Tag: The Capitol Theatre

  • Bavosa’s Mimosas: Turkey Day Thankfulness

    Thanksgiving. A time to sit back, eat, watch some football, eat some more, and spend time at home with family and friends. It is also one of my favorite weekends of the year to see some live music.

    the capitol theatre thanksgiving

    In the music world, the weekend and days surrounding the holiday offer a similar sense of community and celebration. This tradition was started long back, and most notably documented in The Last Waltz, The Band’s star-studded, farewell concert on Thanksgiving night in 1976. While that show took place on the West Coast, its effects have been felt for decades to come all over, especially here in my home of New York City.  In fact, last year saw a performance of The Complete Last Waltz by a laundry list of musicians at The Capitol Theatre in Port Chester, NY, a very short drive or train ride from Manhattan, showing that live music around this joyous, reflective weekend is still alive and well. It is also extremely important to point out the significance of The Last Waltz concert, as it will forever be synonymous with Thanksgiving in the musical world.

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    For many other jam acts, Thanksgiving weekend runs have become as reliable as other holidays like New Year’s Eve and Halloween. I have fond memories of seeing God Street Wine, Blues Traveler, moe., The Disco Biscuits, and all sorts of collaborative efforts over the years in and around NYC during my post-Thanksgiving weekend world of belly-blissfulness. This upcoming Thanksgiving will also see a plethora of choices for local New Yorkers, highlighted by My Morning Jacket’s four night run at The Beacon Theater and what has become a staple, Dark Star Orchestra’s annual weekend shindig at the Playstation Theater in Times Square.

    phish thanksgiving

    But in my mind, there’s one band that cemented the Turkey Day Tradition: Phish. They played a total of seven shows at The Capitol Theatre from 1990-1992.  Four of these shows were right around Thanksgiving, culminating in a still much-lauded set of shows over the Thanksgiving weekend in ’92.  Phish continued their Thanksgiving tradition in years to come, with a ludicrous trio of shows in Worcester in 1998, including the infamous “Wipeout” show, showing that there’s a few ways to shake off the extra pounds added at the dinner table.

    No matter where you live, or what type of music you may choose to see, a common theme is there over Thanksgiving and the days that it lingers on into afterwards. There’s a sense of ease and relaxation about seeing some shows over that weekend, often times close to the hometown that you grew up in, where your most important and defining memories of getting into the live music scene come flooding back into your mind. Chances are you will also get to see some old friends and faces at these shows, as they’ve decided to come home due to the proximity to home and the collective state of togetherness that the holiday exudes. While the shows may be part of a larger tour, they too also seem to take on a relaxed vibe of stopping for a moment amongst all of the craziness and madness of life and the road and say: “We are thankful.” Both the bands and fans alike seem to share this sentiment. It’s for these reasons above that this weekend was, and is, always one of my favorites.

    So, no matter where you live, my point is to get off the couch on Friday and Saturday when you are home, make some plans with old friends, and go out and see some music. The memories that will be made, and the thankfulness that we get to celebrate a bright and vibrant scene, borne out of all that came before it, will be something to truly be thankful for, for years to come.

  • “Weird Al” Yankovic To Make Mandatory Stop At The Capitol Theatre July 30

    “Weird Al” Yankovic’s “The Mandatory World Tour” will be making a mandatory stop at The Capitol Theatre in Port Chester, NY July 30. If that’s not mandatory enough, there will be a plethora of Mandatory Fun to go along with his Port Chester visit.

    Weird Al’s performances, aside from being musically fulfilling, are robust with humor for every quirk accentuated by his superb showmanship on stage. Not to mention the costumes he dons throughout his shows to round out the experience.

    Al’s shows are ones to never be missed, particularly on this tour as he has some new witty and hilarious Grammy-winning material under his belt with his 14th studio album, Mandatory Fun. Check out Michael Hallisey’s review of the album on NYS Music here.

    The Mandatory World Tour hits The Capitol Theatre Thursday July 30 with doors at 7pm and show at 8pm, without a bad seat in the house (unless you get put in the time-out chair for not having fun). Tickets for the all-ages show are available online at The Cap.

  • Lions On The Moon, Billy & The Kids ‘The Kids Are Alright’ at the Capitol Theatre

    As the doors opened to the historic Capitol Theatre in Portchester, NY your expected throng of dead heads waiting outside to get a spot on rail rushed inside the venue. Little did they know they were going to be treated to a full-blown rock show by openers Lions On The Moon. When you read about a band comprised of four young men ranging in ages 12 to 16 you may think it is a gimmick, but these four are far from that. Formed in spring of 2014, the band –  Brandon “Taz” Neiderauer (lead guitar, vocals), Nicky Dylan Winegardner (lead vocals, guitar), Dylan Niederauer (bass), Henry Thomas (drums) these four play with the precision and chops that you would expect from a veteran headlining band.

    Winegardner led Lions On The Moon on electric guitar through “Where Did We Go Right” and “Only Fun,” two original tunes before switching over to his acoustic guitar for “On Your Feet.” From there 12-year-old guitar prodigy generally referred to by his nickname “Taz” took over on vocals for his original penned tuned, the self titled “Lions On The Moon” inspired by The Nth Power’s “Walk on Water.” Winegardner went back to his electric guitar for “Party Mardi Gras” which featured bassist Dylan Neiderauer laying down some smooth, deep, melodic bass lines. Lions On The Moon followed up with a soulful cover of Stevie Wonder’s “Higher Ground” propelled by Thomas’ fast rhythmic drumming. What came next seemed to be a treat equally appreciated by the audience and the young band as they were joined on stage by pedal steel aficionado Robert Randolph for The Allman Brothers’ “Whipping Post,” which featured a shredding guitar solo by “Taz” as he walked across the stage and played face to face with the veteran Randolph. Lions capped off their set with the original tune “Guitarmageddon” which sounded like it was penned by a group of young adults who still know how to have fun, not only on stage but in their song writing as well.

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    The headliner, Billy & The Kids, with only their third live performance as a supergroup, was put together by Grateful Dead drummer Bill Kreutzmann. Kreutzmann called on Tom Hamilton (guitar, Brothers Past/JRAD), Reed Mathis (bass, Tea Leaf Green), and Aron Magner (keyboard, The Disco Biscuits) to put a new spin on classic dead songs, and more specifically on this night songs from the classic Europe ’72 tour. The constant theme for the night was apparent right from the set opening “Cumberland Blues” each artist would add a little bit of their own style while keeping true to the original tune. Mathis took the lead right out the gate and seemed to be the stand out of the first set taking the lead on vocals for many of the tracks. Kreutzmann led his band through classic tunes  “Tennessee Jed” and “Brown Eyed Woman” with Mathis taking the lead on vocals for both. “China Cat Sunflower” came next and led us through our first fully improvised jam of the night with Magner and Hamilton taking this one out for a long walk and bringing it back only to seamlessly segue into “Cassidy” followed by “I Know You Rider.” The group was finally joined on stage by announced guest for the night Robert Randolph who jumped right on his Pedal Steel and worked an instrumental version of “Not Fade Away.” Randolph then took the lead on the first set closer, and rarely covered Huey Smith’s “Rockin’ Pneumonia And The Boogie Woogie Flu.” This track was only covered by the Grateful Dead five times, all on their Europe ’72 tour.
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    The second set opened with just the core members of Billy & The Kids on stage with “Cold Rain and Snow” which had the crowd instantly back in the groove and singing along right out of the gate. It didn’t take long for Robert Randolph to join back on stage for “Dire Wolf” and “Sitting on Top of the World” which again featured Mathis working the vocals and his bass  to steal the attention away from the rest of the band, they then segued into “Big River.” Randolph once again took the lead on “Hey Bo Diddley “> “Who Do You Love,” providing high kick dance moves and alternate lyrics “Just playing here with Billy & The Kids” shining a light on Kreutzmann who showed he hasn’t lost a step with a roaring drum solo and a smile ear to ear.

    Mathis once again took the lead for “Ramble on Rose” before turning over the reigns to Hamilton on “Bertha” which featured the first stand-out keyboard solo of the night by Magner, showing everyone what he is truly capable of. Hamilton led the way through the remainder of the second set with  “Loser” >” Deal” > “Loser” and “Casey Jones.” All five came back on stage for an encore performance of “Brokedown Palace” each member of the band took a turn with a verse before the drove it home with the full ensemble closing out the night. Fare Thee Well, Billy & The Kids will next be playing “Spring 1990” at Red Rocks amphitheater in Morrison, CO on April 20 and will return to the east coast for Peach Fest where they will be joined by Grateful Dead guitarist Bob Weir.

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