Category: Hudson Valley

  • FESTY NEWS: MAYFest to Debut in NY Memorial Day Weekend

    The organizers of the ever popular Catskill Chill festival and the folks at Skybaby Yoga & Pilates have announced a brand new festival to take place May 22-24 at Surprise Lake Camp in Cold Spring NY. MAYfest – whose acronym refers to Music Arts and Yoga – will be family friendly and offer a variety of choices among the three themes.  The days of the fest will be focused on art and yoga workshops with much of the music happening in the afternoon well into the late night. Kids will have a ton of fun options including arts, crafts, a basketball court, board games and a chaperoned late night movie slumber party – allowing parents to have some alone time grooving to the tunes.

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    Full weekend early bird passes are available now for $175 and include free camping and parking. Meal plans and on-site cabin rentals are also available for an additional cost. If you’re not the camping sort – single day passes are also for sale.

    Check the full eclectic and outstanding lineup below.

    MUSICAL PERFORMANCES BY:

    MC YOGI
    Nahko & Medicine for the People
    DJ Drez and Marti Nikko
    DJ Hyfi
    Red Baraat
    Sister Sparrow & the Dirty Birds
    Ryan Montbleau
    Consider the Source
    The Primate Fiasco
    Natalie Cressman
    The Funky Dawgz Brass Band
    The Brummy Brothers
    The Breakneck Boys
    Tall County
    Natalie Forteza

    CLASSES BY:

    Amanda Giacomini
    Ashika Gogna
    Bettina Utz
    Dani Locastro
    DJ Drez
    John Smrtic
    Julian Paik
    Justin Wolfer
    Kate Perna
    Kelly Kamm
    Linda Winnick
    Marti Nikko
    Martina Enschede
    Mary Mashburn
    Melia Marzollo
    MC YOGI
    Nadiya Nottingham
    Olgu Merandy
    Sadie Nardini
    Sondra Loring
    Vanessa Alfano

    ART WORKSHOPS BY:

    Robert Sturman – The Garrison Art Center

    ALSO FEATURING:

    Adrienne Goss
    Bradford Teasdale
    Jesse Merandy
    Jonathan Kruk
    Kelley Amadei of Sparkshift
    Maeve Eng-Wong
    SkyBaby Restorative Rhythms Ensemble
    Suzi Tortora

  • ZZ Still On Top At Kingston’s UPAC

    More than four decades into their careers together, the legends that make up ZZ Top can still rock a theater, as their performance at Kingston’s beautiful Ulster Performing Arts Center (UPAC) on March 13 evinced. After guitarist Billy Gibbons declared the only two rules—1) no drinking during gospel tunes, and 2) no gospel tunes would be played—the Hall of Famers pumped out hit after hit to an elated Upstate crowd.

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    Sporting their signature long beards, dark black pants and jackets, and cheap sunglasses, Gibbons and bassist Dusty Hill took stage in front of ironically beardless drummer Frank Beard. The sold-out crowd instantly recognized nearly every song, from “I’m Bad, I’m Nationwide” to encore “La Grange.” Gibbons shredded bluesy solos in his distinguishable Southern-rock tone and Hill thumped out thick bass lines. Beard remained steady, occasionally unloading tight fills between drags from his cigarette.

    While many stages look like early computer rooms with pedals strewn all over and cords snaking around, ZZ Top’s stage was completely unsullied and their sound sans effects. Gibbons and Hill’s bravado was on full display with the clean floor-space; they stepped in tune and rocked guitars with their patented syncopated shuffle. On a projector screen in the background, a blond beauty led the audience through a journey featuring images that corresponded with songs. Volcanoes erupted during “Got Me Under Pressure” and the band members were dressed to impress and driving fast cars during “Sharp Dressed Man.” Following a solo in “Whiskey’n Mama,” Gibbons flipped his guitar over to reveal a homemade sign on the back—“BEER”—to the crowd’s chagrin. Before the set’s finale (“Legs”) Gibbons and Hill disappeared for a moment to grab white, fur-lined instruments. Beard stayed away from the fur, but his bass drums did both have light-up tiki heads carved out in the middle.

    Iconic classic rock tunes poured out for nearly ninety minutes straight. ZZ Top showed why it has been on top of the rock universe during the past six decades. The band’s musicianship and showmanship rivaled each other on stage and the trio’s unapologetic devotion to booze, boobs, and blues has earned them a devoted and boisterous fan base. The only downside to the show was that it came to an end despite vehement requests from the crowd for a second encore. 

    Setlist: Got Me Under Pressure, Waitin’ For The Bus, Jesus Just Left Chicago, Gimme All Your Lovin’, I’m Bad, I’m Nationwide, Pincushion, I Gotsta Get Paid, Flyin’ High, Foxy Lady, Tube Snake Boogie, Cheap Sunglasses, My Head’s In Mississippi, Whiskey’n Mama, Sharp Dressed Man, Legs

    Encore: La Grange, Tush

  • The Machine Runs Smoothly at The Chance Theater

    Musical icons have graced The Chance Theater for decades and on Friday, March 6, The Machine, rocked the Poughkeepsie venue. This is a band that has built its legacy playing the music of legendary Pink Floyd, and they have proved to be quite masterful at it. They played two long sets, digging deep into Pink Floyd’s catalog and jamming into early Saturday morning.

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    Bassist and lead vocalist Adam Minkoff promised early in the evening that they would play plenty of songs and The Machine delivered. They opened with “Have A Cigar,” instantly lighting up the crowd. Guitarist Ryan Ball hit each note accurately and shredded an emotional solo during “Wish You Were Here.” Drummer Tahrah Cohen emulates Nick Mason’s style perfectly and demonstrated her talent with a tight solo leading into “Time.”

    Scott Chasolen tore up his keys rig during “Another Brick in the Wall, Part 2” and reminded you can’t have any pudding if you don’t eat your meat. “Comfortably Numb” was another favorite that had the Poughkeepsie faithful singing along. They also mixed in songs that don’t get as much radio time like “If” and “Sheep” and performed “The Trial.”

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    The Machine’s musical prowess is undeniable and the show’s production is also fascinating. A well-choreographed light show accompanied the music—lights flared up with time changes and colors were in tune with the mood of the music. Between songs, the room went dark except for small neon lights around the stage that stayed lit. The theater never went silent. There was always something reverberating or ticking even when the music was at a lull.

    The show lasted just over three hours and few people left early. As can be expected at a Floyd tribute show, the crowd ranged in age from 16 to 66 and had fairly equal representation of all age groups in between. Despite the variance in attendees’ backgrounds, everyone left with a smile and one of their favorite Pink Floyd tunes still ringing in their heads.

  • North Mississippi Osborne Experience Heats up Hudson

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    Despite a steady afternoon snowfall that carried into the evening, the room filled with fervent fans; yet, likely because of the snow, the club never became unbearably crowded, allowing listeners to dance freely. Club Helsinki provided the perfect space for the North Mississippi Osborne Experience to launch into an intimate Sunday night jamboree in support of its recent album release, Freedom & Dreams.

    Candlelit tables lined the exterior of Hudson’s Club Helsinki while mismatched, low-lit globes and chandeliers hung from the ceiling. Steady waves of tantalizing aromas floated around the space as servers weaved through the crowd, serving pot pies and pie a-la-modes. More than twenty guitars lined racks or rested in stands on March 1, waiting to be played by a rotating arrangement of outstanding musicians.

    The evening’s musical portion kicked off with North Mississippi Allstar Luther Dickinson and Anders Osborne facing each other and trading licks on electric acoustic guitars. The jam flowed into a smooth tune, “Let it Roll,” before Osborne exited the stage and Cody Dickinson and Lightnin’ Malcolm took up the drums and bass respectively. Luther Dickinson picked up the electric and put on a display with the slide. The trio played a couple folksy tunes—“Going Home on the Morning Train” and “Mean Ol’ Wind Died Down”—that raised the crowd’s energy. They shifted tempos a few times before settling down into a slow, stirring cover of Jimi Hendrix’s “Hear My Train A Comin’” featuring an ultra-clean guitar solo from Luther Dickinson.

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    Then, the musicians started playing musical chairs. Cody Dickinson picked up a six-string, renowned drummer and Louisiana native Brian Blade sat in on the kit, and Luther Dickinson and Malcolm remained on the guitar and bass for an upbeat, instrumental rocker. The room was grooving and got a little rowdy when everyone on stage grabbed a percussion instrument, waded into the crowd, and encouraged a sing along of “Granny Does Your Dog Bite?”

    Luther Dickinson kept marching right off the stage and Osborne reappeared with his bassist, Carl Dufresne, for reggae-esque Osborne original “Marmelade.” While Allstars front-man Luther Dickinson exudes a calm, quiet confidence on stage, Osborne’s booming voice is rivaled by his enormous stage presence. Upon taking the stage, he stole the room’s attention and his vocals sounded superb in Club Helsinki’s open space.

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    The long set concluded with everyone on stage. Luther Dickinson and Osborne mesmerized onlookers while trading off between lead and slide guitars. They rolled through old New Orleans’ folk classics as well as originals. Cody Dickinson led a fiery folk tune on the washboard before they closed out with Osborne’s “On the Road to Charlie Parker.” With all the musicians playing and the crowd singing along, the hard-rocking jam highlighted a great evening of music.

    Nearly two and a half hours after the show commenced, the world-class musicians wrapped it up to the chagrin of adoring fans. The North Mississippi Osborne Experience did their best, however, to reiterate the old adage that one should never miss a Sunday show.

  • Great Gig in The Chance: The Machine Comes to Poughkeepsie

    For more than a quarter century, The Machine has been recreating Pink Floyd experiences across the world with spectacularly produced light and video shows and tight musical performances. On Friday, March 6, they bring their Floydian touch to Poughkeepsie’s Chance Theater.

    Photo Courtesy of The Machine
    Photo Courtesy of The Machine

    The New York based quartet has built its reputation as one of the finest cover bands touring. Critics laud The Machine’s precision and fans praise the experiential nature of each show. They play a diverse mixture from Floyd’s extensive catalogue and each show provides something new. On any given night, they might take requests from fans, play entire albums, or share the stage with entire symphonies. The Machine has played festivals such as Bonnaroo, sold out large arenas, and they bring their renowned gig to Poughkeepsie’s historic Chance Theater on March 6.

    The show is at 7:30. Tickets for The Machine at The Chance can be purchased here.

  • Joey Eppard Streams Live Album

    Joey Eppard – Woodstock, NY singer/songwriter, front man and guitarist of progressive band 3 – made his 2013 live album Joey Eppard: Live in Concert available in full on Bandcamp nearly two years after release. Previously only four songs had been available for play.

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    Eppard said that the goal of recording the set was to give far away fans the ability to hear him live. The set was performed in front of an intimate audience, mixed by Eppard himself, and includes guest spots – notably by drummer Chris Gartmann. The performance also includes some songs off of Eppard’s 2002 solo album Been to the Future, as well as a number of acoustic 3 arrangements.

    Joey Eppard: Live in Concert can be purchased through Eppard’s BandCamp page and on his web-site.

    Check it out below.

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  • North Mississippi Osborne Invades Helsinki Hudson

    1nmasHudson’s Club Helsinki will be treated to a blues fusion Sunday, March 1 as members of North Mississippi Allstars unite with Anders Osborne. The performance is the fifth in five days for the collaboration known as North Mississippi Osborne and the ninth of a twenty-five show U.S. tour.

    As their name suggests, the North Mississippi Allstars, composed of brothers Luther and Cody Dickinson and Chris Chew, hail from the Magnolia State. Their debut album, Shake Hands With Shorty, was nominated for the Best Contemporary Blues Album Grammy and the band has been nominated for the same award twice more. Osborne, a native of Sweden, hitchhiked across the globe making music as a teenager before finding a home in New Orleans. Osborne’s resume includes performances with Phil Lesh and Friends, Karl Denson, and Galactic.

    In support of their recently released album Freedom and Dreams, Osborne and the Allstars have joined forces to tour the nation. Their Southern blues will shake up Club Helsinki Sunday night.

    Doors are at 6 p.m. and the show is at 8 p.m. Tickets can be purchased here.

  • Bela Fleck, Ani DiFranco, The Mavericks and Guster among 2015 Clearwater Festival acts

    This year’s Clearwater Festival will include a diverse group of acts including Ani DiFranco, Guster, The Mavericks, and Bela Fleck with his wife Abigail Washburn. The festival runs June 20-21, 2015 and will once again take place on the banks of the Hudson River, at Croton Point Park in Croton-On-Hudson.

    Other acts include Niko Case, The Mavericks, Blind Boys of Alabama, Angélique Kidjo, Shelby Lynne, Bettye LaVette, The Pine Hill Project feat. Richard Shindell & Lucy Kaplansky, The Felice Brothers, The Lone Bellow, Todd Snider, Toshi Reagon & Big Lovely, Joseph Arthur, The Klezmatics and Tom Paxton, among others. More acts are expected to be announced.

    Founded by folk legend Pete Seeger, the family-friendly Clearwater Festival, also known as Clearwater’s Great Hudson River Revival, is both a music and an environmental festival. Seeger started it as a fundraiser for an environmental organization he founded.

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    “Pete and (his wife, festival co-founder) Toshi both passed away a little over a year ago, but Pete’s legacy of harnessing the spirit of change through the power of song lives on at The Clearwater Festival,” reads a press release announcing the lineup.

    Early bird tickets are on sale now through March 23 on the festival’s website. Kids 12 and under are free.

    The full lineup can be found here.

  • Fred Gillen Jr. Debuts New CD ‘Wage Love’ in a Homestyle Fashion

    It seemed as though a town meeting was mustering at EMBARK@EMC as the locals, family, and friends poured in from the clammy cold street to help Fred Gillen Jr. celebrate the release of his ninth studio album Wage Love on Feb. 8. From the outside, EMBARK’s space at the Energy Movement Center is just like any other small-town storefront, that evening decked out with posters and artwork for the show and a well-placed portrait of Pete Seeger to greet folks as they came in.

    The show started off with a few songs from Philadelphia based street performer, Laura Bowman, who contributed vocals to the album and joined Fred and his band (also composed of contributors to the recording) later in the evening. It was the first time for many at the show to hear Bowman but its a name they’ll remember for years to come – her beautiful dynamic singing and accompanying guitar work fueled by an engaged audience is something to not be taken for granted.

    A performance like this made for an exciting and enjoyable first listen to the album through a live re-enactment of it. The CD itself is skillfully composed, and hearing it first through a live performance adds a connection with the spontaneity of Fred’s style and jest – something liner notes cannot do. The first impression of Wage Love is much more vivid than that of listening at home. Fueled by a potluck-spread of snacks and goodies, the audience fed a communal energy into the room – singing along with and becoming engaged in the music – in feedback to the lyrics, soul, and music generated from the auspices of the American flag hung on the curtains behind the band.

    Joining Fred was the same crew that backed him up on the album – Laura Bowman on vocals, Paul Magliarli on drums, Matt Turk on guitar and mandolin, and Jeff Eyrich on bass.

    The album itself is political yet not dreary. Fred’s style, which throughout his compositions brings a fresh sound to the traditional folk and Americana music setting, lends a net of optimism to topics (worker’s rights, war, government) that tend to sometimes stir a sense of gloom. As a token to the lesser-sung songs of the working American and undermined heroes the album starts off with “Walking Down That Freedom Highway” – written to the tune of Woodie Guthrie’s “This Land Is Your Land” – and ends with “I Dreamed I Saw Pete Seeger” – a hymn to the unparalleled spirit we lost in 2014 sung to the air on part of “We Shall Overcome,” a staple of Seeger’s songbook.

    The setlist included Wage Love from start to finish and an encore of two songs from previous albums – “This Old Car” and “Devil’s Bluff.”

    Key Tracks: Killing Machine, We The People, I Dreamed I Saw Pete Seeger

  • Rock n Roll Resort v5: ‘Electric Avenue’, First Wave Lineup

    Wicked Cool Productions is proud to present Rock n Roll Resort v5: Electric Avenue welcoming in its first wave lineup: Fishbone, Easy Star All-Stars, Twiddle x2, Consider the Source, The Werks x2, Organically Good Trio (featuring Paul from Slightly Stoopid), The Skints (UK), Beau Sasser’s Escape Plan,  Adam Ezra Group, Dangermuffin, The Kind Buds, Frank Viele, Formula 5, Gaslight Tinkers, Relative Souls, Strange Machines, Sprocket, People with Instruments, Demise vs Cheatcode & DJ N.E.B., Digital Storm, Political Animals, and The Mary Jane Jones. The Rock n Roll Resort v5 takeover happens April 30 – May 3, 2015 at the newly renovated Hudson Valley Resort & Spa, Kerhonkson, New York, in the heart of the Shawangunk Mountains in the gorgeous Catskills.

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    Tickets are on sale Monday, February 23 at NOON at rocknrollresort.com

    The v5: Electric Avenue installment of Rock n Roll Resort will showcase an inspired mix of super talent with over 60 hours of musical entertainment, collaborative live art, activities including a disc-golf tournament and mini-golf tournament, workshops and theme nights, cyberistic euphoria, delicious catering and even a festival vendor row; all at an affordable price and within the conveniences of the Hudson Valley Resort & Spa. Many artists will take the stage multiple times throughout the weekend, and many more artists will be announced for the second wave lineup.

    “For Electric Avenue, I wanted to blend a few concepts together. There’s The ‘Road to The Resort’ competition for up and coming bands, there’s the indoor vending that will be fashioned as an electric avenue, and there’s our continued relationship with the creative folks at Magic Hat Brewing,” says Shannon Plaquet, producer of Rock n Roll Resort. “It’s going to be one of the most diversified lineups of old school meets new school that we’ve ever had. We’ve dialed in pretty much everything in previous events and this one should be the best event yet.”

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    The full immersion Rock n Roll Resort experience is inviting and intriguing, expansive yet intimate, as fans, artists and craft vendors take over the grand resort. With music running from the afternoons until well past sunrise each day, super fans can dance into a frenzy, then walk back to their hotel rooms to re-energize or head to the dining hall for catered lunch or dinner. Rock n Roll Resort fans leave their tents at home and kick off the festival season in style!

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    Check out our past coverage of Rock n Roll Resort here.