Category: Buffalo

  • Smashed Face: Cannibal Corpse Collaborates on Craft Beer Release

    If pop-culture critic Chuck Klosterman taught us anything from his memoir Fargo Rock City, it’s that Midwesterners love their metal. And one Munster, Indiana, company has been making new noise for the hard-fast-and-heavy genre by crafting special-release beers in concert with favorite metal groups.

    Smashed FaceThree Floyds Brewing Company, whose coveted Citra-forward American Pale Ale Zombie Dust holds a steady Top 20 Beer Advocate rating, started hosting its annual beer-and-metal festival 12 years ago to showcase rising bands and release its “demonic” Russian imperial stout bearing the same moniker as the once-a-year event, Dark Lord Day. And in 2010, the metal-friendly brewery began collaborating with groups like Pelican (The Creeper Doppelbock), Pig Destroyer (Permanent Funeral Pale Ale) and Municipal Waste (Toxic Revolution Stout) to create limited-batch brews; Three Floyds‘ latest victim is Buffalo-spawned death metal vets Cannibal Corpse.

    On Oct. 14, the brewing company announced through its Facebook page that Amber Smashed Face—a play on the band’s Hammer Smashed Face (1993) album—would soon be released. The brewery describes the beer as “an aggressively hopped American Amber Ale sure to crush your skull and liquefy your brain.” Sounds like every metalhead and beer nerd’s wet-hopped dream.

    Smashed FaceFor a brewery that aims to cook up “intense” beer labeled with Vince Locke’s gore-obsessed artwork and a band whose graphic lyrics of blood and carnage spill across its 27-year catalog, one can only believe it’s the perfect pairing—plus, it’s fun to fantasize about the grotesque tasting notes if life were to truly imitate art. Think: a malty base of crushed bone and blood broth with juicy notes of worm and maggot pulp that finishes with a heavy mouth feel and the nose smells a bit of dead flesh, like a “Rotting Head,” a “brain turned to soup, ears are dripping goop” for fans—err, zombies—to drink up.

    Vince Locke gave fans a sneak peak of the label art on his Instagram account:

    Cannibal Corpse is currently on tour in support of A Skeletal Domainthe bands’ lucky-number-13 studio release—with one nearby stop in Pittsburgh on Nov. 3. The 12-track album, produced by Mark Lewis (The Black Dahlia Murder, DevilDriver) at Audio Hammer Studios in Florida, where Cannibal Corpse is now based, debuted at number 32 on Billboard’s Top 200 chart during its first week, and ASD remains as the band’s highest-charting record to date. We’ll raise our skull chalice to that.

  • Hearing Aide: Papadosio ‘Extras In A Movie’

    “When spring arrives epiphany/I’m still the last leaf on the tree.” As homage to the changing seasons, Papadosio has changed their musical hues from bright neon to softer, more organic colors in their fourth phenomenal studio album, Extras In A Movie. 

    Despite their label as a “genre-bending” group of musicians, Papadosio’s initial album releases of Observations and T.E.T.I.O.S. did in fact fall under one specific category- and that was electronic music. Yes, adoring fans may argue that they possess the improvisational capabilities inspired by jazz, progressive rock, and even jam rock to shape their melodic phrasing and musical transitions, and thus don’t belong under the same umbrella as electronic artists Skrillex or Bassnectar. However, I saw a dash of prog rock and a sprinkle of jazz for what they really were to Papadosio- and that is mere sensibility. I believed that to be labeled as a band that dismisses categorization, each style of music had to be crafted on an individual basis, incorporating the key elements and instrumentation of that style, yet somehow creating one inner voice over the entire work, as a subtle reminder of the single creator.

    It wasn’t until the release of Extras In A Movie that I felt this proficiency in musical obscurity towards Papadosio, but I am confident that this album will break ground for many listeners, especially those who may not have approved of the band’s stylistic approach at first.

    With an addition of some interesting sound effects, acoustic guitars, and tight harmonies, opening track “The Last Leaf,” and tracks “Epiphany,” and “Bypass Default” bring a strong introductory splash to the album, with an erratic yet satisfying mess of musical classes, ranging from styles of barbershop quartets to Pink Floyd to Awolnation. Anthony Thogmartin’s adaptation of vocal timbre throughout each track is complimentary and appropriate, while the surrounding band of Mike Healy, Rob McConnell, Billy Brouse, and Sam Brouse tend to throw in some instrumental surprises, most of the time in an effective and aesthetically pleasing manner.

    The fact that the average track is about three minutes long throughout this sixteen track album speaks great masses as well- this album was created to defy the standards of recorded music, and the ideas were organized in this fashion to isolate and preserve the individual conception of each instance.

    By writing, recording, mixing, and even video conceptualizing themselves, Papadosio has become the purport of the avant-garde composer, keeping the pillars of studio-induced creativity a strong part of their foundation. Their ability to showcase psycadelia-inspired electronic anthems like the album single “Glimpse of Light,” followed by the stripped down acoustic rawness in “Anima Mundi,” “Gazing the Great Oscillator,” and “Open” adapts Papadosio to any kind of setting, guiding listeners into an array of color, vibrancy, and authenticity. Along with developing their own voice, I also heard inspiration from other great genre gods, including Incubus, Genesis, and Daft Punk.

    As part of their grand release, Papadosio has introduced a tour they’ve cleverly named Extras In A Movie Tour – Act 1. If that doesn’t leave you with a curiosity of what “Act 1” implies, I don’t know what will. I suppose the only way to find out is to hitch a ride on their tour, with stops at Irving Plaza, the Westcott Theatre, and Town Ballroom in November.

    Key Tracks: The Last Leaf, Epiphany, Bypass Default, Anima Mundi

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  • Motley Crüe’s Final Show in Buffalo

    It took Motley Crüe drummer Tommy Lee approximately five songs to come to the stage to announce he wasn’t playing due to severe tendinitis in his arm. The crowd booed and people were clearly upset. This was Motley Crüe’s final tour and last show playing at First Niagara Center. It was evident something was amiss because during the first few songs no spot lights were cast onto the drum set. Glen Sobel (Alice Cooper’s drummer) did a great job filling in last minute for Tommy Lee.For those who don’t know he is also the timekeeper for Alice Cooper, who headlined the show that night.

    Alice Cooper Motley Crüe's Final ShowVince Neil was disappointing throughout the entire set, minus maybe a loud “yeah” here and there. Vince certainly tried to play his heart out and toward the end of the night you could hear and see the exhaustion on his face as he huffed and puffed his way through songs. During “Kickstart My Heart” there were some parts where at the end of a verse he mumbled the words, almost like he gave up. Nevertheless that’s what the pyrotechnics were there for that night, to cover up their failing ability to perform live like in days’ past. The hero of the night was Mick Mars, who didn’t need to jump around on stage in frilly costumes for people to be entranced by him. His guitar playing and solos were enough to capture people.  While costume changes were happening for Nikki and Vince, Mars was given the spotlight to play some impressive solos.  If this was really the band’s last hurrah, and last show in Buffalo, the band could have put more effort into performing a complete show.

    Alice Cooper and his band had done an excellent job from start to finish. Mr. Cooper is 67 years old and is blowing away young bands left and right. It will be a sad day when Cooper announces his retirement. If you have not seen him I highly recommend going at least once. They made the crowd feel creeped out, uncomfortable and having some people covering their eyes. He did everything one would expect from a Cooper concert, from decapitating himself to having his giant Frankenstein on stage. He sang classics like “Schools Out” to “ No More Mr. Nice Guy.”  Alice Cooper stole the show that night and deserves high praise for his performance.

  • NY Senator Chuck Schumer Introduces Anti-Ticket-Buying-Bot

    As if outrageous “service” and “convenience” charges from maniacal agencies like Live Nation and Recording Academy weren’t bad enough, live music fans are also up against a different breed of evil: scalpers. And what’s worse? The scalpers have gone digital. NY Senator Chuck Schumer has a possible solution.

    No longer is a fan’s worst enemy the guy who bought 10 tickets for face value, only to turn around and sell eight on the corner outside the parking lot of the sold-out show for twice the value. Now, resellers (individuals and companies alike) are developing algorithms and programs to snatch up tickets en mass solely for the purpose of redistribution at a huge markup through sites like StubHub, Craigslist and even Facebook. Bottom line: While scalping has always had an effect on the ticket resale market, the problem has become increasingly substantial with the increased use of technology.

    Chuck SchumerLuckily, Senator Chuck Schumer has taken action, introducing legislation that would ban ticket buying “bots” in New York state. While this is new legislation for New York, the ban already exists in 14 other states. As many online commenters have joked, this move may have been taken in response to Chuck’s own inability to find tickets at reasonable prices for the Oct. 22 Paul McCartney show in Buffalo; currently nosebleed seats average $275+ while floor seats will catch around a cool $500. By the way – face value for nosebleed tickets was $29.50, including fees.

    Joking aside, these bots are taking far more than a small slice of tickets being sold. According to varying sources, ticketing robots can account for 30-60 percent of tickets sold for certain events. Artists have tried to combat this in a variety of ways in order to give their fans a fair shake; Foo Fighters tried to keep everything in-house and LCD Soundsystem added shows for their farewell run, for example. Still, these tactics are limited when it comes to the clever scumminess that is the mind of the scalper.

    Chuck SchumerUnder the new legislation, companies or individuals caught using “bots” to scoop up tickets solely for the sake of resale would be fined up to $1,000 per ticket, with the same fine enforced upon secondary sellers. While that sounds great on paper and would be even better in reality, the unfortunate truth is that in these bans are tough to enforce. In addition to standard reselling sites like StubHub, for example, there are numerous ways tickets can be unfairly obtained and resold. Still, a focus on correcting what has become a widespread foul practice is a step in the right direction for music fans everywhere.

    All that said, there is one important sentiment worth mentioning: Some people pay what they deserve to pay. Don’t be stupid. Don’t be the guy who spent $500 for a behind-the-stage seat at the Dead 50 reunion shows. There is something to be said for supply and demand, and the ignorance of the customer is at the fulcrum of the demand. Think about where your tickets are coming from. There are plenty of great sites, such as cashortrade.org, that forbid reselling tickets over face value. Similarly, there are plenty of online communities that operate under the same principles. Best of all, know the right people and look out for your own family and friends. Don’t scalp, and don’t be scalped. If you find yourself about to click “buy” on a ticket that is being sold for way over face value, ask yourself two questions: “Whose pockets am I lining?” and, just as important, “Is it really worth it?”

  • Luke Bryan and Friends ‘Kicked up the Dust’ at Darien Lake Performing Arts Center

    Entertainer of the year Luke Bryan showed fans there was more than One Direction to go Thursday night for an evening great music. Luke Bryan brought his Kick The Dust Up tour and friends to Darien Lake Performing Arts Center, as one of the final concerts of their season. Bryan, clad in a tight-fitting T-shirt and black jeans and shook his hips like a reincarnated Elvis. He was constantly taking in every bit of energy from his fans all across the venue.

    Luke Bryan and Friends darien lakeWhile plenty of artists put on a strong show, how many of them toss beers into the crowd as they sing? Or catch a fan’s cellphone mid-song, snap a selfie and toss it back without missing a note? Bryan did it all, including rounding up his talented band and pouring tequila shots on top of his piano to toast the crowd.

    Opening up the show was Dustin Lynch. The stage chemistry between Lynch and his band is one of a kind — delivering a breathtaking performance every time. While Dustin performed “Halo” and “Mindreader” off his iTunes #1 debut sophomore album Where It’s At. He kept the energy high straight through to the end, and finished things up with his hit “Cowboys and Angels” inspiring a sing along, making all the young women in the room swoon. This talented young man has charisma coming out of his ears and he really knows how to work a crowd.

    After a short intermission, it was time to “Go Out With My Boots On” as Randy Houser fiercely entered the stage belting the party tune. Title track from his sophomore album “How Country Feels” stole the show as Randy cleverly performed it as a sing along, involving an eager crowd. Beginning with an acoustic version of the chorus, the #1 single “Goodnight Kiss” permeated the venue as his wildly talented band joined in and kicked it into high gear. He closed out with his latest hit single, “Like A Cowboy.”

    From the lawn seats to the pit of the stage, every seat in the house for Luke Bryan and Friends Darien Lake was provided a unique view with a custom concert experience. With three of country music’s most adept stars on one ticket, you will definitely want to catch a ride on the final leg of Kick the Dust Up Tour.

  • Van Halen Kicks Off Second Leg Of Tour At Darien Lake

    When news broke Sunday, August 23, that Van Halen had canceled their show at Hershey Park in Hershey, PA, fans must have been thinking to themselves “not again.” The official kick off to the second leg of Van Halen’s massive North American tour had been canceled due to singer, David Lee Roth, having the flu. With doctors orders canceling the show at Hershey Park, fans took to social media to express their concerns about the rest of the upcoming shows.

    To the delight of everyone who was planning on going to any of the shows afterwards, Van Halen said the tour would be going on as planned and no other shows would be canceled. With that great news from the band, fans at Darien Lake prepared to welcome Van Halen for their new official start to the second half of their tour.

    van halenOn Tuesday August 25, fans lined up early in front of the gates at Darien Lake Performing Arts Center with much excitement. While some fans waited in line on the chilly August day, others took to the park to help ease the excitement. Throughout the park, families could be seen wearing their favorite Van Halen memorabilia such as shirts and shoes. Concert goers inside the theme park seemed to cover many generations. Walking through the theme park, there were young children ready to see guitar icon, Eddie Van Halen, take the stage for what would probably be their first time. Teenagers were all around the park in their own groups sporting their classic VH shirts. Most of all, the parents who grew up listening to classic Van Halen albums such as Van Halen, Van Halen II, 1984, etc. were ready to see Van Halen for what would probably be their last time at Darien Lake.

    The show started out just prior to 7:30 with the Kenny Wayne Shepherd Band. Most of the crowd seemed to be well aware of who Kenny Wayne Shepherd was. This blues guitar icon certainly came to impress and show off his guitar skills. Teaching himself guitar from the early age of 7, Kenny Wayne Shepherd could definitely give Eddie a run for his money. Backing up Kenny, was an all-star lineup of musicians who have played with some of the best in the world. Vocals duties for the band were handled by Noah Hunt, who had an outstanding voice to say the least. Bass player Tony Franklin was introduced to the crowd as a guy who had played with a band called, The Firm. For those who aren’t aware, The Firm consisted of Paul Rodgers of Bad Company and Jimmy Page of Led Zeppelin. If that wasn’t enough, the drummer for the Kenny Wayne Shepherd band, Chris Layton, played with Stevie Ray Vaughan. Finishing off the lineup was keyboard player Riley Osborun, who had played alongside Willie Nelson. Together, these guys put on an incredible opening show. The set was ended with a stellar cover of Jimi Hendrix’s “Voodoo Child,” that left the crowd standing on their feet cheering.

    Kenny Wayne Shepherd Band
    Kenny Wayne Shepherd Band

    After Kenny Wayne Shepherd exited the stage, every seat that was once empty inside had a new face standing in front of it. By this time of the night, everyone knew they were finally going to see Van Halen and there would be no cancellations. Alex Van Halen kicked off the show standing up at his drum kit welcoming fans, while his brother Eddie and Eddie’s son Wolfgang started the night off with “Light Up The Sky” from Van Halen II. Within seconds later, singer David Lee Roth came out on stage with all smiles.

    Playing 23 songs from 7 different albums, Van Halen surely had enough to please everyone. From the new material, all the way back to the very beginning, Van Halen made sure to hit the songs everyone was there to hear. Fans got to hear classics such as “Runnin’ With The Devil,” “Everybody Wants Some,” “Dance The Night Away” and more. Alex Van Halen handled the drum kit better than any other 62-year-old probably could. Eddie’s son Wolfgang, who now handles bass duties, was simply amazing. Some people may think that Wolfgang doesn’t deserve to be in Van Halen just because of his dad, but he certainly proved it at Darien Lake. To go along with his excellent playing, Wolfgang handles the harmony backup vocals with ease. There’s no denying that Wolf, who’s only 24-years-old, has incredible amounts of musical talent. For those who don’t know Wolfgang is also the bass player for Mark Tremonti’s solo band when he’s not busy playing alongside dad.

    David Lee Roth

    Throughout the show, Eddie Van Halen showed why he’s considered one of the greatest guitar players of all time. Watching Eddie play songs from as far back as 1978 with no trouble at all left people mesmerized. Most of the time as bands age, the live show lacks what it once had. Guitar players get sloppy over time and improvise parts of songs they can’t play live anymore. This wasn’t the case for EVH. Eddie cruised through the entire setlist making it look easy. When it was time for Eddie to take the stage for his solo, he chose to toss in some licks from other Van Halen songs before playing “Eruption”. Most guitar solos can get boring quickly, but Eddie Van Halen is one guitar player that will never bore a crowd.

    David Lee Roth, who was battling the flu, showed no signs of being ill on Tuesday night. DLR who’s been back with Van Halen since 2007 now, put on an unforgettable performance. While smiling all night and having fun on stage, David made sure the crowd was having just as much fun as him. There aren’t many performers who are as comfortable as Roth is on stage. For instance, not many performers can forget lyrics to a song like Roth can and still go with the flow. Many times throughout the set, David Lee Roth would admit he forgot a line and just laugh it off while giving Eddie and Wolf a head nod who would bail him out. Typically a crowd would be disappointed with such a vocal performance, but the overall show makes up for the mistakes. Many reviews online talk about how DLR lacks the vocal ability now, just like many other singers from his era. It’s true that Roth struggles at times, but Eddie and Wolfgang save the day. Together, the 3 of them take care of business and put on one hell of a performance no one could ever forget.

    Van HalenAs expected, Van Halen ended the night with “Panama” and “Jump” leaving the crowd feeling like they just went back in time. Luckily for fans at Darien Lake, they didn’t have the same fate fans at Hershey Park had on Sunday. Van Halen continues their tour of North America throughout the month of September and has its final stop at the Hollywood Bowl, in Hollywood, California on Friday, October 2nd. Fans interested in catching Van Halen again before the tour ends can find all the dates and ticket information here.

    Setlist: Light Up The Sky, Runnin’ With The Devil, Romeo Delight, Everybody Wants Some, Drop Dead Legs, Feel Your Love Tonight, Somebody Get Me A Doctor, She’s The Woman, Chinatown, I’ll Wait, Drum Solo, Little Guitars, Dance The Night Away, Beautiful Girls, Women In Love, Hot For Teacher, In A Simple Rhyme (Growth), Dirty Movies, Ice Cream Man, Unchained, Ain’t Talkin About Love, Guitar Solo, You Really Got Me, Panama, Jump

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    Eddie And Wolfgang Van Halen
  • Darius Rucker Brings Southern Style to Metropolitan Buffalo

    Not many bands are worth fighting the traffic to get to the Darien Lake Performing Arts Center. But Friday night was worth the battle when Darius Rucker performed to a nearly sold out crowd.

    Rucker, on tour promoting his newest CD “Southern Style,” opened his set with “Lighter Up,” Strapping on his guitar, Rucker said, “Let’s go old school,” and played “Time.” Here and there he added “Only Wanna Be With You,” “Hold My Hand” and “Let Her Cry” from his Hootie and the Blowfish days, which the audience loved.DSC_6507

    Rucker played covers of Blackstreet’s “No Diggity,” which the set could have done without. A highlight came when Rucker had the Brothers Osborne and Brett Eldredge, his opening acts, join him on stage for a rendition of “Hold My Hand.”

    Rucker ended his set with the upbeat “Homegrown Honey,” with shadows of a cornfield projected on the backdrop. For part of his encore, he performed “Wagon Wheel” and had the whole crowd sing the last verse.

    The opening act was the Thousand Horses has a country rock vibe to them. They were heating up an already warm night when they sang their rising single “Smoke” to a packed amphitheater.

    Brothers Osborne. Their music, while country, has a certain air that gives it a more modern feel thanks to the guitar playing by brother John Osborne — most definitely a talented musician — with brother TJ at the vocals.DSC_6647

    Following was Brett Eldredge, another up-and-coming country singer. Performing his “Lose My Mind,” Eldredge had the crowd on their feet and rocking out and, perhaps, making some of the women lose their minds.

    This concert brought many genres of people under one roof. That night we all came together as one and enjoyed a night filled with country rock and roll and rising stars that one day will be headlining

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  • Paul McCartney Fall Tour Includes Date in Buffalo

    In the 55-year musical career of Paul McCartney, perhaps the most successful rock-and-roll musician of all-time, he has never played in Buffalo — not as a Beatle, a Wing, nor as a solo act.6f2ab431fcc3_143644104385_nyhedstor2

    That will change on Oct. 22 as Sir Paul will play at 8 p.m. at First Niagara Center in downtown Buffalo.

    The 21-time Grammy winner has been announcing shows for his fall “Out There” tour.  The tour also includes shows in Columbus, Ohio; University Park, Pennsylvania; Toronto, Ontario; and Detroit.

    McCartney’s concert in Buffalo is his second show in upstate New York in as many years, following his performance in July 2014 at Albany’s Times Union Center.

    McCartney has written over 500 songs, including 32 that have reached number 1 in the United States. The British superstar has been inducted into the Rock and Roll Hall of Fame two times, both as a member of The Beatles and as an individual.

    The legendary performer is known to give shows that last nearly four hours, even at his advanced age of 73. In a July show in Stockholm, Sweden, McCartney played 40 songs, 27 of which were Beatles songs.

    Tickets will go on sale at 10 a.m. Monday, Aug. 31, on Tickets.com for one of the most anticipated concerts Buffalo has seen in a long time.paulmccartney-624-1382708613-1382734189

  • Spiritual Rez Goes Coast to Coast on Fall Tour

    Boston’s Spiritual Rez never sit still for long, and the band just announced a coast-to-coast fall tour that will include a good smattering of New York dates.

    They will start their Northeast leg of the tour in Buffalo on Oct. 8 at Buffalo Iron Works. From there, they hit Rochester, Erie and the new Funk ‘n Waffles in downtown Syracuse.

    For Halloween, Rez will be teaming up with Vermont’s premier funk rock band Gang of Thieves at Smoke Signals in Lake Placid. With more and more Halloween shows being announced the past few weeks, this is definitely one to consider making the trip for.

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    The band is about to embark on a month-long West Coast tour in September. They will hit Oregon, California, Nevada, Arizona, New Mexico and finish it up in Colorado. California will get the biggest dose of Rez, with stops including Sacramento, San Francisco, Chico, Mammoth Lakes, Los Angeles and San Diego.

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    For close to 10 years, the Spritual Rez team has been gaining momentum, and even more so since their 2014 release of Apocalypse Whenever. They have become a consistent festival favorite over the years, including eight years in a row at Backwoods Pondfest in Peru, N.Y. Their explosive live performance and unique style of volcanic reggae has been winning over the hearts and minds of music lovers across the country for years. So if you’re looking for a dance party that will leave you sweaty and rejuvenated, be sure to get to one of their shows on this lengthy fall tour.

    For more information and tour dates, visit their website or Facebook page.

    10.8 – Buffalo, NY | Buffalo Iron Works
    10.9 – Rochester, NY | Flour City Station
    10.10 – Erie, PA | King’s Rook Club
    10.11 – Syracuse, NY | Funk N Waffles
    10.16 – Hartford, CT | Black Eyed Sallys
    10.17 – Princeton, NJ | Terrace F Club @ Princeton Univ.
    10.23 – Northampton, MA | Hinge
    10.24 – Providence, RI | The Spot
    10.30 – Burlington, VT | Club Metronome
    10.31 – Lake Placid, NY | Smoke Signals
    11.7 – Cambridge, MA | The Sinclair
    11.18 – Jupiter, FL | Guanabanas
    11.19 – West Palm Beach, FL | Lafayettes
    11.21 – Jacksonville, FL | Jack Rabbit’s
    11.25 – Orlando, FL | The Social
    11.27, 28, 29 – Key West, FL | The Green Parrot
    12.4 – Raleigh, NC | The Pour House
    12.5 – Richmond, VA | The Camel

  • Slipknot’s Summer’s Last Stand Tour at Darien Lake

    On Wednesday July 29 nothing could prepare the town of Corfu for what was about to be unleashed. Slipknots “Summers Last Stand” tour made a stop at the Darien Lake Performing Arts Center and they brought some of their friends.

    First up was the Gothic American metal band Motionless in White. The Scranton, PA natives opened up the evening with “Break the Cycle” off of their new album Reincarnate.  They continued through a high energy set treating fans to a variety of tracks such as “Abigail,” “Unstoppable” and  the title track “Reincarnate.”

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    Next up, veteran Welsh metal titans, Bullet For My Valentine.  Currently on tour in support of their new album Venom, they took the stage opening with “No Way Out.”  For fans of metal acts like Metallica and Iron Maiden, this is the band to see – especially the essential track “Your Betrayal.”

    They continued to keep the crowd pumped up and excited ending their set with “Tears Don’t Fall” and the mega favorite “Waking The Demon.” I can honestly say that for a band I have not paid much attention to before, after catching their performance, they are on my radar. I am looking forward to listen to more of their music and seeing them live again.

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    From the deep dark recesses of Richmond, Virginia something wicked and powerful creeped onto the stage; they call themselves Lamb of God! From the moment the band took the stage, they started the frenzy with their hit “Walk with Me in Hell.” Front man Randy Blythe took a moment to honor our country’s fallen military heroes before ripping into their classic “Now You Got Something To Die For,” which criticizes our governments ill gains through war.  Lamb of God is currently on tour in support of their newest release VII: Sturm und Drang They treated fans to “Still Echos” and “512.” This is one band that does NOT disappoint their fans. I have seen them more times than I can count and they are truly a testament to the profession. They ended their set on a heavy note with two of my personal favorites: “Laid to Rest” and “Redneck.” Then, the sweat soaked musicians took their bows and said, “until next time.”

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    The stage goes dark, you can hear fans chanting, growing restless, getting louder and louder as each moment passes.  Faintly at first, then a little louder a voice from the PA system is saying “With my face against the floor, I can’t see who knocked me out, out of the way.”  Oh yeah… it’s Slipknot’s killer intro!  The curtain drops, the stage explodes and Slipknot, in full force, starts right in with what feels like a punch to the gut also known as “Sarcastrophe!” The band is in top form. They don’t take a break from the heavy bass laden assault ripping right into “The Heretic Anthem” and “Psychosocial.” Front man Corey Taylor only pauses for a second to ask the masses if they want to “hear a new song with an old school feel to it?” The crowd roared with approval as the band keyed up “AOV” off their new album, The Gray Chapter. It felt like the entire crowd sang along to the hit “Before I Forget” off the band’s Vol.3 the Subliminal Versus. I have been going to Slipknot shows since their early days and they are consistently high energy and always discover unique ways to engage the audience in the madness.

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    During their performance of their mega hit from their debut album Spit It Out percussionist Shawn Crahan (aka Clown) snuck into the audience undetected and emerged by the soundboard where he dumped one of the garbage cans on himself and terrorized fans. While clown was busy making a mess, Corey Taylor encouraged the crowd to get down and when the song crescendos to jump up and sing along. The band took a brief break before storming back on stage and finishing out the evening of metal and mayhem with “People=Shit” and “Surfacing”. Although the tour is titled “Summers Last Stand,”  Slipknot proves once again that this is not heavy metal’s last stand and that it is here to stay!

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