Tag: Sprocket

  • Musical Happenings in NYC Pre- and Post-Phish Shows

    Phish will return to New York City’s Madison Square Garden for a four night New Year’s run. While Phish might be the main event, there are many shows happening around the city both before and after Phish that fans might interested in checking out. Here’s a rundown of those shows – both those being billed as Phish after-parties and those that are not.

    phish_after_parties

    Many New York bands are represented in those performing around the Phish shows, including some of the after-parties. On Wednesday night, Jersey City’s Lil Joe and the ill Picards will bring their funk to Leftfield on Ludlow Chromatropic will join forces with Sprocket to form ChromaSprocket. They will perform with special guests Natalie Cressman and Peter Apfelbaum of the Trey Anastasio Band at Lucille’s at B.B. King’s also on Wednesday night. Late night on New Year’s Eve, Snarky Puppy will play Irving Plaza.

    On Friday night, Nyack’s ShwizZ will join forces with FiKus to perform as ShwiKus and play tribute to P-Funk at Lucille’s. Saturday night brings Elise Testone and an all star lineup, including Todd Stoops, Natalie Cressman and Michael Ray, leading a James Brown Dance Party at B.B. Kings. ShwiKus will also be at Lucille’s again, this time playing an ’80s set. One ticket gets you into both of those shows. Dopapod will be at the Grammercy Theatre. Finally, Ha Ha the Moose, made up by members of moe., will bring their off-centered musical theatre to Irving Plaza. You can expect nothing but the unexpected from “The Moose.”

    james_brown_dance_party

    Wednesday, Dec. 30
    Post-Phish:
    Tower of Power @ B.B. King’s Blues Club – 10 p.m.
    Kevin Hedge and Louie Vega @ Cielo – 10 p.m.
    Joseph King @ Rockwood Music Hall Stage 3 – 10 p.m.
    The Bad Plus @ Village Vanguard – 10:30 p.m.
    *Start Making Sense @ Irving Plaza – 11 p.m.
    Disco Biscuits w/ Horizon Wireless @ PlayStation Theatre – 11 p.m.
    *Particle w/ New Riders of the Purple Sage @ The Cutting Room – 11:55 p.m.
    *ChromaSprocket (Chromatropic x Sprocket w/ Natalie Cressman and Peter Apfelbaum) @ Lucille’s at B.B. King’s – 11:55 p.m.
    *Rebirth Brass Band @ Highline Ballroom – 11:59 p.m.
    *Lil Joe and the ill Picards @ Leftfield on Ludlow – midnight

    New Year’s Eve, Thursday, Dec. 31
    Post-Phish:
    *Snarky Puppy @ Irving Plaza – 2 a.m. (technically on Jan. 1)

    Friday, Jan. 1
    Pre-Phish:
    *Holly Bowling @ The Cutting Room – 4 p.m to 6 p.m.
    Frank & Tony, Taimur Agha, Ray Zuniga, Nikola Baytala, Ted Krisko, Willie Graff, Alex Graham & More TBA @ The Panther Room – 8 a.m. to 4 a.m. (technically ends Jan. 2)

    Post-Phish:
    The Bad Plus @ Village Vanguard – 10:30 p.m.
    Disco Biscuits w/ Animal Rexx @ PlayStation Theatre – 11 p.m.
    *Karl Denson’s Tiny Universe @ Irving Plaza – 11:30 p.m.
    *Dead Sessions @ The Cutting Room – 11:55 p.m.
    *Pink Talking Phish @ Highline Ballroom – 11:55 p.m.
    *ShwiKus plays P-Funk (ShwizZ + FiKus = ShwiKus) @ Lucille’s at B.B. King’s – 11:55 p.m.
    The Motet @ B.B. King’s – 11:59 p.m.

    Saturday, Jan. 2
    Pre-Phish:
    PhanArt Presents: Skyscraper is Grand @ Hotel Pennsylvania – 12-7 p.m.
    *New Mastersounds @ The Cutting Room – 4 p.m.
    Touchpants @ American Beauty NYC – 5 p.m.

    Post-Phish:
    *Ha Ha the Moose (Rob, Chuck and Jim from moe.) @ Irving Plaza – 10:30pm
    The Bad Plus @ Village Vanguard – 10:30pm
    *Dopapod @ Grammercy Theatre – 11 p.m.
    Disco Biscuits @ PlayStation Theatre – 11 p.m.
    BIGYUKI @ Rockwood Music Hall Stage 2 – 11 p.m.
    Subset @ Webster Hall – 11 p.m.
    *The James Brown Dance Party (Michael Ray, Natalie Cressman, Chris Bullock, Todd Stoops, Fred Thomas & Moussey Thompson, Adam Chase & Matthew Chase, Elise Testone) @ B.B. King’s – 11:55 p.m.
    *ShwiKus plays The 80s @ Lucille’s at B.B. King’s – 11:55 p.m.
    *New Mastersounds @ The Cutting Room – midnight
    Walker Adams @ Rockwood Music Hall – midnight

    * billed as Phish after-party

    [embedyt] http://www.youtube.com/watch?v=SBT1UgsWm-M[/embedyt]

  • Sprocket at Brooklyn Bowl: Not A Secret Anymore

    The ever growing Sprocket fan base was out in full force for the bands biggest show to date. The hard working NYC bases jam band has put in the time and energy to get to showcase their talents on NYC’s hottest stage, Brooklyn Bowl. Tom Tompkins (guitar), Dan Haller (bass), Nate Rosler (drums), and Angelo Miliano (keyboards) had all but forty-five minutes to show the Brooklyn Bowl crowd what all the hype was about and why they are the best kept secret in the NYC jam scene. I don’t think they are a secret anymore, crushing the set with just three songs, the way all jam bands should do a second set. The set began with “Letters At The Bottom Of The Sea” an unreleased track which featured an indie meets improvisational rock vibe, an all around well composed and executed song, which can surely be jammed out in the future. Sprocket sounded tight and relaxed, not given any time to get in the groove with such a short set they followed with “Shroud”. Without an extended solo Rosler showcased his talent on the drum kit by powering the band through this uptempo and solid jam, keeping the energy level high. The band took a quick breather and shared with their fans how excited they were to be playing at Brooklyn Bowl and let us know they would jam out the rest of the set. “Cube” was a set closer and encore all rolled into one, featuring many peaks as the band was encouraged to keep the jam rolling. The only song played off of their 2014 release Tropical Bushwick, they were able to take this well structured tune into an exploratory space and really pile layers on top of layers within this jam. Sprocket kept the audience captivated and begging for more.

    You can see Sprocket next on May 23 at the Studio at Webster Hall, tickets here or in Chicago on July 4, post GD50 at the Hard Rock Chicago, tickets here.

    Setlist: Sprocket at Brooklyn Bowl 4/21
    Letters At The Bottom Of The Sea, The Shroud, Cube

    *Photos By: Evan Rosler

    [FinalTilesGallery id=’163′]

  • Interview: Sprocket at Brooklyn Bowl April 21

    It has only been a couple of years since Sprocket was just a trio playing dingy basement bars in front of a mix of music fans and drunk NYU students. They have since rounded out the band to a quartet and worked their way through the growing pains that any up and coming band goes through. Sprocket proves that with the right combination of musical chops and hard work, you can go places. Last year, Thomas Thompkins (guitar), Dan Haller (bass), Nate Rosler (drums), and Angelo Milliano (keyboards) released their first LP Tropical Bushwick, and this week Sprocket will play its first show at Brooklyn Bowl, the band’s largest venue to date after playing every venue along the way Wicked Willy’s, Arlene’s Grocery, The Bitter End, SPiN, and Fontana’s Bar just to name a few. Following this gig, Sprocket will be touring the festival circuit before heading north to the windy city for a very special GD50 after show on July Fourth. Sprocket answered some questions about the growing pains in getting to this critical point in their evolution:

    Sprocket will be accompanied by Gowanus and The Mantras at Brooklyn Bowl April 21 8pm, you can purchase tickets here.

    Graig Adler: Being a NYC-based band, getting to play Brooklyn Bowl is a major milestone, what is the worst venue you’ve played?

    Sprocket: Not naming any names, but we had one show where the sound guy started unplugging our equipment with 15 minutes left in our set. He apologized profusely, but apparently, there was a burlesque DJ show that “had to start on time” for a bachelor party, the room cleared out and we never went back on.

    GA: Last year you put out your first EP Tropical Bushwick, what did you learn from this process? What will you do differently next time? Do you have another album in the works?

    Sprocket: We recorded Tropical Bushwick ourselves, in our studio, in two months, for zero dollars. It was an incredibly rewarding process, and we feel like we got a great product out of it. We’re all really proud of that accomplishment, and I think the album captures where we were as a band at that point in time. I think one big lesson that we learned is how much we could actually accomplish when we set a goal for ourselves and really worked our asses off to make it happen. Next time around, we all want to be able to take a little more time with the process, to really focus on capturing a greater depth of sound that is representative of where our music has evolved over the last year.

    GA: Sprocket originally started as a three-piece band, then added a keys player after the fact. How has this changed the bands reach and overall playing style?

    Sprocket: In addition to Angelo being a great player and songwriter, we have a richer harmonic palate available now with him in the band, there are more options available to us. With another harmonic instrument in the mix, it makes each of us able to lay back a little more, and use the interplay between the instruments. We also have a lot more nicknames between us.

    GA: Is there one band member that writes most of the original music and compositions, or is it done as a group effort? Who writes the setlists for each show?

    Sprocket: We all participate in writing music. Sometimes one of us brings a fully composed song to the group, and we work to add a little bit of flavor to each of our individual parts, and sometimes someone will come with their part and a melody, and we all work to build around that. Then there are songs that we have written together as a band, in the moment. Setlists are generally a group effort, and we try to put thought into each one that we create, taking into account where we’re playing and for whom, and what special or new things that we want to do at each show. Of course, once we get on stage, audibles are often called, but we try to build a set that will flow with the energy of the night. If the crowd’s energy takes us in a different direction, then you have to be ready to roll with the punches.

    GA: Sprocket has a show coming up at the Hard Rock Chicago over July Fourth weekend. Will this be the biggest Sprocket show to date? This has to be a great honor; how excited is the band for this gig?

    Sprocket: The July 4th show is definitely our biggest show to date. July Fourth, at the Hard Rock Café, in Chicago, after one of the most important shows in our scene’s history. We’re all giddy looking forward to it. Just thinking about what the scene is going to be like in Chicago that weekend is not only exciting, but it’s also inspiring to a young band that is trying to aspire to bigger things. July Fourth weekend is proof positive that the kind of music that we want to play can create an incredible movement of people and that’s seriously inspiring.

    GA: What festivals will Sprocket be playing this summer? Is there one you are most excited about?

    Sprocket: We’re really excited to tap into the festival scene this year, and we’re going to have a good slate ahead of us with sets at Rock and Roll Resort, Moondance Meltdown, Pink Moon Festival and a few others. As for which one we’re most excited about, we’re always most excited about the next one up, so in this case that would be Rock and Roll Resort on May 1st.

  • Sprocket at Fontana’s Bar: The NYC Jam Scene’s Best Kept Secret

    On a Saturday night in New York City your music choices seem to be endless. Do I go see Galactic at Best Buy? Budos Band at Brooklyn Bowl? Or do you go see Sprocket? One of NYC’s fasted rising jam bands, Sprocket is a classic four piece featuring Thomas Thompkins (guitar), Dan Haller (bass), Nate Rosler (drums), and Angelo Milliano (keyboards). Sprocket came out jamming on the melodic original tune “What You Heard,” before tearing into “Headway” off their 2014 debut album Tropical Bushwick. The title track off of their album “Tropical Bushwick” begins as a classically composed song before breaking out into funky upbeat jam.

    sprocketSprocket jumped into a full blown jam segueing from originals “Shroud > POW” before breaking out their first cover of the night Phish’s “Wombat” which lived in a space between a tease and a jam before completing the unfinished “Shroud.” Haller and Milliano took the lead on Bob Dylan’s “Don’t Think Twice It’s Alright” before Rosler drove the set to a close with “Womp” another Sprocket penned track. For an encore the band pulled one more selection off of Tropical Bushwick the hard rocking “Trucks” brought the night to a close and left the crowd wanting more. You can see Sprocket next at Brooklyn Bowl April 21 or in Chicago on July 4 at the Hard Rock.

    Tickets available for both shows, 4/21 Brooklyn Bowl here and for 7/4 Hard Rock Chicago here.

    Setlist:  What You Heard, Headway, Tropical Bushwick, Shroud > POW > Wombat >Shroud, Don’t Think Twice > Womp

    Encore: Trucks