NYS Music 20​15

Category: Manhattan

  • Funk N Bowl in Brooklyn April 14

    Living in New York you always stumble upon legendary sit-ins and collaborations amongst your favorite artists. When you’re favorite trumpet player or vocalist get called on stage to accompany the band, that feeling in your stomach starts to grow, you ask yourself “what will they play?” or “I wonder what these two will come up with?” At the Funk n’ Bowl show at Brooklyn Bowl the fans had plenty of time to let their imaginations run wild on what sound, songs, and jams this stellar group of musicians would come up with.
    With a line up as long as the bathroom lines at Wrigley Field the stage was graced by Eric Krasno (guitar, Soulive), Jesus Coomes (bass, Lettuce), Adam Deitch (drums, Lettuce), Marco Benevento (organ) accompanied by Snarky Puppy’s Chris Bullock (sax), Michael “Maz” Maher (trumpet), Justin Stanton (trumpet), and Nate Werth (percussion). The show opened as most superjams do with each member of the group showing off their talents, but none stood out more than Coomes who stood center stage like this was his band. They worked their way through multiple tracks off of Krasno’s 2010 release Reminisce which included covers of Jimi Hendrix’s “Manic Depression” and The Beatles “Get Back” and a sit-in by Maurice “Mo Betta” Brown (trumpet, TTB). While Coomes seemed to be guiding the band we were graced the the occasional Krasno guitar solo and fantastic high’s  from the horns section.

    The second half of this one set show featured Marco taking charge, highlighting his organ work, a rarity you see him without the rest of his arsenal. He captivated the crowd and got everyone involved with “At The Show” off of his current album Swift. Bobby Deitch took his son Adam’s place behind the drum kit for a couple of songs then the evening was brought to a close with both Deitch’s on stage working percussion while the rest of the band brought the night of funky jams to a close.

    funk n bowl

  • Hearing Aide: Misery Kills ‘My Ugly Insides’

    Misery Kills (formally called Misery) is a metal band from the Long Island/NMy Ugly Insidesew York City area that I never heard of until a couple of weeks ago when I caught a few metal shows down there while visiting family. Bassist Joe LoCasto, who plays in Misery Kills, also plays in a band with Joey Z of Life Of Agony called Zire’s War. After having the pleasure of witnessing Zire’s War, Joe LoCasto told me to check out Misery Kills, so after receiving their album My Ugly Insides, I had high expectations for this album, after listening to this album, I was not disappointed.

    The album starts of with an instrumental intro entitled “Eight FortySix Thirty” then blazes into a devastating track called “Eyes Wide Open.” And when you hear the evil screeching roars of vocalist John LoCasto combined with dual guitars of Corey Schaefer and Duane Conlon, you know that this band means business. To top it off the bone crushing tracks from drummer Scott Borrero aided with underlying bass of Joe LoCasto gives this band a unique chemistry. The best way to describe the sound of this band…remember the circle charts from elementary school? Picture three interlocking circles representing three bands: Lamb Of God, Coal Chamber, and Agnostic Front. The gray area that the three bands I just mentioned share is what Misery Kills and this album reminds me of.

    Now back to the album. The track that I fell in love with is “Poltroon.” That song makes me want to stomp someone the hell out, a great feel good aggressive song. Every track is solid, thrashy, and to the point. The quality and mixing of this album sounds retro, which I believe that producer Joey Z (Life Of Agony, Zire’s War) was going for when he was putting the finishing touches on this album.

    misery-kills-2014-band-photo

    The next track that gets me going has to be “Kills My Day,” it’s the fastest and most vulgar track on the album, it’s very blue-collar with no-nonsense. Right after that, the guitar work on the following two tracks “Sick Around You” and “White Trash” is absolutely top-notch. This band grabs you by the collar and makes you listen…and trust me, you will be hooked.
    Towards the end of the album, you are graced with the track “Give Em Hell” which is a foot stomping anthem with catchy hooks and nasty breakdowns , then My Ugly Insides ends with the title track which is the cherry on the bloody sundae that this band serves. It’s a very appropriate and dark song to cap off to what is in my opinion, a very solid metal album from a very hard-working band. I was happy this band reached out to me, so do your ears, mind, body, and soul a favor and pick up this album.

    You can purchase My Ugly Insides here. Check out the track “13 Miles” below.

    Key Tracks: Poltroon, Kills My Day, Give Em Hell

    [youtube http://www.youtube.com/watch?v=-OdE60fKpWs&w=420&h=315]

  • Interview: Natalie Cressman Band at The Blue Note Jazz Club April 18

    On Saturday April 18, Natalie “Chainsaw” Cressman will grace the stage at the iconic Blue Note Jazz Club with her full band and blend of jazz, funk, and just the right touch of indie rock. With her own band she showcases her songwriting and composing talents highlighted by beautiful vocals and stellar trombone play. Natalie Cressman has taken cues from band leaders such as Trey Anastasio and Peter Apfelbaum to assemble an amazing line-up of musicians behind her. Calling on some of her most trusted friends and colleagues certainly makes it easier for this band of young up and coming musicians to click and fire on all cylinders.

    You can purchase tickets for Natalie Cressman Band April 18 at the Blue Note Jazz Club here.

    NCB2

    Natalie Cressman took some time out of her busy schedule, which includes multiple bands, duets, side projects, sit-ins, and baking to answer some questions about her current project, her influences and her upcoming show at The Blue Note:

    Graig Adler: How would you describe your current project? Who are the members of the Natalie Cressman Band?

    Natalie Cressman: The music is definitely an eclectic mix of styles, both old and very new. Anyone who knows me knows I have a love for a crazy range of music, from Brazilian choro to Kendrick Lamar. As a result, my music pulls from elements of established traditions including jazz and world music, but fused with more modern soundscapes it becomes something entirely new and somewhat uncategorizable. My bandmates are some of my best friends, and also some of the most brilliant musical minds I have ever encountered. The band usually consists of Ivan Jackson (trumpet, vocals), James Casey (tenor sax, vocals) though unfortunately he won’t be with us on Saturday, Samora Pinderhughes (keys) who I’ve been playing music with since we were 10 years old, Mike Bono (guitar), Jonathan Stein (bass), and Mark Whitfield Jr. (drums).

    GA: Where do you draw your influences from for this project?

    NC: Everywhere from rhythmic traditions of the african diaspora, jazz, soul, funk, and indie rock. There’s a density and layering of elements so on one hand it’s really accessible but layered with harmonic and rhythmic depth that I think makes us really unique.

    GA: Are you writing most of the music yourself?

    NC: I write all the songs and arrange them myself, but each band member infuses the music with their own personality and tastes, so they definitely have a huge creative impact on the sound too.

    GA: There was an obvious evolution from Unfolding to Turn The Sea , especially in your vocals, how have you evolved since? Do you have a new album in the works, how will it be different from the first two.

    NC: I think I’ve developed a lot as a songwriter even since Turn the Sea, because I’ve been cultivating my original voice without relying quite so much on certain elements that come naturally to me because of my jazz background, such as having a lot of moving chord changes. I’m trying to be really deliberate with my musical choices and I think that awareness is changing the way I write. The other big thing that’s changed is that I’m getting more into the production side of things. I’m working on a new EP that will be wildly different because it’ll be a combination of live instruments and electronic-based productions, that in my opinion heighten emotional impact of my songs. But it’s still music from my very eclectic point of view, with my horn writing, so it’s not departing from what I’ve done previously, merely developing it further.Turn the Sea sort of hinted at this direction but now I’m embracing it whole-heartedly.

    GA: Of all the different groups and projects you are currently involved in, besides your own, which are you most excited about?

    NC: I’m excited about so many different projects, but at the moment I’m most excited about playing in Peter Apfelbaum’s S P A R K L E R!! He is one of my favorite composers and I love the wildly creative nature of this band, plus I get to rap and play bass on some of our tunes! I also love playing with Jesus on the Mainline, such a fun band with some of my favorite people. We have a show this month at Brooklyn Bowl and we’re pumped.

    GA: What festivals will you be performing at this summer? Is there one that you are most excited about?

    NC: I’m excited to return to Burlington’s Jazz Fest with my band in June, we love playing up there. Besides that, I’ll be in Europe for a bunch of the summer so actually am missing a lot of the big festivals. But I am probably most excited to be playing Catskill Chill w/ my band for the first time, as we haven’t done many jam-centric festivals at this point. I think people will dig what we bring to the table. Not exactly a festival, but I’m really stoked about the super jam in Chicago post-GD50 that also happens to be on my birthday. The line-up is bananas, it’s gonna be so dope.

    GA: We know you have been playing the trombone since a very young age, can you play any other instruments?

    NC: I play some piano and electric bass, and am just picking up guitar. I can also play trumpet and tuba pretty terribly.

    GA: It is becoming well-known you bake recreationally, will there be “Chainsaw Cookies” for sale at the Blue Note?

    NC: Unfortunately, I have a feeling that my bake sale won’t fly at The Blue Note merch booth, so no “Chainsaw Cookies” this time around. But I am considering opening an Etsy page for my “bakery,” as an outlet for my baking obsession….

    GA: One of your most popular performances from last year was when TAB covered Ana Tijoux’s “1977”, how did that come about? Do you speak Spanish or any other languages?

    NC: I think Trey got the idea when one of his daughters played the song while they were driving around in his car. He just got this crazy idea for us to cover it and called me up. And I never like saying no to his crazy ideas because most of them turn out to be awesome. So I got to work learning the song at half-speed, line by line, until I could do it. I speak French fluently and a bit of Portuguese, and I’ve sung in Spanish and Portuguese a bunch growing up, so I think Trey thought rapping wouldn’t be any different. But it took me a loooonnnng time to get that rap down.

    GA: Being such a young band leader what have you learned from working with Trey Anastasio in TAB?

    NC: I’ve learned about a million things from Trey about being a bandleader but some of his most impressive qualities are his boundless creative energy, positivity, and work ethic. He wakes up at the crack of dawn almost everyday and gets straight to work on various ideas and projects. One quote he’s passed on to me that I’ve really taken to heart was from his old music teacher, who used to say “It’s so good it should be even better.” That concept of forever revising and improving on one’s craft made a huge impact on me, and that’s really reflective of Trey’s super-human work ethic.

    NCB

     

  • Pigeons Playing Ping Pong at Brooklyn Bowl: The Birds Are April Fools

    “Thanks so much” was the only words the Pigeons Playing Ping Pong uttered as the took the stage at Brooklyn Bowl before turning back and walking off. The band is Greg Ormont (vocals, rhythm guitar), Jeremy Schon (guitar, vocals), Ben Carrey (bass, vocals), and Alex Petropulos (drums). Known for their funk sound, tight jams, and goofy on-stage antics, certainly had something up their sleeves for this April Fools Day show. They returned back on stage to open the set with what played out to be the encore, “G Chord Explosion” rocked right out of the gate and played through with the intensity any show closer should, finishing off with Petropulos pounding his drum kit and another “Thanks Boston” from Carrey before the band walked off stage one more time to resounding boos from the NYC crowd. After the gag was over PPPP returned to bring us the type of show you would expect given the bands rising popularity, the upbeat “Time To Ride” highlighted Ormont’s unique vocals before breaking into “Burning Up My Time>Tubthumping>Burning Up My Time” while the 1997 Chumbawamba cover incited equal parts dance moves and chuckles from the crowd, it was reminiscent of Tom Marshall on vocals when Phish covered the tune at the Hampton Coliseum 11/21/98, and to bring things full circle Schon was sporting his best 1998 Mike Gordon shaggy haircut.

    PPPP kept the upbeat jams going with “Live It Up” before being joined on stage by local 24-year-old amazing talent Kyla Moscovich (trumpet, PitchBlk Brass Band) for “Whoopie”, Moscovich laid down brassy solos intertwined with Ormont and Schon battling it out with guitar riffs. “Penguins>Funkijam>Upfunk” was punctuated by a lengthy drum solo by Petropulos, and for “Whirled” Matty Carl (sax, Schwizz) joined in on the fun. PPPP followed by playing “Walk Outside” sandwiched around Carl Douglas’s “Kung Fu Fighting”. The second set was brought to a close with “Julia” a break from the bands usual funky beats to provide more of a Calypso sound. For an encore PPPP returned back to their funk-jam roots for the show closing “Cliffs”. You can catch the Pigeons Playing Ping Pong for three nights at their own music festival, DomeFest, May 28-30 at Trip’s Farm in Terra Alta, WV. Tickets can be purchased here.

    4/01/2015 @ Brooklyn Bowl (Brooklyn, NY)

    Set 1: G chord explosion#, Time To Ride> Burning Up My Time>Tubthumping>Burning Up My Time, Live It Up, Whoopie^, Penguins>Funkijam>Upfunk%, Whirled*, Walk Outside>Kung Fu Fighting>Walk Outside, Julia

    Encore: Cliffs+

    Notes:

    # Chord explosion followed by a “Thank You” and ending hits, walked off stage as if end of the show

    ^ w/Kyla Moscovich on trumpet

    % w/drum solo

    * w/Matty Carl (ShwizZ) on sax

    + w/April Fools day lyrics

    [FinalTilesGallery id=’142′]

  • Sprocket at Fontana’s Bar: The NYC Jam Scene’s Best Kept Secret

    On a Saturday night in New York City your music choices seem to be endless. Do I go see Galactic at Best Buy? Budos Band at Brooklyn Bowl? Or do you go see Sprocket? One of NYC’s fasted rising jam bands, Sprocket is a classic four piece featuring Thomas Thompkins (guitar), Dan Haller (bass), Nate Rosler (drums), and Angelo Milliano (keyboards). Sprocket came out jamming on the melodic original tune “What You Heard,” before tearing into “Headway” off their 2014 debut album Tropical Bushwick. The title track off of their album “Tropical Bushwick” begins as a classically composed song before breaking out into funky upbeat jam.

    sprocketSprocket jumped into a full blown jam segueing from originals “Shroud > POW” before breaking out their first cover of the night Phish’s “Wombat” which lived in a space between a tease and a jam before completing the unfinished “Shroud.” Haller and Milliano took the lead on Bob Dylan’s “Don’t Think Twice It’s Alright” before Rosler drove the set to a close with “Womp” another Sprocket penned track. For an encore the band pulled one more selection off of Tropical Bushwick the hard rocking “Trucks” brought the night to a close and left the crowd wanting more. You can see Sprocket next at Brooklyn Bowl April 21 or in Chicago on July 4 at the Hard Rock.

    Tickets available for both shows, 4/21 Brooklyn Bowl here and for 7/4 Hard Rock Chicago here.

    Setlist:  What You Heard, Headway, Tropical Bushwick, Shroud > POW > Wombat >Shroud, Don’t Think Twice > Womp

    Encore: Trucks

  • Jam Jar at Brooklyn Bowl with Formula 5 and Friends

    Never miss a Sunday Show. Especially when Sunflower and the Seeds is opening at Brooklyn Bowl’s Jam Jar. It appears this seven-piece rock band from New Jersey gets tighter each time they play together and on this particular Sunday, the lucky seven’s seemed to be rolling. The band is comprised of Kyra “Sunflower” Schenck (vocals/acoustic guitar), Brittany Beckett (vocals), Victor Cornette (guitar), Karlee Bloom (keyboards), Joe Harris (bass), and Joe “Big Daddy” Huster (drums).

    They kicked things off with “Sweet E” and “Trippin” that really showcased Schenk’s great pipes and Cornette’s fast paced guitar play. Beckett accompanied Schenk on the lead for an ensemble rendition of The Beatles’ “While My Guitar Gently Weeps.” Natalie Cressman (trombone, TAB) joined on stage for S&TS’s “Back Home” which was highlighted by a length and pungent solo. The band never lost a step and charged through “Harvest” > “Texar” with the same high octane spirit they had carried so far before being joined once again on stage by Cressman for a cover of The Who’s “Eminence Front” before the band rounded out the set with one more original tune “Moving.”

    Jam JarTweed brought their high energy, livetronica sound from Philadelphia for a set of multi-layered, psychedelic dance music. AJ DiBiase (guitar/vocals), Joe Vela (drums), Jon Tomczak (synth/ vocals) and Dan McDonald (bass,/vocals) combined create a fresh genre they call jamchronica. Their heavy synth effects hypnotize as the progressive rock melody thrashes you on the dance floor. Tweed’s precision is key as the mood switches from interstellar swirl to dirty funk with continuous vocal harmonies.

    Formula 5, a four piece jam band from Albany made up of James Woods (bass), Greg Marek (drums), Mike McDonald (keys) and Joe Davis (guitar) closed it out. Musically they are very talented and kept true to form in the “Phish” landscape of heady jams, space jams, and bliss jams. This set was highlighted by Elise Testone (vocals) and Natalie Cressman (trombone) sitting in on “Trampled Underfooot” with Elise’s crushing vocals and Natalie’s triumphant trombone solo. Then the band kept the crowd moving and the pace up with originals “Excalibur” and “Pedro” before seguing into crowd favorite Men At Work’s “The Safety Dance” which was highlighted by Mike McDonald. The band closed out the night with a stretched out jam that kept the set closing “Nu-Gen” going late into the night.

  • Tobias Jesso Jr. Plays to Sold-out Crowd at Brooklyn Venue


    When Tobias Jesso Jr. first started putting his songs up on YouTube as bedroom-made demos about two years ago, the recordings were rough, amateurish masterpieces. The simplicity of the songs was presented in a big, thrilling way, and people caught on pretty quick.

    Jesso was signed to a Beggars-affiliated label, started recording with Chet “JR” White, and prepared to release one of 2015’s most anticipated albums. The final result, Goon, came out earlier this month – and unlike our first glimpse of Jesso via YouTube – the material on Goon shows sprawling instrumentation, skilled production, and an earnestly polished performance.

    On his current tour in support of the new record, each performance features Jesso and his piano – nothing more. In fact, the piano that he brings to each show is the same one he uses at home in Vancouver.

    At Baby’s All Right in Brooklyn Friday night, Jesso shared this bit of information with the sold-out crowd of less than three hundred. “So… welcome to my bedroom!” he said laughing.

    And that’s what his entire sixty-minute set felt like – hanging out with Jesso in a comfortable, intimate space while listening to him play stripped-down versions of songs everyone in attendance knew by heart. Between songs, Jesso would chat with fans, explaining how certain songs were written and answering questions shouted from fifteen rows back.

    There’s a sense of incredibly palpable honesty that shows through Jesso’s music, and it became even clearer watching him from ten feet away. On paper, Jesso’s lyrics aren’t anything special; they’re not particularly complex and they represent fairly common themes and emotions, but they’re expressed in such an audibly genuine way that they become something completely different. It’s a seriously intriguing kind of music, and his personality is one component largely responsible for it.

    Jesso’s current tour will run until mid summer, moving over to the UK, Europe, and ending at Pitchfork Music Festival in Chicago. Find tickets to upcoming shows here and stream the entirety of Goon here.

  • Biohazard, Sworn Enemy, Zire’s War Rock Revolution Music Hall In Long Island

    To what was close to a homecoming show, hardcore veterans Biohazard and Sworn Enemy headlined a jam packed and spectacular night at Revolution Music Hall in Amityville, NY on March 27 to kickoff a brief US east coast run.  There was also a special guest that played exclusively that night; Zire’s War, a new band lead by Life Of Agony guitarist Joey Zampella, who handles vocals and guitars.  The night opened with sets from Diesel and Oath.

    Revolution Music Hall This was my first time at Revolution Music Hall.  Make no mistake, this is a kick ass venue.  It’s a pub with a small stage, a capacity of around 500, and a lot of cool monuments and posters to look at.  The place has great sound, killer environment, and the best part, drinks and food are served during shows.  And cleverly, they have curtains going around the front of the stage to keep closed between sets, which is not common at other similar sized venues around New York State.

    The night started off with small set from Diesel, a local hardcore band from the area, who set the tone appropriately with six songs.  Lots of energy, and very fitting to open for the headliners.  Then the crowd was graced with a set from Oath, a metal band out of Hartford, CT.  To be fair, as talented and entertaining this band was, they were out of place, however, the crowd was good to them.

    Zire’s War was definitely a real treat to behold.  If my research is accurate, this was the band’s second show ever, with their first being played back in October.  They have no music released, just demos, but you can check out one of their songs here. I do believe this band will be big.  It’s a lot different from Life Of Agony, certainly heavier than their later years. I don’t really know what to compare them to, I highly recommend to give them a listen and go see them when they announce more shows. Joey Zampella is a brutal vocalist and anchors a really talented band around him. They are clearly ready for more shows to play. The band started off with low tempo (but heavy) songs but finished with heavy, thrashier songs.  The crowd absolutely loved them as did I.  So be sure to follow this band close as 2015 rolls on.

    Revolution Music HallAfter Zire’s War, Sworn Enemy ignited the crowd into a bloody knuckle fiasco.  The floor erupted with dozens upon dozens of men slam dancing the fuck out of the venue.  It did feel like a short setlist from Sworn Enemy, but there were some great fire starter songs in their set such as “We Hate,” “As Real As It Gets,” and their anthem “Sworn Enemy.”   This band never disappoints.

    Finally, Biohazard finished the night with a powerful set, playing songs from their first three (and best) albums.  Kicking things off with “Shades Of Grey” and “What Makes Us Tick” they never fail to bring such a charismatic and energetic performance.  I held the hope inside they would unleash new music, but obviously it wasn’t time yet.  The big highlights of the set would definitely have to be “Urban Discipline,” “Love Denied,” and “Five Blocks To The Subway.”  Even with some of the technical difficulties and other minor sound problems, they never let that get in the way of putting on a damn awesome show.  They finished their set with their blockbuster anthem “Punishment” and their creed motto “Hold My Own.”  Vocalist/guitarist Billy Graziadei thanked the crowd and said Biohazard will be back next year.

    Revolution Music Hall Overall a fantastic show for anyone looking to kick start their adrenaline or to get their hardcore jollies out of their system.  My only complaint, it seemed like an awful long time to set up between bands, especially since every band minus Biohazard only played six to eight songs.  But Revolution Music Hall is definitely a fitting venue for metal and hardcore shows. And now we eagerly await the next Biohazard and Sworn Enemy US tour, and the future of Zire’s War.

  • Interview: Pigeons Playing Ping Pong, Performing at Brooklyn Bowl April 1

    Pigeons Playing Ping Pong are bringing their own unique brand of funk to Brooklyn Bowl on April 1, and who knows what type of antics these birds are going to break out on April Fools Day. Based out of Baltimore, MD, Pigeons Playing Ping Pong have been hard at work on the road, following the 2014 release of their aptly named sophomore album Psychology. Greg Ormont (vocals, rhythm guitar), Jeremy Schon (guitar, vocals), Ben Carrey (bass, vocals), and Alex Petropulos (drumagic, electro-swag) came up with the name of their band from a BF Skinner video shown in a college psychology class. Pigeons Playing Ping Pong will be supported by Shwizz and Aqueous, and Ormont took time out of his busy electro-funk tour schedule for an interview with NYS Music.

    interview pigeons playing ping pongGraig Adler: How long have you been on tour? When does it end? How many dates? When’s the last time you’ve been “home”?

    Greg Ormont: We just finished a 27-day tour and returned home this Sunday. Brooklyn Bowl is only one of two shows this week before we take off the weekend after a super busy March.

    GA: What has been your favorite venue so far? Which venue are you most excited to play?

    GO: Brooklyn Bowl is definitely up there. We also love playing the 9:30 Club in D.C., the Fox Theater in Boulder, CO, among many others. I’m most excited for festival season. I’m also interested in seeing New
    Mountain in Asheville, NC for the first time; I’ve only heard great things so far.

    GA: Who is the best/worst driver in the band?

    GO: That’s a touchy subject… let’s just say we’re all terrible drivers.

    GA: What do you listen to while driving from city to city?

    GO: On my last drive, I put on some Mitch Hedberg standup, followed by full albums of Sly and the Family Stone, Snarky Puppy, Deaf Scene, MGMT and Steely Dan.

    GA: What’s your daily schedule like? How much time do you spend driving? Practicing? Writing new music?

    GO: That depends on where we’re coming from and where we’re headed, but generally we wake up, grab local food and hit the road for 3-7 hours to soundcheck, where we’ll load in, soundcheck, grab dinner, rest up and rage a show. Sometimes we practice during soundcheck if timing and situation permits, and sometimes we practice in a friend of a friend’s house on our off days on the road, like we did in Lawrence, KS this
    past Tuesday.

    GA: If you could play in any venue/city in the country what would it be?

    GO: Red Rocks, Madison Square Garden, does JamCruise count as “the country?” If yes, then also: the moon.

    GA: We all know things happen on a long tour like this, what’s the worst thing that’s happened so far?

    GO: Last Monday, we were supposed to play in Lawrence, KS with Consider the Source, but their trailer’s wheel fell off or something and they couldn’t make it. So we just played two sets without them, turned out
    okay for us. If it’s not our van troubles, it’s another band’s trailer troubles…

    We actually had a really smooth tour this month. Perhaps the worst thing to happen was visiting New Orleans on our day off… We all fell in love with the city and did not want to leave, ended up staying a little too long and had to drive 27 hours straight to Colorado to make it to our sound check on time. But we made it! With no time to spare.

    GA: What band currently touring do you compare yourselves to or draw the most inspiration from?

    GO: I’m not one for comparisons… we do our own thing. We see so much live music though, so I guess we combine elements of all the acts we see… that said, I personally draw a lot of inspiration from Phish and Lotus, as well as Soulive, Snarky Puppy, the New Mastersounds, the Talking Heads and many more. But I have huge ideas, and haven’t seen them performed by anyone else yet. Les Claypool gets kind of close to what I’m thinking, but in his own way…

    GA: Have you had the chance to collaborate with any other artists/bands while on tour? Who was your favorite?

    GO: We had the great Tom Hamilton (American Babies, JRAD, Brother’s Past) sit in on guitar during our late night set at AURA Music Festival and we had the phenomenal Joey Porter (Juno What, The Motet) crush the
    keys in Denver and Boulder, CO. Both guys are tremendous musicians and awesome people, and they both sat in perfectly. Joey was particularly funky and meshed effortlessly in our musical pocket; it was like he had played with us 100 times. I’d love to have either gentleman come do it again if we’re in the same room.

    We also had a fantastic sit-in on a Sunday show in Frisco, CO by a young traveler named Gina Sobel, who showed up with her flute and threw down some high-quality jazz-funk riffs over two of our songs. Nothing says, “Never miss a Sunday show” quite like a surprise guest flutist… and she killed it! I believe there are some clips of her sit-in on YouTube, as well as Joey Porter’s and Tom Hamilton’s performances with us this month.

    GA: Who writes your setlists? How do you decide what you’re going to play night in and night out?

    GO: Our guitarist Jeremy Schon pens most of our set lists, and then we discuss it as a group and make any changes we see fit, prior to the set. Jeremy keeps a running document of every set we’ve ever played, so he can see what we played at our most recent shows in the area to keep the next show different and interesting for that crowd. Once we’re on stage, however, anything goes. We often cut songs on the fly, or insert new ideas based off the mood, and generally go with the flow.

    GA: As festival season approaches, which festival are you most excited about?

    GO: Domefest!! We throw our own festival every year and I’m always most excited for it. It’s the ultimate gathering of our fanbase, The Flock, and we invite all of our favorite band-friends to play and enjoy the
    weekend. We love watching Flockers meet each other for the first time, especially when they’re from different parts of the country. We’ve seen best friends meet and new romantic relationships form at Domefest, which is an amazing symptom of live music; we love bringing people together. This year, Pigeons Playing Ping Pong is playing three nights, along with performances by Yo Mama’s Big Fat Booty Band, The Heavy Pets, The Mantras, BIG Something and many more amazing rising acts on May 28-30 at Trip’s Farm in Terra Alta, WV. Domefest is where fans discover their new favorite band, and bands find their new die-hard supporters; it’s a beautiful, absolutely raging weekend.

    I’m similarly excited for All Good, which was my first major festival attended. Playing for that crowd on that stage will be a dream come true for most of us. I’m also super pumped for a few major festivals that we haven’t announced yet… as well as Summer Camp, which I’m told is too fun.

     Tickets are still available and can be purchased here.

  • Photo Gallery: Stratosphere All-Stars at Brooklyn Bowl

    Stratosphere All-Stars is a jam-band supergroup featuring members of Digital Tape Machine, Particle, Pnuma Trio, and formerly of STS9. They host various special guests including Todd Stoops (Kung Fu), Andrew Block (Gramatik), and vocalists Ben Combe (Particle) and Allison Singer at their March 26 debut. The Stratosphere All-Stars are: Mike Greenfield (Lotus), Steve Molitz (Particle), David Murphy (Seven Arrows/formerly STS9), and Marcus Rezak (Digital Tape Machine). Covers of the Grateful Dead, Talking Heads, LCD Soundsystem, and more, fuse with free-form improvisational jams creating an energy 51km high.

    Listen to Stratosphere All-Stars full set below.