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  • Josh Groban Delivers Heavenly Performance in Albany

    Josh Groban graced the stage at The Palace Theatre in Albany, as the multi-platinum recording artist brought his Stages World Tour to the tri-state area with an incredible vocal performance. The North American tour, set for an intimate atmosphere, is in support of Groban’s seventh studio album Stages, which showcases many famous renditions of some of the greatest musical theater songs of all time.

    Groban’s vocal brilliance shines on stage as he sings all-time greats like “Pure Imagination,” from “Willy Wonka and the Chocolate Factory,” “What I Did for Love,” from “A Chorus Line,” “Bring Him Home,” from “Les Miserables” and “Over the Rainbow,” from “The Wizard of Oz” to name a few.

    josh grobranThe sold-out Palace Theatre fans excitedly sat in suspense, awaiting for dashing, charming, funny and vocally graceful Groban, to adorn the theater stage.

    As the theater lights dimmed to darkness, the crowd applauded with anticipation as the 75-piece orchestra started the musical journey with the song “Pure Imagination” from the movie “Willy Wonka and the Chocolate Factory. The crowd’s applause turned to admiration and joy as Josh made himself visible on stage to sing the song made famous by Gene Wilder.

    After the song “Try To Remember” from the “Fantasticks,” Groban asked for the fog machine to be turned off, as it was making him choke, not that it bothered his performance at all. Groban sang the song with such emotion and passion.

    Josh thanked his parents for taking away the Super Nintendo, and help steer him towards the arts.

    Groban relived a childhood moment after the song “What I Did for Love,” from “A Chorus Line”. He reminisced about singing that song at a school show, and then being approached by the jock of the school afterward. Groban jokingly explained, that he thought he was going to get beat up, but instead, the classmate told Groban that had a voice of an angel. Groban while impersonating his young self in a high pitch voice to the laughter of fans replied, “Oh Biff thank you so much.” Josh then switched to Biff’s deep voice and said “If you tell anybody I told you that, I will kick the $#!t out of you next week,” which made the crowd laugh again.

    Groban then went on to say, it was that moment that he realized that he could do this. It was a moment he developed his confidence as a human being and realized how important Arts education is to young people whether they go into it professionally or not, and as programs are being cut across the country, it so important to define these moments. Groban then talked about his Find Your Light Foundation to help support the arts and how people could help donate to the cause.

    Josh then explained before the song “Old Devil Moon,” from “Finian’s Rainbow,” that this was his first lead role in high school. Groban said he played Woody Mahoney and that they painted a beard on him. Groban then joked to more laughter to the crowd “High five again I can do it myself.” He then said, careful what you wish for and that he is basically a head-to-toe chia pet now.

    Groban stated to the crowd that he was very excited for their ears right now. “I’m very excited for your ah, your ah, your ah, after stumbling then blurted out —  canals,” to laughter from the crowd and himself. Josh went on to say not because of him, but because of who he is about to bring out to the stage.

    josh grobanGroban then introduced Lena Hall to the stage for a beautiful duet, after he touted some of her accolades, to help him with the next song from “The Phantom of the Opera,” “All I Ask of You.” Groban joked that he was kind of regretting turning the fog off now, because they were about to do something from Phantom of the Opera, and said he feels like he can’t do something from Phantom without fog. Then joked again “It’s ok. We’ll be fine but our sinuses thank us. Groban then said that he wanted to be the Phantom so bad, that he made a paper mache mask in art class.

    Lena stayed on stage after the duet to sing the first of her two solo covers the Queen song “Save Me,” which can be found on Hall’s new Sin and Salvation live album. Lena stated that the album consist of all songs that inspired her or by people who inspire her as a vocalist and performer. Lena then said that one of those main people is Freddy Mercury, and that she connects with the song itself so much.

    After Hall’s performance, a giant painting of “A Sunday Afternoon on the Island of La Grande Jatte,” by artist Georges Seurat, was placed on the far right of the stage.

    Groban then returned to the stage to explain the painting. He said one of his first theatrical experiences, is when he was nine years old, and his parents took away the Nickelodeon, popped in a VHS of “Sunday in the Park with George” by Steven Sondheim. Josh further explained that Sondheim uses interesting stories like the one about the painting. Groban joked that the painting on the stage is not the original and that they didn’t steal it from the Chicago Art Museum. Groban explained that Sondheim chose George Seurat to tell a story of those universal human emotions we have that drives us to passion, and drives us in ours lives, and sometimes the sacrifices we have to make for that passion. Groban then introduced the song that was influenced by the painting, “Finishing the Hat.”

    Groban introduced the Nazareth College Choir to the stage for the next song. From the show “Chess,” Groban then sang the song that finishes the first act called “Anthem.” Groban said as a book, the show still hasn’t found its way as a full on Broadway production, but the music and the lyrics have been absolutely brilliant. Groban than gave another amazing vocal performance, as the crowd stood and applauded with overwhelming admiration.

    After a small intermission and an outfit change, Groban returned to the stage for the second half of the show.

    Before he got started, Josh joked over the mic “I hope you are sufficiently empty.” Josh then noted that his manager busted into his dressing room during the break and told him that he was mispronouncing Albany. Groban responded with a deep slow “Oh $#!t.” Groban then joked that fans didn’t seem to care that he said their city wrong and then apologized for what he called a terrible, terrible mistake. Then he made fun of himself by calling himself an idiot and jokingly mispronouncing the word along with apologies and the next town of Syracuse to the laughter of fans.

    Josh explained, as a singer you get awesome opportunities to pick songs from all facets from the musical theater world, not just nationally. France is one of those places.

    While introducing his next song “Le temps des cathedrals,” from “Notre Dame de Paris,” Groban said that other countries also love musicals as many of you tonight who love musicals, then joked “If you don’t, then your probably not back after the intermission.” Groban then kept to original form by masterfully singing the song elegantly in French, to another standing ovation.

    After thanking the crowd in French, Groban’s next song is not from the Stages album. Josh then talked about a song from a show he saw called “Nine,” with Antonio Banderas. Groban then did some Banderas impersonations before getting serious again. Groban the sung “Unusual Way”.

    Once again, Groban brought out the lovely Lena Hall for their second duet of the evening. Hall came out in a sparking dress which prompted Groban to say “You look sparkly and wonderful, I would hug you but I would get sparkles all over me…and I would like it too much,” which made everyone chuckle. Josh then said that he and Lena are going to sing a beautiful duet together, also from “Sunday in the Park with George” called “Move On.”

    This then led into Hall’s second solo performance. Hall said that her parents are huge Beatles fans, and therefore she is a huge Beatles fan. Lena then added that her father’s favorite Beatle, was Paul McCartney, and that she wanted to do something for her dad cause he is very special to her. Then quickly reiterated, “so is my mom,” which made her and the crowd laugh. Hall then performed “Maybe I’m Amazed”.

    Groban returned to the stage and executed another amazing vocal rendition. This time he delighted fans with “Bring Him Home” from “Les Miserables,” to a third standing ovation.

    Groban the introduced and thanked the musicians on stage before welcoming back the Nazareth College Choir. Groban the joked with the choir “You look good, smelling good. You guys ready for this? It’s a hard one. I need your help.” Groban then went on to say that the next song is very uplifting to him, from the Carousel, Josh dedicated “You’ll Never Walk Alone,” to the victims and families from the recent tragedies in Oregon.

    The Albany crowd gave yet again, another standing ovation, as they applauded and whistled until  Groban made his way out for an encore song.

    The admiration and love from the crowd prompted the overwhelmed Groban to say “Albany, you tremendously hospitable, generous city, thank you so much for all of this. Thank you for the warmth you thrown our way all night. It truly means so much to us.”

    The final song of the evening Groban said he loved since he could breathe basically. Groban then went on to say that when making the Stages record, they were going to originally make it a double album with one being film songs, and the other being Broadway tunes. He said with so many songs over lapping, that they decided to go with a Broadway album. Josh then stated if there was one song that it was ok to cheat with, it was this next song because it is so wonderful.

    Groban than ended an amazing night of music with “Over The Rainbow,” from “The Wizard of Oz”.

    Setlist: Pure Imagination, Try to Remember, What I Did for Love, Old Devil Moon, All I Ask of You, Save Me (Lena Hall), Finishing the Hat, Anthem, Children Will Listen, Le temps des cathedrals, Unusual Way, Move On, Maybe I’m Amazed(Lena Hall), Bring Him Home, You’ll Never Walk Alone

    Encore: Over The Rainbow

  • Motley Crüe’s Final Show in Buffalo

    It took Motley Crüe drummer Tommy Lee approximately five songs to come to the stage to announce he wasn’t playing due to severe tendinitis in his arm. The crowd booed and people were clearly upset. This was Motley Crüe’s final tour and last show playing at First Niagara Center. It was evident something was amiss because during the first few songs no spot lights were cast onto the drum set. Glen Sobel (Alice Cooper’s drummer) did a great job filling in last minute for Tommy Lee.For those who don’t know he is also the timekeeper for Alice Cooper, who headlined the show that night.

    Alice Cooper Motley Crüe's Final ShowVince Neil was disappointing throughout the entire set, minus maybe a loud “yeah” here and there. Vince certainly tried to play his heart out and toward the end of the night you could hear and see the exhaustion on his face as he huffed and puffed his way through songs. During “Kickstart My Heart” there were some parts where at the end of a verse he mumbled the words, almost like he gave up. Nevertheless that’s what the pyrotechnics were there for that night, to cover up their failing ability to perform live like in days’ past. The hero of the night was Mick Mars, who didn’t need to jump around on stage in frilly costumes for people to be entranced by him. His guitar playing and solos were enough to capture people.  While costume changes were happening for Nikki and Vince, Mars was given the spotlight to play some impressive solos.  If this was really the band’s last hurrah, and last show in Buffalo, the band could have put more effort into performing a complete show.

    Alice Cooper and his band had done an excellent job from start to finish. Mr. Cooper is 67 years old and is blowing away young bands left and right. It will be a sad day when Cooper announces his retirement. If you have not seen him I highly recommend going at least once. They made the crowd feel creeped out, uncomfortable and having some people covering their eyes. He did everything one would expect from a Cooper concert, from decapitating himself to having his giant Frankenstein on stage. He sang classics like “Schools Out” to “ No More Mr. Nice Guy.”  Alice Cooper stole the show that night and deserves high praise for his performance.

  • Phil Lesh Diagnosed with Bladder Cancer

    Shockwaves rippled through the jam world last night as Phil Lesh released a statement announcing he is battling bladder cancer, and has been forced to cancel the Phil and Friends shows with Chris Robinson scheduled for the 24th and 25th of this month.

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    The statement reads as follows:

    Dear Friends,

    I am sorry to let you know that I will need to cancel the October 24th and 25th Phil & Friends shows with Chris Robinson.

    I was diagnosed with bladder cancer in early October, and have spent the last few weeks at the Mayo Clinic in Scottsdale doing tests and eventually surgery to remove the tumors. I am very fortunate to have the pathology reports show that the tumors are all non aggressive, and that there is no indication that they have spread.

    So thanks to my local doctor Cliff Sewell, and the incredible team at the Mayo Clinic, all is well and I can return to normal activities in two weeks from my surgery. Unfortunately, that means I will have to cancel the PLF shows scheduled for Oct 24/25. We will reschedule these shows as soon as we can, but in the meantime, keep a lookout for a free Grate Room show before I leave for the East Coast shows. I also plan to pop in and jam in the bar before we leave, so I hope to see you there at Terrapin.

    Love Will See You Through….
    -Phil

    PS Ticket refund info will be posted soon

    While nothing is known about Lesh’s prognosis beyond the statement, the general consensus is that while the news is worrisome, the non-aggressive nature of the tumors that were removed and the quick turnaround from surgery indicate some reason for optimism about the Grateful Dead founding member’s well being.

    Lesh’s run of shows at The Capitol Theatre scheduled for Oct. 30 and 31, and November 6 and 7 are still on at this point in time.

    The whole team at NYS Music wishes Phil Lesh the best of luck with future testing and a speedy recovery from cancer following his recent surgery.

  • Hearing Aide: Papadosio ‘Extras In A Movie’

    “When spring arrives epiphany/I’m still the last leaf on the tree.” As homage to the changing seasons, Papadosio has changed their musical hues from bright neon to softer, more organic colors in their fourth phenomenal studio album, Extras In A Movie. 

    Despite their label as a “genre-bending” group of musicians, Papadosio’s initial album releases of Observations and T.E.T.I.O.S. did in fact fall under one specific category- and that was electronic music. Yes, adoring fans may argue that they possess the improvisational capabilities inspired by jazz, progressive rock, and even jam rock to shape their melodic phrasing and musical transitions, and thus don’t belong under the same umbrella as electronic artists Skrillex or Bassnectar. However, I saw a dash of prog rock and a sprinkle of jazz for what they really were to Papadosio- and that is mere sensibility. I believed that to be labeled as a band that dismisses categorization, each style of music had to be crafted on an individual basis, incorporating the key elements and instrumentation of that style, yet somehow creating one inner voice over the entire work, as a subtle reminder of the single creator.

    It wasn’t until the release of Extras In A Movie that I felt this proficiency in musical obscurity towards Papadosio, but I am confident that this album will break ground for many listeners, especially those who may not have approved of the band’s stylistic approach at first.

    With an addition of some interesting sound effects, acoustic guitars, and tight harmonies, opening track “The Last Leaf,” and tracks “Epiphany,” and “Bypass Default” bring a strong introductory splash to the album, with an erratic yet satisfying mess of musical classes, ranging from styles of barbershop quartets to Pink Floyd to Awolnation. Anthony Thogmartin’s adaptation of vocal timbre throughout each track is complimentary and appropriate, while the surrounding band of Mike Healy, Rob McConnell, Billy Brouse, and Sam Brouse tend to throw in some instrumental surprises, most of the time in an effective and aesthetically pleasing manner.

    The fact that the average track is about three minutes long throughout this sixteen track album speaks great masses as well- this album was created to defy the standards of recorded music, and the ideas were organized in this fashion to isolate and preserve the individual conception of each instance.

    By writing, recording, mixing, and even video conceptualizing themselves, Papadosio has become the purport of the avant-garde composer, keeping the pillars of studio-induced creativity a strong part of their foundation. Their ability to showcase psycadelia-inspired electronic anthems like the album single “Glimpse of Light,” followed by the stripped down acoustic rawness in “Anima Mundi,” “Gazing the Great Oscillator,” and “Open” adapts Papadosio to any kind of setting, guiding listeners into an array of color, vibrancy, and authenticity. Along with developing their own voice, I also heard inspiration from other great genre gods, including Incubus, Genesis, and Daft Punk.

    As part of their grand release, Papadosio has introduced a tour they’ve cleverly named Extras In A Movie Tour – Act 1. If that doesn’t leave you with a curiosity of what “Act 1” implies, I don’t know what will. I suppose the only way to find out is to hitch a ride on their tour, with stops at Irving Plaza, the Westcott Theatre, and Town Ballroom in November.

    Key Tracks: The Last Leaf, Epiphany, Bypass Default, Anima Mundi

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  • Five Finger Death Punch, Papa Roach Tour Shows Rock is Not Dead in Glens Falls

    Five Finger Death Punch, Papa Roach, In This Moment and From Ashes To New, drove their tour buses into Glens Falls on the last stop on their current tour, and showed the fans that packed the Civic Center why rock music is not dead, but fully alive kicking. All the bands will head off to play the Rock Allegiance Festival in Chester, PA.

    The Monster Energy Drink fueled tour had everything you need in a rock show minus the pyro, as the venue does not allow it, but with the connection the fans had with this great lineup of rock stars, it wasn’t needed or missed as the chemistry between the bands and the crowd created enough sparks to burn the house down. This show had combinations of heart, passion, emotion, theatrics, charisma and of course, tons of energy.

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    From Ashes To New excelled as the opening band on this show. FATN set the tone for the night with a very energetic interactive set. Right out of the gate FATN had the fans engaged. As opener’s, FATN wasted no time talking and just played all their hits made popular on Sirius/XM Octane among other singles of their two Ep’s.

    Concert goers who were not familiar with the band were instantly hooked by the bands energy, look and catchy style of rap-rock metal songs. Dual singers Matt Brandyberry and Chris Musser, flow off each other and have great chemistry. Brandyberry’s raps mixed with Musser’s screams and melodic hardcore hooks were spot on. After a fascinating all out performance, I’m sure FATN’s Facebook and Twitter pages jumped in likes and followers after their incredible set.

    You can see From Ashes To New on tour this November when the hit the road with Like A Strom.

    FATN Setlist: Downfall, My Fight, Land of Make Believe, Lost and Alone, I Will Show You, Through It All, Stay This Way

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    In This Moment’s home town girl, Schenectady native Maria Brink brought her theatrical style of live performing to the stage. Fans sang in unison to Journey’s “Don’t Stop Believing,” which introduced Brink and the boys to the stage.

    Maria stood front and center in her black widow outfit for the first song of the night “Sick Like Me.” This would be the first of many costume changes through the night as Brink has an outfit and theme for every song on the set list.

    Besides theatrics, Brink sort of brings a pop element to the stage as she has two back up dancers who dress in full costume, with a choreographed routine for each song. Brink stated that its feels great to be home and talked about performing her first show at the QE2 and at Bogies in Albany.

    In a different but cool way, Brink goes into full theater mode during the song “Sex Metal Barbie.” She stands at a pink podium dressed and sings the song as if she’s giving a speech to the crowd, which only someone like Brink can pull off.

    The last song of the night “Whore,” Brink dresses like a school girl and sits on a stool with a dunce cap on her head. The word whore is painted to look like blood in red on the front of the cap. Brink described the meaning behind the song, as taking something negative and turning it into a positive and the taking that into something bigger.

    In This Moment Setlist: Sick Like Me, Black Widow, Blood, Sex Metal Barbie, Big Bad Wolf, Whore

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    Papa Roach took the stage first as part of the co-headline tour. The black curtain hiding the stage dropped to the first song of the night “Face Everything and Rise (F.E.A.R).” Right after, fans erupted when the first note of “Between Angels and Insects” started. Papa Roach was all about business from the start and blazed through the first three songs.

    Frontman Jacoby Shaddix said to the crowd “You love that $#!t,” to a huge crowd response after singing “Getting Away With Murder.

    The ultra charismatic Shaddix, then asked the crowd how they were doing by saying “Motherf***ers in Glens Falls, NY how you f**king livin’ tonight?” The crowd responded with a deafening roar which prompted the hyped up Shaddix to say “That’s what I’m f**king talkin’ about, Friday night baby, you guys f**king partying tonight?” Fans were eating up everything Shaddix was saying.

    Shaddix then said “Yo check this out we are Papa Roach, and we are f**king grateful to f**king be here tonight. We f**king love you guys, but what I want to see on this f**king next song y’all check it out. I wanna see this f**king whole place jumpin’.” Shaddix then asked fans , “Are you with me?” The more than over willing fans screamed with readiness . Shaddix now wanting to get more involved with the crowd then said “lets see what your made of but only when I say go.” Shaddix then introduced the next song Warriors.

    Shaddix got up close and personal with the crowd during Warriors. Shaddix walked throughout the lower half of the arena slapping hands with fans before returning back to the stage. After the song Shaddix said “Now we have a f**king rock and roll show on our hands.”

    The next song Forever, Shaddix dedicated to all the ladies in the crowd. While the intro played, Shaddix asked the crowd if they were having a good time. Shaddix then pointed to some fans up close and said that he knows they are having a good time cause he can see the fire in their eyes.

    Shaddix introduced the band one by one during the intro to Hollywood Whore. He started with guitarist Jerry Horton. Shaddix looked to what he called his main motherf***ing man back there on drums Tony Palermo. Shaddix then told Palermo he was a bad motherf***er, as Palermo laughed. Shaddix then said over on bass we have monster, his name is Tobin Esperance. Shaddix then said who the fuck cares what my name is, lets push some rock and roll. Shaddix and the crowd then sung the intro to Hollywood Whore together.

    Before Falling Apart, Shaddix had to acknowledge the fans up in the seats by saying “F**k yeah, I’m felling you up there, how you guys up there?” Shaddix then added “I see we have some P Roach fans up there, nice fucking t-shirt homie f**k yeah thanks for representing tonight.”

    Shaddix then stated that this was the last show and it has been an awesome tour. Shaddix then stated “In This Moment, Papa Roach, Five Finger Death Punch what the f**k, best tour ever man its been f***ing awesome. It’s an honor to share the stage with those guys.”

    Shaddix gave a speech how the band came about. He talked about how they started in high school as a garage band when Shaddix was sixteen. Shaddix then went on to say next thing you know Papa Roach doing this s**t f***ing world-wide twenty-two f***ing years later. Shaddix then added “So anybody who’s f***ing got big dreams, keep f***ing chasing them if you know what im f***ing saying.”

    In Shaddix’s attempt to be Moses, he wanted to bring it back to old school Papa Roach days and asked each side of the floor to part in the middle for what he call the Braveheart or the Wall of Death. Shaddix then said when he says go, he wants each side to bum rush each other to create one huge mosh pit. The band then played “Blood Brothers.”

    Shaddix and Horton sat on a small elevated stage in the middle of the arena floor and played an acoustic version of “Scars.”

    In a scene fans have been waiting for all night, Maria Brink joined Shaddix on stage for a historic moment as they sang their collaboration of “Gravity,” before ending their high-energy set with “…To Be Loved.”

    Papa Roach Setlist: Face Everything and Rise, Between Angels and Insects, Getting Away With Murder, Warriors, Forever, Hollywood Whore, Kick in the Teeth, Falling Apart, Blood Brothers, Broken as Me, Scars, Gravity, Where Did the Angels Go?, Still Swingin’, Last Resort, …To Be Loved

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    You think fans would be spent by the energy this show has displayed thus far but fans also must have been fueled by Monster Energy as well. Fans were now ready to explode for Five Finger Death Punch waiting for them to hit the stage. As the venue turned to black, fans started a FFDP chant.

    Once again the black curtain fell to Five Finger Death Punch and the first song in the setlist “Lift Me Up.” FFDP kept the trend going by getting straight to the point ripping off song after song to start the night. Frontman Ivan Moody had a red handprint painted on his face to resemble their mascot Knucklehead.

    FFDP put all the rumors to bed, as the band looked like a tight-knit band of brothers who were having fun on stage and showing no signs of animosity between them. These five amazing musicians may be five totally different personalities, but together as a unit FFDP has endless chemistry and talent and raw emotion.

    In normal Five Finger fashion, the band paid tribute to all the men and women in the armed forces by playing their cover version of Bad Company.

    Before the song, Ivan Moody asked fans in the crowd who have served, or are currently serving, to put their hands up. Moody the said “Keep your hands up. Everybody else see those hands? You shake them, you thank them and you buy them a beer for our fucking freedoms.” The crowd reacted with a thunderous roar and even louder U.S.A chant.

    As Moody looked for Jason Hook to start things off, Hook teased Enter Sandman as Moody played to and sang with the crowd until drummer Jeremy Spencer purposely stopped the song as the fans kept singing on cue despite him stopping the music. This prompted Moody to tell the crowd to say “F**k you Jeremy,” the crowd obliged. Spencer respond with a 5 second drum solo, stood up and gave the crowd two middle finger’s.

    Moody then asked Hook to give him something. Hook then started playing  Crazy Train only to have Zoltan take away Moody’s mic after the fist line of the song.

    Hook showed off his incredible guitar playing skills. Moody then jokingly said to Hook “Jason stop flirting, lets play the song that we dedicated to the armed fucking forces.” The band then played Bad Company.

    Before FFDP got into “Jekyll and Hyde” from their new album Got You Six, Moody asked for some of the lights to be turned down because he couldn’t see a thing. Moody the said “Turn off that spotlight I’m not Axel Rose.”

    Moody then asked how many fans had their new album. The crowd went nuts which made Moody stop and say “Wow, you guys are rowdy.” Moody then reiterated and asked the crowd how many of you actually bought the f***ing thing? Then asked how many downloaded it to a small amount of cheers. Moody then said “Oh so proud, you cheap son of a b***h,” which made the crowd laugh. Moody then said “It’s alright though. It’s only like fifteen bucks, so you can like work at McDonald’s for like an hour and a half and you got it,” to more laughter from fans.

    After a top-notch drum solo by Jeremy Spencer, It was now that part of the show where FFDP looks for the next generation of metal fans to bring onto the stage for the next song “Burn MF.”

    Moody though was looking for a certain someone that he wanted on stage he met while he was walking his dog before the show. Moody not realizing the girl made it up to the stage, said thank you for making his day as he turned around to notice the girl was behind him. Moody then said “There you are,” and stated that she looked so much like his own daughter. Moody asked her for a hug and if she wanted a Monster (Energy Drink). Now Moody was back to business as he said “So now were gonna show them how the big kids do this.” Moody then violently screamed into the mic “Open it up,” then said “If you don’t wanna get hurt, now is the right time to get the fuck out of the way.”

    Moody and Hook slowed it down a bit as they played an acoustic arrangement of “Wrong Side of Heaven.” They continued acoustically through to the song “Battle Born.” The rest of FFDP joined them on stage to finish the song electric.

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    Before FFDP played “Burn it Down,” Moody said that Zoltan keeps stopping him cause he wants to play something heavy. Moody the dedicated the song to all the crazy motherf***ers in the mosh pit. After the song ended Moody’s love for the crowds energy said “You guys are f***ing nuts.” FFDP ended the set with “Coming Down.”

    Fans chanted for the band to come back out for an encore. Fans didn’t have to wait long as the band came back out and played “Under and Over It.”

    Moody then wanted to get something off his chest that he said would only take a second. Moody stated “Social media sucks d**k. I don’t have a Facebook page, I don’t have a Twitter, I don’t give a fuck about any of that shit. So if you ever see one that says Ivan L. Moody, fuck that shit. Here’s the reason. Anybody on the internet can say anything at any given time, and immediately it’s considered true.  Eighty percent of my life is you guys, this band and my family and that’s it. The other twenty percent belongs to my dog.” Moody then thanked the fans for coming out and not believing the B.S. Moody asked for everyone to put their lighters and cell phones in the air to light the venue then introduced the last song of the night, The Bleeding.”

    Five Finger Death Punch Setlist: Lift Me Up, Hard to See, Never Enough, Got Your Six, Bad Company, Jekyll and Hyde, Drum Solo, Burn MF, Wrong Side of Heaven, Battle Born, Coming Down Encore: Under and Over It, The Bleeding

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  • Hearing Aide: String Cheese Incident ‘The Rhythm of the of Road Vol 2, Live in Las Vegas’

    String Cheese Incident The String Cheese Incident is celebrating their 20th year together as a band. The Rhythm of the Road Vol 2; Live in Las Vegas is a new release for October. This album is successful because the music explores the uniqueness that life can bring.  Each member of The String Cheese Incident comes from a different musical background. These happy differences have lead to the marriage of many genres and twangy Colorado mountain bluegrass.  This album is a live performance that exemplifies how sounds of music can all come together to create whirlwind imagery.

    Imagine a bunch of road lovin’ country boys who play music. Along their travels meet a man with a bright twinkle in his eye. Graciously he invites them to a paradise in the caribbean- the place he was born. Right as he waved his arm in the follow me motion the young men were swept over by a soft salty wind. When the dreamy haze settles, they realize they have been instantly transported. Their toes rest on the sand in ‘San Jose’, a land entrancingly unfamiliar.

    The imaginary cinema of travels inspired by SCI’s music continue in the back seat of a car.  One close and personal view of just the side of a man’s face and his delicate reflection on the window. Outside of the window is the sound of the winds and the brown, American earth, passing by at fifty-five miles per hour, backroad. Nowhere to be but somewhere; excitement in the unknown of what lays ahead. The performance on ‘Desert Passage Jam’ is filled with bright expression of musical beauty and occasional slow rhythmic bongos create feelings of undeniable appreciation for life that surrounds us.

    Key Tracks: San Jose, Got What he Wanted, Desert Passage Jam, Cedar Laurel, Dirk

  • John 5 Talks About His Favorite Horror Movies and Touring

    The darkness ascends quietly like a phantom upon the southern NY town of Binghamton, the dead leaves are falling, and there is a slight spine tingling chill in the air. It’s October! Is there a better way to usher in in the Halloween season than with the man who makes all your heavy metal horror dreams come true? Yes folks, that’s right Rob Zombie’s nightmarish heavy metal and mayhem show made a stop at the Floyd L. Maines Veterans Memorial Arena (formerly Broome County Arena) last week.

    Chris Besaw Rob Zombie 5
    Fans of all ages were lined up at the venue getting into the spirit of the season. Some were dressed as ghouls and other grotesque creatures; there was even a very impressive Captain Spaulding walking amongst the concert goers! If you’re a fan of Rob Zombie, I hope you know who Captain Spaulding is.

    The show opened with Rob Zombie’s drummer DJ Ginger Fish donned in a creepy skull mask showing off his DJ skills. DJ Ginger Fish spun some high energy mixes that included Rammstein, Pantera and even a mix of 50s Doo Wop. Even though he was struggling to keep his mask on the entire time, he still spun a very intense set that the crowd was into.

    The lights go out, the smoke begins to roll out onto the stage that is adorned with classic Universal horror movie monster backdrops; 1000s of fans are chanting ZOMBIE! One by one the band quietly creeps onto the stage; John 5 looks terrifying in an LED lit gas mask that I can best describe as a robotic human fly; bassist Piggy D is sporting his Dracula look; Ginger Fish looks ready to dominate the drums; Rob Zombie slinks to center stage, his face hidden beneath a pile of hat and hair. The crowd erupts in a massive mosh pit with bodies flying in the air as Zombie and crew tore into their hit “More Human Than Human.”

    Chris Besaw Rob Zombie 4

    Without hesitating they ripped right into “Superbeast” and “Never Gonna Stop (The Red, Red Kroovy).” The band delivered a super high energy set and even played a few covers including “Am I Evil” by Diamondhead and in the words of Rob Zombie, “Since we’re in NY, f@ck it let’s do it,” the band caught concert goers by surprise by unleashing a killer version of the Ramones’ anthem “Blitzkrieg Bop.”
    The band took their bows, said thanks and left fans crazed and excited from their explosive performance! Overall, Rob Zombie and crew never disappoints!

    Also prior to the show I had the honor and privilege to sit down and talk with guitarist extraordinaire John 5. John 5 was very welcoming, funny and sincere. We chatted about what inspires him as a musician, touring and his favorite horror movies. Check out the interview and enjoy!

  • John Brown’s Body, Grayak and Alex Gideon Awakened the Westcott Theater with Roots Rhythms

    While Saturday October 10 was not their first rodeo, (or fashion show, as some say) the reggae revolutionaries of John Brown’s Body brought their musical stampede, including Grayak and Alex Gideon,  to the Westcott Theater. Replete with trumpet, trombone and saxophone, their rich sound echoed through the theater as frontman Elliot Martin freely swayed with the music.

    Grayak Alex Gideon JBB’s horn section was the pinnacle of an evening of varied instrumentation from the three acts that graced the stage. One man band Alex Gideon opened first, relying solely on his guitar, looping vocals and sound effects he created live. The Syracuse native was surrounded by a sea of unmanned instruments assembled for the ensuing artists. The gadget dichotomy accentuated his minimalist setup, which could have lent him more credibility had his routine not been as lackluster.

    Gideon played a few catchy covers including Joe Cocker’s “Feelin Alright” and Sublime’s ever-popular “Doin’ Time.” To these he injected his own beat boxing to the mix. And to his credit, Gideon generally selected songs well suited for his funky soul singing style, to which he could accentuate with just the right amount of gruffness when needed. Alas, despite a slew of somewhat catchy tunes, including his original track, “Cuse Town,” Gideon’s performance maintained a relatively stagnant energy, with beat boxing and looped sounds that carried minimal variation from one another.

    Local folk/reggae group Grayak followed, performing to a room fairly well stocked with humans. Considering the band is fairly new to the scene, the crowd of roughly 200 was an encouraging sight. They played a mix of songs from their 2014 album Made of Light and their new album set to be released February 2016. After the first few songs, lead singer and guitarist Phil Grajko took a moment to graciously acknowledge, “I’ve been listening to JBB for years and it’s an honor to be playing with them.”

    Grajko usually relies on sister Hannah Grajko for backing vocals, but amidst her absence, Jessica Brown of Root SHOCK, a reggae band which Phil Grajko is also a part of, filled the backup vocalist position. Having been performing together in Root SHOCK for several years, Grajko and Brown’s seasoned harmonizing capabilities definitely did justice to the Grayak tunes. Brendan Gosson switching between fiddle and mandolin, Blake Propst on upright bass and Tyler Dattmore on drums, completed the quintet.

    Gosson frequently switched between his two stringed sweethearts, the mandolin providing much more of a staccato sound. During “Maya” a track from Made of Light, Grajko’s guitar work midway through the song had an almost Spanish-style appeal to it. The crowd, which wasn’t too shy to dance, really got moving for “Lovely Girl,” an uptempo number about a girl worth spending time with. Gosson brandished his fiddle once again for “Made of Light,” their title track and last song of the evening.

    John Brown’s Body took over, with the horns providing a dramatic opening for “Step Inside,” the first song off their 2013 album Kings and Queens. It is a fitting song to open a set, as the lyrics urge, “Come one and all got to make the dancehall tight,” seeking to usher in participants to partake in the music and merriment. JBB transitioned to some heavier material, playing songs with themes more related to their namesake John Brown, a nineteenth century militaristic abolitionist who saw armed rebellion as the best means to ending slavery. While respecting Brown’s valiant efforts, their performance of “Empty Hands” provided a powerful peace offering to listeners, questioning the need for war, exclaiming “So look into the palm of my hand, no weapons/ No frustration or need for confrontation.”

    Grayak Alex Gideon “Plantation” followed, though it actually comes directly before “Empty Hands” on Kings and Queens. It recalls the trials of working on a plantation and living a life in servitude. The last two lines, “With a guitar we’ve a song warning you/ Give them all a way home.” It acts as a call for freedom, and perhaps the guitar serves as a nonviolent alternative to a weapon as a means of provoking change. Surging forward with messages of inspiration, Tommy Benedetti (drums), Dan Africano (bass), Jay Spaker (guitar), Jon “JP” Petronzio (keys), Scott Flynn/Alex Asher (trombone), Drew Sayers (saxophone), and Sam Dechenne (trumpet) rounded out the battalion. It was a battle well fought by all on stage that evening.

  • Hearing Aide: Coheed and Cambria’s ‘The Color Before the Sun’

    Most bands find it difficult to keep finding new inspiration to put out records that don’t tarnish their legacy. This is especially true when they find themselves recording their ninth studio album which is the situation Coheed and Cambria find themselves with The Color Before the Sun. What’s interesting about this particular record is that it’s the first to not be a part of the overarching story that has been made up of their previous albums. The Color Before the Sun deviates from what has come before it, but not in musical quality. The band is as strong as ever and has put together another solid entry in their catalog.

    'The Color Before the SunThe album kicks off with a strong and big power pop opener in “Island” which also happens to be one of the standout tracks. The album is definitely split between slower more emotional songs and the big catchy hook driven tracks. I couldn’t help but draw comparisons to Infinity On High era Fall Out Boy for their ability to blend multiple genres of music but retain that pop atmosphere. “Colors” brings things more in line with traditional Coheed sounds where as “Ghost” creates a great emotional midpoint to the album. The way some of the slower songs are structured shows off singer Claudio Sanchez’s voice as well as a little experimentation with the guitars. The band has been known to draw influence from prog music but this album definitely doesn’t go to that well often. This is much more of a straight forward album which isn’t a bad thing at all. The band still gets to show their musical chops but does it in a very pop radio friendly method. Sanchez’s signature higher pitched vocals cut through and he has a few standout moments showing off how much control he has over his voice.

    Perhaps the best track on the record is “Atlas.” I can see this becoming a staple of their live show for years to come. Again it brings a big pop hook and gets the record back in an upbeat swing as it heads into its second half. The lead single “You Got Spirit, Kid” reminds me a lot of early My Chemical Romance which is a style of music sorely missed in 2015’s pop landscape. I know I’ve made a few references to Coheed sounding like other bands but make no mistake, this album is 100% them. It’s a testament to how they’re able to take influences from many styles of music and combine them into their own unique sound. They’re a band that when you hear them, you know it’s them. Few bands are able to do that these days and often finding themselves blending into the mix after an album or two. Even less of those bands are able to carve out a legacy and absolutely devoted fan base like Coheed and Cambria.

    I have to pay special attention to the album closer, “Peace to the Mountain.” This song builds to a fantastic ending not just for the song itself but for the album as a whole. As the song comes to its finale, horns and strings come into play accompanying the full band. I love when pop and rock bands are able to pull this off. It’s tricky because many times it can come across as forced or even sounding bad as the band wanted to cram too much into one song. This track is an excellent example of the musicianship the band has to offer. The added elements here make this song feel big and important. It’s a great way to finish the record giving that feeling that the ride is now over.

    I love the fact they were willing to stray from their bread and butter with the concept albums. I’m sure this allowed the band to feel a little less restricted but at the same time this isn’t a radical departure from what has come before. They’re still the same band. Maybe a little more simplistic in direction but again, that isn’t a negative. Far too often bands are condemned for making a record with a bit more simplicity in mind but many times this forces more creativity to come out. While this isn’t a crazy prog rock masterpiece, it can be just as hard to write a solid timeless pop record. Coheed and Cambria are still writing great songs and can be proud to add another fantastic album to their discography with The Color Before the Sun. If you’re a fan, you’ll want this and if they’re new for you this is a great entry point.

    Key Tracks: “Island” “Atlas” “Peace To The Mountain”

  • We Had No Complaints: Perpetual Groove Return from Hiatus at Brooklyn Bowl

    There is a sticker growing in popularity in the jam band scene nationwide. It is a simple square sticker, white letters on a blue background, stating “I Have No Complaints.” The original idea, the “saying before the sticker” came from a Phish phan on tour after the group reunited. After each show, if his pals nit-picked about this song or that jam, he would always respond, “I have no complaints.” That would bring the group back to reality; after all, their band was back! What in the world should there be any complaints about? It ended up being such a positive slogan, and not necessarily specified to any band, political party, anything. Just a universal reminder of being thankful for the good things. So a sticker was printed. Then reprinted. Thousands of times over.

    Perpetual GrooveOn October 9-10 at Brooklyn Bowl, there were no complaints. This saying represented the energy of everyone in attendance at Brooklyn Bowl both Friday and Saturday night. The McLovins opened for Perpetual Groove on Friday night and will be opening for them again for future shows. The Hip Abduction was Saturday’s opener, and after the PGroove set Wyllys spun a DJ set which kept people dancing until the bar shut down, hours after the headliner’s encore.

    The dance area was packed both nights, and it was obvious that most attendees knew PGroove’s music very well. Singing along, fist pumping, high fiving and even tears were witnessed.

    Perpetual Groove
    Photo by Scott Harris for LiveMusicBlog.com

    Perpetual Groove has lyrics that can be pretty haunting at times. Their second song on Friday, “Three Weeks,” sings about a bad breakup from a relationship where the sadness is so great that guitarist Brock Butler sings: “I’ve been dancing with possibility, playing with my razor blade. I lost the thing I thought I had, the thing that made me think I had it made.” A crowd favorite, “Three Weeks” has a middle section that gets very electronica and danceable. You can feel the mood lighten in the song and feel the crowd’s energy grow. The healing and recovery begins. “It seems it’s been forever now, I’m giving up on that bed. I ain’t got much soul left now, and I don’t have that much bread. I’m seeing that there are no more possibilities, I’ve tossed away my razor blade. I never had the thing I thought I had, the thing that made me think I had it made…” Doesn’t sound like a real positive place still, but hey, at least those razor blades are out of the picture and the healing can begin. hiatus

    PGroove fans had also felt that feeling of loss. In January 2013, Perpetual Groove announced an indefinite hiatus so that one of the members could fight the downward spiral many rock stars fall into. On April 5, 2013 the band took the stage of the Georgia Theatre for their then-final show. The news was heartbreaking to their fans, but many had already witnessed a decline in his health. The majority of diehard PGroove fans wanted what was best for all involved, and all prayed for a successful (yet speedy) recovery so the band could go back to touring.

    Other than a few shows this summer closer to their hometown in Athens, GA, NYC’s Brooklyn Bowl was the band’s return to the scene. Their only other shows scheduled this year is a two night Halloween run in South Carolina, another two nights in early December in Colorado, and a three nighter in Atlanta, Georgia for New Year’s Eve.

    The Brooklyn Bowl shows were proof that the band is not only doing MUCH better with their demons, but also looked happy and excited to be playing as a band again. Their energy spread through the entire room; not one person looked like they weren’t having a blast. If 2016 brings them back, there will no doubt be another great turnout of happy fans, new and old. Here’s to hoping to for their continued happiness, health and desire to make people boogie down and keep smiling.

    Setlist, October 9
    Trouble> Three Weeks> Speed Queen, Holy Ship, Lemurs, Two Shores, Sun Dog, Diggin in the Dirt, TTFPJ, A Day the Way> Robot Waltz
    Encore: Out Here> Trouble

    Setlist, October 10
    Life> Man With All The Answers, TSM2, Paper Dolls, Walkin in Place, Stealy Man, It Starts Where it Ends, Mr. Transistor, Cairo, All My Friends
    Encore: Teakwood Betz>…and Everything