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  • Vans Warped Tour 2015: Mud and Metal

    The summer concert season is finally upon us and is in full swing. Vans Warped Tour made a pit stop to Darien Lake as it does every year. This was their 21st year of being on the road and they have been pushing every year to be even fresher and entertaining than the next. They didn’t do so badly this year.

    Upon arrival you could automatically tell this was an event for the younger generations. I’d say the majority of the fans were between 15 and 18 years of age. The line was wrapped around from the front entrance to around the fences at least a quarter-mile back. It was nothing but fouled mouthed scandalously dressed teenagers that were littering all over the place as I walked passed them to the Guest list tent.

    The weather could not have been more beautiful. It wasn’t too hot and it was a rain free day. The afternoon before we had hours worth of rain so the ground was pretty soggy and wet. My converse and calves were covered in mud by the end of the night.

    Taking a walk around and scoping out the area, I had never been to Vans Warped Tour so wanted to see what they had to offer besides the 10 stages of music. In the middle of the event strategically placed in rows like a carnival setting they had band’s tents where you could buy merch or shoot the breeze with them. So I took a peek and continued down the hill to where my favorite part of the event happened.

    I met the one of my biggest influences in life, Adam Elmakias. I have been following his work for couple years now and he is everything I wanted to be in life. Adam surprisingly is not even a year older than me. His job is to go on tour with bands and photograph their everyday lives on the road, on and off stage. I was little star struck but not the Justin Bieber fan kind. I took my picture with him and shot the breeze for a brief moment. He gives me hope that one day I’ll go on tour with a band and take pictures. That’s my dream in life.

    The Unicorn stage was second in command that night. If you have never seen Family Force 5 I recommend seeing them at least once. They were highly entertaining on the stage. Their retro bright straight out of the ’80s fashion-wear, to the trampoline jumping on stage kept things fresh and new. These guys brought so much stimulation to the stage I couldn’t look away.

    I have a couple of friends that just love everything about Attila. I’m sorry but I can’t see what the hubbub is about. Sure they were wonderful to photograph, but vocally and lyrically it left a bitter taste in my mouth. Their first song right out of the gate was called “Middle finger”. Crowd was nothing but obsessed with this song. Then when they started singing their second song “Rage” all hell broke loose. The crowd surfing and moshing began and was in full force, as a photographer in the pit when that happens can become a dangerous scenario if you are not aware of your surroundings. The only thing I enjoyed about Attila’s set was that they had life plastic red garbage cans set up filled with beach balls. The idea behind this was to give the fans the balls and have them play some beer pong.

    Most of the melodic hardcore bands or borderline metal bands were placed in the far back on the Monster stage. I found myself unable to be peeled away from this particular setup, as most of the bands there were so tight on point. There are a few worth mentioning that were really pleasant to listen to as well as photograph.

    Escape the Fate, this band I had been eagerly waiting to see because a couple of people I talked with said they were fantastic live. So upon arrival a few minutes before show time I was pleasantly surprised by the hustle of the stage crew. So as the show began the outfits immediately caught my attention. They seem to match accordingly on stage which I thought was a nice touch. Some bands put in little effort towards appearance and it looks poor on their part. I was not disappointed at all by Escape the Fate. They kept my attention the entire time by delivering such a powerful performance.

    Fit For A King, These guys were recently in town for a show at a tiny club called The Waiting Room. I did not attend but from what I understand they put on a great performance, according to a colleague this one trumped over the previous. Front man Ryan Kirby delivered a strong solid performance and newest member who is bassist and clean vocalist Ryan O` Leary was nothing but energy on the stage.

    Hard Rock Kevin Says Stage had any miscellaneous band that didn’t quite fit into the pop metal categories. Alvarez Kings I must say out of all the bands on that stage I saw were the most relaxed. They weren’t your typical warped tour kind of band. They were softer and it wasn’t what I normally listen to you, but nevertheless enjoyable. I would certainly go out of my way to listen to them while doing a relaxing activity.

    Ernie ball stage was hopping the entire day; it was conveniently placed by the concession stands. This stage is meant for local winners of the Battle of the Bands competition. My favorite part about this is that it’s a truck that has a stage built into it. While I was paying a ridiculous amount for a hot dog that my wallet still hates me for, I couldn’t help but overhear a couple of bands that made me stop and take a listen.

    Until We Are Ghosts, Until we are ghost are based out of Rochester, NY which is approximately only hour away from Darien Lake. I have had the pleasure of working with these guys doing live photography for them on several occasions when they come to Buffalo. When I heard they were playing on warped Tour I couldn’t have been happier for them. I have seen how hard they have worked to get here. They deserve it all and more. The guys started off their set with Repression. Vocalist Rob Anders always brings an unbelievable performance every time I’ve seen them. Today was no different.

    A Story Inspired, These guys are from my hometown of Buffalo, NY. Never previously heard of A Story Inspired until I captured them on the Ernie ball stage in the early afternoon. These guys have clearly become of my go to favorite local bands when I need a heavy music fix; which is often, especially at the gym. The band consists of two vocalists Zachary Mecca, and Josh Karlis. These two are perfectly in sync and I couldn’t peel my eyes away from the stage.  Bassist Noah Elardo is well-known for his “Lion Mane” hair, he used this to his advantage on stage giving the ladies something to be googly-eyed over. These guys were one of my favorite bands by far. Everything about their set was tight and choreography was synced to a T. My hope is to see this band take off and go all the way in this music industry, it shows that they have put every last stitch of energy into their music and would want nothing more.

    The Shark stage was one of two stages that had the big named veteran musicians on. The first major headlining band to kick things off on the Shark stage at was Silverstein. I listened to these guys a little bit in high school. They brought their aggressive melodic punk style in full swing. Shane Told and his band brought their best to the stage Wednesday. Second song in they played “Smile in Your Sleep”. This song got the crowd screaming and starting mosh pits.

    August Burns Red is from our friendly bordering state Pennsylvania. Vocalist Jake Luhrs and his band have been together for just about 13 years now and their sound was spot on. Drummer Matt Griener had such great dynamic drumming, and their lyrics and sound are so skillfully crafted to make it their own.

    Quintet group Blessthefall was one of those bands, a forced to be reckoned with that day. They are a melodicore band from Arizona. These guys brought and left every last ounce of energy on the stage. The vocal presence of Beau Bokan was undeniably the strongest I heard all day. They opened up with “you wear the crown but you’re no king”. The middle of their set they played one of their most popular songs 2.0. This is primarily a song they are known for.

    Asking Alexandria was one of the last bands to close out the evening at approximately 8pm. They had introduced their new singer Denis Stoff. He certainly brought his own flavor and did justice to all of their harder songs. I was impressed by them all around and thought they put on a good performance and kept the crowd enticed for the entire performance. Once they started singing “Breathless” The crowd just lost their minds. Moshing began and extreme crowd surfing commenced.

    Well my very first Warped Tour was a success. I Spent approximately nine hours shooting and walked away with a little sunburn, muddy covered shoes and feet that felt like they were going to fall off; but I wouldn’t have traded it for anything. All the bands brought their own flavor and it was enjoyable for all on one level or another. I will see you next year Warped Tour 22.

  • Interpol to Play Penultimate Show of North American Tour at Upstate Concert Hall

    Back with a trimmed lineup on the heels of the critically acclaimed 2014 album El Pintor, Interpol brings the a darker, deeper sound to Upstate Concert Hall. July 29, the penultimate stop on their North American tour.

    interpolThe indie rockers combine Depeche Mode sound with smooth electronica that is evenly spliced, just proper enough to establish but not kill a mood. Interpol is a consistent upper, the yerba mate to Tame Impala’s oolong tea. Steady, not too strong but certainly not too weak.

    Home in New York City for a July 21 performance at Brooklyn’s Prospect Park, they performed many songs off their debut Turn on the Bright Lights, as well as the recent El Pintor. They recently spent some time in Buffalo during a November 2014 snow storm, stranded on their tour bus for 48 hours. They will find much better weather as they head north to Clifton Park, one night before wrapping up in Montreal and a month long tour in Europe before taking a break. 

    Interpol takes the stage at Upstate Concert Hall on July 29, with opener Cosmicide playing at 8pm.

  • Mayhem Festival Bring the Heat to Hartford

    This year’s edition of the Rockstar Energy Drink Mayhem Festival stopped at the Xfinity Theatre in Hartford, Connecticut, on Sunday July 19th. Along with 14 bands, the festival also brought scorching temperatures with it. Sunday’s heat was no match for metal fans though, as many camped out at the rail all day long or participated in throwing down in the mosh pits.

    Music started on the Victory Records Stage shortly after 1pm with the Coldcock Band Winner, Dead By Wednesday. Although many fans were still in the parking lot hanging out or making their way into the festival, Dead By Wednesday didn’t seem to care and gave Mayhem everything they had. After their set was over, they welcomed fans to come hang out with them at the Coldcock tent. After a short 5 minute stage change, Code Orange was next up. This band formed back in 2008 and continues to grow. When they came on stage the Victory Stage area was starting to fill in and the mosh pits started. Code Orange did a good job getting the crowd ready for a long day of music.

    Dead By Wednesday
    Dead By Wednesday

    The next two bands to take the stage were Shattered Sun and Sworn In. Shattered Sun took the stage right around 2pm when pretty much everyone was inside. People were either checking out the tents set up all around the venue or checking out what Shattered Sun had to offer. Touring behind their recent release Hope Within Hatred, the 6 piece band Shattered Sun showed they weren’t stopping any time soon. Sworn In took the stage after with a very aggressive and hardcore approach. At the start of their set, their singer told the crowd he wanted someone in the ICU by the time the song was over. This made for a fun time for anyone who was partaking in the mosh pits.

    After Sworn In and a 15 minute stage change, Sister Sin took the stage. This female-fronted Swedish band was different then the rest of the more hardcore bands on the Victory Records Stage. Sister Sin had more of a throwback metal style that made it feel like the 80s. This change of style was accepted by the crowd and the entire crowd got into this band. After their set was over, Sister Sin went to their merchandise tent to meet fans who were already lined up waiting during the set.

    Sister Sin
    Sister Sin

    With the heat not letting up at all, Jungle Rot took the stage at 4pm and delivered a killer set behind their recent release Order Shall Prevail. Even with only having a short 25 minute time limit, Jungle Rot ripped through a handful of songs from 3 different albums including their newest. Fans were definitely left wanting to hear more heavy riffs and killer drumming out of the guys in Jungle Rot. Once Jungle Rot was done, fans used the quick break to go hydrate at the Rockstar Energy Drink booth and other places. Luckily, the setup was done perfectly with everything right around the Victory Records Stage, so fans didn’t have to miss any action. Thy Art Is Murder was up next. Touring behind their June release of Holy War, these guys were ready to show Mayhem what they were made of. Their setlist features tracks from both Holy War and their previous release Hate. The highlight of their set is when they kicked an autographed soccer ball into the crowd for the fans.

    The last band to take the Victory Records Stage before things got hectic with the Rockstar Energy Drink Main Stage and Victory Stage going back and forth between bands was Whitechapel. Generally classified as a deathcore band, Whitechapel displayed many different traits of other genres. This 6 piece band, which features a 3 guitar attack were the reason why many of the fans at the rail had been there all day. The dedication paid off those fans who stood in the heat all day long because Whitechapel surely did not disappoint anyone in Hartford.

    Whitechapel
    Whitechapel

    The Rockstar Energy Drink Main Stage started off with The Devil Wears Prada. These guys had quite the mix of clean melodic vocals and hardcore screams. Being the first band to open the main stage, they didn’t have much space up on stage from being in front of every other band’s gear after them, but they were making the most of it. These guys were all over the stage and really getting the crowd prepared for the rest of the evening. As the skies darkened, there was no better time for Kissing Candice to take the Victory Record Stage. This gore-core band took the stage with masks and blood covered clothes. Fans who were lucky enough had the chance to pose for photos with them earlier in the day at the Coldcock tent.

    With the music then shifting back over the main stage, fans were ready to see HELLYEAH. This band had the pit section inside ready to go before they even walked on stage. All the fans there knew who HELLYEAH were and they were prepared to thrown down. The set opened up with Vinny Paul standing up on his drum riser and giving the crowd the go ahead signal. The setlist was dominated by their last album, Blood For Blood. The only two songs that weren’t off that release were “War In Me” and the closing song “You Wouldn’t Know”. Lead singer Chad Gray took the time between songs to thank fans and to speak to them about how important music was to him. HELLYEAH continues to grow and this tour is only proof of that. Be sure to follow them in the news because there’s already talks about their next album coming early 2016.

    HELLYEAH
    HELLYEAH

    The last band to play on the Victory Records stage came all the way from Melbourne, Australia and they were called Feed Her To The Sharks. This band was another that featured both clean melodic lyrics with a mix of heavy metalcore screams. They mixed their elements quite well and impressed everyone who left their spots at the main stage area. Their set was very short but they like many of the other bands made the best of their available time.

    Overshadowing their setlist was the lurking set time for the mighty King Diamond. Starting right on cue, the lights dropped right at 8:10pm. King Diamond shortly appeared from the top of the stage structure they had set up. This was the first band of the day with a serious production. Complete with gargoyles and inverted crosses, King Diamond had a fantastic theatrical set. Not showing their age one bit, King Diamond and the rest of the band sounded absolutely fantastic. Even though the set was only an hour, the band got to play 10 songs and had a nice mix of both King Diamond and Mercyful Fate covers.

    King Diamond
    King Diamond

    After a long 35 minute wait after King Diamond, Slayer fans watched the big white banner finally fall, revealing a relatively empty stage for a headliner. There was no time for disappointment though as Slayer opened the night with their new single “Repentless” which is the title of their new album that’s due out on September 11th. Along with this new track, fans who were just cooling down finally got blasts of fire from the stage. Fans knew there was a reason for just one big screen behind the stage and a row of cabs on each side of drummer Paul Bostaph. The pyrotechnics continued all through the evening and were on queue with the music. The giant screen behind the stage displayed album covers from each song or animated videos. This stage setup was spectacular and went with the music perfectly.

    Slayer
    Slayer

    The band was spot on all night long in every aspect. Tom Araya sounded absolutely fantastic behind the mic. Guitarists Kerry King and Gary Holt were top-notch, representing themselves as two of the best thrash metal guitarists of all time. Finally, Paul Bostaph was a beast behind the kit, not missing a single beat. Many people were skeptical with the recent changes that Slayer had gone through, but it is apparent that this change has rejuvenated the band and there’s no letting off the gas pedal.

    Slayer Setlist: Delusions of Saviour (Opening), Repentless, Hate Worldwide, Jihad, Disciple, God Send Death, War Ensemble, When The Stillness Comes, Implode, Mandatory Suicide, Chemical Warfare, Ghosts Of War, Dead Skin Mask, Hell Awaits, South Of Heaven, Raining Blood, Angel Of Death

    Mayhem Festival was scrutinized this year after they released the lineup, as it was deemed weak and not as impressive as previous years by fans. This was definitely not the case this year. Slayer, King Diamond, HELLYEAH, The Devil Wears Prada and everyone who took the Victory Records Stage put on one hell of a show that needs to be seen.

    The tour has less than 2 weeks left to go before it ends in Dallas, TX. Check out the rest of the dates and cities here.

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  • Just Announced: PearlPalooza 2015 To Bring Matisyahu and Local Talent To Free Street Fest

    Before the summer is over there, is a time and place for an awesome mix of live music on the street and that time and place is Sept. 12 in Albany. The sixth annual 2015 PearlPalooza just announced the lineup for the street festival with national and local acts:

    Matisyahu, the hasidic reggae rapper from Brooklyn who rose to fame with his 2005 hit single “King Without a Crown.”
    The Moth & The Flame, an alternative rock band originally from Utah but now based in Los Angeles.
    Until the Ribbon Breaks, a three-piece British group that blends “electronic, pop, rock, hip-hop, alternative, avant-garde, R&B.”
    Turbo Fruits, a garage rock band from Nashville, Tennessee.
    Wild Adriatic, an Albany-based band that plays a bluesy, soul-infused kind of rock.
    Better By Morning, an alternative group from Saratoga Springs.
    …and another band TBA

    PearlPalooza 2015 Speaking of local acts, Wild Adriatic got a bit of attention this year as they performed a set at Bonnaroo after winning a bracket-style battle of the bands.

    PearlPalooza 2015 is free and takes place on Pearl Street in Albany from 1 to 8 p.m. Tickets for special viewing areas and meet-and-greets with the bands are available for a reasonable price online.

  • Camp Bisco: New Place, Better Party

    Walking into Camp Bisco was quite different this year than in years past. For starters, the bikers were replaced with police which kept things on the up and up and lead to a safer vibe throughout. As I walked in, there were two rows of your standard concert venders: merchandise, burritos, wicked gems, and further down the path was a small stage called Steamtown Stage. This stage was located in a smaller area right in front of the entrance to Montage Mountain, where there always seemed to be a bunch of people having fun.

    Once you walked through the main gate there were, of course, more vendors, but also there were water stations strategically stationed around the venue so people could be safe and keep hydrated. The path further led to the main stage, Electric City Stage, with a pavilion feel and covered with a huge white tent — which would come in handy later on in the weekend. Past the Electric City Stage there were more vendors and checkpoints on the way to the water park, which had three slides, a wave pool and a lazy river. With the temperatures as high as they were, this would come in handy for those who wish to partake. Even cooler, just past the wave pool was the second main stage, which stage looked over a mountain where you could catch a glimpse of people zip lining or going on a scenic chair lift ride. This area was also home to the disco lounge. Inside the lounge DJs spun records and kids hula hooped, which continued throughout the festival. All in all, Montage Mountain was set up perfectly for Camp Bisco.

    On Thursday, the Business Casual Disco started things off with a bang on the electric city stage. The smooth bass beats set everyone up for what was to be a rocking weekend. Kung Fu brought their unique sound to the Above the Waves stage, which is a double entendre — being next to the wave pool, and also being one of the Disco Biscuits classic songs. With the newly recruited Beau Sasser on keys, his presence was made very prominent throughout the band’s set. Being next to the wave pool and surrounded by tons of water rides, one might have asked themselves “Where am I?” You, my friend, are at the new Camp Bisco, where Kung Fu played their intricate part in adding excitement and fun to the party. It was almost Kismet as the band was finishing up their set, the sun slowly sunk behind the stage making for a most blissful moment. Sound Tribe Sector 9 tore things up back on the Electric City stage, and with beats galore a smile was on everyone’s face. Opening with “March” was the perfect choice. A bouncy number that had even the biggest skeptics hooked. A different rendition of the Nina Simone classic “New Dawn, New Day” was also a treat. It enabled people who may not be familiar with the bands catalog to connect. There was no other act better suited to open up for the The Disco Biscuits.

    Marc Brownstein began the Biscuits set on the microphone with an announcement that they had started in Pennsylvania in 1999 and after a few years away it was good to be back home. When that segued into the Prince’s Purple rain hit “1999,” the crowd went totally nuts. Starting out with this song was an inspired way to kick off the party. Everyone was into it and it left the door open to endless possibilities, such as “Mr. Don” and a huge “Reactor” closer, which left confetti strewn all over as it popped right at the end. Sheer entertainment brilliance. After the Disco Biscuits, Twiddle played on the Above the Waves stage to a miniscule crowd — it didn’t help that Pretty Lights was playing the Electric City stage. Regardless of the numbers, these guys tore it up. With the raspy lead vocals of Mihali Savoulidis and his wailing guitar, there was no way those in attendance weren’t going to have a good time.

    Pigeons Playing Ping Pong brought their raging style to the Above the Waves stage to kick off day two. Although there were many highlights in this electro fusions band’s set, none was more prominent than the Talking Heads cover “Psycho Killer.” The way lead singer Greg Ormont captured the spirit of the song was unparalleled, they had the whole crowd into their set with people actually walking around like pigeons! It was kind of weird but enormously fun. American Babies, Tom Hamilton’s home base, played a stellar set. The vocal range of Hamilton was soothing with passion while bassist Clay Parnell played with one hand. (His left hand appeared to be in a brace of some sort.) Hamilton’s shredding guitar brought the set to a close, leaving fans old and new wanting more. The indie electric duo CHERUB brought a new sound to the stage. Reminiscent of MGMT, the duo uses a lot of looping and beats to make their sound different. Their vocal ranges were in a league of their own hitting high and low all in the same line of a song. It’s refreshing to see a band take an idea and make it a reality, which is what CHERUB did.

    For their second night of music the Disco Biscuits focused on their inversion style, inverting four songs in two sets. This is a style unique to the Biscuits which involves playing the middle and the end of the song before going back into the beginning. It’s really something to see. Opening with “Beethoven’s Fifth” and going into an inverted “House Dog Party Favor” was out of this world and performed flawlessly. As a surprise and a pleasant one at that, Marc Brownstein called up a guest singer to help the Biscuits take on the Hall and Oates number “She’s Gone.” This throwback got everyone’s attention, resulting in high fives circulating through the crowd and there was a happy vibe throughout the whole pavilion. The second set opened with the Grateful Dead’s “Help on the way > Slipnot” with a little help from Tom Hamilton. It was cool how they played homage to the Dead in a different way than most bands do. This was the Biscuits playing as the Biscuits, but playing a Dead song – not your average cover. This is when the fun really started for the fans as well as the band. Three inversions in a row: “Confrontation,” “Overture” and “Above the waves.” The Biscuits kept the crowd on their toes never knowing which song was coming next or which way it would be played. The covers continued with a take on Pink Floyd’s “Us and Them” featuring Dominic Lalli of Big Gigantic on the saxophone. This slow melodic song showed a different side of the Biscuits, a more patient side and Dom’s sax only added to that serenity — really nicely done. This segued into the set closer “Helicopters” which took the subdued crowd and brought their energy back, preparing them for day three of Camp Bisco.

    Saturday at Camp Bisco is always a little more filled with music than the days prior. The Disco Biscuits played 3 sets and if that wasn’t enough, there was something happening on most of the stages all day so boredom didn’t have a chance. The Disco Biscuits opened the Electric City Stage with the crowd pleaser “Astronaut,” a perfect start to the set, followed by a dark version of the staple “Vassilios” and finishing with an epic “I-man.” If this was the kind of set they opened with, one could only imagine what was to come later on. Reptar, a band hailing from Atlanta, Georgia played at the Above the Waves stage. Reptar had an indie punk feel to them with a lot of energy and the crowd ate it up. They would have been a great segue into Papadiso but due to a severe weather warning their set was pushed back and everyone was asked to please seek shelter. This is where the white tent came in handy. People huddled around the area waiting for the storm to pass. When it finally did, it left a euphoric rainbow and fantastic vibes. Since most people were under the tent anyway, they stayed for the Disco Biscuits. The energy was intense. Opening up with the classical piece “Saber Dance” the band showed off their diversity and solidified that they are not just a transfusion band, as they previously did in the festival by playing “Beethoven’s Fifth.” This set was solid with “Konkrete,” “Crystal Ball” and a Muse cover “Knights of Cydonia.” The latter was an extra special treat as it was the first time they had ever played it. Bassnectar was up next and made a lot of people extremely happy. His legions of fans took over the pavilion leaving Disco Biscuit fans to wander around aimlessly waiting for the Biscuits to reemerge. T just kept going and going and every song or beat or whatever it was sounded the same, but these fans ate it up. One fan actually said “I live for Lorin (Bassnectars real name).” Everything may not be for everyone but the crowd seemed to have a really good time. As the Bassheads dispersed to one of the DJ venues, the Bisco fans proudly regained their seats and were ready for the last set of the weekend, performed by the festivals namesake, The Disco Biscuits. Their last set was played so tightly and patiently you were able to tell that the boys have been practicing. This became even more apparent when they covered LCD Soundsystems “Home”. The whole crowd was bouncing and high fiving. It was definitely the highlight, not just of the set, but of the festival as a whole.

  • Avenged Sevenfold Says Goodbye To Drummer Arin Ilejay

    Future metal drummers of the world: Get your audition tapes ready. How would you like to be the next man banging the sticks for Avenged Sevenfold? Well there’s an opening behind cymbals as band members announced that they have parted ways with current drummer Arin Ilejay due to “creative differences.”

    Arin Ilejay was the band’s second drummer after he replaced fan favorite James “The Rev” Sullivan. Sullivan passed away on Dec. 28, 2009 at the age of 28. Sullivan’s cause of death was from acute polydrug intoxication from mixing the drugs oxymorphone, oxycodone, diazepam and ethanol.

    The band posted a statement on its website and social media about the parting.

    Hello Everyone –
    We are writing this to inform you all that we will be moving forward without Arin IIejay as our drummer. Arin has been nothing but a positive energy and monster drummer for us over the past 4 years. We love the guy and always will. We are and will always be grateful to him for helping us to move forward through some very dark times. Creatively though, we felt we needed to move in a different direction. While we can’t say more at this time, we are excited for the future and looking forward to sharing our plans soon with the greatest fans in the world. As always we appreciate your understanding and unwavering support.

    With Love –
    Matt, Zack, Brian, Johnny

    The band had plans to record its seventh studio album this summer to be released in 2016. This could add a speed bump in those plans.

  • The Little Venue That Could: Why Broadway Joe’s Deserves More Respect

    It’s hard to come across a band from the Western New York area who hasn’t played a show at Broadway Joe’s Bar and Grille. At the same time, it’s hard to attend a show in the Western New York area without hearing at least one person talking the venue down. “It’s too small”, “It’s poorly run”, “It’s shit”, are the usual complaints I overhear from various show goers. But I respectfully disagree with just about every bit of criticism I’ve ever heard about the place. That’s why I’m appointing myself the public defender of Broadway Joe’s in the Buffalo, New York metal scene’s courtroom.

    broadway joes

    With venues shutting down left and right in this area, both national and local metal acts in and around Buffalo are left with very few options. But for many years now, Broadway Joe’s has been there to host the shows that no one else will. Hundreds, probably thousands of metal acts by now have graced their stage and had successful shows. Over the last ten years, I’ve personally performed there in multiple bands as a drummer, guitarist and vocalist. Never once, have I had an issue with the staff or the venue itself. Sure, the room capacity is only 300, but if no other promoters are biting and the other venues in the area are either already booked or nonexistent, then why the hell wouldn’t you just appreciate what you can get and move on?

    In recent years, I’ve seen both Soilwork and Shadows Fall play that room and realized that I prefer seeing bands of that caliber in a more intimate setting anyway. How many times have you gone to a show to see your favorite bigger band and had to deal with overpriced drinks, guard rails, huge crowds, a distant stage and constricting set times? At Bways, the drinks are cold and reasonably priced, the service is friendly, the headliners never get ordered off stage (unless they’re being big dicks), and the stage (your favorite band) is right in your face.

    Furthermore, shouldn’t the band members who come and go from the venue be the only critics with any merit? It’s kind of interesting how most of the people I hear trash talking this room aren’t in bands, nor do they have any experience working in, with or for bands (at least none that I’m aware of). I’m not saying I know the life story of every last show goer in this area, but I definitely keep track of who I see in bands and who I see working the rooms they play in. If you think you can put on a better show for a band coming through the area, then where’s your venue? Where’s your offer?

    Broadway Joes

    Now, there’s nothing wrong with wanting to play in a bigger room in front of a bigger audience, but when the going gets tough, deal with it and make the best of the situation. Would you rather the shows not happen at all? Just this past Sunday night, I saw Psycroptic, Arkaik, Ovid’s Withering and The Kennedy Veil at Bways. Before that night, I had little to no experience with any of those bands. But it looked like a reputable tour with sick bands and I wanted to check it out. Evidently, the tour as a whole had been doing pretty poorly and their Buffalo date was nearly cancelled.

    But the folks at Broadway Joe’s kept their promise and gave them a room to play in. The attendance was a little disappointing but those who were there had a great time and I got into some great new music. I wish more people in the scene paid more attention to bulletin boards in bars, or wherever fliers are typically found and of course, social media. Sure, people work, have kids, are married, and naturally, there are usually multiple shows booked each night in this town, especially on weekends. But I know there are more of you out there who just aren’t making the effort for whatever the reason may be. I’ve been plugging reasons to attend shows in this area on this site for months now, and I’m nowhere near done.

    I suppose the last point I’m going to make about Broadway Joe’s is this: If you have no experience with bands or running a place of business, don’t badmouth this room. These are great people doing great things, and I’ve never really heard too many bands complain. Most bands that play Bways are just happy they still got to play a fucking show, which is one of the most important parts of being in a band. People like Bryan Parker (owner), Joe Tonaus (promotions), Frank Short (go-to sound aficionado), the bartenders, bar-backs, etc. are helping ensure that we still have a scene to support.

    Now I’m going to post a few more clips. Here are some tunes from bigger acts who have played Bways in recent years. WARNING: The footage below displays band members and show goers having a good time in a smaller venue. “Live show elitists” are urged not to expose themselves to this level of fun.

    This article was originally posted on The Metal on 7/21/15.

  • Wilco’s Solid Sound Festival: A Solid Way to Kick off Summer

    In the foothills of the Berkshire mountains, lies the quaint town of North Adams, Massachusetts. In a town known for its fine dining, the Massachusetts College of Liberal Arts and a plethora of museums, one of its finest landmarks is Mass MOCA, Massachusetts Museum of Contemporary Art. With its unique design and set up, this museum is one of a kind. Making it even more special is the Solid Sound Festival, where every other summer is a home of Wilco’s.

    A festival unlike any other, Solid Sound features a very family friendly atmosphere as well as some of the best musical acts, both known (NRBQ) and on the rise (Parquet Courts). Run like a well-oiled machine, there are parking lots set up across town and school buses running shuttles. There are many different performance venues set up throughout the museum. Joe’s field, the largest, is a beautiful field with a river running on one side of it and a train chugging along on the other.

    The sign has moved!!!#solidsoundfest

    A photo posted by NYS Music (@nystatemusic) on

    On Friday night, Real Estate, a band hailing from New Jersey, started things off on Joes Field. Their melodic shoe gazer sound captivated the audience. Next up were Solid Sound curators, Wilco. Making this night particularly unique, Wilco would go unplugged – a undertaking the 20 year old band had never taken on before. The band opened their set with “Misunderstood,” a sing a long classic from the Wilco archives. Much of the set would follow suit. As Wilco front man, Jeff Tweedy said “they’ll bring the rock tomorrow night.” This caused a mighty stir from the audience. As they raised their arms and sang along to “She’s a Jar,” I’m always in love” and “Kamera,” the audience was left to wonder: What would be left for the next night? There was plenty and the festivities were just beginning. As the fresh morning air blew over North Adams Saturday morning, there was a feeling of togetherness throughout the town. As we first walked into the museum courtyard there was a blue grass group playing freely, unfettered by equipment or speakers. It was a sight to see.

    Walking into the museum lobby, it was hard to decide in which direction to explore first. The comedy group, Superego, was performing in the Hunter Center – it was a mixture of funny and not so funny. The act was peppered with corny improvisation that seemingly only make sense to the performers, because they were the only ones laughing. They tried though, and it is possible a select portion of the crowd enjoyed this – there is something for everyone! Ryley Walker, a Chicago native, started off Saturday’s music program. With his Nick Drake-like voice and harmonies, Walker was the perfect way to musically kick off the Day’s festivities. His passion infused every word, captivating the crowd from the depths of his soul. The audience could not turn away as they knew they were in for a great day of music. LULUC, an Australian duo made up of Zoe Randell and Steve Hassett, occupied Courtyard D, a midsized viewing area. Their sound was quite unquiet, with strong soothing lyrics coming from Randall’s beautiful voice. The peaceful guitar on top of melodic vocals just had the audience in awe. They hit their stride and stayed there throughout their set.

    LULUC harmoniously welcome the afternoon. #solidsoundfest

    A photo posted by NYS Music (@nystatemusic) on

    NRBQ, a band who has been around nearly fifty years, put on a party in the late afternoon. Courtyard D went from melodic to Mayhem. With wailing saxophones and screaming guitars, NRBQ brought the ingredients to have a a good time.

    NRBQ#solidsoundfest

    A photo posted by NYS Music (@nystatemusic) on

    The Parquet Courts, led by the voice of A. Savage, were the stand out surprise of the festival. People were bopping to the music at this special treat, swaying back and forth. The audience embraced the sound wholeheartedly, agog that this act was exceeding all expectations. By the end of the set, Savage’s vocals screaming through the air had the whole front of the stage jumping up and down, while the rest of the crowd was all smiles.

    As the clouds thickened overhead, Wilco decided to move up their set times by an hour, not wanting to have a repeat of their second Solid Sound festival – it rained, it rained a lot. So Mac Demarco and crew took stage on Joes field. Cultivating a rocking sound that held the audience, Mac got the saturated crowd ready for Wilco.

    With rain making a steadier presence and the temperature beginning to drop, Wilco fans, ponchos and all, came out in droves to see the men of the hour. After promising a rocking evening the night, Jeff Tweedy delivered and “Art of almost,” “Impossible Germany” and “Ashes of American Flags” were prime examples. With soaring solos from guitarist Nels Cline, and a whole aura of musicianship, Wilco showcased a tight band. There seemed very little they could do to make the audience any happier, unless, of course, they could have stopped the rain!

    Sunday was a very relaxing day. The vibe throughout the museum was satisfaction and amazement at some of the galleries displayed. The Hunter Center was very happy to play host to The Autumn Defense and the Windy hills, featuring Johns Straitt and Pat Sansone of Wilco, who dedicated a set to the cult surfer classic Spirit of Akasha. This highlighted creativity and style that a fan may not have seen just watching a Wilco show.

    Upstate New Yorkers,The Felice Brothers took the staged at Courtyard C to play a set of their unique style. Their storytelling was just that – telling. It was as if you were following them through their journey as they paved the way with their lyrics. People bobbed and waved, and exuded genuine happiness.

    The final act of the festival was Tweedy, and Friends. The first half of the set featured the band Tweedy, highlighting Jeff and his son, Spencer. The second half of the set included almost every musician who played over the weekend – Ryley Walker, LULUC, Cibbo Matto, The Feelice Brothers, and all of the members of Wilco in one form of another. This collaboration was a great way to close out the festivities. Seeing the family on stage mirrored by the family-focused vibe of the whole weekend, this set brought everything full circle and it was done delightfully.

  • The Motet Announces Fall Tour Dates and a Midwest Halloween Run

    With August just days away, touring bands are beginning to release their fall tour dates, including some exceptionally special Halloween shows. The Motet has done just that, letting fans know that this Halloween will be an ode to one of the funkiest decades in history. Designating it “Mixtape 1977,” the Colorado funk band is taking their annual Halloween tradition on the road with stops in Des Moines, IA, Minneapolis, MN, Milwaukee, WI and Chicago.

    mixtape

    The Motet has kept with tradition in the past holding Halloween shows held in their home state. With a new twist on things, they are spreading the love this fall, giving fans in the Midwest an opportunity to get in on the experience. Colorado fans can look forward to a new tradition with The Motet’s “Hometown Hustle” at The Ogden Theatre on November 13 and 14. Friday’s show will feature Chicago electro-funk band The Main Squeeze. For Saturday, The Motet will be rolling out the “Spirit of ’77.” This will feature a special second set of music from their Halloween shows “Mixtape 1977.”

    In addition to the “Mixtape 1977” mini tour and “Hometown Hustle,” The Motet is hitting a number of festivals including Catskill Chill, Summer Meltdown, Phases of the Moon and Magnolia Festival.  With stops in Texas, Oklahoma, Florida, Arkansas, Arizona, Massachusetts and New York, The Motet will be covering a handful of states other than the above mentioned theme nights.

    Be sure to check their website and Facebook page for complete tour dates and information.

    untitled

  • David Gilmour Adds Radio City Music Hall Date in April

    In support of Rattle That Lock, David Gilmour at first had only announced four U.S. dates. Ticket demands quickly prompted second dates at each of those four cities. Some exciting news has come that Gilmour has added a third NYC date. He will take to the much smaller than MSG space of Radio City Music Hall on Sunday, April 10 making it the first of his now three nights in NYC. Tickets go on sale Thursday Dec. 3 at 10 am on Ticketmaster. Special presale times are listed on Ticketmaster.

    David Gilmour Radio CityThe renowned guitarist behind Pink Floyd announced a new solo album last week, Rattle That Lock, and a four North America tour dates which went on sale the next day. The extraordinary response to that ticket sale brought about second chances for people to partake in the limited opportunity.

    Rattle That Lock is Gilmour’s first solo album since his 2006 release On An Island. Along with the announcement came a preview of the album with the title track hitting the internet.

    The song deviates slightly from elements used on his previous solo album and the final two Pink Floyd releases, The Division Bell and The Endless Riverwhere he was the driving creative force. It calls back a bit to his older solo works, which brings speculation about what we might — or might not — hear when the album debuts on Sept. 18.

    David Gilmour Rattle That Lock

    Gilmour’s first four tour dates garnered a lot of hype, with tickets for the Madison Square Garden show becoming slim pickings soon after they went on sale. High hopes became grounded as Gilmour announced four more dates to make each of his stops a two-night affair.

    He will now play Madison Square Garden on April 11 and 12, 2016. Tickets for the just-announced April 12 show go on sale in less than a week, starting at 10 a.m. on July 27. As with last week’s ticket sales, every ticket buyer for the newly announced shows will receive a copy of Rattle That Lock.

    Tickets are available through Ticketmaster and Gilmour’s website.

    From Gilmour’s Facebook page:

    Due to phenomenal demand David Gilmour has added four extra North American dates. In support of new album ‘Rattle That Lock’, these will be David Gilmour’s first North American concerts in more than a decade. Tickets go on sale on Monday 27 July and ticket buyers will be among the first to receive the new album, as every ticket purchased online will include a ‘Rattle That Lock’ CD.

    David Gilmour Tour Dates:

    3/24/16 – Hollywood Bowl – Los Angeles, CA
    3/25/16 – Hollywood Bowl – Los Angeles, CA (new)
    3/31/16 – Air Canada Centre – Toronto, ON
    4/01/16 – Air Canada Centre – Toronto, ON (new)
    4/04/16 – United Center – Chicago, IL (new)
    4/08/16 – United Center – Chicago, IL
    4/11/16 – Madison Square Garden – New York, NY
    4/12/16 – Madison Square Garden – New York, NY (new)

    Gilmour is touring several European cities this September and October including five shows at the Royal Albert Hall. Unfortunately, these European stops are all sold out.

    While Gilmour only released a one-song teaser, he has shared the track list for Rattle That Lock:

    1. 5 A.M. (Gilmour)
    2. Rattle That Lock (Gilmour/Samson/Boumendil)
    3. Faces Of Stone (Gilmour)
    4. A Boat Lies Waiting (Gilmour/Samson)
    5. Dancing Right In Front Of Me (Gilmour)
    6. In Any Tongue (Gilmour/Samson)
    7. Beauty (Gilmour)
    8. The Girl In The Yellow Dress (Gilmour/Samson)
    9. Today (Gilmour/Samson)
    10. And Then… (Gilmour)

    http://www.youtube.com/watch?v=eHP7l0EaouM