Tag: Fear Factory

  • Best of NYS Music 2015: Staff Picks for Albums, Overall

    The past year has been a great year for music. In addition to the great albums released by New York artists, there have been some excellent albums released around the world. The NYS Music team picked their favorite albums of 2015. This is just a sampling of those albums.

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    Courtney Barnett released her critically acclaimed debut Sometimes I Sit and Think, and Sometimes I Just Sit back in March. The 27 year old Australian singer/songwriter has received nothing but praise. Will Hermes, reviewing it for NPR, says:

    Barnett’s facility for wordplay and compressed narrative has more in common with great rappers than pop songwriters, and her debut is the best rock record I’ve heard this year. She’s a poet of panic attacks and short attention spans and the kind of heartbreak that always seems to be following right in your blind spot.

    In his five-star review for The Guardian, Everett True writes “listening to most – if not all – of Sometimes I Sit and Think, and Sometimes I Just Sit is a richly rewarding experience, one that increases with each listen.” Rolling Stone’s Jon Dolan gave the album 4.5 stars and said “wherever Barnett ends up, we’re going to want to go with her.”

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    Holly Bowling has been getting the attention of Phish fans around the nation with her solo piano covers of their repertoire, the most well-know of which being the “Tahoe Tweezer.” The release of her crowd-funded album, Distillation of a Dream, was much anticipated. Bringing a fresh look at the music of Phish, it’s no wonder everyone who gave it a listen fell instantly in love. The first disc of the double album offers her interpretation of studio tracks, while the second disc covers live jams as performed by Phish. Bowling “does justice to the variety of songs she chose for the album.” Reviewing the album, I wrote:

    Overall, Distillation of a Dream is a solid, creative tribute to Phish. The album reflects the difference between studio Phish as heard on disc one, and live Phish as heard on disc two. Bowling’s musicality, experience and talent are in full display on this album. The creativity and effort put into the re-creation of these Phish songs and jams make for a fun and interesting listen.

    Many great albums were released in 2015, and while we can’t review all of them, some other picks by our staff include Todd Rundgren’s Global, Trey Anastasio’s Paper Wheels, Fear Factory’s Genexus, Circles Around the Sun Interludes for the Dead and Faith No More’s Sol Invictus. From debut albums to comeback albums, 2015 had some great releases that are not to be missed!

    [embedyt] https://www.youtube.com/watch?v=NKP98hDBJ8w&list=PLZnIUmBPJGRmDbnrtHd00eybNRXHLieC_[/embedyt]

  • Hearing Aide: Fear Factory ‘Genexus’

    FearFactoryGenexusFear Factory returns with its ninth album, Genexus, and this album does not disappoint. It’s absolutely amazing that nine albums in, the band still continues with the same sci-fi theme about the dangers of machines and technology. They sustain that industrial thrash metal sound that parallels their breakthrough album Demanufacture.

    One bold move this album did, was the decision of moving away from the drum machine they used on the previous album, The Industrialist, and hired Mike Heller to handle the drums on this album. Dino Cazares handles all the guitars and bass tracks, while Burton C. Bell has laid down all vocals.

    The album kicks off with a robotic track “Autonomous Combat System,” which reminds us that this is a Fear Factory album. A real stand out track is “Dielectic” which interestingly enough, uses a little bit of orchestral arrangements throughout the track. That’s really what makes this Fear Factory album stand out. We are used to hearing program arrangements, synthesizers, keyboards, and other electric sounds in almost every Fear Factory album, but this album continues that tradition, also using orchestral arrangements.

    “Soul Hacker” is another killer track on this album, featuring some of the best vocals I Hacker” is another killer track on this album, featuring some of the best vocals you will hear from Bell. Halfway into the album, the title track features more the heavy and fast guitar riffs from Cazares that are so clutch with the double kick drums with synthesizers buried cleverly underneath. “Church Of Execution” has a bizarre and catchy riff that will get stuck in your head. Finally into the tenth track “Expiration Date” is a ballad which is a great way to end this album. It’s not very often Fear Factory graces an album with a ballad. Then this album offers two bonus tracks with “Mandatory Sacrifice” remix and “Enhanced Reality” which adds value to this album.

    In conclusion, I do believe this is Fear Factory’s best album since 2001’s Digimortal. Some people may find this album redundant because of the constant theme and sound that Fear Factory has always used, but most people should appreciate all effort that was put into this album because of all the industrial arrangements that is timed out so well with the music. Fear Factory continues the momentum on Genexus and these songs need to be heard live.

    Highly recommend the purchase.  You can buy Genexus here.

    Key Tracks: Dielectic, Soul Hacker, Church Of Execution, Expiration Date

  • Coal Chamber, Fear Factory, Jasta Wreck The Water Street Music Hall In Rochester

    So I finally made it to a metal show at Rochester’s Water Street Music Hall. Why the long wait? Because there is lots of venues in New York State that I have to cover and yet to visit. And this one took me a while, and one thing that the city of Rochester has going for itself….they have three very high profile venues for metal music. The Main Street Armory, The Montage, and Water Street Music Hall. Main Street being the largest, with the Montage being the smallest, Water Street falls right in the middle and likely have the biggest advantage of booking shows at this point.  And let me say that other than the parking situation there, the venue is dynamite. Decent sized stage, clear sound, large bar area, balcony, etc., really nothing not to like about the place. And when you add bands like Coal Chamber, Fear Factory, and Jasta under that roof, magic happens.

    I arrived in time to see openers Madlife’s set. The Los Angeles based industrial metallers were received well by the crowd (it was early so at this point the venue was not packed yet) and delivered a high energy set. They had a very goth-like image to them with a sound similar to Orgy. The big highlight from them was their cover of “Love Song” by The Cure as well as a cameo from Burton C. Bell of Fear Factory.

    After Madlife, Jasta swept the entire floor with their explosive set that knocked (literally) everyone on their asses. Seeing Jasta was a real treat because he is usually so busy with Hatebreed, he rarely tours as his solo outfit. Jamey Jasta was already in familiar territory, having toured through Rochester and the rest of Upstate New York many times, had already won the crowd over before he even stepped on stage. And it was his time to shine to show off his vocal skills that he normally doesn’t use with Hatebreed. The set consisted of mostly his solo album including “Screams From The Sanctuary” and “The Fearless Must Endure.” His band was real talented (consisting of Steve Gibb, Charlie Bellmore, Chris Beaudette, and Nick Bellmore) gave them all a proper introduction towards the end of their set. The crowd opened the pit up to add to the crazy atmosphere that was brewing, and Jasta gave the fans a real treat by playing “Buried In Black” from Kingdom Of Sorrow’s first album and closing their set with Hatebreed’s anthem “I Will Be Heard.” I believe Jasta should try to find more time to tour because they certainly left the crowd something to remember.

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    When Fear Factory graced the stage, they wasted no time what so ever. It was down to business, pedal to the metal as they unleashed two songs off Obsolete “Shock” and “Edge Crusher” which is the clear recipe to ignite a crowd. Vocalist Burton C. Bell sounds as brutal and vital as he has been for years, Guitarist Dino Cazares has a very likable stage presence and still has one of the most clutch hands to ever strike an electrical guitar. And now with bassist Tony Campos (ex Static-X, Soulfly, etc.) in the fold, Fear Factory has a new chemistry on stage that the crowd really dug. With the new album Genexus out, it was only appropriate that they played songs off that album, and the songs they decided to play “Soul Hacker” and “Dielectric.” The crowd never stopped moving and security certainly had their hands full as well. Although it was a short eight song set, Fear Factory did right by closing with two songs off Demanufacture including the title track, and finishing with “Replica.” Fear Factory arguably, was the best damn band of the night. Period.

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    Coal Chamber stormed on stage late into the night. Although a great fast pace set, The Nu Metal legends only played for 45 minutes. Tickets were really cheap so overall I felt I got my moneys worth, I just feel that more songs from their catalog should have been played.   Nothing from their second album Chamber Music either. But still played some solid tunes such as their famous opener “Loco,” “Big Truck,” “Fiend,” and a couple off their latest record Rivals that they’re currently promoting. Frontman Dez Fafara at his age still has a fierce voice and a powerful stage presence, however, I have been on the record stating before, drummer Mikey Cox is an absolute wrecking machine behind the kit. It’s not very often the drummer of any band performs their balls off, runs like machine, and still be so precise. The crowd went bananas…and the bodies that were getting thrown out of the venue by security started piling up very heavily when Coal Chamber was on stage. Coal Chambers production was the best from any of the bands that night, with their giant monitors on display and spectacular lighting really makes them a treat to go see. They ended their night appropriately with “Sway.” No encore. Dez Fafara had some choice words before their last song. He’s very anti encore and told the audience that encores are “bull shit” and a waste of time and that if a band is making you wait for another song you want to hear that you should walk away. Personally, the way I feel about it….it’s nice to get a head start on traffic.

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    In conclusion, it was overall a fantastic night for fans to rejoice 90s metal. It was a damn shame that all the bands didn’t play longer sets.

  • Coal Chamber And Fear Factory Join Forces For Tour

    Hot off their brand new album Rivals, there is no rest for the wicked as Coal Chamber continue its next tour on US soil, and this time, industrial metallers Fear Factory will co-headline with them.  Special guest on this tour will be Devil You Know (featuring Howard Jones former singer of Killswitch Engage) on select dates.  On other select dates Jasta, the solo project of Hatebreed frontman Jamey Jasta (which he rarely brings on the road) will be given a slot to play.  Saint Ridley and Madlife will be opening every date.  The tour starts in Tucson, AZ on July 24 and ends in Santa Ana, CA on Aug. 22.  The tour includes three stops in New York State including Aug. 8 at Rochester’s Water Street Music Hall, Aug. 11 at New York City’s Irving Plaza, and Aug. 12 at Poughkeepsie’s The Chance Theater. On those dates Jasta will be the select band appearing.

    In other related news, bassist Tony Campos (Soulfly, Prong, Attika 7, Static-X, etc.) has joined Fear Factory and exited Soulfly earlier this month.  Fear Factory’s full lineup has not been revealed.

    Tickets for these shows are expected to be on sale May 22.

    Coal Chamber/Fear Factory 2015 Tour

    Jul. 24 – Tucson, AZ – Rialto Theatre
    Jul. 25 – Albuquerque, NM – Sunshine Theater
    Jul. 26 – El Paso, TX – Tricky Falls
    Jul. 28 – San Antonio, TX – Alamo City Music Hall
    Jul. 29 – Dallas, TX – Gas Monkey
    Jul. 30 – Lawrence, KS – Granada
    Jul. 31 – Sauget, IL – Pop’s
    Aug. 01 – Cincinnati, OH – Bogart’s
    Aug. 02 – Chattanooga, TN – Track 29
    Aug. 03 – Asheville, NC – The Orange Peel
    Aug. 04 – Columbia, SC – Music Farm
    Aug. 06 – Chicago, IL – Concord Music Hall
    Aug. 08 – Rochester, NY – Water Street Music Hall
    Aug. 10 – London, ON – London Music Hall
    Aug. 11 – New York, NY – Irving Plaza
    Aug. 12 – Poughkeepsie, NY – The Chance
    Aug. 15 – Philadelphia, PA – Underground Arts
    Aug. 16 – Cleveland, OH – Agora
    Aug. 18 – Lincoln, NE – Bourbon Theatre
    Aug. 19 – Denver, CO – The Summit Music Hall
    Aug. 20 – Salt Lake City, UT – The Complex
    Aug. 21 – Las Vegas, NV – Brooklyn Bowl
    Aug. 22 – Santa Ana, CA – The Observatory