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  • Billy Lord: Up and Coming Artist

    For the last few years I have had the unique opportunity to cover music of many genres, at many venues, with both up and coming artists, and those national acts that are hitting the billboards. The one thing I notice about all the artists I cover? They love what they do and they love the audiences they play to. It doesn’t matter if it’s a small pub or a large stadium, the music is still the same and the passion behind it as well. What I have noticed is that some however tend to stand out more than others. Some just have a special quality to them that catch my attention and pique my curiosity. There’s something that sets them apart from the rest. A uniqueness that makes them shine a tiny bit more than the next star. Billy Lord fits this description.

    Billy Lord - National Anthem Tour
    Billy Lord – National Anthem Tour

    Beginning his career in the music business mid-life, Billy Lord has become an inspiration to those who have always wanted to follow their dream, but let life and responsibility hold them back. What makes Billy unique is that he is not your typical musician. Working in New York City as a media executive for more than 15 years, Billy found himself without a job when his company eliminated his position. Down on his luck with nothing to lose, Billy took that leap of faith to pursue his dream. How many of us have a dream we would pursue…if only we won the lottery!!!! For Billy, he just went for it. The courage it took, and the passion he puts in to his music and song writing, is what makes Billy Lord my Artist To Check Out this month.

    When I was introduced to Billy at his opening show at Toby Keith’s in Syracuse, I was extremely impressed by how passionate he was about his music and achieving this dream. Sharing a little of his back story with me, I could tell that this gentleman truly loved what he was doing and how fortunate he was to do it. I find of those in the business that have been able to pursue it as their career, when asked, they all would still do it, even if they weren’t getting paid. They do it for the love of it, not for the pay. For those lucky enough to begin their musical journey right out of the gate? Well, they never had a Plan B in place. It was only music. For Billy though, he started his journey after an original career didn’t work out. How lucky for us life threw him a curveball. Billy writes all his own music and lyrics.  Making his performances standout that much more.

    He has assembled some of the most talented musicians to surround him bringing out the best of all his music, and their chemistry is spot on. With Amos Sanfilippo on guitar, Colin Boughton on drums, Patrick Dowd on keyboards, and Roger Monteiro on bass, Billy’s band brings to his music a distinctive country rock sound that is unique even in the ever-changing country music scene today.  Another thing I like about Billy is how he gives those locals a chance to sit in and join him on stage to showcase his music alongside.

    I had a moment to speak with Billy to find out a little about him in his own words.

    Kathy Stockbridge: How long have you been performing?

    Billy Lord:  Only about three years. To me, becoming a true top-tier stage performer is the next step on my evolutions an artist. Songwriting and guitar came first, then I worked on becoming a vocalist. Now in really learning the ropes of getting a crowd on their feet.

    KS:  How would you categorize your music…country…rock…?

    BL:  I always consider my music “American music,” though recently its leaning heavily toward modern country. Fans will hear that with the next album. Very country radio friendly stuff.

    KS:  What musicians have inspired you to this style you have created?

    BL:  Kid Rock, Bob Seger, Tom Petty and most recently Brantley Gilbert and Jason Aldean. But, I try not to listen to other people’s music too much because I never want to be derivative. I always want to be mine. Rock a Billy, if you will.

    KS:  Was this just a hobby ever or did you do it as a second job before?

    BL:  This was passion born out of losing everything… My career, my home, and my money. Music saved me during a very difficult time in 2009, when I was working homeless in NYC. It started as a way to keep me sane during a dark time. I didn’t look at it as a career until 2012. When I knew it was going to be my life, I quit my part-time jobs and gave myself to music fully. Jump and the net will open.

    KS:  What was your day job prior to this?

    BL:  I was a marketing manager in newspaper publishing for 15 successful years.

    KS:  How did that job end?

    BL:  I was laid off with several other managers when the economy hit the wall and the Great Recession took hold.

    KS:  How did you know that this is the direction you needed to go?

    BL:  When I was working homeless, I was unloading trucks at night and I’d get out at 3am and nowhere to go. I had an old guitar that I’d never learned to play. It was my last material possession. So when I got off work, I started teaching myself to play. Almost immediately I started hearing songs… Pure fits of inspiration, it was cathartic for me. But I really knew it was the right direction, when I got radio play on Z100 two days after recording my first demo. To me, it was a sign to keep going. And I have no plans to stop. There is no Plan B.

    KS:  Have you written all your life or is it something you just picked up as life went on?

    BL:  The funny thing is… My whole life I never knew I had this talent. And if I hadn’t been fired, I would have never known.

    KS:  Where do you get your inspiration for writing songs?

    BL:  I get asked this often because I’m such a prolific songwriter… And I tell people it’s like I have a radio station in my head. I hear full songs. Most recently, I’ve fallen in love, so that station is tuned in to the sound of endless summers and new love. I think listeners will live the new songs.

    KS:  What has been your support system throughout this venture?

    BL:  I’ve been very fortunate to have extremely supportive fans. The first two albums were crowd funded and our upcoming tour will be as well. I also have a few angels on my shoulder looking out for me.

    KS:  How did you assemble your band…what were you looking for?  How long have you played together?

    BL:  Only a few months.  My drummer Colin Boughton and keyboardist Patrick Dow and I have known each other since we were kids. We played little league baseball together. They both chose music and have been playing their whole lives while I pursued a business career. They were there ready to go when I needed a band. My guitarist, Amos Sanfillipo was a family friend and has had a long, successful career touring with major bands, and Roger Montiero, and amazing bass player with a similar touring career was suggested by Amos. We’re a motley, funny bunch. But we’re hard workers too.

    KS:  What is your advice to those that may be afraid of taking that step towards achieving their dreams?

    BL:  If you want to be something, give your self to it one hundred percent. Become it. Believe in yourself when others don’t, which will be always.

    KS:  Where can our readers see you in your tour?

    BL:  Our 2015 National Anthem US Tour dates are posted at www.reverbnation.com/billylord
    While most new artists tend to perform 95% covers, slipping in a few of their own tunes, you find that Billy does the opposite. Billy’s set features the majority of his own music, rocking the crowd with his own sound, only to use the covers as exclamation points on his set list.

    I highly recommend you taking the time to check out Billy at one of his live shows. His live show is worth the drive.  For those in the Central NY area, Billy will be playing in Vernon this Saturday the 21st at The Stampede Steakhouse.

    I see so many wonderful artists….but sometimes there’s just something unique that makes an artists stand out.  Can’t pinpoint it to just one thing with Billy,  Perhaps it’s the combination of his inspirational story, mixed with his prolific songwriting, and the energetic live show that makes him stand out.  Whatever it is though, his unique style is what makes Billy Lord my Artist To Check Out this month.  Not coming to a venue near you? Don’t fret you can purchase his recent album at www.reverbnation.com/billylord.  From what I understand, the next one is right on the horizon!

  • Zepparella Mesmerizes Buffalo with a Tribute to Led Zepplin

    On Thursday March 12, 2015 the all-female Led Zepplin tribute band Zepparella left the crowd mesmerized at The Forvm in Amherst , NY.DSC_3783

    But before Zepparella took foot on the stage they had local alternative rock band Letter Box open up for them. Front man and founding member Paul Alguire and guitarist Andrew Douglas were the Letter Box Duo until that night. They brought bassist Ian Elder and drummer Ryan Lindfors into the mix for the very first time, and announced that this would be their new line up. Paul had stated this was their first live show together as a full band.  As Letter Box started to play you would have never known that this was their first show together. They had such wonderful chemistry, and all their movements and timing were in synch. Ian and Ryan were just what they needed to complete this band. Letterbox was thoroughly impressive and made a large impression on the crowd. People were lining up for the free Eps they were handing out that night. I hope to see more from this band in the coming months

    This was my first time ever seeing them and being a long time Led Zepplin fan I was a little hesitant for what I was about to witness. These girls are not only beautiful but they had the talent and pipes to pull off Led Zepplin with their own twist to perfection. The attendance for this show was phenomenal. The fan base was very diverse that night. There were individuals in their best attire to hard-core fans in their Led Zeppelin concert T-shirts with their frizzy ’80s hair-do. No matter what walk you were from, that night they all united and sang along as front women Noelle Doughty nailed every last note.

    As the band played classics such as Dazed and Confused, and Ten Years gone. Drummer and founding member Clementine had her own drum solo for a solid five minutes and you could sense and hear that John Bonham was her biggest drumming influence. Once her hard-hitting intricate solo finished the band came together and finished off the evening with a three more songs. After all was said and done they met fans back and their merch table and took the time to talk to everyone and sign photos and take pictures. All in all this was a very impressive showing of what this examiner calls one of the best Zeppelin tribute bands around.

    DSC_3852

    If you missed this show, you really missed a good one. You won’t want to miss the next time these ladies come back to rock the Buffalo area, or it surly will be your loss again.

  • Caustic Method signs with Pavement Entertainment

    It has been a long road for NY natives Caustic Method. The band has been traveling the state for over a decade working their way into the hearts of metal fans. Their dedication and hard work finally paid off as they have signed a record deal with Pavement Entertainment. They will be joining artists such as Soil, Smile Empty Soul, and Tantric on the label.

    caustic method pavement entertainmentMatt Caustic, Darin Scott, Eric Maliszweski, and Angel Rivera will be touring for the remainder of the year, kicking off in Chicago March 20 in support of their new album. Expected to be released June 2 – the album will contain songs from their latest EP “The Virus” as well as a mixture of old and new Caustic Method hits. Vocalist Caustic explains the bands optimism about this next step in their career:

    This year should be the year that really puts us on the national metal map. We are definitely surrounded by the best people in the business and have a very loyal legion behind us that have our backs and champing for our success. With that formula of support we are super optimistic as the next chapter unfolds.

    This band has truly earned their success. When asked what his advice they would give to the next generation of metal bands Caustic says:

    Think as a brand and a business. Took me a long time to make the break between art and commerce. That’s only if you want to make a career out of this. If not just play and have fun. You never know what might come out of it. If you’re good, good things will follow.

    So here is to the good things that follow. Stay tuned metal fans, The Virus outbreak begins!

  • moe. Comes Home Again to NYC

    moe. continued to thrill crowds of .rons on their 25th anniversary winter tour as they packed houses and came home again to New York City.

    moe home again

    moe. continued to thrill crowds of .rons on their 25th anniversary winter tour as they packed houses in New York City last weekend.

    The weekend began Thursday night with the band — guitarists Al Schnier and Chuck Garvey, bassist Rob Derhak, drummer Vinnie Amico and percussionist Jim Loughlin — playing an intimate show at Le Poisson Rouge, a 700-capacity club in Greenwich Village.

    Then the boys moved their Friday and Saturday shows to the Best Buy Theater, an arena in the middle of Times Square with a capacity of 2,100. The corridors around the venue formed a bit of a maze, but the theater area made for a great show with a floor section below the stage, a short platform behind that and maybe 20 rows of raised seating behind it

    The Friday night show started with a first set that took its time with each song, extending all but “Annihilation Blues” over 11 minutes. Fans got a not-oft-played “Darkness” that segued into “Bring You Down,” a combo that thrilled the crowd. Annihilation jammed right into a “Meat” that brought the energy up, then down, then built it back up again to end the set on a raging note.

    The second set started with “New York City” — obligatory but so much more meaningful when it’s actually played in the city it was written about — then on “Do or Die” Jim broke out his drum set attached to a chest harness and ventured over to hang out with Vinnie and Al for a bit.

     

    moe home again
    Members of the crowd throw their hands in the air as they sing along.

    “Kyle’s Song” segued into “Same Old Story,” which has only twice before been segued into. It’s been used more often to segue out of at the end, but the song is high-energy fun any way they play it.

    The final four songs of the set turned up the heat with “Don’t Fear the Reaper” by Blue Oyster Cult, then “Spaz Medicine” shifting into “Akimbo” into the ever-epic “Rebubula.” Boobs can occasionally fall into the rut of being a quick-hitter that draws a lot of audience emotion but doesn’t explore much, but this one took plenty of time to chill out before building to a frenzied sing-along at the end.

    After the moe. show, most of the crowd filed out and ventured two blocks down to B.B. King’s, where Ha Ha the Moose was on the loose.moe. home again

    The hilarious moe. side project features Rob, Chuck and Jim wearing luchador masks and capes and taking on the persona of their alter egos, Dr. Guano, Jeff VonKickass and Sludge.

    They played some old classics to a crowd so boisterous at points that it distracted band members. They also included some popular covers including “Have a Cigar by Pink Floyd and “Don’t You Forget About Me” by Simple Minds, forever etched into our memories by its poignant placement at the end of “The Breakfast Club.”

    They also reprised “Courtesy Flush,” which they debuted in January at moe.’s Tropical Throe.down in Jamaica. They ended the set with “Redneck Trilogy” and “In the Name of Freedom” and during the latter, Guano got an apt response when he questioned the audience what they would do in the name of freedom: “I would throw a music festival, even if no one came and I didn’t make any money,” the moe.ron said, referencing the lack of a moe.down this year.

    moe. home againAfter having a few hours off to romp around the city, moe. was back at it Saturday night. Saturday night’s show at the Best Buy sold out during that day. Highlights of the show included an intense “Runaway Overlude,” “She,” “Billy Goat” segueing into “Head,” plus Shannon and Terry Lynch of the Conehead Buddha horns joining the band on “Not Coming Down,” “Threw It All Away” and “Dr. Graffenburg.”

    The full Conehead Buddha band played a great official after-show in the Lucille’s room of B.B. King’s Saturday night for anyone who somehow had energy left after raging the city that never sleeps.

    moe. heads to Chicago this weekend and south to the Carolinas in April to finish out their winter tour. The band has yet to announce summer tour dates besides a few festivals (SweetWater 420 Fest, Summer Camp, Mountain Jam and All Good, plus the Dear Jerry show celebrating Jerry Garcia in May) but fingers are crossed that they’ll at least spend a weekend at the Saranac Brewery in Utica this June. Keep an eye on NYSMusic.com for moe. news as dates trickle in.

  • Meet Your NYS Music Staff: Steve Malinski

    Meet Steve. Steve is your ordinary 20-something career-driven civil engineer with degrees from RPI and Cornell, solving problems to better the public good. He attends meetings, drinks coffee out of one of a vast collection of mugs, keeps a pyramid of perfectly sharpened pencils and a pad of graph paper soon to be devoured in a flurry of concrete and steel design. Steve, however, takes a rare form after the sun recedes behind the mountainous wall of the Hudson Highlands. Meet Steve Malinski: NYS Music Staff Writer; gormandizer of music.

    steve malinskiMusic has always been a part of his life, beginning in the fourth grade at Poestenkill Elementary School when he picked up the sax against a field of other instruments laid out in front of him. However it wasn’t until his college radio years when he got exposed to a wider world of music. Through many on-air shifts at WRPI he basked in the soothing sounds of a vast collection of vinyl and CDs across several genres and decades. This is where he may have picked up the journalistic knack he carries on now at NYS Music, having interviewed the likes of Johnny Winter, Commander Cody, Country Joe McDonald (amongst others), many Albany-area musicians, and interacting with others in the music industry such as Bela Fleck and Eric Burdon.

    Steve’s exposure to live music has been a sort of luck-of-chance. He’s tallied at least 140 concerts since 2005 including 19 Dave Matthews Band shows, 11 Phish shows, and 9 Rush shows. At least half of those have been thanks to working as an EMT at the Saratoga Performing Arts Center. His eclectic taste in music has led him to enjoy a range of live performances from the Philadelphia Orchestra and jazz festivals to jam bands and shows like Crüefest and the Warped Tour.

    Having moved slightly more than a skip away from Troy dampened an almost daily involvement with radio to a few visits a month. So naturally, Steve’s journey as a writer with NYSMusic began in 2013 after an itch to regain a regularly active involvement in the music scene. He had written a few guest articles and photographed a few concerts and contributed some music reviews and sports articles for The Rensselaer Polytechnic in his undergraduate college years. NYSMusic has opened the door again to writing about music.

    Aside from NYSMusic, Steve maintains active roles at WRPI in Troy as their local music director and WVBR in Ithaca as host of “Shakedown Street,” a weekly Grateful Dead program which airs on Saturdays. He also performs regularly with the RPI Pep Band on sax (and sometimes the Cornell Pep Band) and the Hudson Highlands Pipe Band on drums and occasionally finger-picks some tunes on guitar.

    Steve’s bucket list dwindled rapidly over the past few years as he has had many great opportunities for shows. He has yet to cross David Gilmour, Dweezil Zappa, Paul McCartney, and The Rolling Stones off that list. His top 5 favorite bands are Rush, Black 47, Phish, The Grateful Dead, and Pink Floyd.

  • Old Boy Records 2015 Spring Showcase

    Old Boy Records is holding their 2015 Spring Showcase in the Center for the Arts of Homer – a repurposed church – on Friday March 27.  The Upstate New York record label was founded in 2005 by Chris Merkley with a focus on representing the next wave of American Roots musicians.

    Ten years later – Old Boy Records represents over a dozen artists from Upstate New York, Nashville and New York City.  In addition to helping bands collaborate on shows and recordings – Old Boy also has their hand in creating custom music for television and film.

    old boy records showcase

    The showcase will feature acoustic performances from seven acts on two stages, including Driftwood who has created an exceptionally strong presence in the folk/Americana community.  In addition to Driftwood – Merkley and band mate Stiv Morgan will be performing.  Merkley and Morgan have been playing music together for over 15 years, and founded the band Digger Jones based out of Cortland, New York.   Also on the list of performers is Los Blancos, whose eclectic mix of blues, funk, soul, country and Latin music has been a staple of the Syracuse music scene for years.

    The music will start at 6pm, with performances taking place between the Community Room and Main Stage throughout the night.  Tickets are available by calling the Center for the Arts of Homer at (607) 749-4900 or online. The Center is located at 72 S Main St in Homer, NY.

    For a taste of what’s to come, here are some videos from this years Old Boy Records Showcase performers:

    Driftwood

    Chris Merkley and Stiv Morgan

    Los Blancos

    The Falconers

    Nate & Kate

    Gabe Cummins

  • Cabinet Throws A Celebration In Blairstown

    There’s a lot to be said about the state of Pennsylvania, and producing quality bluegrass is an undeniable trait. As most music genres spawn into different subgenres it’s easier now to seek out string bands that sincerely push the envelope of what the general public views as bluegrass. While that original Bill Monroe sound is relevant and active in the scene today, it has naturally evolved into a monstrous playground scattered with sounds of varying influences. The crossroads of this trend concerning progressive string music lies within acts with drummers like Railroad Earth, Hot Buttered Rum and a group that’s taking their turn to rise to the top from the Eastern hills of Pennsylvania, Cabinet. And on March 6, the first of two nights right over the border into New Jersey at the Historic Blairstown Theatre was not their introduction to the intimate space.

    cabinet blairstownHot off the heels of a new release entitled “Celebration” the first four tracks were mixed in with staples of this almost 10-year-old band. The diversity from song to song represents the sharing of songwriting duties but when you stack songs like “The Dove”  and “Old Farmer’s Mill” against each other (both highlights from different sets) the explorative instrumentation and people behind them are the two remaining similarities. At certain points it’s hard to imagine you’re seeing the same band mid set. “Wine and Shine” comes off as light on its feet and compliments their feel good sound, but something like “Eleanor” gives off a matured emotional feel. After years of playing some of these songs in front of a bunch of people a bunch of times certain coined instrumental phrases stick to the song, like a snowball rolling down the hill.

    Aside from the new album, “Treat Me So Bad,” is a favored new song that takes from both soul and funk to melt over the smooth plucking and vocals of Pappy and JP Biondo respectively. The night was filled with applaudable solos and an overall heartfelt performance that gives you that longing for more. However, as the hard work continues to pay off for these six musicians, you can’t guarantee that you’ll see them in small rooms for much longer, so catch them when they’re rolling by.


    Listen to the Blairstown Theatre Show on the Music Archive – with many thanks to Keith Litzenberger

  • NYS Music March Madness 2016 – Round 2

    Welcome to Round 2 of NYS Music’s March Madness 2016! This tournament-style competition includes the remaining 32 bands and artists who call Upstate New York their home.

    This year’s 4 regions are based on genres of music – Funk/Jam/Reggae, Metal/Rock, Bluegrass/Folk/Americana and Indie/EDM. Each region has 16 Upstate New York bands in their respective region, battling it out to reach the Final Four and claim this year’s title. Bands were chosen based upon their origins in Upstate and popularity in their respective genres.

    In the first round, nearly all Metal/Rock underdogs beat the top seeds, while reigning champ Lucid fell to Mister F in the Jam/Funk/Reggae region. Almost every top seed moves on in the Indie/EDM region while a very competitive Folk/Bluegrass/Americana/Country region has a mix of underdogs and favorites alike.

    Round 2 voting begins March 20 at Noon and ends at midnight on Monday March 23. Round three begins March 24, with additional rounds announced on the NYS Music Facebook page.

  • David Crosby Brings His One Man Acoustic Tour to New York

    No conversation about musical history can be complete without a mention of David Crosby. From the multiple variations of Crosby and/or Stills and/or Nash and/or Young to a wildly successful solo career to an almost Keith Richards-esque ability to stay alive – Crosby is a true rock and roll legend.

    david crosby tourAlbany and downstate will get their own taste of “legendary” as David Crosby brings his one man acoustic tour to Hudson June 20, The Town Hall in NYC June 25 and Albany’s The Egg June 30. New York dates will close out July 3 at Westhampton Beach Performing Arts Center.

    Crosby on the solo shows:

    “This is about the songs. The tale telling. Taking you on a voyage to my world for a moment.”

    Tickets for all shows are available on his website. Check out the full tour below.

    David Crosby Solo Acoustic Tour 2015

    June 6, Kerrville, TX, Kerrville Folk Festival
    June 9, Miami Beach, FL, Fillmore Miami Beach
    June 10, Fort Pierce, FL, Sunrise Theatre
    June 12, Clearwater, FL, Capitol Theatre
    June 13, Ponte Vedra Beach, FL, Ponte Vedra Concert Hall
    June 16, Durham, NC, Carolina Theatre of Durham
    June 17, Charlottesville, VA, Paramount Theater
    June 19, Morristown, NJ, Mayo Performing Arts Center
    June 20, Croton-On-Hudson, NY, Clearwater’s Great Hudson River Revival – Croton Point Park
    June 22, Alexandria, VA, Birchmere
    June 23, Harrisburg, PA, The Whitaker Center For Science & the Arts – Sunoco Theater
    June 25, New York, NY, The Town Hall
    June 28, Munhall, PA, Carnegie Music Hall of Homestead
    June 30, Albany, NY, The Egg Center For the Performing Arts
    July 2, Ridgefield, CT, Ridgefield Playhouse
    July 3, Westhampton Beach, NY, Westhampton Beach Performing Arts Center
    July 5, Bethlehem, PA, Musikfest Café
    July 6, New Bedford, MA, Zeiterion Performing Arts Center

  • Bowlive VI – Day 4 – Soule Monde and Soulive with Chris Robinson

    After a two-day recess, night four of Bowlive VI was underway in formidable fashion, with guest Chris Robinson. As far as the opener setting the tone for the evening, Soule Monde has been the most musically appropriate choice of the run to date. The jazz/funk duo of Russ Lawton (drums) and Ray Paczkowski (clavinet, organ) were quick to put everyone in the mood. Lawton continually pushed the pace faster as Paczkowski followed on his Hammond B-3 and laid down deep funky riffs on his clavinet. Paczkowski has you wondering where the third hepcat was keeping the groove going on his four string. They set the stage for Soulive to bring their own style of modern funk to the table.
    Bowlive Soule Monde
    Soule Monde
     
    While Eric Krasno kept himself busy during the short break in the Bowlive residency, sitting in with Phil & Friends for his 75th birthday show at The Capitol Theater, fans got a much-needed hiatus from all the dancing. The fourth night started same as all the previous ones with just the three Soulive members on stage. Charging out of the gate with the classic original tune “So Live” off of their debut album, 2002’s Turn It Out. Once the mood was set, the trio went into the more soulful “Bubble” which segued wonderfully into the first of many covers for the night, The Beatles “Something.” The Extra Shady Horns on this night consisting of Zoidis (sax), Bloom (trumpet). The first guest of the evening was DJ Williams (guitar, KDTU) who joined in the fun for another old school Soulive original “Uncle Junior.” Williams and Krasno took this out for a ride and were upended by a screaming solo by Zoidis’ sax.
    Bowlive Soule Monde
     
    As the show was compressed from two sets down to one, most likely to placate the strap hangers with early morning meetings. At the end of the first hour of mostly Soulive originals, Chris Robinson finally made his way onto the Bowlive stage. He was joined by Cochema Gastelum (sax, Dap Kings)  and backup singers Sasha Ortiz and Maya Sharpe. The first tune that Robinson crooned for his enthusiastic fans was Otis Redding’s “Fa Fa Fa Fa Fa Sad Song.” Only one song in and Robinson picked up his guitar to join Krasno on a medley of cover tunes. The Dr. John classic “Quitters Never Win” was up next followed by Robinson’s Bowlive coming out party as he blew the roof off the joint in a funk laden take on the Grateful Dead’s “West LA Fadeaway.”

    Bowlive Soule Monde chris robinson

     
    Everything was coming up blues as we heard takes on Joe Cocker’s “Space Captain” and Allen Toussaint’s “Get Out My Life Woman.” Robinson and Neil Evans led the charge with their take on the Jerry Garcia/Robert Hunter tune “Sugaree.” To close out the night, which had the crowd singing along for the last hour, Robinson channeled his best Mick Jagger impersonation for The Rolling Stones “Gimme Shelter.” His soaring vocals led the crowd in what was the most authentic sounding cover of the night. To close out a night of classic rock tunes everyone was back on stage and joined by Ross James (guitar, Terrapin Family Band) for a cover of “Lovelight” that sounded more like the original Bobby Bland version than the more widely known Grateful Dead version. Based on the audience’s reaction, Robinson might have been the standout guest so far, and everyone will have another chance to see him Wednesday as he closes out his two-night stand with Soulive.