Category: Regions

  • Rochester’s 2015 Lilac Festival, Best Ever?

    The 117th annual edition of Rochester’s Lilac Festival was nothing short of a resounding success. Blessed by near perfect weather, a killer musical lineup, and actual flowers in bloom for once – it was a far cry from the past few years that were plagued by rain and unseasonably cold temperatures.

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    The Lilac Festival always has all the typical amenities one would expect in a festival atmosphere – beer tents, kid activities, face painting, fake tatts, deep fried freaking everything, and of course, the ubiquitous barricaded off 100 person deep line for kettle corn. Seriously, do they sprinkle crack on that stuff or what?

    However, what makes Lilac Fest truly special are the little extras. The giant food tent filled with local vendors offering everything from “Bacon Bomb” sandwiches to Rochester’s own heartburn special – The Garbage Plate. The brand new “big top” tent that offered a string of activities throughout the week including a wine and chocolate tasting and a brew fest. The weekend based arts and crafts exhibit that moved a block over to Reservoir Drive this year – a great idea that truly helped the traffic patterns. And of course, lots of lilacs!

    This years music lineup, brought to you by the Springut Group, had a little bit of everything from country to reggae to bluegrass to good old shreddy rock and roll. Monday brought in a (too) rare appearance from Pennsylvania’s Dr Dog. Wednesday’s headliner, Blues Traveler, seemingly had the biggest crowd in Lilac Fest history with a virtual sea of people watching harmonica master Jon Popper giving them the “Run Around.”

    Friday brought Austin’s Mingo Fishtrap back to town for their third visit in the past year. The last day featured one of Rochester’s hottest up and coming bands – Danielle Ponder & The Tomorrow People. Like a musical super hero, Danielle is a lawyer by day and a stunning soul singer by night. Surrounding herself with some of the areas best musicians, The Tomorrow People are started to grab some huge crowds and will continue to grow.

    Sunday’s festival closer, Ana Popavic, seemed to be unknown to most I spoke to that day, but will now be implanted in their brains as the sexy lady in the red dress who also happens to be a female master of the blues. This girl simply melted every face on the lawn ending a close to perfect week with mouths agape.

    Props to this years organizers and all who put together such an amazing free time for the good people of Rochester. NYSMusic will be back next year – check out several photo galleries from the week below.

    Adam Ezra, Dr Dog and Lilacs

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    Davina and the Vagabonds, Blues Traveler

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    Mingo Fishtrap

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    Danielle Ponder & The Tomorrow People, Ana Popavic

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  • Adam Ezra to Make Syracuse Debut at RUNapalooza

    I can’t think of a better way to end this short week than with a short run filled with music along the way, and welcoming The Adam Ezra Group to Syracuse in true rock and run style.  Making their debut performance here in Central NY, The Adam Ezra Group will welcome all runners at the finish line of the Fleet Feet Sport Runapalooza this Friday May 29 at 7:00pm at the Onondaga Community College.

    Adam Ezra Group
    Adam Ezra Group

    The Fleet Feet Sports ‘s 2015 Runapalooza 5k Run/Walk will begin at 7:00pm and runners will enjoy four local bands along the 3.1 mile course with New England Music Awards Band of the 2013 Year, The Adam Ezra Group at the finish line waiting to celebrate this event around 7:45pm.

    RUNapalooza 2015
    RUNapalooza 2015

    Register for 5k Race and Post Race Party for only $30-which includes: 5k Race, Runapalooza Rock Shirt, concert, pizza, beer, etc. online through Wednesday afternoon or in person Friday. For those that just want to enjoy the finish line?  Register for Party Only for $10 which includes concert, pizza, beer, etc. through Wednesday Afternoon online or in person on Friday.

    Playing along the course we are excited to see locals Urban Knight Punks, Hold The Air, The Causeway Giants, and some of Syracuse’s finest drummers in The Drum Runners.

    Where else can you possibly get your exercise, awesome music without an iPod, free t-shirt, good eats, and some amazing Adam Ezra Group?  See you all there Friday, May 29.

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  • Michael Arnone Brings NOLA to NJ Crawfish Fest for a 26th Time

    This weekend New Jersey will put on its party beads and partake in some New Orleans themed eats while dancing to some of the southern music capitol’s greatest sounds. Michael Arnone alongside his Crawfish Krewe has been putting on the Crawfish Fest in New Jersey for a soon-to-be 26 years. Sussex County’s fairgrounds span 130 acres and will play host to four stages of funk, RnB, brass, rock and zydeco music.

    Michael ArnoneThe lineup is topped with legends like Dr. John, George Porter Jr. and Kermit Ruffins, but also has newer artists like Marc Broussard, Anders Osborne, and Sister Sparrow and the Dirty Birds that keeps a variety of sounds churning out of this yearly melting pot. Local boys From Good Homes will play the festival for the second time since reuniting in 2009 after a 10-year hiatus and will be sure to pack some heat with their hick-pop sound. Campers will get private Friday performances from the Stooges Brass Band, The Lost Bayou Ramblers and the New Orleans suspects, while on Saturday they will enjoy late-night performances from Samantha Fish, John Papa Gros Band and The Heard.

    Aside from the mouth-watering lineup, the food at Crawfish Fest is just as important. Every meal is under $10, and spans choices of boiled crawfish, (oyster, shrimp, catfish and hot roast beef Po-Boys), crawfish bread, jambalaya, crawfish etouffee and red beans and rice. When you’re inside the gates, you’ll be busy filling your stomach with food and ears with music you may or may not have encountered before. If you’re looking for an authentic New Orleans music and food experience in the North, there’s no competition.

    Visit http://www.crawfishfest.com/ for more information

  • Steely Dan To Play Eight Shows at NYC’s Beacon Theatre

    Steely Dan has announced their latest Beacon Theatre residency  which will take place for eight nights.  The shows start on Oct. 6 and ends on the 17.

    These nights will include Steely Dan performing their whole 1977 album Aja and 1980 album Gaucho with a few select hits. There will also be two nights focusing on their greatest hits such as “Do it Again”, “Reelin In The Years”, “Rikki Don’t Lose That Number.” Fans will be able to help pick the set list on October 16.

    steely-dan-4e3964bcbca76An AMEX pre-sale runs May 28 – June 4 before tickets go on sale to the general public June 5. Multi-night ticket packages will be available.

    Steely Dan Beacon Residency 2015

    10/6 – Aja – Plus Selected Hits
    10/7 – Greatest Hits
    10/9 – Gaucho – Plus Selected Hits
    10/10 – Royal Scam – Plus Selected Hits
    10/13 – Aja – Plus Selected Hits
    10/14 – Greatest Hits
    10/16 – By Popular Demand
    10/17 – “The Most Unforgettable Night of Whatever – Featuring Spectacular Musical Guests, Glorious Tunes and Riffage, and Whatever the Party Calls for! Parking Validated for First Dozen Diehard Fans”

  • Summer Camp 2015 Day 4: Dance Yourself Clean, All Night Long

    Read more from Summer Camp Day 1, Day 2 and Day 3

    The final day of Summer Camp featured some of the largest acts on the lineup and two regular contributors to the festival: Rain and wind. Even with the beautiful weather the past few days a little rain was expected, if not needed. A strong storm cell blew through around 1pm, causing minor delays in the music while cooling down the festival grounds and erasing the dust that had been ever present during the weekend. Strong winds tested the strength of tents and EZ-Ups, with gusts barely ceasing until fans began to load out on Monday. After three days of near-perfect weather, it was a refreshing change of pace.

    moe.’s rain-delayed set with Bruce Hornsby featured “New York City” and five Grateful Dead songs: “Sugaree,” “Loser” and the trio “Help on the Way” > “Slipknot” > “Franklin’s Tower.” Bruce then came out with The Noisemakers for his own set of originals and classics. Steve Miller Band treated an enormous crowd to a slew of hits, including “Jungle Love,” “Abracabadra” and the less well known “Sugar Babe.” It was hard to find anyone not singing along to or bobbing their head to these classics.

    On the Sunshine Stage, Yonder Mountain String Band treated fans to a set that highlighted new member Allie Kral (Cornmeal) who sang lead on “Son of a Preacher Man” and “Jolene” before closing with an enthusiastic “Casualty.”

    Widespread Panic’s eagerly anticipated sets were nothing short of fantastic and treated first-timers to impressive jamming of songs that typically got a more standard treatment. Opening up with a jam that worked into “Little Kin” and represented tighter segues than in past years, especially from “Action Man” > “Pleas”. The second set opened with “Junior” > “Second Skin” and a monster jam during “Rebirtha” and the newer song “Honky Red.” Widespread Panic could be in the middle of a band renaissance, due in part to Duane Trucks’ presence behind the drum kit for the past year. John Bell thanks the rain gods for holding off during their set, which may have tipped the gods off because shortly afterwards, the skies opened up once again to cool the hot night down.

    The Starshine Stage featured the progressive jamgrass of Greensky Bluegrass, who tore through Traffic’s “Light up or Leave me Alone” with a jam of “Tweezer Reprise” in the middle. Meanwhile at the Moonshine Stage, Big Gigantic brought the house down with an impressively loud set, similar to Griz’s set on the Sunshine Stage. If you needed a bit more moe., there was plenty to be had during their final set from 12:30 am to 2 am, highlighted by “Do or Die” featuring breakout group Here Come the Mummies joining the band onstage.

    On the VIP stage, Twiddle invited Scott Hannay of Mister F to sit in during “Apples,” to which keyboardist Ryan Dempsey cartwheeled off stage. Hannay sat in later that night with Twiddle, along with Dan Shaw from The Werks on keys at the Campfire Stage during “Mamunes the Faun”.

    The final set of the night to check out was North American Scum, an LCD Soundsystem cover band who might be the best band to close out Summer Camp. Members of the group are formerly of This Must be the Band, a Talking Heads band from Chicago, who have traditionally played one of the final sets at Summer Camp. This incredible two hour set featured the entire Sound of Silver album and, because everyone else was playing Grateful Dead songs, a spirited version of “Scarlet Begonias” to cap the night.

    Monday morning came and the campgrounds were half abandoned with dreary and exhausted looking fans milling about their sites, packing up tents, deciding what property would be left behind to make the trip to the parking lots easier. By late Monday, Three Sisters Park was vacated and the cleanup beginning in earnest. With all the memories from this year’s festival, one full year until Summer Camp 16 doesn’t seem too far away.

    Check out our coverage of all four days of Summer Camp 2015

    Day 1 Day 2 Day 3

  • Summer Camp 2015 Day 3: The Saturday Chronicles

    Read more from Summer Camp Day 1, Day 2 and Day 4

    It is now Sunday morning and to recap what went down on Saturday at Summer Camp, here’s a play-by-play morning until late night.

    10am: wake up after three hours of sleep and sunrise kickball. Feel refreshed, not exhausted. Breakfast of banana, yogurt, life cereal and yerba mate and I am ready to roll.

    11am: Head to the church (media area) and get writing my review of Friday.

    12pm: Review submitted. I head over to the Camping Stage with camp counselor Nick Stock and catch American Babies. Good stuff, somehow I don’t see them often enough despite playing back in Albany somewhat frequently. Good catching up with Nick too – sometimes you have to meet halfway across the country to hang with your friends.

    1:00pm: Field Day. Team Purple with Mer, Mitch, Lisa and two guys from Miami (Ohio) among others. Listened to Orphic during Capture the Flag, Floodwood during Spelling Bee.

    3:30pm: Back to the Sunshine Stage for The Floozies. My friend Carrie was talking about them for weeks and for some reason I felt like they were some local/regional band playing hokey rock. This couldn’t have been farther from reality. A drummer and guitarist manning a laptop made for a sick duo ala Big Gigantic. The crowd was in love and rage sticks were everywhere.

    4:00pm: Amazeballs Mini-golf! Jason K has an awesome addition to Summer Camp and many other music festivals. In addition to 15 holes you have an opportunity to Make a Difference and win a pair of VIP tickets for Summer Camp 2016. This was a lot of fun.

    5:00pm: Back over to Vibe Tent to see how Field Day ended – Red and Yellow were neck and neck, Purple was out of the running but we did clean up the most cigarette butts. Milk n Cookies were playing on the Vibe stage – this is easily the best tent to discover brand new music, especially if you like DJs and EDM.

    5:30pm: I meet up with John and head backstage for Joe Russo’s Almost Dead (JRAD). Despite numerous opportunities over the past year, I still haven’t seen them. By 7:00pm I’ll understand the hype. Choice covers of “Viola Lee Blues” and “The Eleven” stood out, with Russo leading the charge on drums. This was phenomenal. Stopped and chatted with Scott Hannay from Mister F and Evan from Aqueous before heading up to the Relix tent with Stephen.

    8:00pm: Finally back to the site for a short break, time to decompress and change for the night’s music. Washed my face and got some food to prepare for the next six to eight hours. Listened to Victor Wooten’s set from the Starshine Stage (central camping location is perfect for not missing music on four of the seven stages). Wooten’s set seemed a little soft, but then he dropped a few Sly and the Family Stone songs to close it out. I still think his sit-in with STS9 Friday night was a highlight of the fest.

    9:00pm: I head to the pit for Umphrey’s. Lighting designer Jeff Waful clears rage sticks from his sightline. There is dude about four rows deep front row keeps singing ‘Party with my dick out’ and no one thinks this is out-of-place. He keeps it up until the lights go down. Umphrey’s opens with “Plunger,” “Pay the Snucka” and “Higgins”. I head backstage for a few, enjoy a couple of beers and catch up with Chicago friends.

    10:15pm: Head to pick up my charger at the Relix tent (thank you guys) and try to make it back for The Werks. This band still eludes me. Meet up with Erika, Drew and Phil at the site and head back over for the final set of Umphrey’s.

    11:00pm: A “Wappy Sprayberry” opener sets the tone for the rest of the night, “Divisions” has great build and peaks upon peaks, but the encore was the highlight of the night – “Glory > Divisions > ‘Jam for Jesus’/A Love Supreme (for a dude in the crowd) > Divisions”.

    12:30am: Beers at the site and then down to Moonshine Stage for moe. I remember a big segue into “Meat”. Saw a few familiar faces from New York in the crowd. The crowd for moe. at Summer Camp is larger than any moe.down I attended. Midwest moe. fans are a fun bunch.

    2:00am: I walk to my car to get my rain gear with a forecast of showers during the day on Sunday and Monday. This proved to be a great choice since, as I write this review, a thirty-minute downpour passed by. At least the dust won’t be an issue.

    3:00am: Back to the site, I lay down on a bench and listen to a brief shower pass by. This was the perfect way to relax after a long, long day. I am exhausted but beyond excited for Bruce Hornsby, Yonder Mountain String Band and Widespread Panic.

  • Summer Camp 2015 Day 2: Rage, Rest, and Sunrise Kickball

    Read more from Summer Camp Day 1, Day 3 and Day 4

    Friday at Summer Camp was a day to reconfigure, reassess and prepare for the onslaught of music that was ripe for the choosing. Now that your on site presence was established and something resembling a campsite had been formed among friends and neighbors. The weather was pristine: sunny skies, a passing cloud, a little dusty but it definitely felt like summer had arrived.

    Music wise, it was a day long effort to see as much music as possible. Highlights included moe. getting things going and filling the bowl on the Moonshine Stage with “Buster” and “Captain America,” Oteil Burbridge and Roosevelt Collier making for a fantastic groovy duo. Deep bassy trance from Citizun; high energy bluegrass via Old Shoe, in the Soulshine Tent, and Xavier Rudd and the United Nations combining funk and world music for the highlight of the day.

    But wait, there’s more!

    Umphrey’s opened their first set of the weekend with “Mulche’s Odyssey”. Debuted a new song from UMBowl VI, “Remind Me” and a raging “Bad Friday”; Bassist Ryan Stasik effortlessly posing and strutting on the stage. For the second set, Umphrey’s brought up Gene Ween for GODBONER, with Gener singing “Spinal Meningitis,” “Baby Bitch,” “Voodoo Lady” and a surprisingly awesome cover of Billy Joel’s “The Stranger”. Set three was highlighted by “Phil’s Farm > Upwards > Phil’s Farm” and an encore of “Slacker”.

    But if you weren’t at Umphrey’s, there were still some hidden gems to catch. While I was bummed to miss Krewella’s set, so were the fans who complained about the high energy duo on the lineup. Aqueous played to a more intimate crowd for the diehards compared to Thursday at the Camping Stage, blasting off a “Master of Puppets” cover to close the set. Dopapod played a tweener set on Starshine stage, raging a “Vol. 3 #86”.

    Then the night got late. EOTO was a lot of noise and lasers, so STS9 was the preferred destination for the night. This band with new bassist Alana Rocklin, played one of the best all around sets, and is an improvement on the musical priapism that was sts9 of old. An unexpected Victor Wooten sit in was the icing on the cake.

    Daft Rock – Future Rock performing a full set of Daft Punk made the Soulshine Stage a dusty haven for ‘A’ game dancing. With hits and a few deep cuts, Future Rock curated a set that was more than cursory covers of the legendary EDM duo. It felt like a club show with accelerated live mixes of Random Access Memories tracks. The Midwest has some hidden gems that are hard to compete with.

    The annual tradition of sunrise kickball began with Ryan Stasik hosting a who’s who of who’s still awake. It was worth the spectacle if you were still awake, but after a day like Friday, it understandable if you caught rest while you could.

    Time to get some sleep and prepare for what awaits on Saturday – Field Day, more moe., Umphrey’s, JRAD, The New Deal, The Motet and late night from Pink Talking Fish.

  • Thanks, Dave: A Musical Tribute to the Legendary Late Night Show Host

    Self deprecating, awkward, obtuse, David Letterman. I grew up with this man. His short-lived show on NBC mornings following the Today Show was something I looked forward to more than the Price is Right on days off from school. My sense of humor was formed by this man. He combined the legacy of Johnny Carson and the lunacy of Looney Tunes and mixed it with a smidge of humanity. Dave changed the game.

    letterman zevon
    David Letterman with Warren Zevon

    May 20, 2015 was a sad day for me. My man Letterman was heading off into the sunset. After tonight the television world will be much less funny. He has influenced me in more ways than I really considered until he announced his retirement.

    There have been many tributes to David Letterman in the past few weeks. Most of them have focused on his comedy. The man is a natural in that department. I owe a lot of my sense of humor to this legendary performer. Thanks, Dave.

    That said, Letterman did more for music on television than many realize. Prior to Dave, musical guests were primarily the hit makers of the day.

    Letterman brought in the fringe artists. Dave gave R.E.M. their network debut. Dave convinced legends like Bruce Springsteen and Bob Dylan to appear on television despite their reluctance to do so. He had Rage Against the Machine perform on the roof of the Ed Sullivan Theater.

    David Letterman gave artists such as Tom Waits and Warren Zevon a stage — he was a fan and a champion of Zevon and his work.

    A friend of mine, Lisa,  gave me a true fan’s perspective of the relationship between David Letterman and Warren Zevon. Lisa said of Zevon, “For anyone other than Letterman, I don’t know that he’d have set foot on the TV stage. Dave had a genuine respect for the musical genius and general intelligence of Zevon and it grew into a warm personal friendship.

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    Photo courtesy http://warrenzevon.wikia.com/

    Among Warren Zevon devotees, the TV spots are treasured because we can look back and watch those to see a thumbnail of Zevon’s evolution into revealing himself to the public. Without David Letterman, we’d have only the music, the shows, and the chance encounters. He allowed more people to become familiar with the human behind the legend so the focus could be on the music, the product, rather than the legend.”

    Letterman thought so highly of Zevon that when his musical director, Paul Schaffer took time off, he made him the musical director for the show. He cared so much for him that he dedicated the entire hour of his show on October 30, 2002 to Zevon, in what would prove to be Zevon’s last appearance on network television before succumbing to lung cancer.

    Above all else, Letterman is a big fan of music, as evidenced by his Live on Letterman: Music From the Late Show series of albums produced by the show.

    What tribute to Letterman would be complete without the ubiquitous Top Ten List, so with that, here is tonight’s Top Ten List, Warren Zevon’s Top Ten Appearances on David Letterman.

    #10. Zevon sat in for Shaffer as music director on a couple of occasions. Letterman is giving Zevon some on the job training in this clip.

    #9. “Hit Somebody (The Hockey Song)”. From WZ’s last studio recording. Shaffer plays Letterman’s role in this version of a song about a Canadian farm boy looking to make it to the NHL as a goon.

    #8. “Mr. Bad Example” Pony-tailed Zevon delivering his trademark lyrical genius in this Letterman clip from 1993.

    #7. “Excitable Boy” and “The Overdraft” from Zevon’s first appearance with Letterman. He is championing Zevon right from the beginning. The interview piece shows how their sardonic wit jived.

    #6. “Trouble” and “Lawyers, Guns & Money.” This is a classic performance with Shaffer’s late ’80s version of The World’s Most Dangerous Band

    #5. “Boom Boom Mancini.” Being a boxing fan, this song re-introduced me to Zevon’s work outside of the FM radio staples. Tells the tragic story of professional boxer Ray “Boom Boom” Mancini.

    https://www.youtube.com/watch?v=GEuSTy5VRwQ

    #4. “Porcelain Monkey.” This is a late-era Zevon song that would fit comfortably on “Excitable Boy”. Take note of Sid McGinnis completely making this song his own on the guitar. Shaffer’s bands are always a great compliment to whomever they are backing but when Zevon was on the show, they truly gelled.

    #3. “Splendid Isolation.” From a 1995 appearance. This clip also contains some interview footage showing their admiration for each other. Letterman goes fanboy.

    #2. “Roland the Headless Thompson Gunner.” My favorite Zevon song and his final ever public appearance.

    #1. “The Mutineer.” Letterman announcing Zevon’s death and his tribute to his good friend. He ends this piece with a clip from Zevon’s final appearance on the show a year earlier.

    Letterman had Zevon as his only guest on his October 30, 2002 show, describing Zevon as, “the real deal. He’s not one of these pretty faced, phony rock and roll guys, he’s the real deal — a poet and a singer and a songwriter. It doesn’t get any better.” Zevon, despite the dire prognosis of inoperable lung cancer, kept his typical cynical sense of humor, stating, “Dave is the best friend my music has ever had.” Letterman brought Zevon’s music to the masses, even when Zevon showed resistance.

    This appearance proved to be Zevon’s final public performance. You’d never know he was suffering from inoperable lung cancer from his performance and humor on this show. I highly recommend checking out the entire episode available on YouTube. It’s strange. It’s funny. It’s hearwarming. It’s pure Letterman and Zevon.

    Letterman may have retired, but his legacy to music on late night television will continue. Thanks, Dave.

  • The Show Must Go On: Toby Keith’s I Love This Bar Leaves Bands in the Lurch After Sudden Closing

    After Toby Keith’s I Love This Bar’s sudden closure this past weekend, several local bands found themselves with a few weekends free. In an effort to assist artists keep their schedules in tact, Revolutions together with East Coast Music Productions decided to step up and pick up one of the bands to keep the music rolling. Located directly across the corridor on the third floor at Destiny USA, Revolutions is another large chain venue offering patrons The Red Brick Grille eatery, together with two bars, 24 lanes of bowling, an arcade, and a live music venue.

    Billy Lord
    Billy Lord

    One of our recent ‘Artists To Watch’ national country music artist, Billy Lord, was one of the acts originally scheduled to perform at Toby Keith’s this coming week. Unfortunately the venue suddenly closed without notice to patrons, acts, or even staff. In true show biz fashion though the show will go on, just across the walkway this time.

    The show is still May 23 and will begin at 8pm. The first 75 fans through the door will receive a signed copy of Billy’s newest CD, National Anthem — as well as a chance to win an acoustic guitar at the end of the evening. Tickets can be purchased ahead of time online or at the door the night of the event.

  • Hatebreed Wrecked Rochester’s Montage Music Hall

    On Thursday May 14, Hatebreed managed to get away from their tour with Slipknot and headline their own show at the Montage Music Hall. This gave them the opportunity to play in a much smaller venue and play songs over their entire catalog including rare tracks and demos.

    The place was jam-packed but before Hatebreed took the stage, local openers Order Of The Dead and Hate Machine had time to shine.

    I was really impressed with both bands but Hate Machine really stood out. Shame on me for not actually knowing who they were prior to that night because apparently they been around for almost twenty-years. Proof that I’m not a Rochester native.

    Their use of hardcore and hip hop drum beats, under their crushing guitar riffs, really made them stand out. And vocalist Jed Seaver’s use of rapping, singing and growls added to his kick ass stage presence, really made them a treat to watch and rock out to. They owned the crowd.

    Hatebreed

    Hatebreed stormed the stage as vital as they come. After all these years, there hasn’t been a step back at all for their performances. They all look like they still enjoy what they do and they continuously give their best. They ripped through their setlist starting with “To The Threshold” and “Before Dishonor.”

    They never really took much time in between songs but still managed to give fun crowd interactions. Frontman Jamey Jasta still proves he’s one of the best frontmen in metal. Other highlights were, “Puritan,” “As Diehard As They Come,” and by the crowd’s request, “A Call For Blood.”

    The last time I saw Hatebreed in Syracuse they had sound issues, thankfully, Montage got it right and there were no sound issues at all. There was a clear bloody knuckle atmosphere, but no one was hurt, no fights (from what I saw) and everyone let their hardcore jollies out. Hatebreed managed to finish their 22 song set with their fist pumping anthem “I will Be Heard” and “Destroy Everything.” I was a little surprised they didn’t play “Last Breath” but there were plenty songs that were played that usually the band doesn’t get to play.

    To wrap it up, it was nice to see Hatebreed take the time to play a small venue, especially at this point in their career where they are used to playing much bigger venues. Anyone who missed this show missed out on one of Hatebreed’s best concerts.