Rising folk quartet Darlingside will head to the Northeast this winter, with several dates in New York state.
The indie four-piece is scheduled to play at Daryl’s House in Pawling Jan. 13, Club Helsinki in Hudson Jan. 14, Caffe Lena in Saratoga Springs Jan. 15 and two nights at Rockwood Music Hall’s Stage 2 in New York City on Jan. 16 and 17 before dates in the Midwestern states and West Coast.
The Massachusetts-based band — Don Mitchell (guitar, banjo), Auyon Mukharji (violin, mandolin), Harris Paseltiner (cello, guitar) and David Senft (bass) — met as students at Williams College and have been playing together for six years. Their textured, collective sound is being hailed as unique and genre-fresh by music critics and the like, with much praise being given to the group’s method of performing around a single microphone.
Paseltiner said in a release announcing the dates:
Each song and set of lyrics are created by all of us together, a sort of ‘group stream-of-consciousness.’ So we moved away from a single lead vocalist and started gravitating towards singing in unison, passing the melody around, or harmonizing in four parts through an entire song.”
These additional tour dates are in support of the group’s latest album Birds Say; the 13-track release dropped in September and it is the second album on Nashville company Thirty Tigers, which also manages clients like Jason Isbell and Sturgill Simpson. Darlingside’s extended string of dates come off the heels of a successful fall run, including sharing the bill with Grammy-nominated Patty Griffin. Tickets for all 2016 dates are on sale now through the band’s website. But if you can’t wait until the New Year, Darlingside is booked at Milkboy in Philadelphia this Wednesday.
Legendary Stevie Wonder performed to a packed house at Buffalo’s First Niagara Center. The “Songs In The Key of Life” show was a nearly four hour concert to the delight of the crowd.
Every music fan has endured the online ticketing rush; when the clock strikes on-sale time, it’s a frustrating game of repeatedly hitting refresh, chancing each click until that next one successfully unfreezes the screen to show items in your cart. But in truth, most concertgoers stick it out to avoid being forced to pay for high-priced resale tickets, or missing out on the show entirely.
While the secondary market has improved with the creation of fan-based campaigns and startups on a mission to embrace the face value, professional ticket brokering is still finding a way to flood the resale market. And New Jersey’s blue-jean boss Bruce Springsteen is the latest artist to fall victim (again) in the never-ending battle against ticket scalping.
Tickets for Springsteen‘s 2016 tour will be released at 10 a.m. today through Ticketmaster and Live Nation, but the New York Timesreported Tuesday that hundreds of seats were already listed by resellers online with single-ticket prices beginning at $5,000.
Thankfully, these eyebrow-raising listings led New York Attorney General Eric Schneiderman to send the involved sites letters that questioned the act of false advertising under state general business law, since sellers could not yet have the tickets in possession.
The NYT also said that the sites in question — StubHub, TicketNetwork, Vivid Seats — either remained confident in their refund policy for invalid tickets or removed listings for concerts in New York until the public on-sale date. Schneiderman’s office called the removal of listings a victory for consumers and pledged to continue to work on the issue.
Springsteen and the E Street Band are set to tour the country, making stops for two nights in New York City (Jan. 24 and 27), Albany (Feb. 8), Buffalo (Feb. 25) and Rochester (Feb. 27). Springsteen is touring in support of the box-set release of “The Ties That Bind: The River Collection,” and this run is a nod to the Boss’ career-making 1980 “The River” tour.
Amidst a seemingly non-stop tour, Nashville 4-piece psych rockers All Them Witches make a stop at Rochester’s Bug Jar on Saturday night. The band is touring in support of Dying Surfer Meets His Maker, released somewhat appropriately the day before Halloween, and it’s scary good. Dig this video they released for “Dirt Preachers” that looks something from a far dark corner of the Adventure Time universe. Then come dig them live on Saturday night.
It’s a full bill of quality rock jams, with Rochester’s own King Buffalo getting the night started at 9pm, followed by New Madrid out of Athens, GA. As if that weren’t enough to sate your heavy riff fix, DJ Professor will be spinning more stoner rock before, after and in between sets.
It’s all going down this Saturday, December 12 at the Bug Jar. Tickets are available now at their site for $10, with prices increasing at the door to $12 for the over crowd and $14 for the younger set.
With more and more American rock festivals being announced left and right, this week also saw the announcement of Carolina Rebellion 2016.
For the first time ever, Carolina Rebellion expands to three days starting on May 6, 7 and 8 at Rock City Campgrounds at Charlotte Motor Speedway in Concord, North Carolina.
All the bands are listed below.
[one_fourth]DISTURBED
SCORPIONS
ROB ZOMBIE
ZZ TOP
FIVE FINGER DEATH PUNCH
SHINEDOWN
DEFTONES
LYNYRD SKYNYRD
A DAY TO REMEMBER
3 DOORS DOWN
ALICE COOPER
BRING ME THE HORIZON
CYPRESS HILL
PENNYWISE
LAMB OF GOD
MEGADETH
GHOST
SIXX: A.M.
ANTHRAX
COLLECTIVE SOUL[/one_fourth]
[one_fourth]CLUTCH
THE SWORD
THE STRUTS
ASKING ALEXANDRIA
YELAWOLF
BABYMETAL
POP EVIL
BULLET FOR MY VALENTINE
P.O.D.
SEVENDUST
HELLYEAH
BETWEEN THE BURIED AND ME
PARKWAY DRIVE
BLACK STONE CHERRY
SAINT ASONIA
TRIVIUM
ESCAPE THE FATE
AUGUST BURNS RED
TURBOWOLF[/one_fourth]
[one_fourth]ENTER SHIKARI
SICK PUPPIES
FILTER
CANDLEBOX
TYLER BRYANT & THE SHAKEDOWN
NEW YEARS DAY
ARANDA
THOUSAND FOOT KRUTCH
RED SUN RISING
TEXAS HIPPIE COALITION
HANDS LIKE HOUSES
CODE ORANGE
FAILURE ANTHEM
AVATAR
LACEY STURM
THE GLORIOUS SONS
FROM ASHES TO NEW
WILSON
I PREVAIL[/one_fourth]
[one_fourth_last]MONSTER TRUCK
AUDIOTOPSY
WILD THRONE[/one_fourth_last]
The individual day lineups can be seen in the poster below.
Tickets go on sale this Friday, and can be purchased here.
Former Stone Temple Pilots and Velvet Revolver vocalist Scott Weiland was found dead on his tour bus in Bloomington, Minnesota the night of Dec. 3. Subsequent investigation revealed small amounts of cocaine in the room where he was found and elsewhere on the bus.
Weiland’s second wife, Mary Forsberg Weiland, the mother of their two children, Noah and Lucy, wrote an open letter that was printed in Rolling Stone this week. In it, she pleads with readers not to glorify Weiland’s death.
In her letter, she describes Weiland’s absence in their children’s lives, blaming the drug use and celebrity lifestyle. Her final plea: “Skip the depressing T-shirt with 1967-2015 on it – use the money to take a kid to a ballgame or out for ice cream.”
She writes:
December 3rd, 2015 is not the day Scott Weiland died. It is the official day the public will use to mourn him, and it was the last day he could be propped up in front of a microphone for the financial benefit or enjoyment of others. The outpouring of condolences and prayers offered to our children, Noah and Lucy, has been overwhelming, appreciated and even comforting. But the truth is, like so many other kids, they lost their father years ago. What they truly lost on December 3rd was hope.
We don’t want to downplay Scott’s amazing talent, presence or his ability to light up any stage with brilliant electricity. So many people have been gracious enough to praise his gift. The music is here to stay. But at some point, someone needs to step up and point out that yes, this will happen again – because as a society we almost encourage it. We read awful show reviews, watch videos of artists falling down, unable to recall their lyrics streaming on a teleprompter just a few feet away. And then we click “add to cart” because what actually belongs in a hospital is now considered art.
Many of these artists have children. Children with tears in their eyes, experiencing panic because their cries go unheard. You might ask, “How were we to know? We read that he loved spending time with his children and that he’d been drug-free for years!” In reality, what you didn’t want to acknowledge was a paranoid man who couldn’t remember his own lyrics and who was only photographed with his children a handful of times in 15 years of fatherhood. I’ve always wanted to share more than anyone was comfortable with. When writing a book years ago, it pained me to sometimes gloss over so much grief and struggle, but I did what I thought was best for Noah and Lucy. I knew they would one day see and feel everything that I’d been trying to shield them from, and that they’d eventually be brave enough to say, “That mess was our father. We loved him, but a deep-rooted mix of love and disappointment made up the majority of our relationship with him.”
Even after Scott and I split up, I spent countless hours trying to calm his paranoid fits, pushing him into the shower and filling him with coffee, just so that I could drop him into the audience at Noah’s talent show, or Lucy’s musical. Those short encounters were my attempts at giving the kids a feeling of normalcy with their dad. But anything longer would often turn into something scary and uncomfortable for them. Spending so many years immersed in Scott’s multiple illnesses led to my own depression; at one point, I was misdiagnosed as bipolar. I feared the same would happen to the children. There were times that Child Protective Services did not allow him to to be alone with them.
When Scott did move on to another relationship, I hoped it would inspire him to grow. I had often encouraged him to date a “normal” girl, a woman who was also a mother, someone who had the energy that I no longer had to love him. Instead, when he remarried, the children were replaced. They were not invited to his wedding; child support checks often never arrived. Our once sweet Catholic boy refused to watch the kids participate in Christmas Eve plays because he was now an atheist. They have never set foot into his house, and they can’t remember the last time they saw him on a Father’s Day. I don’t share this with you to cast judgment, I do so because you most likely know at least one child in the same shoes. If you do, please acknowledge them and their experience. Offer to accompany them to the father-daughter dance, or teach them to throw a football. Even the bravest girl or boy will refrain from asking for something like that; they may be ashamed, or not want to inconvenience you. Just offer – or even insist if you have to.
This is the final step in our long goodbye to Scott. Even though I felt we had no other choice, maybe we never should have let him go. Or maybe these last few years of separation were his parting gift to us – the only way he could think to soften what he knew would one day crush us deep into our souls. Over the last few years, I could hear his sadness and confusion when he’d call me late into the night, often crying about his inability to separate himself from negative people and bad choices. I won’t say he can rest now, or that he’s in a better place. He belongs with his children barbecuing in the backyard and waiting for a Notre Dame game to come on. We are angry and sad about this loss, but we are most devastated that he chose to give up.
Noah and Lucy never sought perfection from their dad. They just kept hoping for a little effort. If you’re a parent not giving your best effort, all anyone asks is that you try just a little harder and don’t give up. Progress, not perfection, is what your children are praying for. Our hope for Scott has died, but there is still hope for others. Let’s choose to make this the first time we don’t glorify this tragedy with talk of rock and roll and the demons that, by the way, don’t have to come with it. Skip the depressing T-shirt with 1967-2015 on it – use the money to take a kid to a ballgame or out for ice cream.
PhanArt has announced their latest Phish-inspired art show, called Skyscraper is Grand, will be held on Jan. 2 in the Gold room at the Hotel Pennsylvania in New York City.
The show will feature a wide variety of artists selling merchandise ranging from posters to pins to hats to sunglasses. The artists represented include The Art of Ryan Kerrigan, Isadora Bullock, Uncle John’s Outfitters and John Warner Studios. Pin makers Pin Me Down, Zenster Designs, Andrew Bryant, 10 Minute Tube Designs and Solomon Productions will be in attendance with a selection of their work, including designs specifically made for Phish’s New Year’s run and Mexico shows. First-time exhibitors include You Enjoy My Shades and His End Was the Road. They will have clothing, pins, patches and sunglasses with them.
The Mockingbird Foundation, the non-profit organization associated with Phish.net, will sell prints from the third edition of their Phish Companion, the ultimate guide to the band and their music. Artists represented in the book include David Welker, DKNG, AJ Masthay and Justin Helton.
Setting the tone for the show will be a playlist curated by Wyllys.
From the press release:
PhanArt exhibitions have been held in Philadelphia, Atlantic City, Chicago, Las Vegas and Miami since 2013 and represent a continued effort to promote and exhibit original and unique Phish inspired concert art from a wide variety of artists.
The eclectic artists featured at this event show the broad scope of Phish related art and capture the inspiration of the band in their art. Phish’s creative fan base makes amazing art inspired by the band, their music and the locales they play.
As with all PhanArt shows, admission to Skyscraper is Grand will be free of charge. Poster tubes will be available for purchase. Any special edition works exclusively available for purchase at the show can be previewed at PhanArt’s website.
Skyscraper is Grand will take place from 12 p.m. to 7 p.m.
NYSMusic, along with We’ve Got it Simple and The Philosophy School of Phish, is sponsoring Skyscraper is Grand.
Ampevene, a refreshing new band coming out of Albany, NY embarks on their inaugural Winter Tour, starting this Saturday, December 12 at Parish Public House in Albany. Ampevene has been making a name for themselves combining elements of rock, jazz, metal, funk and the avant-garde, hypnotizing and painting pictures though the wild musical ride that it creates.
Previously sharing the stage with acclaimed nationally touring acts such as Moon Hooch, Consider The Source, and Aqueous, as well as playing popular festivals Larkfest and Bellstock, Ampevene draws influence from artists including The Mars Volta, Pink Floyd, Primus, Tool, Red Hot Chili Peppers and Fusion-era Miles Davis.
Featuring Gabe Stallman (Guitar/Vocals/Keys), Bob Morris (Drums), Ava Smith (Keyboard), Mack Hogan (Bass), they have been called “Improv trippy jazz fusion Pink Floyd on acid” (Ralph Renna, Capital Underground), this young and funky quartet find their groove quickly and are a local talent to keep an eye on, and are a live show not to be missed.
Ampevene Winter Tour 2016 Dates
December 12 Albany, NY Parish Public House December 20 New York, NY The Delancey December 23 Syracuse, NY Funk N Waffles December 27 New York, NY Pianos January 24 Burlington, VT Radio Bean January 27 Providence, RI The Spot February 12 Oneonta, NY Black Oak Tavern February 20 Troy, NY Dinosaur BBQ February 25 Winooski, VT Monkey House
Elise Testone brought her All Star Tribute to Led Zeppelin to The Spot Underground in Providence, Rhode Island on Friday, Dec. 4. Rhode Island band Sgt. Baker and the Clones opened for her, and Breakfast for the Boys from New Paltz closed out the night.
The Spot Underground, now in its third location in Providence, features two stages. Sgt. Baker and the Clones took the stage in the smaller room around 9:20 p.m. Their sound is ’90s grunge meets rockabilly and country. The band consists of three guitarists, two on acoustic; a bassist; and a drummer. The crowd was still filing in throughout their set. They opened with “Stick Fishin’,” which features quotes from The Beatles’ “Cry Baby Cry” outro. This was followed up by a cover of Robert Cray‘s “Phone Booth,” which brought some energy to the crowd as folks started dancing. A country influence could be heard in the slower “Flesh Puppets.” They also played a few more covers, including Mars Volta’s “The Widow” and Cold War Kids’ “We Used to Vacation.” The latter featured additional vocals from local singer/songwriter Nate Cozzolino. They closed out their set with a raunchy cover of “I Will Survive,” played in a similar vein to Cake’s version with some altered lyrics. The lead guitarist played a really nice solo before the band finished the song to end their set. The highlight of the set was “Pigs,” which featured some fun animal sounds from Baker to start. While a bit rough around the edges, the set was enjoyable for all the smiling faces in the room.
Testone’s set was delayed a bit. To keep the fans happy, Cozzolino, who is also the venue’s cook, played a short set with Mike Baker, aka Sgt. Baker, on djembe. His set started with a cover of Sublime’s “Badfish.” He then played through a handful of originals to a small crowd eager to hear Elise Testone and her tribute to Led Zeppelin.
Elise Testone and her all-star tribute to Led Zeppelin took the main stage around 11 p.m. The band consisted of Todd Stoops (RAQ) on keyboards and backup vocals, Michelangelo Carubba (Turkuaz) on drums, Danny Mayer (Alan Evans Trio) on guitar, and Jed Lingat (Timothy Bloom) on bass. Testone, of course, handled the lead vocals. They opened their set with “Black Dog.” It took a little bit for the crowd to really get into it, but when the opening notes to “When the Levee Breaks” were played everyone was pulled in. The set ran through 19 of Led Zeppelin’s more notable songs. “Trampled Under Foot” featured a short, but fun keyboard solo from Stoops. “No Quarter,” one of the highlights of the night, saw an unexpected piano solo, one of the few moments the band took some creative license with the music. This was followed by two of the other highlights of the night, “Kashmir” and “Nobody’s Fault by Mine,” which featured excellent keyboard and guitar solos. “Fool in the Rain,” while a bit rough, was one of the crowd favorites of the night. The entire venue was dancing along. “Heartbreaker” was played without the expected segue into “Living Loving Maid.” Carubba played a solid solo in “Moby Dick,” and his perfect keeping of the beat held the band together throughout the night.
The set ended with “Since I’ve Been Loving You,” an odd choice given slower tempo. They came back out to encore with “Rock and Roll.” The one other highlight of the night was “Over the Hills and Far Away,” which featured some nice interplay between the guitar and keyboards during a short jam. The crowd was quite pleased with the two hour set. The band was tight and well-rehearsed. Testone’s vocals, while not completely appropriate as a Robert Plant replacement, handled the songs as though they were written for her. If any criticism is to be made, it’s that they simply covered the songs as Led Zeppelin would have played them. With a band of such talented musicians, it would be nice to see them use some creativity in the future, making the songs more their own and fitting them better to Testone’s voice.
Breakfast for the Boys played a late night set in the smaller room. Their female-led soul closed out the night as the crowd slowly dwindled. Their sound can be compared to that of Lake Street Dive.
All in all, it was a great night of music in Providence. The Spot’s new location isn’t the most ideal, though the larger room has great sound, which might be better than their previous locations. If you have the chance to see Elise Testone doing any type of show, don’t hesitate. Her voice is fabulous and quite adaptable to many different genres and styles of music.
Elise Testone will be playing with her All-Star Band on Thursday, Dec. 17 at The Hollow Bar in Albany at 9 p.m. Brian LaPoint and the Joints are the supporting act. Tickets are currently available.
While much of the country was figuring out how to dish up Thanksgiving leftover turkey, Leftover Salmon served up two steamy nights of tasty bluegrass licks at the Boulder Theater. The six-man band, celebrating 25 years of music, joined forces with the Jeff Austin Band for a two-night run that allowed Colorado music fans to quickly forget the remaining helpings of turkey sandwiches and soup. Both nights Leftover Salmon jammed two sets of their polytechnic Cajun bluegrass for three hours. The second set of night one included a full helping of their album the Aquatic Hitchhiker followed by energetic covers of Bob Dylan and Jimi Hendrix.
Jeff Austin’s group of melody makers started each night with lively improvisational sets that turned Black Friday shopping stampedes into golden foot-stomping jamborees. Early in night two, Jeff Austin joined Leftover for a breathless series of tunes rivaling any jams on the live music scene. The weekend celebration was a hootin’, hollerin’, holiday hoedown.