The twelve night ‘Dirty Dozen’ co-headlining run with Twiddle and Kung Fu kicked off last night in Buffalo at Iron Works, and continues tonight in Syracuse at the Westcott Theater. Along with the Buffalo and Syracuse dates, there is a stop at Albany’s Upstate Concert Hall, teaming up with local favorites Mister F. The tour is full of surprises, with no set times being announced, which is exactly the kind of antics fans anticipate with two powerhouse bands such as these two artists. The two bands teamed up for a sold out show in December to benefit Toys for Tots and have both been touring extensively since then.
NYSmusic sent some interview questions to the Twiddle guys, and they all chimed in with their answers below. Be sure to catch them while you can!
Jen Foster: First off, how excited are you for a no-holds-barred tour with Kung Fu?
Twiddle: We’re always extra amped for any gig with Kung Fu. They are role models for us in the scene, and have been amazing mentors/frends for Twiddle as we continue to grow.
Jen Foster: When you imagine this kind of tour, what do you hope for more than anything?
Twiddle: We don’t have any expectations. We are leaving the set times and schedule very open ended so anything can happen. We hope to do some really fun collaborative stuff with Kung Fu that everyone digs. The idea is to have as much fun as possible.
Jen Foster: What will happen when Ryan Dempsey and Todd Stoops create the ultimate keyboard spaceship?
Twiddle: It’s gonna get weird, in a really good way. Expect that dirty alien funk.
Jen Foster: The term Kungwiddle has been flying around like wildfire. Do you foresee this one of many co-billed shows and band crossovers?
Twiddle: Yes. We especially love our annual Toys for Tots show with them in CT. It always feels good to play with incredible musicians, and help kids at the same time.
Jen Foster: Twiddle just finished the “Donde Esta Norb?” tour, and now you’re headed to Costa Rica for Jungle Jam. It has already been a very successful start to the year. Are you at all surprised with the amount of success in the past year?
Twiddle: We’re always blown away by our fans. They are building an amazing community that is turning into a family. As far as success is concerned, Madison House is doing a great job of getting us on some amazing show/festival bills. Especially Red Rocks with S.C.I.
Jen Foster: Fans of both Twiddle and Kung Fu are over the moon about this upcoming tour. What kind of hijinks can we look forward to?
Twiddle: The idea of not announcing set times is to send a message for fans to get there early and stay late. Anything is possible. We have a few filthy tricks up our sleeves but where would the fun be in telling anyone?
Jen Foster: NYSMusic’s readers are very excited for the upcoming Upstate shows in Buffalo, Syracuse and Albany. Once the Spring tour is behind you, what summer music festivals are you most looking forward to playing?
Twiddle: The upstate NY markets are slowly becoming marquis/anchor cities for us. Castleton, where we met, is literally on the NY border with Vermont. We love New York. As for the summer, we are making repeat appearances at big fests like Summer Camp, Wakarusa, The Peach and Gathering of the Vibes. It is always humbling to see our name next to big time artists. However, the smaller fests like Disc Jam and the Frendly Gathering allow us to see all of our New England frends and family. The Frendly Gathering is in Vermont and we spend the whole weekend there. It is home.
Dirty Dozen Tour Dates: 4/1 – Buffalo, NY | Iron Works
4/2 – Syracuse, NY | Westcott Theater
4/3 – New York, NY | Irving Plaza
4/4 – Clifton Park, NY | Upstate Concert Hall
4/8 – State College, PA | Levels
4/9 – Pittsburgh, PA | The Rex Theatre
4/10 – Philadelphia, PA | TLA
4/11 – Baltimore, MD | Rams Head Live
4/12 – Richmond, VA | The Broadberry
4/14 – Greensboro, NC | Blind Tiger
4/15 – Charlotte, NC | The Chop House
4/16 – Atlanta, GA | Terminal West
Every year thousands upon thousands of people flood Highland Park in Rochester to enjoy the annual Lilac Festival 2015. Featuring a full hillside of blooming lilacs and other spring flowers, two weekends of craft vending, and a whole week of the city’s finest high brow and low brow food (Thanks Tahous!) – the biggest draw is ultimately the stellar musical lineup the city offers to music loving denizens for free. And wow – kudos to the organizers as this years lineup is jam-packed with talent.
Festival producer Jeff Springut of the Springut group on this years festivities:
“It’s always a delight to plan the musical lineup for the Rochester Lilac Festival, it’s a wide-open canvas, a free stage that goes from 10:30 in the morning until 8:30 in the evening. It’s a pleasure to have this opportunity to bring in some of the best touring musicians in the country.”
Running the gambit from the 70’s cowboy rock of The Outlaws, the funk-tastic Mingo Fishtrap and Dr Dog to jam favorites Blues Traveler and Rusted Root – this year will leave no music fan unfulfilled.
As always local bands get the focus most afternoons with Rochester’s own Thunderbody, Buddhahood, and Extended Family in the mix. The festival runs May 8-17 and admission is free. Check out the full lineup and day by day schedule below.
2015 Lilac Festival Lineup
5/8 Outlaws, Tommy Brunett, The Blind Owls
5/9 Zac Brown Tribute Band, Pokey LaFarge, Guthrie Brown and the Family Tree, The Blind Owls
5/10 The Psychedelic Furs, The Blind Owls, Deborah Magone, Kat Wright and the Indomitable Soul Band
5/11 Dr. Dog, Adam Ezra Group, Extended Family
5/12 Sister Sparrow and the Dirty Birds, Cracker, Buddhahood
5/13 Blues Traveler, Davina and the Vagabonds
5/14 Rusted Root, Nobel Vibes
5/15 Mingo Fishtrap, Thunder Body
5/16 Charlie Musselwhite, Joe Beard
5/17 Ana Popovic, Danielle Ponder and the Tomorrow People, The Prickers, The Blind Spots, The Blind Owl Band
Detailed Day by Day Schedule – Sahlen’s Stage
Friday, May 8
10:30 am Cosgrove 7th Grade Chorus
11:30 am Passion For Purple Event
12:30 pm TBA
1:00 pm TBA
4:00 pm The Blind Owls
5:30 pm Tommy Brunett
7:00 pm The Outlaws
Saturday, May 9
12:30 pm Cool Club with the Lipker Sisters
1:30 pm Natalie B
2:30 pm The Blind Owls
4:00 pm Guthrie Brown and the Family Tree
5:30 pm Pokey LaFarge
7:00 pm ZBTB: Zac Brown Tribute Band
Sunday, May 10
10:30 am Fred Vine
11:30 am Fat City
12:30 pm Anonymous Willpower
2:30 pm Kat Wright & The Indomitable Soul Band
4:00 pm Deborah Magone
5:30 pm The Blind Owls
7:00 pm The Psychedelic Furs
Monday, May 11
10:30 am Webster Montessori School Chorus
11:00 am Gates Chili Middle School Jazz Band
12:00 pm Bishop Kearney High School: Murder of Crows
1:00 pm Twelve Corners Middle School Jazz Band
4:00 pm Extended Family
5:30 pm Adam Ezra Group
7:00pm Dr. Dog
Tuesday, May 12
10:30 am St. Joseph’s Elementary School Band
11:00 am Holley Elementary Chorus & Band
12:00 pm School 22
1:00 pm Leroy Central School District Bands
4:00 pm The Buddhahood
5:30 pm Sister Sparrow & The Dirty Birds
7:00 pm Cracker
Wednesday, May 13
10:30 am Paul Road Elementary School Band
11:00 am Richard Mann Elementary 5th Grade Band
12:00 pm NRCS Select Choir and Wind Ensemble
1:00 pm Twelve Corners Middle School Jazz Band & Select Choir
4:00 pm TBA
5:30 pm Davina and the Vagabonds
7:00 pm Blues Traveler
Thursday, May 14
10:30 am Pal-Mac Select Ensembles
11:30 am Indian Landing Singers
12:15 pm School #19
1:00 pm Northstar Christian Academy
4:00 pm Noble Vibes
5:30 pm TBA
7:00 pm Rusted Root
Friday, May 15
10:30am – 3:00pm Rochester City School District “Bloomin Arts”
4:00pm Sirsy
5:30pm Thunder Body
7:00pm Mingo Fishtrap
Saturday, May 16
10:30 am Clayton Band & Choir
11:30 am Big Mike & The Motivators
12:30 pm TBA
2:00 pm Shine
3:30 pm Prime Time Funk
5:00 pm Joe Beard
7:00 pm Charlie Musselwhite
Sunday, May 17
11:30 am TBA
12:30 pm The Blind Owl Band
2:30 pm The Blind Spots
4:00 pm The Prickers
5:30 pm Danielle Ponder & The Tomorrow People
7:00 pm Ana Popovic
It’s that time again, Buffalo! For the fifth year in a row, longtime Buffalo show promoter and scene supporter Jeff Wacker is teaming up with Terror Technologies, a horror themed entertainment company based in Kenmore, NY, to raise money for a great cause. This year’s recipient of the Evil Easter Eve earnings will be the Disabled American Veterans – DAV -Chapter Roll Of Honor 120 of Kenmore, NY.
In addition to cash donations, the DAV is also in desperate need of gently used clothing, and brand new, in the packaging undergarments (socks, underwear, etc.) in all sizes. These items can be donated at the door. This show is happening on Saturday April 4 at Broadway Joe’s Bar & Grille in Buffalo. Admission is $10 and doors are at 5 pm.
Budokan (a Cheap Trick cover band) was recently added to this event as well. They’re made up of local scene veterans, featuring members of Herod and Seplophile.
There will be raffles going on to help raises funds as well. As usual, expect a mountain of rare underground death metal merchandise and a boatload of amazing pieces of art.
True to form, Michael Bolton brought his classy performance to his fans at the Showroom at The Turning Stone Casino.
With a full band and rich sound, he commanded the stage. His fans, of all ages, sang along with every song. Performing hit songs “Sittin on the Dock of The Bay” and “Said I Loved You But I Lied” just started the show. Bolton sounded amazing live. His voice so smooth, yet raspy. I could have listened to him all night!
The Showroom is the perfect setting for a show as personal and intimate as Michael Bolton’s performance. Hoping he comes back again soon.
When Tobias Jesso Jr. first started putting his songs up on YouTube as bedroom-made demos about two years ago, the recordings were rough, amateurish masterpieces. The simplicity of the songs was presented in a big, thrilling way, and people caught on pretty quick.
Jesso was signed to a Beggars-affiliated label, started recording with Chet “JR” White, and prepared to release one of 2015’s most anticipated albums. The final result, Goon, came out earlier this month – and unlike our first glimpse of Jesso via YouTube – the material on Goon shows sprawling instrumentation, skilled production, and an earnestly polished performance.
On his current tour in support of the new record, each performance features Jesso and his piano – nothing more. In fact, the piano that he brings to each show is the same one he uses at home in Vancouver.
At Baby’s All Right in Brooklyn Friday night, Jesso shared this bit of information with the sold-out crowd of less than three hundred. “So… welcome to my bedroom!” he said laughing.
And that’s what his entire sixty-minute set felt like – hanging out with Jesso in a comfortable, intimate space while listening to him play stripped-down versions of songs everyone in attendance knew by heart. Between songs, Jesso would chat with fans, explaining how certain songs were written and answering questions shouted from fifteen rows back.
There’s a sense of incredibly palpable honesty that shows through Jesso’s music, and it became even clearer watching him from ten feet away. On paper, Jesso’s lyrics aren’t anything special; they’re not particularly complex and they represent fairly common themes and emotions, but they’re expressed in such an audibly genuine way that they become something completely different. It’s a seriously intriguing kind of music, and his personality is one component largely responsible for it.
Jesso’s current tour will run until mid summer, moving over to the UK, Europe, and ending at Pitchfork Music Festival in Chicago. Find tickets to upcoming shows here and stream the entirety of Goonhere.
To what was close to a homecoming show, hardcore veterans Biohazard and Sworn Enemy headlined a jam packed and spectacular night at Revolution Music Hall in Amityville, NY on March 27 to kickoff a brief US east coast run. There was also a special guest that played exclusively that night; Zire’s War, a new band lead by Life Of Agony guitarist Joey Zampella, who handles vocals and guitars. The night opened with sets from Diesel and Oath.
This was my first time at Revolution Music Hall. Make no mistake, this is a kick ass venue. It’s a pub with a small stage, a capacity of around 500, and a lot of cool monuments and posters to look at. The place has great sound, killer environment, and the best part, drinks and food are served during shows. And cleverly, they have curtains going around the front of the stage to keep closed between sets, which is not common at other similar sized venues around New York State.
The night started off with small set from Diesel, a local hardcore band from the area, who set the tone appropriately with six songs. Lots of energy, and very fitting to open for the headliners. Then the crowd was graced with a set from Oath, a metal band out of Hartford, CT. To be fair, as talented and entertaining this band was, they were out of place, however, the crowd was good to them.
Zire’s War was definitely a real treat to behold. If my research is accurate, this was the band’s second show ever, with their first being played back in October. They have no music released, just demos, but you can check out one of their songs here. I do believe this band will be big. It’s a lot different from Life Of Agony, certainly heavier than their later years. I don’t really know what to compare them to, I highly recommend to give them a listen and go see them when they announce more shows. Joey Zampella is a brutal vocalist and anchors a really talented band around him. They are clearly ready for more shows to play. The band started off with low tempo (but heavy) songs but finished with heavy, thrashier songs. The crowd absolutely loved them as did I. So be sure to follow this band close as 2015 rolls on.
After Zire’s War, Sworn Enemy ignited the crowd into a bloody knuckle fiasco. The floor erupted with dozens upon dozens of men slam dancing the fuck out of the venue. It did feel like a short setlist from Sworn Enemy, but there were some great fire starter songs in their set such as “We Hate,” “As Real As It Gets,” and their anthem “Sworn Enemy.” This band never disappoints.
Finally, Biohazard finished the night with a powerful set, playing songs from their first three (and best) albums. Kicking things off with “Shades Of Grey” and “What Makes Us Tick” they never fail to bring such a charismatic and energetic performance. I held the hope inside they would unleash new music, but obviously it wasn’t time yet. The big highlights of the set would definitely have to be “Urban Discipline,” “Love Denied,” and “Five Blocks To The Subway.” Even with some of the technical difficulties and other minor sound problems, they never let that get in the way of putting on a damn awesome show. They finished their set with their blockbuster anthem “Punishment” and their creed motto “Hold My Own.” Vocalist/guitarist Billy Graziadei thanked the crowd and said Biohazard will be back next year.
Overall a fantastic show for anyone looking to kick start their adrenaline or to get their hardcore jollies out of their system. My only complaint, it seemed like an awful long time to set up between bands, especially since every band minus Biohazard only played six to eight songs. But Revolution Music Hall is definitely a fitting venue for metal and hardcore shows. And now we eagerly await the next Biohazard and Sworn Enemy US tour, and the future of Zire’s War.
The Dirty Dozen Tour features 12 massive performances from Co-Headlining musical acts of Twiddle and Kung-Fu. Syracuse will be their second date of the run, following Buffalo, before traveling to Albany, New York City and making their way for Atlanta. Due to the fact that both bands will be headlining the tour, fans will have to arrive early to the venue to see who will take stage first. These two groups have been dedicated to their growing fan base and the music community by scheduling non-stop tour dates, as well as planning to release soundboard audio of their live shows this spring and summer. Fans can also see both bands in June at the Saranac Brewery in Utica, NY opening for moe.
Twiddle-City Bisco 2013
Since emerging onto the music scene, Kung Fu has single-handedly redefined what it means to “bring the funk.” These gentleman have brought their own unique sound, fusing the unlikely genres of funk, electronic, jam, jazz and much more. Kung Fu has become a staple at many big name festivals as well as the smaller festivals, home town bars and venues. Seeing this band live is more than just a performance, but an experience. Kung Fu’s live performances have been referred to as “jaw dropping” and “musically mesmerizing.” Taking stage with the equally talented Twiddle will just mean that you’ll have to really brace yourself for a fantastic night of live music.
Twiddle has taken the jam band music scene by storm, completely dismantling any preconceptions and notions on how far a group of guys from a small town in Vermont could really go. Over the past few years Twiddle has acquired a following to (no pun intended) beat the band. Fans of Twiddle travel far and wide to enjoy their live performances. Much like Kung Fu, Twiddle has also masterfully blended a unique array of genres including funk, reggae, jazz and bluegrass. The band has a very unique understanding of each other on stage and off so their performances are nothing short of amazing. Each performance within the Dirty Dozen Tour will showcase two phenomenal bands who have redefined genres within their own respects and also made great strides for genres which may have been otherwise overlooked.
Dirty Dozen Tour Dates:
4/1 – Buffalo, NY | Iron Works
4/2 – Syracuse, NY | Westcott Theater
4/3 – New York, NY | Irving Plaza
4/4 – Clifton Park, NY | Upstate Concert Hall
4/8 – State College, PA | Levels
4/9 – Pittsburgh, PA | The Rex Theatre
4/10 – Philadelphia, PA | TLA
4/11 – Baltimore, MD | Rams Head Live
4/12 – Richmond, VA | The Broadberry
4/14 – Greensboro, NC | Blind Tiger
4/15 – Charlotte, NC | The Chop House
4/16 – Atlanta, GA | Terminal West
Tickets are expected to go quick so don’t wait to buy them at the door.
Pigeons Playing Ping Pong are bringing their own unique brand of funk to Brooklyn Bowl on April 1, and who knows what type of antics these birds are going to break out on April Fools Day. Based out of Baltimore, MD, Pigeons Playing Ping Pong have been hard at work on the road, following the 2014 release of their aptly named sophomore album Psychology. Greg Ormont (vocals, rhythm guitar), Jeremy Schon (guitar, vocals), Ben Carrey (bass, vocals), and Alex Petropulos (drumagic, electro-swag) came up with the name of their band from a BF Skinner video shown in a college psychology class. Pigeons Playing Ping Pong will be supported by Shwizz and Aqueous, and Ormont took time out of his busy electro-funk tour schedule for an interview with NYS Music.
Graig Adler: How long have you been on tour? When does it end? How many dates? When’s the last time you’ve been “home”?
Greg Ormont: We just finished a 27-day tour and returned home this Sunday. Brooklyn Bowl is only one of two shows this week before we take off the weekend after a super busy March.
GA: What has been your favorite venue so far? Which venue are you most excited to play?
GO: Brooklyn Bowl is definitely up there. We also love playing the 9:30 Club in D.C., the Fox Theater in Boulder, CO, among many others. I’m most excited for festival season. I’m also interested in seeing New
Mountain in Asheville, NC for the first time; I’ve only heard great things so far.
GA: Who is the best/worst driver in the band?
GO: That’s a touchy subject… let’s just say we’re all terrible drivers.
GA: What do you listen to while driving from city to city?
GO: On my last drive, I put on some Mitch Hedberg standup, followed by full albums of Sly and the Family Stone, Snarky Puppy, Deaf Scene, MGMT and Steely Dan.
GA: What’s your daily schedule like? How much time do you spend driving? Practicing? Writing new music?
GO: That depends on where we’re coming from and where we’re headed, but generally we wake up, grab local food and hit the road for 3-7 hours to soundcheck, where we’ll load in, soundcheck, grab dinner, rest up and rage a show. Sometimes we practice during soundcheck if timing and situation permits, and sometimes we practice in a friend of a friend’s house on our off days on the road, like we did in Lawrence, KS this
past Tuesday.
GA: If you could play in any venue/city in the country what would it be?
GO: Red Rocks, Madison Square Garden, does JamCruise count as “the country?” If yes, then also: the moon.
GA: We all know things happen on a long tour like this, what’s the worst thing that’s happened so far?
GO: Last Monday, we were supposed to play in Lawrence, KS with Consider the Source, but their trailer’s wheel fell off or something and they couldn’t make it. So we just played two sets without them, turned out
okay for us. If it’s not our van troubles, it’s another band’s trailer troubles…
We actually had a really smooth tour this month. Perhaps the worst thing to happen was visiting New Orleans on our day off… We all fell in love with the city and did not want to leave, ended up staying a little too long and had to drive 27 hours straight to Colorado to make it to our sound check on time. But we made it! With no time to spare.
GA: What band currently touring do you compare yourselves to or draw the most inspiration from?
GO: I’m not one for comparisons… we do our own thing. We see so much live music though, so I guess we combine elements of all the acts we see… that said, I personally draw a lot of inspiration from Phish and Lotus, as well as Soulive, Snarky Puppy, the New Mastersounds, the Talking Heads and many more. But I have huge ideas, and haven’t seen them performed by anyone else yet. Les Claypool gets kind of close to what I’m thinking, but in his own way…
GA: Have you had the chance to collaborate with any other artists/bands while on tour? Who was your favorite?
GO: We had the great Tom Hamilton (American Babies, JRAD, Brother’s Past) sit in on guitar during our late night set at AURA Music Festival and we had the phenomenal Joey Porter (Juno What, The Motet) crush the
keys in Denver and Boulder, CO. Both guys are tremendous musicians and awesome people, and they both sat in perfectly. Joey was particularly funky and meshed effortlessly in our musical pocket; it was like he had played with us 100 times. I’d love to have either gentleman come do it again if we’re in the same room.
We also had a fantastic sit-in on a Sunday show in Frisco, CO by a young traveler named Gina Sobel, who showed up with her flute and threw down some high-quality jazz-funk riffs over two of our songs. Nothing says, “Never miss a Sunday show” quite like a surprise guest flutist… and she killed it! I believe there are some clips of her sit-in on YouTube, as well as Joey Porter’s and Tom Hamilton’s performances with us this month.
GA: Who writes your setlists? How do you decide what you’re going to play night in and night out?
GO: Our guitarist Jeremy Schon pens most of our set lists, and then we discuss it as a group and make any changes we see fit, prior to the set. Jeremy keeps a running document of every set we’ve ever played, so he can see what we played at our most recent shows in the area to keep the next show different and interesting for that crowd. Once we’re on stage, however, anything goes. We often cut songs on the fly, or insert new ideas based off the mood, and generally go with the flow.
GA: As festival season approaches, which festival are you most excited about?
GO: Domefest!! We throw our own festival every year and I’m always most excited for it. It’s the ultimate gathering of our fanbase, The Flock, and we invite all of our favorite band-friends to play and enjoy the
weekend. We love watching Flockers meet each other for the first time, especially when they’re from different parts of the country. We’ve seen best friends meet and new romantic relationships form at Domefest, which is an amazing symptom of live music; we love bringing people together. This year, Pigeons Playing Ping Pong is playing three nights, along with performances by Yo Mama’s Big Fat Booty Band, The Heavy Pets, The Mantras, BIG Something and many more amazing rising acts on May 28-30 at Trip’s Farm in Terra Alta, WV. Domefest is where fans discover their new favorite band, and bands find their new die-hard supporters; it’s a beautiful, absolutely raging weekend.
I’m similarly excited for All Good, which was my first major festival attended. Playing for that crowd on that stage will be a dream come true for most of us. I’m also super pumped for a few major festivals that we haven’t announced yet… as well as Summer Camp, which I’m told is too fun.
Tickets are still available and can be purchased here.
With a winter that just won’t quit in Upstate NY, it was a warm reception for bands at Trickshots Billards in Clifton Park on Saturday March 28. Thanks to Joelggernaut Productions, Trickshots has been getting quality heavy music shows for some time now, and this was no exception. The crowd topped out close to a couple hundred strong for the night, and was eager to receive the musical offerings from all the bands on the bill
Black Iron Prison
The show kicked off with the return of local heavy rockers, Black Iron Prison. Dual guitar assaults weaved in and out of precision rhythm section work. The band recently welcomed back their singer Eli Hargrave (ex – Skeletons In The Piano) to belt out guttural screams and wavering melodies alongside longtime guitarist and vocalist, Todd Hildebrandt. Eerie melodic passages were peppered into the heavy riff rock of each song to set the mood right for the entire night. After the show, I got the chance to talk with Eli, and he revealed the band is currently working on new material for an upcoming recording.
The Final SleepThe Final Sleep
Next to take the stage was The Final Sleep, from Albany. Huge sounds and even larger talents permeate this band, and washed over the growing crowd. Jeff Andrews (ex-Held Under/IronWeed) does double duty as one of the three guitarists in the band, as well as the main vocal of a three part harmony. He continues to bring his unique blend of Slayer-like growls alongside high octave melodies that hearken Iron Maiden or Judas Priest. The band played through their set with few stops, creating a fevered mood of heavy music that was thoroughly enjoyed by everyone in attendance. Epic songs laden with mountaintop guitar solos and intricate time changes make their music not only fun to listen to, but incredible to see performed in front of you.
Purifier
Purifier, also from Albany, rounded out the local talent on the night. This band has been working hard to bring their brand of doom and sludge metal to the area, and fully delivered at this show. Rich VanEgghen towers above the crowd even off the stage, and his presence is enhanced as he belts out the band’s signature tunes. They had a stellar sound for the five piece, and that was largely due in part to the quality sound engineer’s the club has to offer. Purifier is part of the local record label family, Magnetic Eye Records, and their music can be purchased there.
Gospel of the Witches
The main event, Gospel of The Witches, took the stage to a rabid crowd, all vying for a spot right in front of the stage. A few LED candle holders adorned the back of the stage, and an ominous air surrounded the stage as the members took to their instruments. The band was born as an idea from Karyn Crisis (ex-Crisis) and guitarist Davide Tiso (Ephel Duath), as they laid down the framework for the album Salem’s Wounds in a haunted house in Italy. With material written, the band filled out with touring members: bass and vocals Ross Dolan (Immolation), guitarist Bob Vigna (Immolation) and drummer Charlie Schmid (Vaura).
Upstate New York is incredibly lucky to not only get one of the two shows this band is performing after releasing their album on March 24, but was able to witness the FIRST show ever from this lineup performing the songs of Gospel of the Witches. You could tell the happiness exuding from Davide as the band ripped through an amazing set. Many people in attendance were fans of Karyn from her Crisis days, because that band made sure to play the Upstate New York area a lot. Talking with Karyn before the show, she expressed her love of this area. “One of the things I love about this area is the interesting mix of bands. They have all different types of influences, and that comes through in the music here. There are really open minded people, really creative people, so it was more of a community thing as well. There are always stellar musicians to play with, and a lot of good clubs with a lot of heart, that are all about the music. There is a very cool community of people to speak with, and share with. That is something very special I found about this area.”
The band was eager to play through their material, and tracks like “Mother” and title track “Salem’s Wounds” shone through as epic offerings from an incredible project. Karyn sang and screamed with equal measure, and the musicians all held their own. Bob lived up to his nickname (in certain circles) as the “magician”, playing heavy guitar riffs with flair and passion, igniting the crowd as the music drove forward. The band is working on finalizing a full tour or two, so stay tuned to their Facebook page. You can purchase Salem’s Wounds through Century Media, or in stores like Best Buy or Amazon.
It doesn’t matter if you were a child of the ’60s, ’70s, ’80s, ’90s, or the new millennium, you will be hard pressed to find someone who doesn’t know who the Eagles are. There are only a handful of rock songs that I catalog as classic rock and roll. These are the ones that have had the ability to pass over generation to generation only gaining popularity and momentum each time played. “Hotel California,” written by Don Felder, Don Henley, and Glenn Fry is one in this category.
Don Felder Turning Stone Casino
It was with eager anticipation that together with a packed audience on March 24, The Turning Stone Casino welcomed Don Felder and his star-studded band to the Showroom. As I awaited the show to begin, you could feel the audience’s excitement and eagerness to begin their evening. After all they knew they were in the presence of a musical legend.
Don Felder, best known as lead guitarist of The Eagles, is one of rock and rolls leading guitarists of all times. Inducted with his bandmates in 1998 in the Rock and Roll Hall of Fame, Don Felder has been recognized as one of the elite musicians and songwriters of all times. When talking with a friend recently about The Eagles, he stated that in all of their music, “there was not one throw away lyric”. I agree wholeheartedly. As I sat listening to the music this evening I couldn’t help but notice the lack of pomp and circumstance on stage. There were no fancy sets, no logo backdrops or drum kits, no fancy lighting, and not even a merchandise table set up outside the doors. Tonight’s show wasn’t about anything but music. I contemplated this, how indicative of this generation of musicians and songwriters. At the time their music was popular and their tours crossing continents, it was only the lyrics and composition of music that brought the feelings. Visual effects were nice, but not necessary. Lyrics had a message, musical composition featured the talent of each instrument, and the combination of the two together evoked emotions. So as I sat there enjoying this show, I became part of the music in a new way that today’s audiences don’t often see. It’s a shame really that many will not see or appreciate music without all the visual effects to carry the point across.
With that aside, for those of you unfamiliar with Don Felder, shame on you. Don began his musical journey at the age of 10 when he traded a handful of cherry bombs for a used guitar. I do believe he got the better end of that trade, or should I say, we did. You see, this trade was prompted by, who other than, Elvis Presley as Don watched him on The Ed Sullivan Show. Mental note, I wonder how many of today’s artists began their musical journey after seeing an artist on the Ed Sullivan show?
Growing up in Gainesville, Florida, Don learned guitar and played throughout his teenage years with his childhood friend Stephen Sills and Bernie Leadon. There must have been something in the water down there in Gainesville. In Don’s high yearbook his band’s photo was featured along side his friend Tom Petty’s band. In fact, Don actually gave Tom Petty guitar lessons. It was also during this time he learned slide guitar from friend Duane Allman of the Allman Brothers. Forget the Fountain of Youth, I want to drink from their musical water fountain.
After graduation, Don found himself in Boston with good friend Bernie working in a recording studio. It was working with Bernie that he was introduced and hired to accompany The Eagles on slide guitar for their new song “Good Day In Hell”. That’s all it took. Immediately following that session, Don Felder became the new Eagle. With a country sound at that time, Don’s input helped to bring the band new audiences with his added rock and roll edgy style in their new music.
As both composers and writers, the team of bandmates churned out hit after hit. How could they not with each and every member having such talent. Individually they each were a storm of musical genius, however together they were a musical tornado. Shortly after Don’s joining the band, they wrote and produced their legendary album Hotel California. Coming to the guys with his musical demo of Hotel California, they sat down and gave lyrics to what would become one of rock and roll’s most memorable songs of all time. With Don and Joe Walsh’s guitar solo at the end of Hotel California, it is no wonder they have been considered one of rock and rolls greatest guitar teams ever. The lyrics evoke a sense of mystery and drama that metaphorically represented to them a time in the music business that sucked them in, however as much as they may want, they could never leave. Well at least for a few more years that is. In 1980 The Eagles broke up. Working individually on successful careers, it was in 1980 after “Common Thread” was made that we saw the original bandmates reunite for the “Hell Freezes Over” live performance for MTV. It was on this live performance we get a glimpse into Don’s original Spanish flavor in his guitar solo at the end of the Hotel California. A live rendition that is absolutely one of my favorites.
This reunion became short lived however as differences still continued, and amongst lawsuits and hard feelings, the band split for a final time. This however hasn’t held Don back. Working in the industry with legendary musicians like the Bee Gees, Diana Ross, Barbara Streisand, Stevie Nicks, and Kenny Loggins to name a few, Don’s music continued to find it’s way to the recording studio, movies, and television. He is known for his work with Gibson and in 2010 they honored him with two signature reissues of the Don Felder Hotel California 1959 Les Paul and the Don Felder Hotel California EDS-1275 guitars. This avid guitar collector has never sold any of his guitars, and this photojournalist would love an opportunity to one day see this extensive collection and photograph it. A girl can dream!
Moss has not grown on this rock and roller however, touring extensively over the years with bands such as Styx and Foreigner, and even penning a New York Times Bestselling book, “My Life in The Eagles (1974-2001). This therapeutic non-fiction allowed Don to tell his side of the story as well as move onward and upward, which he has so graciously done.
As he and the band took the stage last evening, I couldn’t help feel as though I was in the presence of greatness. Joining him was an elite group of the most talented musicians in the world. On bass we had Shem von Schroeck who played with Kenny Loggins and Ambrosia, on drums/percussion was Chris Ralles who played with Pat Benetar, on keyboards was Timothy Drury who played with The Eagles and Whitesnake, and last but not least was the one who helped keep Don on his toes on guitar, Greg Suran. Greg was lovingly referred to as the “young whippersnapper” and who has played with Joe Walsh, the Goo Goo Dolls, and the B52’s. Yes, the stage was peppered with some of the most amazing musicians in the world.
As Don began his set with Already Gone and One of These Nights, the crowd began to warm up. It was the third song into the set though that took me by surprise. Don asked, who in the audience liked Stevie Ray Vaughn? Hello, who doesn’t like Stevie Ray Vaughn? It was at this moment I realized this man’s extensive vocal and musical talent far exceeded what I expected, as he rocked the crowd playing Pride And Joy. I could have left at this moment completely satisfied, however I’m glad I didn’t because as the night went on, and the songs played on, he only got better and better. In fact I must make note and tell you this. Sometimes a musician sounds wonderful on an album and then live his voice can be strained and not sound quite a clear. This was the exact opposite for Don. I cannot tell you how impressed I was with his vocals. His voice is so very smooth, so very strong, and so very melodic that I’m shocked he wasn’t front/lead vocals on more numbers for The Eagles.
As if my musical crush couldn’t get any larger, the man has a sense of humor to boot. That’s the equivalent to a musical hat trick for me; voice/musicality, stage presence/audience attention, and humor. Yep, I was over the moon happy to be covering this show and bringing this to my readers, as Don teased how he wrote the song Tequila Sunrise about his new friend Jose’. Jose’ Cuervo that is. It was on this particular song that I took note of how well this group harmonized together. Then came Seven Bridges Road. For anyone who has seen Don’s live show, you will know exactly what I’m talking about here. Originally as a warmup song vocally for the group, I would say that they surpassed warm up right to red-hot. Wow! Again, did I mention how well these men harmonize together? Thank you. That is all I can say about this song. Thank you.
I sat listening to these songs, one right after another, of hit after hit; Those Shoes, Witchy Woman, The Long Run, Heartache Tonight, and Life In the Fast Lane. Let me tell you, it was a set list of some of the most famous rock songs of all times. However it was an original call Girls In Black that really impressed me. This song truly rocked. Was one of my favorites of the night.
As the crowd cheered for an encore, the band took the stage for one of my personal favorites “Take It Easy”. I found myself amongst those standing and singing along like a teenage groupie. Then out to the stage came the double neck guitar. Yep, we all knew what was coming, and deliver he did. Was a highlight in my career, I must say, to see Don Felder with that double neck guitar performing Hotel California within a few feet.
As the song ended, and the crowd came to their feet chanting and clapping, I knew that this show was truly special. Don brings his passion of music to audiences sharing with them one heartfelt performance. No matter how many are in the audience, he brings you an intimate performance without pomp and circumstance. This toned down, music first approach showcased not only the songs sang, but the musicians singing them.
For more information on Don’s Tour Calendar, please visit donfelder.com to see if they will be coming to a venue near you.