Tag: aqueous

New Year’s Eve Across New York State

Don’t have plans yet for New Year’s Eve? Music fans across New York State have got plenty of choices this Thursday. NYS Music helps you get there with the short list of NYE activities.

Albany

Moe. at the Palace Theatre. Tickets start at $42 in advance/$50 day of show

Rustic Overtones at the Hollow with Special Guests Mirk. $10.27 in advance/$15 at the door

Buffalo

Funktional Flow at Buffalo Iron Works with special guests Adam Bronstein’s Freehand Band. Tickets are $10 in advance/$15 day of show.

Lazlo Hollyfeld, Rhubarb, Intrepid Travelers, and Folkfaces at Nietzsche’s. $5 at the door only.

Ithaca

Big Mean Sound Machine and Grey Gary at Upstairs at Lot 10, DJ ha-MEEN and Weazildust Downstairs at Lot 10. $20 in advance

New York City

DIIV at the Bowery Ballroom with special guest Tamaryn. $40

Macy Gray at the Iridium Jazz Club. Tiered pricing tickets are currently available.

Snarky Puppy at the Irving Plaza with special guests Breastfist. Tickets start at $50

The Disco Biscuits and Consider the Source at the Playstation Theatre. Tickets starting at $69.50

Port Chester

Trombone Shorty & Orleans Avenue at the Capitol Theatre with Soulive. Tickets range between $59.50 to $160

Rochester

Giant Panda Guerilla Dub Squad at the Historic German House with special guests Danielle Ponder & Tomorrow People and Funknut. Three Heads Brewing Tasting Party start at 7pm with an acoustic jam featuring members of GPGDS and Extended Family. Late night the party continues with Subsoil and Level 7 Hip Hop DJ Set. $20 in advance/$30 day of show.

Mikaela Davis at the Bug Jar with Harmonica Lewinski and The Temptators. $10 in advance/$12 day of show

Saratoga Springs

Eastbound Jesus and Lucid at the Putnam Den. $15 in advance/$20 day of show.

Turning Stone Casino in Verona

Showtime, Gridley Paige, and Last Left at The Gig

Ryan Brooks Kelly, The Beadle Brothers, and DVDJ Biggie at the Tin Rooster

DJ Dread, Caroline D’Amore, and Joe Maz at Lava

Isreal Hagan and Stroke and The Swooners at the Turquoise Tiger

Syracuse

Sophistafunk & Root Shock at Funk ‘n Waffles – Downtown. $20 in advance/$25 day of show.

Erie

Aqueous at the Kings Rook Club. Two sets. $10 at the door only.

Burlington

Gang of Thieves at Nectar’s with The Tenderbellies. Gang of Thieves will be performing Are You Experienced by the Jimi Hendrix Experience in its entirety. $10 in advance/day of show

December 30, 2015
Aqueous Announces National Drummer Search

Buffalo groove rock band Aqueous is once again on the search for a new drummer.

Drummer Tom Vayo has left the band to work on local projects. He officially joined the band this past August. The band will begin its nationwide search for a new drummer immediately.

Former Aqueous drummers Nick Sonricker and Ryan Nogle will cover all scheduled and future shows until a new drummer is selected. The two have remained part of the tight-knit Aqueous family and will assist in drumming duties. Aqueous’ New Year’s Eve show at the King’s Rook Club in Erie, Pennsylvania, and New Year’s Day show with Twiddle at Burlington’s Higher Ground will feature Sonricker.

Aqueous is launching a nationwide search for their new drummer. In a statement released by the band, they are choosing to publicize their search in the hopes of finding the right fit.

Full statement from Aqueous:

In an unfortunate turn of events, Aqueous’ new drummer Tom Vayo has decided to step down from the position for personal reasons. In the meantime, we’re pleased to announce that previous AQ drummers Nick Sonricker and Ryan Nogle will come back into the fold temporarily to fill in while we search for a permanent member.

It’s no secret that we’ve had some movement in the drummer department, and it’s getting harder to NOT think of it like the joke from Spinal Tap; but here’s the deal- The band has been through an awful lot in the past couple of years, and this is a truly stressful process to not only find what we hope to be the right player, but also the person that can truly fit in and join our brotherhood of friendship too.

That being said, we’ve decided to go fully public with the search and lay down some parameters to help ensure that no one’s time is wasted and to help us get closer to finding that person- Although being in a touring rock band is truly fucking awesome, it also comes with A TON of hard work and much sacrifice in almost every facet of life; this fact is not something we wish to sugar coat; We are here to work, to put on the highest quality shows possible, and to take this thing as far as we can. Integrity and work ethic are cornerstones in the AQ world, and friendship is everything to us. On the other side of the token, it has been the most gratifying, exciting, and certainly fun journey of my life, and it’s taken us to places we definitely didn’t think were possible when we started ten years ago. So here’s some outlines we’re putting in place, and with that said, DO YOU KNOW OUR NEW DRUMMER? Is it you? Is it a friend? We KNOW somebody has to want this seat, and it’s currently up for grabs!

Here’s what we’ll need from you, to be submitted to aqueousband@gmail.com-

-Playing/Touring experience (This is a full time position, are you available and ready for the road?)

-High Quality video of you playing drums, ideally creating a cover of an AQ song if possible!

-Thorough list of your BIGGEST musical influences and why, and songs you would love to cover in an ideal world

-A brief description of your approach to playing/style and why you think you’d fit in with AQ

-Current line of work/location/availability (Is moving to or near Buffalo a possibility for you?)

At the end of the day, while having “chops” is really important, the real thing we look for is feel, groove, and musical intuition; we improvise/jam a TON, so creativity and style are huge in this band, and we like drummers that play dynamically, but hit with purpose and authority; It’s all about seeing what we can create as a unit and listening as deeply as possible. And ROCKING of course!

So, with all of that, DO YOU KNOW OUR NEW DRUMMER?? Help us get the word out by sharing this post! Much love from all of us over here at camp AQ, and thank you ALL for an amazing year, this is just the beginning!

Aqueous is slated to hit the road in February with Papdosio. They are also inked to play the Paradise Music and Arts Festival in April as well as the Aura Music Festival in Live Oak, Florida in March.

December 28, 2015
Best of NYS Music 2015: Staff Picks for New York State Festivals

Nothing compares to experiencing live music. But when it comes to packing up and leaving the world behind to immerse in a weekend of musical debauchery with a community of like-minded souls, well, that’s the stuff that dreams are made of for music festival fans.

From one-band to multi-artist events and crowd sizes from 2,000 to 50,000, New York State hosts a bevy of festivals annually in some of the most beautiful settings imaginable, and let’s face it, our state knows how to throw a proper fest, as it is ingrained in New York’s rich musical history having put on one of the biggest rock festivals of all time, Woodstock. Here we’ve rounded up our favorites from NYS Music 2015, so sit back, relax and relive some of the festival magic that happened throughout the Empire State this year, because we all know what it’s like to experience those post-fest blues.

Best Small Festival: Buffalove and Disc Jam

The third installment of Buffalove Music Festival saw a venue change from Cole Farm, Panama, NY, to North Fork Music Park, Warsaw, NY, with the new location offering four stages, a private beach, disc golf and wooded-area camping, and a record attendance that doubled previous years. With an impressive lineup including Kung Fu, Pink Talking Fish, Funktional Flow, Particle, Formula 5, Mister F, Space Junk, Dopapod, Aqueous and Aquapod, the three-day June 2015 festival created to celebrate Western New York’s emerging music scene was one for the books, according to Jen Foster and Thomas Sgroi:

Buffalove came through. Co-founder of Buffalive Productions and Founder of Buffalove Cody Conway clearly had one goal in mind: keep the energy as high as possible. Every single band had heads turning and jaws on the ground. There was never a lull, never a band that just played to fill space. Every minute was dance-worthy. If you missed out this year, we can highly recommend you don’t make that mistake next year. Without any problems or unruly attendees, this festival made its mark at North Fork Music Park in Warsaw, NY. The amount of talent coming out of Upstate New York is only paving the road for more incredible shows. Buffalove, you certainly were lovely.”

Another summer fest that saw a venue change was the fifth annual Disc Jam Music Festival, which moved from Massachusetts to New York State—and promoters recently announced that the event will return to Gardner’s Farm in Stephentown for its sixth year in June. Throughout four days of music, camping, disc golf and Flow Tribe, festivalgoers experienced live performances from more than 50 acts, including Lettuce, Electron, Dopapod, Aqueous, Brightside, Kung Fu, Consider the Source, Cabinet, Soule Monde, Roots of Creation, Formula 5, The Hornitz, Soul Rebel Project, Broccoli Samurai, Krewe de Groove and Relative Souls. According to Dave DeCrescente, the festival’s last day culminated with a “healthy dose of guest sit-ins” with jamband Twiddle, noting that:

One of the highlights of the set was the massive guest sit in with DJ Honeycomb, James Woods, and Joe Davis from Formula 5, Scott Hannay of Mister F and Todd Stoops for the ultimate mega jam on “Apples.” The Disc Jam Flow Tribe was out in full force with fire spinners and hooping entertainers that were almost as mesmerizing as the music. The weekend ended just as it started, with mind blowing music and a close knit community who continue to make the Disc Jam Festival special. Tony Scavone and crew did a suburb job of organizing the 5th annual Disc Jam with a new location but still the same friendly, loving festival experience that keeps fans coming back each year.”

Best Mid-Size Festival: Catskill Chill

While Catskill Chill is speculated to make a move to Lake George in 2016, the festival’s last waltz at bucolic Camp Minglewood in Hancock, NY, this September was a success, selling 5,000 tickets, according to Chill promoter Dave Marzollo. Headlined by moe. who kicked off their fall tour at the festival and including other bands like Lotus, Zappa Plays Zappa, Lettuce, Twiddle, Turkuaz, Dopakuaz plays Studio 54 and The Motet, the sixth annual installment of Catskill Chill featured on-site cabin rentals, daily yoga, live art, a farmer’s market, craft and food vendors, a communal bonfire nightly and an open mic. The three-day event was packed with guest sit-ins and collaborations like Dopapod and Turkuaz joining forces to play as Dopakuaz, which Chill organizer Josh Cohen noted is the type of community mindset that sets this festival apart from others its size or larger by creating an environment where rising bands can experiment and grow in a unique setting:

Point is that when comparing us to larger festivals, we’re at this cool stage attendance-wise where in many band’s cases we have the best ‘music’ out there in our prime slots. I love tons of bands who’ve been around since the ’90s or earlier but there’s nothing like seeing musicians in their youthful stages, when creativity is just exploding and you can feel it dripping off the stage as opposed to later-in-their career bands who are playing mostly songs they first wrote and fell in love with decades earlier.”

https://www.youtube.com/watch?v=4R6Uk03HW9k&feature=youtu.be

Best Large Festival: Magnaball

It’s no surprise that Magnaball takes the cake for this category. During late August more than 30,000 phans invaded Watkins Glen International race track for Phish Festival 10. And while the three-day event took place at the site of their 2011 Superball IX festival, this time around the setup featured many upgrades, including local and regional food vendors, the five-course restaurant Festival Ate, MagnaWater Program, speciality Phish-themed cocktails and coveted craft beer from Lawson’s Finest Liquids and Hill Farmstead. (And let’s not forget to mention the interactive Glurt Institute, Drive-In movie theater, JEMP Record Store and cornhole tournament.) The Vermont quartet majorly delivered throughout the weekend’s eight sets busting out rare tunes like “Mock Song” and jamming out typical breather ballads such as “Prince Caspian” to uncharted territory, but perhaps one of the highlights was the Saturday festival tradition of performing a late-night set, which according to Pete Mason raised expectations for future secret sets:

Magnaball’s foray into the history of Phish’s special festival sets was the Drive-In Jam and it raised the bar while putting forth a performance on par with the ‘Storage Jam,’ if not exceeded this established upper echelon of improvisation. On a 183-foot movie screen, a wide array of visual treats combined with a progressively growing ambient jam that eclipsed the Lemonwheel by a longshot and morphed into a full on jam for 50 minutes. The Drive-In Set raised the bar for surprise performances and gave fans a treat after the music on the main stage ended an hour prior.”

December 23, 2015
Best of NYS Music 2015: Staff Picks for Best Shows by Region

A lot of great shows and festivals took place around New York over the course of 2015, from big festivals to small club shows and everything in between. The team at NYS Music loves live music. You can always catch us out and about at live music happenings. Here are what we considered the best concerts of 2015, sorted by region of the state.

Best Show in Western New York: Aqueous Halloween
When Aqueous announced they were going to pay tribute to “Dark Side of Oz,” the legendary mashup of Pink Floyd’s Dark Side of the Moon and the cinematic classic The Wizard of Oz, their fans were pumped. However, this was a multi-night run, and it wouldn’t be fun without a theme for the first night. Back to the Future was chosen, and the band covered many of the hits off the soundtrack.

Best Show in Central New York: moe. at Saranac Brewery and K-Rockathon 20
Two anniversaries were celebrated in Central New York, and they brought the crowds and rave reviews. New York’s favorite jamband, moe., celebrated their 25 years in Utica at the FX Matt Brewery, home to Saranac beer. The multi-day celebration had a festival vibe with multiple bands performing each day. New York’s biggest rock radio station, K-Rock, celebrated their 20th annual K-Rockathon with headliners Breaking Benjamin and Shinedown.

Best Show in the Capital District: Dead & Company at Times Union Center
2015 was a big year for the music of the Grateful Dead. The much anticipated Fare Thee Well shows in Santa Clara, California and Chicago celebrated the 50th anniversary of the originators of the jam scene. Following the shows, billed as the last shows the remaining four members would play together, Bob Weir, Mickey Hart and Bill Kreutzmann announced they would go on tour as Dead & Company with John Mayer, Oteil Burbridge and Jeff Chimenti. They kicked off their fall tour at Albany’s Times Union Center.

Best Show in the North Country: The Waterhole’s final show with EMEFE
The Waterhole, a mainstay in Saranac Lake, shut its doors after over 20 years of providing live music to the residents of the North Country. The venue will be missed by many. EMEFE played on the last night, dedicating the song “Good Future” to the Waterhole staff.

Best Show in the Mid-Hudson: Twiddle at the Rock n Roll Resort
The Rock n Roll Resort festival is always a favorite. It takes the best parts of a music festival and brings them to a chic resort hotel. Rising stars from Vermont, Twiddle, took the resort by storm with their headlining set.

Twiddle – Rock N Roll Resort

Best Show in the Finger Lakes: Phish’s Magnaball
A lot can be written about Phish’s 10th festival. A lot has already been written about it. Tens of thousands of Phish fans returned to Watkins Glen International, the fabled NASCAR track that was home to 1973’s Summer Jam. Not one fan that attended Magnaball had negative comments. That should say it all.

Best Show in the Southern Tier: Rob Zombie at the Floyd L. Maines Veterans Memorial Arena
Rob Zombie brought in the Halloween season with his nightmarish heavy metal show. Fans arrived dressed in costume for the show that was opened by Zombie’s drummer, DJ Ginger Fish. Chris Besaw had the opportunity to sit down and speak with guitarist John 5 before the show about his inspiration and favorite horror films.

Best Show in New York City
It’s difficult to pick just one or two shows in a city that has several amazing shows on a nightly basis. Here are some of what we thought were the best shows in New York City in 2015.

Ghost at Terminal 5
L7 at The Warsaw
Faith No More at Webster Hall
Vulfpeck at Brooklyn Bowl
Soulive’s Bowlive VI (and more here and here and here and here and here)

Best Show on Long Island: Biohazard, Sworn Enemy and Zire’s War at Revolution Music Hall
In a night of hardcore music that rocked Revolution Music Hall, Biohazard and Sworn Enemy co-headlined what was practically a homecoming for them. Life of Agony’s guitarist Joey Zampella started a new band, Zire’s War, that kicked things off.

December 21, 2015
Borg Party Heads to Buffalo and Rochester

Buffalo and Rochester won’t be short of something amazing to see this holiday season as Borg Party invades both cities just days before the Christmas Holiday. The super group spearheaded by Dopapod’s Rob Compa (guitar) also features Mike Gantzer (Aqueous– guitar), Mikey Carruba (Turkuaz – drums), James Searl (Giant Panda Guerilla Dub Squad – bass) and Willy O’Riley (The Niche – keys). Borg Party will take over Buffalo Iron Works in Buffalo on Dec. 22 before moving to Flour City Station in Rochester on Dec. 23.

The music looks to take on a festive atmosphere with a mix of covers and improvisational rifting. Compa, who grew up in Rochester, told NYS Music that he wanted to create a project that was less about creating something new and more about playing music that is enjoyable. “I was planning on coming home for the week of Christmas to visit my parents, so I figured I would call up some people who’s playing I really love who are from western New York and put together a couple shows just to have some fun and blow off some steam. That is really pretty much the whole point. Every one of the guys doing this with me is one of my favorites on their respective instruments, so I really wanted a chance to play with all of them.”

It’s not the first time that Compa has played with several of the musicians in various incarnations. This summer Dopapod and Aqueous highlighted the Buffalove Music Festival as Aquapod. At Catskill Chill, Dopapod and Turkauz joined forces for the Dopakuaz featuring the music of Studio 54. Gantzer has also made appearances on stage with both Dopapod and Turkauz at various shows in Buffalo.

https://www.youtube.com/watch?v=yr-90SLkSl8

But for Compa, it’s also another opportunity to play with a musician that was an enormous influence on him as a teenager. “I used to go see Willy O’Riley play with his band the Niche when that venue [Flour City Station] was called Milestones,” he noted. “I was young and hungry to play, and was a huge fan of that band. They were incredibly cool to me and would let me sit in with them from time to time at that club. Willy in particular is a huge influence over who I became as a musician, and this will be our first time playing together in that room in almost ten years. I’m really excited to play with him again.”

Borg Party is currently only planned as a two night engagement. Tickets for both shows at Buffalo Iron Works and Flour City Station are currently still available.

December 17, 2015
Borg Supergroup Poised to Assimilate Western New York this Christmas

Christmas just got a whole lot more interesting in Western New York. A brand-new supergroup of New York-based musicians coined Borg Party will be playing a two-night stint this December at Buffalo Iron Works (Dec. 22) and Flour City Station in Rochester (Dec. 23).

Consisting of Rob Compa (guitar/Dopapod), Mike Gantzer (guitar/Aqueous), Mikey Carruba (drums/Turkuaz), James Searl (bass/Giant Panda Guerilla Dub Squad), and Wiley O’Riley (keys/The Niche), the Borg Party should attract a star cruiser full of assimilated dancing fans.

With all of these musicians have collaborated multiple times in the past, attendees should expect far more than a simple night of improvisation and covers. In the past year alone, Compa’s Dopapod has played entire mash-up sets with Aqueous and Turkuaz.

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Tickets for either night are $15 pre-sale.

Also don’t miss catching Dopapod Wed, Nov. 18, at Buffalo’s Tralf Music Hall.

November 9, 2015
Aqueous Tackles Dark Side of the Moon During Sold Out Halloween Run

Pink Floyd’s Dark Side of the Moon is arguably one of the most technical and well-produced studio albums of all time. Recorded at the famed Abbey Road Studios in London, the sessions involved some of the most advanced recording techniques of the time including multi-track recording and tape loops, all of which are now customary by today’s studio standards. Among its legend is the haunting and eerie synchronous connection with the MGM classic The Wizard of Oz. So when Buffalo based groove rock quartet Aqueous announced it would be Dark Side of the Moon hosting a night dedicated to the cinematic classic during the second night of their homecoming Halloween run, many fans wondered exactly how these two magical worlds would collide.

To the delight of their fans, Aqueous laid out a seamless and perfectly executed second set on Halloween night– Dark Side of the Moon in its entirety, while dressed as the cast of the Wizard of Oz.

It’s was the band’s first foray into a multi-day Halloween run and they tackled two separate themes; Back to the Future on Friday night and The Wizard of Oz for Saturday’s Halloween festivities. The weekend was a hit among the band’s hometown fans, selling out both nights at Buffalo Iron Works. The overall feel of the weekend was just what you would expect -whimsical, magical and strange – and well worth the $20- two day price of admission.

Funktional Flow kicked off both nights with stellar sets. Their brand of funk/rock/reggae fusion feels organic at its best moments. There is almost an underlying Americana folk vibe to their smoothest reggae inspired vibes. Original tunes like “Moonlight Tide” and “Leaving Town” showcased the band’s new direction since the addition of Joey Lewis (guitar) and Matt Lester (keys) this past April. To say that the version of Funktional Flow fans saw this weekend is a vast improvement on its former self in almost an understatement. The line-up addition have the band going in a positive direction musically.

“The type of music we play really calls for the line-up we have now and it has helped us grow exponentially,” noted bassist Ben Whelan. “With the addition of Joey and Matt we truly feel as though we gained brothers not just band mates. It really has been a great time growing with them and having them add their flavor to the mix. It doesn’t always go that way with new additions so we are really blessed in that aspect!”

Their new confidence spilled over into some fun covers including Phish’s “Lizards” and Stevie Wonder’s “Sir Duke”. Funktional Flow closed out their weekend with a stunning rendition of Aqueous’ “Warren in the Window”. Aqueous would later return the favor with a powerful version of “Mulligan’s”, a Funktional Flow fan favorite.

Funktional Flow is slated to release a new full length album this winter. The band looks to tour in support of the new music with a multi-city tour that will take their sound out of Western New York and more towards the Northeast states.

Friday Night’s Aqueous set proved to be the more upbeat of their sets. In true Back to the Future form, they opened the festivities with film’s theme song “The Power of Love” and closed the night with an Aqueo-fied version of the film’s other Huey Lewis and the News tune “Back in Time”. The set was packed full of high energy moments including “”Don’t Do it”, “Strange Times” and “Underlyer” as well as a version of “Aldehyde” complete with a horn section featuring Justin Lackie on saxophone and Pat Allison on Trumpet. In addition, Aqueous pulled out a rare live version of Dr. Brox from the bands 2012 release “Willy is 40”. The evening continued to be full of surprises, as the band teased both the Chordettes classic “Mr. Sandman” as well as Metallica’s “Enter Sandman” before crashing into a fast paced and edgy version of “Origami”. Of course, the band played tribute to the film’s classic school dance musical moment with their own versions of both the Penguin’s “Earth Angel” as well as the Chuck Berry classic “Johnny B. Goode”.

Saturday night, Aqueous brought the best qualities from the Wizard of Oz to the evening. Both the music and the atmosphere were strange and dark with brilliant pops of technicolor whimsy throughout the night. The first set opened with a mash-up style version of the MGM Wizard of Oz intro and Somewhere Over the Rainbow before melding into a more mellow but groovy version of “Kitty Chaser (Explosions in the Sky)’. Aqueous filled the night’s first set with a powerful collection of original material including “Eon Don” “King for a Day” and a non-stop “Complex Pt.1” into “Wandering” into “Complex Pt. 2”. Matt Harris (saxophone) joined the band on stage to a jazzed out version of the Oz classic “If I Only had a Brain.”

As set two loomed, the room was buzzing with rumors that the band might play Dark Side of the Moon. So when the sounds of the albums iconic opening track “Speak to Me” ushered in the second set, the crowd seem to watch in disbelief. Harris returned to the stage for saxophone duty while Funktional Flow’s Joey Lewis came on board for various guitar work. During “Great Gig in the Sky” the crowd was brought to their knees by vocalist Sarah Jane, who’s haunting and perfectly emoted vocals were the highlight of the set. Adding to the ambiance was the incredible lighting from Craig Freudenthal that only elevated the overall experience.

Aqueous returned with a brief encore that included a stunning version of the Elton John classic “Goodbye, Yellow Brick Road” before ending the weekend with “All In”.

Beyond the sheer technical skill and flawless timing, Aqueous executed pure confidence while accomplishing a feat that many musicians simply couldn’t execute. The talent and precision it takes to perform Dark Side in its entirety in real time didn’t go unnoticed or unappreciated by anyone in the attendance. And the stunning part of it was that Aqueous simply made it look easy.

If this weekend’s shows are any indication, the results are proving that Aqueous is poised to be the band to see on next summer’s festival circuit. The addition of Tom Vayo behind the drums has given Aqueous a more polish and precise sound. It appears and sounds like the band has taken the last few months to fit his style neatly into their musical mix.

“Tom has to be one of the most creative, languid, and definitely dynamic drummers I’ve come across- we’ve spent the last few weeks on the road getting to know each other on a deeper level musically (and personal level really), and I don’t think any of us could be more excited about what he’s bringing to the AQ sound,” noted Aqueous guitarist Mike Gantzer.

Gantzer also went on to acknowledge the changes. “The improvising has been getting deeper and deeper, and every night feels like a new adventure. It’s been awesome and I’m excited to see where it’ll go, if it’s that on point in such a short amount of time! Tom’s also an awesome, fun, silly dude and having him around has pushed the fun level over the top too, which is just as important.”

And for Aqueous, the fun part seems to go without saying. This weekend proved that while they take themselves seriously as musicians, they don’t take themselves too seriously. And that’s what Aqueous fans seem to know, the band isn’t just there to make music, they are also there to be part of the fun.

Fans looking to relive the weekend or simply wanting to hear it for the first time are in luck. Dan Brace of Sonic Farms Studios was on hand this weekend to track both Friday and Saturday night.

After returning home from a three week Southeastern run to play Halloween at home, Aqueous jumps back on the road hitting Michigan on November 4^th. Their remaining fall dates have them making their way out west to Colorado before heading to the Northeast where they will kick off the new year on January 1^st, opening for one night of Twiddle’s three day new year’s run in Burlington, Vermont.

[FinalTilesGallery id=’501′]

November 5, 2015
Aqueous and Funktional Flow go Back to the Future and Over the Rainbow this Halloween

Groove rock quartet Aqueous returns home from a three-week southeastern tour to host tribute to two classic American films this weekend at Buffalo Iron Works. The two night hometown Halloween run kicks off with Back to the Future on Friday night Oct. 30. Saturday night, Oct. 31 will lean more Technicolor with a Wizard of Oz themed evening. Buffalo is preparing for a monster party as fellow Buffalo based rock/funk/reggae fusion jam band Funktional Flow opens in support on both nights.

For Buffalo music fans looking for a hometown option this weekend, the two night engagement offers an incredible option. Both bands are staying tight-lipped about exactly what to expect. Aqueous guitarist Mike Gantzer noted that ”you’ll be getting something unprecedented from us for sure,” but neither band are giving away many details. However, the promise of an Aqueous/Funktional Flow collaboration seems promising.

“Halloween carries such a specific vibe in terms of atmosphere, people are ready to get weird and silly and strange, and those three things might just be a cornerstone of what our band enjoys the most about each other and our music. The element of surprise is certainly one of my favorite aspects of live performance, and I’m excited about several things that are happening over this two night run.” — Mike Gantzer

According to Funktional Flow bassist Ben Whelan, Halloween offers both the band and the fans a unique opportunity.

“Halloween is always a fun time to play shows because you can really do whatever you want for the most part and ‘get away with it’. It’s always fun when you’re in that element and can step outside the box for crazy cover ideas or different spins on originals. We really try to maximize that in a live setting and it seems to be ideal on Halloween.” — Ben Whelan

In addition to the two nights of costumes, music and cinematic nostalgia, both bands are utilizing the event as a way to give back to the community. A drive has been set up to benefit The Friends of Night People, a Buffalo based organization that provides food, clothing, medical care, counseling and hope to those in need. Canned food items, warm clothing and blankets are high on the organizations need list and will be collected on site both nights.

Both nights are expected to sell out. Tickets are still available at Ticketfly.com

[embedyt] http://www.youtube.com/watch?v=cN1JvsLQG8A[/embedyt]

October 28, 2015
Aqueous Brought Their AQ Game to Rochester

There was nary a stone unturned when the two-set, three-hour concert that Aqueous presented at Flour City Station in Rochester was through. New songs were revealed, old songs were unearthed anew, peaks were reached and valleys were navigated.

A meandering slide-guitar-led intro, that sounded straight from the foothills of the Himalayas, acted as a Siren’s song drawing the dispersed crowd in toward the stage. As the fans drew near, the band launched into their fresh off the not-yet-pressed tune “Calling Out” — a sexy groover featuring ample Moog and wah. The journey started here, but the climb rose to a rocking plateau before falling into a delicate and beautiful space which built to yet another boisterous jam that reached into heavy metal territory.

And so it went for much of the night. Up and down and back around, musical explorations emerged from every corner. At times guitarist Mike Gantzer would act as the sherpa with nods, winks, hand motions or vocalized directions, leading the band together as a unified team. Other moments, the foursome (Gantzer, Dave Loss on keys and guitar, Evan McPhaden on bass, and newcomer Tom Vayo in only his fifth show on drums) seemed to find each other without prompting, a tight knit unit creating their own way.

A slowed-tempo cover of Led Zeppelin’s “Dancing Days,” an Aqueous debut, drifted into a wild Middle-Eastern metal mash. While that would serve as the only cover of the night, the band played it fast and loose with the teases. “King For a Day” was preceded by Jimi Hendrix teases and finished with the band noodling around with the Jurassic Park theme. The massive “All In” featured a short jam on The Beatles’ “Come Together” and a tease of Collective Soul’s “Shine.” Teases aside, this first-set closer was one of the night’s highlights.

It was more of the same in the second set, with Dr. Dre’s “Xxplosive” showing up in Underlyer, followed by multiple Deep Purple references in “Don’t Do It.” Tony G, from opener Funknut, would lend a hand on keys for a short stint on “Don’t Do It.” The entire rest of the set was highlight worthy material, as the band took their complete “Complex” suite for a ride for the first time ever on stage. It featured more nooks and crannies than a Thomas’ English Muffin and the butter dripped deliciously into every one of them. The fun reggae groove of “Warren in the Window” was chiseled into a raging rock anthem to close out the set.

It was only appropriate that the encore would begin with another tease, this time Joe Walsh’s “Life’s Been Good” was the victim. There was time for one more “short one” so they launched into a near 20 minute version of “20/20” of course. Aqueous quit exploring as the clock struck 2am though it seemed like if the law would have allowed it, the band would have trekked onward indefinitely.

SET 1: Calling Out > Kitty Chaser (Explosions), Dancing Days* > King for a Day, Random Company+ > All In

SET 2: Underlyer > Don’t Do It^, Complex Pt. I > Wandering% > Complex Pt. II > Warren in the Window

ENCORE: 20/20

NOTES:
* Led Zeppelin, Debut
+ LTP 11/14/2014 82 shows
^ with Tony G on keys (Giant Panda/Funknut)
% Debut

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October 1, 2015
A Farewell to Summer and Minglewood

As another remarkable summer festival season draws to a close, the 2015 edition of Catskill Chill also marked the end of another magical era. Dubbed “A Farewell to Minglewood,” festival organizers announced the sixth annual Chill would be the last one at its present and only location to date. Camp Minglewood, an incredibly remote and scenic summer camp in Hancock, NY, has been the festival’s home since inception, but perhaps due to a seemingly yearly growth in popularity the festival announced it will seek new quarters next year. This gave everyone in attendance, collectively known as the “Chillfam” one last time to make memories and enjoy a fantastic lineup of music in a truly special place.

With a steady stream of people still filing in on Friday afternoon securing camp sites and cabin spots, a full three days of music began on the festival’s various stages. Things got funky right away as Funky Dawgz and Natalie Cressman each had their brass powered bands open up action at Club Chill. Definitely more clubhouse than night club, the Club Chill stage is a unique one featuring wooden stadium style seating with multiple levels that were also partially enclosed. Although it was located uphill from the main stage, it featured some of the finest acts of the weekend including a thoroughly enjoyable set from Buffalo’s own Aqueous early Friday evening.

The Nth Power, an emerging funk, jazz and soul hybrid act initiated action over on the main stage. Spearheaded by the drumming prowess of Nikki Glaspie. The lively rockers powered through a set of originals including “Only Love” and also included a cover of The Beatles’ “She’s So Heavy”.

This warmed up the stage nicely for Lettuce, who followed with their signature high-octane brand of funk. Fittingly, they brought former member Nigel Hall on stage for the last few numbers laying down a funky “Sounds Like A Party To Me.” This was only the first of many memorable sit ins and collaborations throughout the weekend. The night continued with spirited set of electronica infused rock courtesy of Lotus, Break Science kept the party going and then some with a set that featured a plethora of sit ins from drummer Adam Deitch’s fellow Lettuce band members.

Meanwhile, Club Chill was packed to the gills thanks to another well-orchestrated collaboration. Members of Twiddle were joined by an all-star supporting cast including Tim Palmieri from Kung Fu on guitar and Tood Stoops from Raq on keys for a Grateful Dead tribute set. A clean run through the Jerry Garcia classic “Birdsong” preceded a thunderous rendition of “The Other One”. Other classics like “I Know You Rider” and “Fire on the Mountain” were met with appreciative roars and applause as this hyped set seemed to live up to its billing. One last mashup of rich musical talent brought things to a close on Friday with Dopakuaz Plays Studio 54. Comprised of members from Dopapod and Turkuaz, the big band ensemble replete with female vocalists did their very best to create an air of a late night disco party at the renowned New York City night club starting with an opener of KC & The Sunshine Band’s “That’s The Way (I Like It)”.

The hits just kept on coming late into the night with spot on renditions of “You Should Be Dancing” and “Get Down.” The group even showed an ability to shift seamlessly between songs which was highlighted by an impressive “Funky Town” >“Disco Inferno” transition.

Saturday saw more musical tributes and artists joining forces with beautiful results. Shwizz and Fikus combined for a Shwikus Plays the ’80s set that was very well received. They were followed by yet another super group as the ChillFam All-Stars, which included Steve Molitz from Particle on keys and Mike Greenfield from Lotus on drums, paid musical tribute to the great Herbie Hancock.

Club Chill was enraptured as the All Stars pulled off a set that included hits like “Watermelon Man” and “Rockit”. A tribute of another sort took place later on the main stage as Dweezil Zappa brought his Zappa Plays Zappa band for a set of his father’s music. Their current tour is celebrating the 40th anniversary of the Frank Zappa and the Mothers of Invention album One Size Fits All so a steady diet of tracks from that were played in addition to other classics like “Don’t Eat the Yellow Snow”.

The main late night musical acts for Saturday featured two bands who are at very different points in their respective careers. Venerable upstate New York jam legends moe. were given the headlining slot for this year’s Chill, the first one they’ve ever played. A set opening “Seat of My Pants” was jammed to perfection and a rousing segue into “Recreational Chemistry” had hopes high for a special set. However, they didn’t dig too much deeper into the musical vault as the rest of set featured staples like “Happy Hour Hero,” “Spine of a Dog” and “Buster,” which served as closer. On the other end of the spectrum is Twiddle, a Vermont based rock quartet that is growing in popularity each passing day. They seem to have already developed a young and enthusiastic fan base and their performance this weekend surely opened some eyes. Playing with a noticeable energy and excitement, the group sent everyone back to their respective homes smiling with a set that saw Todd Stoops sit in on “Brown Chicken Brown Cow” and an impressive display of talent by keyboardist Ryan Dempsey on “Jamflowman” which featured a fun give and take jam with guitarist Mihali Savoulidis.

With two incredible nights of music in the books, Sunday offered no rest for the weary as another full schedule lay in store. Turkuaz got things started in the early afternoon with their customary explosive big band sound. They were followed by The Motet who ran through a set of their own funky hits including “Funny Bone” and “Like We Own It”.

Up at Club Chill, another of New York’s own, Solaris played to a small but rapt crowd as they delivered their version of electronica which included a fun take on the theme from Tetris. Shortly afterwards, it was time for Dopapod and their set on the main stage. With the sun beginning to set behind the trees, a beautiful canvas was naturally created as the group seemed to soak up every minute of their set which was littered with teases of “Funkytown” throughout as a nod to Friday night’s performance.

Additional Saturday highlights included Electron, an old Disco Biscuits side project featuring Marc Brownstein on bass and Aron Magner on keys who were joined by Tom Hamilton on guitar and Mike Greenfield on drums. This was as close to an actual Bisco performance as you can get as the old friends ripped through a set that included classics like “Shelby Rose” and “42” as well as a sterling cover of Pink Floyd’s “Have a Cigar”. Not to be outdone, Pink Talking Fish, a band that melds the music of Phish, Talking Heads and Pink Floyd, played perhaps one of most enjoyable sets of the weekend afterwards that featured other Pink Floyd covers like “Money” and “Eclipse”. The highlight may have been the performance of “Pigs (3 Different Ones)” that was dropped right in the “pause” section of Divided Sky.

To close things out, Catskill Chill had Particle, the only band to appear here every year, play a farewell set that featured sit ins from start to finish. Members of Dopapod, Turkuaz and Electron all jumped on stage at some point for a truly fitting farewell. The family atmosphere this festival has naturally developed was highlighted by the closing selections of “Family Affair” and “We Are Family”. Particle keyboardist/leader Steve Molitz urged everyone to remember the good times created at this special place before everyone went on their way and the book was closed on another special weekend. Some say the month of March comes in like a lion and goes out like a lamb.

While it may be debatable as to when summer festival season exactly comes in, there’s no doubt after a weekend of music like this one that it goes out with a Chill.

September 28, 2015