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  • Steve Perry Releasing First Album in 22 Years

    Rumors have been circulating for years about former Journey frontman Steve Perry’s return to music, especially after several surprise guest appearances with veteran alt-rockers Eels last year. Steve Perry has finally broken his silence, with a call Friday to L.A. classic rock station KSWD. In the interview, Perry reveals that he has been in the studio since March and hopes to have a new album completed for early 2016.

    steve perryThe first public performance in 19 years from one of classic rock’s signature voices was captured in St. Paul, Minnesota and posted to YouTube by an Eels fan. To date, the video has received over 2 million views. Check it out here:

    While talk of a Perry reunion with his former bandmates in Journey is premature, in light of last year’s appearances with Eels, current Journey vocalist Arnel Pineda raised eyebrows last year tweeting the following:

    With Perry’s confirmation of new material, fans waiting since his last solo outing, 1994’s For the Love of Strange Medicine, now have something to look forward to for 2016. These fans may have the blossoming friendship between Perry and Eels frontman E (AKA: Mark Oliver Everett) to thank for the reclusive vocalist’s return.

    Perry and E are not only occasional stage mates, they have developed a true friendship over the years after being introduced by a mutual friend. E tells the story in a Stereogum interview from May 2014.

    Journey, meanwhile, recently announced a summer shed tour with The Doobie Brothers. Syracuse’s Lakeside Amphitheater, as well as Saratoga and Darien Lake, are New York dates for this package tour.

  • Photo Gallery: Dominican Holidaze 2015

    The “Holidaze” series of festivals has become an annual event that is coveted by both the artists and fans alike. Hosted by the Disco Biscuits and Umphrey’s McGee, Dominican Holidaze 2015 took place in the Dominican Republic at the Breathless Resort and Spa in Punta Cana.  For those uninitiated, this is THE premier luxury festival, treating attendees to baller rooms with private jacuzzis, all inclusive food and drinks across multiple restaurants and bars, and an ocean front stage that rages from sunset to 3am for four nights proper. Supporting tDB and UM this year were STS9, Lettuce, Nightmares on Wax, Break Science, Papadosio, Gigamesh, and Lee Foss. In one’s “downtime,” there is still plenty to do: excursions, pool parties, late night dj’s, the sand, sun, and surf.  Resort staff genuinely seemed happy to have us there, and as a result, the overall experience was definitely “MAGNIFICO.”

    Dominican Holidaze 2015This was my second time attending Holidaze, the last being in 2012 when it was in Cancun and considered “Mayan.”  Both were excellent experiences, but it is clear that as time goes on, the Cloud 9 team continues to refine the series.  Check-in/out was a breeze, customer service was excellent, and you can tell they want you to get safely from and to your home base.  It’s an easy recommendation to make that if the lineup falls within your musical tastes and you don’t hate luxury beach vacations, you have to go at least once.  Should these humble words fail to convince, perhaps this photo gallery will do the trick. Enjoy!

  • Hearing Aide: lespecial “Omnisquid”

    Boston-based death-funk trio lespecial released their first, full-length studio album titled Omnisquid on November 20. It invites listeners to follow on a sonic voyage of nautical proportions. lespecial is Luke Bemand (bass, vocals, synth) Rory Dolan (drums, percussion, sampler) and Jonathan Grusauskas (guitar, vocals, sampler, synth).

    The album tells a story of extra-terrestrial beings commandeering the minds of giant squids which rise from the ocean to wreak havoc and destruction upon the populace. This storyline plays out through a heavy soundscape with, at times, playful, nautical inspired riffs and beats that make the listener feel like they’re in an underwater dancehall. lespecial has created a world with this album and it’s oceanic inspirations are evident.

    The first track on the album, “Fruit Wolf Dance,” opens with a haunting, aquatic groove building into a driving onslaught of the trio’s instrumental talents. This driving force has moments of respite allowing for each instrument to shine yet remain cohesive. Halfway through, the track takes a turn showcasing their electronic sample proficiency with bubble-like pops and the live-trap drumming lespecial has become known for. The live-trap and sample sounds coalesce into the heavier tone found earlier in the song making for a seamless display of the genre bending this band is capable of. Bemand has stated previously that this album is a return to their musical roots, showcasing “a heavier vibe throughout.”

    The second number, “Squid Rising,” introduces the listener to the story of the giant squids with noticeable seafaring compositions and Bemand’s thick basslines amidst the recordings of news reports of the squid’s destruction. Following up the tale’s intro is the title track, “Omnisquid,” a frenetic serenade of layered guitar riffs and polyrhythmic drumming. “Optimus Prime Slot” features some industrial-heavy drum programming by fellow Boston-based music-maker, Rob Uslan aka Supersillyus, and make for an excellent juxtapose to Grusauskas’ pinching guitar riffs and eerie vocals.

    “Sugaboi” is a jamtronica laden track, again displaying the bands diverse and ample capability of playing different styles which they seem to be poking fun at with the overlay of a recording stating “see there’s some question about my identity/ let me put it to ya this way/ I’m not sure who I am.” Possibly answering that question is the following, “Leaps Evil,” where Dolan’s drumming keeps an excellent, relentless pace amongst Grusauskas’ soaring vocals and Bemand’s standout bass riffs. “Ships in the Night” feels like a reprieve from the repetitive build and crash that previous tracks include, giving way to the album’s first pre-release single, “New Fish.” Sliding bass and a wonky guitar vibe swell to a powerful, double-bass filled barrage fading out unrelenting. Like “Leaps Evil,” “Pressed for Time” conveys lespecial’s distinct command of differentiating time signatures and penchant for high-pitched vocal harmonies.

    Closing out the journey is the track “Absolutely Stunning,” recounting a fisherman’s tale of what he may or may not have seen. There’s a very cinematic, “end-of-times” vibe to this track with the addition of a cello arrangement by Julian Lenz. The cello amplifies another build and release to the heaviness that lespecial has been touting the whole album.  Whilst weaving a tale of cephalopods taken over by aliens, Omnisquid most definitely exemplifies a return to form of contrasting time signatures and dark, heavy grooves. If you’re in need of a cinematic auditory experience, lespecial’s first full length has it.

    All songs on the album were written and performed by lespecial and all tracks recorded and mixed by Andrew Greacen at More Sound Recording Studio in Syracuse, NY except “Ships in the Night,” recorded and mixed at the Music Cellar in Millerton NY, and the Morrison Gallery in Kent, CT. All of the tracks were mastered by Jocko at More Sound Recording Studio in Syracuse, NY.

    Omnisquid is available for direct download at lespecial.bandcamp.com/album/omnisquid and also on iTunes, Spotify, Amazon Music and CD Baby.

  • Drummer Corky Gainsford to Depart Otherwise Due to Personality Conflicts and Creative Differences

    Otherwise drummer Corky Gainsford stated that he will part ways with the band in a video he posted on his Facebook page.

    Gainsford cited creative differences and personality conflicts as some of the reasons for stepping down from the band after five years. Gainsford’s last show with Otherwise will be Dec. 26 in the band’s hometown of Las Vegas at the Hard Rock Hotel.

    Corky GainsfordGuitarist Andrew Pugh will also depart and wrap up with the band on Dec. 26.

    Some excerpts from Gainsford’s video has been transcribed below:

    Whats up everyone? This is Corky Gainsford here. There’s no real easy way to say this so I’m just gonna come out and say it. After five years in Otherwise, it is time for me to move on to the next opportunity in my music career. I don’t know what that next adventure might be; I just know that this is no longer the right place for me anymore. Simply put, artistic differences and personality conflicts in the band have prevented us from being productive creatively, and for the betterment of everybody involved, it’s simply time for us to go our separate ways.

    My time in Otherwise has been such a great, crazy whirlwind of an experience. I’ve had so many roles with the band — everything from drummer to songwriter, producer, engineer, tour manager, business manager, merch manager, fix the broken RV or find us a van to get to the next gig on time manager and I’m sure a few other things I’ve forgotten, but really it’s been a great and truly rewarding experience to live out a dream that I worked my entire life towards. So thank you to everyone who has supported us along the way.

    I’m gonna continue making music. I will be always making music. It is something that is in my blood, in my bones, in my DNA, and I will never stop making music.

    Gainsford also stated in the video that he plans to still show his other artistic side as he will continue to create art on drumheads and cymbals and any other canvas that presents itself. Gainsford went on to say the popularity of his artwork is a blessing and that it’s an outlet that he loves to show that creative side of him.

    Gainsford closed out the video by thanking everyone who supported him throughout his career. Gainsford also wished Otherwise nothing but the best moving forward while they work on their third album.

    Gainford’s and Pugh’s departure makes the Patrick brothers (Adrian and Ryan) the only two remaining original members left in the band. About a year ago, bassist Vassilios Metropoulos left the band and was replaced by Tony “The Beast” Carboney.

    BAND ANNOUNCEMENT:”After 5 years with OTHERWISE, it’s time for me to pursue other opportunities in my music career.”Please see the video for all the details.Thank you, Corky G*

    Posted by Corky Gainsford on Friday, December 11, 2015

  • Blinded By The Price: New York Questions Springsteen Ticket Reselling

    Every music fan has endured the online ticketing rush; when the clock strikes on-sale time, it’s a frustrating game of repeatedly hitting refresh, chancing each click until that next one successfully  unfreezes the screen to show items in your cart. But in truth, most concertgoers stick it out to avoid being forced to pay for high-priced resale tickets, or missing out on the show entirely.

    While the secondary market has improved with the creation of fan-based campaigns and startups on a mission to embrace the face value, professional ticket brokering is still finding a way to flood the resale market. And New Jersey’s blue-jean boss Bruce Springsteen is the latest artist to fall victim (again) in the never-ending battle against ticket scalping.

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    Tickets for Springsteen‘s 2016 tour will be released at 10 a.m. today through Ticketmaster and Live Nation, but the New York Times reported Tuesday that hundreds of seats were already listed by resellers online with single-ticket prices beginning at $5,000.

    Thankfully, these eyebrow-raising listings led New York Attorney General Eric Schneiderman to send the involved sites letters that questioned the act of false advertising under state general business law, since sellers could not yet have the tickets in possession.

    The NYT also said that the sites in question — StubHub, TicketNetwork, Vivid Seats — either remained confident in their refund policy for invalid tickets or removed listings for concerts in New York until the public on-sale date. Schneiderman’s office called the removal of listings a victory for consumers and pledged to continue to work on the issue.

    Springsteen and the E Street Band are set to tour the country, making stops for two nights in New York City (Jan. 24 and 27), Albany (Feb. 8), Buffalo (Feb. 25) and Rochester (Feb. 27). Springsteen is touring in support of the box-set release of “The Ties That Bind: The River Collection,” and this run is a nod to the Boss’ career-making 1980 “The River” tour.

  • Two-Decade-Old ‘Grateful Doe’ Case Finally Solved

    The 20-year-old mystery of the identity of a young man known only as “Grateful Doe” has finally been solved. The Virginia Medical Examiner’s office and a representative for the National Missing and Unidentified Persons System (NamUS) confirmed that DNA testing identified the young man who was killed in a car accident in Virginia in 1995 as Jason Patrick Callahan. The two-decade-old case was brought to life again after interest in the story was reignited on social media.

    Grateful Doe
    (Left) Photo Reconstruction of “Grateful Doe’ from The National Center for Missing and Exploited Children and (right) photo of Jason Callahan

    In June 1995, Callahan went missing after leaving his home in Myrtle Beach, South Carolina, to follow the Grateful Dead. His mother attempted to report him missing, but due to her son’s nomadic intentions, she had trouble filing a missing person’s report with the appropriate jurisdiction.

    Callahan was killed along with the vehicle’s driver, Michael Hager, after the car crashed into a pair of trees on U.S. Route 58 West on June 26, 1996. No identification for Callahan was found in the wreckage. Hager’s family were not able to identify the passenger of the vehicle. Two ticket stubs for the Grateful Dead’s two Washington, D.C., shows on June 24 and 25, 1995, were found with his body, leading police to identify Callahan simply as “Grateful Doe.”

    The Virginia Department of Health says Callahan died due to acute head trauma suffered in the accident. Images of Callahan could not be released due to the graphic nature of his injuries. This past January, a former roommate of a young man named “Jason” stumbled upon a image of Grateful Doe that had been digitally reconstructed by The National Center for Missing and Exploited Children.

    Lesha Johanneck, one of the Grateful Doe page administrators, confirmed to NYS Music that the former roommate contacted their page to share the photos of his friend Jason. The Grateful Doe page is overseen by volunteers who take a personal interest in missing person cases.

    The former roommate couldn’t provide Jason’s last name, but did have several photos and details that tied Jason to Myrtle Beach. Johanneck shared the information with the authorities and then began posting the roommate’s photo of Jason in various groups, including ones that were Grateful Dead related.

    Grateful DoeNews outlets in Myrtle Beach began to report the story. After a member of Jason’s family saw the report on a local news station, Jason’s mother posted directly onto the Grateful Doe Facebook page, noting she believed the “Jason” in the photo was her missing son.

     Callahan’s mother filed an official missing person report on Jan. 13. After the official report, various agencies began working together to confirm that Grateful Doe was Jason Callahan. 

    Johanneck told NYS Music that the Grateful Dead community played a large part in helping the leads go viral. “I think they felt close to Grateful Doe since growing up hearing about the case,” she noted. “So many of them remembered and kept the story close to their heart.” 

    She also noted that it’s important to report missing loved ones or friends as soon as possible, especially after concerts or festivals. “So many of these unidentified persons don’t have a report and that’s why they go unidentified.”

    UPDATE: THE NEWS WE HAVE BEEN WAITING FOR!!!! The dna results are back that our Greatful doe is infact Jason Callahan…

    Posted by Grateful Doe on Wednesday, December 9, 2015

  • Photo Gallery: Stevie Wonder at First Niagara Center, Buffalo

    Legendary Stevie Wonder performed to a packed house at Buffalo’s First Niagara Center. The “Songs In The Key of Life” show was a nearly four hour concert to the delight of the crowd.

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  • Update: Taste of Country daily lineups released

    Updated 3/22/2016: Fans can rush to their computers and grab their single-day tickets for the fourth annual Taste Of Country music festival, now that the festival has released their daily lineups. Friday night’s lineup will be headlined by Kid Rock, with Big & Rich, the Cadillac Three, Jana Kramer and Annie Bosko.

    On Saturday, fans can see Kenny Chesney in the closing spot along with Frankie Ballard, Eric Pasley, the Swon Brothers, Old Dominion and William Michael Morgan.

    Jake Owen will close out the fourth annual country festival. Joining him on Sunday will be Gary Allan, Chris Janson, Neal McCoy and Outshyne.

    Fans attending the festival can head over to the Bud Light Stage and see some of country music’s future artists. Musicians will perform there throughout the weekend: Logan Brill, Amanda Watkins, Dylan Jakobsen, Adley Stump, Keith Walker, Elizabeth Lyons, Jake Worthington and McKenna Faith.

     Original article:

    For those fans who have been holding out and waiting to buy their tickets for the Taste Of Country Music Festival to announce more artist than the featured headliners, the wait is over. Organizers have announced the artists who will join Kenny Chesney and Jake Owen on a country-packed weekend at Hunter Mountain Ski Resort on June 10-12, 2016.

    Just in time for the holidays, fans can now ask their loved ones for some new cowboy boots or a 10-gallon hat so you can line-dance in style with Gary Allen, Big & Rich, Neal McCoy, Frankie Ballard, Eric Paslay, Chris Janson, Old Dominion, The Swon Brothers, Jana Kramer, The Caddillac Three, Outshyne, William Michael Morgan and Annie Bosko.

    Gary Allen has been on the country music scene since 1996. His debut album, Used Heart for Sale, is gold certified. Allen’s third studio album, Smoke Rings in the Dark, was his first in three consecutive albums to reach platinum certification.

    Allen has released more than 25 singles that have reached Billboard’s Hot Country Songs chart. Eleven of those tracks reached the top 10, with four of those singles reaching No. 1 including “Man to Man” and “Tough Little Man” (2003), “Nothing On but the Radio” (2004), and “Every Storm (Runs Out of Rain)” (2013).

    Big & Rich consists of the country music duo Big Kenny and former founder and member of the band Lonestar, John Rich.

    Their smash hit “Save a Horse Ride a Cowboy” is certified platinum and has been featured in various TV spots including an episode of Boston Legal, while ESPN used the song in commercials for the 2004 World Series of Poker.

    Big & Rich have released five studio albums, with their latest, “Gravity,” being released in 2014. The album was released under the duo’s personal record label. Big & Rich Records.

  • Ex-Wife and Children of Scott Weiland Pen Open Letter Asking Not to ‘Glorify This Tragedy’

    Former Stone Temple Pilots and Velvet Revolver vocalist Scott Weiland was found dead on his tour bus in Bloomington, Minnesota the night of Dec. 3. Subsequent investigation revealed small amounts of cocaine in the room where he was found and elsewhere on the bus.

    Weiland’s second wife, Mary Forsberg Weiland, the mother of their two children, Noah and Lucy, wrote an open letter that was printed in Rolling Stone this week. In it, she pleads with readers not to glorify Weiland’s death.

    scott weiland

    In her letter, she describes Weiland’s absence in their children’s lives, blaming the drug use and celebrity lifestyle. Her final plea: “Skip the depressing T-shirt with 1967-2015 on it – use the money to take a kid to a ballgame or out for ice cream.”

    She writes:

    December 3rd, 2015 is not the day Scott Weiland died. It is the official day the public will use to mourn him, and it was the last day he could be propped up in front of a microphone for the financial benefit or enjoyment of others. The outpouring of condolences and prayers offered to our children, Noah and Lucy, has been overwhelming, appreciated and even comforting. But the truth is, like so many other kids, they lost their father years ago. What they truly lost on December 3rd was hope.

    We don’t want to downplay Scott’s amazing talent, presence or his ability to light up any stage with brilliant electricity. So many people have been gracious enough to praise his gift. The music is here to stay. But at some point, someone needs to step up and point out that yes, this will happen again – because as a society we almost encourage it. We read awful show reviews, watch videos of artists falling down, unable to recall their lyrics streaming on a teleprompter just a few feet away. And then we click “add to cart” because what actually belongs in a hospital is now considered art.

    Many of these artists have children. Children with tears in their eyes, experiencing panic because their cries go unheard. You might ask, “How were we to know? We read that he loved spending time with his children and that he’d been drug-free for years!” In reality, what you didn’t want to acknowledge was a paranoid man who couldn’t remember his own lyrics and who was only photographed with his children a handful of times in 15 years of fatherhood. I’ve always wanted to share more than anyone was comfortable with. When writing a book years ago, it pained me to sometimes gloss over so much grief and struggle, but I did what I thought was best for Noah and Lucy. I knew they would one day see and feel everything that I’d been trying to shield them from, and that they’d eventually be brave enough to say, “That mess was our father. We loved him, but a deep-rooted mix of love and disappointment made up the majority of our relationship with him.”

    Even after Scott and I split up, I spent countless hours trying to calm his paranoid fits, pushing him into the shower and filling him with coffee, just so that I could drop him into the audience at Noah’s talent show, or Lucy’s musical. Those short encounters were my attempts at giving the kids a feeling of normalcy with their dad. But anything longer would often turn into something scary and uncomfortable for them. Spending so many years immersed in Scott’s multiple illnesses led to my own depression; at one point, I was misdiagnosed as bipolar. I feared the same would happen to the children. There were times that Child Protective Services did not allow him to to be alone with them.

    When Scott did move on to another relationship, I hoped it would inspire him to grow. I had often encouraged him to date a “normal” girl, a woman who was also a mother, someone who had the energy that I no longer had to love him. Instead, when he remarried, the children were replaced. They were not invited to his wedding; child support checks often never arrived. Our once sweet Catholic boy refused to watch the kids participate in Christmas Eve plays because he was now an atheist. They have never set foot into his house, and they can’t remember the last time they saw him on a Father’s Day. I don’t share this with you to cast judgment, I do so because you most likely know at least one child in the same shoes. If you do, please acknowledge them and their experience. Offer to accompany them to the father-daughter dance, or teach them to throw a football. Even the bravest girl or boy will refrain from asking for something like that; they may be ashamed, or not want to inconvenience you. Just offer – or even insist if you have to.

    This is the final step in our long goodbye to Scott. Even though I felt we had no other choice, maybe we never should have let him go. Or maybe these last few years of separation were his parting gift to us – the only way he could think to soften what he knew would one day crush us deep into our souls. Over the last few years, I could hear his sadness and confusion when he’d call me late into the night, often crying about his inability to separate himself from negative people and bad choices. I won’t say he can rest now, or that he’s in a better place. He belongs with his children barbecuing in the backyard and waiting for a Notre Dame game to come on. We are angry and sad about this loss, but we are most devastated that he chose to give up.

    Noah and Lucy never sought perfection from their dad. They just kept hoping for a little effort. If you’re a parent not giving your best effort, all anyone asks is that you try just a little harder and don’t give up. Progress, not perfection, is what your children are praying for. Our hope for Scott has died, but there is still hope for others. Let’s choose to make this the first time we don’t glorify this tragedy with talk of rock and roll and the demons that, by the way, don’t have to come with it. Skip the depressing T-shirt with 1967-2015 on it – use the money to take a kid to a ballgame or out for ice cream.

  • Hearing Aide: Circles Around the Sun “Interludes For the Dead”

    Back in July, two giant stadiums, one in Santa Clara, CA and the other in Chicago, IL, held five shows between them in honor of the 50th anniversary of the Grateful Dead.  When fans arrived for the Fare Thee Well shows, they were welcomed to soothing sounds that filled the air before the show started. Set break and post-show also played this same music to fans as they were heading from their seats to grab a drink, meet with friends or leave the stadium for the evening. Fans were curious as to where this music was originating, as it had never been heard before.  Touches of Grateful Dead notes were hinted at throughout, but it was never an exact replica or clear match to being the Grateful Dead.  However, the music had a familiar touch about it, but it could not be pinpointed.  Who was behind this magical music?

    Not long after the reunion run ended, it came to light that Neal Casal was the man behind the music between sets at the reunion shows.  Casal, best known as the guitar player for the Chris Robinson Brotherhood, was approached by Justin Kreutzmann to assist with the musical side of the production during the breaks. Casal got together with three other musicians, bassist Dan Horne, drummer Mark Levy, and keyboardist Adam MacDougall, to create the music that would soon become a part of the Grateful Dead history forever. Over the course of a few days, the group put together over four and a half hours of “walk in music” for the reunion shows.  The album, Interludes For the Dead, contains the music that grew out of these magical recording sessions over a short period of time. Though the music was originally created specifically for use at the reunion shows, due to an overwhelming demand by fans, it has been put together and released in album form.

    When the tracks were being created, it was all done free-form, as the musicians flowed to where their hearts brought them musically. What they created was simply magical. Never anticipating the music being released to the public, the artists pushed some songs to over 25 minutes in length, which tests the boundaries of fitting on one side of a vinyl album. The longest song, “Farewell Franklins,” clocks in at 25:05 minutes.

    The flow of the music throughout this album maintains the same continuous mystical aura, as the notes hint and touch upon slight rhythms of Grateful Dead tunes. In addition, some songs follow the same themes of particular Grateful Dead tunes. For example, “Scarlottas Magnolias” has obvious hints of “Scarlet Begonias,” and “Scarlet Wheel” touches upon “The Wheel.” In addition, some tracks are named for specific people or stories. “Gilbert’s Groove” is named after Gilbert Shelton, the artist behind the cover artwork for The Grateful Dead’s Shakedown Street album.  “Hallucinate a Solution” was named for a quote Phil Lesh said before going onstage one evening during a Phil and Friends show. Casal had been performing with him, and a discussion came up regarding a difficult transition between two songs.  Lesh’s solution was to “hallucinate a solution,” hence the song named in his honor.

    Overall, the album that was never to be is crammed with mysterious tones that overlap transcendental notes and waves of creative bliss from beginning to end. This unexpected release easily hits the heart of fans of all genres, as it clearly falls into a category all its own. Allowing the music to flow from the heart, without the added pressure of producing an album from the get go, is what makes this album beautiful. A delight to the eardrums, each tune offers up gorgeously fluid sounds that take listeners on a journey of pleasurable surprises as the tracks drift from one to the next.

    Each track is completely different, yet similar, with the low key grooves that are maintained.  “Hallucinate A Solution” is chock full of hip beats, while “Gilberts Groove” brings it down with a funky vibe.  Jazzy edges are sliced into “Kaseys Bones,” while the mood takes a 180 with a mystical “Space Wheel.” The longest track, “Farewell Franklins,” picks up the beat with a soulful organ and crisp guitar chords that join arm in arm.  The album closes with the shortest tune, “Mountains of the Moon,” at just over five minutes in length. This spacey jam takes listeners on a trippy ride through quiet tones intertwined with cosmic hues, sculpting a perfect ending to this remarkably harmonious recording.

    Overall, Interludes For the Dead takes listeners from soulful jazz lines to funky, psychedelic punches and everything in between.  The free style jamming the musicians put into each track takes you on a magical ride through riffs that soothe the soul, relax the mind and provide endless colorful vibrations of energy. This is perfect music for any occasion, whether a long car ride, stretching to yoga or trying to calm from a hard day’s work. This is the album that belongs on everyone’s playlist. This will soon become one of your top albums played again and again.

    Key Tracks: Hallucinate A Solution, Farewell Franklins, Saturdays Children