Author: Meredith Snow

  • Supporting Local Music From The First Note

    Have you ever thought about where your favorite famous musician started before they played in arenas around the world? Probably not. Chances are, at one point, every artist you can think of was playing a show to a handful of people rather than a sold-out crowd.

    It’s easy to forget that once upon a time, one of the only ways to discover musical artists was by going to the local music venue. There are some amazing talents hidden away in small and big towns alike with dwindling options for places to play their music for other people.

    The local music scene has been near and dear to my heart for quite a few years now. One word to sum up the scene is, family. I have experienced different music scenes from all over and this seems to be a common theme. Here in Buffalo, we are blessed to have such a tight knit music community.

    I am a professional music photographer and work with many of the bands here in Buffalo and sometimes in the Rochester area. Local music is very important to me and is one thing in life that keeps me going. I love capturing the truest of emotions on stage. That is something that cannot be recreated. I’m in it for the long haul, to make a career of this.

    Music is a powerful means of connecting people. It bridges linguistic and cultural divides, and is a vehicle for identity and expression like no other.  Music has the power to do this, no matter where you come from or your background.  Music, is one thing that brings all walks of life under one roof.

    I also love that no matter which genre of music I’m covering, we all treat each other with a sense of community. I see many musicians from different bands on their off night come support their brothers and sisters as they play locally. I’ve seen just about every vantage point in the music scene. I’ve been the band girlfriend; witnessing the countless hours and money artists spend writing and recording, trying to make a name for themselves. I’ve seen the local promoter putting in their own money, working to find artists who fit the same bill; taking chances on bands that nobody knows exist, hoping to possibly just break even.

    Buffalo is one of many communities that suffers when a local venue closes. Venues are struggling financially and are on the fence about whether or not to continue providing live music. We take this for granted.  To keep local music alive, it’s as simple as supporting the artists and the venues by buying a ticket to see the show or buying something from the venue; a beer, coffee or dinner. Sometimes venues will also dedicate a portion of the night’s bar revenue to the bands, making this a win-win situation.

    Musicians are a healthy part of local economies. When we support them, we are supporting a number of business owners and employees, including the local bars and venues, screen printing companies, record labels, record stores, even the food trucks on the street outside the venues.

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    If the music is something that tickles your fancy, consider purchasing the artist’s CD or a t-shirt. Musicians are often not getting paid their worth from venues and many end up losing rather than making enough money to cover  expenses. Many artists have the burden of working tirelessly to expose their music, most on penny-pinching budgets. Wearing a band’s t-shirt, listening to their music or even mentioning the music to friends is a simple way to continue your support long after the live music has ended.

    Live music has a power that can last long after a single performance. Lyrics and tones pull feelings from you that you have never experienced. The energy of a live show needs to be felt. Bands and artists pour their hearts and emotions into their live performances, and while the crowd is feeding off that energy, the band is feeding off the crowd.

    Checking out a local show is a much more intimate experience, and there’s no corporate music nonsense involved, meaning you’re truly hearing what the artists want you to hear.  These guys and girls on stage have day jobs just like the rest of us. They can be the girl from the coffee shop serving you your daily medium coffee, two cream and a muffin or the plumber who helped fixed your busted pipes on an emergency night call. Some of us are doing this for fun and some are striving for stardom. Regardless of what each individual`s motive is, support is what keeps it going.

    We must also extend our hands to local bands that took that leap of faith and decided to take their music on a weekend or a month-long tour to play with bands local to those cities in hopes of spreading their name.

    I`m happy to see fellow music lovers offer the courtesy of their homes to those traveling bands so they don’t have to spend money that can be used elsewhere on hotels or forced to sleep in their vans in the frigid or scorching weather.

    The bottom line is, don’t stop enjoying internationally known bands, just make some time to go to a local music venue and support the ones who are starting from the ground up, where their lyrics are true and haven’t been touched by 30 hands. Who knows, you may even be watching the birth of the next great star!

  • X Ambassadors Play to a Sold out Town Ballroom

    Tuesday in the heart of the Buffalo theater district Town Ballroom had a sold out crowd that was going to be highly entertained by X Ambassadors and some top of the line indie bands. Sara Hartman was the opener for the night; she is originally stems from NY but moved to Berlin in recent years. She brought her Berlin band mates with her as they were fresh off the plane. Despite having a couple technical difficulties they still put on a solid performance. I expect to see great things from her in the coming years.

    Savoir Adore was co headliners Tuesday and it was like something I haven’t quite experienced before. They are mixture of pop and indie. Main vocalist Hammer was highly energetic and combined with Muros soft voice it reminds me of the chemistry between Leah Fay and Peter Dreimanis of July Talk. The other band mates sing as well and for the most part it blends and is pleasing to the ear, but some of it was a little overdone and not necessary for everyone to be joining in.

    X Ambassadors—a soul funk band who started out in Ithaca, NY. If Sam Harris wasn’t enough to look at, his brother Casey Harris, over on the keyboard certainly was. I give him a notable mention for executing dinosaur-like; leg pounding dance moves while pulverizing the keys for the entire duration the show.
    Sam started playing the sax on Love Songs Drug Songs, proving that everyone loves some saxophone. Harris told the crowd that if they knew the lyrics to Renegades to sing along and the maybe the audience had just seen the Jeep commercial enough but during the chorus enough people actually sang the words to let Harris hold the microphone out to them. You could definitely distinguish by the participation of the crowd who have been lifelong members or Ambassadors to those who only know their top hits.

    Regardless of how long you have been following them everyone walked away entertained that night by the high energy performance they put out.

  • Mac Sabbath Brings an Easter Treat to the Tralf Music Hall

    It took just under a half hour for the guys of “Drive-Thru metal” band Mac Sabbath to begin their set on Easter Sunday at the Tralf Music Hall. Before the large yellow and red tapestry that covered the stage came down the lights finally dimmed and Sinatra’s 1973 recording of “Send In The Clowns” began to play, only to descend into an unsettling loop of air-raid sirens and maniacal laughter .

    The stage was unexceptionally decorated. On each side of it were two inflatable demon clown body language.

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    When Ronnie himself was a showstopper, diabolical kindred to Alice Cooper, spraying water-filled ketchup bottles into the crowd, slapping spatulas together and flipping patties on a grill. His cutting lyrics covered everything from obesity to pink slime to GMOs and everything else that makes McDonald’s one of the worst corporations on the planet.

    I can’t tell you how many bad puns were squeezed into this super-size performance – including, but not limited to, the band’s fictional contemporaries Great White Castle, Iron Maidenny’s, Motley Croutons, and Cinnabon Jovi. I cringed about as much as I laughed, which was a lot.

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    He sent yellow and red confetti and blow-up cheeseburgers into the pit, Ronald had a fan willingly pour his Blue Light down a humongous fast food straw which he pulled from his jumpsuit and wielded around like a staff. Ronald later than had the fans beer replaced with a brand new one.

    The parody cover band brings humor to the stage while making Black Sabbath tunes all of their own with food-infused lyrics.Instead of “Iron Man,” “N.I.B.,” “Fairies Wear Boots” and “Children of the Grave” the enthusiastic crowd got the caloric versions hilariously titled, “Frying Pan,” “N.I.B.B.L.E.,” “Cherries are Fruits” and “Chicken for the Slaves.”

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    “We did invent the genre of Drive-Thru metal, so it seems a bit derivative,” Osbourne said. This joke alludes to the common debate as to whether or not Black Sabbath single-handedly founded heavy metal music.

    It closed the set with “Frying Pan,” it’s take on Black Sabbath’s “Iron Man” (Osbourne missed the opportunity to ask if the crowd would like fries with that) then for an encore played a wild “Pair-A-Buns,” its send-up of Sabbath’s biggest hit, “Paranoid,” with Osbourne encouraging the crowd to start a circle-slam, then crowd surfing around it.

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  • Rihanna Brings an Aesthetically Pleasing Performance to First Niagara Center

    Rihanna has always compensated for shortcomings in technical vocal ability with showmanship and arresting charisma. The international star delivered on levels with fashion, choreography, impressive stage aesthetics, dancers, and the band this past week as she played to a pack stadium at the First Niagara Center.

    Promoting her Anti album, Rihanna will be playing 75 shows in 18 countries this time around. She stopped in Buffalo at First Niagara Center this past Wednesday, and the energy in the arena was explosive and contagious as fans danced, yelled, jumped, cheered, took pictures, and recited the lyrics to their favorite Rihanna tracks. Fans were in full force with a multi-generational diverse crowd displaying their best Rihanna inspired fashion trends, hair and make-up.

    She opened the evening with the ballad “Stay,” emerging on a high platform in the rear of the arena wearing a boxer’s robe.  She was then whisked away by  a floating platform to meet with the rest of her band, who arose from beneath the stage like a magic trick.

    rihanna first niagara centerDuring her set, she had the audacity to call Buffalo “ratchety.” Some of the crowd booed and most were insulted. She then proceeded to back pedal, gushing about how she loves the  fans there etc. Sorry sister, you already insulted us Buffalonians. We have some serious pride in our town, and we have put a lot of work into our town to make it beautiful. Buffalo is far from “ratchety.”

    Vocally, she was what she has always been. Stunning at her ballads, but not pleasing to the ear when it comes to her other music. It was partially a mumbled mess, especially during the song “Work”.  She sang to a backing track most of the night.

    The clothing options of the night left a lot to be desired. Her band and backup singers looked like they were civilians in the Star Wars movies.  Regardless of poor costume choices, Rihanna’s several costume changes seemed to flow seamlessly between songs. While some were sexy; she wore her signature over-sized men’s suit, some were risqué and quite questionable.

    Despite a lengthy set list of her biggest hits, the entire show was only about 90 minutes. The singer appeared to be having fun throughout the night, it appeared that she had her foot on the gas, speeding from one song to another in what felt like a race to the finish. “This is the sad part of the show, when you know it’s almost over,” she said shortly before closing out with “Kiss It Better.” Regardless of the disappointments of the evening, true Rihanna fans were not disappointed and definitely got their money`s worth in theatrics and sex appeal.

  • Cannibal Corpse Returns Home to Buffalo

    DSC_1941-2The winter in Buffalo has been awfully nice to us this year. For those who know we are known for some of the worst snow conditions. This past Friday was quite the exception. We had a beautiful 45 degree day to welcome Buffalo native legends Cannibal Corpse back to the stage. Hundreds of death metal fans descended upon Town Ballroom, you could tell without a doubt just about everyone was there to see CB. From Denim Jackets with huge patches sown, to zip up hoodies with their name. Cannibal Corpse is currently on tour promoting their latest album from 2014 A Skeletal Domain and joining them on tour are death metal veterans, Cryptopsy, Abysmal Dawn and Obituary, also a heavy hitter in the death metal genre.

    The show opened with Abysmal Dawn.  They provided a high energy 40 minute set that brought a buzz to the already lively crowd. After a short 15 minute break, the road crew had the stage set for Crytopsy. The Canadian veterans brought the crowd to another level of excitement as singer, Matt McGachy, effortlessly took command of the stage and encouraged the rowdiness of the audience.  Midway through their set, a mosh pit formed in the middle of the crowd. Elbows and bodies met as those participating appeared to have a great time as they released a weeks worth of aggression in the pit.

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    Obituary quickly set up and the guys played a instrumental number before singer John Tardy ran onto stage got the crowd roaring. It would be easy and obvious to say turned the crowd into a giant circle pit. The sound was brilliant.  Loud but not too loud, and it was crisp so you could hear every note. Solos were incredible. Every pick, every bend, was clearly audible and in perfect unison.

    When the lights dimmed in anticipation of Cannibal Corpse taking the stage, the venue erupted in cheers and screams. After all some of these guys are Buffalo Natives. For a brief second, vocalist George Fisher could have been mistaken for the mass axe murderer in a horror movie. The  set began with “Evisceration Plague.” After the first song, they dug deep into their catalog, playing some of their best tracks from as far back as Tomb of the Mutilated. It wasn’t until the midpoint of the set that they played a few songs from their 2014 release, A Skeletal Domain, including “Kill or Become,” “Icepick Lobotomy,” and “Sadistic Embodiment.” Throughout their set, the crowd was worked into a hysteria state. This was the type of show that leaves you sweaty and exhausted, in a good way. The show was loud, brutal and electrifying. Cannibal Corpse did not disappoint with their flawless musicianship

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