Tag: Conehead Buddha

  • Utica Music and Arts Festival 2015 – A Destination Fest

    The Utica Music and Arts Festival has quickly become a must-do summer ending activity in Central New York. The 8th Annual version of UMAF, was held at various venues throughout Utica the weekend of September 11-13. The biggest problem involved with attending this festival is being able to fit in all the great music available throughout the weekend.

    Going in without a plan is probably the best way to attack this weekend. Doing it this way, one can experience such pleasant surprises as the young brother and sister combo of Jocelyn and Chris Arndt, who played a Saturday mid-afternoon set at Nail Creek Pub, in the process winning over those in  attendance.

    Jocelyn Arndt
    Jocelyn Arndt

    Joceyln is slight in stature, yet huge in vocal talent. She has a soulful, bluesy voice backed up with power; think Bonnie Raitt channeled through Grace Potter with a visit from PJ Harvey. Jocelyn’s animated vocal delivery commands attention. Her brother Chris, who is also her co-writer, delivers a solid and crisp sounding blues-rock style guitar that is the perfect accompaniment to Jocelyn’s voice.

    The band’s tour itinerary is scant during the school year, as both are students at Harvard, but they will be hitting stages across New York in the coming weeks.  Check here for dates.

    Spending the weekend bouncing between Lukin’s and Nail Creek Pub seemed to be what many people were doing but to do so is to miss out on many of the other acts. Tiny’s hosted several jazz influenced bands, including Notified and the Carmen Caramanica Jazz Trio, while D.A. Bentley’s entertained the EDM crowd with sets from DJ D.A., Vongel and Phungeye among others. Harlee’s Pub & Grille was geared towards the metal. Local favorites Nineball and Street Rock Mafia provided Friday crowds with high energy entertainment at Harlee’s. Nineball is also festival producer, Joe Sweet’s main project.

    Lukin’s hosted Conehead Buddha on Friday night. The Albany-area band has been on the jamband circuit for twenty years and showed no signs of wear this weekend. While the band has taken a hiatus here or there within that time, on this night it provided a sharp mix of reggae, ska and jam that has endeared Conehead Buddha to the northeast scene all these years. Also saxophonist Shannon Lynch provided much of the theatrics throughout the set, anchoring the big horn sound Conehead Buddha is known for.

    Conehead Buddha
    Conehead Buddha

    Female artists took ownership of this year’s Utica Music and Arts Festival. In addition to Lynch and Arndt’s performances; on Saturday, the festival faithful were treated to the eclectic mix of jangle pop of Sirsy. Lead singer and stand-up drummer, Melanie Khramer and her partner, guitarist Rich Libutti, had the Nail Creek crowd, the biggest one of the weekend to this point, dancing and singing along. Khramer has the uncanny ability to engage the crowd with humor and powerful vocals with lyrics that may take you to a darker place. The fact that the music is typically so upbeat and Khramer so quick-witted with her banter, may disguise some of the darkness in the lyrics but it also gives the listener pause.  Krahmer’s Ella-like voice and stage presence added a terrific touch to the band’s final song of the night, a cover of Black Sabbath’s “War Pigs.” 

    Melanie of SIRSY belting it out.
    Melanie Khramer of SIRSY belting it out.

    Sirsy will be in Utica again on Dec. 8, performing an all-ages show at The Tramontane (known familiarly as The Tram). The show begins at 8:00 p.m. and will be a celebration of the band’s new EP to be released the week prior.

    Exploding onto the Nail Creek stage after Sirsy’s set was Brooklyn’s Shinobi Ninja. With an elaborate and energetic stage show led by lead singer, Baby G, clad in an Iron Maiden t-shirt. It was clear from the start that this wouldn’t be your typical rock show. The band’s uniqueness has been described as being “like the Beastie Boys, Slayer and Lauryn Hill all mixed together.” After witnessing the band’s performance, that is an appropriate description. The following video gives a good impression of a Shinobi Ninja experience. Mix in some metal, reggae, rap, a little punk and a whole lot of jumping and you get this. 

    The uninitiated looked on in puzzling disbelief once the Ninjas took the stage, however in the short time they performed for the UMAF crowd, most of the leery were won over. The true venue to witness Shinobi Ninja is a live one. If this band doesn’t make some noise on the national scene in short order it will be a surprise.

    UMAF faves Hank and Cupcakes followed Shinobi Ninja to a welcoming reception. Also based in Brooklyn, this duo is all about the performance. The husband and wife duo originally began performing together while serving in the Israeli Army at the age of 19. Colorfully dressed and highly animated, lead singer Sagit “Cupcakes” Shir isn’t afraid to get into the face of the audience while performing. In addition to pulling off vocal duties, Shir also drums and plays piano while bassist Ariel “Hank” Scherbacovsky keeps the beat and uses samples while safely tucked away stage right.

    Hank and Cupcakes deliver a performance that begs to be seen and the elbow to elbow crowd in front of the Nail Creek’s outdoor staage proved that on a rainy Saturday night in Utica.

    Hank and Cupcakes rockin' the Nail Creek
    Hank and Cupcakes rockin’ the Nail Creek

    The other Saturday night headliners performed nearly simultaneously up the street at Lukin’s. Floodwood, a bluegrass based band comprised of moe. bandmates Al Schnier and Vinnie Amico, as well as Jason Barady, Nick Piccininni and Zachary Fleitz, put together a two set show that, unbeknownst to all in attendance, would turn out to be one of the band’s final performances with this lineup. Schnier and Fleitz announced their departure from Floodwood in a release just a few weeks ago.

    Floodwood
    Floodwood

    The band packed the house at Lukin’s, playing right up to the 2:00 a.m. hour, performing Floodwood originals mixed with some moe. covers, Dead covers and other bluegrass.  A Floodwood show is always a good time. Varick Street Legend, Rainbow Young even made an appearance opening the set with a rousing version of the “Star Spangled Banner” that included maximum audience participation. Rainbow’s presence was seen at Lukin’s throughout the weekend, cementing the festival as a true Utica tradition.

    UMAF NYS-0060
    Rainbow Young, Varick Street Legend, performing the National Anthem prior to Floodwood’s set.

    If you’re in a music glut and looking for something new to listen to, the Utica Music and Arts Festival is the perfect venue to get you out of that funk. Festival organizer Joe Sweet and his booking crew go out of their way to include a huge variety of music to the festival each year. The 2015 edition was no different. And at a cost of $10 for a weekend bracelet, the music lover in you simply cannot go wrong attending this destination festival.

    [FinalTilesGallery id=’491′]

    [FinalTilesGallery id=’490′]

    [FinalTilesGallery id=’492′]

  • Guthrie Bell Productions and 102.7 EQX present “Howling on the Hudson” series this summer

    Guthrie Bell Productions and WEQX 102.7 just announced a new music series called “Howling on the Hudson” taking place this summer on the Dutch Apple Cruise Ship. The first round of bands features Eastbound Jesus, Conehead Buddha and Gubbulidis (Twiddle Duo). The series will feature six shows taking place on Tuesday nights. The Dutch Apple Cruise Ship is an ideal venue with three floors, both indoor and outdoor, offering a beautiful scenic view, a full bar and plenty of dance space. The ship boards at 6:30 PM in downtown Albany and departs promptly at 7, returning to dock at 10. Tickets are 22.00 in advance (Available May 1) and 25.00 at the door.

    DutchApple

    The Capital District is infamous for the weekly music events such as Rockin on the River in Troy and Albany’s Alive at Five. Here’s hoping this becomes a yearly tradition.

    Howling on the Hudson

    Tues. June 9 : Eastbound Jesus

    [youtube http://www.youtube.com/watch?v=f6hk8V4jy8U]

    Tues. June 23 : Conehead Buddha

    [youtube http://www.youtube.com/watch?v=gKuaIt6kywM]

    Tues. July 7 : Gubbulidis (Twiddle Duo)

    [youtube http://www.youtube.com/watch?v=huGd6KGPV6I&w=560&h=315]

  • Photo Review: Wild Adriatic and Conehead Buddha at Montage

    Saratoga Spring’s Wild Adriatic enjoyed a 2014 chock full of press and band milestones. Their blues-funk-rock jams are full of pop potential without being emblematic of anything today’s pop scene contains. While shades of The Black Keys and The Strokes may exhibit themselves to a casual listeners ears – what we truly have here is an original sounding trio full of fire, emotion and quite possibly eternal hell fire. Wild Adriatic rocked the Montage on Saturday night with Conehead Buddha and will continue to rock Upstate with upcoming shows April 16 at Buffalo’s Ironworks and a hometown gig April 18 at Vapor.

    moe. fans have come to know the horn section of Coxsackie NY’s Conehead Buddha well over the past year with the two collaborating on multiple occasions. Those fans should get their butts down to see the full experience of the ska/world music based band who has toured for years. If the moe. connection isn’t enough, consider they also recently added Suke Cerulo, former guitarist for the down right epic defunct jazz/psych/funk trio Schleigho. Upstate will have another chances to run Buddha’s belly Feb 13 at Syracuse’s Funk n Waffles.

  • Conehead Buddha/Wild Adriatic Coming to Rochester’s Montage Saturday

    Born from the depths of the admittedly hilariously named Coxsackie, NY, Upstate’s Conehead Buddha have been on the scene a long time. Presenting a blended genre jam based sound containing hints of ska, reggae, world music, and good old rock and roll – the Conehead Buddha will hit Rochester’s Montage Music Hall this Saturday night with Saratoga based rockers Wild Adriatic.

    Wild Adriatic have been featured in such publications as Huffington Post, Rolling Stone, Relix and more. Fan’s of The Strokes, Black Keys, and London Soul should not miss this rare area appearance. Ticket’s are available online for only 6$ (7$ at the door). Show starts at 9PM. 18+ Let’s get wild ROCKchester!

  • Looking at 25: An Interview with moe.’s Chuck Garvey on the Band’s Early Years

    moe. turns 25 this winter and continue to be one of the biggest acts to come out of Upstate New York and have a strong legacy and influence on bands following in their footsteps a generation later. Chuck Garvey, guitarist for moe., took some time to reminisce on the formative years of moe. in Buffalo and Albany, discuss relationships with 90s jam bands and the struggles the band had early on, something bands getting their start today can identify with.

    chuck garvey
    Photo by Tom Sgroi

    Pete Mason: Take us back to the first show you played as ‘Five Guys Named Moe’. What memories linger 25 years later?

    Chuck Garvey: For the first proper bar gig, we opened for a Buffalo band called Monkey Wrench at the dive-y bar called Broadway Joe’s that all the SUNY Buffalo area bands played. The guys in ‘Wrench are awesome dudes and even though we were different styles, neither of us cared. It was a bunch of their friends and a couple of ours in the “audience”, drinking cheep beer and soaking up the ambiance. We played a mix of covers and a couple of our own fledgling compositions and it was a lot of fun. After that, we just wanted to do more.

    PM: What did you enjoy the most from your time as a band in Buffalo? The least?

    CG: The good: Cheap beer, live music, unhealthy but yummy fried food with blue cheese, art, social fun and the summers.
    The bad: Lake effect snow and high wind without the possibility anything closing, crime, rodents, shifty landlords and their crappy properties.

    Photo by Tom Sgroi

    PM: How did playing the I-90 circuit as you were starting out contribute to the growth of the fan base and lead to larger gigs?

    CG: There are many small and large college towns that a band can play, helping to spread the word while honing a live set of music that people might actually like. We also traded gigs with other bands, slept on friend’s and stranger’s floors, generally making connections and trying to convert fans, one set at a time. Playing shows with bands like Monkey Wrench and Scary Chicken in Buffalo, as well as FreeBeerAndChicken and The Ominous Seapods from Albany was fun and we shared growing fan bases.

    PM: Why move to Albany after Buffalo? Why not look west or go right to New York City or Boston?

    CG: We planned on moving to the Greater New York Area, but only made it as far as Western Avenue in Albany. We knew people there and it was far less expensive, so we stayed for a while! This was also a time when we were beginning to tour all over the damn country, relentlessly, ruthlessly, so paying rent in NYC while living in a van and truck stops would have been a waste. Maybe that’s one thing we did correctly!

    chuck garvey
    Photo by Tom Sgroi

    PM: What were some of the biggest struggles and obstacles the band faced in the early years?

    CG: Poverty, cleanliness, good health, booking, keeping gas in the van, trying to not get ripped off – all the stuff that touring bands struggle with if they are paying dues.

    PM: How important was promoter Greg Bell when you came to Albany?

    CG: He was one of those guys that loved the music, loved to promote and hang out – a true music fan who helped us by being as interested as we were in the whole thing. He still does it for the right reasons. That kind of involvement is always the best. When you are a true fan and not just a businessman, people will listen a little more intently. That goes a long way whether you’re blogging, promoting, chatting with friends. Unsolicited advertising from a source that is trustworthy goes very far. Greg is like any good music fan: he wants to tell you about what he likes and get you into his new band, the new find, etc.

    chuck garvey
    Photo by Tom Sgroi

    S21PM: What did you enjoy the most from your time in Albany? The least?

    CG: Personally, I enjoyed it because I was near family. We had friends in town when we were not touring and we wrote & rehearsed a lot of music there. We were broke, but everything was simple and we were working really hard, so it felt good, regardless. The only thing I didn’t totally love was our house that the band, FOH engineer and Manager lived in. Parts of it were charming, then there was the waterfall of mold that came into the living room over a built in bookcase in the corner. It was so dark and weird that no one got into the house, even when we left the front door wide open for weeks while on the road.

    PM: How has the relationship you formed with Conehead Buddha in the 90s stayed strong over 20 years?

    CG: CB was a band that we knew – along with Yolk, Lynch and others – and kept contact with through Jim and Vinnie. Jim has played in bands with different assemblages of musicians, sometimes playing drums or bass, as he did with Lynch. Shannon and Terry have played with us for years. Greg Bell is also instrumental in keeping all of us musicians in touch by putting together great shows, as well as having laid the groundwork for our scene in the Albany area.

    PM: Was there any time early on that you wanted to call it quits?

    CG: Only when all our guitars were stolen in Columbus, Ohio. And when our van died on the way to a show at the Wetlands. And when we ran out of money trying to get home, stranded on the Thruway. And when some drunk whacko came into Broadway Joe’s with a gun. And when we almost wrecked and died in our camper trying to get to Chicago in the snow.

    Oh, wait. None of those things made me want to quit! Never!

    PM: Is there a chance we could see Ha Ha the Moose perform at Bellstock?

    CG: Is that an invitation? If they do come, they won’t leave till the cops come and the liquor’s gone.

    Chuck has previously written about the early history of moe., including lineup changes and events in the first decade of the band’s existence. Read more here and check out the rest of ‘s coverage on moe.’s 25th anniversary including reviews of Town Ballroom shows and Tropical Throe.down.

    Special thanks to Schultzy, AFF and Kyle for contributions to this interview.

    https://youtu.be/YIwLkvOZ-qA