Category: NYC Metro

  • Thanks, Dave: A Musical Tribute to the Legendary Late Night Show Host

    Self deprecating, awkward, obtuse, David Letterman. I grew up with this man. His short-lived show on NBC mornings following the Today Show was something I looked forward to more than the Price is Right on days off from school. My sense of humor was formed by this man. He combined the legacy of Johnny Carson and the lunacy of Looney Tunes and mixed it with a smidge of humanity. Dave changed the game.

    letterman zevon
    David Letterman with Warren Zevon

    May 20, 2015 was a sad day for me. My man Letterman was heading off into the sunset. After tonight the television world will be much less funny. He has influenced me in more ways than I really considered until he announced his retirement.

    There have been many tributes to David Letterman in the past few weeks. Most of them have focused on his comedy. The man is a natural in that department. I owe a lot of my sense of humor to this legendary performer. Thanks, Dave.

    That said, Letterman did more for music on television than many realize. Prior to Dave, musical guests were primarily the hit makers of the day.

    Letterman brought in the fringe artists. Dave gave R.E.M. their network debut. Dave convinced legends like Bruce Springsteen and Bob Dylan to appear on television despite their reluctance to do so. He had Rage Against the Machine perform on the roof of the Ed Sullivan Theater.

    David Letterman gave artists such as Tom Waits and Warren Zevon a stage — he was a fan and a champion of Zevon and his work.

    A friend of mine, Lisa,  gave me a true fan’s perspective of the relationship between David Letterman and Warren Zevon. Lisa said of Zevon, “For anyone other than Letterman, I don’t know that he’d have set foot on the TV stage. Dave had a genuine respect for the musical genius and general intelligence of Zevon and it grew into a warm personal friendship.

    letterman zevon
    Photo courtesy http://warrenzevon.wikia.com/

    Among Warren Zevon devotees, the TV spots are treasured because we can look back and watch those to see a thumbnail of Zevon’s evolution into revealing himself to the public. Without David Letterman, we’d have only the music, the shows, and the chance encounters. He allowed more people to become familiar with the human behind the legend so the focus could be on the music, the product, rather than the legend.”

    Letterman thought so highly of Zevon that when his musical director, Paul Schaffer took time off, he made him the musical director for the show. He cared so much for him that he dedicated the entire hour of his show on October 30, 2002 to Zevon, in what would prove to be Zevon’s last appearance on network television before succumbing to lung cancer.

    Above all else, Letterman is a big fan of music, as evidenced by his Live on Letterman: Music From the Late Show series of albums produced by the show.

    What tribute to Letterman would be complete without the ubiquitous Top Ten List, so with that, here is tonight’s Top Ten List, Warren Zevon’s Top Ten Appearances on David Letterman.

    #10. Zevon sat in for Shaffer as music director on a couple of occasions. Letterman is giving Zevon some on the job training in this clip.

    #9. “Hit Somebody (The Hockey Song)”. From WZ’s last studio recording. Shaffer plays Letterman’s role in this version of a song about a Canadian farm boy looking to make it to the NHL as a goon.

    #8. “Mr. Bad Example” Pony-tailed Zevon delivering his trademark lyrical genius in this Letterman clip from 1993.

    #7. “Excitable Boy” and “The Overdraft” from Zevon’s first appearance with Letterman. He is championing Zevon right from the beginning. The interview piece shows how their sardonic wit jived.

    #6. “Trouble” and “Lawyers, Guns & Money.” This is a classic performance with Shaffer’s late ’80s version of The World’s Most Dangerous Band

    #5. “Boom Boom Mancini.” Being a boxing fan, this song re-introduced me to Zevon’s work outside of the FM radio staples. Tells the tragic story of professional boxer Ray “Boom Boom” Mancini.

    https://www.youtube.com/watch?v=GEuSTy5VRwQ

    #4. “Porcelain Monkey.” This is a late-era Zevon song that would fit comfortably on “Excitable Boy”. Take note of Sid McGinnis completely making this song his own on the guitar. Shaffer’s bands are always a great compliment to whomever they are backing but when Zevon was on the show, they truly gelled.

    #3. “Splendid Isolation.” From a 1995 appearance. This clip also contains some interview footage showing their admiration for each other. Letterman goes fanboy.

    #2. “Roland the Headless Thompson Gunner.” My favorite Zevon song and his final ever public appearance.

    #1. “The Mutineer.” Letterman announcing Zevon’s death and his tribute to his good friend. He ends this piece with a clip from Zevon’s final appearance on the show a year earlier.

    Letterman had Zevon as his only guest on his October 30, 2002 show, describing Zevon as, “the real deal. He’s not one of these pretty faced, phony rock and roll guys, he’s the real deal — a poet and a singer and a songwriter. It doesn’t get any better.” Zevon, despite the dire prognosis of inoperable lung cancer, kept his typical cynical sense of humor, stating, “Dave is the best friend my music has ever had.” Letterman brought Zevon’s music to the masses, even when Zevon showed resistance.

    This appearance proved to be Zevon’s final public performance. You’d never know he was suffering from inoperable lung cancer from his performance and humor on this show. I highly recommend checking out the entire episode available on YouTube. It’s strange. It’s funny. It’s hearwarming. It’s pure Letterman and Zevon.

    Letterman may have retired, but his legacy to music on late night television will continue. Thanks, Dave.

  • Tedeschi Trucks Band at Central Park Summerstage ‘Summer is Coming’

    Nestled away in Central Park lays a bastion for music lovers, a musical oasis in the midst of Gotham. A serene evening with Tedeschi Trucks Band rang in the unofficial beginning of summer with the opening night of Summerstage. Rock ‘n’ Roll royalty Derek Trucks and Susan Tedeschi orchestrate an amazingly talented ensemble of musicians.

    Kofi Burbridge (keyboard, flute), Tim Lefebvre (bass), Tyler Greenwell (drums), J.J. Johnson (drums), Kebbi Williams (saxophone), Maurice “Mo’ Betta” Brown (Trumpet), Saunders Sermons (trombone), Mike Mattison (vocals), and Mark Rivers (vocals). All got the opportunity to showcase their individual talents throughout the evening.

    Tedeschi led the way out of the gate with her exceptional blues guitar and booming vocals on “Made Up Mind” and “Do I Look Worried” both off of their 2013 release Made Up Mind. Trucks’ slow and deliberate guitar started off “Midnight in Harlem” off of TTB’s 2012 Grammy award-winning, best blues album, Revelator followed with raucous applause from the audience before Tedeschi’s crooning sent them into a blissful trance.

    After The Derek Trucks Band’s fast paced and raucous “Get What You Deserve” the first guest of the evening was invited out on stage, with Doyle Bramhall II (guitar) joining the group. Fans had the rare occurrence of having two former Eric Clapton guitarists on the same stage.

    Next up came The Beatles “I’ve Got A Feeling” from Let It Be then Bramhall and Trucks traded off guitar licks on Derek & The Dominoes’ “Keep On Growing”. Bramhall stayed on for “Key To The Highway,” a tribute to the recently passed B.B. King. King recorded the song with Eric Clapton on 2000’s Riding With The King. Bramhall stepped off stage for the gospel “Break In The Road” which featured another shredding guitar solo from the prodigy Trucks.

    Bramhall returned to join the band with the second guest of the evening Sharon Jones of Sharon Jones & The Dap-Kings. Trading harmonies and smiles with Tedeschi on Sam Cooke’s soulful “Bring It On Home To Me” and Etta James “Tell Mama”.

    Bramhall and Jones left Susan and Derek in capable hands as Burbridge led the band into Made Up Mind’s “Idle Wind” leaving the keys for his flute to start off the tune before the band gave way for Johnson and Greenwell to show off their drumming talents and convening to bring the song to a close.

    TTB busted out a rendition of Bobby Bland’s 1960 R&B classic “I Pity The Fool” before bringing the two-hour plus set to a close with the original, “The Storm”. Tedeschi reached down deep and soothed the audience one last time with her mesmerizing vocals for the encore of  Revelator’s “Bound For Glory”. If this night was a precursor to TTB’s upcoming ‘Wheels of Soul’ tour, fans will be in for a treat with welcomed collaboration between TTB, Bramhall, and Jones.

    The Wheels of Soul tour will be in Rochester, NY as a headliner at the Xerox Rochester International Jazz Festival (XRIJF) at Kodak Hall June 25. Followed by a stop at SPAC in Saratoga Springs, on July 29. The band will make one final stop in New York this year for a four night residency at the famed Beacon Theater, September 25-26 and October 2-3. Tickets go on sale on May 21 through Ticketmaster.

    Setlist: 
    Made Up Mind, Do I Look Worried, Midnight In Harlem, Get What You Deserve, I’ve Got A Feeling*, Keep On Growing*, Key To The Highway*, Break In The Road, Bring It On Home To Me#*, Tell Mama#*, Idle Wind>Drums>Idle Wind, I Pity The Fool, The Storm
    E: Bound For Glory
    * – Doyle Bramhall II
    # – Sharon Jones
    [FinalTilesGallery id=’187′]

  • Faith No More Leave Long Lasting Impression on Day One at NYC’s Webster Hall

    Faith No More has embarked on one of the biggest tours of 2015 and for the first leg of the tour, they played two show’s at New York City’s Webster Hall last week, and I was lucky enough to get my hands on a ticket and managed to take a trip down and catch the first show on May 13. The Webster Hall is one of Manhattan’s most premiere night clubs, and a very intimate setting to catch a metal show. It was a real blessing to have attended this show. But things started off with the most unexpected, a punk band from Mexico called Le Butcherettes.

    faith no more
    San Francisco – October 28, 2014

    You couldn’t ask for a more bizarre, yet appropriate band to open for Faith No More. Le Butcherettes is exactly what rock and roll is missing. And that is the “I don’t give a fuck” attitude packaged with the unexpected. It all starts with frontwoman Teri Gender Bender who is an absolute fiend. I would describe her as the female Mike Patton with a touch of Wendy O’ Williams to her. Not only vocally, she possesses a wide range, she’s playing the keyboard and guitar, but most importantly her performance was so wicked, dirty, and out of this world. Everyone in the audience was in awe from this band. I almost forgot I was at a Faith No More show before their set ended.

    When Faith No More took the stage, it was the most surreal and beautiful thing to behold. They had everything in white on stage, and before they started, the stage hands and roadies covered everything in flowers. It almost looked like a wedding.

    The same day, Faith No More performed on Jimmy Fallon. They started off with a new song “Mother Fucker” which lit everyone up with excitement. As for me, I haven’t felt such a surreal feeling of witnessing a band play since the first time I saw Soundgarden reunite at Chicago’s Lollapalooza back in 2010. The entire band has such a unique chemistry. Frontman Mike Patton’s outlandish and comical presence is something to behold, and vocally, whether if he’s singing his ass off, rapping, or doing super sonic screams, he proves to this day he’s one of the very best in the business.

    The one who anchors the band is keyboardist Roddy Buttom. He has an intimidating presence, but he’s also comical. It’s very rare in a band when the keyboardist is the one that takes charge. I also really liked bassist Billy Gould’s performance, he’s definitely an underrated bass player.

    Five songs in, Faith No More performed their well-known hit “Epic” along with another new song “Sunny Side Up”. The real highlight of the set was hearing “Surprise! You’re Dead!” and “Midlife Crisis” back to back. Faith No More did a phenomenal job playing songs off their Mike Patton-era catalog and material off their new album Sol Invictus.

    Later in the set we heard “Easy” and “King For A Day” before closing with “Ashes To Ashes” and their new single “Superhero”. But of course the crowd was graced with a three song encore and a one song second encore thus giving New York City 19 songs total.

    Overall, an unforgettable night for sure. Faith No More is back with a vengeance and will be returning to New York City at Madison Square Garden on August 5. So if you missed the two shows at Webster Hall, you still have a chance to see them in August, and I highly recommend that you do because you won’t regret it. 2015 is the year of Faith No More.

  • moe. to Play Children’s Benefit

    moe. will be the featured artist at an annual benefit for the Children’s Health Fund at Jazz at Lincoln Center’s Frederick P. Rose Hall.

    The June 1 benefit features tickets that range from $1,250 to $100,000, but a limited number of $75 balcony tickets are available for moe.rons who want to attend. Concert goers will have to adhere to a business casual dress code.

    The evening starts at 8 p.m. with an awards presentation, then moe. will play for a half-hour. A dessert and cocktail reception will follow.

    moe.-CHF-benefit

    The Children’s Health Fund provides health care to the nation’s most disadvantaged children with 51 mobile health clinics serving more than 80,000 kids throughout the U.S. Those who can’t attend can still help.

    [youtube http://www.youtube.com/watch?v=hYvMpsyFgIA]

    moe. also announced Tuesday that they’ll re-release a limited vinyl run of their first studio album “Fatboy,” in honor of the band’s 25th anniversary this year. The record will be on sale this weekend at Summer Camp, and it will be available in stores May 26. The run is limited to 3,000 copies, so get it while you can!

    fatboy-LP-282x300

    moe Children’s Benefit

  • Jesus on the Mainline Fills the Stage at Brooklyn Bowl

    Jesus On The Mainline is a fifteen piece ensemble comprised of some of the best young musical talent New York City has to offer. Led by band leader Andrew Neesley (lead vocals, violin) his ensemble consists of Mel Flannery (vocals), Amanda Brecker (vocals), Tim Emmerick (vocals,guitar,banjo), Tomek Miernowski (bass), Dave Scalia (drums), Pascal Le Beouf (keyboard, organ), Andrew Miramonti (guitar), Simon Kafka (guitar), Mike Gorham (trumpet), Sam Oatts (trumpet), Natalie Cressman (trombone), Frank Cohen (trombone), Mark McGinnis (tuba), Jake Goldbas (percussion) and Austin Walker (percussion).
    When you are preparing to see a band of this magnitude there is only one question you must ask yourself; will they all fit on stage? In stark contrast to past venues JOTM has played, Brooklyn Bowl gave them a chance to get comfortable on the roomy stage and let their sound shine through. With an eclectic range of tunes, at times ranging from southern rock to  gospel and soul, the audience was captivated by the precise arrangements and compositions.
    ScottHarris-JOTML-1200px--08752
    Neesley donning dark shades, shaved head, and a prolific beard, soon to be approaching ZZ Top status, began the set with the soulful and powerful tune “War” and made clear that given the right space to spread their wings JOTM could do not wrong. The gospel sounding “Angel From Montgomery” set the crowd up for a seamless transition into the rocking ruckus of “Jump Right In” with the entire cast firing on all cylinders. JOTM was reminiscent of a young, fresh, Tedeschi Trucks Band, combining all their talents to ensure their compositions resonated with everyone in attendance. Neesley takes time throughout each tune, while leading the band, to step aside and let each musician shine through, whether its Le Beouf’s organ solos or Flannery’s angelic voice giving us a soul filled cover of Nirvana’s “Lithium”.
    To close outthe evening the entire ensemble took part in “Sister City, Brother Bone” with a classic rock sound, that gave way to the rhythm section to showcase their synergy. As long Jesus On The Mainline can find a stage to hold them and a room to contain their huge sound they are here to stay.
    You can listen to Jesus On The Mainline here or catch them at Rockwood Music Hall on Thursday, 5/14, 5/21, 5/28 at midnite.
    Jesus On The Mainline, Brooklyn Bowl, 4/28/2015
    War, The Wrong Side, Chronically Lazy, Angel From Montgomery, Jump Right In, Sweet High & Dry, Take Me, Cry The Mamas Did, Lithium, Sister City Brother Bone
  • Photo Gallery: ShwizZ at Garcia’s, April 18

    On Saturday, April 18 ShwizZ played to a full house at Garcia’s as the official after show for Jeff Beck at The Capitol Theatre. The progressive funk outfit played in support of their new 2 disc album My Good Side/My Bad Side, which will go on sale May 16 with a late night release party at Knitting Factory in Brooklyn, NY.

    shwizz at garcia'sShwizZ at Garcia’s Setlist: 12, Duggan, Orange Wreck, Pomegranate, City Of Tiny Lights, Bad Side, Zone, Doorbell, In The Bag, Good Side, Slop Cream, Slow Down, Tax Man, MGF

    Photos and Review by: Nick Irving

    Upcoming shows:
    May 23, Arch Street Tavern, Hartford CT
    May 29, Good Times Getdown, White Haven, PA
    May 30, Domefest Terra Alta, WV

  • Opeth Announces The Only Two US Shows for 25th Anniversary Tour: NYC and LA

    The Swedish progressive metal band we’ve known for 25 years as Opeth is marking their anniversary with a European and Mexican/South American tour freshly underway. Don’t let that hinder your spirits entirely, however. This week the band announced two special US shows: NYC at the Beacon Theater October 22 and Los Angeles, CA at the Orpheum Theater October 24.

    Opeth will perform two sets, including the album Ghost Reveries in its entirety to mark the 10th anniversary of its 2005 release. The band is also touring on the crest of their most recent release Pale Communion.

    Tickets for both the NYC and LA shows have sold out very quickly, within hours of the public on-sale date of May 1.

  • Long-Time NYC Radio DJ Vin Scelsa On The Mic For ‘Idiot’s Delight’ One Final Time Tonight

    Vin Scelsa has been hosting his free-form radio program Idiot’s Delight for nearly 50 years (47 to be exact), making appearances with the program on a handful of FM radio stations in the NYC area and even on SiriusXM.

    For more than the last decade, Vin has called WFUV 90.7 in The Bronx his radio home. Tonight, May 2, he will take the mic one last time before saying farewell to loyal fans and music lovers.

    Vin Scelsa WFUV

    Idiot’s Delight airs from 8pm to 10pm on 90.7 FM in the greater NYC area (Long Island/Northern NJ/Westchester/Western CT) and online at wfuv.org.

    Check out a recent retrospective from Vin Scelsa on Billboard.com and parting thoughts Vin has shared with his audience on the WFUV website.

  • Gregg Allman launches new Laid Back Festival at Jones Beach

    Greg Allman will host the new Laid Back Festival, a single-day fest he will headline at Jones Beach amphitheater.

    The lineup includes Allman with his solo band, the Doobie Brothers, Bruce Hornsby and the Noisemakers, Jaimoe’s Jasssz Band and City of the Sun, and organizers promise more acts will soon be announced.

    AllmanLaidBack

    The fest will be held Saturday, Aug. 29, starting at 4 p.m. at the Nikon at Jones Beach Theater in Wantagh. It’s named after Allman’s debut solo album, released in 1973.

    Regional restaurants, wineries and breweries will be available.

    A presale already happened, and tickets went on sale to the general public at 9 this morning. VIP packages include a VIP clam bake on the beach and signed posters.

    [youtube http://www.youtube.com/watch?v=jT6KdpSaL10]

  • Show Number One: Widespread Panic: Kings Theatre April 24 Brooklyn, NY

    Gearing up on a chilly Friday afternoon in Brooklyn, I was about to embark on a new journey, my first Widespread Panic show. For somebody who has been seeing live music consistently for twenty years now, it came as a shock to those around me I have avoided, unintentionally, Widespread Panic for all these years.

    This show came at the end of a week where WSP got nothing but bad publicity, from Mayor Pro Tem Jeff Silvers of Orange Beach, AL admonishing The Wharf for booking them on a holiday weekend due to the “floppiness” and unruly behavior of their fans, to a local news affiliate in Washington DC, discussing the rampant use of nitrous oxide outside of the concert only days before.

    Albeit, Spreadheads, as the die-hard WSP fans are commonly referred to do have a reputation for enjoying their booze and getting rowdy. I guess I’m going to have to go see WSP in the south if I want to encounter that type of behavior, because at the newly renovated Kings Theater in Flatbush, Brooklyn the fans seemed to be on their best behavior this Friday evening.

    • As I showed up to the venue there were no signs of a party taking place anywhere in sight. The crowd was adhering to the instructions of venue personnel and everyone was filling the theater in an orderly manner.
    • Walking inside the Kings Theater is like entering a palace, newly renovated and pristine. Dwarfing the antiquated look of the Beacon or the glamour of Carnegie Hall. It looked like a palace on the inside, not the type of place you would want 3,200 wasted and unruly Spreadheads.
    • Most people were coming from their jobs and seemed to be grabbing their first beer of the day just before showtime. Maybe I would see a different side of the crowd towards the end of the show, but at this point everyone was dressed nicely and seemed ready to enjoy some music.
    • The venue couldn’t have been more accommodating as everyone I came with, mostly WSP veterans, were able to spend the whole evening together, dead center, fifteen rows back from the stage. This was a good thing for me, I always had a little birdie to give me background on the song they were playing.
    • As the lights went down and the band took the stage, the energy that filled the room was reminiscent of what I normally experience at a Phish show, a band I have been seeing for over fifteen years.
    • Dave Schools lights his first cigarette of the night, take a few drags, and places it into an ashtray on top of his amp. They let you smoke in here? Only if you’re in the band I assume.
    • Second song in “Travelin Light” by J.J. Cale. Hey I know this song, and these guys really do it justice, while putting their own spin on it.
    • Jimmy Herring and Duane Trucks drive this band, they both have a commanding presence and seem to play off each other flawlessly. Wait, they’re not original members? What did these guys sound like before… They sound excellent now.
    • John Bell’s voice has that perfect amount of southern twang to remind you this is a southern rock band, but not too much where you think this is just a glorified country rock band. Allman Brothers-esque but completely different.
    • WOW! The Kings Theater has cup holders, I bet this is the classiest venue WSP has ever played. Friend whispers in ear “This is nothing, you have to see Widespread Panic in the south.”
    • Dave Schools lights another cigarette.
    • The energy in the crowd is growing with every passing tune, the collective smiles and bright eyes are evident of two things, people passed on the $14 beers for hallucinogens and WSP plays a consistently excellent rock show night in and night out, they seemed flawless, tight, and in tune with what the fans wanted.
    • Even the jams seem composed, short, and tight. Nothing like other bands that just take songs for a ride for twenty plus minutes into a far off territory, then bring it back to right where it started. They may just be more of a great rock band than a jam band.
    • Dave Schools lights another cigarette.
    • “Chilly Water” is a great song, if it were at a festival… outside… in the dead of summer… I bet the red-headed woman next to me would have loved the nearly full bottle of water dumped over her head by the wasted girl behind her. Unfortunately, we were inside, on a 30 something degree night in Brooklyn. She was offered a whiskey to compensate and even the empty water bottle to throw. The two blonde girls next to her almost started a cat fight, but cooler heads prevailed, “It’s just “Chilly Water”” a reasonable gentleman said. In my opinion this is a thousand time better than to be hit in the back of the head with glowsticks, my least favorite Phish tradition. Once again told “You want to see some shit thrown during “Chilly Water” go see WSP in the south…”
    • I hope this venue has a great system for smokers during setbreak, because I didn’t see one in the venue the entire first set. Shocker… They didn’t; trying to corral 3,000 tipsy WSP fans into a one in one out system to go outside to smoke almost incited a riot. Luckily they gave up on this policy rather quickly. Panic fans like to smoke as much as Dave Schools does.
    • Everyone is back in there places as set break comes to an end. Halfway to the finish line. Through first set have nothing but respect for the Spreadheads, seems like 30% of the crowd traveled from afar to see their favorite band. On another note, these guys rock and I am really enjoying everything about the show. The music, the venue, the crowd, even the drunk girl who dumped water on our heads, everything is working in perfect harmony.
    • Widespread Panic comes back on stage; Schools lights another cigarette. I probably wouldn’t be making such a big deal about it but, first off, he smokes a lot, second, I can’t believe the venue allows it, they just spent ninety-five million dollars renovating this place.
    • The band brings the energy from to start and gets the crowd right back into it.
    • Sly & The Family Stone’s “Thank You (Falettinme Be Mice Elf Agin)” another song I know. Interesting I have been just as captivated by WSP’s originals that I have never heard before as with the cover’s I know every word too. This is usually a good sign, while most people get lost in all original music they are not familiar with.
    • Bell & Schools are amazing musicians and talented entertainers, but Herring and Trucks are powerhouses. The bring the type of musicianship that would propel any band to the next level.
    • This very large man behind us has obviously had too many, and may topple over at any moment. Fans politely move him out to the aisle and security walks him to the back. I’m beginning to think Mayor Silvers of Orange Beach has no clue what he is talking about.
    • “Up All Night” is an extremely catchy song, and got everyone involved in a sing a long from the first chord. Well everyone but me, but I faked it because I was having such a good time.
    • Another cover, and another song I know, Warren Zevon’s “Lawyers, Guns, and Money”. The song choice has been stellar up to this point, originals and covers alike.
    • During “Bust It Big” the band went into full on jam mode. Finally leaving the structure of a song completely behind and taking us to another realm, where still Herring & Trucks led the way.
    • Panic does an excellent job of keeping the energy level up, not a conscious person in the house was sitting deep into the second set.
    • “City Of Dreams” encore! I love this song, and Bell does a great job of singing it. One more stellar cover to close out the night.
    • Oops, I’m wrong, a little ZZ Top to close with “Waitin’ For The Bus” seems like an appropriate band for WSP to cover, given their shared southern roots.
    • Wrong again, one more ZZ Top tune to close out the night. “Jesus Just Left Chicago” had me singing at the top of my lungs only hearing Bells voice ringing out over my own.

    I had a fantastic time seeing Widespread Panic for the first time and have to wonder what took me so long. Maybe, if I saw them in a previous incarnation, with different band members, I would not of enjoyed them as much. I relate this experience to seeing an Elephant at the zoo, no matter how remarkable it is, it would obviously be better to see it in its natural habitat. I am hoping my next Widespread Panic experience can be south of the Mason-Dixon line, in their natural environment.

    Dave Schools lights another cigarette.
    [FinalTilesGallery id=’167′]