Tag: Marco Benevento

  • Best of NYS Music 2015: Staff Picks for Out-of-State Festivals

    While most might dream of tropical getaways when it comes to vacation time, music fans accrue their days to travel across the country—or world—for weekends jam-packed with live performances, indulgent food and experimental fun. From the east to the west coasts to the Midwest, NYSMusic staffers traveled near and far throughout the year to see their favorite groups in action. Here we give you our top picks for out-of-state festivals of 2015.

    2015 festivalsBest Small Festival: Arise Music Festival, East Coast Tsunami Festival, Grand Point North Festival and The Werk Out Music and Arts Festival

    With the growing number of small-scale festivals that seem to pop up each year, it’s no wonder that our team could not pick just one or two as their favorite—so we decided to include the ones we felt deserved an honorable mention. First up is Arise Music Festival, an event in Loveland, CO, that according to Andrew Wyatt “offers a spicy jambalaya of multi-cultural live music, electronic performances, art presentations, along with numerous workshops centered around eco-activism, social justice, and spirituality practice.” With nearly 100 musical acts, the three-day festival now in its third year featured the likes of the Polish Ambassador, Rising Appalachia, Sister Sparrow and the Dirty Birds, Lukas NelsonTurkuazGiant Panda Guerilla Dub Squad, Trevor Hall, Emancipator Ensemble, Ozomatli and Joe Russo’s Almost Dead, among others.

    Headlined by Wu-Tang Clan and Life Of Agony, the East Coast Tsunami Festival held in Reading, PA, treated hip hop, hardcore and metal fans to two full days of shows, including favorited groups Body Count, Mobb Deep, Murphy’s Law, Madball and more. And despite sound issues during day one, Jay Saint G. still dubbed the festival as “a wave of brutality that every music lover should experience.”

    Up next is the Grand Point North Festival held in Burlington’s Waterfront Park with views of Lake Champlain and the Adirondacks. Headlined by Vermont’s sweetheart Grace Potter, the fifth annual installment boasted two nights of music featuring Phish’s Mike Gordon, the Flaming Lips, Shakey Graves, Greensky Bluegrass, Amy Helm and the Handsome Strangers, among others, and special guests like Kenny Chesney who joined Potter to perform their single, “Wild Child.” Alexandra Provost and Laura Carbone noted that “as Potter walked onto the stage, her skin glistening from raindrops, the audience went wild” and that she “put on an astounding performance, showing off her piano, guitar and bluesy vocal skills.”

    And finally the Werk Out Music and Arts Festival at Legend Valley, a venue favorited by the Grateful Dead in the ’80s. With a stacked lineup featuring the Werks, Papadosio, Dopapod, Lettuce, Umphrey’s McGee, the Floozies, Consider The Source, Break Science and Tauk, the sixth year for the Thornville, OH, festival “was as always a ridiculously good time for all who made the journey,” according to Ben Landsman. With three stages, a silent disco and one fan wedding,Landsman noted that “between the beauty of Legend Valley, the bright spirit of the fans, the innovative music, this festival is one of the treasures of the Midwest.”

    Best Midsize Festival: Green River Festival
    Honorable Mention: Aura Music and Arts Festival, Boston Calling, Camp BiscoDelFest, McDowell Mountain Music Festival

    Held at Greenfield Community College in Greenfield, MA, the sold-out 29th annual Green River Festival was “fresh, exciting and invigorating,” according to Eli Stein. Featuring four hot air balloon launches, the family-friendly July event pulled out all the stops with a craft tent, Frisbee dog show, acrobats, karate demonstrations, swimming, a Mardi Gras-style parade and exotic local fare like elk, boar and venison burgers, a Korean food truck and kabob vendors. Throughout the three-day weekend, more than 40 performers ranging from Americana to dance, blues and jam graced the event’s three stages nestled in the foothills of the Berkshires, including Eilen Jewell, the Wood Brothers, Rubblebucket, Marco Benevento, MAKU Sound System, Langhorne Slim and the Law, the Punch Brothers and tUnE-yArDs, which Stein noted was the perfect mixture:

    Musically, the festival served up a heaping slab of New England comfort food. The rest aforementioned activity, as they say, was just the gravy. Not only were the band selections great, they were clearly hand-picked and not just pulled off the nearest passing festival train. The music flowed wonderfully from set to set, and built to a nice peak at the perfect times. There was an evenness to the passion and approach of the musicians that made for a smooth transition no matter where you went.”

    Best Large Festival: Gathering of the Vibes and Summer Camp
    Honorable Mention: Austin City Limits, Bonnaroo, Hangout Music FestLockn’ Music FestivalPeach Festival, Rock Allegiance, Rock On the Range

    Celebrating its 20th year, Gathering of the Vibes offered up an impressive lineup with headliners Wilco, Weezer, Tedeschi/Trucks Band, Dark Star Orchestra, Ben Harper, Greg Allman and the String Cheese Incident. The late summer festival returned to Seaside Park in Bridgeport, CT, and treated fans to a super jam called Vibes 20th Anniversary Spectacular featuring Gov’t Mule guitarist Warren Haynes, saxophonist Branford Marsalis, Meters founding bassist George Porter Jr., Marco Benevento on keys and Joe Russo behind the drum kit, plus Jackie Greene on guitar. Although the four-day festival will take a break in 2016, VibeTribers Julia Wolfe and Steve Olker recounted the last day of the 2015 event and dubbed this run as one that would set the pace going forward:

    As the sun set over Vibes for the last time, [Ben] Harper closed out with his song “Better Way,” and it was finally time to head home. Seeing so many bands perform was both enticing and overwhelming at the same time, making leaving Vibes even more bittersweet. The range of genre, popularity, age and background is what makes Gathering of the Vibes separate from other festivals. After 20 years, Gathering of the Vibes has remained one of Connecticut’s most well-known festivals, and it’s attention to bringing about change while discovering your own inner peace is what will bring success for future gatherings to come. Until next time, thank you vibes for a real good time.”

    With more than 100 bands over four days on seven stages, this year’s installment of Summer Camp Music Festival in Chillicothe, IL, saw a stacked lineup of bands like moe.Umphrey’s McGee, Steve Miller Band, Widespread PanicSTS9, Big Gigantic, John Butler Trio, Krewella, Trampled by Turtles, Keller Williams and Grateful Grass, Yonder Mountain String BandViolent Femmes and many, many more. Festivalgoers also had access to on-site camping, the infamous late night Red Barn Shows, musician workshops, a nonprofit village, arts and crafts and unique food vendors, plus some impressive improvements. In Pete Mason’s review of the festival’s final day, he detailed what made the perfect ending to the much celebrated event:

    The final set of the night to check out was North American Scum, an LCD Soundsystem cover band who might be the best band to close out Summer Camp. Members of the group are formerly of This Must be the Band, a Talking Heads band from Chicago, who have traditionally played one of the final sets at Summer Camp. This incredible two hour set featured the entire Sound of Silver album and, because everyone else was playing Grateful Dead songs, a spirited version of “Scarlet Begonias” to cap the night.”

    Read more from Summer Camp Day 1, Day 2, Day 3 and Day 4.

  • Welcome to Buffa-vento

    EStein_MarcoBenevento_IronWorks_102015_5It was a misty cool mid-Autumn Tuesday evening, in a quiet revitalized corner of Buffa-vento at the Iron Works. Sometime after 9 p.m., the three women of And the Kids (Hannah Mohan on guitar/ukelele, Rebecca Lasaponaro on drums and Taliana Katz on bass) came on stage and sparked up a flame. A fire of music to gather around and keep us warm.

    And the Kids are indie rock upstarts out to prove that the East Coast’s answer to Portland, OR is not Portland, ME, but Western Massachusetts. They mismatched glittery face paint with outfits of dark grays. However, the music was full of color. Mohan’s angular guitar leads were backed by driving bass and drums, while her unique and wide-ranging vocal delivery was often outlined with perfectly placed backing harmonies. The songs were short blasts of catchy yet off-kilter pop gems, each one feeling like it could be the song that catches them a big break. Original band member, keyboardist Megan Miller, was deported to Canada earlier this year. Being so close to the border, the band paid tribute to her with their song “No Countries” off of their latest Turn To Each Other. They squeezed 13 songs into their 45 minute set, pulling heavily off their newest release, including the hypnotic round-like vocals of “Neighbors,” and “Cats Were Born,” with its startling screams of “Aiyeeeee!”

    After a short break, with the flames cooling down, Marco Benevento and his bandmates, Dave Dreiwitz on bass and Andy Borger on drums, came out to throw some more wood on the fire. Wearing a top hat and pink sunglasses, Benevento was clearly ready to get the party started with some color of his own.

    Benevento’s unique take on muEStein_MarcoBenevento_IronWorks_102015_3sic has grown to be wholly unique and more than a little difficult to describe. It borrows from rock, jazz, funk, classical, pop, techno etc., without ever residing within any one of those. Most impressively, a Benevento song can be a singalong with lyrics or without.

    His customized upright piano makes ample use of effects pedals to become his own personalized synthesizer keyboard. When he wants that pure sound of hammers hitting strings, it’s right there waiting for him. No synthesized piano sound, no matter how expensive, can ever capture that. He also has the luxury of reaching inside and holding down the strings, creating a cool staccato effect, as he did during a long intro solo for This Is How It Goes.

    After a couple of Beatles teases (“Norwegian Wood”, “Eleanor Rigby”) early on in the set, it was pure Benevento from then on out. Though there were hints of Steve Winwood’s playing here and a flourish reminiscent of Bernie Worrell there. He took many an opportunity to ham it up with the crowd as well, carrying a small keyboard out front and dancing around like a quasi rock star. Later, on “Limbs of a Pine,” it would be more of the same, this time singing at the front of the stage while capturing it all with some selfie GoPro filming. In the middle of the soundtrack-esque “Fireworks,” Benevento broke into a rambunctious barrelhouse blues number that appeared to be completely improvised. The man is playing by his own rules, on his own whims, and his band is right there every step of the way, never missing a beat.

    The most thrilling moments however, came when the Dreiwitz and Borger weren’t following, but right in the thick of it. On “Escape Horse,” Dreiwitz opened with a mean slide bass solo before channeling the late Allen Woody with some monsterous bass blasts, while Borger slammed away on the skins producing one of the more rocking moments of the night.

    Late in the set, they played a couple of new tunes off an album due out next April. “Follow the Arrow” was a funky number, with some elements reminiscent of “Thriller” thrown in. Another new one, “Dropkick,” will be released on a special 45 in November for Record Store Day.

    The show closed with a one-two punch off of Swift. “Witches of Ulster” had Benevento performing a mid-set wardrobe change as he swapped the top hat for a seasonally-appropriate witches wig and hat. Then they finished off with “At the Show,” ensuring that all in attendance would have the impossibly infectious song stuck in their heads for the rest of the week. Benevento had once again made his own unique mark on Buffalo. Welcome to Buffa-vento.EStein_MarcoBenevento_IronWorks_102015_1

  • Grand Point North Festival Ready To Kick Off This Weekend

    In the mood for some great music and Ben & Jerry’s?  Who isn’t, right?  This weekend marks the annual Grand Point North Festival in Burlington, VT.  Right on Lake Champlain, at the waters edge with  a beautiful view of the Adirondacks, this festival paints a picturesque scene while offering some to today’s greatest music.

    Grand Point North Festival
    Photo by Laura Carbone

    With a star studded lineup, local legend Grace Potter, will once again headline the event and bring music back to her hometown.

    Grand Point North Festival
    Photo by Laura Carbone

    Saturday 3pm Gates
    8:55     Grace Potter
    7:45     Shakey Graves
    6:40    Mike Gordon
    5:55     Amy Helm & The Handsome Strangers
    5:10     Odessa
    4:40     Madaila
    4:10     Maryse Smith w/Michael Chorney
    3:40     Mal Maiz
    3:15      Harwood Union High School Assembly Band

    Grand Point North Festival
    Photo by Laura Carbone

    Sunday 2pm Gates

    8:00     Grace Potter
    6:35      The Flaming Lips
    5:35      Greensky Bluegrass
    4:55      Marco Benevento
    4:15      Spirit Family Reunion
    3:45      Soule Monde
    3:15      Heavy Plains
    2:45      The Snaz
    2:15       Barishi

    Doors open Saturday at 3pm, and Sunday at 2pm. Box office will open at 11am each day, and the festival is rain or shine so plan accordingly for the best possible time while there.

    Photo by Laura Carbone

    Tickets can be purchased online,  charged by phone at 877-987-6487, or in person at the Higher Ground box office, 1214 Williston Road, South Burlington, VT.  Make sure you take a peek at the site as well for those items that are and are not allowed.

  • Hearing Aide: Marco Benevento “Live at Signal Kitchen”

    Marco Benevento’s April 2015 recording Live at Signal Kitchen, manifests the essence of his techno piano jam band sound at its pinnacle. Accompanied by bassist Dave Dreiwitz and drummer Andy Borger, the sold out performance covered work from Benevento’s most recent album Swift, and several of his previous albums including TigerFace, Between the Needles and Nightfall, and Invisible Baby.Live at Signal Kitchen

    Many of the songs possess a shallow, echoed sound, making it a good album to play if you’re in need of some background noise and aren’t concerned about clearly distinguishing between tracks. The synthesizer effects and piano glissandos on “Fireworks” are reminiscent of a circus fun house, showing off Benevento’s more playful side. There are satisfying head bang worthy moments during “Bus Ride” where heavier drums bring out a more solid rock vibe to the album. The performance closes out with a fast-paced, piano-driven cover of the David Bowie version of “Let’s Spend the Night Together” that might just make your head spin.

    Key Tracks: Fireworks, Bus Ride

  • Mountain Jam 2015 Recap Day 1

    The 11th annual Mountain Jam Festival got off to a great start on Thursday June 4 2015 with plenty of good vibes and a solid night of music in the books.

    The weather was nearly perfect as clouds parted early in the day to reveal the beautiful Catskill Mountains in all their glory. Hunter Mountain was dressed to the nines with assorted vendors, colorful stages and thousands of Jammers scattered throughout the hills. Those eager to start the fun arrived early to set up camp, find friends and get settled for the long music filled weekend ahead. Check in proved to be hassle free as fans were directed to the various parking and camping locations with minimal searches. However, the Main Gate entrance had serious pat downs to ensure clean, safe fun inside the festival grounds.

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    One of the first acts of the day started on the petite West Stage with the 5 piece Americana stylings of Sons of Bill, a three brother founded group that amped up the crowd with classic rock riffs and attitude. The first act of the massive East Stage was the bluegrass rock group, Railroad Earth and with a recently announced shared tour with Gov’t Mule, it was no surprise that Warren Haynes sat in for some classic rock and roll jamming. Guests were treated to double sets of both Marco Benevento and moe. on the mountainside for a late night special. Benevento was in rare form as his enthusiasm was top notch with crisp key pounding and contagious giddy melodies as he howled like a madman in his technicolor suit.

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    moe. was in awe of the scene as it was their first time at Mountain Jam and received grand cheers as they kicked off the set with “Same Old Story” and “Crab Eyes”. The off tempo fans got down to the marimba madness and intense focused lyrics spitting as moe. was dressed in their 25th anniversary silver attire. Warren Haynes sat in for an outlandish “Opium” adding a vintage rock voltage to end the first set. Fans raved for the multiple segues of the second set with “Silver Sun” packing an exciting climax with Pink Floyd like jamming. Al Schnier took full advantage of the broad space as he came out and shredded over the pit. The Mountain Jam app gave fans the opportunity to vote for moe.’s encore which proved to be the fiery classic “Rebubula”. It was a somewhat early night as music ended around 2am giving fans a decent amount of rest. Good thing with Friday’s headliners to include Nicki Bluhm & The Gramblers, Rock and Roll Hall of Famer, Robert Plant, a special set of Gov’t Mule: Dark Side of the Mule and late night Dopapod. Be sure to download the Mountain Jam app (available for both Android and iPhone) for daily updates on contests, show times, photo galleries and webcasts.

    Stayed tuned for more updates via NYSMusic’s Facebook, Twitter and Instagram.

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  • Funk N Bowl in Brooklyn April 14

    Living in New York you always stumble upon legendary sit-ins and collaborations amongst your favorite artists. When you’re favorite trumpet player or vocalist get called on stage to accompany the band, that feeling in your stomach starts to grow, you ask yourself “what will they play?” or “I wonder what these two will come up with?” At the Funk n’ Bowl show at Brooklyn Bowl the fans had plenty of time to let their imaginations run wild on what sound, songs, and jams this stellar group of musicians would come up with.
    With a line up as long as the bathroom lines at Wrigley Field the stage was graced by Eric Krasno (guitar, Soulive), Jesus Coomes (bass, Lettuce), Adam Deitch (drums, Lettuce), Marco Benevento (organ) accompanied by Snarky Puppy’s Chris Bullock (sax), Michael “Maz” Maher (trumpet), Justin Stanton (trumpet), and Nate Werth (percussion). The show opened as most superjams do with each member of the group showing off their talents, but none stood out more than Coomes who stood center stage like this was his band. They worked their way through multiple tracks off of Krasno’s 2010 release Reminisce which included covers of Jimi Hendrix’s “Manic Depression” and The Beatles “Get Back” and a sit-in by Maurice “Mo Betta” Brown (trumpet, TTB). While Coomes seemed to be guiding the band we were graced the the occasional Krasno guitar solo and fantastic high’s  from the horns section.

    The second half of this one set show featured Marco taking charge, highlighting his organ work, a rarity you see him without the rest of his arsenal. He captivated the crowd and got everyone involved with “At The Show” off of his current album Swift. Bobby Deitch took his son Adam’s place behind the drum kit for a couple of songs then the evening was brought to a close with both Deitch’s on stage working percussion while the rest of the band brought the night of funky jams to a close.

    funk n bowl

  • Bowlive VI, Night 8 – Wyllys and Soulive with Marco Benevento “At The Show”

    The final night of the Bowlive run is akin to the last day of your wedding week. Seeing the same faces you have seen all week, reminiscing over all the great times you had, and looking forward to one final party to cap it all off. On this the eighth night, Soulive could’ve chosen any band in NYC to open the show. Instead they tapped Royal Potato favorite Wyllys to get the crowd warmed up ahead of Marco Benevento and Soulive. Wyllys still opts for the old school method of spinning rock, funk, and soul tunes on vinyl in addition to using the electronic devices at his disposal. If one thing was learned throughout this run it was the importance of the opener to not only set the stage for Soulive but to warm the crowd up. On this Saturday night in Brooklyn, the crowd was ready to have the best night of their lives.

    soulive marco benevento

    Soulive took the stage for their final engagement with just the three members of the band. Eric Krasno (guitar), Alan Evans (drums), and Neal Evans (keys) hit the ground running with “Rudy’s Way” off of the 2002 album Turn It Out, then took it back even further with the 2001 tune “One In Seven” off of Doin’ Something. Only two songs into the night and The Shady Horns consisting of Benny Bloom (trumpet) and Ryan Zoidis (sax) joined in on the action on “Spark”, a tune penned as a tribute to American jazz blues guitarist Melvin Sparks. The next two songs “Backwards Jack” and “PJ’s” both came off of the 2009 release Up Here. The final guest of Bowlive 6, Marco Benevento, joined in the fun to occupy his empty piano at center stage and close out the first set with a psychedelic rendition of the appropriately named “Up Right.” He jammed away on his piano, giving the crowd a slight foreshadowing of how electric the remainder of the night would be. In between sets a montage was played on the screens at Brooklyn Bowl recapping the previous seven nights, the same you would find at a wedding, recapping all the good times spent together.

    soulive marco benevento

    The second set began with the ensemble on stage joined by Maurice “Mo Betta” Brown (trumpet, Tedeschi Trucks Band) for the second time of the run for a heart filled rendition of George Benson’s “Soulful Strut.” As Marco delved into “Limbs of a Pine” off his 2012 Tigerface, it became apparent that no man was smiling wider then Benevento, his electric personality and smile energizing the audience and band in what would be their seventeenth and final set of Bowlive 6. Up next was “At The Show,” which featured Benevento leaving his bench and keys to prance around the stage like a exuberant child on Christmas morning, only making a pit stop to share a dance with his ivory tickling brother, Neal. Marco returned to his piano to close out the second set with the jammed out psych jazz “The In Crowd.”

    soulive marco benevento

    For the final encore Soulive, The Shady Horns, and Marco Benevento went an interesting route and chose an instrumental version of Led Zeppelin’s “The Ocean,” the same tune they closed out the previous Saturday night with, with Jennifer Hartswick on vocals. After the encore, Pete Shapiro came out on stage and gifted the band “61” necklaces to honor the 61 shows Soulive has played at Brooklyn Bowl to date. The evening was brought to an end with Wyllys continuing to keep the crowd grooving into the late hours of the night with his unique mash-ups and fan favorite tunes.