{"id":966,"date":"2015-12-07T00:00:00","date_gmt":"2015-12-07T00:00:00","guid":{"rendered":"https:\/\/dev.nysmusic.com\/2015\/2015\/12\/07\/hearing-aide-kimberly-schad-mystic-kingdom\/"},"modified":"2015-12-07T00:00:00","modified_gmt":"2015-12-07T00:00:00","slug":"hearing-aide-kimberly-schad-mystic-kingdom","status":"publish","type":"post","link":"https:\/\/dev.nysmusic.com\/2015\/2015\/12\/07\/hearing-aide-kimberly-schad-mystic-kingdom\/","title":{"rendered":"Hearing Aide: Kimberly Schad “Mystic Kingdom”"},"content":{"rendered":"

Kimberly Schad debuted her new self-produced, four-song EP, Mystic Kingdom<\/em>, Friday evening at The Palace Theater, bookending her eighteen song set with the tracks from the new release. In this case I saw the concert before listening to the EP, it gave insight to the formal version and how Kimberly sees the music in a bigger picture.<\/p>\n

\"Kimberly
Photo by Sandra Jackson for Sublunar Studios and NYS Music<\/figcaption><\/figure>\n

She is an artist who has complete control over her music and how it\u2019s presented. In the studio she handles all facets of the project, from vocals, piano, keys, to programming, mixing and producing, besides one tasty guitar track on “Secret” from Kevin Farrell (Hard Promises, The Hurricanes). Live, the lush stage production and instrumental ensemble represent her complete vision.<\/p>\n

Her backing band consisted of her long-time partner Will Masiclat – keyboards, sampling and video, Travis Reed – piano, Andrew Greacen – guitar, Jim Lucas – drums and Gary Lucas – percussion. All of this tied together with her father, Tim Schad, mixing F.O.H. and her uncle, Steve Schad, as L.D.. The stage was set with flowing white drapes, an elevated, spinning riser at the center with an antique chaise lounge and access ramps on each side dressed in white. Dozens of moving light fixtures cast their colors in dramatic scenes accentuating the setting combined with a rich, full mix of ear candy for the highly receptive crowd that assembled. All of the songs performed were Kimberly\u2019s compositions with the exception of four covers that will be noted along the way.<\/p>\n

\"Kimberly
Photo by Sandra Jackson for Sublunar Studios and NYS Music<\/figcaption><\/figure>\n

The show and EP opener, \u201cSecret\u201d has a Spanish note and feel, brought to bear through the acoustic performed by Andrew Greacen and the drums\/percussion\/sampling. Her vocal reading gives many hints at what was to come from her in both the concert and the EP. She has a tremendous grasp on what she feels, believes and practices. \u201cAfter Midnight\u201d is deep and proggy, while flexing her R&B and trip-hop chops. The breadth of Kimberly\u2019s lyrical content becomes evident even more here, as she often does, speaking from her soul, deeply.<\/p>\n

“Dirty\/Money” features the piano of Travis Reed, a voice we\u2019d hear from often through the show, a brilliant young talent who played as if he wrote the material. A deft touch with ease and a knack for the open spaces. Kimberly mixes in a taste of Drake\u2019s \u201cStar 67\u201d, the code on your phone used to block your number when dialing someone. Stalker? Joker? You decide. The next song is one I\u2019ve been told the background story for and it has twisted my listening a bit since. \u201cNothing But a Bitch\u201d is a biting send-off to emotional attachment delivered with an appropriate bitch-slap. \u201cWhere R U Now?\u201d was the first cover of the evening, the Skrillex\/Diplo collab. featuring Justin Bieber is given a fittingly electro-pop read and hits right in her sweet spot.<\/p>\n

Following a costume change, Kimberly took to the piano, solo, where her art truly comes from. Hitting on yet another mark of professionalism, that being the whole picture, the aesthetic, were well looked after. “Afterglow Confessions\u201d is a post-show expression of love and emotion toward her muse. These moments directly after baring your soul to an audience can be some of the most reflective to an artist. One of the highlights of a show filled with them, this one stands out clearly. Travis took the stage again for Stevie Wonder\u2019s masterpiece, \u201cAll Is Fair In Love\u201d with more than a hint of Jennifer Hudson\u2019s take on it. Immaculately executed, Kimberly\u2019s voice and Travis\u2019 piano brought the crowd to a height of exuberance, it was simply brilliant. \u201cLook Outside\u201d and \u201cTwice,\u201d a Little Dragon cover, stayed in the piano\/voice form, lending clarity to the vocals and space to the piano, both flourishing within it.<\/p>\n

\u201cWhen I Think Of You,\u201d \u201cMight As Well Be Magic,\u201d and \u201cSolid Ground,\u201d all being from Kimberly\u2019s deep repertoire, grow and develop with time and perspective. They\u2019re reflective of her maturing as an artist and a person, it\u2019s remarkable to behold. \u201cTwo Weeks,\u201d the final cover of the night, this time by FKA twigs, is emblematic of where she is now. Dream Pop, Trip-Hop, Prog R&B, Trap Nouveau, way too many different influences to pin-point, which is probably thee point.<\/p>\n

\u201cFly\u201d and \u201cSee Your Face\u201d lead us to the final two songs of the night expressing more themes from her life. She exhibits her behind the scenes skills in tracking, sampling and triggers that become pillars of her compositions. It shows in every note. \u201cOne More Time\u201d marks Greacen\u2019s chance to bring his electric guitar to the ensemble, he does it well, perhaps a bit under the mix, but layering textures is what it\u2019s all about. I\u2019d like to hear more of him. The closer, \u201cMystic Kingdom\u201d, is a signature piece that is perfect in its placement and character. It sums up much of what the performance was about and what we have to look forward to from Ms. Schad.<\/p>\n

While Mystic Kingdom<\/em> is Kimberly\u2019s first officially released EP, it\u2019s apparent that there is much more to be heard from her. She has plenty of material for two full length albums and her skills as a writer, performer, producer and engineer are growing in giant steps. Her consciousness toward the larger picture and vision are strengths many will never enjoy. At twenty-six, she has a very long way to go and all of the faculties to get her there. Congratulations on the magnificent work and we cannot wait to hear and see what comes next.<\/p>\n

The EP is available for purchase on iTunes<\/a> and CDbaby<\/a>\u00a0and\u00a0can be streamed on Spotify<\/a>.<\/p>\n

Setlist:<\/strong>\u00a0Secret,\u00a0After Midnight,\u00a0Dirty\/ Money,\u00a0Nothing But A Bitch,\u00a0Where R U Now? (Skrillex\/Diplo),\u00a0Afterglow Confessions,\u00a0All Is Fair In Love (Wonder),\u00a0Look Outside,\u00a0Twice (Little Dragon),\u00a0When I Think Of You,\u00a0Might As Well Be Magic,\u00a0Solid Ground,\u00a0Two Weeks (FKA twigs),\u00a0Fly,\u00a0See Your Face,\u00a0One More Time,\u00a0Mystic Kingdom<\/p>\n

You can see many videos of the songs performed in earlier concerts on Kimberly\u2019s Youtube<\/a> page, and keep up with her on her website<\/a>, Facebook<\/a> and Twitter<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Kimberly Schad debuted her new self-produced, four-song EP, Mystic Kingdom, Friday evening at The Palace Theater, bookending her eighteen song set with the tracks from the new release. In this case I saw the concert before listening to the EP, it gave insight to the formal version and how Kimberly sees the music in a […]<\/p>\n","protected":false},"author":258,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[9,87,298,2,10,584,115,86,8,85,99],"tags":[2320,2321,2322,2323,2324,102,2325],"class_list":["post-966","post","type-post","status-publish","format-standard","hentry","category-album-reviews","category-central-ny","category-electronic","category-features","category-genres","category-hip-hop-rap","category-pop","category-regions","category-reviews","category-show-reviews","category-syracuse","tag-dreampop","tag-electronic","tag-kimberly-schad","tag-mystickingdom","tag-prog","tag-the-palace-theater-syracuse","tag-triphop"],"acf":[],"yoast_head":"\nHearing Aide: Kimberly Schad "Mystic Kingdom" - 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