Dopapod are gearing up for what appears to be their biggest year yet and the band has finalized their dates for the spring of 2015. Touring in support of their most recent release Never Odd Or Even, Dopapod will spread their music to the masses beginning in the south, moving up the mid west, crossing the border into Canada and working their way down through new england to a string of dates on the east coast.
Moving into 2015 the band has already confirmed appearances at large festivals such as Bonnaroo and Wakarusa as well as a triumphant return to AURA in Live Oak, Florida. Currently Dopapod is set to the stage in State College, Pennsylvania on February 25th before heading to upstate New York and eventually making their way through southern states en route to AURA before their spring tour kicks off in the big easy in March.
2/25 Levels – State College, PA
2/26 Tralf Music Hall – Buffalo, NY
2/27 Madison Theater – Covington, KY
2/28 Mercy Lounge – Nashville, TN
3/1 The Concourse – Knoxville, TN
3/3 The Blind Tiger – Greensboro, NC
3/4 Gottrocks – Greenville, SC
3/5&6 AURA Music Festival – Live Oak, FL
3/26 Howlin’ Wolf – New Orleans, LA
3/27 Last Concert Cafe – Houston, TX
3/28 Head For the Hills Festival – Kerrville, TX
3/31 George’s Majestic – Fayeteville, AR
4/1 The Bottleneck – Lawrence, KS
4/2 Rose Music Hall – Columbia, MO
4/3 Waiting Room – Omaha, NE
4/4 7th Street Entry – Minneapolis, MN
4/5 Mirimar Theatre – Milwaukee, MI
4/8 The Stache – Grand Rapids, MI
4/9 The Bluebird – Bloomington, IN
4/10 Park Street Saloon – Columbus, OH
4/11 Beachland Ballroom – Cleveland, OH
4/12 Lee’s Palace – Toronto, ON
4/15 Wescott Theater – Syracuse, NY
4/16 Pearl Street Ballroom – Northampton, MA
4/17-19 The Sinclair – Boston, MA
4/21 Chameleon Club – Lancaster, PA
4/22 The Southern Cafe – Charlottesville, VA
4/23 Hamilton Theatre – Washington, DC
4/24&25 Brooklyn Bowl – Brooklyn, NY
6/11-14 Bonnaroo – Manchester, TN
Tom has been involved with photography for a little over a year when a friend in the business peaked his interest while shooting 
The album is absolutely drenched in samples which makes it sound less like a band playing and instead a Patrick Stump solo effort. It’s very weird to not hear much music actually being played. Guitar riffs are sparsely heard and Andy Hurley’s drums have been processed to the point I’m not actually sure he ever actually laid down acoustic drum tracks in the studio. Most of the drumming sounds like your standard club track beats.