Tag: First Niagara Center

  • Best of NYS Music 2015: Staff Pick for Best Music Town in New York State

    With an expansive state such as NY, there’s a multitude of large cities and small towns that are home to some widely diverse music venues and scenes abroad.  Teetering as the fourth most populated state in the country, New York houses just under 20 million people with the majority of the larger cities snuggled along interstate 90.  It’s a seamless route for bands to travel and schedule shows as they pass through the Empire State.  However, our team of merry music lovers here at NYS Music voted upon one town to be the best scene for live music.  I’m sure it’s no surprise to anyone that this 5-borough concrete jungle was the top pick for best music town in New York State.  That’s right, New York City indeed.  Coming in hot at #1 is the largest city in the United States and has been declared as the Best Music Town for many years now.   It’s probably not going to be topped anytime soon either.

    Jim Houle - NYC - New York City - Manhattan

    To a surprising degree, Albany and Buffalo were not so distant behind the Big Apple in the standings.  The Capital District has much to offer with many venues of all capacities spread throughout the city. A brief list starts with The Hollow Bar & Kitchen, The Palace Theatre, The EGG, The Fuze Box, and The Times Union Center.  Buffalo also has an impressive list of stages and events such as the Town Ballroom, The Tralf, The Waiting Room, Buffalo Iron Works, Nietzsche’s, and the First Niagara Center.

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    Oh, but the city that never sleeps has far more venues than anyone can imagine.  Clubs, bars, city parks, warehouses, basements, rooftops, to numerous theatres and stadiums are abundant in the melting pot.  It’s glorious!  The most regarded venue in NYC would have to be Madison Square Garden.  It’s beautiful, accommodating, spacious, acoustically dynamic, and it is just historically pleasing to be in and around.  MSG holds only the world’s largest acts and will be home to Phish for four consecutive nights at the end of 2015.

    The Barclays Center is home to the Brooklyn Nets, seats about 19,000 people, and opened in 2012 with a major list of performers, including Jay-Z and Pearl Jam.  Its rivals in size would be MSG, Nassau Coliseum, Nikon at Jones Beach Amphitheater, and the IZOD Center (located in NJ).

    Radio City Music Hall is the queen of all theaters in NYC with its 5,933 seat capacity, historical Art Deco interior, prestigious location, and Grand Stage.  The elevator system in the theater is so advanced, that the U.S. Navy had incorporated identical hydraulics into WWII aircraft carriers and had security personnel guarding the theater during wartime.  The Hall is sprinkled with depression-era artwork in the lobby, hallways, and the mezzanine.  It’s deserving of the nickname, Showplace of the Nation.

    Though, just because NYC is ample in size, poses home to the largest/most popular arenas and theaters in the country, doesn’t mean that’s where the real glory is.  People tend to have more fun in the intimate venue, smaller capacity rooms where you can practically reach out and touch the artists from any angle of the room.  The venues that sell tickets at reasonable prices, have great selection of beverages, are decorated with passion, and cater to the individual concert go-er rather than consumers in bulk, are what makes the experience favorable.  The Empire City has all of that and more.   Some other venues that hold NYC so high are: The Beacon Theatre, The  Hammerstein Ballroom, Carnegie Hall, Playstation Theater, City Winery, Terminal 5, Brooklyn Bowl, Governors Island, Central Park, Bowery Ballroom, Village Vanguard, Cake Shop, and Saint Vitus are just a sliver of the pie.

    New Years Eve in New York City, well really, the whole week around New Years, is chock full of music. Just check out this list put together by Catskill Chill Music Festival!

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    Aside from being the music mecca of the world, it’s almost in a class of its own.  Until that changes, go visit the Big Apple and enjoy some live music!

  • Photo Gallery: Dead and Company keep Truckin’ on through Buffalo

    Dead and Company came to the First Niagara Center in Buffalo on Wednesday November 11, 2015. The band, which includes three of four founding members of The Grateful Dead and Oteil Burbridge, Jeff Chimenti and most notably John Mayer. Mickey Hart, Bill Kreutzmann, and Bob Weir were on top of their game and the chemistry that was ignited really created a great experience. There is no doubt that John Mayer brings something incredible to the table and the reviews couldn’t be more accurate. Mayer continues to turn heads. If Dead and Company does continue to tour, John Mayer better be a part of the cast.

    dead and company buffalo

    Set 1: Promised Land, New Minglewood Blues, Bertha, Here Comes Sunshine, El Paso, Althea, U.S. Blues
     
    Set 2: Viola Lee Blues > Wang Dang Doodle > Viola Lee Blues > New Speedway Boogie > Truckin’ > Dark Star >
    Drums > Space > Dark Star > China Doll > Sugar Magnolia
     
    Encore: Casey Jones
  • Demi Lovato & Nick Jonas Future Now Tour Predicted to Land in Buffalo

    Fans of Disney’s Demi Lovato & Nick Jonas will be in heaven July 17, 2016, as the two will join forces to bring their Future Now: the Tour to Buffalo.

    These two headlining acts would each fill the arena on their own, so their anticipated joint collaborative tour will most definitely sell out the First Niagara Center in record time. We wouldn’t hesitate to purchase tickets as soon as possible.

    demi lovato nick jonasTickets go on sale at 10 a.m. Saturday, Nov. 7. A random handbill policy will be in effect. A limited number of handbills are available now.

    demi lovato nick jonas
    Friday, June 24, 2016
    Sunrise, FL BB&T Center

    Saturday, June 25, 2016
    Orlando, FL Amway Center

    Wednesday, June 29, 2016
    Atlanta, GA Philips Arena

    Thursday, June 30, 2016
    Charlotte, NC Time Warner Cable Arena

    Saturday, July 2, 2016
    Raleigh, NC PNC Arena

    Sunday, July 3, 2016
    Virginia Beach, VA Farm Bureau Live at Virginia Beach

    Wednesday, July 6, 2016
    Uncasville, CT Mohegan Sun Arena

    Friday, July 8, 2016
    Brooklyn, NY Barclays Center

    Tuesday, July 12, 2016
    Newark, NJ Prudential Center

    Thursday, July 14, 2016
    Camden, NJ Susquehanna Bank Center

    Saturday, July 16, 2016
    Hershey, PA Hersheypark Stadium

    Sunday, July 17, 2016
    Buffalo, NY First Niagara Center

    Wednesday, July 20, 2016
    Boston, MA TD Garden

    Friday, July 22, 2016
    Montreal, QC Bell Centre

    Saturday, July 23, 2016
    Toronto, ON Air Canada Centre

    Tuesday, July 26, 2016
    Washington, DC Verizon Center

    Wednesday, July 27, 2016 ]
    Columbus, OH Schottenstein Center

    Friday, July 29, 2016
    Louisville, KY KFC Yum! Center

    Saturday, July 30, 2016
    Auburn Hills, MI The Palace of Auburn Hills

    Tuesday, August 2, 2016
    Rosemont, IL Allstate Arena

    Wednesday, August 3, 2016
    Indianapolis, IN Bankers Life Fieldhouse

    Friday, August 5, 2016
    St. Louis, MO Scottrade Center

    Saturday, August 6, 2016
    Kansas City, MO Sprint Center

    Tuesday, August 9, 2016
    Denver, CO Pepsi Center

    Thursday, August 11, 2016
    Salt Lake City, UT Energy Solutions Arena

    Saturday, August 13, 2016
    Las Vegas, NV MGM Grand Garden Arena

    Sunday, August 14, 2016
    San Diego, CA Sleep Train Amphitheatre

    Wednesday, August 17, 2016
    Anaheim, CA Honda Center

    Thursday, August 18, 2016
    San Jose, CA SAP Center

    Saturday, August 20, 2016
    Portland, OR Moda Center

    Sunday, August 21, 2016
    Seattle, WA Key Arena

    Wednesday, August 24, 2016
    Vancouver, BC Pepsi Live at Rogers Arena

    Friday, August 26, 2016
    Edmonton, AB Rexall Place

    Saturday, August 27, 2016
    Calgary, AB Scotiabank Saddledome

    Monday, August 29, 2016
    Winnipeg, MB MTS Centre

    Wednesday, August 31, 2016
    St. Paul, MN Minnesota State Fairgrounds

    Friday, September 2, 2016
    Cleveland, OH Quicken Loans Arena

    Wednesday, September 7, 2016
    Nashville, TN Bridgestone Arena

    Friday, September 9, 2016
    Houston, TX Toyota Center

    Saturday, September 10, 2016
    San Antonio, TX AT&T Center

    Monday, September 12, 2016
    Dallas, TX American Airlines Center

    Wednesday, September 14, 2016
    Albuquerque, NM Isleta Amphitheater

    Friday, September 16, 2016
    Phoenix, AZ Talking Stick Resort Arena

    Saturday, September 17, 2016
    Los Angeles, CA The Forum

  • Motley Crüe’s Final Show in Buffalo

    It took Motley Crüe drummer Tommy Lee approximately five songs to come to the stage to announce he wasn’t playing due to severe tendinitis in his arm. The crowd booed and people were clearly upset. This was Motley Crüe’s final tour and last show playing at First Niagara Center. It was evident something was amiss because during the first few songs no spot lights were cast onto the drum set. Glen Sobel (Alice Cooper’s drummer) did a great job filling in last minute for Tommy Lee.For those who don’t know he is also the timekeeper for Alice Cooper, who headlined the show that night.

    Alice Cooper Motley Crüe's Final ShowVince Neil was disappointing throughout the entire set, minus maybe a loud “yeah” here and there. Vince certainly tried to play his heart out and toward the end of the night you could hear and see the exhaustion on his face as he huffed and puffed his way through songs. During “Kickstart My Heart” there were some parts where at the end of a verse he mumbled the words, almost like he gave up. Nevertheless that’s what the pyrotechnics were there for that night, to cover up their failing ability to perform live like in days’ past. The hero of the night was Mick Mars, who didn’t need to jump around on stage in frilly costumes for people to be entranced by him. His guitar playing and solos were enough to capture people.  While costume changes were happening for Nikki and Vince, Mars was given the spotlight to play some impressive solos.  If this was really the band’s last hurrah, and last show in Buffalo, the band could have put more effort into performing a complete show.

    Alice Cooper and his band had done an excellent job from start to finish. Mr. Cooper is 67 years old and is blowing away young bands left and right. It will be a sad day when Cooper announces his retirement. If you have not seen him I highly recommend going at least once. They made the crowd feel creeped out, uncomfortable and having some people covering their eyes. He did everything one would expect from a Cooper concert, from decapitating himself to having his giant Frankenstein on stage. He sang classics like “Schools Out” to “ No More Mr. Nice Guy.”  Alice Cooper stole the show that night and deserves high praise for his performance.

  • Paul McCartney Fall Tour Includes Date in Buffalo

    In the 55-year musical career of Paul McCartney, perhaps the most successful rock-and-roll musician of all-time, he has never played in Buffalo — not as a Beatle, a Wing, nor as a solo act.6f2ab431fcc3_143644104385_nyhedstor2

    That will change on Oct. 22 as Sir Paul will play at 8 p.m. at First Niagara Center in downtown Buffalo.

    The 21-time Grammy winner has been announcing shows for his fall “Out There” tour.  The tour also includes shows in Columbus, Ohio; University Park, Pennsylvania; Toronto, Ontario; and Detroit.

    McCartney’s concert in Buffalo is his second show in upstate New York in as many years, following his performance in July 2014 at Albany’s Times Union Center.

    McCartney has written over 500 songs, including 32 that have reached number 1 in the United States. The British superstar has been inducted into the Rock and Roll Hall of Fame two times, both as a member of The Beatles and as an individual.

    The legendary performer is known to give shows that last nearly four hours, even at his advanced age of 73. In a July show in Stockholm, Sweden, McCartney played 40 songs, 27 of which were Beatles songs.

    Tickets will go on sale at 10 a.m. Monday, Aug. 31, on Tickets.com for one of the most anticipated concerts Buffalo has seen in a long time.paulmccartney-624-1382708613-1382734189

  • Hearing Aide: Imagine Dragons ‘Smoke & Mirrors’

    Imagine Dragons has released their newest album, Smoke & Mirrors. With the huge success of their first studio album Night Visions in 2012, selling more than 2 million copies to date, Imagine Dragons took the world by storm and by doing so set the bar pretty high for themselves when it came to following up with their second studio album. They had fallen into the proverbial trap of having such a huge success right out of the gate, that anything following was bound to be held to a higher standard.

    imagine dragons Smoke & Mirrors
    Imagine Dragons Smoke & Mirrors

    So with this dilemma, how did this Grammy Award winning band follow up their first hit album? They did it like they should, with an album written for themselves. After all, isn’t that what music is about? Personal messages paired with instrumentals to express themselves.

    Writing continuously while on the road touring , the band compiled and recorded demos and as the Night Visions Tour ended, they purchased a house in Las Vegas, converted it into a studio, and for the next 8 months put together a story of sorts from experiences on the road that were laden with a roller coaster of personal emotions. After all, the whirlwind of life on the road from local venues to sold out arenas, had to take a toll on them emotionally. What better way to share than through song?

    Hailed as one of rock n roll’s greatest newcomers in the 2013, their new found popularity and accolades brimmed over the top as America welcomed them with open arms. As new artists trying to achieve success, was the photo in their mind exactly what they pictured once achieved, or was it writ with unbeknownst angst they would encounter throughout the tour and along the way? I believe it may have been some of the latter. As I listened to the new album the creative differences between the two albums were not as apparent as other seemed to say.  I still saw the same vocals and rhythmic distinctions still shining through.

    Smoke & Mirrors

    I love Imagine Dragons, and I believe it’s their unique sound and truthful lyrics that caught my attention initially and holds it still today.  It’s not their commercial success that makes them stand out. They are not mainstream music, they are not mainstream artists, and their unique style and sound is representative of who they are and how their creative process. Yes, their sound has been compared to a mix of The Killers, U2, Coldplay, Mumford & Sons, and Arcade Fire; taking bits and pieces from each band when making that generalization – influences have that kind of effect on you. You tend to find yourself creating similar sounds because, well you like them in the first place.  They have been criticized for using every technical instrumentation trick known to mankind in their new music, and my reply to that is, ‘so what?’ That’s why it exists: to use it. Artists are known for creating something from their souls. It doesn’t have to be what you would want it to be. If that was the case, it would be your creation. So the fact that they use any or all technical tricks doesn’t lessen their musical creations to me in the least. I feel it has an energy to it. Although the lyrics on this album brim with a deep dark almost undaunting edge, the pulsating rhythms and melodic vocals give it an upbeat sound that over plays the underlying message.

    Working along side Alex Da Kid on this album, his reputation for bringing out the creative sides of artists like Eminem and Christina Aguilera, demonstrates the perfect example why he’s a perfect match with Imagine Dragons on each of their studio albums.

    As I listened to this album I had to do so a few times before I could collect my thoughts to develop a constructive opinion. In true Imagine Dragons style you have the strong percussions and amazing vocals and harmonies with a mix of synthesizer in there throughout the album, but with this particular album you got something else. You get variety in sounds that represent their travels with the first album. What the audience had become accustomed to (vocal/harmonies/percussion/synth) from Imagine Dragons was there in songs such as “Shots” and “The Fall”, but you also got a hint of some R&B with “Friction”, mixed with a flair of the Middle Eastern sounds in there as well. In “Hopeless Opus” you’ll see a flavor of Asian sounds intermixed with a bit of rapping, guitar solo, synth. Heck you pretty much get a bit of everything in that song. Same goes for “Summer”. The beauty though is how well they were all mixed together seamlessly. In fact in most of the songs you’ll see a variety of sounds and tempos within the songs that without the expert help in mixing could have been a disaster. This is where the expertise of Alex Da Kid played a huge part.

    I have to say my favorite tracks were “I Bet My Life” and “Trouble” demonstrating their folky sounds mixed with a huge helping of underlying percussion. Just love their take on this sound. Running close second would be “It Comes Back To You” and “Dream” where I can definitely see influences from Coldplay and U2 in this song. It was the upbeat tempo and lyrics in this song that hooked me; “…all the things you had lost will find their way to you… am I a shadow you drew.” I can definitely see a commercial success with this release.

    Criticized by others on this album, I definitely can see a darker side in their lyrics though with an underlying message perhaps of life on the road wasn’t all they expected, but I can’t understand the criticism. Music is an expression of life and everyone’s message is different. Give me a break negative Nellies. In both “Gold” and “Polaroid”, focus should be on the mixing of sounds, not the lyrics. “Gold” was another example of expert mixing. “Polaroid” to me was a little disappointing but only because as a photographer I had hoped this track would be as upbeat a message that the tempo held. But hey, everyone sees something different in a photo hence the saying “a picture is worth a thousand words”, and the message was something totally different. But still, it was a good song. No one is going to like every song on an album; you can’t expect every album to be Sgt. Peppers Lonely Heart Club Band.

    The title track “Smoke and Mirrors” and “I’m So Sorry” give the listener a true rock and roll feel to the songs. These will be great live songs with the guitar and percussion in them.

    After listening to the whole album several times, I came one conclusion: it’s a great album. Was it what the public anticipated from them? Perhaps not. Was it the mix of techno sounds with anthem rock and pop beats they are known for? Yep. With so many negative reviews and plays on words with the title, I find Smoke & Mirrors nothing but honest and forthwith. I can see the growth within the band, and the influences of experiences of the last few years in their lyrics. It’s the honesty on this album though that makes it the perfect second album. As far as commercial success, I believe those that loved Imagine Dragons will agree with me that this was a great album. It may not be a mainstream as some expected, but when it came to making an album that is true to themselves, this definitely met their expectations. This is one of those albums I think that when you listen to it initially you may not get it right away, so listen a few more times. Read the lyrics and see the messages. Then go back and listen to the music once again, and you will see that this really was a great album and will play out even more so as a great live performance.

    As they roll into town this week to the First Niagara Center in Buffalo, they will be joined by Metric and Halsey.  Show starts at 7pm and tickets can be purchased through Live Nation.  Hope to see you there.

    Key Tracks: Shots, I Bet My Life, Dream

  • Garth Brooks and Trisha Yearwood: Country Music Legends Receives Warm Welcome in NY

    From the moment I learned that Garth Brooks was returning to recording and touring, I felt as though I finally had a do over.  At the height of his career, Garth Brooks made a life changing decision to stay home and help raise his girls, further endearing him to all of the fans that loved him so much already. Not knowing if or when he decided to return to the music business he would be welcomed back, he never hesitated as it was a no brainer for Garth.

    His family came first.  In an interview with Ellen DeGeneres in 2013, he commented that “..if everybody was allowed that luxury, I think 99% of parents would take it..” I believe he is correct in his statement.  As the girls grew up and the house become quiet, it was Ms. Yearwood (as he lovingly refers to her) that suggested to him that perhaps it was time to go back out on the road again.  As a lifelong fan of Garth Brooks and Ms. Yearwood, I thank you from the bottom of my heart for this chance of a “do over”.

    Garth Brooks Trisha Yearwood
    Garth Brooks – Buffalo, NY 3/5/15

    I will never forget where I was the first time I ever heard Garth Brook’s “The Dance”.  As the music began I lifted my head up from what I was reading and my eyes went to the TV immediately where a newcomer sat with a guitar while clips of video played on behind him.  As the music and lyrics progressed to say “And now I’m glad I didn’t know, the way it all would end, the way it all would go.  Our lives are better left to chance, I could have missed the pain, but I’d have had to miss the dance”, tears began to well up in my eyes.  On the screen flashed images of Lane Frost, the famous bull rider who lost his life in 1989 while riding the bull for the full 8 seconds, Keith Whitley and his wife, Lorrie Morgan, as they danced at their wedding, the crew of the space shuttle Challenger as they walked to their journey that never retuned, and images of John Wayne,  Martin Luther King Jr., and JFK  reminding us of their moments in time that are embedded in our lives, you could not help but become so entranced in the lyrics and what they meant to these individuals at those moments, but also how it applied to us personally.  It was Garth’s personal investment in each and every song after that moment that pulled me in farther and farther as I watched from the sideline a career that spanned more than a decade of  outstanding moments in time given to us from this country music superstar.

    K. Stockbridge - Garth Brooks IMG_1494 copy

    As a country music fan since childhood, I followed his career via radio and purchased every cd he put out.  I can remember standing at the fence at the NY State Fairgrounds in the 1990’s listening to his band doing sound check, and wishing I could catch a glimpse, or afford a ticket to see the show.  Never in my wildest dreams would I ever think that many years later I would be taking a selfie with the one and only Garth Brooks.  So as I write this article, please forgive my gushing and star struck comments, as this was truly a surreal moment for me.

    Arriving in the nick of time to the press conference with my Features Editor, Kristen, I prepared what I would ask him about.  When normally preparing interview questions, I always think to myself, what would I, as a reader, want to know about the artist.  It always comes down to personal feelings, thoughts, and moments.  I know what I can see, and it’s the what I can’t see that I am most interested in.  As Garth arrives to the venue, a whole group of us anxiously await for our opportunity to speak with him.  Clad in jeans, sneakers, and a baseball cap, Garth’s presence exudes a feeling to us as he’s not just country royalty, but just one of us.  As the news anchor gets the first opportunity to question him, he recalls her from other interviews, totally blowing my mind at his memory.  As I raise my hand to question him, I introduce myself and our publication, and he stops me momentarily to confirm my name before proceeding.  I was humbled that he cared that much to make sure he knew who he was talking to.  I welcomed him back to New York State and asked him how his transition back into touring as been, and how he is doing mastering his new social media accounts.  His response to touring was it was a slower start but as he rounded the first few months, it kicked in again, and everything that was before, was now again.  As far as social media, something he never thought he would do, has become a wonderful tool to take down barriers with his fans, and communicate with them one on one.  Something a superstar such as himself never really could before.

    Garth Brooks – Buffalo, NY 3/5/15

    As the press conference ended, and the crowds began to amass for his first night in Buffalo, I was impressed and pleased to see how seamless the First Niagara Center was at getting attendees in the venue and to their seats without any issues.  The demographics you would expect at this show of those who knew and followed him varied from those who couldn’t have even been born at the time, to those of us who have followed him faithfully throughout the years.  This first sold out show, would be one of six in a four-day stay in Buffalo for Garth, his wife, and his band.

    As the show began, I as the photographer, was allowed to shoot professional photos for our article from the soundboard, of which the lighting and production of this show was outstanding for this task.  Then after securing my camera I continued to get a few more photos from my phone for my readers.  Sitting or should I say standing on the floor looking up at him performing, it was everything and more than I anticipated.  I had seen his show on tv several years ago and the energy he gives on his performances are what makes his shows the best they can possibly be.  The stage, set to give attendees a 360 degree view of him and the band does just this.

    Garth plays every inch of that stage and to every audience member in that venue.  Whether you have a seat in the nosebleed section or the front row, you get every bit of him he has to give in his performance.  Playing favorites from his career such as “Ain’t Going Down,” “The Thunder Rolls” and “Standing Outside The Fire,” fans young and old joined in to sing along. When asked at the press conference his favorite songs to perform, he had two.  “The Dance” of course, and then “Call It Baton Rouge” because that one is just so much fun to perform.  Yes, it was so much fun to view as well. I can see why he loves performing that one.  When asked what is it like to perform so many shows in so few days, he voiced his concern about his vocals by the last show, and thanked his audience when songs such as “Friends In Low Places” comes on and the audience takes over for him.  It must be the most amazing feeling to just sit back and listen to thousands of fans singing your words together with you.

    Garth Brooks – Buffalo, NY 3/5/15

    Half way through the show, Ms. Yearwood joins him on stage to sing a duet, and then he steps off allowing her to sing her tunes, which I must add the audience takes over and sings along as well.  This woman is such an inspiration to those that have followed her career.  Not only is she one of the most talented musicians in country music, she is also an amazing writer and chef.  Each Saturday morning I wake up and the first thing that goes on TV, is “Trisha’s Southern Kitchen”.  Her cooking show features her favorite dishes, with guest such as Garth, her niece, her lifelong friends from college, her sister, her zumba buddies, and even her band members joining her to make some amazing traditional dishes.  I can’t help but become hungry by the end of the show.  I love her singing, but it’s her personality that exudes kindness, witness, and charm.  Her outtakes are my favorite moments on the show.  Like Garth, she isn’t shy about sharing who she really is with those that adore her.  As she continues to sing, she too sings to every inch of that venue and to every member in that audience.  She uses the jumbotron behind her to feature a “kiss cam” of sorts while singing “She’s In Love With The Boy”.  I absolutely loved her set, and so thankful she sang my favorite tune, “How Do I Live”.  I loved her new song, “PrizeFighter” and loved how she featured the photos from her participation in the Brest Cancer Walk.  As she finishes singing her set, and Garth joins her on stage, the love between the two is electric, and before she leaves, he plants a kiss on her that steamed up all our glasses.  Yes, it is so neat to see such love between them, and so thankful they feel like they can share that with us all. Yes, Garth and Trisha make the cutest couple ever.

    I don’t want to give away all the show highlights as it’s almost like Christmas day.  You don’t want to know the surprises ahead, because you just need to live that moment for yourself.  As Garth continues to announce cities he will be coming to, I hope that a city close by will be on the list for you as well.  I have seen many, many shows over the course of the last few years.  This hands down was the BEST show I’ve ever been a part of.  Everything is top-notch, and every moment is one I will cherish.  Welcome back Garth Brooks to New York.  We love you.

    From The New & Curious Fan – Features Editor, Kristen Mack-Perry

    Live music is my thing, going to concerts is my thing, I fancied myself as a seasoned concert goer. 100+ Phish shows, three Dead shows (with Jerry) and 25+ Furthur shows, Avett Brothers, Willie Nelson, Del McCoury, Yonder Mountain String Band and so many more – with several annual music festivals over the course of twenty years, and nothing, nothing could have prepared me for a Garth Brooks show.

    I use the word show because it wasn’t just a concert, this was a gathering of cowboy boots and ten-gallon hats, all of whom knew every word to every song, and the audience became part of the show with the jumbotron kiss-cam whilst the biggest country star in history sung his greatest hits – stopping only to express  gratitude or to connect personally with fans holding signs.

    It was a finely manicured theatrical experience, littered with nostalgia for this country girl. The stage was set like a Broadway theatre stage, with the giant video screen that began the show with a countdown clock and became the kiss cam during “People Loving People,” and a motorized sphere with the drummer and drum kit inside – when the lights shone on the drummer, the color of the drums would change to the beat of the music, towards the end of the show the sphere lifted off the stage and spun around; theatrics you just don’t see at the concerts I have been to.

    Having been told Brooks was an extremely animated performer, I was excited to see what he had up his sleeve. Every note, every word he sung could be felt through every inch of my being, I was instantly thrust back to the mid ‘90s riding in Jana Schmitz’s mother’s stationwagon on the way to the shopping mall, listening to the local country music station 92.5. That was really my only experience with country music, I heard it when I was with people who listened to it and when I began to drive a car I would listen to the same station and sing along to every ballad and beer drinkin song, and I never knew who the artist was, I just loved the songs. It was in that moment as I stood at the Garth Brooks concert belting out every word to, “We’re Two of a Kind, Workin on a Full House” that I realized, I DO love country music, and I know a lot of Garth Brooks songs too,  I took off my sweater, folded up the seat of the chair and prepared to get down and dance. I reveled in that moment, feeling the music glide through my soul.

    The show was a highlight of my concert going experiences, the togetherness the comradery of the fans, the choreographed moves of the band – we were all one. This is something Brooks spoke about in the press conference earlier that day, saying “now we have video during the show, we didn’t have video in the ’90s and you look in the camera and you see a guy and they think they are the only person in the entire world, so they’ve got their head back their arms are out and they’re dancing – I can’t tell you how many guys 6′ 6” 300 pounds, singing “She’s In Love With A Boy” louder than any sixteen year old girl and its crazy and so much fun to watch.” Brooks genuinely cares for his fans and it shows in his performance on stage.

    Brooks was asked how he was mastering Twitter and with the same southern boy charm that he exhibits on stage he replied, “I don’t know if I mastered it, but what I love about Twitter is it wipes all the walls out between me and you, and what I really love is to respond and then get the response from that respond kind of thing.” Although it may not seem unique for an artist to use Twitter to connect with fans, the manner in which Brooks replies to his fans is what connects them.

    It seems that the recipe for a great concert isn’t what the genre of music is, it’s how the musician connects to the fans, both at the show and through social media, how the words to the song ring true to your life and make you feel like the song must have been written for you. When we feel connected to the things that are most important in our lives, the things that make us feel alive, then we validate the existence we all share while seeing live music, and that is what it’s all about.

    This show will go down in my personal history books as one not only to remember but one to cherish, for it was an experience you can’t find on the TV or in a book, its something you have to live and breathe and be a part of.