Author: Kathy Stockbridge

Country Music Mourns Legendary Star, Merle Haggard

On April 6, 2016, the country music world lost one of the truly great trail blazing musicians of our generation. Born exactly 79 years previously to the date, Haggard was raised by a his widowed mother in a small town outside of Bakersfield, California in a boxcar that had been converted into their home.

The young Haggard found himself in and out of trouble and juvenile detention homes for much of his young life, until he finally landed himself in Folsom Prison, where his experiences there would map out his future destiny.

Music first became a part of his life when he was given a hand me down guitar by his brother. The self taught Haggard never considered it anything but a hobby until at at Lefty Frizzle concert, Lefty overheard Haggard singing along to some music and insisted that he take to the stage to sing before he went on. Liking the experience he decided to take up music as a career finding himself playing at local night spots. Not enough to make ends meet, Haggard once again found himself in trouble with the law. It was the stint at Folsom that he made two life changing decisions; to clean up his act, and after seeing Johnny Cash perform at Folsom, to make music his focus instead of trouble.

The timing of Haggard’s release from Folsom coincided with the new country music movement happening in the Bakersfield area. Tired of the orchestrated sound Nashville was churning out, a new sound with an upbeat tempo, electrified guitars, and newly emerging rock and roll together with the tried and true sound of swing music, created a new country sound; that we now consider the Bakersfield Country sound. Considered to be one of the founders of this sound during that time, Merle Haggard carved out a niche that fit him perfectly. Not too formal, a little bit rowdy, and a lot of bit energetic, this country musician began working with some of today most revered country musicians.

Known for thirty eight number one songs, this decorated musician’s style was a bit in your face at the time. His songwriting skills and ability to play multiple instruments just added to his charm. One of his most loved songs would be “Okie from Muskogee.” Written as a satirical jibe at students who were protesting against the war, Haggard felt compelled to tell them how it was. The tongue in cheek lyrics, set the tone and image we all knew and grew to love. His ability to deliver music penetrated you with a stare and bad boy image liking him to the James Dean of country music.

The group of musicians Haggard became associated with included Johnny Cash, Willie Nelson, Waylon Jennings, Buck Owens, Dolly Parton, and so many greats too numerous to mention. Their shenangigans were widely followed, and their music just as loved as their outgoing personalities. Forever known as Poncho and Lefty, Haggard and Willie Nelson will always be considered two peas in a pod.

Gathering award after award, not only by himself, but also as a collaborator, Merle Haggard continued to sing up until right before he passed. His music and style influenced so many of today’s artists and can be heard in references throughout so many songs. A member of the Grand Ole Opry, recipient of numerous Country Music Association awards, Grammy Awards, Academy of Country Music Awards, Haggard was continuously recognized for his contributions to country music. Inducted into the Country Music Hall of Fame and Museum in 1994, the Nashville Songwriters Hall of Fame in 1977, and a recipient of the Kennedy Center Honors in 2010, it was all in a days work to Haggard.

Married several times, it was later in life that Haggard was able to settle down and enjoy life as it should be. Leaving a legacy of six children, it was his role as a father that touched me the most. In an interview I saw recently on AXS TV, Dan Rather interviews Merle Haggard and gives the viewer a peek of his personality. I can recall thinking to myself at the time, boy I wish I could meet him and cover one of his shows. Yes, he was an amazing musician, but what an interesting person he was, and I so wanted to learn more about him. This weekend Merle Haggard The Big Interview with Dan Rather on AXS TV will once again air. Please check your local listings and watch. It will be there you see the man behind the image, the man behind the music, and see he was an amazing man.

This peek inside of Merle Haggard’s life, has been shared by his youngest son, Ben Haggard throughout the years. It was in a recent post on Instagram I was notified of Haggard’s passing. As I scrolled through Ben’s photos, I noticed one of Haggard that was really a cool black and white. As I opened it, it was this quote that spoke volumes. What would be his final Father’s Day together, his son Ben, posted this message last year to his father on Instagram.

“Everyone thinks you know him, and in a lot of way you do through his music, cause it’s honest. But I’ve seen a different side, a father. He has been the best dad anyone could ask for… has shared the gift of music, what love should be, ..how to be a friend, and (how to) keep your word…I love you Dad, Happy Father’s Day”.

The love and respect they shared shone bright. If the family had the opportunity to share about their father, husband, brother, etc. I’m sure it would be about the man he was, as the music was a given, it was the man he grew to be that made Merle Haggard a true legend and loved worldwide.

A photo posted by Ben Haggard (@benhaggard) on Apr 6, 2016 at 11:03am PDT

April 7, 2016
Barry Manilow Packs The Turning Stone Event Center ‘Even Now’

‘Even Now’, some forty years later, Barry Manilow can still sell out a venue. As patrons filed in to the Turning Stone Event Center last Friday evening, the diverse mix of attendees demonstrated his reach musically. Whether it was the sequin gowned grandma out for a night of dancing along to the big band medleys, the middle aged school girl who had that 70’s crush and played all his 45’s at slumber parties, or today’s millennials who perhaps heard his music through social media, this crowd was ready to become a part of history as Barry Manilow performed One Last Time.

Opening the evening for the musical legend was the amazing Dave Koz, a dynamic and energetic saxophonist who’s musical talent jump started this crowd for the evening. Joined onstage by his equally talented band, these musicians brought the sounds of the seventies to Central New York. His ability to transcend vocalized music to a smooth jazzy saxy rendition, got the crowds toes tapping. His instrumental of today’s hit “Let It Go” from the Disney movie, Frozen would make his nieces proud, after all they were the inspiration for this rendition.

By the time the lights came back up and Barry Manilow took the stage, this crowd was pumped. It was refreshing to see this packed venue up out of their seats waving their arms and glow sticks in the air as he belted out his opening number, ‘It’s A Miracle’. Thanking all those in attendance at the Turning Stone Event Center for his One Last Time tour , he told the sold out show goers that he’s so lucky to have had such an amazing career. Pulling one lucky lady up on stage for a slow dance to “Could It Be Magic” he serenaded her and asked how long she had been a fan. Claiming to be a fan for numerous years since the early 2000’s, he joked that it’s okay because “..for those of you who may not know, I was the Justin Bieber of the 70’s. Just ask your moms.” And it was true. No matter what you were listening to back then, a jingle on tv about Band-Aids or the famous State Farm ‘like a good neighbor’ ad, music that accompanied films and television, music produced for such artists as Bette Midler, Donna Summer, and/or Dionne Warwick, hosting his own television specials, or tuning in every Saturday morning to American Bandstand as he sang the opening number for Dick Clark’s entrance, Barry Manilow was the Beiber of the 70’s. I’m one mom that will attest to that statement. Everything he touched turned to gold and went to number one. With a trifecta of awards from the Grammy’s, Emmy’s, and Tony’s, he was and still is one of the ultimate musical performers, song writers, composers of our generation.

Let’s talk about that voice. That beautiful voice was just as clear and strong as it was in the beginning, as he belted out hit after hit after hit Friday night hitting every single note spot on. Manilow’s personality shone too through as he spoke with the audience. Growing up in Brooklyn and attending one of the country’s most dangerous high schools, he claimed he had two choices, gangs or music. He thanked the orchestra teachers for offering him the choice of music, because “…can you imagine me in a gang?” His wit, his charm, and his humanitarianism shone through. Sharing information on how the audience can help out others like Manilow, he described The Manilow Music Project, a non profit agency he began to help refurbish donated instruments to hand out to children in schools. Explaining how this is usually the first programs cut in funding, he advocates nationwide to help keep music in schools and urged everyone to donate their unused instruments to the Turning Stone to be given to the students at local schools.

Still recording, Manilow shared a number from his recent Grammy nominated album “Dream Duets.” With the help of technology, Manilow sang a duet of “Zing! Went The Strings of My Heart” with the one and only Judy Garland. This spectacular number is one of many on the album in which he sings together with the late and great artists that touched his heart over the years. Losing to Tony Bennett at the Grammys, he joked he was okay with it as “everyone looses to Tony Bennett. When I’m 90 I expect everyone to loose to me.”

As the chorus of “Weekend in New England” began, the crowded cheered and stomped as though they were at a rock show waiting for their encore. Once again his humor preceded his song “I Made It Through The Rain” claiming he’s been touring since 1904, and this will be his final tour. Was quick to note that this is not his final recording or in residence performances, but the final on the road shows he plans to do.

Prior to singing “Mandy”, he shared that this is the 40th anniversary of it’s release. Suddenly feeling old, I was also surprised to learn that many of his songs were actual cover songs that he made famous on the charts during the 70’s and 80’s. With a setlist of more than 30 hits songs for the evening, he made certain to share all the crowd favorites including several in the most spectacular medley of 14 hits, beginning with “One Voice” and finishing up with the medley with “I Write The Songs.” Throughout the entire evening, one got a feeling they were at a rock show as audience members stood singing and dancing along and stomping their feet for more. Who knew grandma had it in her. The crowd was as dynamic as the performers.

As the final song began in the medley, Manilow was joined on stage by local Rome Free Academy students from the A Cappella group Fermata Nowhere. Asked to join him for the last three numbers, these amazingly talented students donned their red choir gowns, and took to the stage where they backed up one of the most legendary singers of all times. Learning the choregraphy that day upon arrival, the students personalities and talent shone through and capped off the evening. As streamers flew through the air, they free style danced along with Manilow to “Copacabana”, and finished the night off with a huge shout out from the legend himself as they sang “It’s A Miracle”. Speaking with the students afterwards, the experience was life changing for them. Documenting this experience in a series of videos to be aired in the next few weeks, students were beyond excited. I wouldn’t be surprised to see one or more of these amazing students one day on stage performing as the crowds chanted, waved their arms and glow sticks, and cheered for them.

History was made Friday, March 18, 2016 at The Turning Stone Event Center, as those lucky attendees were able to share Barry Manilow’s final tour with him that evening. Only playing a limited number of venues, those who were able to take in this last tour were treated to a musical experience of greatness, not overshadowed by pomp and circumstance, but just truly great musical talent “One Last Time.”

Set List: It’s a Miracle, Daybreak, Somewhere in the Night, Can’t Smile Without You, Looks Like We Made It, Could It Be Magic, Brooklyn Blues, I Am Your Child, Even Now, Zing! Went the Strings of My Heart (James F. Hanley cover) (duet with Judy Garland video), Weekend in New England, Let’s Hang On! (The Four Seasons cover), I Made It Through the Rain, Mandy (Scott English cover), Medley: One Voice, The Old Songs, Bandstand Boogie, Jump Shout Boogie, New York City Rhythm, Some Kind of Friend, Read ’em and Weep, Ships,Somewhere Down the Road,This One’s for You, Tryin’ to Get the Feeling Again, Ready to Take a Chance Again, and Daybreak, I Write the Songs (Bruce Johnston cover), Copacabana (At the Copa)

Encore: It’s a Miracle

March 26, 2016
A Conversation About Music In The Schools: From Rome Free Academy to Motown and Manilow

When thinking of music in schools, one would assume it’s only an extracurricular activity. Rome Free Academy (RFA) believes differently. To them, it’s a career path and the students who participate in the music programs are nurtured and prepared accordingly.

An article published July 21, 2015 in National Association for Music Education, establishes that students who participate in musical programs in school, benefit cognitively. The article makes a strong case for continuing music in schools, citing the benefits of music beyond not only keeping but expanding these musical programs. Advantages to students include:

•   Helping develop language and reasoning as it uses the same side of brain used to process music.
•   Improving memorization as musicians are constantly memorizing songs to perform.
•   Improved hand/eye coordination.
•   Heightened sense of achievement when they are able to accomplish simple to challenging pieces.
•   More engaged students in both studies and outside activities.
•   Improved social skills. Music piques a curiosity that filters into other subjects as well.
•   Greater emotional development – Music helps to alleviate stress and promotes a higher self esteem in students.
•   Improved pattern recognition through the repetitiveness of music.
•   Higher SAT Scores – Students in music programs average 63 points higher on verbal and 44 points higher on math scores.
•   Improved auditory skills are developed through music. Most musicians can play by ear.
•   Heightened imagination and intellectual curiosity is developed in the brain for those who participate in music.
•   Heightened relaxation is accomplished. Where the term “music calms the beast” derives.
•   Greater discipline skills. Musicians are required to participate in hours of self practice as well as group practice.
•   Greater creative economical reasoning. Musicians become more creative in bringing music to their audiences with limited budgets.
•   Greater spatial intelligence as the brain develops
•   Greater responsible risk taking occurs as musicians begin to play in front of an audience. The ability to overcome fears and anxieties in life tends to lead them to better and more confident choices.
•   Greater self confidence occurs as they achieve their goals and perform in front of friends, family, and peers.

NYS Music had an opportunity to talk with a local high school music educator at Rome Free Academy about past students, current students, and musical opportunities for the students in their future.

Kathy Stockbridge: Hi Michelle, thank you so much for taking the time to talk with our readers. For those of you who aren’t familiar with Michelle, she is a music teacher at the Rome Free Academy (RFA). Can you give our readers a little background on you and your experience in the music field?

Michelle Rushford: I grew up in the Rome City School District. I played clarinet in the band/marching band and sang in choir throughout my years in the Rome City School District. I graduated from RFA in 1986, and went on to Crane School of Music SUNY Potsdam to major in Music Education with a concentration in voice. I graduated from Crane in December of 1990, and began teaching at St. Peter’s Elementary School. After 1 ½ years at St. Peter’s, I began teaching in the Rome City School District at Stokes Elementary. I taught at Stokes for 13 years, Staley Middle School for 2 years, and finally, I have been at RFA for 8 years now.

During my time at Stokes, I had a private voice, guitar and piano studio with 17 students. I performed in many musical plays, and was the vocal director for several high school musicals, as well as clarinet player for the pit orchestra. I began singing, as the lead vocalist for the band The Dominoes in 1990 and have performed as lead vocalist in many other cover bands for approximately 22 years. The most recent band that I performed with was Classified. Classified is a well-known local 12-piece horn band who is inducted into the Rome Arts Hall of Fame, and has opened up for many famous bands, including KC and the Sunshine Band, The Temptations, and Earth Wind and Fire to name only a few.

KS: You bring so much experience to the students at RFA, and the RFA Music Program is one of several in the Rome School District. These programs have always been supported whole-heartedly in the district. Talk to us a little about the philosophy of music in our school district and how it plays a critical role for students. How does RFA’s program stand out?

MR: Music is the universal language. Musical involvement improves a student’s self-discipline, dexterity, coordination, self-esteem, thinking skills, listening skills, creative abilities, cooperation, teamwork and personal expression. At RFA we provide many options to students interested in music. There are two choirs, orchestras, and bands along with other curricular music classes. There should be more to come soon as well, as we are working on adding some new music classes to the curriculum. There are also many extra-curricular activities for the students to choose from (auditioned choir groups, band and string clubs).

KS: We have had several students go on to study music further, whether it’s professionally, teaching, music therapy, etc… How does RFA play a part in their preparation for careers in the music field?

MR: There are so many opportunities and classes that our students get to take and experience that will definitely play a part in their future, whether it be music or something else. I tell my music students, don’t choose to pursue music as a career, that they can still go on to music in their lives as they can always sing in a band, or sing at a local event, or restaurant.

KS: Talk to our readers a little about the competitive process in NYSSMA (New York State School for Music Association) and the levels and what each mean. This is a huge achievement for our students.

MR: There are two parts to NYSSMA, Solo Festival and Major Organization. Major Organization is for an entire ensemble, where they perform three pieces of music and are adjudicated by two professional NYSSMA judges. There are levels I-VI with VI being the most difficult in both majors and solos. I do level VI with Concert Choir which is very difficult for a mixed ability group. But we always get it done, and get a good grade as well. Concert Choir has received from Silver Rating to Gold with Distinction (Ratings – Bronze, Silver, Gold, Gold with Distinction) rating over the past 7 years.

Solos are just one person and they are actually auditioning for Area All-State (best in four counties) and All-State (best in the state) ensembles. If a student makes an All-State ensemble, they are then eligible to participate in All-Eastern and All-National Honors Ensembles. My Concert Choir students audition with level VI solos and I have between 12 and 25 students participate per year.

KS: You have traveled all over the country performing and competing. How does this come about for our school?

MR: I search and search the internet for performance and competition options, then decide if I think we can fundraise enough to take the trip and then go from there. Some of the places our students have performed are the Rock & Roll Hall of Fame, Disney’s Magic Kingdom, Carnegie Hall, Europe, and many more. I make it a point to have my students perform at as many places as possible.

KS: I may be a little biased here with your program as my son Zach is a member of your A Capella Choir as well as the Select Choir at RFA. You will be traveling soon to Virginia to compete? Can you tell us a little about that upcoming event?

MR: We will be competing in the SINGSTRONG DC High School A Capella Competition on April 2. The group will perform at 8:30 that morning, and then the top eight groups will compete in the finals at 2:00 pm that same day. This is their first competition so we are kind of nervous and excited at the same time. The rest of the weekend will be concerts, vocal classes and workshops. The headliner this year is Take 6.

KS: As most already know as we are all so very excited, your current A Capella Group, Fermata Nowhere, will be performing March 18 with Barry Manilow at the Turning Stone Event Center. How exciting this is? Can you share how this came about?

MR: Yes, we are all so excited. What an amazing opportunity for these students. I am so happy that they will get to experience something so incredible. One of Barry Manilow’s production managers called RFA, as he had heard there was an A Capella group. I couldn’t believe it. “No Way, Barry Manilow?” I told him I would ask the group and get back to him. I called him the next day after dicussing it with the kids, and it was set.

KS: We are so excited for the students and hope to be able to bring our readers highlights from that show. There is also another student, Quiana Holmes who graduated from RFA in 2014, I believe, who has had some amazing success already in her young career. She is currently touring with the production of Dancing In The Streets, Motown’s Greatest Hits. Talk to us a little about Quiana and students like her that have gone on to live their dreams.

MR: Quiana was an amazing musician. I recognized her talent immediately when I was teaching at Staley. As soon as I heard her sing back in 5th grade, I told her parents to get her to a studio to do some recording. I had the pleasure of working with Quiana at RFA as well when I transferred at the same time she entered high school. She was a part of many performing groups at RFA, and I was elated to find out that she wanted to pursue a career in music. I tell all of my students to follow their dreams and shoot for the stars, no matter how far they are. I am so proud of Quiana for following her dreams and making them come true; and I am just as proud of all of my students whether they decide to pursue music or not.

KS: I can’t say enough how awesome the music programs at our schools are here in Rome. As districts try to slash budgets, the arts are generally one thing that tends to be reviewed (eliminated) first. If you had to give advice to other school districts across the country as to the importance of these programs, what advice would you give?

MR: Advocate for your program! Get your students performing publicly in as many places as possible. Contact the local newspapers and TV channels. The more the district’s administrators and the community see the students, the better chance you will have of keeping music in your schools.

KS: For anyone interested in helping the program out or attending the remainder of the shows for the school year, how and where would they go?

MR: Most of our upcoming concerts are on the district calendar on the district website, www.romecsd.org Anyone interested in helping out our program, could contact me at mrushford@romecsd.org

The passion Michelle Rushford and all the musical educators at the Rome City School District is contagious. It spreads among the students, their parents, and the entire community. Having a student in the district that has been part of the music program, I can attest to the fact that every concert is performed to a sold out venue, consisting of not only parents and students, but also community members who just enjoy wonderful music.

Recently, another special RFA student entered the spotlight as she ventured out into the world after high school. Quiana Holmes is one of those students who has definitely reached for the stars, and the sparkle Michelle saw as a fifth grade student shines even brighter today as she is now touring with the musical production Dancing In The Streets, scheduled to perform here in Syracuse at the Crouse Hinds Theater at the Oncenter, on April 12. Quiana took a moment while on the road to say hello to NYS Music and share a little of this dream come true experience with us.

Kathy: Hi Quiana. Thank you so much for talking with NYS Music. I am very excited to introduce you to my readers. For those that don’t know you, tell us a little about your background in music and what you love most about it.

Quiana Holmes: Thank you. Well I’ve been in music my whole life. Most of my family is musical. I grew up with it in church, and that’s really how it started. My mom being the choir director and putting on plays in my church, she would always have me star in her plays and singing in the choir, so that is how I really began music, in my church. What I love most about it is that is where I feel most at home, and brought me back to my roots. That connection with music is because that is where I grew up and where it began. That is where I am most comfortable.

KS: Did you always know you wanted to pursue music as a career or was this something that developed over time?

QH: Growing up, we were told that music didn’t offer a lot of jobs in the music field. So that obviously deterred me. My decision in music was difficult as I wanted to be stable, so because i loved science as well, I thought maybe I would pursue that area of study instead, until my senior year. At that time I looked at all my extra curricular activities and that is when I realized that I do not have any activities I do with science, instead everything I do was music; choir, musicals, Rhapsody, and show choir. Everything was music. So I decided to leave all that negativity behind and said I am going to do what I love, and I am going to study music.

KS: I admire your spunk and determination. While in school, was there a specific teacher who nurtured your love of music or a moment in school that helped you to know this was your destiny?

QH: It wasn’t just one teacher. I’m so lucky to be able to say that. It began with my piano teacher, and I began piano lessons in middle school. Her name was Nina Merrill. She nurtured me in learning the theory of music. She taught me note placement on keyboard, reading music, things like that. Then when I got to RFA, I was lucky enough to have four wonderful teachers; Twyla Edwards, Michelle Rushford, Mary Kay Madonia, and Jake Meiss. Yes, I was lucky to get to work with all of them. Twyla Edwards, I worked with for jazz voice and select choir. Michelle Rushford, I worked with for combo choir in which we would all get together for NYSSMA and learn the classical style of things. I had Mary Kay Madonia for orchestra because I played violin; and finally Jake Meiss for all of the musicals, marching band, and show choir. So I was able to work with all of them and they are all so great to me and told me, “Listen, no matter what you decide you belong here,” because they really wanted me to go on with this. At that time I was going to keep to my original plan of being a forensic scientist and make sure I’m able to make a living. They kept telling me, “Look Quiana, you have a gift. You need to hone your gift and pursue this.” So, I have all of them to thank for getting me started with this.

KS: Tell us a little about the college decision you made? Did you always want to study at Berklee?

QH: So my senior year I was very stressed about this decision. I didn’t know what I was doing and the decision had to be made. So I was looking at Potsdam, Fredonia, Ithaca, and Eastman. But there was something about Berklee. And it’s not because those schools aren’t great, but I am an R&B singer, and a pop singer, and I didn’t want to go to a school that would focus me on only classical music because I would be losing out on a lot of the abilities I have. So I decided on Berklee because it allowed me musical theater. It allowed me jazz, classical, any of other genres you can think of. Berklee is in a big city, and that’s where I wanted to be, as I wanted to get out of my comfort zone and step into a new place. So Berklee was the perfect place for me.

KS: The Wiz. Talk to us a little about how that came about and the experience of performing in that production.

QH: So I was in my dorm room practicing for my proficiency; doing my homework for the day, and my friend texted me, “Quiana are you trying out for the Wiz?” I hadn’t heard anything about this. So he said, “Quiana, you have to get right down here because they are going to stop auditions in two hours.” I thought, “What? Okay, this is a big deal,” and thank God I had been rehearsing “Home,” which is in the show, for my proficiency exam so I had already known that song. I literally threw on some clothes, ran out of my dorm room, and got a cab down to The Strand Theater, which is in Dorchester, MA. When I arrived, no one was there, it almost looked liked they had closed up auditions, and I asked, “Please can I audition?” and they allowed me to. I sang “Home.” They had me do some readings, and this was my first professional audition, so it was so very exciting.

KS: Well you obviously nailed it, as you ended up with the lead, so congratulations! Talk to us a little about Dancing In The Streets, Motown’s Greatest Hits. How did you learn about the show? Audition? Learning about receiving the part? School? I understand that your focus is still to return to school after this semester off and complete your degree?

QH: So I found out about the audition through “Backstage.” That is normally what I do to see which auditions are around me. And it’s funny because I end up finding out about my auditions really late for some reason. For this one I realized that Dancing In The Streets auditions are tomorrow so I have to get to Philly. So I told all my professors I was sorry I wasn’t going to be in class tomorrow because I was going to audition for this show, handed in all my homework, and off I went to Philly to audition.

A few days later, I heard from them that they wanted me to tour with them. This show was originally produced in the UK, and they are coming over to Canada and America to test out their running show to see how it does in the States. So we are basically their first cast in America.

This show actually has nothing to do with Motown the musical. It’s a very different show. It’s more of a concert. I am playing young Diana Ross, so I am singing a lot of the Supremes. You’ll be hearing a lot of Marvin Gaye, the Four Tops, and Martha and the Vandellas, that kind of thing. And it’s been so cool so far. We just returned to the States today, and the cast is wonderful. There are seven of us, and a wonderful band, and so far it’s been amazing, and I’m so excited for my family and friends to see.

KS: Yes, you will be playing in Syracuse at the Oncenter on April 12. We are excited to see you and I’m hoping to be able to cover the show to share with my readers.

In closing, you are the perfect example of nurturing students in school to pursue their passion. If you had a moment to sit down and talk with local school superintendents who have to trim budgets, what would you tell them about why they should keep the music programs?

QH: What I would tell them is this: We don’t want any child feeling that they aren’t good at something. Everyone is great at something. Some people are meant to be doctors, scientists, or lawyers, whereas others feel at home in the arts. By telling a child that they can’t do that, they are stifling that child and leaving them out of the same opportunities as those going into other non-arts related fields. Telling a child they can’t do something that they love can ultimately be damaging to a child. For anyone who told me I shouldn’t go this route, I did feel a little left out. Why can’t I? Growing up, everyone tells us we can be anything we want to be. It’s contradicting when you say you want to be a musician and they say, “You can’t do that.” It’s not fair, and it’s heart breaking. So we have to be the ones to raise the children up to say you can do anything you want to do. And if you love music, then go for it. If you love art, then go for it. If you want to be a doctor, go for it.

KS: Well you are a wonderful role model for all that want to pursue music. We are so happy for your success, and we know this is just the beginning for you.

Music has a silent greatness to it. Its ability to pacify anger, express emotions, tell stories, communicate beyond language barriers, and fit every person personally like a custom made piece, transcends quietly with a strength never given enough credit.

In a setting where millions of people need ways to express their individualism, music is key to doing so. In a career field that is finding its way back to listeners in new and inventive ways, these students need to nurture their passions just as much as those taking math and science courses. Not everyone is cut from the same cloth, however this bolt of fabric known as music somehow magically fits many.

Please support music education in your communities, your local musicians, and venues. Today’s students are tomorrow’s superstars. You never know if those students you see performing on the high school stage may one day be back up singers for Barry Manilow at Turning Stone or starring in a traveling Motown production as a young Diana Ross.

March 16, 2016
Fall Out Boy Fills The Oncenter War Memorial to Capacity

With lines wrapped around the block like a coiled hose, fans waited patiently to get to their seats to see Fall Out Boy at The Oncenter in Syracuse on Sunday night. This diverse crowd filed in with no issues other than the few expected grumbles due to the wait. However, security quickly took care of each attendee getting them to their 7,000 seats as soon as possible without missing a beat.

A multi-generational crowd quickly forgot all disparity as the first band PRVIS began its fog laden set. The stage was set in low light and much smoke and fog, encompassing Lyndsey Gunnulfsen, Alex Babinski, Brian MacDonald, and Justin Nace (touring member), who make up PVRIS (pronounced Paris) . Although the scene was dreary and mysterious, the music was electric and full of energy and light.

With a newly released single “You and I,” Gunnulfsen captures your attention with strong vocals and melodic emotions. This techno meets rock is a perfect blend of musicianship to produce a unique sound all their own. It won’t be long before you will be hearing more about this band. They captured the attention of NYS Music.

As the fog began to lift off the stage, up next was AWOLNATION, an electronic rock band, consisting of Aaron Bruno on vocals and guitar, Kenny Carkeet, on keyboards, backing vocals, and rhythm guitar, Isaac Carpenter on drums, percussion, backing vocals, Marc Walloch on bass guitar and backing vocals, and newcomer Zach Irons on lead guitar and vocals.

The band’s electronic techno rock sound filled the arena under a cloak of darkness. A parade of silhouettes graced the stage for the majority of its songs. Reminiscent of a earlier techno sound from the 80’s but mixed with a flavor of today’s rock, Bruno delivered the energy filled lyrics to a hyped up crowd stirring up a bees nest of frenzy. Best known for their top ten rock single, “Sail” and cover of “I’m on Fire” in the film 50 Shades of Gray, AWOLNATION delivers an eclectic mix of music pleasing to many.

As the lights went out for a brief intermission to set up for Fall Out Boy (FOB), the cloak draped stage curtain fell to the ground, a cage was shifted off to the left of the stage, and from the sky fell a million tiny bubbles as the members of Fall Out Boy took their respective places. The crowd erupted into screams and cheers and from that minute forward the energy in that arena was contagious and spread like a wild fire. The V shaped stage encapsulated those lucky enough to be in the pit, while the rest of the arena was entertained by the band as they played every inch of the stage, the front platforms, and were gigantically projected on the above jumbotron.

Right off the bat, FOB launched into “Irresistible,” a song they also recorded with Demi Lovato. As heads bobbed to the beat and hands waved back and forth in the air, they followed with an earlier hit “We’re Going Down,” as the already incited crowd danced and sang along with every word. This momentum continued throughout the entire set, including the more acoustic piano numbers. Ending with their signature “Saturday,” front man Patrick Stump was hoisted above the crowd allowing those in the pit to become a hands on part of the show.

The production for this show was outstanding. The videography that played in the background was aesthetically as pleasing as the music it accompanied, and whether it was the streamers exploding into the crowd, or the gigantic balloon balls being volleyed around the arena, this interactive production engaged the audience, keeping it on its feet the entire night.

Being labeled emo, softcore punk, punk rock, indie rock, pop rock, or alternative rock over the years, it is apparent that this band had the right idea to take a few years off to decompress. These guys have proven that music is more than the roller-coaster ride they were on or a genre they would be pigeonholed into. The constant touring and in-studio work created a momentum for their careers, but the constant push to produce doesn’t always make for a best case scenario for creativity. Taking time off, they were able to regroup. Once the decision was made to regroup, they knew what they wanted, the roles they wanted to play, and the music came from that new place. This was not the same FOB as in 2009. Like their lives, their music evolved to become who they had grown into as they returned to the studio, new and more mature. Their audience has evolved too. It’s obvious their new music is exactly what they want to hear. This is proof that artists should write and perform for themselves because audiences relate to feeling behind the music not what is currently popular or the sound the labels push for.

As the show played on, I couldn’t help but be totally impressed with lead vocalist, Patrick Stump. His voice has the strongest roundest vocals that resonate within you, and he had me hooked when they rolled out the piano. Being partial to guitar, Joe Trohman, shredded leaving me just as impressed. The energy provided by drummer/percussionist Andy Hurley reminds me of one of my most beloved characters “Animal,” as he is truly an animal on the drums, putting every ounce of himself into each beat. The tats just sealed my fan girl crush. Finally, bassist Pete Wentz took the award for nicest guy Sunday night as he took the time to hand a pick directly to a young fan dancing close by in the aisles with his mother and sister. The smile that came across his face was priceless and something he’ll never forget; in addition to winning the respect of this mother and journalist.

In fact this entire band is unique as it takes the time to engage with its audience. There is no looking out into the crowd, or at the tops of the heads of those in front of them. These guys make eye contact with those in the audience. That personal touch creates a personal experience not only the audience but you can see the band feeding off of it. That is great showmanship, and wins accolades and referrals to anyone on the fence about buying a ticket to see these young men. This is a show to be recommended. You will not be disappointed.

PVRIS Setlist: White Noise, St. Patrick, Smoke, Fire, You and I, My House

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AWOLNATION Setlist: Soul Wars, Hollow Moon (Bad Wolf), Not Your Fault, Windows, Kill Your Heroes, Woman Woman (Guitar Solo), I Am (Extended Outro), Drum and Guitar Solo, Burn It Down, Sail

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Fall Out Boy SetList: Irresistible, Sugar, We’re Goin Down, Phoenix, Hum Hallelujah, Alone Together, “The Take Over, the Breaks Over”, The Kids Aren’t Alright, This Ain’t a Scene-It’s an Arms Race, Novocaine, Disloyal Order of Water Buffaloes, Save Rock and Roll, Fourth of July, Grand Theft Autumn/Where Is Your Boy, Uma Thurman, Dance, Dance, American Beauty/American Psycho, Jet Pack Blue, I Don’t Care, Thnks fr th Mmrs, Centuries, Encore: My Songs Know What You Did in the Dark (Light Em Up), Saturday

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March 15, 2016
SAMMYS 2016 Induction Ceremony and Awards Event

The music world is a family, and no where more so than in Syracuse. Each year Syracuse area musicians and music lovers come together to celebrate their own. Submissions of new music for consideration inundate the committee each year, and through a painful process of choosing just four nominees, awards in all musical genres are given out at what has become the musical event to attend in Syracuse, the SAMMYs.

The night before the award ceremony is a special recognition event for those inducted into the SAMMYs Hall of Fame. There are many wonderful musicians who have roots in Central New York and have played huge roles in the Syracuse music scene. This years inductees, honored at a ceremony upstairs at the Dinosaur Barbeque Thursday, were George Rossi, The Bells of Harmony, Savoy Brown, and Jam Factory. Mark Copani was given the award for Music Education; and the Lifetime Achievement Award was given to the late great Mark Murphy.

Basking under the warm glow of orange-hued lighting, the room bubbled with conversation as patrons populated the bar and clustered around dining tables. SAMMYs committee member Liz Nowak gushed, “The award show is about honoring the music of 2015, but tonight is about honoring six decades of music.” Patrons and honorees reminisced and swapped stories over platters of pulled pork, cornbread and coleslaw before the formalities commenced.

The evening’s master of ceremonies, Dave Frisina of 105.9 The Rebel channeled attention toward the podium, effortlessly sashaying through heartfelt and witty dialogue. Frisina as emcee, had the privilege of introducing each inductor, who in turn introduced an inductee. Regarded as a special honor, each inductor’s relationship with their inductee afforded them an opportunity to share personal accounts of why the inductees deserved the distinction.

The remarks of the evening ranged from comedic genius to sublimely sentimental, projected toward a responsive crowd eager to empathize with laughter or somber head nods. Copani acknowledged his family’s presence in the audience gesturing, “They showed up without any prompting.” As Rossi spoke into the mic for his speech he jested, “Wow, a microphone- that’s new.” The Bells of Harmony concluded their acceptance with a quick gospel tune to the audience’s utter delight.

Following the ceremony, attendees were treated to a performance downstairs by Tennessee-bred funk, R&B and jazz fusion band Dynamo. The congregation of musicians clustered on the cramped stage infused the room with polished yet experimental dexterity as Dain Ussery’s vocals coasted elegantly on the surface. An air of mutual respect floated between the star-studded crowd and the talent pouring their hearts into the music. A tale of old meets new, Dynamo upholds the legacy set before them, all in the name of making music that moves people.

The sold out Palace Theater, hosted the 2016 SAMMY Awards Friday. The atmosphere afforded attendees the opportunity to indulge their chic fashion tendencies or embrace a more casual attitude. The spectrum of ballgowns to jeans was well represented in the diverse attire of guests.

Carolyn Kelly Blues Band warmed up with a quick jam before Kelly strolled to the stage in a silky black confection that swayed delicately with every soulful note. The first performance of the evening initiated an onslaught of striking computer-generated video projections, adding visual effect behind the bands. The extravagant visuals added an early 2000’s old school vibe. The blues band concluded its short set with an energetic rendition of “Amazing Grace,” as a flaming sunshine explosion flared across the screen behind them.

Instrumental rock group Ohne-ká and the Burning River brought a very different energy to the stage. Emitting a folk vibe clad in suspenders and a plaid button down, Ryan Jones widened his stance, the first indication of the big, skull-penetrating sound they exude. Though their musical style didn’t invite fluid dance like other genres represented that evening, their tone beckoned listeners to look inward and quietly contemplate from their seats.

Savoy Brown delivered a solid blues rock performance, not accurately reflected by the lack of dancing on the open floor space directly before the stage. Before exiting the stage, in a moment of jest, leading man Kim Simmonds put his glasses on, slightly recoiling as if his new-found sight brought an awareness to the fact that he’d just performed to an occupied theater.

Once Joe Driscoll‘s one-man reggae rap garnered the crowd’s attention, a handful of willing dancers finally got their feet moving. He cleverly paired looped beat boxing with live harmonica to compose a catchy rhythmic pulse, easy to nod your head or tap your foot to.

During the previous night’s induction ceremony, Jam Factory frontman Mark Hoffman qualified the band’s impending award show performance, proudly stating, “We’ve had three rehearsals and the band is kicking ass.” Their performance supported his confident assertion, topping off the award show with a sweetly nostalgic finale. Approximately thirty willing dancers, many Jam Factory followers since early adulthood, danced in front of the stage. They basked in time-honored soul alongside a handful of newly made fans.

Joining Hoffman on stage for the family affair was his son, contributing funky bass lines while his daughter added backing vocals. As the band members poured their hearts into a project they love, an adoring fan glowingly praised, “They’re still as good as they ever were.”

The SAMMY Awards of 2016

Rock – Joe Whiting
Folk – Austin MacRaie
Pop – Elizabeth Canino
Jazz – Andrew Carrol
Americana – Early Bird Trio
Jam Band – Jam Factory
Alternative – Professional Victims
Country – Lonnie Park
Hard Rock – After Earth
Hip-Hop/Rap – Mafiosa

The People’s Choice Awards for 2016

Best Band: The Horn Dogs
Best Festival: The Great New York State Fair
Best Venue: Dinosaur BBQ

The Brian Bourke Award for Best New Artist: The Lightkeepers

March 8, 2016
Not Your Momma’s Country – Brantley Gilbert’s Blackout Tour Doesn’t Disappoint

As Brantley Gilbert’s Blackout Tour rolled into the Turning Stone Casino this past week, Central New Yorkers came out in droves to see the hard core country rocker perform.

Starting promptly at 7pm, the Event Center at The Turning Stone was packed to the gills with rowdy fans. It was a pleasure to see the center utilized to it’s fullest capacity, confirming the importance of the venue to the area and the musical acts that bring them out. Brantley Gilbert is not your every day run of the mill act though. On the road with Brian Davis, Michael Ray, and Canaan Smith for the Blackout Tour, the opening acts definitely set the momentum for the night.

Brian Davis, a relative newcomer to the crowd set up his acoustic set front and center with a stool, guitar, and red solo cup. Thanking everyone for welcoming him, he proceeded to share a few songs, a few cheers, and few sips with the crowd. Although the set was short, it was sweet, and a taste of what is to come from this performer in the near future.

Michael Ray who Central New Yorker’s may recall opened for Carrie Underwood in 2014 at the Great New York State Fair, took the stage next. Wowing them that night with Underwood, he has since climbed the charts and made a lasting impression on everyone who has had a chance to see him over the last few years. A definite crowd favorite, Michael Ray and his entire band know how to crank it up and get the party started. Most impressive to me about this young man was his willingness to connect with fans spending a good deal of time signing hats, taking selfies, and shaking hands. Artists that take the time with their fans are class acts in my book, and puts them head and shoulders above the rest.

Next up was Canaan Smith. Never seeing Canaan Smith before, he can definitely be described as one ramped up, knee buckling, country boy, that has a special knack for reaching his audiences through his music and dynamic stage presence. Whether it’s a sultry ballad or hair raising boot scooting medley, Canaan has a way of reaching inside you and touching a part of you while he’s singing. Watching him on stage was like watching a thunderstorm roll in with it’s quiet lighting in the distance, turning into a thundering and lightening induced downpour. His apparent respect for those in the service was saluted through a full size flag being waved through the air, and the storm only ended when the final drum beat rang out and the storm flew off the stage in the form of a full sized drum. If you haven’t heard of this young man yet, mark my words, this rock star cowboy will definitely grab your attention.

As the lights went down, and the video began tor roll, Brantley Gilbert takes you along on a ride throughout the countryside on the back of his motorcycle. Amped up attendees went crazy as the momentum built for the band and Brantley to take the stage, and rightly so. Brantley Gilbert isn’t your every day normal country musician. He has a clear vision for what he wants his music to be. This no holds bar entertainer spoke to the crowd about not giving in to business politics, staying true to himself and his vision. Only thing he gave was the finger, and a song called “Grown Ass Man” that demonstrates his true character and strength and not caving to business expectations. To him, it’s about the music.

Brantley doesn’t follow the crowd by any means, he lives in his hometown in Georgia with his new wife, Amber, making a life for them outside of the spot light. As he began to sing “You Don’t Know Her Like I Do”, a song inspired by his wife, he told the audience “that was the best day of my life” as a the video clip began to roll and a glimpse inside the personal lives of Brantley and Amber were shared on the screen behind him. It’s this personal peek into who Brantley is, that tells you he’s a modern day Merle Haggard or Hank Williams Jr. He’s man that believes wholeheartedly in personal rights, family, friends, and faith and he doesn’t care if you agree because that just how he rolls.

Don’t get me wrong though, he’s a softy too. As the show came to a close he had his security guard bring a young Ariana Star Levin on stage. Little did Brantley know that this was the first concert for this young lady (well first that she remembered if you don’t count seeing Willie Nelson at the age of two) and he was one of her all time favorite country musicians.

Ariana’s Aunt Audreanna had been given two VIP ticket’s as a gift and was going to bring Ariana’s mom, Christina Trainham, but knowing that her daughter was huge fan, she gave up her ticket to the sold out show and decked Ariana out in a Brantley Gilbert t-shirt that said “Bottoms Up” and sent her off to see her hero. Before the end of the night, Ariana would be on stage singing along with Brantley to “Bottoms Up” and rocking it like a true rock star she is.

I would be remiss if I didn’t give a shout out to Brantley’s band. Surrounding himself on stage with the best musicians out there you’ll find Noah Henson (of Pillar) on guitar, Ben Sims on drums, Jess Franklin ( the bandleader) on lead guitar, slide guitar, banjo, keyboard, and background vocals, Stephen Lewis on bass guitar and background vocals, and Mr. B.J. Golden a multi-instrumentalist on keyboards, mandolin, guitar, etc . etc. These men do not appear to be what you anticipate a country band to look or sound like. Metal describes them better with the dreadlocks, spiked hair, and a bandleader that can pass as Tommy Shaw’s doppelganger. Had to seriously do a double take a few times. One of my favorite moments of the evening thought was B.J. Golden playing opposite of Noah Henson and shaking his beard back and forth like Noah does his dreads. Epic moment. The fun they have on stage performing for the audience is apparent and definitely deserves mentioning.

All in all this was definitely not your run of the mill country show. The performances of the evening were sure electric, and were sure to win over any skeptics. Brantley Gilbert’s Blackout Tour is not your momma’s country music folks. It’s a true rocking event that is a must see to appreciate.

Brian Davis Set List: Hurt Like Hell Yeah, You And Me Against The World, and I Earned This Beer

Michael Ray Set List: Another Girl, Run Away With You (Big & Rich cover), Look Like This, Kiss You in the Morning. Everything In Between, This Love, Dust on the Bottle (David Lee Murphy cover), Drivin’ All Night (Jake Owen cover),and Real Men Love Jesus

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Canaan Smith Set List : Getting Into, Two Lane Road, Hole In a Bottle, Love At First, One of Those, Fire/Iris(Goo Goo Dolls cover), American Muscle, and Love You Like That

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Brantley Gilbert Set List: Read Me My Rights, Hell on Wheels, If You Want A Bad Boy, Dirt Road Anthem (Colt Ford cover), Stone Cold Sober, My Kinda Party, That Was Us, My Baby’s Guns N’ Roses, You Don’t Know Her Like I Do, Country Must Be Country Wide, Grown Ass Man (Acoustic), Them Boys (Acoustic), Outlaw Women (Hank Williams, Jr. cover), Small Town Throwdown (With Canaan Smith and Michael Ray), One Hell of an Amen, Take It Outside, and Kick It in the Sticks
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March 6, 2016
The Country Music Community Mourns One of Their Most Beloved As Joey Feek Passes

It is with a heavy heart that NYS Music reports Joey Feek has passed away today from cervical cancer. In her husband Rory’s personal blog dedicated to his wife and their life, he shares with family, friends, and fans, that “My wife’s greatest dream came true today. She is in Heaven.”

…some birthdays are more than just birthdays. They’re dreams coming true and prayers being answered.

A photo posted by Joey+Rory (@roryandjoey) on Feb 17, 2016 at 10:53am PST

Joey Feek, one half of county duo Joey & Rory, was diagnosed in June of 2014 with cervical cancer, following the birth of her daughter, Indiana. In 2015, after unsuccessfully undergoing treatments, Joey & Rory announced that they had decided to forgo further treatments and spend the rest of their time together with those she loved around her. Setting her sights on making it through the holidays, the Grammy’s (for which they were a nominee this year), daughter Indiana’s second birthday celebration, and Valentine’s Day with her husband, Joey and Rory shared each personal moment with all of us as we cheered them on and prayed each day for them. Gathering strength from her faith, and those around her, Joey’s fight was momentous and her courage beyond inspiring. For all that followed this country and bluegrass musical duo, you could tell the love they shared in their music, each other, and everything they did.

Joey & Rory came to the attention of Nashville and the country music world when they came in third in 2008 on CMT’s Can You Duet. With Joey singing lead vocals, and Rory background vocals and playing guitar, they recorded eight studio albums, were nominated and won multiple ACM, CMA, and Grammy Awards, and were well respected members of the country music community family.

We close with a song recorded many years prior to Joey’s illness, as she sings a message to inspire each of us after she’s gone.

March 5, 2016
Anders Osborne Beams at The Westcott Theater

On a night capping off a daylong deluge in Upstate New York, it was all rays of sunshine inside the Westcott Theater when Anders Osborne and Tom Hamilton’s American Babies took the stage. The two guitarists are both at the top of their game and were showing why to the well-packed and exuberant crowd.

American Babies got things started with their unique blend of Americana and electronica, showcasing Tom Hamilton’s history, present and future together in one jam-happy presentation. Classics like “Tangled Up in Blue” started in the Jerry Garcia Band style before evolving slowly into an electronica-based section. While the first single off their forthcoming album, “Synth Driver,” exhibited the electronica influence early before mellowing into a spacey improv.

After a solid hour-long set, the band thanked the audience and exited the stage while the house music took over. Seconds later, with no prompting from the crowd, the band came back out, “They said we can play some more.” And that they did! Another 30 minutes brought unexpected highlights like a lengthy “Old Time Religion” > “Joeline” combo, and a “What Does it Mean To Be” that blasted toward the finish line with a rocking jam. It was 50% more American Babies! What a deal.

With set-opening “Five Bullets,” Anders Osborne and his band were “coming in hot!” as a member of the crowd aptly called out. Osborne smiled and pointed, repeating, “We’re coming in hot!” In previous years he might have started high and kept the energy high all night. With his current band, featuring his long-time bass player Carl Dufrene, Brady Blade on drums, Eric McFadden on guitar and mandolin, and Danny Eisenberg on keys, he was able to put together quite a dynamic set.

Surrounding himself with such incredible players, Osborne wasn’t required to stand front and center every song playing blistering solo after solo. And because the band was so good, that was actually not a bad thing.

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Things were immediately taken down a notch with “47,” where Osborne’s recent forays with Phil Lesh’s band came to the fore in a beautiful reserved Jerry Garcia-esque jam. More Dead-influence was showcased in “Dyin’ Days” that featured some excellent work by McFadden playing off Osborne. The song wound its way up to ferociously before erupting into a quick “Down By the River” finish that left the crowd wondering if the set was already peaking three songs in.

With the bouncy blues of “Lafayette” and slow-building “Pontchartrain” from Osborne’s forthcoming album, it was clear this band still left room for surprises. Each song brought it’s own unique flavor, steeped in Louisiana’s musical cuisine.

Tom Hamilton and his backing rhythm guitarist Raina Mullen joined just Osborne and a mandolin-wielding McFadden for a mostly acoustic take on “Friend of the Devil.” Then McFadden and Osborne continued acoustically to play “Coming Down” as a duo. with Osborne scatting along with his guitar and McFadden trading licks on the mandolin.

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The slinky reggae groover “Sarah Anne,” took a turn when Dufrene stepped to the front and blasted the groove into a dark space. A full-band improv ensued that could best be described as a beautifully controlled madness. It set your arm hair at attention. Osborne clearly felt it too. As soon as the song ended, he raised his arms in victory, looking excitedly around at his band. After a couple mid-set hugs, he stepped to the mic with a huge grin, “What is this place? Why haven’t we played here before? This is my favorite gig of the whole tour!”

The joy continued when they came back out for the encore. Osborne expressed his appreciation for the crowd, telling of his battles with addiction and how he’s built himself back up over the past seven years. This show, and the crowd’s enthusiasm, were vindication for all his hard work. He was truly excited about the amazing reception he was getting. On this rainy Syracuse evening. it truly was all sunshine on the inside.

Setlist: Five Bullets, 47, Dyin’ Days, Lafayette, Pontchartrain, Lean On Me/Believe In You, Friend of the Devil*, Coming Down, Move Back To Mississippi, Sarah Anne, Windows, Send Me A Friend
Encore: Call On Me

*with Tom Hamilton on guitar and Raina Mullen on vocals

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March 5, 2016
Is The Gig at Exit 33 The People’s Favorite Venue?

Only a week away, the Syracuse Area Music Awards are gearing up to be another amazing celebration honoring those musicians from the Central New York area.

Each year recipients in several categories are recognized for outstanding achievements in their genre and honored by a special category; The People’s Choice Awards. In addition to the Hall of Fame, Music Educator, and Lifetime Achievement Awards, people are allowed to vote for their favorite band, festival, and venue. Dwindled down to two choices in the final weeks, these finalists are put up for vote and announced at The SAMMY Awards.

This years People’s Favorite Venue includes a local that NYS Music covers frequently; the Turning Stone’s The Gig. The Gig is located at The Turning Stone’s Exit 33 venue, a venue that showcases all the local and region talent from right here in our very own backyard. This venue is the perfect choice for the people choice awards as they reaffirm the concept of celebrating local music.

Bands that play at The Gig are treated to state of the art equipment, while patrons are treated to affordable drink specials, craft beers, and pub snacks including their very own New York pizzas. Decorated in an urban rock style from the moment they enter, The Gig is a visual paradise for those both on and off the stage.

The Gig at Exit 33 is an affordable venue is the perfect choice for a night out with family friends or loved ones while celebrating rocking music. Voting ends Sunday, so don’t hesitate to go to the SAMMY’S Peoples Choice Page and cast your vote for favorite venue, festival, and band.

For more information on the induction ceremony and live awards show, please visit http://www.syracuseareamusic.com.

February 27, 2016
Country Music Says Goodbye to the Legendary ‘Southern Gentleman’, Sonny James
Country music bid a sad farewell to the one they called ‘The Southern Gentleman,” Sonny James (James Hugh Loden).

Coined “The Southern Gentleman” due to his polite mannerisms, this country legend was raised in a musical family in Hackleburg, Alabama on his families farm. Dubbed “Sonny” shortly after a performance of “Sonny Boy”, this mandolin playing singing musical protege earned his nickname at the age of three. Country music was mostly live performances and the family group, known as “Sonny Loden and The Southerners” would frequently play local radio station shows, theaters, auditoriums, and school houses throughout the southern United States.

As time went on, the band disbanded and Sonny continued his musical career on stage and radio and then evolved with the time into television and even outer space. Sonny was the first country performer to appear on The Ed Sullivan Show, made appearances on both the Bob Hope Show, The Mike Douglas Show, and The Johnny Cash Show, as well a numerous others, hosted the first ever Country Music Awards show together with Bobbi Gentry, and even was the first to have country music in space as his recordings were requested to go along with the Apollo 14 space mission to the moon.

His career is an assemblage of honors and awards which include the following:
- 1961 – Became the first country artist (recording division) to be honored with a star in the prestigious Hollywood Walk of Fame
- 1962 – Joined the world famous Grand Ole Opry
- 1967 -Hosted the first CMA Award Show
- 1960’s and 70’s – Named Male Artist of The Decade by Record World
- 1987 -Inducted into the Alabama Music Hall of Fame
- June, 2001 – Male Golden Voice Award – Golden Voice Awards
- November, 2001 – Master Achievement Award, R.O.P.E. AWARDS
- June, 2002 – Career Achievement Award – The Country Music DJ Hall of Fame and Country Radio Broadcasters, Inc.
- August 30, 2006 – Country Music Hall of Fame
- 2009 – Inducted into the Hit Parade Hall of Fame
Sonny James made a name in country music in the early 1960’s by introducing his new sound of R&B to the country music audience during a time of civil unrest and bringing light to number one hits such as Since I Met You Baby, It’s Just A Matter of Time, Endlessly, Empty Arms and Bright Lights, Big City previously recorded by Ivory Joe Hunter, Brook Benton, Clyde Otis and Jimmy Reed.

According to Billboard statistics, for almost 20 years (1960-1979) Sonny James spent more time in the Number One chart position than any other artist in country music — a total of 57 weeks, 16 Consecutive #1 Singles, a feat never before accomplished in Country Music, Pop or Rock ‘n Roll.

Sonny James could be consider the first country crossover as his 1957 hit “Young Love” made it way to number one on the pop charts.

In addition to his own musical talents, Sonny James could also be credited as an award winning producer. Working together with Marie Osmond back in the early 1970’s, James recorded Marie Osmond’s first three albums. The first single released, Paper Roses” was a song previously released by Anita Bryan in 1960 on the pop charts. Released in 1973 and promoted through country radio, Marie’s version climbed the country charts to number one, crossing over to the pop charts, easy listening, and international charts and earned her a Grammy nomination, making her a household name in the country music industry.

A legendary musician and well loved and admired by all that knew him, Sonny James truly left his mark on Nashville’s country music family.
February 24, 2016