Category: Regions

  • Shinedown, Breaking Benjamin and Sevendust U.S Fall Tour Heads to Albany

    Shinedown and Breaking Benjamin have stunned the rock world when the bands announced that they will pack up the gear and hit the road together for a co-headlining, two-month, 27-date U.S coast-to-coast fall tour. If those two bands were not enough for you, add Sevendust and Nothing More on select dates to round out one hell of a rock tour.

    Bands will load their tour buses and hit the road starting in Wichita, Kansas on Oct. 16 at the Intrust Arena and close the curtains Nov. 24 at the Cross Insurance Arena in Portland, Maine.

    Albany and the Times Union Center will see the second to last stop, and the only New York date, on this star-studded tour on Monday, Nov. 23.

    Recently, Shinedown and Breaking Benjamin shared the stage in Central New York this summer at the 20th anniversary show for Syracuse rock radio station K Rock, giving rock fans that day an amazing showing and, as we know now, giving them a glimpse into the future. The bands will also share the stage at this year’s Monster Energy Drink Aftershock Festival in California.

    Shinedown recently released a music video for lead #1 hit single “Cut The Cord,” off their upcoming fifth studio album Threat To Survive, which the band announced will be released on Sept. 18 and available for pre-order everywhere.

    Shinedown has released 19 singles, with all six singles from the band’s breakthrough album The Sound Of Madness reaching #1 on the rock charts. Follow-up album Amaryllis saw three more #1 singles and two top-five hits.

    Shinedown’s highly energetic performances, mixed with frontman Brent Smith’s emotional theatrical performances and positive vibe he commands over the crowd, make for many memorable concert moments.

    Breaking Benjamin released their fifth studio album, but first to debut at #1, this past June titled Dark Before Dawn. The album has already released two hit singles in the songs “Failure” and “Angels Fall.”

    After a hiatus, Ben returned with a new lineup and played a string of limited, sold-out acoustic shows before hitting the road on an electric touring cycle. This eventually brought the band through every major rock festival this summer, playing amazing, unforgettable performances at Rock on the Range, Rocklahoma and Carolina Rebellion.

    Nothing More will add their high-powered, energetic, must-see performance to the lineup during October, the first month of the tour.

    Sevendust will hit the road with the boys for the month of November to support their 11th studio album, Kill The Flaw, which will be released on Oct. 2.

    Shinedown / Breaking Benjamin Tour Cycle:

    10-16-2015 – Intrust Arena – Wichita, KS

    10-18-2015 – Lonestar Amphitheater – Lubbock, TX       

    10-20-2015 – Santa Ana Star Center – Rio Rancho, NM

    10-21-2015 – KUPD Festival @ Mesa Amphitheater – Pheonix, AZ

    10-22-2015 – The Joint – Las Vegas, NV

    10-24-2015 – Monster Energy Aftershock 2015 – Sacramento, CA

    10-26-2015 – Xfinity Center – Everett, WA

    10-27-2015 – Toyota Center – Kennewick, WA

    10-29-2015 – Brick Breedan Fieldhouse – Bozeman, MT

    10-30-2015 – Maverick Center – Salt Lake City, UT

    10-31-2015 – 1st Bank Events Center – Broomfield, CO

    11-02-2015 – Denny Sanford Premier Center – Sioux Falls, SD

    11-04-2015 – US Cellular Center – Cedar Rapids, IA

    11-06-2015 – Peoria Civic Center – Peoria, IL

    11-07-2015 – Covelli Center – Youngstown, OH

    11-08-2015 – Salem Center – Salem, VA

    11-10-2015 – Knoxville Coliseum – Knoxville, TN

    11-11-2015 – Von Braun Center – Huntsville, AL

    11-13-2015 – Bridgestone Arena – Nashville, TN

    11-14-2015 – Verizon Center – Little Rock, AR

    11-15-2015 – Show Me Center – Cape Girardeau, MO

    11-17-2015 – Crown Center Coliseum – Fayetteville, NC

    11-19-2015 – Mohegan Sun Arena – Uncasville, CT

    11-20-2015 – Bryce Jordan Center – St. College, PA

    11-21-2015 – Big Sandy Arena – Huntington, WV

    11-23-2015 – Time Union Center – Albany, NY

    11-24-2015 – Cross Insurance Arena – Portland, ME

  • Rochester Kicks Off Inaugural ‘City Celebration’ Festival

    The city of Rochester will hold the first ever “Rochester City Celebrations” festival Friday, Aug. 14, at 6 p.m. in the East End district.

    Replacing the larger East End festival that was retired this year due to congestion problems surrounding the work on the inner loop, “City Celebrations” will be a free event featuring live music, food and drinks outdoors on East Avenue by Scio Street.

    Rochester City CelebrationOne stage will feature music from three local bands: the rootsy folk rock of The Barry Brothers, and two tribute acts — ZBTB, covering the music of the Zac Brown band, and Big Eyed Phish, a Dave Matthews tribute.

    Once the outdoor fun ends around 11 p.m., those wanting a late night experience can head to any of the local bars and keep it raging till 2 a.m. Flour City Station will feature an after-show with Personal Blend, a reggae/dub act. No other after-shows have been announced.

    Music Schedule

    6 p.m. Barry Brothers
    7:15 p.m. ZBTB
    9 p.m. Big Eyed Fish

    Facebook Event

  • Aqueous Announces Change in Drummers

    Aqueous will be changing drummers after this week.

    The band’s current drummer, Ryan Nogle, will be leaving due to health issues. He will be replaced by Tom Vayo, who the band calls an “INCREDIBLE musician/multi instrumentalist.”

    Here’s the official announcement the band posted on their Facebook page:

    Today, we bring you some important news from camp AQ-
    Ryan Nogle will perform his last gig as Aqueous’ drummer this week at Peach Music Festival (strangely enough, the same location that he began his career with us one year ago)- Ryan has a medical condition that is preventing him from continuing on with the band any further; He’s got severe carpel tunnel and nerve damage in both arms, and for the sake of him being able to play drums AT ALL later in life, it will require him to step down from his position as AQ’s drummer.
    We’ve been aware of this issue since February of this year, and have in turn been auditioning drummers with the help of Ryan and our previous drummer Nick to find EXACTLY the right fit for our sound; We are very in tune with the fact that our friendships offstage directly dictate the quality of our music, and have searched high and low for someone who not only has the chops, but also fits within our cannon of friendliness, drive, and creative vision that we care so deeply about- I’m happy to report that we’ve all come to agree that Buffalo’s own Tom Vayo will replace Ryan as Aqueous’ long term drummer. Tom is an INCREDIBLE musician/multi instrumentalist, and shares our same drive, passion, and commitment to putting on the best shows possible every night, and to writing the best music we can for you guys- He was a natural choice after auditioning many different drummers, and we are thrilled and excited to have him join our family!
    That being said, it’s important that we take a moment and appreciate how much Ryan (and his family) have done for Aqueous both offstage and onstage for YEARS. Although Ryan has only been performing as a full-time member for one year, he is behind ALL of our studio and live releases, has repaired and or built half the equipment we’ve used since our inception, been our live audio engineer for many shows, and has been a close friend and supporter of the band for nearly a decade. Even though the scenario is tough, we here at AQ headquarters all feel incredibly grateful that our friendships are stronger than ever and that we can all move forward with each others’ help- Our new drummer Tom has been spending time with us on the road and at shows, and is working directly with Ryan in multiple facets to come in strongly as he steps up to the huge task of filling Ryan’s shoes. We’re all confident that he’s the man for the job, and we look very forward to the exciting future ahead.
    We appreciate everyone’s sympathy and understanding with this situation; it was absolutely beyond any of our control, but we feel poised to welcome in the next chapter of our already exciting story. We wish to truly thank Ryan for his dedication and his incredible talent, and to thank you good folks for sticking with us through the obstacles over the years- We really, really do appreciate it. Here’s some words from Ryan himself:
    “It’s hard for me to comprehend that a year has already passed since I joined Aqueous. All the shows and people I’ve met; it’s almost like a blur. August 15th we’ll be playing at Peach MusicFest in Scranton. Right back where I started from one year ago. It was a spectacular experience. My second show since officially joining the band. What I had longed for, and worked toward for so long had finally come to fruition. I was touring with a band playing drums. Not just any band though. The band that I wanted desperately to be a part of since the first time I mixed sound for them at a dumpy little theatre back in 2007. My patience had paid off. The transition was easy. These guys were already my best friends. There was no awkward “get to know you” phase. Just four friends on a stage making some heavy duty music. I’ve jammed with these guys in various formats over the years but nothing compared to actually being part of this well-oiled machine. As time passed and more shows were performed, it just kept getting better. The music expanded and became more adventurous. Chances were being taken. It was phenomenal. Now we fast forward to a year later. Heading back to Scranton for another go round. It’s hard to imagine that this will in fact be my final performance with Aqueous. Leaving this band is the last thing I ever thought I’d be doing. This past year has been one of the most enjoyable and fulfilling years of my life. I’ve met the most incredible people on the road and have played some of the coolest gigs I could have ever imagined. I have friends all over the country now that I would always look forward to seeing at shows. That aspect is one of the most difficult parts to come to terms with. Those we meet in our lives help define who we are as humans and help shape and create these experiences. Interacting with all of you who I have met on the road have contributed to some of my favorite memories. I thank every single person who I’ve met on this journey for your kindness and support. I have experienced so much love from this community. I also thank Mike, Dave, Evan, and Josh for giving me the opportunity to be thrown into this unique life and truly “live the dream.” Without you guys, I would have just been some chump making noise in his basement. I appreciate everything that life has given me and bare no negative feelings about how things have played out. I loved every moment of this experience and those memories will last a lifetime.
    Thank you for those memories.” Ryan J. Nogle
    Much love everyone, see you out there-
    Mike, Dave, Evan, Ryan, and Tom

    Ryan will definitely be missed. Here’s a video of him rocking out “Don’t Do It” last week in Buffalo:

    And another of one of his great solos at Buffalo Ironworks last year:

  • Fox Fest 2015: Festival Review and Gallery

    Fox Fest 2015 held a few special things in store this year, the first being their SAMMY (Syracuse Area Music Awards) Award for People’s Choice: Best Festival for 2014 and the next being a live marriage proposal on stage (she said, yes) This is only the beginning of what the day-long annual event had to share.

    fox fest 2015
    Fox Fest merch booth by Sandra Jackson/Sublunar Studios for NYS Music and Fox Fest 2015

    The event is organized and held at the home of George Ryan and Kelly Nichols, next door to their primary cohorts, his sister Kelly Ryan and brother-in-law Mike Spaiches in southern Onondaga County. It’s a beautiful piece of nature, surrounded by corn fields, it has a valley view to the east and plenty of room for a backyard party.

    This isn’t your average backyard party though, not by any stretch of the imagination. Wizzard Sound Corp. rolls in a full pro-stage, roof, p.a. and light show, well large enough for just about any outdoor show or festival. Their crew comes in on Thursday and with the help of several volunteers, build the stage and roof structure, Friday brings the p.a. and lights, all ready for show-day on Saturday. They not only do the job, they are ahead of the game and are ready for any curveball they have thrown at them. They sure got at least one, but we’ll get to that later.

    Plenty of vendors serving food and drinks, festival merch., tattoos, massages and much more. The weather was “Chamber of Commerce” perfect, sunny, breezy and not too warm. Mix this up with 1800 or so fans whose t-shirt donations pay for the show and the annual donations the festival gives out. This year’s recipients were the CNY SPCA and ‘Cuse Pit Crew, two of the most worthy organizations Fox Fest has chosen so far. Last, but not least, the bands, the life of the party and the annual balancing act for the producers. Fox Fest has always been focused on local bands, a blend of rock and “country” for the most part, selected by the organizers after seeing them live, yes, that’s how they do it. They actually go see the bands, several times each. No submissions, just invitations to bands noted as current and worthy in the local scene.

    Opening the show was Seeking Monte from Rochester, notably the only “out-of-towners” to play Fox Fest (FF) and their guitarist, Lee Heberger has done it twice. In both instances Lee brought in a tight, original rock and roll band, this time fronted by dynamic vocalist Sara Passamonte and joined by Mike Guarino (guitar), Bob Besley (drums), with Stacy Krebbeks (bass). Unfortunately, someone has to open, but Seeking Monte is all about opportunity and they gave a solid performance, receiving lots of love from the growing audience on hand. Then comes the “country” section of the show with four in a row that heated the audience up as the ambient temperature rose. I’ll qualify using quotes for “country”, at my level of experience what is labeled as “country” today, isn’t. Nu Country? Perhaps. Country Rock? Closer to the what it is actually, or pop with a twang. Either way, the best word for it is popular and the crowd goes nuts for it. Beginning with Dirtroad Ruckus (DR) the crowd filled in up to the barricades, singing along and dancing all afternoon. DR’s front man Eric DeTota paused at the start of their set to play the National Anthem, which is a traditional part of their performances, then George Ryan cut loose a huge American flag that was carried over the audience. DR quickly had the audience in their hands, instrumentally solid with plenty of stage presence to boot, an excellent set. DeTota on acoustic/vocals, Tom Fava (bass), Ken Duquette (guitar), Jack Chappell (bass) and Scott Sheridan (guitar) showed their licks to the pleasure of the attendees and left the stage toasty for the next band.

    The Chris Taylor Band (Custom Taylor Band) came up next, he’s know as one of the first performers to follow this track with success in Central New York, his polish and stage personality, backed by his long-term band, Brett Nelson (acoustic/vocals), Rob Spagnoletti (drums/vocals), Joey Beccheria (guitar), Amy Doan (fiddle/vocals), and Jake Capozzolo (bass) moved through their set hitting on all cylinders. If Chris doesn’t get you up and dancing, there’s always the TJ Sacco Band (TJSB) to follow him. These two may well be the hardest working men in the country biz locally. Each has a very healthy fan-base and when you combine them with DR’s and Country Swagg’s, it’s gonna be a party. Each of these bands are well-known and regularly get prime opening spots for tours visiting the area. The one thing about having four country bands is a couple of songs may get a few airings. but the crowd didn’t seem to mind one bit. TJSB is strong, really strong, TJ leading the way on acoustic/vocals, with lefty Chad Mac ripping up the leads, Bill Shank (drums), Marcus Larabee (bass) and newcomer (first show actually) Chrissy Alexander (vocals), much like CTB, this is a well rehearsed and polished outfit. They provided one of the musical surprises of the day covering ‘Plush’ by Stone Temple Pilots, well!

    Finishing this segment of the show was Country Swagg (CS), fronted by Mike Johnson (vocals/acoustic), with Tim Horst (guitar), Gabe Infantino (bass) and Rob Trout (drums). CS gets a bit rockier per say. They’re heavier and more aggressive in a Blackberry Smoke kinda way. They’re hometown boys, so their crew was out full-force, cheering them on through a very enthusiastic set. Their fans even bought them a sponsorship so their band name would appear on the event t-shirts, pretty cool stuff. Another staple of FF is not allowing the music to stop, so between each band, an acoustic performer takes the stage to fill during change-over. First timer Tommy Connors kept things moving during the first two breaks, Mike Schickling the next three, then JP Shaggy the final two. Each brought their own flavor and vibe, more than enough to hold the crowd’s attention, nicely done by all, especially Schickling who was in on the surprise marriage proposal. Russ Lee was steadfast in his emcee role, not hesitating to give way to Mr. John Halko to introduce “his” band, Redline. John has been battling health issues and it was fantastic to see him onstage despite the absence of his trademark cigar. Redline is straight 70s/80s/90s party rock with Earl (The Pearl) Hamilton doing his best Tommy Lee (drums/vocals), Joe McSweeney (guitar/vocals), Mike Marzullo (bass/vocals) and Tony Campione (guitar/vocals). Hamilton and McSweeney are FF veterans having played with their former band Emerald City twice before. They rock, hard, have the chops and balls to cover Foreigner, Motorhead and Alice In Chains in their non-stop set. They were a bit “stripped-down” from their usual big production and special effects, but none were needed as the crowd ate up their performance.

    The Barndogs Plus (TBP) came next with their Allman Brothers tribute show, something they’ve performed several times at big local festivals, this time with an extra twist. The “Plus” portion of The Barndogs pulls in several local luminaries to fill the A-Bros parts, Tim Robinson (acoustic/vocals), Jerry (JT) Tarolli (guitar), Chad Mac (guitar) and Susan Royal (drums). Here is where the biggest joy of the evening came in. Prior to FF, Susan had announced that due to illness she wouldn’t be able to participate, it was heart-breaking as the second drummer is key to the A-Bros and most importantly, it’s her, her soul, her spirit, her skills. Now just about the last thing a stage manager wants to hear the night before the show is that a big change is being requested, in this case, a message from Susan asking if there was any way she could play. She was feeling better and didn’t want to miss it as there’s no telling when or if they’d do this show again. A few phone calls, texts and Facebook messages later it was on, many thanks to Jon Arrigo and his guys, Sean (Doughnuts) Sterling, Dylan Spencer and Mike (The Terrorist) Fadel (so sorry for calling you Brian all day!) for making it happen. The Barndogs core group, Andy Comstock (bass/vocals), John Kapusniak (keys), Pete Szymanski (drums/vocals) and Mark Westers (guitar/vocals) have been together for years building a regional following through great rock and roll music, whether it be a Doors tribute, performances with Vinyl Albums: Live or their club shows, these Dogs can run. In this expanded version, they were downright magical, striding through the A-Bros catalog as if it were their own. Andy’s commanding voice and stature lead them through the big hits, ‘In Memory of Elizabeth Reed’, ‘Soulshine’, ‘Whipping Post’ and ‘Jessica’ to name a few. They brought the crowd to a fever-pitch in anticipation of the headliners.

    SAMMY Award winning Scars N Stripes (SnS) are one of Syracuse’s heaviest rock bands, hands down, led by Bill Ali (vocals) prowling the stage and risers, Todd Stiles (guitar/vocals), Kevin Brennan (guitar), Joel Exline (bass/vocals) and Mike Waite (drums), they are indeed the premier modern rock band in our area. Each position overflows with skills, they balance and counter each other fluidly, steaming from song to song. The talent level oozes and Todd has become one of my favorite local six-string slingers. Their covers of Tool’s ‘Sober’ and Queensryche’s ‘Jet City Woman” were highlights, but the whole set was crushing and they left the crowd wanting more. Always the way to go if you can. I highly recommend seeing all of these FF artists out whenever you can, they bring it big time. Check them out online through social media and their websites, you won’t be sorry.

    Congrats to everyone involved with Fox Fest 2015. The whole event ran on time with only a few bumps in the road, the weather held out and the crowd was remarkable. Thanks to all of the people who donated their time to make it all happen and to our own Onondaga County Sheriffs who kept the grounds safe for everyone. When all is said and done, Fox Fest has evolved into one of the area’s best summer events and is clearly, “the biggest backyard party” of the summer.

  • Dark Star Orchestra Holds First Stadium Show at Rochester’s Frontier Field

    Dark Star Orchestra celebrated a milestone playing their first stadium show while also setting an attendance record for themselves July 28, when they played Rochester’s Frontier Field. Set up on the third base line and facing the seats with no access to the field, DSO recreated the 1987 Dead show played at Rochester’s Silver Stadium on July 2, 1987.

    dark star orchestra Frontier FieldFans of the band took to social media shortly before the show began to spread the word that Frontier Field had announced they were not allowing concert goers on the field. Word spread quickly and people wondered how the stage would be set up.

    All anybody had to do to squelch that concern was enter the venue and see the stage facing the third base seats. Concerns fell to the way side, the crowd was a cohesive body of dancing and celebration.

    The unique set up allowed for an intimate feel of an indoor show, in a stadium, accompanied by a beautiful summer night with clear skies. They were dancing in their seats, on the grass and at the concession stands – ‘The music never stopped.’

    dark star orchestra Frontier FieldAs at all DSO shows, concertgoers scrambled to figure out which set list the band would choose to play at their first stadium show. Once “Bertha” began just after a rockin’ “Hell In A Bucket,” we all knew they had chosen the July 7, 1987 Silver Stadium show. A show that was near and dear to the Rochester Deadhead community, as it was part of a pair of shows played here by the Grateful Dead in 87′ and 88′.

    Rochester couldn’t have asked for a more beautiful night of music and Dead tunes. The show was a family event for many in attendance with babies and big kids dancing and hula hooping by the sides of their mamas and papas, all glowing with happiness. DSO not only recreates the shows of the Grateful Dead but they embody the energy of the band and the community that surrounds them. Dark Star Orchestra is no cover band, they are an extension of the ones who played before them.

    Dark Star Orchestra, recereating 7/2/87 Silver Stadium, at Frontier Field – Rochester, NY

    Set 1: Hell In A Bucket > Bertha, Walkin’ Blues, Dire Wolf, My Brother Esau, When Push Comes To Shove, Tons Of Steel, Me & My Uncle > Mexicali Blues, Brown Eyed Women, Cassidy, Deal

    Set 2: China Cat Sunflower > I Know You Rider, Samson & Delilah, Looks Like Rain, He’s Gone > Jam > Drums > Space > Goin’ Down the Road Feeling Bad > All Along The Watchtower > Stella Blue > Sugar Magnolia, E: Black Muddy River

  • Primus, Dinosaur Jr. and Ghost of a Saber Tooth Tiger Serenade Ommegang Under a Blue Moon

    Beautiful weather, a beautiful venue and a blue moon all worked in harmony Friday night to provide the perfect setting for Primus and their Cooperstown stop.  Brewery Ommegang, snuggled in among the southern hills near Cooperstown, has proven itself as a premier upstate concert venue over the past several years, attracting such artists as The Pixies, TV on the Radio, The Decemberists, Bonnie Raitt, Old Crow Medicine Show and Sturgill Simpson just this season. Primus and Dinosaur Jr. added to that stellar lineup this past Friday, packing the grounds yet again.

    primus OmmegangPrimus has enlisted the talents of 90s alt-rock brethren Dinosaur Jr. and newcomers, The Ghost of a Saber Tooth Tiger to accompany them on this summer-long shed tour.

    The night began interestingly enough as we pulled into the lot. There, with his unmistakable gray locks barely being tamed by a hat, was Mr. J Mascis riding a bicycle along the road fronting Brewery Ommegang. This sighting established the night as one that will be remembered.

    John and Yoko Ono Lennon’s son, Sean, fronts The Ghost of a Saber Tooth Tiger and the sounds the band produces are like those of his old man’s band but with a touch of psychedelic flair not similar to The Flaming Lips. The band breezed through a brief set of six songs while Lennon paused to enthusiastically thank Primus for the opportunity to be a part of this tour. Opening slots on this tour as well as for Beck previously will prove this band has the chops to be a headliner soon and the crowd reaction to the band’s set seemed to confirm that.

    Dinosaur Jr., much like the headliner Primus, is very difficult to categorize and as such, can be an acquired taste. During the course of one set, the sound can go from classic rock riffs to punk rage to shoe-gazing pop. Thus is the intrigue of this band and why it is a perfect compliment to tour with Primus.

    Dinosaur Jr’s set was composed of many of their biggest hits, which included “Start Choppin,’” “Out There,” “Feel the Pain” and one of its more recent singles, “Watch the Corners.” Of particular interest was the fact that the “frontman” of the band wasn’t the one in the spotlight the majority of the set. Drummer Murph was the recipient of the lighting love while Mascis worked his quiet-loud riffage in darkness.

    primus OmmegangThe set’s high point was a loping distorted cover of The Cure’s “Just Like Heaven,” which Dinosaur Jr originally recorded for a compilation album in 1989 but decided to release itself. The highlight for me was when my ten-year old daughter grabbed my hands, stood on my feet and proceeded to lead me in a daddy-daughter dance. And while it may be an unorthodox song to have as a father-daughter dance at a wedding, if my daughter’s reaction to it on this night is any indication, this may just be the one we dance to someday.

    primus Ommegang
    Some Young Primus Fans

    Sentimentality aside, the Boston-bred crew ripped through their final number, the Bug-era “Budge” and then quietly slipped into the night, making way for the evening’s headliners.

    Primus is just coming off touring their “Primus and the Chocolate Factory,” which had the band running through their own version of the Willy Wonka and the Chocolate Factory soundtrack, released last October. Much of the stage set remains from that tour and the merchandise tent was heavy on the Chocolate Factory theme, however, scant attention was paid to that album on this night. Instead, Primus rolled through a lengthy set of their best-known tunes.

    The trio entered stage right to the familiar refrain of “Primus Sucks!” from the adoring crowd. Primus is the type of band where there is rarely a middle ground. It is either loved or hated. That being said, the large crowd on hand this night made no bones about which side of the fence they strode. Primus is who they came to see and Primus delivered.

    Opening with the lead single from its debut album, “John the Fisherman,”  Les Claypool, Larry “Ler” LaLonde and Tim “Herb” Alexander, who appears to be fully recovered from a 2014 heart attack, set the bar high for the remainder of the night.

    While remaining true to set lists from previous shows on this tour, Primus still managed to keep the feel fresh while pulling out old classics such as “Harold of the Rocks,” “Mr. Krinkle” and “Spegetti Western.”

    In his intro to “Over the Falls”, Claypool, motioning to the hop bines at the back edge of the venue, likened the hops necessary in the brewing of beer to that of grapes to wine, something the experienced vintner knows a thing or two about. Claypool also noted the beautiful blue moon that was hovering behind the hills and broke into an impromptu “Blue Moon” to the crowd’s amusement. Claypool was in comedic form this night.

    Recent Green Naugahyde track “Jilly’s on Smack” began with a King Crimson-style swirling guitar intro and turned into an extended jam vehicle for LaLonde to display his unique fretwork while Alexander added some tribal beats. This segued into the “Drums and Whamola” portion of the set where Alexander and Claypool (donning his pig-face mask) dueled as psychedelic images displayed on the backstage screen.

    No show at Ommegang is complete without the requisite fireworks display over the enormous illuminated fermenters. The soundtrack to the display was provided by an extended version of “Southbound Pachyderm” to tremendous effect. To me, this was the highlight of the long night.

    Forgoing a normal encore, the band continued playing until the house lights came up, finishing strongly with “Jerry Was a Race Car Driver,” “My Name is Mud,” “Electric Grapevine” and “Too Many Puppies,” which also included a “Hello Skinny” tease.

    Primus is playing with a renewed vigor these days. This is a trio of excellent musicians who complement each other perfectly.  They may not be everybody’s cup of tea, but when I witness them perform, I’m reminded of another trio of excellent musicians with a quirky lead vocalist who were recently inducted into the Rock and Roll Hall of Fame.

  • 20 years in 4 days: A Gathering of the Vibes 2015 Recap

    The 20th annual Gathering of the Vibes Music Festival made quite the statement this past weekend, bringing upwards of 20,000 people from all over the world to gather along the shores of Seaside Park in Bridgeport. Starting out as nothing more than a Jerry Garcia memorial, Gathering of the Vibes has blown up beyond the tri-state area over the past 20 years, providing attendees with a weekend of memories, meditation, and music. In celebration of Vibes’ past, here’s the breakdown of Gathering of the Vibes 2015, in a more present setting.

    DSC02616

    Thursday, July 30

    Along with a powerful spirit, the opening day of Vibes brought a heavy amount of rain. Not a chill to the winter but a nip to the air, thousands of musical inhabitants set up camp and made their way towards Main Stage to experience the jazzy timbre of Ryan Montbleau’s voice. After a torrential (but brief) downpour, the sun made a rather profound return throughout Seaside Park, drying up tent flys and restoring the sunny disposition of each festival-goer. Max Creek took to the stage after Ryan Montbleau, performing several of their hits, including “Blood Red Roses” as well as a cover of “Peace Train” by Cat Stevens. It was also quite surprising to see a Max Creek band member rap suddenly, but boy was he good.

    As bright stage lights, glowing hula hoops, and light up bracelets illuminated the audience, Dark Star Orchestra played around 9pm with an intensity only understood by those who have seen them live. Featuring tunes like “Franklin’s Tower,” “Scarlet Begonias,” and “Fire on the Mountain,” each audience member spun with delight, dancing with their friends as well as strangers to the triumphant anthems of the Grateful Dead. While most Dark Star Orchestra shows throw in a few surprises, no one in the audience was prepared for the intensity coming from DSO member Lisa Mackey’s diaphragm as she belted out her soul throughout their set. As audience members begged for more before closing out the evening, DSO also threw in a dash of Bob Dylan, putting their own spin on “Tangled Up In Blue” and “Forever Young.” After an already packed night of great music, and a continuation of music featuring some late night jammers, campers slowly drifted off to sleep to recharge for another dawn of music, and of course, good vibes.

    Friday,  July 31

    As the morning mist lay across Seaside’s waters, Twiddle brought an amplified alarm to sleeping campers around 11am from the Main Stage. Though their set time was much shorter than it should have been, adoring fans were pleased to hear a selection of songs from their 2011 album, entitled Somewhere On the Mountain, including its title track. Shortly after Twiddle finished their set, many fled to the food area for some decent breakfast food. However, before returning to the Main Stage to see The Word around noon, a vibrant new sound came from the School of Rock tent, known as the Funky Dawgz Brass Band. Whether they crowded dozens of fans in the performance tent or into the streets of the main drag as they played in between artist sets, many Vibers were grateful to experience a new and lively group to be added to the Vibes family, especially one that channeled a college frat.

    For those who wanted a slight change of pace, Sharon Jones and the Dap-Kings graced the stage around 2:45pm, bringing a jazzier breath of air to the cloud of funk left behind from The Word and Funky Dawgz. With great enthusiasm to their latest release, entitled Give the People What They Want, Sharon and the Dap-Kings didn’t play many of their more notable tunes, and not many people from the crowd could recite the lyrics back to them. Still, the diverse spectrum of musical style changed from song to song, bringing the audience members from a steady sway to a jumping jive within a matter of minutes, which was definitely a treat to witness.

    Following shortly after, blues enthusiasts filled the front of Main Stage in preparation for the Tedesci Trucks Band. Joe Cocker as well as Sly & the Family Stone fans were quite pleased by the Tedeschi Trucks set, after they performed covers of both “The Letter” and “Sing a Simple Song/I Want to Take You Higher.” To top it all off, they also covered “Let’s Go Get Stoned” by the Coasters, which both surprised and excited many audience members. Their set was also a great segway into Greg Allman’s set, where Derek Trucks himself was invited up to play “Southbound,” an Allman Brothers Band classic. Other songs included in Greg Allman’s set included “Come and Go Blues,” “Stand Back,” “Melissa,” and the great “Midnight Rider.” Though many would have been satisfied ending the night there, it was the String Cheese Incident that closed out Friday night, with one of the most impressive light shows to date. Having featured guests like David Grisman and Peter Rowan, the amount of white beards, yodeling, and intense mandolin playing was astronomical. Even if the music was too fast to dance to, let’s just say everyone tried anyway.

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    Saturday, August 1

    Despite being three days into the festival, there didn’t seem to be any loss of energy whatsoever from Saturday morning’s crowds. After a warming up from Kung Fu, Deep Banana Blackout and Moon Hooch graced the Main and Green stage for equally memorable performances. As a veteran as well as a newbie to the Gathering of the Vibes family, Deep Banana Blackout and Moon Hooch’s sets showed great stage presence, as well as unbelievable musicianship. Upon hearing Moon Hooch’s “Number 9,” everyone who was once sitting rose to their feet, and anyone who was stopping around the Green Vibes area moved immediately to the stage to listen in. After an electric performance of jazzy house by Moon Hooch and the soulful growl of Jen Durkin, the Gaslight Anthem secured a spot as one of the first punk/heartland rock bands to take the Main Stage. Though many Deadheads may have left the scene, the crowd that was left certainly greeted the Gaslight Anthem with opening arms, singing along to their songs “Mulholland Drive,” “Sweet Morphine,” and “The ’59 Sound.” Despite being the odd band of the bunch, the Gaslight Anthem brought even more artistic diversity to the festival, provided some musical contrast, and more importantly, got everyone ready for Wilco.

    In between set changes, it’s really hard not to notice music from the opposite stage, and sometimes following it will lead you to a brilliant discovery. In the case of Vibes, that discovery was known as Turkuaz. Before heading back to see Wilco, many jazz and funk fans perused over to check out this 9-piece ensemble. After the release of their EP Stereochrome, Turkuaz rallied all the audience dancers for their tune “Tiptoe Through the Crypto” and included their hit song “Bubba Slide.” The energy this group brings to the stage is unmatched, and whether each audience member was an adoring fan or a passer-by, there was heads bopping all over the Green Vibes area. If you don’t know these cats already, you should.

    Wilco opened their set around 9:15pm on the Main Stage, opening with a selection of songs from their 2015 release, entitled Star Wars. Songs such as “EKG, “”Random Name Generator,” and “More…” were played surprisingly early in the set, which left room for earlier repertoire later in the set, including “Jesus, etc.” and “California Stars.” It was also quite a surprise to see Warren Haynes join in on their final number, along with Joe Russo on drums.

    Though they should have just stayed on stage, Warren Haynes was sure to make a grand entrance for his set featuring the Seaside All-Stars: George Porter Jr., Branford Marsalis, Jackie Greene, Joe Russo, and Marco Benevento. Along with adding Eric Krasno from Soulive to the mix of musicians, the ensemble did a variety of cover songs, including “Karma Police” by Radiohead, “Tough Mama” by Bob Dylan, “Dreams” by the Allman Brothers Band, and “King Solomon’s Marbles” by the Grateful Dead. Not only did this large ensemble attract fans of every genre, but each song was a new puzzle to be unraveled, with their tricky interludes and extensive solos to mask the melody. With such a unique group of musicians, there’s no doubt that this performance was a once in a lifetime opportunity, and it was a great way to close out Saturday night.

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    Sunday, August 2

    As Gathering of the Vibes came to a close on Sunday, many people took advantage of the single day ticket, making it a rather crowded atmosphere. It was odd seeing excited arrivals of people mixed in with dirty, tuckered out campers in one last attempt to rally for the great sets scheduled that day. After a long night of music by Lettuce and a visit to the beach for Silent Disco (it’s exactly what you think: music being projected through wireless headphones so no one on the outside of the listeners can hear it), it was not hard to notice the slow pace of Sunday. Luckily, the announcement of Weezer coming to the Main Stage around 3:45pm brought enough spark to pump that last bit of energy. Along with performing their new songs, including “Back to the Shack,” they also made plenty of room for their best throwbacks, including “Hash Pipe,” “Say It Ain’t So,” “Pork and Beans,” and “Beverly Hills.” For their encore, they even remembered to play “Buddy Holly,” which completed the list of songs Weezer fans wanted to hear.

    For one of the final bands of the night, singer-songwriter Ben Harper teamed up with a large ensemble to create Ben Harper & the Innocent Criminals. As people packed up their campsites and finished their final beers, Ben Harper kept the positive vibes through the full band versions of hit songs, including “Steal My Kisses” and “Ground On Down.”

    As the sun set over Vibes for the last time, Harper closed out with his song “Better Way,” and it was finally time to head home. Seeing so many bands perform was both enticing and overwhelming at the same time, making leaving Vibes even more bittersweet. The range of genre, popularity, age, and background is what makes Gathering of the Vibes separate from other festivals. After 20 years, Gathering of the Vibes has remained one of Connecticut’s most well-known festivals, and it’s attention to bringing about change while discovering your own inner peace is what will bring success for future gatherings to come. Until next time, thank you vibes for a real good time.

  • Jam-Scriptionist Holly Bowling to be Featured In Upcoming Documentary Film, Announces Philadelphia PhanArt Performance

    Many Phish fans might be familiar with the name Holly Bowling. Those who don’t soon will, and those who know her name will get an inside look into the pianist’s rise in notoriety in the Phish community.

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    San Francisco-based Holly Bowling became well-known after the end of Phish’s hiatus for an interesting take on the band’s music: “jam-scriptions.” Just as it sounds, she takes Phish songs and turns them into a full solo piano arrangements.

    This fall Conveniently Texan Pictures, the makers of the 2012 phan film “WIIIL-SOOON” about the mesh of the Phish song and the Seattle Seahawks, will release a short independent film to bring the story of Holly to light. It will feature an interview with Marco Benevento and include footage of Holly’s first East Coast performance on Aug. 10 at Philadelphia’s Howl At The Moon (performance to feature a surprise guest).

    Those who have wandered around when Phish is in town have probably noticed a PhanArt Presents show exhibiting the Phish inspired art of several artists. Holly will be performing at times throughout the upcoming PhanArt Presents: A World Cafe Live One show on Aug. 12 with a special performance around 3 p.m. before Phish’s show hits The Mann that evening.

  • Photo Gallery: 9th Annual Peekskill Jazz and Blues Festival

    Peekskill’s 9th annual Jazz & Blues Festival brought a phenomenal lineup of NY artists to satisfy the ears of northern Westchester’s little melting pot of culture.

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    The afternoon started off with The Lagond All-Stars, a crew of students from the Lagond School of Music from Elmsford, NY playing mostly cover tunes of various styles with a stage presence unlike what you might expect from a group of younger musicians. Before this show, they played a few shows down in the Nashville area. Local saxophonist and NY Blues Hall of Fame member Ray Blue and his quartet took on more traditional jazz stylings, providing some nice music for those enjoying dinner in the shade of the nearby restaurants.

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    The evening’s pace heated up as the Latin jazz style of NYC’s all-female Cocomama, with members from all over the world, drew several dancing feet near the stage. The day was capped off by incredible performances by two NY Blues Hall of Fame artists, Johnny Feds & Friends and Slam Allen. Slam Allen’s version of Prince’s “Purple Rain” is one not to be missed.

    Slam Allen and Cocomama both have new albums released this year.

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  • Interview with Steve Molitz

    The 9th annual Backwoods Pondfest is set to take place this coming weekend, August 7 and 8 in beautiful Upstate New York at Twin Ponds Campsite in Peru. Tickets are still available online via their website (click here) and include two nights of car camping and live music. The intimate festival gathers local and regional acts as well as nationally recognized bands such as this year’s headliner Particle featuring keyboardist Steve Molitz, guitarist Ben Combe, bassist Clay Parnell and Allen Aucion on drums. The four piece livetronica funk band lays out hard hitting, improvisational jams with energetic, spacey melodies that create contagious dance grooves. I was lucky to have Steve Molitz answer a few questions for me about his July 4 weekend, new music and Backwoods Pondfest.

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    Susan Rice: Talk about epic holiday memory. How did it feel to perform on July 4th in Chicago as part of the Grateful Dead post show late night series? Were the Grateful Dead a major influence on your music?

    Steve Molitz: “Epic holiday memory” pretty much sums it up! Our post-Dead show on 7/4 was sold out in advance, and the energy in the venue was off the charts. It was just one of those nights where everything clicked and there was a very tight feedback loop between the musicians, the music, and the fans. There was a magic in the air that the Dead created at their show, and the fans bottled it up and brought it with them to our late night. It was an absolute honor and a thrill to be a part of such a special weekend of music.

    The Grateful Dead have definitely been an influence on my music, but in sort of an abstract way. Stylistically, Particle and the Dead sound very different, but thematically there’s a lot of overlap. I learned a lot from them about how to approach improvisational music with an open mind and an open heart. You really have to have faith in the unknown, and you have to be willing to place all your trust in the hands of your band members. Only then can you truly lose yourself in the moment and become an interwoven fabric of the improvisational tapestry.

    I’ve been touring on and off with Phil Lesh for the past eleven years, and one cool thing that he tells his band members is that we just have to give ourselves permission to try new things. He encourages us to reach beyond our comfort level into an unknown realm, and that is always where the most profound musical discoveries occur. I have really tried to incorporate that ethos into Particle’s approach to improvisation, so in that way I suppose the Dead have been a huge influence on us …

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    SR: This will be your first time performing at Backwoods Pondfest. What are you most excited about for headlining this North Country festival?

    SM: I’m most excited to check out some of the other bands on the festival. It’s always such a treat at these summer fests to experience so many different types of music all in one place. Off the top of my head, a handful of Backwoods Pondfest bands that I’m excited to see are Pigeons Playing Ping Pong, Sophistafunk, Normal Instruments, Lucid, Mister F, and The Heavy Pets…

    SR: What new music have you been listening to on your road trips?

    SM: I guess the newest music I’ve been listening to is Particle because we are in the middle of recording a new studio album right now so I’ve been completely immersing myself in those songs. That music is so new it’s not even out yet! I can’t wait for people to hear these songs, and I can’t wait to tour with all this new material…

    I also listen to a lot of podcasts on the road like the Joe Rogan Experience, I Am Rapaport Stereo Podcast, Ari Shaffir’s Skeptic Tank, The Duncan Trussell Family Hour, etc..

    Also, Prof’s new album Liability drops on 10/16, and that’s right in the middle of Particle’s big Accelerator Tour (tickets here), so I’m sure I’ll be bumping Prof almost exclusively come October.

    SR: How have you been able to keep up with the nonstop, crazed momentum of Particle?

    SM: Love is all you need …

    … and coffee 🙂