show off some new lighting techniques in addition to some old favorites. A cover of the blues classic “Funky Bitch” then followed, highlighted by tremendous vocal and bass work from Mike Gordon. “Halfway to the Moon,” a song penned by keyboardist Page McConnell, gave him a chance to take center stage before another bust out of a cover in the form of a beautifully melodic “Corrina.” The first set wouldn’t be complete without one last jam and chance to stretch out a little and “Stash” fit the bill perfectly for that before a standard first set “Cavern” closer ended an enjoyable yet fairly laid back first set.

    Phish Night One The second set that followed was anything but laid back as a three-headed monster of musical mayhem kicked things off. A top notch rendition of “Wolfman’s Brother” started the proceedings and saw the four musicians in perfect harmony with one another. Then, although it may not have been up to the epic level of the previous version played in Vegas a few a months ago, the “Golden Age” that followed was not that far off and featured some of the most inspired interplay of the evening which eventually led into a seamless segue into the classic arena rocker “Simple.” This three-song section of the evening was, by far, the highlight of the night, prompting one show goer to call it “her new best friend.”;

    Phish Night One After a typically splendid “Simple” outro jam, the band picked things back up with an uptempo number in “Chalkdust Torture” that, once again, seemed to have the entire arena moving as one. The “Martian Monster” that followed was anything but typical as sound effects delivered by McConnell and steadfast drumming by Jon Fishman soon gave way to a full on “Tweezer” outro jam that took everyone by surprise and even had Anastasio integrating “your trip is short” lyrics sung to the tune of “Tweezer.” Phish playing around both musically and lyrically is when they’re at their best and this was no exception. “Wingsuit” then followed as the requisite breather song to slow things down a little before a fairly standard run through of “Possum” closed a ferociously enjoyable set of music. One last cover in “Good Times, Bad Times” served as the encore, undoubtedly sending everyone on their way ecstatic from a great night of music with, presumably, three even better ones to follow.

    Phish Night One SET 1: The Star Spangled Banner, Stealing Time From the Faulty Plan, Lonesome Cowboy Bill > Free, Train Song, Prince Caspian, Roggae, Funky Bitch, Halfway to the Moon, Corinna, Stash, Cavern

    SET 2: Wolfman’s Brother, Golden Age -> Simple > Chalk Dust Torture, Martian Monster -> Tweezer Reprise Jam -> Martian Monster, Wingsuit > Possum

    ENCORE: Good Times Bad Times
    Setlist courtesy of Phish.net

  • HeadCount Presents “Soundtrack to History” at Brooklyn Bowl

    Tuesday night saw, what seemed like, a never ending election style end to the tune of some funky, improvisational music at this photog’s favorite small NYC venue, Brooklyn Bowl. It was here that HeadCount presented a “Soundtrack to History” via the Everyone Orchestra. Hosted by Matt Butler, Everyone Orchestra is an ever changing cast of musicians who are conducted through a dry erase board and crowd participation.

    This evenings cast for Headcount’s “Soundtrack to History” was no slouch, and included Marc Brownstein, Steve Kimock, Marco Benevento, Karina Rykman, Mihali Savoulidas, Vinnie Amico, Jeremy Salken, Jay Jennings, Chris Bullock, Natalie Cressman, Jans Ingber, and, unannounced for the second set, Robert Randolph. What a list… apologies if I missed someone.

    headcount Soundtrack to HistoryAs you can tell from the gallery below, the Bowl had televisions tuned in to the election, offering a unique vibe to say the least.  There were cheers, jeers, eyes locked high to the walls and not at the stage, and nearly everyone on their cell phone. Not a reflection of the music in any way, as this was my favorite EO show I’ve caught over the years, exceeding expectations to be quite honest. Feel free to make your own call as the show is available on YouTube.

  • Photo Gallery: Happy Owl Fest 2016

    This past Saturday, on one of the hottest days of summer, the Happy Owl Fest flew into the quaint, Grateful Dead-esque ‘venue bar’ known as American Beauty, located in the midtown section of Manhattan. Typically, I would not be very excited to be inside for a festival in the middle of the summer, but fortunately, this venue’s air conditioning battled the 100 degree heat without mercy. At times, there were rumblings of people actually being cold. Add to this the ample selection of good craft beer, and American Beauty’s only food offering, a free personal cheese pizza with each beer, and you have a lovely way to spend the better portion of your weekend day. I haven’t even talked of the line up yet, which of course was the reason I was there in the first place.

    The schedule was ambitious, including nine acts between the hours of 3pm and 3am, with a bonus side hustle of the Phish webcast from Chula Vista, CA, which was projected in the main bar while the bands played on in the main stage area. I was one happy camper that I was able to catch the full sets of Polyvamp, Sylfox and the Hustler, Formula 5, and Sprocket. Alone across these four bands was an eclectic mix of music that should satisfy a majority of musical tastes. In sum, the Happy Owl Fest navigated improvisational rock, funk, and electronic with a dash of blues, not necessarily all at the same time.

    Should this event take place again next year under similar circumstances, I wouldn’t hesitate to make the trip. The balance between venue, beer, food, music and price of admission was quite welcome. The only suggestion I would make is for the venue to make a small investment in a house lighting system. On one hand, the noir scene makes for a rare experience in dedicated club venues these days. On the other hand, a little lighting action would would inject some energy into the room, in this photographer’s opinion.

    Till next year, enjoy my gallery from the first Happy Owl Fest.

  • Photo Gallery: Relive Mayfest 2016

    The beautiful grounds of Surprise Lake Camp in Cold Spring, NY, provided the backdrop for the second annual Mayfest during Memorial Day weekend 2016. The offspring of SkyBaby Yoga and Catskill Chill Music Festival, Mayfest articulately blends music, art and yoga together, as a three-day, intimate wellness retreat. The vibe was bright and relaxing, and it was a welcomed addition to the arguably crowded festival scene here in the northeast.

    MayfestTargeted at the yoga enthusiast, the daily schedule was packed with activities, ranging from various yoga classes, group meditation, workshops, lectures, pilates and hooping. At any give time between 8 a.m. and 5 p.m., festival-goers had to choose from about nine different offerings—there was no excuse to hang out at your cabin or tent. As the sun was closer to setting each night, the focus shifted to the main stage, a stone seat amphitheater across from the lake, which was scheduled to go at the relatively early time of 11:30 p.m. each night (although it was cut about 45 minutes short on Sunday due to the weather). The one late night activity was the Sensory Collective, a “Cirque-de-Solei-esque” troop of performers who entertained attendees Saturday night, keeping us night owls happy until 1 a.m. on Sunday.

    A review of individual bands or yoga classes is well beyond the scope of this photographer. I would advise to those reading this who might be interested in attending next year, if you take yoga on the regular, the lineup is mostly within your musical wheelhouse, and the location doesn’t change, then you shouldn’t hesitate to go. While only in its second year, everything is well run and the staff brings a wealth of experience to this event. Also, I would spring for the cabin rental; they were recently updated and place you closer to the action. Finally, it did seem most of the classes were still available to sign up when onsite, but chances are you will be going in knowing what classes you want to take. Procrastinating on the sign-up will be of no benefit.

    Hopefully this has offered some sense of what went down in Cold Spring, and what to expect next year assuming no major deviation from the current formula. Of course, check out the pics below and see some of the sights of Mayfest from my perspective.

  • Photo Gallery – Marco Benevento at the Music Hall of Williamsburg

    Marco Benevento returned to his native Brooklyn to celebrate the release of his most recent record, The Story of Fred Short. The Music Hall of Williamsburg offered an intimate and comfortable backdrop for the energetic, smart, and at times quirky tunes that would fill the near two hour set.

    marco benevento Music Hall of WilliamsburgAnyone who has been to a show with Marco in the driver’s seat, or even riding shotgun, can attest that you won’t leave disappointed. Supporting him on this Saturday night was Andy Borger on drums, and Karina Rykman on bass. The trio was joined during the encore by Mikaela Davis on harp and Katie Jacoby on violin, kicking the set up just one more notch. Fortunately for anyone who missed out, there are more shows in the near future for you to soak up all the aforementioned ear candy (line-up subject to change). Till then, enjoy this photo gallery highlighting a few moments from the evening.