Category: Regions

  • Woodstock at Last: An Interview with Dopapod Drummer Scotty Zwang

    In anticipation of their upcoming show on November 14 at Bearsville Theater in Woodstock, Dopapod’s drummer Scotty Zwang took some time to chat with NYS Music about summer tour highlights, Woodstock, and pranking Papadosio.

    scotty zwang dopapodThis weekend’s stop is part of the progressive groove quartet’s extensive fall and winter tour with soul-funk quintet, the Nth Power. The tour follows an action packed summer, with appearances at Bonnaroo, Mountain Jam, Red Rocks, Peach Fest, Electric Forest, Disc Jam, High Sierra and more. Dopapod refuses to stay within the boundaries of one distinct sound. Show-goers will get a taste of prog rock, synthesized keys, and even some country inspired songs, all that have aided in their ever growing and loyal fan base.

    Tickets are available for $18 through Ticketmaster, or at the Bearsville Theater box office. Doors at 8, show at 9. Other upcoming dates include:

    Nov 14 – Woodstock, NY – Bearsville Theater
    Nov 18 – Buffalo, NY – Tralf Music Hall
    Nov 20 – Brooklyn, NY – The Hall at MP
    Nov 21 – Philadelphia, PA – Theatre of Living Art

    Click here full a list of scheduled stops on their Fall/Winter Tour.

    Erin Clary: Even though you’re touring, do you ever get a chance to go to shows yourself? And if so, who do you go see?

    Scotty Zwang: Yes. That can range. I mean I’ve been off for about ten days since the last show. The day after I got home on Halloween I went to see Ben Folds with yMusic which was really awesome. All things can vary. I try to go to as many shows especially bands that really influence me and bands I don’t necessarily get to see all the time. I like to go see friends, like the Disco Biscuits are playing in New York the day after New Year’s so I am going to go see them after seeing Phish. I try to go to as many shows, not necessarily just jam band ones, but different ones as often as I can, not as often as I would like. Frankly, by the time I get home from tour sometimes the last thing I want to do is go see live music.

    dopapod red rocks capitol theatreEC: It’s been a year since your last album release, do you have another one in the making or are you focusing on touring and improvisation?

    SZ: We’ve been focusing a lot on touring for the last year since the album (Never Odd or Even) came out and yeah, usually in general we’re pretty busy with touring. We are actually planning on taking a good chunk of time off in the beginning of the year to finish songs that we’ve been working on on the road and also to write some songs from scratch so that hopefully by next year at some point, or maybe beginning of the following year, we will have an album finished. But we are going to take some time off first and see where that all goes and hopefully take some time to get in the studio shortly after that.

    EC: Dopapod crosses a range of musical styles, some are sort of hard, others are a little twangy, others sound more like video games. What is your personal favorite?

    SZ: I guess I really do love the darker and proggier kind of stuff. Although the video gamey kind of stuff when Eli synthesizes the sound I think is the more quirkier writing that the band does. I do enjoy all of that. And even some of the twangy… I mean we have a song that is pretty much country, bluegrass, more of an up-tempo kind of feel. As a drummer, I do have to say some of the proggier stuff, when I play correctly on stage, I do feel very good about myself like I’ve accomplished something. Even though we wrote the songs, sometimes I do end up still messing things up live. When something is that challenging it’s definitely rewarding and I still feel good about being able to pull that off live. I would like to say it’s done correctly every time, but sometimes people do mess up. I know Neil Peart from Rush said that anytime he played a song like “YYZ” or “Tom Sawyer,” he wrote it and spent a lot of time focusing on difficult drum parts, and he still gets that excitement when he actually pulls it off live and I would say the same goes for me.

    scotty zwang dopapod
    Dopapod, Mountain Jam, 2015

    EC: You guys have had some pretty interesting profile pictures on Facebook recently. Who is the creative genius behind those graphics?

    SZ: They’re usually fan based. We have a fan page created by fans on Facebook. It’s our top fans around the country or wherever else and they call themselves “Dopafam.” There’s usually some weird stuff that goes around in there (laughs) and every once in a while there is a picture that is just gold. The one you’re talking about is Chuck in his underwear riding a razor scooter on the rainbow road from Mario Cart. That was created by a fan and I’m not even sure exactly who did it. We have some super creative fans I guess because sometimes they strike gold. If anyone in the band likes it, (it’s) usually Chuck and not just because he happens to be in this photo, but usually he will put it up. Chuck has kind of realized throughout the year – well we all have – that people don’t necessarily want to see or have the time and patience to watch a video, or read a long, thought out and touching thing.  They just want to see pictures of whatever. Chuck always says that when he goes on Facebook if he doesn’t see a picture of a dog within 10 seconds then he just signs off.

    EC: Was that picture from Jam on the River in Philly?

    SZ: (laughs) So yeah, there was a bet that happened with Papadosio that was betting Chuck to go out on stage and ride the razor scooter in his underwear. I kind of pushed him to do it because I think those things are funny and that is what people will remember…

    EC: Oh I remember it quite clearly!

    SZ: I kind of pushed him to do it and I kind of had this thought of how funny this with be if this was an ongoing prank with Papadosio because we play so many festivals with them and they truly are some of our best friends. So at High Sierra, once again I egged Rob, our guitarist to do it and he went out in his underwear on the razor scooter. It was just hilarious and no one expected it. It kind of opened up a whole can of worms since I kept making people do it, I had to do it myself. So I finally did it at The Werk Out. We’ve all done it except for Eli but at this point I don’t want Papadosio to think that every time we play together that one of us is going to appear on stage in his underwear, so I’m not sure that trend is still alive.

    EC: Do they ever prank you guys?

    SZ: They tried to prank us at the same festival when I did it but because they had to get out of there and go to another show they didn’t have enough time. So it was passed onto the Werks and Dino, their bassist, came out in his underwear wearing…I got this poop mask, it’s a mask that looks like the emoji of the pile of poop with a smiley face. It’s essentially that exact thing. So he came out in his underwear wearing the mask because no one had a razor scooter I guess.

    EC: “Nerds” from Never Odd or Even – what’s the story behind this? Are you guys mocking someone in the very beginning?

    SZ: No…well kind of. It was Chuck’s idea when we were in the studio and we had a lot of empty space and build up before the lyrics kicked in, which aren’t really a lot of lyrics it’s just “no words.” But it was kind of a nod to Frank Zappa because in…I forget which song, maybe it was “Catholic Girl,” he kind of does a ‘Valley Girl’ impersonation, kind of making fun of people in the California area that he is from. Chuck just thought it would be funny. We came up with this song and originally the band just had a lot of instrumentals. Jam bands are kind of known for not having the best voices at times. We were kind of just mocking the same kind of valley girl and if she was at a jam band show, and all these songs are long and they don’t have any words. So Chuck, after we recorded all the instrumentals and everything was done, we just had a night at the studio where maybe we drank a little too much or something, and he went in there and gave it his all.

    dopapod scotty zwangEC: I saw you a few times this summer at Disc Jam, and at Mountain Jam where you played two sets, one was on that outdoor main stage. Isn’t it huge?!

    SZ: It was the biggest stage I think we’ve ever played on. I am trying to think back because we did have some big performances this summer, but I do remember getting to Mountain Jam and thinking, “this is definitely the biggest stage this band has ever performed on. It’s just massive.”

    EC: Massive! I’ve been going there a lot of years and it’s just gotten bigger and bigger. I’ve seen you guys on plenty of regular sized stages so to see you on something like this was really impressive!

    SZ: Thank you! It’s funny because that stage next to it is a pretty nice stage and you could have a regular production on it, but it is just dwarfed by how big that main stage is.

    EC: What was your favorite festival this summer? You guys really went after it.

    SZ: Yeah there were a lot of them. They start pretty early. Obviously we do have random festivals that go into the fall or destination ones in the winter, or musical festival in the end of February or beginning of march this year. So they just go all year long now. Summer Camp is a real great one as far as “real festival” season in summertime, its kind of the first weekend. Bonnaroo was a dream ours and the biggest audience we’ve ever played for. It was broadcasted over the Internet for RedBull.com and we were interviewed by Sal Masekela, who I’ve been watching as the host for the X Games since back in the day when I was a little kid and loved flinging myself off of stairs and other things, whether it was a bike or skateboard or whatever. It was just a really crazy experience to just look and someone is powdering his face and asking us if we want water, and actions like que cards in order to sync with the video. So that was definitely one of the most mind blowing experiences of the summer. There was just so many great ones. I mentioned The Werk Out is a lot of fun. High Sierra in California is great. It has a really nice family vibe and is one of those festivals that has survived two decades. It’s a festival that is almost as old as all of us in the band. It’s really cool to be a part of stuff like that.

    EC: Now that the season has changed in the Northeast, it’s time to go inside. What are you looking forward to and what can we expect from your show at the Bearsville Theater in Woodstock on Saturday.

    SZ: It’s our first time playing in Woodstock. Although my family has a house in West Saugerties, it’s actually on the same road as the house where The Band lived, ‘Big Pink.’ So I have a lot of experience in Woodstock and when I joined the band we actually went up to my family’s house and did videos of songs like “Nerds” and “Picture in Picture” for the first time. That was all shot in Woodstock. So really excited. I’ve actually never seen a show at “the bears,” and my family really loves it there. They’re excited that we’re finally there, we get to have dinner next door at the café. It’s going to be a great time. It’s got such a great vibe, especially with music and especially this time of year, it’s just very beautiful.

    EC: Will your family and friends be coming to the show?

    SZ: Oh yeah, I know I have my brother-in-law, my sister, my mom and dad, in-laws and my girlfriend, everyone is coming up. It’s going to be quite the weekend. I hope I don’t disappoint them.

    EC: Looking forward to it!

  • Dr. Know of Bad Brains is Upgraded from Critical Condition

    Better news for fans of Bad Brains. Gary “Dr. Know” Miller, guitarist for the seminal D.C. hardcore band, was admitted to the hospital on November 3 in critical condition and placed on life support. On Tuesday, the band announced through its Facebook page that Miller is no longer considered critical but remains under the watchful eye of doctors. The nature of Miller’s illness has not been disclosed and the family has asked for privacy as he heals.

    The Family of Gary (Dr. Know) Miller and the entire Bad Brains family would like to thank everyone for their well…

    Posted by Bad Brains on Tuesday, November 10, 2015

    Good will and PMA (Positive Mental Attitude, a mantra of Bad Brains) are flooding social media for Miller’s continued improvement. Mickey Melchiondo of Ween posted on his Facebook: “Pray for him, or at least smoke a huge spliff and keep him in your thoughts.” And Corey Glover, lead singer of Living Colour and devotee of Bad Brains, wrote, “Sending #PMA healing vibes, and positive energy to #DrKnow of #BadBrains — I urge you to do the same.”

    Dr.-Know-Bad-Brains-2009-billboard-650

    Bad Brains was formed in Washington, D.C. in 1977 and quickly rose to prominence in the hardcore scene. The band incorporated elements of punk, hardcore, jazz and reggae into their sound to create a unique style of music that became hugely influential to not only black musicians looking to break into the hardcore scene, but all punk in general. The band was prominently featured in Dave Grohl’s HBO documentary Sonic Highways alongside Fugazi/Minor Threat leader Ian MacKaye.

  • Interview: Popa Chubby – Go for the Raw Sound and Crank It Up

    Popa Chubby, the long-time stage name for Ted Horowitz, has been playing a mean guitar for over 25 years. Fresh off of playing shows in Europe this past month, he returns state side starting off a winter tour this Friday Nov. 13 at 8pm at The Hangar in Troy with several other New York appearances on the schedule. Tickets for his show at The Hangar are on sale here.

    His other New York shows include: Nov, 28 at Daryl’s House (Pawling), Dec. 12 (Christmas Concert) at Roulette Theater (Brooklyn), Dec. 31 at The Turning Point (Piermont), and Jan. 16 at Treme Blues & Jazz (Islip). Check out his full tour schedule here.

    In anticipation for his appearance at The Hangar on Friday, Popa Chubby chatted with NYS Music about his music, playing guitar and his new double-live album, Big, Bad and Beautiful.

    Popa Chubby Big Bad Beautiful

    Steve Malinski: You’ve got a sound that’s quite your own, sort of a cross roads of blues, rock and roll with quite a level of musicianship.

    Popa Chubby: Yeah man, I appreciate that. I started off playing rock and roll, metal, punk rock and speed metal before I got into the blues.

    SM: And I’m sure growing up in New York City had and impact on your sound –

    PC: – NY Hardcore! –

    SM: – So what lead you to find the groove you have today?

    PC: It was like 1980 – no, the late 1980’s and the hardcore scene had kind of dried up by that point. There was a lot going on and I just wanted to play. Somebody gave me a Muddy Waters record and I heard it and was like holy cow this is awesome. So I put a little band together. We started playing in bars around NY and it just took off. A couple of years later I had a big record deal with Sony/Okeh, made a record with Tom Dowd, then went to Europe and it’s just been going on ever since, for 25 years.

    SM: I’ve kind of pinned your sound as a version of Blue Cheer with a big guitar sound.

    PC: Well, I will take that as a huge compliment. I like to rock, man, you know. I like to crank it up. I’m into the raw sound so it’s definitely got a healthy aspect of rock and roll and punk in it for sure.

    SM: Kind of like how Ted Nugent plugs directly into his amps and rips from there.

    PC: (laughter) Yeah, the Nuge! Luckily he and I are nothing alike politically.

    SM: I recently came across a video of you jamming out with Johnny Winter at his 70th birthday celebration at B.B. King’s in NYC last year. How awesome was that for you?

    PC: That was just a legendary night. Johnny’s 70th birthday. He asked me to play with him. Ironically the first concert I ever saw was Johnny Winter. So it was a real monumental night for me.

    SM: Was that the big highlight of your career so far?

    S Malinski - Leslie West - Bethel Woods-1
    One of Popa Chubby’s idols, Leslie West, at Bethel Woods (Woodstock 40th Anniversay) Aug. 15, 2009. photo: Steve Malinski/The Polytechnic

    PC: One of them. There have been a lot of high points and that’s definitely one of them, on stage with one of my idols. I was really lucky too because he passed away shortly after that. It’s been quite a year. I’ve gotten to play with a lot of the guys I grew up listening to. Johnny Winter, Leslie West, just great stuff. It’s been awesome.

    SM: You just returned from a Eurpoean tour that spanned five countries. What was that experience like?

    PC: We did a month long European tour, myself and a band I’m working with called the Balkun Brothers out of Hartford, CT, a duo along the lines of the Black Keys…Blue Cheer, MC5, like the heavier side of blues rock. So we just killed it in Europe and now we’re coming back. It starts this weekend in Troy and I’m really psyched to be up there, I love the area. I’ve played I the Albany area for a long time and it’s gonna be great.

    SM: Are the crowds over there in Europe much different than what they are like here?

    PC: I wouldn’t say they’re different. It’s just… it’s just been awesome, so great. I’m just so lucky to be doing what I’m doing, man. I’m sitting in my studio right now and I’m looking at my wall with poster of a lot of my heroes. People like Hubert Humlin, and Leslie West is up there, and of course Johhny’s up there, Jimi Hendrix. I’m just so lucky to be doing what I’m doing. Really just happy to be playing music and guitar.

    SM: So I’ve counted 24 releases that you’ve had in your career and you’ll soon be adding a 25th – a live album. What can you tell us about that?

    PC: A double live record, Big, Bad and Beautiful. I think in a large sense this is a career-defining record for me. It really sums up 25 years of work and it really came together, man. We recorded it last spring in France when we were on tour and I’m really proud of it. It’s 27 songs and it reflects a lot of my stuff  – old, new, and in between. So I’m really happy about this record and it’s been great. It’s coming out on Cleopatra in January.

    SM: I’ve never had a chance yet to see you live but from what I’ve heard of you since I first stumbled on you music at my college radio station
    back in 2007 and from videos I’ve seen it seems like you have a deep passion for music. What’s so special about the blues and rock and roll to you?

    PC: You know what, I can’t really speak for the blues and rock and roll, but I can speak about my music. It’s hard and it’s raw. It’s like…my music reflects what I grew up listening to. For me, like when punk rock came around, seeing bands like The Ramones and Richard Hell & The Voidoids, The Damned, and The Deadboys and stuff like that. There was an immediacy, that and the guitars would just rip your face off. And even seeing bands like Motörhead, Metallica and Black Sabbath, then going back to listen to people like Muddy Waters and Buddy Guy, it’s all got the same element to it. It’s like, no bullshit, man. It’s like, straight up.

    Popa Chubby photo

    SM: You’ve got a lot of shows coming up, including the one this Friday at The Hangar in Troy, Daryl’s House, Roulette Theater –

    PC: – Yeah we do, man, it’s non-stop. We’ve got a lot, and in January we’re going back to Europe again. Business is just really kickin’ for me. We just got an offer for a festival in Juno, AK, then back to the west coast in the summer.

    SM: With all these shows in your home state, do you have anything special lined up?

    PC: I’m always happy to play in New York, man. Especially this time of the year – November, December – is when I’m local and get to play all my favorite shows. And definitely Troy/Albany is a hotspot for me. I’ve recorded a lot of records there, also in Saratoga back in the 90’s…oh man, I can’t even remember the name of the club! It might have been Metronome or something like that [The Metro]. But anyway we recorded Hit the High Hard One up there. So that region has always been really great for me and I’m really excited to get back up there to play. So it’s gonna be a great show. Thanks for taking the time to talk to me, I really appreciate it.

    SM: Same to you, it’s been a pleasure.

  • Dion and Paul Simon to Release “New York Is My Home” Duet Friday

    Two of New York’s big names in music are no stranger to each other. Back in 2009, Paul Simon joined long-time friend Dion onstage at Madison Square Garden to help sing Dion’s “The Wanderer” as part of the Rock and Roll Hall of Fame’s 25th Anniversary concerts.

    Dion Paul Simon

    Dion DiMucci, better known simply as Dion, first became popular in the wave of early 1960s pop (as Dion and the Belmonts) and later adopted more mature aspects in his music giving him another boost in the music world. He was inducted into the Rock and Roll Hall of Fame in 1989 by Lou Reed.

    “New York Is My Home” is the title track off of an album Dion is set to release in February, marking his 29th studio album. The song features fellow New York City musician Paul Simon and is dedicated to the fullness of life in New York.

    The single “New York Is My Home” can be ordered and downloaded online through iTunes, Amazon and Google Play.

    Aside from the Rock and Roll Hall of Fame Anniversary concert, Dion and Simon performed together at Radio City Music Hall in 1987 and recorded “Written On The Subway Walls/Little Star” on Dion’s 1989 release Yo Frankie. Check out the video of that below, featuring both Dion and Simon.

    The Belmonts still perform today as a doo-wop trio.

  • Shawn Mullins Returns to The Barn at Levon Helm Studios in Woodstock

    “Keep It Goin’”that seems to be the theme these days in The Barn at Levon Helm Studios in Woodstock, N.Y. In fact, one could say that it’s been the theme for many years prior leading up to the iconic Helm’s death in 2012. On November 6, the Georgia born Shawn Mullins kept it going by returning to the intimate studio in support of his latest release, My Stupid Heart, Mullins 9th studio release and 14th overall album dating back to 1992’s Better Days.

    E.COKER-SHAWNMULLINS15

    The American singer-songwriter, who swiftly acknowledged Helm at the start of the set, is best known for the 1998 single smash hit, “Lullaby” which reached #1 on the US Billboard Hot Adult Top 40 Tracks. Mullins was joined on stage, after “Twin Rocks Oregon” by Tom “Panda” Ryan to a house of nearly 100 or so middle-aged music lovers. Ryan ripped through 14 of the 17-song set on bass guitar providing near perfect harmonies on songs like “Beautiful Wreck” and the Sunshine State inspired “Pre-Apocalyptic Blues,” co-written by Ryan.

    There’s a great deal of empathy and even more compassion in Mullin’s live performances these days and he appears to be at ease with where he is in his life, even if his personal past marital relationships have slipped away from him, they are used to fuel the song writing fire on My Stupid Heart. The 10-track release comes from a depressed place which makes it honest and heartfelt and is a record that is not overproduced and closely resembles his masterful live performance passion.

    Opening for Mullins was Boston based songwriter Amy Fairchild who entertained on the acoustic guitar but was in her element when she ventured un-mic’d at the piano especially belting out the emotional, “It Won’t Be Mine.”

    Setlist: The Great Unknown, Twin Rocks Oregon, Pre-Apocalyptic Blues, Shimmer, Lonesome, I Know You To Well, Sunshine, Ferguson, My Stupid Heart, Catoosa County, Light You Up, California, Ghost of Johnny Cash, Beautiful Wreck, Friday Night Fights At Al’s Place, Lullaby, To Beat The Devil*, House Of The Rising Sun^

    * Kris Kristofferson
    ^ The Animals

    [FinalTilesGallery id=’516′]

  • Putnam Den Brings Lukas Nelson & Promise of the Real on November 14

    On Saturday November 14, rising talent in American rock ‘n’ roll will grace the stage at Putnam Den when Lukas Nelson and Promise of the Real come to Saratoga Springs. Having performed at Farm Aid when the annual concert made a stop at SPAC in 2013, Lukas and P.O.T.R. recently backed Neil Young on his latest album The Monsanto Years.

    Having made a promise at the age of 11 to his father Willie, that he would teach himself how to play guitar alongside Hendrix and Vaughn, the now 24 year old Nelson has found his calling amid touring year round across the country to continually growing audiences among some of the greats – Neil Young, John Fogerty, Bob Weir, B.B. King, and Bob Dylan, to name a few. No Depression magazine has noted of Lukas’ voice “With a unique voice and gift for penning timely socially conscious lyrics stretched over muscular guitar riffs, Lukas Nelson is earning not only fans but, heaps of critical praise as well.”

    Supporting Lukas Nelson and Promise of the Real are Glens Falls natives Joe Mansman and The Midnight Revival Band, a 5 piece rock band influenced heavily by outlaw country, roots, blues, and folk. Rich Ortiz starts the night with his one man band drawing on inspiration from the likes of Jim Croce, James Taylor, Stevie Wonder and Willie Nelson.

    More information on the show can be found through Putnamden.com.

  • Bass Legend Jaco Pastorius’ Documentary to Premiere in Syracuse

    The Palace Theater in Syracuse is the place to be this Black Friday, Nov. 27, with the premiere of the new Jaco Pastorius documentary, JACO, at 8 p.m. (doors at 7).

    Not only that, the Sound Garden in Armory Square will host a DVD release event at 2 p.m. that will feature the film’s executive producer, Robert Trujillo, world-renowned bassist from Metallica and Rock & Roll Hall of Fame member. There will be a signing opportunity and an exclusive limited edition of the JACO DVD packaged with a CD of music from the film, interspersed with Jaco’s voice and a track from Trujillo’s Mass Mental project.

    Trujillo, who is known world-wide, didn’t pick-up a bass until he heard Pastorius play. While his own playing took a different path, the flamboyant Pastorius had his influences on him and many, many other bassists including Flea and Sting, to name just a few. Pastorius was larger than life and a iconic player — he may well have changed the direction of modern music single-handedly.

    The day marks the official world-wide DVD release of JACO, and the two events have much traction behind the tour de force of Sound Garden GM Eric Brush, Syracuse Jazz Fest founder Frank Malfitano, The Palace Theater GM Paul Valenti and The Syracuse International Film Festival founder Owen Shapiro and Executive Director Mike Massurin. The organizers stated, “This Northeast National Premiere screening of the JACO documentary in Syracuse is a ground-breaking event that has come together because music, film, locally-based arts, cultural organizations and institutions have come to recognize the value that this kind of collaboration can bring to the community.”

    JACO-speakers
    left to right: Christine (Owen) Shapiro and Mike Massurin/ Syracuse International Film Fest, Frank Malfitano/ Syracuse Jazz Fest Sound Garden GM/ Host Eric Brush.

    Brush met Trujillo a few years ago at the N.A.M.M. convention, where they discussed indie record stores and the movie; this is what led Sound Garden to be selected as location for the DVD release. Out of all independent stores, nationwide! The event is also giving a big nod to Record Store Day, another incredible get for Brush and The Sound Garden. Malfitano’s long history with The Jaco Pastorius Big Band and the Pastorius family made him a natural, so much so that he was invited to be master of ceremonies at Jaco’s 20th Anniversary Celebration at The Broward Center of The Performing Arts. Add to them the cache of The Syracuse International Film Festival and the beautiful Palace Theater, and the team was complete.

    JACO is produced by Robert Trujillo in association with Passion Pictures (Searching For Sugar Man, Project Nim), and the film is co-directed by Paul Marchand and Stephen Kijak. Together they tell the remarkable and tragic tale of Pastorius’ much too short life with never-seen-before 8mm film, photos and audio recordings including exclusive material from the Pastorius family archive.

    This may well be the only big-screen viewing of JACO, ever. Do not miss out. Even better, go to the DVD Release Event at The Sound Garden, buy a DVD and get a free ticket to the screening later that evening! (This offer stands for the first 200 people taking advantage of it only.) This guarantees you a seat because the screening is FREE, yes, free, but there is limited seating. Trujillo will not only be at the signing event, he will introduce the film at The Palace Theater as well.

    More info available at The Palace Theater’s website and The Sound Garden website.

    Photography: Sandra Jackson/ Sublunar Studios

    https://youtu.be/nI0znixksZs

  • Dave Rawlings Machine Cranks It Up In Buffalo

    If you go see a Gillian Welch show, you’ll see her husband Dave Rawlings accompany her on guitar and vocals. If you go see a Dave Rawlings show, you’ll see Welch accompany him on guitar and vocals.

    The difference is who’s driving. At a Welch show they’ll play mostly Welch songs, ceding the floor to Rawlings for a number or two. At a Rawlings show, the opposite. And most of the time, Rawlings will round out his band with a few more players. For the current tour they’re on, supporting Dave Rawlings Machine’s just released Nashville Obsolete, they were joined by Brittany Haas on fiddle, Paul Kowert on bass and Willie Watson on guitar, all who make appearances on the album as well.

    Bedecked in head-to-toe denim, cowboy hats and long prairie dresses, they certainly dressed the part of the deep-rooted folk they were slinging. With an opening salvo of “Ruby,” “To Be Young (Is To Be Sad, Is To Be High)” and “Candy,” they came out guns blazing. Rawlings immediately showcasing his impeccable chops, with Haas entering as the clear and capable second soloist of the group.

    Welch grabbed her harmonica for the next song but Rawlings had her return it. “Dave wants me to sing a bummer of a song,” she remarked as they kicked into “The Way That It Goes” off of her Harrow and the Harvest album. This was Rawlings’ show after all. Later in the set he would prompt Watson to swap out his guitar for a fiddle mid-song. “More fiddle!” like the conductor of his own folk freight train.

    Everyone, not just Welch, got their turn in the shotgun seat. Watson sang a pair of songs off his Rawlings-produced album Folk Singer Vol. 1 and Kowert was featured on a traditional gospel tune. All members but Haas sang, though she got numerous turns to highlight her fiddle playing throughout the night. Her accompaniment and harmonizing with Rawling’s complicated solos was the secret additive making the Machine run extra hot.

    The Machine was most certainly Rawlings’. His clean yet furious picking of his 1935 Epiphone archtop created a highlight-reel’s worth of material. The audience hung on every note, collectively holding their breath as the solos wound to a peak, producing an audible exhaust of CO2 once he made the turn. Just a simple guitar, no pedals or tricks, yet he was able to elicit a library of sound.

    During the second set the band would accordion back and forth from the full five-piece down to a couple different trio configurations, and all the way down to the Rawlings/Welch duo for a take on “Sweet Tooth.” Back up to a trio with Watson on banjo, they worked a “This Land Is You Land” perfectly into “I Hear Them All” that turned into a big old singalong just as Pete Seeger would have wanted. Rawlings noted “It’s starting to sound like a real folk concert in here!” To keep the spirit alive they kicked into a Watson-led rendition of “Stewball,” in which the crowd helped balloon the quintet to a band of hundreds.

    Early in the set an audience member cried out, “Doesn’t have to be now, but can you play that Dylan song?” Welch quickly retorted, “Which one?!” before Rawlings sought to take back control of his show by stating “We’ve descended into chaos.” But they did play that Dylan song, closing with “Queen Jane Approximately.” They closed out the show in big fashion, with Rawlings grinning widely and bouncing up and down like a rock star, through a blistering solo. It was met with, what wasn’t the first, or last, standing ovation of the night.

    Dave Rawlings Machine let Welch take the helm again for an encore of her “Look At Miss Ohio” followed by an a cappella take on “Didn’t Leave Nobody But the Baby” that finally got Haas behind a mic. The crowd wouldn’t let the Machine stop working there though. After another relentless ovation the band was back again for a cover of The Band’s “The Weight.” Another chance for everyone to do some singing, except Haas of course, who ‘sang’ a verse with her fiddle instead. And with that, the Dave Rawlings Machine finally came to a rest.

  • Popular Free Canalside Concert Series to Stay in Buffalo

    Buffalo music fans are rejoicing today after news that the popular, free Thursday Central Wharf concert series will be back Canalside next summer. The decision comes after concerns were raised by nearby residents and a controversial vote by the Buffalo Common Council.

    The concert series will continue, at least for next summer at the Central Wharf where the series has been held since 2012. Bizjournals.com has reported that Global Spectrum, which manages the Canalside property for the Erie County Harbor Development Council and books the concerts, is already working on landing national acts for the 2016 summer season.

    Earlier this fall, residents of the nearby Marine Drive Apartments complained about the noise from the shows and problems related to the large crowds of concertgoers. The Buffalo Common Council agreed with the Marine Drive residents and pushed for the concerts to be moved. The vote caused outrage and appeared to be a hasty decision made based on a small amount of complaints.

    Moving the concert series to the city’s Outer Harbor property was suggested, but the move was highly contested by area businesses, mostly bars and restaurants. They argued a moved to the new location would hurt the growth of their businesses as well as the continued development of the Central Wharf property.

    The concert series began in 1987 and was held in Buffalo’s Layfette Square. Organizers moved the event in summer 2012 to accommodate the series’ growing success. Past artists have included a variety of acts of musical genres. This past summer featured free music from Umphrey’s McGee, the Mighty Mighty Bosstones, EnVogue, Everclear, Yonder Mountain String Band and the Buffalo Philharmonic Orchestra. This past summer, more than 150,000 people attended one of the free harbor Thursday shows.

  • Skyscraper is Grand: PhanArt Announces New Years Show in NYC

    PhanArt will host an art show for the first time in New York City penned “Skyscraper is Grand” on Saturday, January 2, 2016 from 12-7 p.m. at Hotel Penn, directly across the street from Madison Square Garden.

    skyscraper is grandProduced by Pete Mason, founder of PhanArt, owner and Publisher of NYS Music and author of PhanArt: The Art of the Fans of Phish, PhanArt exhibitions have been held in Atlantic City, Chicago, Las Vegas, Miami and Philadelphia since 2013 and represent a continued effort to promote and exhibit original and unique concert art, posters, pins, apparel, stickers and much more from a wide variety of artists.

    The eclectic artists featured at this event show the broad scope of Phish related art and capture the inspiration of the band in their art. Phish’s creative fan base makes amazing art inspired by the band, their music and the locales they play. This event also gives fans the opportunity to meet a generation of artists they might otherwise know casually, form a bond with and develop a greater appreciation for the broader art scene in the Phish community.

    In keeping with the great tradition and success of past art shows, “Skyscraper is Grand” will offer free entry to all patrons and tubes available for purchase. Special edition works only available at the show can be viewed on PhanArt.net and acquired exclusively at the PhanArt show. The initial artist lineup is expected to be announced in early December.