Author: Karina Verlan

  • Phish Releases Live Bait Vol. 12

    Live Bait Vol. 12 is a ten track collection of treasured Phish tracks released to help phans survive the building anticipation before Summer Tour 2016, which kicked off Thursday at the Xcel Energy Center in St. Paul. It is a tradition that archivist Kevin Shapiro has kept going for years, each one featuring tracks from the cities that the group will hit on its tour.

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    This year’s edition has an especially notable, almost 30 minute long, “Mike’s Song> Simple> Mike’s Song> Tela> Weekapaug Groove” from Onondaga War Memorial Auditorium in Syracuse on Nov. 4, 1994; as well as, “Piper>Gotta Jibboo” from SPAC on June 19, 2004, which is a little over 40 minutes long. In fact, every track is in the double digits in length on this volume.

    With the exception of “Mercury” (2015), which was recorded by Jon Altschiller, the other nine tracks were recorded by Paul Languedoc.

    Phish is doing a three-night run at the SPAC this summer starting on July 1, and will later hit Syracuse on July 10 at the Lakeview Amphitheater.

    You can download the album live here or stream it via the LivePhish+ App.

    Phish Live Bait Vol. 12

    • Reba (1995-10-25 Civic Center Arena – St. Paul, MN)
    • Split Open And Melt (1997-08-10 Deer Creek Music Center – Noblesville, IN)
    • Piper > Gotta Jibboo (2004-06-19 Saratoga Performing Arts Center – Saratoga Springs, NY)
    • Stash (1993-07-24 Great Woods Performing Arts Center – Mansfield, MA)
    • Ghost (2000-07-01 Meadows Music Theatre – Hartford, CT)
    • Mike’s Song > Simple > Mike’s Song > Tela > Weekapaug Groove (1994-11-04 Onondaga War Memorial Auditorium – Syracuse, NY)
    • Foam (1997-08-03 Gorge Amphitheatre – George, WA)
    • Bathtub Gin (2003-02-14 Great Western Forum – Inglewood, CA)
    • Tweezer (1999-09-18 Coors Amphitheatre – Chula Vista, CA)
    • Mercury (2015-09-05 Dick’s Sporting Goods Park – Commerce City, CO)
  • Mockingbird Foundation Releases Third Edition of ‘The Phish Companion’

    The Mockingbird Foundation and Phish.net have released a third edition of The Phish Companion: A Guide To The Music & Their Music. The companion is an invaluable guide to the band’s history, show reviews, fan art, original photos and tour capsules.

    the phish companionThe eight chapter, 898 page hardcover book is filled with full-color pages capturing 33 years of Phish history. It includes art by some of the most esteemed Phish poster artists, such as AJ Masthay, David Welker and Justin Helton.

    The Mockingbird Foundation has said that if the first two editions were like trusty, sturdy Subarus that could get you around reliably, then the third edition is “Doc Brown’s DeLorean” time-machine.

    The book is available for purchase on the Phish Companion website. It will also be available for public sale outside of the website for the first time at the June 25 PhanArt show at the Cubby Bear in Chicago.

    All proceeds from the Mockingbird Foundation go to benefit music education for children, and the foundation has raised nearly $1 million for the cause.

  • Mad Tea Party Jam: A Fusion of Art and Music Not to Miss

    The Mad Tea Party Jam is a festival that friends have been buzzing about for years. This year, I am finally going to make it, and I’m excited to bring you the inside scoop of the weekend, garnished with a gallery by Amanda Siedner.

    This year’s Mad Tea Party Jam will take place from June 16 through 19 in Artemas, PA, at the Four Quarters InterFaith Sanctuary, a new location for the festival. This will be the fifth anniversary of the event, which began as the wedding of Elise and Taco Olmstead, founders of the Appalachian Jamwich. Now it is an anniversary celebration that the couple shares with everyone, and it’s a gathering that focuses heavily on the art community, in addition to packing the weekend with amazing musical experiences (see the video below).

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    The Lineup

    Topping this year’s lineup are Papadosio, Twiddle and Tauk, with each playing two sets. Other scheduled artists include Consider the Source (Radiohead Set), Big Something and Aqueous playing three sets each, two Broccoli Samurai sets, the Jauntee, the Primate Fiasco, Electric Love Machine (ELM), two Litz sets, Deltanine, Definition of One, Oh Kee Pa and more (see the full schedule here).

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    Artists and Workshops

    Throughout the weekend, there will a team of live painters creating visual art for festival-goers to explore while enjoying the music. The weekend is jam-packed with alluring workshops. Notably, Dale Allen Hoffman, the key-note speaker, will offer “profound insights about Mary and the Divine Feminine” in his workshop “Isis-Magdalene and the Sacred Fire of Ecstasy.” You can learn sacred geometry/mandala making with Charles Gilchrist, or learn about innovative eco-sustainable architecture with Gariel Carazos. There will be a 90-minute vinyasa-style Yoga workshop with Courtney Gabinetti to help open your heart, and a Laughter Yoga Workshop with Damon Owen. Other workshops include an Empowerment workshop, Healing Through Hoop, Merkabah Light Body Activation, among others. You can see the full list of workshops and their descriptions here.

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    Camping

    The new location seems to be a great fit for such a spiritual, art-geared event. According to the website, since 1994, “Four Quarters has been growing functional cultural alternatives, firmly grounded in an Ecological and Earth Spiritual perspective… A sacred place in the Alleghenies, set aside in perpetuity as a Sanctuary for Nature… and for People.” It will feature a shaded camping area perfect for hammocks, a swimming hole for festival-goers to dip into to cool off and two fishing ponds. You can learn more about the Four Quarters InterFaith Sanctuary on their website.

    Mad Tea Party Jam offers a VIP experience that will feature camping closest to the stages and the VIP lounge, catered dinner with the bands, a VIP laminate and a Merch Package. There will be a costume theme on each of the three nights that the website encourages people to “interpret loosely;” Thursday is Toga, Friday will be Disco and Saturday plans for a Star Wars/Space theme.

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    Things to Know

    According the Mad Tea Party website, festival-goers won’t be able to camp next to their cars, however, they will be able to drop their things off at their campsite before driving the car out to parking. Children are welcome at the festival; anyone under the age of 13 will be admitted for free. Water stations will be available, as well as a few small restrooms with showers, in addition to the porta-potties around the grounds. Mad Tea Party is a BYOB event for those of the legal drinking age, but Four Quarters will be selling bottles of their mead. Bad attitudes, glass, fireworks, pets are among things listed as not welcome at the festival.

  • Domefest 2016, The Flock Congregates for a Weekend of Pleasure

    Smaller festivals are considered to be a more intimate and familiar experience. Domefest 2016 is certainly that, but on a whole different level. There is a palpable energy, a feeling that being a part of this Flock brings with it a love that pulsates in every interaction, welcomes you as you are and most importantly, makes you belong without any doubt.

    This year’s Domefest was held in the beautiful back hills of Bedford, PA, at Front Royale Farm; it was the event’s seventh anniversary. The new location was favorable primarily to VA Flockers, PA Flockers and some from New York, but the Flock is everywhere, and some dedicated fans made a much longer drive. Over the years, the event has moved locations a number of times, most recently relocating from Tripp’s Farm in Terra Alta, West VA, where it was held last year. While making my rounds talking to veteran Flockers, I got the impression that this year’s location was the best one yet, due to proximity, ease of navigation and lay of the land.

    On Thursday, everyone arrived at the farm greeted by sunlight and a warm breeze pushing the clouds overhead. There was a large forest camping area most of which lined a long stretch of the main cleared road. There was also an option for field camping in the Dome Field that some people opted for. A path with wooden bridges that were fairytale picturesque, albeit a little risky, connected the general camping areas to the concert area. Camps set up and hammocks suspended, the early arrivals had a chance to enjoy the afternoon sun, while soft sounds of acoustic guitars from nearby campsites floated on the wind, laughter and conversation filled the woods.

    domefest 2016Music kicked off at 6 p.m. on the Flo Stage with Star City Disco, led by DigitalDevy. Lespecial followed at the main stage sparking the evening heat, spreading their melodies on hard electronic grooves and stirring vocals. This year’s Domefest had three stages again, the Flo Stage for in-between sets, the main Runa Stage and the Late-Night Stage, sponsored by the Bamboo Eater.

    Electric Love Machine (ELM) took us into the first evening with an energetic, ethereal “Hattori,” a spectacularly haunting “Rabbit Hole,” closing with a hard grooving “Tomorrow knows.” After that, the Flock, in full dancing mode from ELM’s set, got ready to see the first Pigeons set of the weekend. This set featured old favorites and tracks off their newly released third studio album Pleasure, such as, “Burning Up My Time” and “Live It Up,” along with a first-time cover of “1999” (Prince tribute). Broccoli Samurai did not give people a chance to miss them; opening with a Lotus cover that stopped people in their tracks, and kept them dancing well into the early morning.

    domefest 2016Friday morning was perhaps the best weather the Flock saw before rain took over for the rest of the weekend. Everyone emerged from their tents to meet the warm sun, shaded from the heat by the surrounding forest. Workshops kicked off with a Rise and Shine Yoga Flow both Saturday and Friday mornings, with the talented Rebecca Simms. Music kicked off at 1 p.m. with Mateo Monk’s soothing tones, “like gospel on a Saturday morning.” The Jauntee, Litz and McLovins kept the crowds glued in the concert area, while Puremotion and Vibe and Direct kept them from leaving during set changes. The Jauntee started the marathon with funky grooves, which Litz later picked up and reverberated with their unforgettable vocals by Austin Litz, closing out their set with the first song guitarist Justin Robb has ever written for the band, “If you haven’t heard our name, you’re overdue.”

    domefest 2016The evening was beginning to gather more and more of the Flockers, as Aqueous played their first set of the weekend (live stream by our Amanda Siedner available in AQuaintences Facebook group), followed by a heavy Mantras set with a memorable “The Way Life’s Been Good During Wartime” mashup. The second night of Pigeons certainly did not disappoint, with a Funky start, “Funk e Zekiel,” slowing a little for “Walk Outside” and “Sunny Day” before bringing the funk back with “Penguins>Funkijam” and a “Julia” with an “Under the Sea” tease. The Pigeons played an original debut “Fun in Funk” before closing out with “Ocean Flows” and “E. The Liquid.” The rain was starting it’s own marathon right around that time. Consider the Source mesmerized the crowd for as long as possible, until they thinned due to the heavy outpour, but many were determined not to let weather deter them from the amazing set. ShwizZ took the stage as the sky really opened the water flow for the remainder of the night, but again those determined were not dismayed and danced with ShwizZ until 5 a.m.

    domefest 2016Waking up on the last day of Domefest was a little less warm and a lot less sunny. Flockers were slower to emerge, hoping that the downpour would take a break, but a drizzle was present for the whole day. Music kicked off at 1 p.m. with Strange Machines and Out of Beardspace, while Mateo Monk once again soothed in between sets. The Hornitz rocked the stage with a cool “Dayman” cover (Always Sunny in Philadelphia), vibrating their horns through Dome. Mister F brought their funk with deep bass, synthesizers, high-energy tunes and great covers,  at one point sharing the stage with Hornitz. Scrambled Greg got the crowds ready for a Splintered Sunlight Grateful Dead set. Deaf Scene rocked the crowd before and after the amazing Big Something set that got the rainy night rolling with “Closer” and later “Passenger>Tumbleweed” and “Love Generator>The Curse of Julia Brown” to finish. Pigeons closed out their festival with an amazing run, with a “Skipjack” teased with “Paint it Black,” “J-Town>Black Dog>Whoopie” with the Hornitz boys and a first-time cover of “99 Red Balloons” that was sublime. A “Zydeko” finished the set, weaving into “Rainbow” in the middle. The last late-night was held by ELM and Aqueous, who held a sizable crowd in the soft mist until early morning. ELM kicked off the rainy dance party with “Captain Disco” and later went into a fly “Weird Fishes” cover, and Aqueous took the crowd home with “Origami” and “Skyway>Dave’s Song>Kitty Chaser (Explosions)” with Marty teases in Origami and Dave’s Song.

    This is the second year that Domefest has held three days of music. The stacked line up made it difficult for Flockers to leave the concert area, despite nature’s best attempt to wash them out. At the end of the weekend, although cold and wet, the Flock packed up with warmth in their hearts from the new memories and friendships that they will hold until we get to do it all over again next year. “Tell the right people,” Greg finished their last set with wisdom for keeping that very special energy that lives at Domefest alive.

  • Hearing Aide: Mulberry Soul “Mulberry Soul”

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    It’s been interesting to watch bluegrass music evolve the past couple of years to expand the definition of bluegrass sound, instruments and style. Talented new musicians are emerging continuously, creating their own original sounds, and garnering the interest of new followers. A band rising with potential, Mulberry Soul, spices the traditional barn burnin’ bluegrass we’re used to with their original songs.

    Mulberry Soul formed at the Rochester Folk Art Guild, an art community outside of Naples, NY. Their self-titled album will be released on May 19, featuring their beautiful, harmonizing tones, progressive bluegrass and their soul-stirring songwriting. Band members Gabriel Schliffer (fiddle), Scott Calpin (mandolin), Chris Machanoff (acoustic guitar), Aaron Oldweiler (bass) and Cordelia Hall (banjo) all bring something different into the concoction.

    Mulberry Soul, a 10 track album, begins with a dramatic and eloquent “Lincoln Town,” which dips you in with Schliffer’s fiddle, weaving your soul into the music, while the bands’ skillful polyphony stitches the beat. The fourth track, “Peace Like A River,” surprises with a foot-tapping rhythm and a catchy tune that tempts you to whistle along. A personal favorite, the unforgettable “Mulberry Jam” haunts you with its poignant sound. The “Wilding Grove” stands out from the rest of the album with a different, fervent sound. Fittingly, the album ends with “What We’re Made Of,” a slow, sing-song ditty featuring Hall on vocals.

    After four years of developing their sound through various live shows around NY, Mulberry Soul has grown in popularity, performing around artists like Donna the Buffalo and Scott Regan.

    The band will kick off an album-release tour at Nietzsche’s in Buffalo on Thursday May 19, moving to the Naples Hotel on the 20th and Flour City Station on the 21st. You can catch the band at various festivals this summer such as, The Great Blue Heron Festival, Sterling Stage Folkfest and more. The band will also perform live cuts from their new album on WRUR’s Open Tunings on May 16th.

    Be sure to catch Mulberry Soul at one of their gigs this summer, so that you can experience the high-energy artistry that these musicians spark for yourself.

    Key Tracks: Harlem Blues, Peace Like A River, Mulberry Jam, What We’re Made Of

  • Hearing Aide: Future Rock ‘Long Ago’

    12967984_10154068406074250_61455032667498911_oFuture Rock’s music dances on elegantly etched lines of melody, while their sleek rock beat creates waves in the
    electronic tune; a favorable combination that
    won’t let listeners stand still.
    Long Ago, their newly released album, stands out from the rest of their work, as the band continues to experiment with the boundaries between groovy melodies, skillful songwriting and what it means to be a modern dance-rock group. Coupled with the addition of DJ/producer/singer Tibaut Bowman and the exquisite voice of Anna Soltys, the Future Rock trio’s fifth full-length album shows growth in their pursuit of that fusion.

    “Take It Back” kicks off the seven-track album wearing their evolution proudly: we are instantly drawn into the music with Soltys’ voice opening the song, and then pulled up by the Chicago-based group’s fist-pumping beats. Bowman helps tie in what the group does best, plunging their beat to a depth that slows Future Rock’s usual brisk rhythm. “Long Ago” is a track that stays with you, like a bubble of dreamy haze that picks you up and floats you around. The three tracks without Soltys’ voice showcase the band’s synthesis of jumping meters and weaving in and out of progressive house through artful movement of the keys and pulse.

    The album title is an interesting alliance between the group name and their direction: Long Ago by Future Rock. The group has commented saying this union invokes their combination of reaching new heights, while returning to masterful songwriting. The trio includes Mickey Kellerman on keys, Darren Heitz on drums and Felix Moreno on bass guitar.  This is an album you won’t want to miss if you’re interested in the direction that Future Rock is going in. 

    Key tracks: “Take It Back,” “Long Ago,” “A Better Way”