Tag: kung fu

Best of NYS Music 2015: Staff Picks for New York State Festivals

Nothing compares to experiencing live music. But when it comes to packing up and leaving the world behind to immerse in a weekend of musical debauchery with a community of like-minded souls, well, that’s the stuff that dreams are made of for music festival fans.

From one-band to multi-artist events and crowd sizes from 2,000 to 50,000, New York State hosts a bevy of festivals annually in some of the most beautiful settings imaginable, and let’s face it, our state knows how to throw a proper fest, as it is ingrained in New York’s rich musical history having put on one of the biggest rock festivals of all time, Woodstock. Here we’ve rounded up our favorites from NYS Music 2015, so sit back, relax and relive some of the festival magic that happened throughout the Empire State this year, because we all know what it’s like to experience those post-fest blues.

Best Small Festival: Buffalove and Disc Jam

The third installment of Buffalove Music Festival saw a venue change from Cole Farm, Panama, NY, to North Fork Music Park, Warsaw, NY, with the new location offering four stages, a private beach, disc golf and wooded-area camping, and a record attendance that doubled previous years. With an impressive lineup including Kung Fu, Pink Talking Fish, Funktional Flow, Particle, Formula 5, Mister F, Space Junk, Dopapod, Aqueous and Aquapod, the three-day June 2015 festival created to celebrate Western New York’s emerging music scene was one for the books, according to Jen Foster and Thomas Sgroi:

Buffalove came through. Co-founder of Buffalive Productions and Founder of Buffalove Cody Conway clearly had one goal in mind: keep the energy as high as possible. Every single band had heads turning and jaws on the ground. There was never a lull, never a band that just played to fill space. Every minute was dance-worthy. If you missed out this year, we can highly recommend you don’t make that mistake next year. Without any problems or unruly attendees, this festival made its mark at North Fork Music Park in Warsaw, NY. The amount of talent coming out of Upstate New York is only paving the road for more incredible shows. Buffalove, you certainly were lovely.”

Another summer fest that saw a venue change was the fifth annual Disc Jam Music Festival, which moved from Massachusetts to New York State—and promoters recently announced that the event will return to Gardner’s Farm in Stephentown for its sixth year in June. Throughout four days of music, camping, disc golf and Flow Tribe, festivalgoers experienced live performances from more than 50 acts, including Lettuce, Electron, Dopapod, Aqueous, Brightside, Kung Fu, Consider the Source, Cabinet, Soule Monde, Roots of Creation, Formula 5, The Hornitz, Soul Rebel Project, Broccoli Samurai, Krewe de Groove and Relative Souls. According to Dave DeCrescente, the festival’s last day culminated with a “healthy dose of guest sit-ins” with jamband Twiddle, noting that:

One of the highlights of the set was the massive guest sit in with DJ Honeycomb, James Woods, and Joe Davis from Formula 5, Scott Hannay of Mister F and Todd Stoops for the ultimate mega jam on “Apples.” The Disc Jam Flow Tribe was out in full force with fire spinners and hooping entertainers that were almost as mesmerizing as the music. The weekend ended just as it started, with mind blowing music and a close knit community who continue to make the Disc Jam Festival special. Tony Scavone and crew did a suburb job of organizing the 5th annual Disc Jam with a new location but still the same friendly, loving festival experience that keeps fans coming back each year.”

Best Mid-Size Festival: Catskill Chill

While Catskill Chill is speculated to make a move to Lake George in 2016, the festival’s last waltz at bucolic Camp Minglewood in Hancock, NY, this September was a success, selling 5,000 tickets, according to Chill promoter Dave Marzollo. Headlined by moe. who kicked off their fall tour at the festival and including other bands like Lotus, Zappa Plays Zappa, Lettuce, Twiddle, Turkuaz, Dopakuaz plays Studio 54 and The Motet, the sixth annual installment of Catskill Chill featured on-site cabin rentals, daily yoga, live art, a farmer’s market, craft and food vendors, a communal bonfire nightly and an open mic. The three-day event was packed with guest sit-ins and collaborations like Dopapod and Turkuaz joining forces to play as Dopakuaz, which Chill organizer Josh Cohen noted is the type of community mindset that sets this festival apart from others its size or larger by creating an environment where rising bands can experiment and grow in a unique setting:

Point is that when comparing us to larger festivals, we’re at this cool stage attendance-wise where in many band’s cases we have the best ‘music’ out there in our prime slots. I love tons of bands who’ve been around since the ’90s or earlier but there’s nothing like seeing musicians in their youthful stages, when creativity is just exploding and you can feel it dripping off the stage as opposed to later-in-their career bands who are playing mostly songs they first wrote and fell in love with decades earlier.”

https://www.youtube.com/watch?v=4R6Uk03HW9k&feature=youtu.be

Best Large Festival: Magnaball

It’s no surprise that Magnaball takes the cake for this category. During late August more than 30,000 phans invaded Watkins Glen International race track for Phish Festival 10. And while the three-day event took place at the site of their 2011 Superball IX festival, this time around the setup featured many upgrades, including local and regional food vendors, the five-course restaurant Festival Ate, MagnaWater Program, speciality Phish-themed cocktails and coveted craft beer from Lawson’s Finest Liquids and Hill Farmstead. (And let’s not forget to mention the interactive Glurt Institute, Drive-In movie theater, JEMP Record Store and cornhole tournament.) The Vermont quartet majorly delivered throughout the weekend’s eight sets busting out rare tunes like “Mock Song” and jamming out typical breather ballads such as “Prince Caspian” to uncharted territory, but perhaps one of the highlights was the Saturday festival tradition of performing a late-night set, which according to Pete Mason raised expectations for future secret sets:

Magnaball’s foray into the history of Phish’s special festival sets was the Drive-In Jam and it raised the bar while putting forth a performance on par with the ‘Storage Jam,’ if not exceeded this established upper echelon of improvisation. On a 183-foot movie screen, a wide array of visual treats combined with a progressively growing ambient jam that eclipsed the Lemonwheel by a longshot and morphed into a full on jam for 50 minutes. The Drive-In Set raised the bar for surprise performances and gave fans a treat after the music on the main stage ended an hour prior.”

December 23, 2015
Catskill Chill Preview: One Last Dance at Minglewood

As the summer festival season draws to an end, next week’s Catskill Chill Music Festival which takes place September 18-20, a week later than it is usually held, also marks an end of an era. The 6th annual festival, which has grown in popularity each year, will be the last one held at its original home of Camp Minglewood in Hancock, NY before the party moves elsewhere next year.

Fittingly, upstate NY jam legends moe. will serve as musical headliner and Particle, the only band to play every Chill, will close out the weekend in grand fashion along with help from a number of other guests and friends.

This year’s festival also offers a number of other intriguing musical collaborations as this seems to be a theme for the weekend. In addition to their own sets on Sunday, Dopapod and Turkuaz will be combining forces on Friday night and recreating a night at Studio 54. Shwizz and Fikus will follow their Saturday sets with a joint one featuring musical selections from the ‘80s before the Chillfam All-Stars perform what is sure to be an entertaining tribute to Herbie Hancock. This isn’t even the only All Star band of the weekend as the Stratosphere All-Stars, featuring members of Lotus, Particle and Digital Tape Machine, will help usher in the Saturday night dance party.

If a band on this bill isn’t collaborating with another one, there’s a good chance they’re pulling double duty and performing multiple sets. Consider the Source will be doing both an acoustic and an electric set on Friday and Twiddle will be performing a set of Grateful Dead covers in addition to a set of their own Saturday night.

Other notable performers this weekend include upstate NY’s own Aqueous and Solaris as well as Lettuce, Zappa Plays Zappa, The Motet and Electron.

Catskill Chill is known for its home of Camp Minglewood and the purely intimate setting it provides with summer camp style cabins for lodging close to all the stages and designated camping areas strewn between them all. RV parking is also available for $150 and the festival offers both VIP ticket purchases and upgrades. In addition to an incredibly packed musical docket, there’s also Open Mic sessions being offered on Saturday and Sunday afternoons as well as yoga classes.

Tickets for $195 and one last chance to experience one of the true hidden gems of the festival circuit can be purchased here.

September 11, 2015
Camp Bisco: New Place, Better Party

Walking into Camp Bisco was quite different this year than in years past. For starters, the bikers were replaced with police which kept things on the up and up and lead to a safer vibe throughout. As I walked in, there were two rows of your standard concert venders: merchandise, burritos, wicked gems, and further down the path was a small stage called Steamtown Stage. This stage was located in a smaller area right in front of the entrance to Montage Mountain, where there always seemed to be a bunch of people having fun.

Once you walked through the main gate there were, of course, more vendors, but also there were water stations strategically stationed around the venue so people could be safe and keep hydrated. The path further led to the main stage, Electric City Stage, with a pavilion feel and covered with a huge white tent — which would come in handy later on in the weekend. Past the Electric City Stage there were more vendors and checkpoints on the way to the water park, which had three slides, a wave pool and a lazy river. With the temperatures as high as they were, this would come in handy for those who wish to partake. Even cooler, just past the wave pool was the second main stage, which stage looked over a mountain where you could catch a glimpse of people zip lining or going on a scenic chair lift ride. This area was also home to the disco lounge. Inside the lounge DJs spun records and kids hula hooped, which continued throughout the festival. All in all, Montage Mountain was set up perfectly for Camp Bisco.

On Thursday, the Business Casual Disco started things off with a bang on the electric city stage. The smooth bass beats set everyone up for what was to be a rocking weekend. Kung Fu brought their unique sound to the Above the Waves stage, which is a double entendre — being next to the wave pool, and also being one of the Disco Biscuits classic songs. With the newly recruited Beau Sasser on keys, his presence was made very prominent throughout the band’s set. Being next to the wave pool and surrounded by tons of water rides, one might have asked themselves “Where am I?” You, my friend, are at the new Camp Bisco, where Kung Fu played their intricate part in adding excitement and fun to the party. It was almost Kismet as the band was finishing up their set, the sun slowly sunk behind the stage making for a most blissful moment. Sound Tribe Sector 9 tore things up back on the Electric City stage, and with beats galore a smile was on everyone’s face. Opening with “March” was the perfect choice. A bouncy number that had even the biggest skeptics hooked. A different rendition of the Nina Simone classic “New Dawn, New Day” was also a treat. It enabled people who may not be familiar with the bands catalog to connect. There was no other act better suited to open up for the The Disco Biscuits.

Marc Brownstein began the Biscuits set on the microphone with an announcement that they had started in Pennsylvania in 1999 and after a few years away it was good to be back home. When that segued into the Prince’s Purple rain hit “1999,” the crowd went totally nuts. Starting out with this song was an inspired way to kick off the party. Everyone was into it and it left the door open to endless possibilities, such as “Mr. Don” and a huge “Reactor” closer, which left confetti strewn all over as it popped right at the end. Sheer entertainment brilliance. After the Disco Biscuits, Twiddle played on the Above the Waves stage to a miniscule crowd — it didn’t help that Pretty Lights was playing the Electric City stage. Regardless of the numbers, these guys tore it up. With the raspy lead vocals of Mihali Savoulidis and his wailing guitar, there was no way those in attendance weren’t going to have a good time.

Pigeons Playing Ping Pong brought their raging style to the Above the Waves stage to kick off day two. Although there were many highlights in this electro fusions band’s set, none was more prominent than the Talking Heads cover “Psycho Killer.” The way lead singer Greg Ormont captured the spirit of the song was unparalleled, they had the whole crowd into their set with people actually walking around like pigeons! It was kind of weird but enormously fun. American Babies, Tom Hamilton’s home base, played a stellar set. The vocal range of Hamilton was soothing with passion while bassist Clay Parnell played with one hand. (His left hand appeared to be in a brace of some sort.) Hamilton’s shredding guitar brought the set to a close, leaving fans old and new wanting more. The indie electric duo CHERUB brought a new sound to the stage. Reminiscent of MGMT, the duo uses a lot of looping and beats to make their sound different. Their vocal ranges were in a league of their own hitting high and low all in the same line of a song. It’s refreshing to see a band take an idea and make it a reality, which is what CHERUB did.

For their second night of music the Disco Biscuits focused on their inversion style, inverting four songs in two sets. This is a style unique to the Biscuits which involves playing the middle and the end of the song before going back into the beginning. It’s really something to see. Opening with “Beethoven’s Fifth” and going into an inverted “House Dog Party Favor” was out of this world and performed flawlessly. As a surprise and a pleasant one at that, Marc Brownstein called up a guest singer to help the Biscuits take on the Hall and Oates number “She’s Gone.” This throwback got everyone’s attention, resulting in high fives circulating through the crowd and there was a happy vibe throughout the whole pavilion. The second set opened with the Grateful Dead’s “Help on the way > Slipnot” with a little help from Tom Hamilton. It was cool how they played homage to the Dead in a different way than most bands do. This was the Biscuits playing as the Biscuits, but playing a Dead song – not your average cover. This is when the fun really started for the fans as well as the band. Three inversions in a row: “Confrontation,” “Overture” and “Above the waves.” The Biscuits kept the crowd on their toes never knowing which song was coming next or which way it would be played. The covers continued with a take on Pink Floyd’s “Us and Them” featuring Dominic Lalli of Big Gigantic on the saxophone. This slow melodic song showed a different side of the Biscuits, a more patient side and Dom’s sax only added to that serenity — really nicely done. This segued into the set closer “Helicopters” which took the subdued crowd and brought their energy back, preparing them for day three of Camp Bisco.

Saturday at Camp Bisco is always a little more filled with music than the days prior. The Disco Biscuits played 3 sets and if that wasn’t enough, there was something happening on most of the stages all day so boredom didn’t have a chance. The Disco Biscuits opened the Electric City Stage with the crowd pleaser “Astronaut,” a perfect start to the set, followed by a dark version of the staple “Vassilios” and finishing with an epic “I-man.” If this was the kind of set they opened with, one could only imagine what was to come later on. Reptar, a band hailing from Atlanta, Georgia played at the Above the Waves stage. Reptar had an indie punk feel to them with a lot of energy and the crowd ate it up. They would have been a great segue into Papadiso but due to a severe weather warning their set was pushed back and everyone was asked to please seek shelter. This is where the white tent came in handy. People huddled around the area waiting for the storm to pass. When it finally did, it left a euphoric rainbow and fantastic vibes. Since most people were under the tent anyway, they stayed for the Disco Biscuits. The energy was intense. Opening up with the classical piece “Saber Dance” the band showed off their diversity and solidified that they are not just a transfusion band, as they previously did in the festival by playing “Beethoven’s Fifth.” This set was solid with “Konkrete,” “Crystal Ball” and a Muse cover “Knights of Cydonia.” The latter was an extra special treat as it was the first time they had ever played it. Bassnectar was up next and made a lot of people extremely happy. His legions of fans took over the pavilion leaving Disco Biscuit fans to wander around aimlessly waiting for the Biscuits to reemerge. T just kept going and going and every song or beat or whatever it was sounded the same, but these fans ate it up. One fan actually said “I live for Lorin (Bassnectars real name).” Everything may not be for everyone but the crowd seemed to have a really good time. As the Bassheads dispersed to one of the DJ venues, the Bisco fans proudly regained their seats and were ready for the last set of the weekend, performed by the festivals namesake, The Disco Biscuits. Their last set was played so tightly and patiently you were able to tell that the boys have been practicing. This became even more apparent when they covered LCD Soundsystems “Home”. The whole crowd was bouncing and high fiving. It was definitely the highlight, not just of the set, but of the festival as a whole.

July 24, 2015
The Fifth Annual Frendly Gathering: Where Friendship Comes First

The fifth annual Frendly Gathering was held the last weekend of June at beautiful defunct ski mountain Timber Ridge Resort in the Green Mountains of Southern Vermont. With professional snowboarders Jack Mitrani and Danny Davis at the helm, Frendly set out to bring the masses together for a weekend of incredible music, camping, skateboarding, delicious food, yoga and most importantly, inclusiveness. With the motto “there is no ‘I’ in frends,” the festival was true to its word and brought out the best in their attendees.

For those who bought early arrival passes for Thursday, there was noteworthy music already happening once they were shuttled to the grounds. Devesh Duo Band and Gold Town welcomed Frendly goers setting up camp, followed by Burlington favorites Dead Set . With their unique renditions of classic Grateful Dead tunes, they got the bodies moving during the first beautiful sunset of Frendly Gathering.

Billed as The Smooths, Mihali Savoulidis of Twiddle and Todd Stoops took the stage for a unique, smile-inducing set. A cast of characters joined in on the fun for “Frends Theme,” including Jack and Danny, Ryan Dempsey of Twiddle and Jack’s brother Luke Mitrani. The crowd was full of energy, singing along with every word. The magic began to swell, and it was only a matter of time before the rest of the masses would fill the mountain with hugs, smiles and high-fives.

By Friday morning, it was apparent that people were anxious and ready for the headliners of the weekend, Twiddle. Mihali did several solo shows in the Martin Guitar Dome where anyone could pick up a guitar and play throughout the weekend. But Mihali’s kid’s set in the dome was certainly something special, with the tiniest of Twiddle fans singing every word. The kid’s set really proved that the Gathering wanted every single attendee, from little to big, to be included in the magic. Even Ben and Jerry’s were in on the fun, handing out free ice cream throughout the weekend.

The Wood Stage, set in the dense forest with a giant teepee covering the stage, was the scene of some incredible shows on Friday. New Jersey natives Sleepy Man, consisting of a trio of brothers ranging from age 12 to 17, put on a show that left the masses boggled at what they had witnessed. Spitting out folk and bluegrass like they had been playing for 20 years, Sleepy Man left no stone unturned. The crowd was electric, showing their pride for Frendly’s youngest act. Following Sleepy Man was the sultry sounds of Kat Wright and the Indomitable Soul Band. The eight-piece band sent horns blaring through the mountain, giving people the classic soul sounds sure to get them on their feet and dancing. Jumping back to the Woods Stage, Montana bluegrass band The Kitchen Dwellers took bluegrass to an entirely different level, blending psychedelia and bluegrass effortlessly.

Friday’s lineup was stacked, including Moon Hooch, Valerie June, Spirit Family Reunion and Canyon Collected. Each keeping the energy high, they were only paving the road for what would become an epic evening at Frendly. Heavy-hitting funk band Kung Fu brought the hammer down on Friday night, with new keyboardist Beau Sasser’s Hammond organ giving the crowd exactly what they were craving. The jam-funk brought the energy level at Frendly to new highs, especially when Mihali of Twiddle came on stage for “Hollywood Kisses,” which of course turned into “Mihaliwood Kisses.” After a full day of dancing and high energy acts, the crowd was still very ready for the headliners of the weekend: Twiddle.

If you were looking to hear your favorite Twiddle song, then they were anxious to give it to you. Opening with “Gatsby the Great,” Twiddle came out swinging. Every single person at the venue was on a Twiddle high, singing along and throwing the now-famous “peak” in the air. Torrin Daniels, banjo master from the Kitchen Dwellers, jumped in adding that extra something to an already incredible Twiddle set. Closing out the night with an epic version of “All Along the Watchtower,” no one left without a smile from ear to ear.

Singer-songwriter, multi-instrumentalist and beat-boxer Lynx brought it all home Friday night after Twiddle. Her voice carried through the mountains, even to those too weary to stand after a heavy first day. It wouldn’t be the last we saw of Lynx though, as she played throughout the weekend on several stages, even making a stop in the Martin Guitar Dome.

Saturday came, and with it, some rain. But that didn’t stop the masses from doing their morning yoga and dancing to the incredible music that was to follow. If you were up early enough, your day began with a marching band down the mountain including Twiddle and Jack Mitrani and Danny Davis. As you hopped on the train, it led you down to the pond where Twiddle played to everyone huddled around the tiny body of water. It was an incredible way to kick off the final day, with everyone wearing their weary smiles with pride. The day was riddled with fantastic music, including Americana favorites The Kalob Griffin Band hailing from Philadelphia and an intimate Burton TeePee set from Nahko (of Nahko and Medicine for the People). Turkuaz took the Frendly Stage and before you knew it, the ultimate dance party erupted. Their horn-heavy funk eruption had a sea of people dancing effortlessly. Jumping back to the Wood Stage, soul band Con Brio kept the feet moving with their old-school approach to soul and funk.

In the middle of all the activities and music, there was some very important charity work being done by organizations like Love Your Brain and the newly-founded White Light Foundation. White Light raffled off Twiddle and Burton goods, raising over $2000 for the Kurn Hattin Homes for Children and Love Your Brain. If you bought even just one ticket, you could feel the good being passed on to those in need.

Even when the rain began to fall on Saturday evening, people gathered around for the inspiring international music of Nahko and Medicine for the People. The rain certainly did not deter fans from being included in the soul-healing music of Nahko. If anything, it was a welcomed sign from Mother Nature that we were all in it together.

Still the rain fell, but it did not stop every single person on the mountain from witnessing the final night of Twiddle. The crowd’s collective voices rang through the rain for songs like “Frankenfoot” and “Jamflowman.” It was magical, to say the least. Frendly Gathering most certainly delivered, paying homage to the ties that bind music-lovers together. If you came in with one friend, you left with many. If you came with the stresses of daily life on your shoulders, you left without them. Jack and Danny created the ultimate festival experience in the middle of Vermont, leaving everyone anxious for next year’s Gathering.

If you’re interested in seeing what all the fun was about, check out Frendly Presents YouTube channel, which has high-definition recaps of the entire weekend.

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July 13, 2015
Buffalove Music Festival Shines a Bright Light on Upstate Bands

If you were looking for a festival with continuous high energy bands, then Buffalove was it. We were greeted with sunny skies on Thursday afternoon, and a buzz in the air from everyone who couldn’t stop talking about what was to come of that first night. Everyone knew it was going to start with a bang, and they couldn’t have been more accurate.

Buffalo’s own Imperial Brown kicked things off on the Pavilion stage, setting a tone that would carry throughout the weekend. With a sold base of funk, reggae, soul and jam, Imperial Brown got the feet moving, and everyone’s excitement could be focused on one thing: dancing.

As Buffalovers made their way across the field to the main stage, you could feel everyone’s energy level soaring. Hometown heroes Aqueous took the stage at 8pm as the sun was setting and it was go time. They eased into their set, building intensity as the hour went on. We could all tell it was just a tease of what was to come. One by one, Dopapod took the stage, with a seamless changeover that left us continuously dancing for hours. Like Aqueous, they eased into their set, but definitely took things up a notch. Aqueous’ Mike Gantzer was the first to step on stage for the birth of Aquapod. And with a blink of an eye, members of both Aqueous and Dopapod were all on stage, getting into one of the strongest starts any festival could ever hope for. If you were a fan of both of these bands before, then this was the penultimate moment. Trading solos with the biggest of smiles, it just kept going. Even when the rain started to fall, the set from top to bottom was any fans dream. The intensity, the happiness of both bands, and the wide-eyes and looks of amazement from the crowd really started Buffalove off right. From there, it just kept going.

For those whose legs could still hold their bodies up after four and a half straight hours of Aqueous and Dopapod, the late night Woods Stage sets kept the intensity going. A beautiful little stage, set on the hill and covered with trees, was the scene of several sets that would leave people dancing until the wee hours of the morning. Sonder and Spacejunk were first up in the woods, with a segue set that rang through the property. Sonder with their jamtronic, groovy set, then Space Junk with a DJ set that got even the weariest of festival goers back on their feet. The Woods Stage would be the scene of serious talent and body-moving sets. Even with the rain continuing on and off all night, the vibe was nothing short of magical.

Friday morning, we were met with cool weather and constant chatter of what we had all witnessed the night before. The question kept being asked, “How can you top that first night?” But yet again, Buffalove delivered. Imperial Brown started it off again on the Pavilion Stage as the crowds began to wake up, stretch their bodies and get some food. Like every band, their dance-worthy set definitely pulled us out of the fog and back into the light.

Friday afternoon hit, and from there it was on again. Beau Sasser’s Escape Plan, led by current Kung Fu keyboardist Beau Sasser, took the Main Stage and came out swinging with their amped-up, soul crushing version of the Grateful Dead’s “New Speedway Boogie.” Mary Corso’s voice was enough to give anyone the chills, as they cruised through a powerful set. Guitarists Danny Mayer and Justin Henricks had some solos that could leave anyone’s jaw on the floor and drummer Kevin Urvalek was cruising by the time they closed with a cover of “Whipping Post.”

Slip Madigan continued the party, with a rhythmic, groove-oriented set on the Pavillion Stage. Then it was time for Funktional Flow to begin their first of three sets over the next 24 hours.

Flow took Main Stage for a 5pm set that only left fans craving more. Their tight, jam-based songs got the excitement level up once again. With covers like “Atlantic City” by Bruce Springsteen and Chicago’s “25 or 6 to 4,” it was very apparent that they can span the genres. Then before you knew it, Albany-based Formula 5 took the Pavilion Stage. For these guys, it was a pre-cursor to their late night segue set with Funktional Flow at the Woods Stage.

Headlining the evening was Kung Fu and Particle, both bringing the hammer down on Saturday evening. Kung Fu, brought the jam-funk to the Main Stage, giving fans a different taste of what they could accomplish with a slightly modified lineup. Sasser soared, with solos that layered and layered, and meshed so well with their new sound. Kung Fu fans were shocked at what the band had become: a funk-heavy jam band. Then it was time for Particle to take the party to the next level. As the disco ball beamed, they played a set that was clearly meant to leave people exhausted from dancing.

Late night Friday was a beast of its own. Funktional Flow came out heavy on the Woods Stage. And if you weren’t keeping an eye on the stage at all times, you wouldn’t have even noticed that one by one, Formula 5 took over. If you had caught their earlier set, this one was completely different in attack. We could all tell they just wanted to get out there and jam as hard as they could. James Woods’ intricate and heavy bass lines and Joe Davis’ cruising guitar licks were almost too much to handle. Before you knew it, Funktional Flow had taken the Woods Stage over yet again. This time, it was one for the books. With a closer like Umphrey’s McGee “All In Time”, we were dancing just as hard as with Kung Fu and Particle, if not harder. The woods were lit up and the buzz around these two bands was heavy. Buffalovers had been treated to one of the most seamless sets of the weekend and all in the wee hours of Saturday morning. Closing out the morning was Buffalo-based Skyepilot, led by powerhouse lead singer Skye Del Re. If you still had the energy, this band kept the party going until the wee hours of 5am. The sun was coming up, and the groove was still ringing through the woods.

With a full weekend of high-energy bands, we were still left with Saturday. From top to bottom, the last day of Buffalove was filled with talent. Even though Skyepilot had just packed up on the Woods Stage, they opened Saturday on the Main Stage. Their strong, fast-paced versions of songs like “Sugaree” was enough to get even the weariest back on their feet for the final day. Buffalove contest winner The Goods hit the Pavilion Stage, with a very apparent reason why they were the winners. With a slightly different flare than the rest of the acts, they added that international/world groove.

The Main Stage on Saturday was filled to the brim with talent, as Blue Rootz and Whiskey Reverb both gave noteworthy sets. Next, it was time for Funktional Flow to give their final of three sets. With a setlist that included heavy originals and crowd-favorite covers like Warren Zevon’s “Lawyers, Guns and Money” and to close it all out, Led Zeppelin’s “Kashmir.” Funktional Flow definitely earned their three sets, and stood on par with the headliners.

To close out the Pavilion Stage and Main Stage, Albany favorites Mister F tag teamed sets with Pink Talking Fish. Mister F did a stripped down set to start, with Andrew Chamberlaine playing a banjitar (banjo/guitar combo) for the first set. If you ran across the mud-filled lawn, you could witness the greatness of Pink Talking Fish, with their full, accurate versions of Pink Floyd, The Talking Heads and Phish. With their first set over, Mister F took the Pavilion Stage. The crowd filtered in fast, and before you knew it, hundreds of people were crowded around for Mister F’s final set. The energy coming off them was undeniable, and anyone who wasn’t a fan before, was now. Even with drummer Matt Pickering sick as a dog, they blasted through their set. With almost all originals, they included one cover that got everyone’s feet moving a little faster, Jamiroquai’s “Canned Heat.”

Sit-in master Scott Hannay of Mister F wasn’t done there. After finishing packing up, he decided to hang out the rest of the night and see what else he could dive into. Pink Talking Fish topped their first set with versions of Phish’s “Possum” and “Tweezer” that had the crowd in full fun mode. Scott Hannay jumped on for “Crosseyed and Painless”, swapping keyboards back and forth with keyboardist Richard James. It was a spectacle, to say the least.

Late night Saturday drove it all home. Grateful Dead tribute band Workingman’s Dead took the Woods Stage around midnight, giving everyone that comfortable, familiar set of Dead music that left everyone with a smile. High energy, fast tempo Grateful Dead is exactly what we needed after all that was Buffalove. If you weren’t completely out of steam, heavy-hitters After Funk closed out the whole festival in the woods with their horns blaring. Scott Hannay managed to sneak in for another sit-in, adding to the already sonic boom that is After Funk. For those resting at their campsites, there was no way you couldn’t perk up hearing this band wail through the night.

Buffalove came through. Co-founder of Buffalive Productions and Founder of Buffalove Cody Conway clearly had one goal in mind: keep the energy as high as possible. Every single band had heads turning and jaws on the ground. There was never a lull, never a band that just played to fill space. Every minute was dance-worthy. If you missed out this year, we can highly recommend you don’t make that mistake next year. Without any problems or unruly attendees, this festival made its mark at North Fork Music Park in Warsaw, NY. The amount of talent coming out of Upstate New York is only paving the road for more incredible shows. Buffalove, you certainly were lovely.

June 28, 2015
Moe. Packs Saranac And Celebrates New ‘Hoppy Hour Hero’ and ‘moe.saic IPA’

moe. continued its 25th anniversary celebration with two shows at its hometown Saranac Brewery Friday and Saturday night. Old friends and new were on hand, as well as a brand new Saranac Double IPA named Hoppy Hour Hero in their honor.

moe. Saranac Brewery

Friday’s big surprise was the return of original moe. drummer Ray Shwartz. Shwartz left the band following the band’s Fatboy album in 1992. Current drummer Vinnie Amico graciously stepped aside while Shwartz sat in for the moe. classic “Don’t Fuck With Flo.”

Saranac brewed a special batch in honor of the hometown boys’ return to the brewery for a pair of shows June 19-20.

The weekend had a mini-festival vibe about it, with Twiddle opening Friday night and Cabinet and Kung Fu joining in Saturday. Additionally, Shnier and Amico’s side project Floodwood took to the Celtic Harp stage following Friday’s show, and the legendary Ha Ha the Moose did the same Saturday night. Ryan Montbelau was another post-show option for fans at Lukin’s just up Varick Street.

moe. Saranac Brewery

moe. spent little time getting to the down and dirty on Friday, opening with “Tailspin” into “Bearsong” followed by the introduction of their new beer and the tried and true Saranac theme song “Happy Hour Hero” (for the record, as an avowed beer snob, your author made sure to grab a growler of the Hoppy Hour Hero from the Tavern. This is one of Saranac’s best outings, in this reviewer’s humble opinion).

Friday night’s setlist

Set I: Tailspin > Bearsong, Hoppy Hour Hero, Mar-DeMa > Y.O.Y. > George > Lazarus

Set II: Don’t Fuck With Flo*, Tubing The River Styx > The Pit > meat., White Lightning Turpentine, Blue Jeans Pizza > Downward Facing Dog

Enc: Billy Goat, Low (Cracker cover)

Notes: * with original drummer Ray Schwartz

Saturday saw Cabinet kicking things off with its blend of bluegrass and jam. Truly appreciative of the Utica love, they made an appearance in the merchandise tent following their solid set.

Kung Fu followed and proved to be a formidable act to follow. They brought the funk promptly at 6:30 and proceeded to move many a booty in the Saranac crowd. If you haven’t had a chance to check out this fusion quintet, it is highly recommended. They blend Hancock’s Headhunter-era fusion with James Brown funk and some Zappa thrown in for good measure.

moe. hit the stage Saturday with a rousing “Captain America” to engage the huge Saranac crowd. Over several years of shows at this venue, this one ranked among the highest attended.

moe. Saranac Brewery

An easy ride through “Akimbo” was followed by “Not Coming Down” which seemed to mock the few sprinkles that started falling from the sky midway through.

By far, the highlight of the night was the guest appearance of Tim Palmeiri and Rob Somerville of Kung Fu during “Silver Sun.” The addition of the sax invigorated this newer song and Palmieri’s guitar battles with Garvey and Schnier were the stuff of moe. legend. Check out this YouTube clip for just a scant view of what was truly something to behold in person:

Following a quick set break, moe. returned with “Okayalright” which segued seamlessly into “32 Things.” The boys were on their game here. Aside from the Kung Fu sit-in, this segue ranked as one of the high points of the show.

If there were any doubt that twenty-five years in, these guys are tired of the game, this was quickly laid to rest with an epic “Recreational Chemistry” encore to finish the run. Derhak was at his best during this twenty-seven minute version of their classic and while some fans bemoaned the fact that this one has been frequently played on this mini-tour, it’s tough to argue with the intensity of the version played Saturday night.

Twenty-five years in and moe. is still playing with the energy and fervor they did back in their club days. A weekend such as this was a celebration of moe. A celebration of all that they have given their fans all these years. A celebration of their roots. It was evident that they had a grand old time in their old stomping grounds this weekend. What would you do for freedom?

Saturday’s setlist

Set One: Captain America > Akimbo, Not Coming Down > Wormwood > Skrunk, Loser >(nh) Silver Sun*

Set Two: Okayalright > 32 Things, Nebraska, Time Ed, Wind It Up

Encore: Do Or Die, Recreational Chemistry

* – w/ Tim Palmieri on guitar & Robert Somerville on sax from Kung Fu

June 25, 2015
Stoops out, Sasser in as Kung Fu Keyboardist

In a shocking statement, funk group Kung Fu announced that the band and founding member/keyboardist Todd Stoops have parted ways, and that Beau Sasser, of the Alan Evans Trio and Beau Sasser’s Escape Plan, will be his replacement.

Stoops co-founded the band in 2009, and Kung Fu has been a staple of the festival circuit ever since, with a unique blend of psychedelic funk, high-energy rock and jazz.

Here is the band’s official statement:

Change is exciting, challenging, and a constant part of life. It is the process of evolution and growth. We do our best to embrace change in our lives and the music we play, and it is in this spirit that we announce that Kung Fu and Todd Stoops are parting ways.

Todd is our brother, a brilliant musician, and composer. This decision has been difficult for everyone involved. We wish Todd nothing but the very best for his family, his musical endeavors, and we are grateful for everything he has contributed as a founding member of Kung Fu.

We would like to give a gigantic welcome to Beau Sasser as our new keyboardist. Beau is most notable for his work with Alan Evans Trio, Melvin Sparks, Beau Sasser’s Escape Plan, The Z3, Uncle Sammy, Ryan Montbleau and more. He is a beast of a different flavor on keys, with incredible song writing skills, and we are very excited to have him on the Kung Fu team. With Beau on board, we know that Kung Fu will continue to be one of the best live bands on the scene.

We would like to thank you, our loyal and dedicated fans, for your continued support! We can’t wait to see you this summer!

Peace, Love and Music-

The Ninjas

Stoops took to Facebook to issue his own statement, seeming to tell a bit of a different story. It appears the band kicked him out via email, and that it may not have been a mutual decision:

Dearest Family, Friends, and Fans,

This is tough, but here goes…

It has been the utmost honor to have performed for all of you with Kung Fu for the past 5+ years. I have experienced some of the greatest highs of my life onstage with the band that I co-founded, and I consider myself one of the luckiest humans alive to have been able to share that energy with all of you.

From the bottom of my heart, thank you…

After an incredible run out to the midwest for sets at SummerCamp and Revival, I came home to an email Tuesday from the rest of the band informing me that I was being replaced. Effective immediately.

Needless to say, it was as shocking to me Tuesday afternoon as it must be to all of you reading this now…

I can only wish the best for the remaining members of Kung Fu as they continue their journey. They are good musicians. With only two original members remaining, I’m excited to hear the evolution of that collective.

Moving forward…..

I have always kept a commitment to myself to perform with as many different artists and projects as possible. Always with the intent of broadening my musical vocabulary, personal growth, and most importantly, learning from everyone I have had the opportunity of performing with.

I fully intend on continuing this mission.

Much love!!
Todd Stoops

‪#‎emailbreakupssuck‬ ‪#‎imwithstoops‬

NYSMusic.com has reached out to Stoops and the band’s management for comment.

May 29, 2015
10 Reasons You Should Attend Disc Jam

Music Festival season is swinging into full gear as we speak. New York, in particular, is known for hosting a large number of festivals. Making its way to the top this year is Disc Jam. It has one of the hottest lineups, featuring some of the most talented up and coming artists, as well as some very well established bands. With more than 50 artists there is a lot to choose from. This article features a low down of 10 sets that should not be missed. If this piques your interest click here for the full lineup/tickets.

10. Spiritual Rez

Spiritual Rez is that luxurious feel good music that feels like sunshine. When dub reggae goes deep, that, is Spiritual Rez. This is the set to be at if you want to feel free, so come mix around.

9.Formula 5

Don’t miss New York State’s own Formula 5. These up-and-coming musicians released a live album in April. It is proof that they are generating tight sounding live performances chock full of ascending melodies and improvisation.

8. Bells and Robes

Bells and Robes is an electronic music duo coming out of Gainesville, Fla., whose sound is lush and kickback. They released a new EP in April of this year. Stocked with new material, they will try quenching the never-ending thirst for good livetronica.

7. Mister F

Mister F describes themselves as neat & clean, hard & dangerous. This young band of experienced musicians is the offspring of members of Timbre Coup and Capital Zen. I’ll say it myself: Mister F has been on fire, pleasing crowds all up and down the east coast and in parts of the Midwest. This is a set you do not want to miss.

6. Phutureprimitive

Phutureprimitive has been producing electronic music since the 90’s. His musical approach incorporates fuzzy bass lines and organic soundscapes. His music is known to enter into another realm of reality.

5. Twiddle
With a passionate crowd and hailing from nearby Castleton, VT, Twiddle has been making waves in the past two years, pe/king all across the East coast, Colorado and making for a fantastic NYE show courtesy of Disc Jam Presents. Don’t miss their two sets!

4.Pink Talking Fish

Pink Talking fish plays a combination of Pink Floyd, The Talking Heads and Phish by finding commonalities in grooves of these three musical powerhouses. This is them making a return to Disc Jam and they do a good amount of playing around the Northeast so some are likely to have experienced Pink Talking Fish and will catching the set. If not, make it a fresh experience.

3.Lespecial
Lespecial released a new album in April of this year. Their sound is wildly different with each song, giving Lespecial’s sets an unexpected feel. The multitude of flavors could allow for the set to be cohesive with Disc Jam vibes. This set is guaranteed to be exciting.

2.Electron
Who doesn’t love a supergroup? Electron Brings together Aaron Magner and Marc Brownstein, of the Disco Biscuits, with Mike Greenfield, of Lotus, and the talented Tommy Hamilton, of Brothers past. This band is an occasional side project that has been happening off and on for over a decade, making this a rare and formidable occasion.

1.Lettuce
Twenty years of experience has allowed Lettuce to become a staple of the live music scene. Lettuce is known for their old-school sound combinations but also their vision to take funk music out of the box. Featured as one of headliners, Lettuce will be flooding the sound waves with music that is soulful and sure to manifest good feelings inside the body. Don’t miss out!

Of the lineup, those which have not been listed in this article include Kung Fu, Dopapod, Consider the Source and Twiddle. This is a beautiful lineup and tickets are indeed still available right here. Hope to see a lot of shining faces at the 5th annual Disc Jam Music Festival!

May 19, 2015
Mister F, Twiddle, and Kung Fu Team Up at Upstate Concert Hall
It was a full house and a packed floor at Upstate Concert Hall on April 4 for Mister F and co-headliners Twiddle and Kung Fu. The night started early bringing throngs of people into the Clifton Park venue at 7 pm to see Albany locals Mister F. The band played a fantastic opening set and made it very apparent that it was going to be an awesome night of live music.

Tim Palmieri, guitarist of Kung Fu, sat in with Mister F and had a blast on stage, dueling guitars with Andrew Chamberlain during “Answer the Dog”. Guest appearances from all three bands were a theme throughout the evening, making for a truly exquisite blend of phenomenal musicians.

Kung Fu took the stage first with Zdenek Gubb, bassist of Twiddle, with an intricate drum solo into “Chakrabarty” which set the tone for the night that these guys were not here to mess around. While each member in the band clearly was always having a great time on stage, it was apparent that all members are extremely talented musicians and have a reciprocity within each instrument.

The and dynamic is apparent and impressive. Chris DeAngelis and Zdenek Gubb segued into a full on bass off – showing impressive musicianship to begin the evening. From “Chakrabarty” they went into “Bopcorn,” “Green Earrings” and “Chin Music.” Mihali Savoulidis, guitarist of Twiddle, joined Kung Fu for “Hollywood Kisses” and “Ventriloquist”. Both songs were packed with such energy and intensity, each member of the band reciprocated almost flawlessly with the addition of Mihali.

Once Mihali left the stage the band went into a dynamic “Belatone,” with Todd Stoops practically destroying his keys with his intricate and high energy jams. From “Belatone” they went into “Samurai” and closed with a phenomenal “Scrabb.” There was no set break or time between sets, but instead it was almost like the bands slowly meshed together and in the blink of an eye Twiddle had taken the stage.

Twiddle opened their portion of the evening with Atlantic Motion BBQ. They then segued into a surprising cover of “Phish- Heavy Things” accompanied by Kung Fu’s Tim Palmieri. This song is always an upbeat addition to any set list and it was definitely a great song for Palmieri to join in on. From here, the band went back into “Atlantic Motion” for more of a laid pack jam. Other highlights of their set included “Apples” which Todd Stoops, keyboardist of Kung Fu, sat in for. Also a jammy rendition of “Earth Mama.”

The overall evening showed a wide array of talent and craftsmanship with all three bands covering a broad variety of outlets in musical genres. Perhaps the most interesting part of the evening was that each band shared the stage with other musicians who may or may not had the time prior to practice, and yet the intricacy and complexity of each song knew no bounds. It was impressive to see how far each band has come, but also to see how magnificently they could work with other musicians to create a stellar night of music.

At one point in time, all three of these bands were referred to as “up and coming” within the music scene. It is pretty apparent that at this point that it is safe to say, they came, they saw and they conquered. All around just an absolutely masterful evening of music at the Upstate Concert Hall in Clifton Park.

Mister F:
Inside, Everything You Say (w/Mihali), The Machine > On and On, Oasis > Vocoder, Answer the Dog (w/ Tim Palmieri), Fly Like an Eagle > This One Goes to 11 (Star Wars tease)

Kung Fu:
Chakrabarty, Bopcorn, Green Earrings, Chin Music, Hollywood Kisses (w/Mihali), Ventriloquist (w/Mihali), Belatone, Samurai, Scrabb

Twiddle:
Atlantic Motion BBQ> Heavy Things (w/ Tim Palmieri)> Atlantic Motion BBQ, Cabbage Face, Frends Theme (w/Rob), Dusk Til Dawn, Apples (w/Stoops), White Light, Doinkenbonk!, Earth Mama

Encore: Eyes of The World (w/ Both Bands)
April 7, 2015
Twiddle talks to NYSMusic about the Dirty Dozen Tour

The twelve night ‘Dirty Dozen’ co-headlining run with Twiddle and Kung Fu kicked off last night in Buffalo at Iron Works, and continues tonight in Syracuse at the Westcott Theater. Along with the Buffalo and Syracuse dates, there is a stop at Albany’s Upstate Concert Hall, teaming up with local favorites Mister F. The tour is full of surprises, with no set times being announced, which is exactly the kind of antics fans anticipate with two powerhouse bands such as these two artists. The two bands teamed up for a sold out show in December to benefit Toys for Tots and have both been touring extensively since then.

NYSmusic sent some interview questions to the Twiddle guys, and they all chimed in with their answers below. Be sure to catch them while you can!

Jen Foster: First off, how excited are you for a no-holds-barred tour with Kung Fu?

Twiddle: We’re always extra amped for any gig with Kung Fu. They are role models for us in the scene, and have been amazing mentors/frends for Twiddle as we continue to grow.

Jen Foster: When you imagine this kind of tour, what do you hope for more than anything?

Twiddle: We don’t have any expectations. We are leaving the set times and schedule very open ended so anything can happen. We hope to do some really fun collaborative stuff with Kung Fu that everyone digs. The idea is to have as much fun as possible.

Jen Foster: What will happen when Ryan Dempsey and Todd Stoops create the ultimate keyboard spaceship?

Twiddle: It’s gonna get weird, in a really good way. Expect that dirty alien funk.

Jen Foster: The term Kungwiddle has been flying around like wildfire. Do you foresee this one of many co-billed shows and band crossovers?

Twiddle: Yes. We especially love our annual Toys for Tots show with them in CT. It always feels good to play with incredible musicians, and help kids at the same time.

Jen Foster: Twiddle just finished the “Donde Esta Norb?” tour, and now you’re headed to Costa Rica for Jungle Jam. It has already been a very successful start to the year. Are you at all surprised with the amount of success in the past year?

Twiddle: We’re always blown away by our fans. They are building an amazing community that is turning into a family. As far as success is concerned, Madison House is doing a great job of getting us on some amazing show/festival bills. Especially Red Rocks with S.C.I.

Jen Foster: Fans of both Twiddle and Kung Fu are over the moon about this upcoming tour. What kind of hijinks can we look forward to?

Twiddle: The idea of not announcing set times is to send a message for fans to get there early and stay late. Anything is possible. We have a few filthy tricks up our sleeves but where would the fun be in telling anyone?

Jen Foster: NYSMusic’s readers are very excited for the upcoming Upstate shows in Buffalo, Syracuse and Albany. Once the Spring tour is behind you, what summer music festivals are you most looking forward to playing?

Twiddle: The upstate NY markets are slowly becoming marquis/anchor cities for us. Castleton, where we met, is literally on the NY border with Vermont. We love New York. As for the summer, we are making repeat appearances at big fests like Summer Camp, Wakarusa, The Peach and Gathering of the Vibes. It is always humbling to see our name next to big time artists. However, the smaller fests like Disc Jam and the Frendly Gathering allow us to see all of our New England frends and family. The Frendly Gathering is in Vermont and we spend the whole weekend there. It is home.

Dirty Dozen Tour Dates:
4/1 – Buffalo, NY | Iron Works
4/2 – Syracuse, NY | Westcott Theater
4/3 – New York, NY | Irving Plaza
4/4 – Clifton Park, NY | Upstate Concert Hall
4/8 – State College, PA | Levels
4/9 – Pittsburgh, PA | The Rex Theatre
4/10 – Philadelphia, PA | TLA
4/11 – Baltimore, MD | Rams Head Live
4/12 – Richmond, VA | The Broadberry
4/14 – Greensboro, NC | Blind Tiger
4/15 – Charlotte, NC | The Chop House
4/16 – Atlanta, GA | Terminal West

April 2, 2015