NYS Music 20​15

Tag: particle

  • Musical Happenings in NYC Pre- and Post-Phish Shows

    Phish will return to New York City’s Madison Square Garden for a four night New Year’s run. While Phish might be the main event, there are many shows happening around the city both before and after Phish that fans might interested in checking out. Here’s a rundown of those shows – both those being billed as Phish after-parties and those that are not.

    phish_after_parties

    Many New York bands are represented in those performing around the Phish shows, including some of the after-parties. On Wednesday night, Jersey City’s Lil Joe and the ill Picards will bring their funk to Leftfield on Ludlow Chromatropic will join forces with Sprocket to form ChromaSprocket. They will perform with special guests Natalie Cressman and Peter Apfelbaum of the Trey Anastasio Band at Lucille’s at B.B. King’s also on Wednesday night. Late night on New Year’s Eve, Snarky Puppy will play Irving Plaza.

    On Friday night, Nyack’s ShwizZ will join forces with FiKus to perform as ShwiKus and play tribute to P-Funk at Lucille’s. Saturday night brings Elise Testone and an all star lineup, including Todd Stoops, Natalie Cressman and Michael Ray, leading a James Brown Dance Party at B.B. Kings. ShwiKus will also be at Lucille’s again, this time playing an ’80s set. One ticket gets you into both of those shows. Dopapod will be at the Grammercy Theatre. Finally, Ha Ha the Moose, made up by members of moe., will bring their off-centered musical theatre to Irving Plaza. You can expect nothing but the unexpected from “The Moose.”

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    Wednesday, Dec. 30
    Post-Phish:
    Tower of Power @ B.B. King’s Blues Club – 10 p.m.
    Kevin Hedge and Louie Vega @ Cielo – 10 p.m.
    Joseph King @ Rockwood Music Hall Stage 3 – 10 p.m.
    The Bad Plus @ Village Vanguard – 10:30 p.m.
    *Start Making Sense @ Irving Plaza – 11 p.m.
    Disco Biscuits w/ Horizon Wireless @ PlayStation Theatre – 11 p.m.
    *Particle w/ New Riders of the Purple Sage @ The Cutting Room – 11:55 p.m.
    *ChromaSprocket (Chromatropic x Sprocket w/ Natalie Cressman and Peter Apfelbaum) @ Lucille’s at B.B. King’s – 11:55 p.m.
    *Rebirth Brass Band @ Highline Ballroom – 11:59 p.m.
    *Lil Joe and the ill Picards @ Leftfield on Ludlow – midnight

    New Year’s Eve, Thursday, Dec. 31
    Post-Phish:
    *Snarky Puppy @ Irving Plaza – 2 a.m. (technically on Jan. 1)

    Friday, Jan. 1
    Pre-Phish:
    *Holly Bowling @ The Cutting Room – 4 p.m to 6 p.m.
    Frank & Tony, Taimur Agha, Ray Zuniga, Nikola Baytala, Ted Krisko, Willie Graff, Alex Graham & More TBA @ The Panther Room – 8 a.m. to 4 a.m. (technically ends Jan. 2)

    Post-Phish:
    The Bad Plus @ Village Vanguard – 10:30 p.m.
    Disco Biscuits w/ Animal Rexx @ PlayStation Theatre – 11 p.m.
    *Karl Denson’s Tiny Universe @ Irving Plaza – 11:30 p.m.
    *Dead Sessions @ The Cutting Room – 11:55 p.m.
    *Pink Talking Phish @ Highline Ballroom – 11:55 p.m.
    *ShwiKus plays P-Funk (ShwizZ + FiKus = ShwiKus) @ Lucille’s at B.B. King’s – 11:55 p.m.
    The Motet @ B.B. King’s – 11:59 p.m.

    Saturday, Jan. 2
    Pre-Phish:
    PhanArt Presents: Skyscraper is Grand @ Hotel Pennsylvania – 12-7 p.m.
    *New Mastersounds @ The Cutting Room – 4 p.m.
    Touchpants @ American Beauty NYC – 5 p.m.

    Post-Phish:
    *Ha Ha the Moose (Rob, Chuck and Jim from moe.) @ Irving Plaza – 10:30pm
    The Bad Plus @ Village Vanguard – 10:30pm
    *Dopapod @ Grammercy Theatre – 11 p.m.
    Disco Biscuits @ PlayStation Theatre – 11 p.m.
    BIGYUKI @ Rockwood Music Hall Stage 2 – 11 p.m.
    Subset @ Webster Hall – 11 p.m.
    *The James Brown Dance Party (Michael Ray, Natalie Cressman, Chris Bullock, Todd Stoops, Fred Thomas & Moussey Thompson, Adam Chase & Matthew Chase, Elise Testone) @ B.B. King’s – 11:55 p.m.
    *ShwiKus plays The 80s @ Lucille’s at B.B. King’s – 11:55 p.m.
    *New Mastersounds @ The Cutting Room – midnight
    Walker Adams @ Rockwood Music Hall – midnight

    * billed as Phish after-party

    [embedyt] http://www.youtube.com/watch?v=SBT1UgsWm-M[/embedyt]

  • Best of NYS Music 2015: Staff Picks for New York State Festivals

    Nothing compares to experiencing live music. But when it comes to packing up and leaving the world behind to immerse in a weekend of musical debauchery with a community of like-minded souls, well, that’s the stuff that dreams are made of for music festival fans.

    From one-band to multi-artist events and crowd sizes from 2,000 to 50,000, New York State hosts a bevy of festivals annually in some of the most beautiful settings imaginable, and let’s face it, our state knows how to throw a proper fest, as it is ingrained in New York’s rich musical history having put on one of the biggest rock festivals of all time, Woodstock. Here we’ve rounded up our favorites from NYS Music 2015, so sit back, relax and relive some of the festival magic that happened throughout the Empire State this year, because we all know what it’s like to experience those post-fest blues.

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    Best Small Festival: Buffalove and Disc Jam

    The third installment of Buffalove Music Festival saw a venue change from Cole Farm, Panama, NY, to North Fork Music Park, Warsaw, NY, with the new location offering four stages, a private beach, disc golf and wooded-area camping, and a record attendance that doubled previous years. With an impressive lineup including Kung Fu, Pink Talking Fish, Funktional Flow, Particle, Formula 5, Mister F, Space Junk, Dopapod, Aqueous and Aquapod, the three-day June 2015 festival created to celebrate Western New York’s emerging music scene was one for the books, according to Jen Foster and Thomas Sgroi:

    Buffalove came through. Co-founder of Buffalive Productions and Founder of Buffalove Cody Conway clearly had one goal in mind: keep the energy as high as possible. Every single band had heads turning and jaws on the ground. There was never a lull, never a band that just played to fill space. Every minute was dance-worthy. If you missed out this year, we can highly recommend you don’t make that mistake next year. Without any problems or unruly attendees, this festival made its mark at North Fork Music Park in Warsaw, NY. The amount of talent coming out of Upstate New York is only paving the road for more incredible shows. Buffalove, you certainly were lovely.”

    Another summer fest that saw a venue change was the fifth annual Disc Jam Music Festival, which moved from Massachusetts to New York State—and promoters recently announced that the event will return to Gardner’s Farm in Stephentown for its sixth year in June. Throughout four days of music, camping, disc golf and Flow Tribe, festivalgoers experienced live performances from more than 50 acts, including Lettuce, Electron, Dopapod, Aqueous, Brightside, Kung Fu, Consider the Source, Cabinet, Soule Monde, Roots of Creation, Formula 5, The Hornitz, Soul Rebel Project, Broccoli Samurai, Krewe de Groove and Relative Souls. According to Dave DeCrescente, the festival’s last day culminated with a “healthy dose of guest sit-ins” with jamband Twiddle, noting that:

    One of the highlights of the set was the massive guest sit in with DJ Honeycomb, James Woods, and Joe Davis from Formula 5, Scott Hannay of Mister F and Todd Stoops for the ultimate mega jam on “Apples.” The Disc Jam Flow Tribe was out in full force with fire spinners and hooping entertainers that were almost as mesmerizing as the music. The weekend ended just as it started, with mind blowing music and a close knit community who continue to make the Disc Jam Festival special. Tony Scavone and crew did a suburb job of organizing the 5th annual Disc Jam with a new location but still the same friendly, loving festival experience that keeps fans coming back each year.”

    Best Mid-Size Festival: Catskill Chill

    While Catskill Chill is speculated to make a move to Lake George in 2016, the festival’s last waltz at bucolic Camp Minglewood in Hancock, NY, this September was a success, selling 5,000 tickets, according to Chill promoter Dave Marzollo. Headlined by moe. who kicked off their fall tour at the festival and including other bands like Lotus, Zappa Plays Zappa, Lettuce, Twiddle, Turkuaz, Dopakuaz plays Studio 54 and The Motet, the sixth annual installment of Catskill Chill featured on-site cabin rentals, daily yoga, live art, a farmer’s market, craft and food vendors, a communal bonfire nightly and an open mic. The three-day event was packed with guest sit-ins and collaborations like Dopapod and Turkuaz joining forces to play as Dopakuaz, which Chill organizer Josh Cohen noted is the type of community mindset that sets this festival apart from others its size or larger by creating an environment where rising bands can experiment and grow in a unique setting:

    Point is that when comparing us to larger festivals, we’re at this cool stage attendance-wise where in many band’s cases we have the best ‘music’ out there in our prime slots. I love tons of bands who’ve been around since the ’90s or earlier but there’s nothing like seeing musicians in their youthful stages, when creativity is just exploding and you can feel it dripping off the stage as opposed to later-in-their career bands who are playing mostly songs they first wrote and fell in love with decades earlier.”

    https://www.youtube.com/watch?v=4R6Uk03HW9k&feature=youtu.be

    Best Large Festival: Magnaball

    It’s no surprise that Magnaball takes the cake for this category. During late August more than 30,000 phans invaded Watkins Glen International race track for Phish Festival 10. And while the three-day event took place at the site of their 2011 Superball IX festival, this time around the setup featured many upgrades, including local and regional food vendors, the five-course restaurant Festival Ate, MagnaWater Program, speciality Phish-themed cocktails and coveted craft beer from Lawson’s Finest Liquids and Hill Farmstead. (And let’s not forget to mention the interactive Glurt Institute, Drive-In movie theater, JEMP Record Store and cornhole tournament.) The Vermont quartet majorly delivered throughout the weekend’s eight sets busting out rare tunes like “Mock Song” and jamming out typical breather ballads such as “Prince Caspian” to uncharted territory, but perhaps one of the highlights was the Saturday festival tradition of performing a late-night set, which according to Pete Mason raised expectations for future secret sets:

    Magnaball’s foray into the history of Phish’s special festival sets was the Drive-In Jam and it raised the bar while putting forth a performance on par with the ‘Storage Jam,’ if not exceeded this established upper echelon of improvisation. On a 183-foot movie screen, a wide array of visual treats combined with a progressively growing ambient jam that eclipsed the Lemonwheel by a longshot and morphed into a full on jam for 50 minutes. The Drive-In Set raised the bar for surprise performances and gave fans a treat after the music on the main stage ended an hour prior.”

  • Backwoods Pondfest 2015: Small Festival with Big Heart

    One of the best kept secrets in the festival circuit took place on August 7 and 8, 2015 in the Adirondack region known as Backwoods Pondfest put on by Full Circle Music Productions. The intimate festival is located at Twin Ponds Campsite in Peru, NY (almost Canada) with less than 2,000 attendees, most of whom have been coming to Pondfest for years and rejoice in the North Country reunion. The open car camping provides festival goers with spacious sites in the grassy fields, pond side or quiet wooded area.Newest and biggest upgrade to the festival was the large circus, cone shaped tent over the Woods Stage that offered quality sound and intrigue late night visuals. The event features over 20 musical talents from all genres and calibers of local favorites and national acts, with back to back performances on two stages. Guests who took advantage of the Early Bird Thursday night tickets got prime real estate and a live stream of Albany’s Formula 5 show in Lake George.

    Pondfesters arrived all throughout the day on Friday, unloading and setting up under crystal blue skies and sunshine. The Lynguistic Civilians voted Vermont’s best hip hop groupand making their debut at Pondfest, engaged the crowd with old school favorites and original, expressive lyrics. Pigeons Playing Ping Pong was another group new to the festival and was received with open arms. Their lighthearted, psychedelic funk was at an all-time high with a splash of reggae stirred in was the perfect start for the party on Friday night. “F U” got an extended jam with extra voltage from Max Garrett on trumpet from Capital Zen. The all string, quartet of Blind Owl Band call the Adirondack region and are no strangers to Backwoods Pondfest with a dedicated fan base at the Woods Stage. It was a hot set of bluegrass with an extra steamy, ferocious cover of The Allman Brother’s “Whipping Post”.

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    Lucid took a break from festival hosting duties to perform their traditional first set of the weekend on the main stage. “Simmer On Down” had beautifully stretched peaks of tropical melodies that splashed down into a psychedelic middle eastern ride. The crowd got charged up as Lucid brought up George Wurster on harmonica for the “Backwoods” theme song. The night only got hotter after the sun went down with the fire spinners whipping and juggling the flames in sync with the North Country music and to the awe of the audience. At the woods stage,Gang of Thieves, Vermont’s funk rock and roll band slayed their first Pondfest with a mighty Led Zeppelin medley that sent chills all over the backwoods. Headliner of the night, Particle, brought their dirty Philly street funk to Pondfest for a set full of high organ groove courtesy of Steve Molitz and heart racing rhythm of Allen Aucoin. Guitarist Ben Combe and bassist Clay Parnell unfolded layers of riffs that drove the vibrant rock. Friday night wasn’t over yet as Albany’s Mister F closed out the woods stage with a late night set of chilling livetronica. Fans who stayed up for the action got a special Steve Molitz sit in that raised the bar for the rest of the weekend.

    Saturday began as another beautiful day at Pondfest with perfect weather settings and an incredible lineup to look forward to. Those seeking a space of meditation and peace found it with Samantha Jo at her morning yoga class. Dozens participated in the deep breathing and stretched that were so desperately needed after a night of dancing. Meadow and Kevin Sabourin of Lucid serenaded the yogis with soft, acoustic lullabies. One of the best things about this festival being so small is that you can hear the music from the stages at your campsite. You’re always in the music. The Balkun Brothers, Steve and Nick Balkun invited everyone into the sandbox of the Wood Stage for train track, funk rock. Festival host and performer, Lowell sat in with his mean harmonica soul as the Balkun music awed the crowd. Twiddle fans were gifted with a Mihali Savoulidis acoustic Story Telling set on the Main Stage for a mellow ease into the afternoon. The raw and intimate set featured beat box looping of Twiddle classics about love and friendships, with behind the scene tales of how they came to be.The Heavy Pets kicked it up a notch with improvisational tight jams of rock and roll. Their deep focused peaks provide high cliff hangers when the chorus catches up with you.

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    One of the most anticipated sets of the weekend was the Ex Presidents featuring Eric Gould of Particle, Todd Stoops of RAQ and Kung Fu, Neal “Fro” Evans of Dopapod, and Andrew Block of Big Sam’s Funky Nation. There was plenty of hype to go around with it being their first performance and let’s hope it’s not their last. The chemistry these veteran musicians have is impeccable with a fluid groove that kept the set fun and airy. Jeff Lloyd of Heavy Pets joined the talented crew for an awesome cover of Lou Reed’s “Walk on the Wild Side.” Stoops made the announcement of Evans becoming the newest member of RAQ with a side of jokes of everyone joining each other’s bands.

    http://www.youtube.com/watch?v=i__QLSM3_y4

    The night took a turn towards a urban street party as Sophistifunk packed out the Woods Stage with old school hip hop that had the ground shaking. The big event of the night was Backwoods Pondfest veterans, Spiritiual Rez blowing up the Main Stage at midnight. You could see the steam rising over the band as they feverously rocked out with a climactic unannounced fireworks show that flawlessly matched up with “Let’s Go Out With A Bang.” Normal Instruments brought the key ingredient of late night festival life with high energetic livetronica with fast rhythm and blaring chords.

    The festival ended as quickly as it began. The pack up is never as much fun as setting it up but we carry the memories with us until next year’s festival. Backwoods Pondfest continues to be a close knit festival of friends and family working together to host talented musicians that bring incredible music and smiles. It’s one of the best weekends you could have of the summer in Upstate NY so be sure to meet us in the backwoods for next year’s Backwoods Pondfest.

  • DrFameus and Particle Wash the Westcott with Sound

    DrFameus proved himself a chameleon of sound, opening for Particle at the Westcott Theater Sept. 23. Allen Aucoin’s one-manned music machine fluctuated from synth and high hat driven 80’s dance to more lazy and free-flowing experimental jazz, pulling samples from Fergie’s “London Bridge” among other unexpected sources. Producing a beat reminiscent of the bass heavy pulsations in Die Antwoord’s “I Fink U Freeky” kept the crowd alert, as they made efforts to sift out other familiar rhythms and samples.

    Aucoin’s laptop acted as an instrument as much as the drum kit set up before him. Frequently looking over at the small screen to his left, pressing buttons perfectly in time with the music, he was effectively conducting a mini techno orchestra. “Cold Step” commenced with haunting piano effects, showcasing the DJ-drummer hybrid in a swarm of heavy energetic percussive and techno sounds. At the end of Aucoin’s set, a gentleman brandishing a solid black guitar case sauntered across the room, having plenty of space to breakdown and boogie with the crowd not exceeding thirty spectators.

    The Particle crew followed on stage, delivering a slew of zippy electro grooves. Guitarist Ben Combe, with body pivoted forward, scrunched facial expressions and fingers scrambling across the fretboard, plainly indicated his full mental immersion. Keyboardist Steve Molitz demonstrated his own enthusiasm, purposefully pressing specific keys while giving raised eyebrows to the crowd as if to say, “How do you like this?” His effects often produced sounds synonymous to the grand majesty of Manheim Steamroller’s epic instrumental holiday ballads.

    Clay Parnell (bass/vocals) and drummer Allen Aucoin rounded out the four-man crew. With their powers combined, the band performed a collection of songs that were as distinctive as a litter of Dalmatian puppies. Their music activated the perfect environment for listeners to zone out but still manage to feel stimulated with high-speed instrumentals and enthusiasm exuding from the musicians.

  • A Farewell to Summer and Minglewood

    As another remarkable summer festival season draws to a close, the 2015 edition of Catskill Chill also marked the end of another magical era. Dubbed “A Farewell to Minglewood,” festival organizers announced the sixth annual Chill would be the last one at its present and only location to date. Camp Minglewood, an incredibly remote and scenic summer camp in Hancock, NY, has been the festival’s home since inception, but perhaps due to a seemingly yearly growth in popularity the festival announced it will seek new quarters next year. This gave everyone in attendance, collectively known as the “Chillfam” one last time to make memories and enjoy a fantastic lineup of music in a truly special place.

    Farewell to MinglewoodWith a steady stream of people still filing in on Friday afternoon securing camp sites and cabin spots, a full three days of music began on the festival’s various stages. Things got funky right away as Funky Dawgz and Natalie Cressman each had their brass powered bands open up action at Club Chill. Definitely more clubhouse than night club, the Club Chill stage is a unique one featuring wooden stadium style seating with multiple levels that were also partially enclosed. Although it was located uphill from the main stage, it featured some of the finest acts of the weekend including a thoroughly enjoyable set from Buffalo’s own Aqueous early Friday evening.

    The Nth Power, an emerging funk, jazz and soul hybrid act initiated action over on the main stage. Spearheaded by the drumming prowess of Nikki Glaspie. The lively rockers powered through a set of originals including “Only Love” and also included a cover of The Beatles’ “She’s So Heavy”.

    This warmed up the stage nicely for Lettuce, who followed with their signature high-octane brand of funk. Fittingly, they brought former member Nigel Hall on stage for the last few numbers laying down a funky “Sounds Like A Party To Me.” This was only the first of many memorable sit ins and collaborations throughout the weekend. The night continued with spirited set of electronica infused rock courtesy of Lotus, Break Science kept the party going and then some with a set that featured a plethora of sit ins from drummer Adam Deitch’s fellow Lettuce band members.

    Meanwhile, Club Chill was packed to the gills thanks to another well-orchestrated collaboration. Members of Twiddle were joined by an all-star supporting cast including Tim Palmieri from Kung Fu on guitar and Tood Stoops from Raq on keys for a Grateful Dead tribute set. A clean run through the Jerry Garcia classic “Birdsong” preceded a thunderous rendition of “The Other One”. Other classics like “I Know You Rider” and “Fire on the Mountain” were met with appreciative roars and applause as this  hyped set seemed to live up to its billing. One last mashup of rich musical talent brought things to a close on Friday with Dopakuaz Plays Studio 54. Comprised of members from Dopapod and Turkuaz, the big band ensemble replete with female vocalists did their very best to create an air of a late night disco party at the renowned New York City night club starting with an opener of KC & The Sunshine Band’s “That’s The Way (I Like It)”.

    The hits just kept on coming late into the night with spot on renditions of “You Should Be Dancing” and “Get Down.” The group even showed an ability to shift seamlessly between songs which was highlighted by an impressive “Funky Town” >“Disco Inferno” transition.

    Farewell to MinglewoodSaturday saw more musical tributes and artists joining forces with beautiful results. Shwizz and Fikus combined for a Shwikus Plays the ’80s set that was very well received. They were followed by yet another super group as the ChillFam All-Stars, which included Steve Molitz from Particle on keys and Mike Greenfield from Lotus on drums, paid musical tribute to the great Herbie Hancock.

    Club Chill was enraptured as the All Stars pulled off a set that included hits like “Watermelon Man” and “Rockit”. A tribute of another sort took place later on the main stage as Dweezil Zappa brought his Zappa Plays Zappa band for a set of his father’s music. Their current tour is celebrating the 40th anniversary of the Frank Zappa and the Mothers of Invention album One Size Fits All so a steady diet of tracks from that were played in addition to other classics like “Don’t Eat the Yellow Snow”.

    The main late night musical acts for Saturday featured two bands who are at very different points in their respective careers. Venerable upstate New York jam legends moe. were given the headlining slot for this year’s Chill, the first one they’ve ever played. A set opening “Seat of My Pants” was jammed to perfection and a rousing segue into “Recreational Chemistry” had hopes high for a special set. However, they didn’t dig too much deeper into the musical vault as the rest of set featured staples like “Happy Hour Hero,” “Spine of a Dog” and “Buster,” which served as closer. On the other end of the spectrum is Twiddle, a Vermont based rock quartet that is growing in popularity each passing day. They seem to have already developed a young and enthusiastic fan base and their performance this weekend surely opened some eyes. Playing with a noticeable energy and excitement, the group sent everyone back to their respective homes smiling with a set that saw Todd Stoops sit in on “Brown Chicken Brown Cow” and an impressive display of talent by keyboardist Ryan Dempsey on “Jamflowman” which featured a fun give and take jam with guitarist Mihali Savoulidis.

    Farewell to MinglewoodWith two incredible nights of music in the books, Sunday offered no rest for the weary as another full schedule lay in store. Turkuaz got things started in the early afternoon with their customary explosive big band sound. They were followed by The Motet who ran through a set of their own funky hits including “Funny Bone” and “Like We Own It”.

    Up at Club Chill, another of New York’s own, Solaris played to a small but rapt crowd as they delivered their version of electronica which included a fun take on the theme from Tetris. Shortly afterwards, it was time for Dopapod and their set on the main stage. With the sun beginning to set behind the trees, a beautiful canvas was naturally created as the group seemed to soak up every minute of their set which was littered with teases of “Funkytown” throughout as a nod to Friday night’s performance. 

    Farewell to MinglewoodAdditional Saturday highlights included Electron, an old Disco Biscuits side project featuring Marc Brownstein on bass and Aron Magner on keys who were joined by Tom Hamilton on guitar and Mike Greenfield on drums. This was as close to an actual Bisco performance as you can get as the old friends ripped through a set that included classics like “Shelby Rose” and “42” as well as a sterling cover of Pink Floyd’s “Have a Cigar”. Not to be outdone, Pink Talking Fish, a band that melds the music of Phish, Talking Heads and Pink Floyd, played perhaps one of most enjoyable sets of the weekend afterwards that featured other Pink Floyd covers like “Money” and “Eclipse”. The highlight may have been the performance of “Pigs (3 Different Ones)” that was dropped right in the “pause” section of Divided Sky.

    To close things out, Catskill Chill had Particle, the only band to appear here every year, play a farewell set that featured sit ins from start to finish. Members of Dopapod, Turkuaz and Electron all jumped on stage at some point for a truly fitting farewell. The family atmosphere this festival has naturally developed was highlighted by the closing selections of “Family Affair” and “We Are Family”. Particle keyboardist/leader Steve Molitz urged everyone to remember the good times created at this special place before everyone went on their way and the book was closed on another special weekend. Some say the month of March comes in like a lion and goes out like a lamb.

    While it may be debatable as to when summer festival season exactly comes in, there’s no doubt after a weekend of music like this one that it goes out with a Chill.

  • Catskill Chill Preview: One Last Dance at Minglewood

    As the summer festival season draws to an end, next week’s Catskill Chill Music Festival which takes place September 18-20, a week later than it is usually held, also marks an end of an era. The 6th annual festival, which has grown in popularity each year, will be the last one held at its original home of Camp Minglewood in Hancock, NY before the party moves elsewhere next year.

    Catskill ChillFittingly, upstate NY jam legends moe. will serve as musical headliner and Particle, the only band to play every Chill, will close out the weekend in grand fashion along with help from a number of other guests and friends.

    This year’s festival also offers a number of other intriguing musical collaborations as this seems to be a theme for the weekend. In addition to their own sets on Sunday, Dopapod and Turkuaz will be combining forces on Friday night and recreating a night at Studio 54. Shwizz and Fikus will follow their Saturday sets with a joint one featuring musical selections from the ‘80s before the Chillfam All-Stars perform what is sure to be an entertaining tribute to Herbie Hancock. This isn’t even the only All Star band of the weekend as the Stratosphere All-Stars, featuring members of Lotus, Particle and Digital Tape Machine, will help usher in the Saturday night dance party.

    If a band on this bill isn’t collaborating with another one, there’s a good chance they’re pulling double duty and performing multiple sets. Consider the Source will be doing both an acoustic and an electric set on Friday and Twiddle will be performing a set of Grateful Dead covers in addition to a set of their own Saturday night.

    Other notable performers this weekend include upstate NY’s own Aqueous and Solaris as well as Lettuce, Zappa Plays Zappa, The Motet and Electron.

    Catskill Chill is known for its home of Camp Minglewood and the purely intimate setting it provides with summer camp style cabins for lodging close to all the stages and designated camping areas strewn between them all. RV parking is also available for $150 and the festival offers both VIP ticket purchases and upgrades. In addition to an incredibly packed musical docket, there’s also Open Mic sessions being offered on Saturday and Sunday afternoons as well as yoga classes.

    Tickets for $195 and one last chance to experience one of the true hidden gems of the festival circuit can be purchased here.

  • Interview with Steve Molitz

    The 9th annual Backwoods Pondfest is set to take place this coming weekend, August 7 and 8 in beautiful Upstate New York at Twin Ponds Campsite in Peru. Tickets are still available online via their website (click here) and include two nights of car camping and live music. The intimate festival gathers local and regional acts as well as nationally recognized bands such as this year’s headliner Particle featuring keyboardist Steve Molitz, guitarist Ben Combe, bassist Clay Parnell and Allen Aucion on drums. The four piece livetronica funk band lays out hard hitting, improvisational jams with energetic, spacey melodies that create contagious dance grooves. I was lucky to have Steve Molitz answer a few questions for me about his July 4 weekend, new music and Backwoods Pondfest.

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    Susan Rice: Talk about epic holiday memory. How did it feel to perform on July 4th in Chicago as part of the Grateful Dead post show late night series? Were the Grateful Dead a major influence on your music?

    Steve Molitz: “Epic holiday memory” pretty much sums it up! Our post-Dead show on 7/4 was sold out in advance, and the energy in the venue was off the charts. It was just one of those nights where everything clicked and there was a very tight feedback loop between the musicians, the music, and the fans. There was a magic in the air that the Dead created at their show, and the fans bottled it up and brought it with them to our late night. It was an absolute honor and a thrill to be a part of such a special weekend of music.

    The Grateful Dead have definitely been an influence on my music, but in sort of an abstract way. Stylistically, Particle and the Dead sound very different, but thematically there’s a lot of overlap. I learned a lot from them about how to approach improvisational music with an open mind and an open heart. You really have to have faith in the unknown, and you have to be willing to place all your trust in the hands of your band members. Only then can you truly lose yourself in the moment and become an interwoven fabric of the improvisational tapestry.

    I’ve been touring on and off with Phil Lesh for the past eleven years, and one cool thing that he tells his band members is that we just have to give ourselves permission to try new things. He encourages us to reach beyond our comfort level into an unknown realm, and that is always where the most profound musical discoveries occur. I have really tried to incorporate that ethos into Particle’s approach to improvisation, so in that way I suppose the Dead have been a huge influence on us …

    DaveDeCrescente - Particle -4

    SR: This will be your first time performing at Backwoods Pondfest. What are you most excited about for headlining this North Country festival?

    SM: I’m most excited to check out some of the other bands on the festival. It’s always such a treat at these summer fests to experience so many different types of music all in one place. Off the top of my head, a handful of Backwoods Pondfest bands that I’m excited to see are Pigeons Playing Ping Pong, Sophistafunk, Normal Instruments, Lucid, Mister F, and The Heavy Pets…

    SR: What new music have you been listening to on your road trips?

    SM: I guess the newest music I’ve been listening to is Particle because we are in the middle of recording a new studio album right now so I’ve been completely immersing myself in those songs. That music is so new it’s not even out yet! I can’t wait for people to hear these songs, and I can’t wait to tour with all this new material…

    I also listen to a lot of podcasts on the road like the Joe Rogan Experience, I Am Rapaport Stereo Podcast, Ari Shaffir’s Skeptic Tank, The Duncan Trussell Family Hour, etc..

    Also, Prof’s new album Liability drops on 10/16, and that’s right in the middle of Particle’s big Accelerator Tour (tickets here), so I’m sure I’ll be bumping Prof almost exclusively come October.

    SR: How have you been able to keep up with the nonstop, crazed momentum of Particle?

    SM: Love is all you need …

    … and coffee 🙂

  • Buffalove Music Festival Shines a Bright Light on Upstate Bands

    If you were looking for a festival with continuous high energy bands, then Buffalove was it.   We were greeted with sunny skies on Thursday afternoon, and a buzz in the air from everyone who couldn’t stop talking about what was to come of that first night.  Everyone knew it was going to start with a bang, and they couldn’t have been more accurate.

    Buffalo’s own Imperial Brown kicked things off on the Pavilion stage, setting a tone that would carry throughout the weekend. With a sold base of funk, reggae, soul and jam, Imperial Brown got the feet moving, and everyone’s excitement could be focused on one thing: dancing.

    As Buffalovers made their way across the field to the main stage, you could feel everyone’s energy level soaring. Hometown heroes Aqueous took the stage at 8pm as the sun was setting and it was go time. They eased into their set, building intensity as the hour went on. We could all tell it was just a tease of what was to come. One by one, Dopapod took the stage, with a seamless changeover that left us continuously dancing for hours.  Like Aqueous, they eased into their set, but definitely took things up a notch. Aqueous’ Mike Gantzer was the first to step on stage for the birth of Aquapod.  And with a blink of an eye, members of both Aqueous and Dopapod were all on stage, getting into one of the strongest starts any festival could ever hope for.  If you were a fan of both of these bands before, then this was the penultimate moment.  Trading solos with the biggest of smiles, it just kept going.  Even when the rain started to fall, the set from top to bottom was any fans dream.  The intensity, the happiness of both bands, and the wide-eyes and looks of amazement from the crowd really started Buffalove off right. From there, it just kept going.

    For those whose legs could still hold their bodies up after four and a half straight hours of Aqueous and Dopapod, the late night Woods Stage sets kept the intensity going.  A beautiful little stage, set on the hill and covered with trees, was the scene of several sets that would leave people dancing until the wee hours of the morning.  Sonder and Spacejunk were first up in the woods, with a segue set that rang through the property. Sonder with their jamtronic, groovy set, then Space Junk with a DJ set that got even the weariest of festival goers back on their feet.  The Woods Stage would be the scene of serious talent and body-moving sets.  Even with the rain continuing on and off all night, the vibe was nothing short of magical.

    Friday morning, we were met with cool weather and constant chatter of what we had all witnessed the night before.  The question kept being asked, “How can you top that first night?”  But yet again, Buffalove delivered. Imperial Brown started it off again on the Pavilion Stage as the crowds began to wake up, stretch their bodies and get some food.  Like every band, their dance-worthy set definitely pulled us out of the fog and back into the light.

    Friday afternoon hit, and from there it was on again. Beau Sasser’s Escape Plan, led by current Kung Fu keyboardist Beau Sasser, took the Main Stage and came out swinging with their amped-up, soul crushing version of the Grateful Dead’s “New Speedway Boogie.” Mary Corso’s voice was enough to give anyone the chills, as they cruised through a powerful set.  Guitarists Danny Mayer and Justin Henricks had some solos that could leave anyone’s jaw on the floor and drummer Kevin Urvalek was cruising by the time they closed with a cover of “Whipping Post.” 

    Slip Madigan continued the party, with a rhythmic, groove-oriented set on the Pavillion Stage.   Then it was time for Funktional Flow to begin their first of three sets over the next 24 hours.

    Flow took Main Stage for a 5pm set that only left fans craving more.  Their tight, jam-based songs got the excitement level up once again. With covers like “Atlantic City” by Bruce Springsteen and Chicago’s “25 or 6 to 4,” it was very apparent that they can span the genres. Then before you knew it, Albany-based Formula 5 took the Pavilion Stage.  For these guys, it was a pre-cursor to their late night segue set with Funktional Flow at the Woods Stage.

    Headlining the evening was Kung Fu and Particle, both bringing the hammer down on Saturday evening. Kung Fu, brought the jam-funk to the Main Stage, giving fans a different taste of what they could accomplish with a slightly modified lineup. Sasser soared, with solos that layered and layered, and meshed so well with their new sound. Kung Fu fans were shocked at what the band had become: a funk-heavy jam band.  Then it was time for Particle to take the party to the next level.  As the disco ball beamed, they played a set that was clearly meant to leave people exhausted from dancing.

    Late night Friday was a beast of its own.  Funktional Flow came out heavy on the Woods Stage.  And if you weren’t keeping an eye on the stage at all times, you wouldn’t have even noticed that one by one, Formula 5 took over.  If you had caught their earlier set, this one was completely different in attack.  We could all tell they just wanted to get out there and jam as hard as they could.  James Woods’ intricate and heavy bass lines and Joe Davis’ cruising guitar licks were almost too much to handle.  Before you knew it, Funktional Flow had taken the Woods Stage over yet again.  This time, it was one for the books.  With a closer like Umphrey’s McGee “All In Time”, we were dancing just as hard as with Kung Fu and Particle, if not harder.  The woods were lit up and the buzz around these two bands was heavy.  Buffalovers had been treated to one of the most seamless sets of the weekend and all in the wee hours of Saturday morning.  Closing out the morning was Buffalo-based Skyepilot, led by powerhouse lead singer Skye Del Re.  If you still had the energy, this band kept the party going until the wee hours of 5am.  The sun was coming up, and the groove was still ringing through the woods.

    With a full weekend of high-energy bands, we were still left with Saturday.  From top to bottom, the last day of Buffalove was filled with talent. Even though Skyepilot had just packed up on the Woods Stage, they opened Saturday on the Main Stage. Their strong, fast-paced versions of songs like “Sugaree” was enough to get even the weariest back on their feet for the final day. Buffalove contest winner The Goods hit the Pavilion Stage, with a very apparent reason why they were the winners. With a slightly different flare than the rest of the acts, they added that international/world groove.

    The Main Stage on Saturday was filled to the brim with talent, as Blue Rootz and Whiskey Reverb both gave noteworthy sets.  Next, it was time for Funktional Flow to give their final of three sets.  With a setlist that included heavy originals and crowd-favorite covers like Warren Zevon’s “Lawyers, Guns and Money” and to close it all out, Led Zeppelin’s “Kashmir.” Funktional Flow definitely earned their three sets, and stood on par with the headliners.

    To close out the Pavilion Stage and Main Stage, Albany favorites Mister F tag teamed sets with Pink Talking Fish. Mister F did a stripped down set to start, with Andrew Chamberlaine playing a banjitar (banjo/guitar combo) for the first set.  If you ran across the mud-filled lawn, you could witness the greatness of Pink Talking Fish, with their full, accurate versions of Pink Floyd, The Talking Heads and Phish.  With their first set over, Mister F took the Pavilion Stage. The crowd filtered in fast, and before you knew it, hundreds of people were crowded around for Mister F’s final set.  The energy coming off them was undeniable, and anyone who wasn’t a fan before, was now.  Even with drummer Matt Pickering sick as a dog, they blasted through their set. With almost all originals, they included one cover that got everyone’s feet moving a little faster, Jamiroquai’s “Canned Heat.”

    Sit-in master Scott Hannay of Mister F wasn’t done there.  After finishing packing up, he decided to hang out the rest of the night and see what else he could dive into.  Pink Talking Fish topped their first set with versions of Phish’s “Possum” and “Tweezer” that had the crowd in full fun mode.  Scott Hannay jumped on for “Crosseyed and Painless”, swapping keyboards back and forth with keyboardist Richard James.  It was a spectacle, to say the least.

    Late night Saturday drove it all home. Grateful Dead tribute band Workingman’s Dead took the Woods Stage around midnight, giving everyone that comfortable, familiar set of Dead music that left everyone with a smile. High energy, fast tempo Grateful Dead is exactly what we needed after all that was Buffalove.  If you weren’t completely out of steam, heavy-hitters After Funk closed out the whole festival in the woods with their horns blaring.  Scott Hannay managed to sneak in for another sit-in, adding to the already sonic boom that is After Funk. For those resting at their campsites, there was no way you couldn’t perk up hearing this band wail through the night.

    Buffalove came through.  Co-founder of Buffalive Productions and Founder of Buffalove Cody Conway clearly had one goal in mind:  keep the energy as high as possible.  Every single band had heads turning and jaws on the ground.  There was never a lull, never a band that just played to fill space.  Every minute was dance-worthy. If you missed out this year, we can highly recommend you don’t make that mistake next year. Without any problems or unruly attendees, this festival made its mark at North Fork Music Park in Warsaw, NY.  The amount of talent coming out of Upstate New York is only paving the road for more incredible shows. Buffalove, you certainly were lovely.

  • Photo Gallery: Stratosphere All-Stars at Brooklyn Bowl

    Stratosphere All-Stars is a jam-band supergroup featuring members of Digital Tape Machine, Particle, Pnuma Trio, and formerly of STS9. They host various special guests including Todd Stoops (Kung Fu), Andrew Block (Gramatik), and vocalists Ben Combe (Particle) and Allison Singer at their March 26 debut. The Stratosphere All-Stars are: Mike Greenfield (Lotus), Steve Molitz (Particle), David Murphy (Seven Arrows/formerly STS9), and Marcus Rezak (Digital Tape Machine). Covers of the Grateful Dead, Talking Heads, LCD Soundsystem, and more, fuse with free-form improvisational jams creating an energy 51km high.

    Listen to Stratosphere All-Stars full set below.

  • Particle Welcomes Spring to Putnam Den

    Although it may have been the first day of spring, the weather didn’t seem to know that. People were walking briskly to escape the cold and get into Putnam Den where it’s always hot and always a guaranteed good time. As the night started off there were more people huddled around the TV watching college basketball, but fans were about to be treated to another form of “March Madness” in the entity known as Particle.

    Greenhouse Lounge, a trio out of Jacksonville, FL started the night off spitting pure fire – these three guys exemplified livetronica. While using samples and homemade beats covered with the sounds of the live band, there was little that could stop the groove. The two were so intertwined at some points it was difficult to tell which was the loop and which was the band, a skill very few have mastered but the boys were spot on, and it drew the crowd from the TVs to the front of the stage. They were getting down to the unmistakeable sound that may be the future of the genre. A perfect way to kick off the night for the Particle party that was about to ensue.

    Particle came tearing out of the gate, with Ben Comb shredding his guitar and raising all the energy until everyone was up dancing and flowing to the fast paced groove. Bassist Clay Parnell and drummer Allen Aucion were the perfect back drop, keeping the rhythm solid and following along with the guitar which eventually lead into a keyboard solo from Particle’s leader Steve Molitz. The contrasting sounds he made with the keys were mind blowing – to the point that some of the audience had to stop and listen in wonder to work out where these amazing sounds were coming from. The pattern of drum and bass heavy rhythms continued as Ben and Steve swapped leads.

    Although Particle are know for the instrumental jam, they are not a one dimensional band by any means. Ben Comb did more than shred the guitar, he also sang, which is no easy task when the beats are going so fast. He was also able to keep his voice in range and, impressively, in time. This mixture of sounds progressed from Pink Floyd to a Siberian saber dance. The proof was in the music that there is very little Particle can’t do.