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  • From New Orleans to Albany: An Interview with The Revivalists Guitarist Zack Feinberg

    For the past seven years, Guitarist Zack Feinberg has been on a seemingly endless tour with New Orleans rock group The Revivalists.

    Currently touring to promote their 2015 album Men Amongst Mountains, the group made a stop at the Hollow Bar and Kitchen in Albany, NY on November 5. Feinberg, along with pedal steel guitarist Ed Williams and drummer Andrew Campanelli, took a few minutes of his pre-show time to speak with NYSMusic about the band’s origins including the “famous bike story,” early tours with The Rebirth Brass Band, their Prince-inspired Halloween show and more.

    Erin Clary: How did you all come together? I understand none of you are actually originally from New Orleans.

    Zack Feinberg: Yes, I’m actually from New York. A bunch of us went to college in New Orleans; six out of seven of us. Everyone but Dave, our lead singer, went to college in New Orleans. The famous “bike story” is that Dave had just moved to New Orleans and he was singing on his front porch. I was riding my bike and stopped because he sounded so good. He was looking for people to play with, had just moved to the city. I had known Andrew, our drummer, from Tipitina’s, a club in New Orleans. They have these weekly clinics and we had been going there kind of jamming with each other. He knew George, our bass player, from college. He knew Rob from college. We knew Mike from college and playing in bands in New Orleans. Ed we knew from bands but he also went to school down there.

    EC: So because you all lived in New Orleans but you all happen to be from different areas, does that influence your sound? Because it’s clear it’s not a strictly New Orleans sound.

    ZF: Yeah. I think we’re all musicians that have a different range of influences. We love New Orleans. We love New Orleans music. We like a lot of different music. I think a lot of musicians in New Orleans also are into different styles.

    EC: I’ve heard that the Rebirth Brass Band took you guys under their wing for a time. Can you talk about how that has shaped your influence along the way?

    ZF: They were generous enough to allow us to open for them when we first started to tour. It was really because our manager at the time, Stu Schayot, he is the general manager for a pub in New Orleans call The Howlin’ Wolf. He manages them as well. So he kind of set that up. But they throw a great show and they get the crowd moving the whole time.

    EC: Yeah – like you guys!

    ZF: Yeah!

    EC: I’ve been listening to you guys for a few years. I first heard you at Mountain Jam a few years ago. You played a few sets.

    ZF: Yeah! That was awesome. That inside set was so awesome.

    EC: This was the first time I heard you. My friend and I were like, “Who are these guys?” But I listen to you a lot and the lyrics include struggle and love, of course. How do you come up with these lyrics? Is there one person who generally writes, or do you all take turns?

    ZF: Dave writes a lot of them, as the singer. If there’s a song that’s stemming out of an instrumental idea where everyone’s jamming on, he will tend to be the one to do it. I’d say he writes probably 70 percent of our lyrics. Andrew, our drummer, writes lyrics. I write lyrics. It’s pretty collaborative. A person could write an entire song on their own or write a lot of the song on their own.

    EC: Are they from your own life experiences? When I’m listening it often feels like a movie scene in my head. I can see the girl, the guy, the struggle…

    ZF: I think personal experience definitely offers a big part of it but it doesn’t necessarily have to be.

    EC: There’s an audible passion for the music. It is evident that this is your love. Did you grow up surrounded by music? Were your parents musicians?

    ZF: They’re not musicians but my family really likes music a lot. My older brother is a musician; he’s a guitar player. My dad plays guitar.

    EC: You just released an album this summer, “Men Amongst Mountains.” Can you talk about the process in creating it? And what is the theme?

    Ed Williams: It’s literally a man walking into a mountain.

    Andrew Campanelli: I always think of it that our songs were written a lot when we were on the road in those years that we spent touring after we made City of Sound, a record that we made while we were getting used to living in New Orleans. And then we went on the road and that song itself was written while we were on the road in the Colorado mountains. The one thing that ties all the songs together is the years that they were in. We’ve been going out into this world and realizing it’s a big place, and we’re just men.

    EC: Ok, so the process then?

    ZF: It was made over three sessions in 2014. We did a week in January 2014, at a studio in the country which is a studio in Bogaloosa, Louisiana. It was kind of like a cabin in the woods situation. From there, we added two or three songs onto the record and did overdubs on two different sessions in New Orleans. The process was very much like get everyone together playing in a room and track it. Then do our overdubs.

    EC: I counted this tour you have 40 shows…

    ZF: Yeah, we’re doing about 150 a year, so it’s really a never-ending tour.

    EC: Well I would call that “extensive” then. So what are some of the highlights?

    ZF: Definitely Halloween.

    EC: I mean…you guys dressed as Prince. You nailed it.

    ZF: I made an appointment at a barber shop and everything. We had a blast; that was amazing. It was a sold out show at the 930 Club. It was a great milestone and we really prepared a lot with all the Prince material. Red Rocks was another highlight. Outside Lands was definitely a highlight. Kaaboo was cool. We got to see No Doubt at Kaaboo! Brews and Blues Festival in Telluride.

    EC: So now you’re here in Albany, called “Smalbany” by some. Does playing in a small city and small venue offer any opportunities?

    ZF: It’s its own thing. It’s cool to do shows where you have less expectations all day because in a way you’re looser and it’s a different vibe to the set. So it’s really fun as an audience member to see shows like that and as a musician. And you know what, its’ fucking packed up there! We played here, but it wasn’t called The Hollow. We played here a few years ago, and sat in this very basement. So this is a huge improvement.

  • Phish’s ‘Siket Disc’ to be Released on Vinyl

    Phish has announced that The Siket Disc will be released on vinyl for the first time on Friday, Dec. 18. It is currently available for pre-order.

    siket_disc_vinyl

    Originally released in 1999, The Siket Disc contains nine tracks of almost entirely instrumental music recorded during The Story of the Ghost sessions in 1997. The improvisational music was recorded by engineer John Siket and compiled by Phish keyboardist Page McConnell.

    From the Facebook announcement:

    Highlighting the band’s millennial, sometimes-ambient explorations of the time, The Siket Disc yielded a few songs that have since been incorporated into live shows including “What’s The Use?”, “My Left Toe”, “The Happy Whip and Dung Song”, and even the vocoder soundscape of “Quadrophonic Toppling”.

    The album was mastered for vinyl from the Digital Audio Tape flat master and pressed onto 180g audiophile grade vinyl. Each order includes a free MP3 download of the album that was transferred from vinyl. T-shirt bundles are also available for pre-order.

    The Siket Disc vinyl tracklist

    Side A

    1. My Left Toe
    2. The Name is Slick
    3. What’s the Use?

    Side B

    1. Fish Bass
    2. Quadrophonic Toppling
    3. The Happy Whip and Dung Song
    4. Insects
    5. Title Track
    6. Albert

  • Bearsville Bluegrass with Yonder Mountain and Henhouse Prowlers

    Getting off I-87 and heading on Route 212 towards Woodstock, you pass by a road sign that says ‘Veteran.’ On each trip to Woodstock towards Bearsville, NY, the sign never held any significance to me, but being Veteran’s Day, and heading to see some purely American music – bluegrass from Yonder Mountain String Band and Henhouse Prowlers – it brought a knowing smile to my face, and likely to those of other travelers headed to Bearsville Theater this evening.

    yonder mountain henhouse prowlers
    Yonder Mountain String Band

    Henhouse Prowlers, a five piece bluegrass outfit from Chicago were a well-received opener tonight, channeling Bill Monroe’s classic sound and spreading their music beyond our nation’s borders. There were original traditional numbers, such as Fool’s Carnival Song, with thoughtful lyrics and well-rounded between the five band members. What was truly intriguing this evening was learning that Henhouse Prowlers make a number of international tours through the State Department, bringing American Bluegrass to Africa (three tours so far), Russia, and soon Saudi Arabia and the United Arab Emirates. Bringing back a little African music, they performed the Nigerian song “Chop my Money”, and as one would suspect, a lively tune, “Dancing Cures All.” The set ended with Todd Livingston’s dobro playing highlighted on the finale, a cover of Jimi Hendrix’s “Fire.”

    Yonder Mountain’s set opened with “Sideshow Blues” and a cover of Smokey Robinson’s
    “I Second That Emotion” fit inside, with Jacob Joliff’s mandolin playing standing out among his bandmates, despite not overshadowing the others as the strings were rapidly strummed. “Things You’re Selling,” about televangelists, stood out in a lively set, as did “C’est La Vie”, featuring Allie Kral on vocals. Yonder brought up Todd Livingston and Dan Andree from Henhouse Prowlers for a stellar extended jam on “Angel” and a segue into the classic Grateful Dead tune, “Shakedown Street.” The second set was highlighted by covers of Son Volt’s “Drown,” and The Rolling Stones’ “Torn and Frayed,”, with originals “Looking Back Over my Shoulder” and “Sidewalk Stars” closing out the night.

    Watch a performance of “Black Sheep” and “Insult and an Elbow” with a Q&A from Radio Woodstock, recorded earlier that day.

    Set 1: Sideshow Blues > I Second That Emotion > Sideshow Blues, I’m Not Saying, Up For Brinkley’s, A Father’s Arms, Things You’re Selling, C’est La Vie, Angel* > Shakedown Street*

    Set 2: Around You> Nothing But A Breeze > Drown, Walking Shoes^, Leavin’^, Torn And Frayed, My Gal, Night Out, All Aboard > Looking Back Over My Shoulder > Sidewalk Stars 

    Encore: Dominated Love Slave

    *Todd Livingston on dobro & Dan Andree on fiddle
    ^Aaron Dorfman on guitar & Ben Wright on banjo

  • Space Carnival Launches IndieGoGo Campaign

    Space Carnival, a four-piece psychedelic groove rock band from Oneonta, NY who have played throughout the Northeast amid successful tours have begun an IndieGoGo campaign for the release of their first studio album.

    In citing the purpose of their IndieGoGo, Space Carnival says “A studio release would allow us to showcase our material in a high quality format and give people easy access to our tunes. In order to do that we need our devout fans help. Going into a recording studio to do an album takes a lot of time, effort, and money and we could really use everyone’s help on this one.”

    Fans can donated and gain a variety of perks through support of Space Carnival’s first studio album. Support this rising New York band here.

  • Darius Rucker Wheels Into New York and Brings The Party to Syracuse & Albany

    Ever since having the opportunity to interview Darius Rucker for NYS Music, I was anxiously awaiting Darius’s arrival in New York as a little kid would be awaiting Christmas morning. His genuine easy going manner during his interview was only a mere foreshadowing of how dynamic this entertainer was.  Raising the roof at the Oncenter War Memorial in Syracuse and the Times Union Center in Albany, he played to the crowd like a pro athlete. How could he not with the hat trick he had in store for us?  The evenings lineup was definitely stacked to ensure winning performances as newcomers Cam and David Nail got the house a rockin’ before Darius came in to score the final winning goal.

    Cam - DSC_2944 copyOpening the evening was newcomer Cam. Hailing from California, this dynamic young lady has made her mark in country music in a huge way. Catching the attention of this journalist with her recent release of Burning House, she has been on my radar from the moment I heard her unique sound, her deep lyrics, and melodic voice. She’s fresh and energizing and took the stage like a ball of fire bouncing around delivering a set that didn’t disappoint. I urge you to remember her name as she will soon be head lining and selling out arenas all by herself as a top entertainer in the business. No tomato here.

    Next up was David Nail. Nail’s persona was a bit more subdued, however don’t let his quiet demeanor hinder his ability to wow you. The moment he opens his mouth this strong sultry country crooner melts your heart and mesmerizes you. Singing his hits “Whatever She’s Got,” “Let It Rain,” and “Kiss You Tonight,” Nail nailed it.

    David Nail - DSC_3103 copy

    As Darius took to the stage, his opening number was a celebration of lights and a bit reminiscent of Elvis’ “A Little Less Conversation,” minus the scaffolding. He continued on that momentum and revved it up a bit more playing all of his country hits while interspersing bits and pieces from not only his Hootie & The Blowfish catalog but also other favorite covers from the Black Crowes to Blackstreet.  Have to say, my favorite ditty of the evening, hands down was “No Diggity.”

    Darius Rucker - DSC_3380 copyDarius has a way of connecting with his audience because he leaves it all out there on the stage.  His comedic manner of asking people to stop taking photos of him when he comes over to sing to them, gave us a glimpse of his sense of humor. And just for the record, the man had groove. He could move it and didn’t have a problem shaking it while he sang.  His no holding back continued throughout the evening as he shares intimate bits and pieces of inspirational moments that brought him to music; personal peeks into his life featuring video footage of his wife and children, and he ultimately shared moments of his true inspiration, his mother.  It’s this sharing and connection that makes you feel as though you are a personal friend, and what makes Rucker a true country superstar.

    My favorite moment of the night was the encore. As Darius and fellow bandmates returned to the stage for the encore, he shared with the crowd what he coined as “the most honest song he ever wrote,” “So I Sang.”  The only song that could possibly have topped that in my book was his cover of Old Crowe Medicine Show’s “Wagon Wheel” which has become a signature song and which closed out the night.

    It was truly a pleasure welcoming Darius Rucker back to the New York region in Syracuse and Albany.  This Charlestonian demonstrates what I love most about him and all those I’ve ever met in Charleston, the hospitality they extend, their pride they take in all things family, tradition, and culture, and their honesty in what’s important in life amidst a culture so full of technology, hustle, and bustle.  It’s Darius’s music that makes you stop and take notice of all those things around us that are matters.  That’s his Southern Style, up front and personal.

  • Updated: Tool to Tour with Primus in January

    Tool posted an announcement to their Facebook page last week mentioning that they will be soon announcing U.S. tour dates for January 2016. That post also stated, “Regarding an opening band(s), what I was able to discern through the ever-shifting veil will in all likeliness be exciting to many Tool enthusiasts.”

    tool primus tourThat day is here. Through another post to Facebook, they announced, “Those faint glimpses of TOOL SHOWS that I recently perceived in the scrying mirror can now be considered official. Indeed, something wicked your way comes…THE UNPARALLELED SONIC AND VISUAL EXPERIENCE OF TOOL LIVE.”

    Tool did not specifically announce the openers, but Primus and 3TEETH are listed on the bill at ticketing sites for each show.

    There are no Northeast dates announced yet, but Tool is teasing more dates with, “CHECK BACK SOON FOR MORE INFO…”

    All shows go on sale this Friday, Nov. 20. Tour dates are as follows:

    Saturday, Jan. 9 – Viejas Arena, San Diego, CA – with Primus and 3TEETH
    Wednesday, Jan. 13 – AT&T Center, San Antonio, TX – with Primus and 3TEETH
    Saturday, Jan. 16 – BOK Center, Tulsa, OK – with Primus
    Sunday, Jan. 17 – Verizon Theatre, Grand Prairie, TX – with Primus and 3TEETH
    Tuesday, Jan. 19 – Landers Center, Southaven, MS – with Primus and 3TEETH
    Saturday, Jan. 23 – Bridgestone Arena, Nashville, TN – with Primus and 3TEETH
    Monday, Jan. 25 – Infinite Energy Center, Atlanta, GA – with Primus and 3TEETH
    Tuesday, Jan. 26 – Bojangles Coliseum, Charlotte, NC – with Primus and 3TEETH

    Update (Nov. 30): Tool has added a second show in San Diego on Sunday, Jan. 10. Tickets for this show are currently on sale. Additionally, four new dates were announced today. The new dates are as follows:

    Thursday, Jan. 14 – Toyota Center, Houston, TX – with Primus and 3TEETH
    Wednesday, Jan. 20 – Sprint Center, Kansas City, MO – with Primus and 3TEETH
    Friday, Jan. 22 – Chaifetz Center, St. Louis, MO – with Primus and 3TEETH
    Sunday, Jan. 31 – Smoothie King Center, New Orleans, LA – with Primus

    Tickets for these four new dates go on sale on Friday, Dec. 4. Tool has, once again, hinted as even more dates through their Facebook post: “Please continue to check back for times and links and to see if any more shows are ADDED to this list.”

    Update (Dec. 8): Another stop on the Tool tour has been scheduled for Wednesday, Jan. 6 at the Bill Graham Civic Auditorium in San Francisco, California. Billed as “An Evening with Tool,” there will be no supporting acts. Tickets for this special night of music will go on sale on Friday, Dec. 11 at 12 p.m. PST.

  • Photo Gallery: Dead and Company keep Truckin’ on through Buffalo

    Dead and Company came to the First Niagara Center in Buffalo on Wednesday November 11, 2015. The band, which includes three of four founding members of The Grateful Dead and Oteil Burbridge, Jeff Chimenti and most notably John Mayer. Mickey Hart, Bill Kreutzmann, and Bob Weir were on top of their game and the chemistry that was ignited really created a great experience. There is no doubt that John Mayer brings something incredible to the table and the reviews couldn’t be more accurate. Mayer continues to turn heads. If Dead and Company does continue to tour, John Mayer better be a part of the cast.

    dead and company buffalo

    Set 1: Promised Land, New Minglewood Blues, Bertha, Here Comes Sunshine, El Paso, Althea, U.S. Blues
     
    Set 2: Viola Lee Blues > Wang Dang Doodle > Viola Lee Blues > New Speedway Boogie > Truckin’ > Dark Star >
    Drums > Space > Dark Star > China Doll > Sugar Magnolia
     
    Encore: Casey Jones
  • Dopapod Delivers Sinister Performance in the Town of Peace and Love

    On a chilly Saturday, November 14, Dopapod played in the town of peace and love, Woodstock, for the first time. The small town was the stomping ground of music greats like Bob Dylan and The Band along with countless like-minded individuals who still call this town home.

    Nestled between the pines about one minute outside of Woodstock is The Bearsville Theater. Visitors make themselves comfortable around a fire at the Bear Café next door. Excited fans have a craft beer and a smoke on the back porch overlooking Sawkill Creek. The building’s interior resembles a lodge: dimly lit, cozy and welcoming.

    dopapod peaceAs easy as it is to completely relax, The Nth Power begin to play and immediately energize the entire venue. A mix of funk, soul, rock, R&B and gospel, the group also blends a world beat into their unique and sexy tunes. Although only having formed a few years ago at Jazz Fest in New Orleans, this band – which happens to feature drummer Nikki Glaspie, (Dumpstaphunk, Beyoncé) – could easily become the next Lettuce.

    Before they even appear on stage, eerie and ominous sounds echo throughout the dark room foreshadowing what will end up being two largely prog rock heavy Dopapod sets.

    Drummer Scotty Zwang appears to be his element at times, even given a literal spotlight, as one enthusiastic fan up front yells, “You’re the best drummer ever!” Guitarist Rob Compa’s fingers move as fast as a sewing machine and perfects even the most technical progressions. While often known for his sense of humor, Chuck Jones is all business providing a low and strong foundation on the bass. Eli Winderman offers extended synthesized key solos that deliver Dopapod’s often alien-like hums.

    A quick glance around the room finds fists in the air and even some head banging. “Psycho Nature” embodies the quasi-metal sound Dopapod has perfected while “Sleeping Giant” provides another welcomed opportunity for vocals, even a breath from the intensity of the preceding songs.

    Dopapod closes their second set with a haunting and powerful “Freight Train.” After the brief but obligatory fake-out, they return for an encore of AC/DC’s “TNT.” It is the first and only break from their overall stern demeanor on this night.  Finally, to the delight of the loyal ‘Dopafam,’ they end with a satisfying “Bubble Brain.”

    Dopapod’s first time playing The Bearsville Theater was sinister, energetic and intense – a stark, but welcomed contrast to the colorful tie-dye soaked village of Woodstock.

    Set 1: Flipped, Priorities, Bluetooth, Upside, Weedie > Bahbi, Off the Cuff

    Set 2: Vol. 3 #86 > Psycho Nature, Sleeping Giant > Piazole > Nuggy Jawson > Job > Freight Train

    Encore: TNT, Bubble Brain

  • Gwar Killed the Internet at the Town Ballroom

    DSC_2154Nobody could hide from the blood and spew Saturday night in Buffalo at the Town Ballroom with GWAR in town. The band brought their best show I have seen to date. Celebrating their 30th year together, the band was sans Vulvatron. She lasted a short but memorable time. Fans were thrilled to see how their costumes and theatrics have improved over last year. In particular, Blothar has fleshed out his costume more elaborately with penis udders and embellishments. The narrative for this Gwar show revolved around “Killing the Internet,” and the screens behind them projected cute kitty photos and other appropriate images. Things started with two rappers in rubber monster costumes of course; playing a terrible indescribable song.

    There were some moments of genuine humor — Blothar mentioned a website that ‘My friend Jared from Subway told me about.’ That led to a spirited version of “Baby Raper” complete with the props that you’d expect. Some had to turn and walk away because they couldn’t handle it. Special guest’s appeared such as Hilary Clinton and Kanye West, who were shortly killed after entering the stage. The show climaxed with the dismembering of the giant internet troll. The ending speech was that we should put our phones down and interact with one another face to face.

    DSC_2339 - CopyBattlecross, also on the bill, is a thrash band from Detroit. Their performance was hard to match. They had so much energy on stage, they kept fans entranced throughout the night. They seemed to be genuinely enjoying themselves. Playing a handful of songs from their new LP Rise to Power including “Not Your Slave,” “Absence” and “Bound by Fear.” Their set really whipped the crowd into a frenzy.

    Battlecross have produced three full length albums and tour constantly. They are forever loved in Buffalo and appear frequently there.

    Armageddon opened the night. They had replaced Born of Osiris due to an injury. This whole band was under the age of 21. Turns out they are a local band, I feel they could have found someone a little more experienced on such short notice. The guys really did give everything they had on stage that night. This was their biggest show to date and they didn’t let their nerves get the best of them.

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  • Photo Gallery: Space Carnival at Black Oak Tavern

    Space Carnival, a fourtet founded in 2013, lit the crowd on fire with a touch of psychedelic and jamtastic euphoria Monday, November 9 at Black Oak Tavern in Oneonta. They implemented blends of funky and high spirited progressive rock which allowed the beings of Oneonta to release their souls into the fabrics of our universe. The groove had everyone get down as they combined fresh sounds along with original beats which created a positive atmosphere, making everyone look forward to their sweet return.

    Space Carnival Black Oak Tavern