Tag: vulfpeck

  • Best of NYS Music 2015: Staff Picks for Best Shows by Region

    A lot of great shows and festivals took place around New York over the course of 2015, from big festivals to small club shows and everything in between. The team at NYS Music loves live music. You can always catch us out and about at live music happenings. Here are what we considered the best concerts of 2015, sorted by region of the state.

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    Best Show in Western New York: Aqueous Halloween
    When Aqueous announced they were going to pay tribute to “Dark Side of Oz,” the legendary mashup of Pink Floyd’s Dark Side of the Moon and the cinematic classic The Wizard of Oz, their fans were pumped. However, this was a multi-night run, and it wouldn’t be fun without a theme for the first night. Back to the Future was chosen, and the band covered many of the hits off the soundtrack.

    Best Show in Central New York: moe. at Saranac Brewery and K-Rockathon 20
    Two anniversaries were celebrated in Central New York, and they brought the crowds and rave reviews. New York’s favorite jamband, moe., celebrated their 25 years in Utica at the FX Matt Brewery, home to Saranac beer. The multi-day celebration had a festival vibe with multiple bands performing each day. New York’s biggest rock radio station, K-Rock, celebrated their 20th annual K-Rockathon with headliners Breaking Benjamin and Shinedown.

    moe. Saranac Brewery

    Best Show in the Capital District: Dead & Company at Times Union Center
    2015 was a big year for the music of the Grateful Dead. The much anticipated Fare Thee Well shows in Santa Clara, California and Chicago celebrated the 50th anniversary of the originators of the jam scene. Following the shows, billed as the last shows the remaining four members would play together, Bob Weir, Mickey Hart and Bill Kreutzmann announced they would go on tour as Dead & Company with John Mayer, Oteil Burbridge and Jeff Chimenti. They kicked off their fall tour at Albany’s Times Union Center.

    Best Show in the North Country: The Waterhole’s final show with EMEFE
    The Waterhole, a mainstay in Saranac Lake, shut its doors after over 20 years of providing live music to the residents of the North Country. The venue will be missed by many. EMEFE played on the last night, dedicating the song “Good Future” to the Waterhole staff.

    Best Show in the Mid-Hudson: Twiddle at the Rock n Roll Resort
    The Rock n Roll Resort festival is always a favorite. It takes the best parts of a music festival and brings them to a chic resort hotel. Rising stars from Vermont, Twiddle, took the resort by storm with their headlining set.

    Twiddle - Rock N Roll Resort
    Twiddle – Rock N Roll Resort

    Best Show in the Finger Lakes: Phish’s Magnaball
    A lot can be written about Phish’s 10th festival. A lot has already been written about it. Tens of thousands of Phish fans returned to Watkins Glen International, the fabled NASCAR track that was home to 1973’s Summer Jam. Not one fan that attended Magnaball had negative comments. That should say it all.

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    Best Show in the Southern Tier: Rob Zombie at the Floyd L. Maines Veterans Memorial Arena
    Rob Zombie brought in the Halloween season with his nightmarish heavy metal show. Fans arrived dressed in costume for the show that was opened by Zombie’s drummer, DJ Ginger Fish. Chris Besaw had the opportunity to sit down and speak with guitarist John 5 before the show about his inspiration and favorite horror films.John Armstrong Rob Zombie 12

    Best Show in New York City
    It’s difficult to pick just one or two shows in a city that has several amazing shows on a nightly basis. Here are some of what we thought were the best shows in New York City in 2015.

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    Ghost at Terminal 5
    L7 at The Warsaw
    Faith No More at Webster Hall
    Vulfpeck at Brooklyn Bowl
    Soulive’s Bowlive VI (and more here and here and here and here and here)

    Best Show on Long Island: Biohazard, Sworn Enemy and Zire’s War at Revolution Music Hall
    In a night of hardcore music that rocked Revolution Music Hall, Biohazard and Sworn Enemy co-headlined what was practically a homecoming for them. Life of Agony’s guitarist Joey Zampella started a new band, Zire’s War, that kicked things off.

  • Brooklyn Funk: Vulfpeck Shines in Debut New York Performance

    On a night where the company was only surpassed by the music, Vulfpeck performed their highly anticipated Brooklyn Bowl debut in New York. Following the final night of Chris Robinson Brotherhood’s three-night run, the smooth funk group from Michigan was the perfect late night show. Dancing across the lanes never felt so good.

    vulfpeckA happy four piece with a variety of guests joining throughout the night. Vulfpeck is energetic and they lay down a sensual brand of funk, and were clearly excited to be in New York. Playing to a sold out crowd that demanded a second show be added for Monday, November 23 at Brooklyn Bowl, Vulfpeck joins The New Mastersounds, Kung Fu, Lettuce and Marco Benevento, ushering in the next era of in demand funk bands. Mister F has impressively covered them on multiple occasions, and the word is starting to get out. Guitarist and drummer Theo Katzman, nodding to the band’s late arrival to the stage, suggested starting “a movement to encourage starting on time,” but none in the audience were complaining. Katzman gave shout outs to Lenox Hill Hospital and Bellmore, Long Island, marking a homecoming performance for the multi-instrumentalist.

    The attentive crowd anticipated the funk throughout the night, Charles Jones joined Vulfpeck on keys and smooth ’70s style vocals. A promising instrumental cover of Cheryl Lynn’s “To Be Real” was accented by the Bowl’s disco ball. When the band broke into “1612”, the crowd sang the “Frank Sinatra” line like they’d be seeing them for years.

    Moving around on stage and switching instruments, with two keyboardists at times, added a degree of difficulty not seen by many acts. Antwaun Stanley sang at key points of the set, adding soul to “Funky Duck” and “1612” among many more. For their first Brooklyn Bowl show, the venue was full, the audience fulfilled and Vulfpeck delivered.
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  • Mister F Gives Fans Insider Pass to ‘FTV Cribs’

    Who can forget when Mariah Carey showed off her plush Manhattan penthouse, with its decadent chandeliers, lavish closets and Marilyn Monroe’s piano, or when Lil Wayne revealed his mobster movie-obsessed living room and impressive car collection on MTV Cribs? It was a show that rocked a generation by allowing an exclusive peek into the personal lives of favorite culture figures before social media came along and made such connection instant. Well, get excited fans of Albany-based Mister F — now you can take an all-access tour of the band’s neat-and-clean dude ranch on YouTube.

    Mister F

    Published on the band’s channel last week, the near 13-minute “FTV Cribs” episode gives viewers a satirical but honest look at the home of these “hard and dangerous rock stars,” plus their whips, yard and places “where the magic happens” for Andrew Chamberlaine (Mister A), Ben Pickering (Mister B), Scott Hannay (Mister S), Matt Pickering (Mister M) and Mike Dean (Mister Manager). According to the press release, the idea was in the making before Mister F was even a concept.

    Hannay said in the release:

    Our drummer Matt had been wanting to make an MTV Cribs-style video for the band house since six years ago when the other guys were still in Timbre Coup… Over the last year, I put together a very silly Vulfpeck-esque video of us playing with a bare-bones setup in totally nonsensical costumes around a dinner table (“This One Goes to 11 – Live at the Dinner Table“) and a three-song series of more serious in-studio multi-cam videos (“The Snow Day Sessions“). I’d gotten back into the swing of video editing, and so we decided to finally make our own MTV Cribs-style episode, aptly titled “FTV Cribs.”

    The virtual tour begins in the living room where the band catches up on Netflix (Arrested Development, of course) to the “all around awesome” two-acre party lot set up with plastic patio ware and can jam before moving into the bare-cupboard kitchen with Mister B who highlights a heady collection of craft beer and opens the fridge door to showcase “all the fixins for hamburgers and hotdogs.” After a short faux commercial break featuring Now! That’s What F Calls Music, a compact compilation of the “crunchiest jams to bop your head to” from Aqueous, Twiddle, The Heavy Pets, McLovins and more (found here), the segment returns with a private look at the shabby chic bedrooms—take note of Mister M’s hat and shoe collection—and concert poster covered practice room before kicking viewers out. So sit back, tune in and invade the space to see “how the other F lives.”

  • Hearing Aide: Vulfpeck ‘Thrill of the Arts’

    Thrill of the Arts, the debut full-length release from Vulfpeck is an entertaining score of influences —Motown, superfly funk, disco ballads, ’80s easy listening, other music your parents probably owned—and classically trained elements that mix confidently with technetronic effects. The result isn’t nostalgic or avant-garde, but geeky cool in its carefully composed yet vibrant sound; it’s revenge-of-the-nerds with soul-train swagger.

    vulfpeck thrill of the artsThe four-man rhythm section formed at the University of Michigan—Jack Stratton (keyboards/drums/guitar), Theo Katzman (guitar/drums/vocals), Woody Goss (keyboards) and Joe Dart (bass)—self-produced the album through a 59-day Kickstarter campaign and open it with the appropriately named “Welcome to Vulf Records,” an upbeat symphonic theme song that signals it’s time to tune in, brassy saxophone solos and all.

    Over the following half-hour, the band grooves through a variety show of offbeat instrumentals, starring guests like rhythm-and-blues vocalist Antwaun Stanley, who sings about the self-aware, TED-talk giving “Funky Duck,” and guitarist Blake Mills in the spaghetti Western rockabilly number “Rango II” that moseys on until mid-trail distortion time warps listeners back to the future. Mushy Krongold (Stratton’s alter ego) brings the 10-tracks to a close with “Guided Smile Meditation,” a spoken-word bit that uses outer-spacey synths to help visualize manning “mission control” and sends TOTA off with a “sense of smile spreading through the eyes.”

    vulfpeck thrill of the artsMost songs remain under the five-minute mark, but existing live footage reveals that these guys aren’t afraid to improvise and can deliver unexpected transitions with impressive precision. And they’ve also been known to cover a classic song or two like The Band’s “Up On Cripple Creek” and Stevie Wonder’s “Boogie on Reggae Woman” and will occasionally breakdown their instrumental configurations for the audience before jamming out. Vulf has yet to announce a tour schedule in support of the album; however, the band is booked for two nights at the Brooklyn Bowl on Nov. 21 and 23 and special guests are soon to be announced.

    Vulfpeck‘s premiere feature compilation is dressed to thrill and proves that independent musicians in the 21st century can provide much more than studio session backtracks.

    Key Tracks: “Funky Duck,” “Rango II,” and “Christmas in L.A.”