Category: Hudson Valley

  • Shawn Mullins Returns to The Barn at Levon Helm Studios in Woodstock

    “Keep It Goin’”that seems to be the theme these days in The Barn at Levon Helm Studios in Woodstock, N.Y. In fact, one could say that it’s been the theme for many years prior leading up to the iconic Helm’s death in 2012. On November 6, the Georgia born Shawn Mullins kept it going by returning to the intimate studio in support of his latest release, My Stupid Heart, Mullins 9th studio release and 14th overall album dating back to 1992’s Better Days.

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    The American singer-songwriter, who swiftly acknowledged Helm at the start of the set, is best known for the 1998 single smash hit, “Lullaby” which reached #1 on the US Billboard Hot Adult Top 40 Tracks. Mullins was joined on stage, after “Twin Rocks Oregon” by Tom “Panda” Ryan to a house of nearly 100 or so middle-aged music lovers. Ryan ripped through 14 of the 17-song set on bass guitar providing near perfect harmonies on songs like “Beautiful Wreck” and the Sunshine State inspired “Pre-Apocalyptic Blues,” co-written by Ryan.

    There’s a great deal of empathy and even more compassion in Mullin’s live performances these days and he appears to be at ease with where he is in his life, even if his personal past marital relationships have slipped away from him, they are used to fuel the song writing fire on My Stupid Heart. The 10-track release comes from a depressed place which makes it honest and heartfelt and is a record that is not overproduced and closely resembles his masterful live performance passion.

    Opening for Mullins was Boston based songwriter Amy Fairchild who entertained on the acoustic guitar but was in her element when she ventured un-mic’d at the piano especially belting out the emotional, “It Won’t Be Mine.”

    Setlist: The Great Unknown, Twin Rocks Oregon, Pre-Apocalyptic Blues, Shimmer, Lonesome, I Know You To Well, Sunshine, Ferguson, My Stupid Heart, Catoosa County, Light You Up, California, Ghost of Johnny Cash, Beautiful Wreck, Friday Night Fights At Al’s Place, Lullaby, To Beat The Devil*, House Of The Rising Sun^

    * Kris Kristofferson
    ^ The Animals

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  • Joe Louis Walker and Jay Geils’ B.B. King Tribute Impresses Hudson Valley Crowd

    One of the Hudson Valley’s hottest nights for blues in 2015 took place this last week as Joe Louis Walker paid special tribute to the King with the help of Jay Geils and some newly inducted members of the NY Blues Hall of Fame at Paramount Hudson Valley.

    S Malinski - Joe Louis Walker - Paramount Hudson Valley-1

    A different kind of induction ceremony kicked off the evening, one far from a yawn-filled series of speeches. With Michael Packer at the helm, an all-star cast joined together on stage to do a five-song opening set with members of this group inducted into the NY Blues Hall of Fame between songs. For a group of musicians who may have only had limited time rehearsing with each other, the sound was solid and energizing. The inductees this year included Michael Falzarano (guitarist for Hot Tuna and New Riders of the Purple Sage), Rick Knapp (bassist for Walter Trout and Jimmy Thackery), Juma Sultan (percussionist for Jimi Hendrix), and producer Osten Harvey Jr. (a.k.a. Easy Mo Bee).

    S Malinski - Joe Louis Walker - Paramount Hudson Valley-7

    If the roof of the Paramount wasn’t smoldering after Joe Louis Walker’s first song it wasn’t long before it was on fire. As a tribute to the late B.B. King, the setlist included several of King’s songs along with some of Walker’s originals. The set started off with “Friends” and included “Let Your Hair Down,” “She’s Got Eyes Like A Cat” and “Come Back Baby.” Aside from Walker’s incredible mastery of the blues guitar whether screaming at the 24th fret or playing slow and heavy, the rest of the talent on stage combined for an even compliment, especially Vanessa Collier’s sax solos received by standing ovations.

    About halfway through the set Jay Geils joined the set, a guitarist well-rooted in the blues despite his more well-known musical persona with the J. Geils Band. Educated as an engineer, Geils took up a career in music instead and had plenty of stories to share about his start in the blues after accepting his award in a surprise induction into the NY Blues Hall of Fame including some anecdotes about Buddy Guy. In the spirit of the tribute to B.B. King, Geils did not hesitate in saying that the way today’s blues is played can be attributed to King’s style.

    S Malinski - Joe Louis Walker - Paramount Hudson Valley-20

    Before an encore, all of the performers from the induction ceremony set joined Walker and Geils for a call-and-response shuffle tune. It was a true display on stage of what lies at the base of being a musician, getting together with a bunch of others and having nothing but fun in making music. The encore brought just Walker and his band along with Geils back. Reeling on the power of the end of the set, the crowd took advantage of the Paramount’s coziness and gathered on their feet close to the stage. Possibly an unplanned encore, Walker and Geils took a moment to discuss the structure of what they were about to play. Planned or unplanned, it closed out the night with a strong finish.

    As one of only four of these B.B. King tribute shows Walker and Geils were touring with, it was truly a treat to have one of their stops in the lower Hudson Valley.

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  • Garcia Project Brings 1977 Hartwick College Show to Peekskill

    Saratoga’s The Garcia Project has been regarded as an authority on the re-creation of the sounds of the Jerry Garcia Band. On Oct. 24, the band continued to celebrate their fifth anniversary at Paramount Hudson Valley in Peekskill, nearing the end of their fall tour.

    Nestled close to the front of the stage rather than claiming a stake of real estate, The Garcia Project got cozy with the theater, easing into the set with “I’ll Take A Melody.” The efforts the band has put in to re-creating the performance of the Jerry Garcia Band was clear at the first note, particularly from the intonation and timbre of Mik Bondy’s guitar. To geek out on the band’s gear, check out a detailed rundown of their setups. The band’s presence was cohesive with an agility to build the performance of the songs in the same embodiment as Jerry’s band. Solos were traded between Greg Marshall (keys) and Bondy as if a conversation rather than it just being the next guy’s turn to play. Overall, the first set whetted the audience’s Garcia appetite despite being on the tame side.

    On the contrary, the second set took the prize. The setbreak met a mix of conversation and praise for the authenticity of the performance, mostly from first-timers to The Garcia Project. Perhaps that was enough to re-charge the audience as plenty more were on their feet finding their own grooves during the set; although sometimes Jerry Garcia Band shows are a bit more mellow in the first set. Bondy’s guitar work was more noodley, and it was hard to tell that it wasn’t Jerry signing on “The Night They Drove Old Dixie Down.” Throughout both sets, Kat Walkerson’s backing vocals and blithe stage presence enriched the songs as a compliment to Bondy’s vocals.

    Like most of The Garcia Project’s shows, this one was a re-recreation of Dec. 3, 1977 at Hartwick College. At the start of the second set, it was announced that the performance was a re-creation of a complete show but which show wouldn’t be revealed until the encore. Hinting at clues about the era of the Jerry Garcia Band based on the stage setup, it turned into a fun, curious guessing game for the audience.

    The Garcia Project gave a thoroughly enjoyable performance and experience for the crowd. Though there were a few minor differences between them and the Jerry Garcia Band, inherent to any tribute band, The Garcia Project’s attention to detail on intonation and performance structure does set them apart as an authority on Jerry Garcia.

    Setlist:

    Set 1: I’ll Take A Melody, Mystery Train, Mission In The Rain, Lonesome And A Long Way From Home, Catfish John, The Way You Do The Things You Do

    Set 2: Let It Rock, Harder They Come, The Night They Drove Old Dixie Down, Don’t Let Go, Tore Up Over You

    Encore: (not part of the 1977 JGB set): Ramble On Rose, Cats Under the Stars, Talking About You

  • A Farewell to Summer and Minglewood

    As another remarkable summer festival season draws to a close, the 2015 edition of Catskill Chill also marked the end of another magical era. Dubbed “A Farewell to Minglewood,” festival organizers announced the sixth annual Chill would be the last one at its present and only location to date. Camp Minglewood, an incredibly remote and scenic summer camp in Hancock, NY, has been the festival’s home since inception, but perhaps due to a seemingly yearly growth in popularity the festival announced it will seek new quarters next year. This gave everyone in attendance, collectively known as the “Chillfam” one last time to make memories and enjoy a fantastic lineup of music in a truly special place.

    Farewell to MinglewoodWith a steady stream of people still filing in on Friday afternoon securing camp sites and cabin spots, a full three days of music began on the festival’s various stages. Things got funky right away as Funky Dawgz and Natalie Cressman each had their brass powered bands open up action at Club Chill. Definitely more clubhouse than night club, the Club Chill stage is a unique one featuring wooden stadium style seating with multiple levels that were also partially enclosed. Although it was located uphill from the main stage, it featured some of the finest acts of the weekend including a thoroughly enjoyable set from Buffalo’s own Aqueous early Friday evening.

    The Nth Power, an emerging funk, jazz and soul hybrid act initiated action over on the main stage. Spearheaded by the drumming prowess of Nikki Glaspie. The lively rockers powered through a set of originals including “Only Love” and also included a cover of The Beatles’ “She’s So Heavy”.

    This warmed up the stage nicely for Lettuce, who followed with their signature high-octane brand of funk. Fittingly, they brought former member Nigel Hall on stage for the last few numbers laying down a funky “Sounds Like A Party To Me.” This was only the first of many memorable sit ins and collaborations throughout the weekend. The night continued with spirited set of electronica infused rock courtesy of Lotus, Break Science kept the party going and then some with a set that featured a plethora of sit ins from drummer Adam Deitch’s fellow Lettuce band members.

    Meanwhile, Club Chill was packed to the gills thanks to another well-orchestrated collaboration. Members of Twiddle were joined by an all-star supporting cast including Tim Palmieri from Kung Fu on guitar and Tood Stoops from Raq on keys for a Grateful Dead tribute set. A clean run through the Jerry Garcia classic “Birdsong” preceded a thunderous rendition of “The Other One”. Other classics like “I Know You Rider” and “Fire on the Mountain” were met with appreciative roars and applause as this  hyped set seemed to live up to its billing. One last mashup of rich musical talent brought things to a close on Friday with Dopakuaz Plays Studio 54. Comprised of members from Dopapod and Turkuaz, the big band ensemble replete with female vocalists did their very best to create an air of a late night disco party at the renowned New York City night club starting with an opener of KC & The Sunshine Band’s “That’s The Way (I Like It)”.

    The hits just kept on coming late into the night with spot on renditions of “You Should Be Dancing” and “Get Down.” The group even showed an ability to shift seamlessly between songs which was highlighted by an impressive “Funky Town” >“Disco Inferno” transition.

    Farewell to MinglewoodSaturday saw more musical tributes and artists joining forces with beautiful results. Shwizz and Fikus combined for a Shwikus Plays the ’80s set that was very well received. They were followed by yet another super group as the ChillFam All-Stars, which included Steve Molitz from Particle on keys and Mike Greenfield from Lotus on drums, paid musical tribute to the great Herbie Hancock.

    Club Chill was enraptured as the All Stars pulled off a set that included hits like “Watermelon Man” and “Rockit”. A tribute of another sort took place later on the main stage as Dweezil Zappa brought his Zappa Plays Zappa band for a set of his father’s music. Their current tour is celebrating the 40th anniversary of the Frank Zappa and the Mothers of Invention album One Size Fits All so a steady diet of tracks from that were played in addition to other classics like “Don’t Eat the Yellow Snow”.

    The main late night musical acts for Saturday featured two bands who are at very different points in their respective careers. Venerable upstate New York jam legends moe. were given the headlining slot for this year’s Chill, the first one they’ve ever played. A set opening “Seat of My Pants” was jammed to perfection and a rousing segue into “Recreational Chemistry” had hopes high for a special set. However, they didn’t dig too much deeper into the musical vault as the rest of set featured staples like “Happy Hour Hero,” “Spine of a Dog” and “Buster,” which served as closer. On the other end of the spectrum is Twiddle, a Vermont based rock quartet that is growing in popularity each passing day. They seem to have already developed a young and enthusiastic fan base and their performance this weekend surely opened some eyes. Playing with a noticeable energy and excitement, the group sent everyone back to their respective homes smiling with a set that saw Todd Stoops sit in on “Brown Chicken Brown Cow” and an impressive display of talent by keyboardist Ryan Dempsey on “Jamflowman” which featured a fun give and take jam with guitarist Mihali Savoulidis.

    Farewell to MinglewoodWith two incredible nights of music in the books, Sunday offered no rest for the weary as another full schedule lay in store. Turkuaz got things started in the early afternoon with their customary explosive big band sound. They were followed by The Motet who ran through a set of their own funky hits including “Funny Bone” and “Like We Own It”.

    Up at Club Chill, another of New York’s own, Solaris played to a small but rapt crowd as they delivered their version of electronica which included a fun take on the theme from Tetris. Shortly afterwards, it was time for Dopapod and their set on the main stage. With the sun beginning to set behind the trees, a beautiful canvas was naturally created as the group seemed to soak up every minute of their set which was littered with teases of “Funkytown” throughout as a nod to Friday night’s performance. 

    Farewell to MinglewoodAdditional Saturday highlights included Electron, an old Disco Biscuits side project featuring Marc Brownstein on bass and Aron Magner on keys who were joined by Tom Hamilton on guitar and Mike Greenfield on drums. This was as close to an actual Bisco performance as you can get as the old friends ripped through a set that included classics like “Shelby Rose” and “42” as well as a sterling cover of Pink Floyd’s “Have a Cigar”. Not to be outdone, Pink Talking Fish, a band that melds the music of Phish, Talking Heads and Pink Floyd, played perhaps one of most enjoyable sets of the weekend afterwards that featured other Pink Floyd covers like “Money” and “Eclipse”. The highlight may have been the performance of “Pigs (3 Different Ones)” that was dropped right in the “pause” section of Divided Sky.

    To close things out, Catskill Chill had Particle, the only band to appear here every year, play a farewell set that featured sit ins from start to finish. Members of Dopapod, Turkuaz and Electron all jumped on stage at some point for a truly fitting farewell. The family atmosphere this festival has naturally developed was highlighted by the closing selections of “Family Affair” and “We Are Family”. Particle keyboardist/leader Steve Molitz urged everyone to remember the good times created at this special place before everyone went on their way and the book was closed on another special weekend. Some say the month of March comes in like a lion and goes out like a lamb.

    While it may be debatable as to when summer festival season exactly comes in, there’s no doubt after a weekend of music like this one that it goes out with a Chill.

  • End of Summer Jam at Paramount Hudson Valley

    The weekend after Labor Day brought a wide variety of sounds to Paramount Hudson Valley in Peekskill with several NYC and Westchester-based acts both inside and outside the theater as part of their End of Summer Jam. In the week leading up to the show, weather reports were cautiously optimistic about keeping the day dry but a few heavy downpours dampened the outdoor festivities a bit. Fortunately, the music had shone through and kicked up the energy for the crowd that made it out to the free day of music.

    Phineas and the Lonely Leaves
    Phineas and the Lonely Leaves

    The street stage, lined with food and craft vendors that braved the intermittent rain, featured a mix of solo singer-songrwriter type acts and full bands. Acoustic sets were presented by New York Times author and musician Andy Revkin, Chloe Cannon, Rufus Rufasu, and The Godfather Johnny Giovanni. Peekskill’s own Phineas and the Lonely Leaves gave a high-spirited mix of their original and rock cover songs. Trifecta‘s set was mostly covers, but took on a stripped-down heavy blues/rock take on classic rock songs complete with some added shred-talent on guitar. The final outdoor act of the day, The New Resistants, played with a similar feel and energy to Trifecta, taking on a classic garage punk sound. A late addition to the schedule from North Carolina and familiar name to the area was the aggressive jazz trio Joy On Fire who kicked off the afternoon.

    Trifecta
    Trifecta

    Kicking off the day inside was Yardsale, a brisk-paced bluegrass trio from nearby Mahopac, NY. The standout of the afternoon Gedeon Luke & The People gave the Paramount a gossip-worthy set full of driving Memphis blues and soul, Gedeon himself dancing in the aisles with the crowd. For something a little bit different, DJ Logic gave a well-mixed DJ set, though a thin crowd seemed slow to get into the set. Closing out the night was NYC’s all-instrumental progressive jam band TAUK as they make their way through a tour supporting their brand new double live album, Headroom.

    Gedeon Luke
    Gedeon Luke

    Certainly a fantastic assortment of live music, let’s hope the End of Summer jam returns next year under sunny skies with a packed house.

  • The Catskill Chill 2015 Music Festival: A Farewell to Minglewood

    The sixth annual Catskill Chill Music Festival – A Farewell to Minglewood – is set to take place this weekend on Sept 18-20 with this year being the last time at Camp Minglewood in Hancock, NY. The Chill gathers fans from all over the North East to the beautiful, secluded Catskills for a three-day camping summer music festival finale. The Chill has called Camp Minglewood home since the beginning and it’s sleep away camp setting of multiple concert halls, cabins full of friends and tents scattered over the hills, all within short walking distance made for the ideal festival grounds. The Catskill Chill motto holds true to “All Love, All the Time” as you can see and feel it all around you with nonstop smiles, hugs, high fives and the radiating positive vibes that keep Minglewood clean and fun.

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    This coming weekend will be a time of reflection of all the wonderful moments of Chills past. We’ve endured all types of weather: perfect sunny days, light rain, the Tornado of 2012 and those cold, cold, cold early fall nights of NY. The little to no cell phone reception is a painful delight as we are given a chance to truly enjoy all that the Chill has to offer with both hands and a focused mind. The Catskill Chill lines up talented regional and national musical acts of all genres that connects us to each other and the dance floor. The bands love the Chill as much as the fans do with major returning acts such as Lotus, Dopapod, Particle, Lettuce, The Motet and Kung Fu.

    One of the best features about The Chill is the abundance of guest sit ins and collaborations from over the years such as Shwizz and Fikus will join forces to become Shwikus, the late late night Sunday set of Dopadosio, Bobby Paltauf with The Meter Men, Todd Stoops with Twiddle plus so many more. The number of artists has dramatically increased over the years with a jam-packed schedule that doesn’t stop til you do. With more bands comes more stages and those cabin porches serve more than neighborly meetups, Solaris is no stranger to the late night porch shows. Acoustic Junction was a great addition to The Chill with memorable acts from The Brummy Brothers, Consider the Source and Primate Fiasco, guaranteed to rock your socks off electronically or acoustically.

    Be mindful to savor every beautiful minute of music and scenery because we’re so lucky to have them together. Don’t miss out on one hell of a going away party and buy tickets now (available here). NYSMusic is grateful to share the bittersweet goodbye of Camp Minglewood and looks forward to more memories of The Catskill Chill.

    Check out past NYSMusic Catskill Chill Reviews and Photo Galleries: 20122013 2014

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  • Van Halen Brings the Heat to Bethel Woods

    On Sunday, September 6, 2015, Van Halen brought their massive North American tour to Bethel Woods Center For The Arts. Fans arrived early and tailgated outside in the late summer heat. Those who didn’t want to stand outside in the heat, chose to explore the Woodstock museum located right on the concert grounds. Complete with air conditioning, a cafe, and gift shop, the museum is the perfect place to explore before any show at the amphitheater.

    When doors opened, people rushed inside to secure their spot on the lawn or get to their seat in time for opener Kenny Wayne Shepherd. Kenny and his band came out and played a nine song set. The night for Kenny and his band was highlighted by a fantastic cover of “Voodoo Child” by Jimi Hendrix. With a loud applause, the Kenny Wayne Shepherd band exited the stage and fans awaited Van Halen.

    Kenny Wayne Shepherd Band
    Kenny Wayne Shepherd Band

    As expected, what was once a generally filled amphitheater ended up being packed house. Van Halen started the show off with “Light Up The Sky” and immediately went into “Runnin’ With The Devil”. After a battle with the flu early the week before, David Lee Roth seemed back to his old self. Although Diamond Dave gets criticized for his vocal abilities, he certainly gives it his all. After being on the road for a solid 2 months now on this tour, Van Halen seem to be rolling full force with no signs of letting up. Eddie, Wolfgang and Alex Van Halen sound near perfect and together with David Lee Roth put on a great performance.

    Van Halen seems to be sticking to the same setlist every night, but without any complaints from the crowd. Mixing things up from a wide array of songs from albums such as 1984, Van Halen, Van Halen II, Women and Children First, A Different Kind Of Truth, Fair Warning and Diver Down, Van Halen has something for everyone to sing along to. With such a big catalog, Van Halen does a perfect job of mixing classics with new material as well as songs your biggest Van Halens fans may have never heard live before. Before the tour started, Wolfgang told fans that this tour would have some special songs in the setlist that haven’t been played in a long time. Sticking to his word, Van Halen put together a setlist that everyone should love. Some of the other songs that the band jammed were “Somebody Get Me A Doctor,” “Little Guitars” and “Ice Cream Man”. The beginning of “Ice Cream Man,” David Lee Roth came out onstage alone with an acoustic guitar and a harmonica. Then the rest of the band came out to finish that song together then play “Unchained.”

    Van Halen Bethel Woods
    Eddie Van Halen And David Lee Roth

    During Eddie’s guitar solo it was proven that he is human and experiences issues from time to time. Having issues with one of the effect pedals on his board, Eddie had to delay some of his licks for a moment. While trying to do the melody from “Cathedral” off Diver Down, Eddie ran into some pedal issues. While his tech came out to replace some cables and find the issue, Eddie said to the crowd, “Something is very wrong back here” to which Bethel Woods chanted Eddie. Not before long, Eddie was cranked back up to 11 and finished the solo with “Eruption” and started into “You Really Got Me”.

    The night was ended with “Panama” and “Jump” off of Van Halen’s 1984 album, which turned into a giant sing along for the people of Bethel Woods Center For The Arts. Diamond Dave and the rest of Van Halen took the stage afterwards for a bow and left the crowd in high spirits. This show would have been the perfect way to end the summer for Bethel Woods Center For The Arts, but they do have one more show booked for later in September.

    Van Halen Bethel Woods
    Eddie Van Halen

    Van Halen is now working their way down south hitting up numerous states and then working their way west. The tour wraps up at the Hollywood Bowl in Hollywood, CA on October 4. You can find all the tour dates and ticket information at Van-Halen.com.

    Setlist: Light Up The Sky, Runnin’ With The Devil, Romeo Delight, Everybody Wants Some, Drop Dead Legs, Feel Your Love Tonight, Somebody Get Me A Doctor, She’s The Woman, China Town, I’ll Wait, Drum Solo, Little Guitars, Dance The Night Away, Beautiful Girls, Women In Love, Hot For Teacher, In A Simple Rhyme, Dirty Movies, Ice Cream Man, Unchained, Ain’t Talkin’ ‘Bout Love, Guitar Solo, You Really Got Me, Panama, Jump

    Van Halen Bethel Woods
    Eddie And Wolfgang Van Halen
  • Catskill Chill Preview: One Last Dance at Minglewood

    As the summer festival season draws to an end, next week’s Catskill Chill Music Festival which takes place September 18-20, a week later than it is usually held, also marks an end of an era. The 6th annual festival, which has grown in popularity each year, will be the last one held at its original home of Camp Minglewood in Hancock, NY before the party moves elsewhere next year.

    Catskill ChillFittingly, upstate NY jam legends moe. will serve as musical headliner and Particle, the only band to play every Chill, will close out the weekend in grand fashion along with help from a number of other guests and friends.

    This year’s festival also offers a number of other intriguing musical collaborations as this seems to be a theme for the weekend. In addition to their own sets on Sunday, Dopapod and Turkuaz will be combining forces on Friday night and recreating a night at Studio 54. Shwizz and Fikus will follow their Saturday sets with a joint one featuring musical selections from the ‘80s before the Chillfam All-Stars perform what is sure to be an entertaining tribute to Herbie Hancock. This isn’t even the only All Star band of the weekend as the Stratosphere All-Stars, featuring members of Lotus, Particle and Digital Tape Machine, will help usher in the Saturday night dance party.

    If a band on this bill isn’t collaborating with another one, there’s a good chance they’re pulling double duty and performing multiple sets. Consider the Source will be doing both an acoustic and an electric set on Friday and Twiddle will be performing a set of Grateful Dead covers in addition to a set of their own Saturday night.

    Other notable performers this weekend include upstate NY’s own Aqueous and Solaris as well as Lettuce, Zappa Plays Zappa, The Motet and Electron.

    Catskill Chill is known for its home of Camp Minglewood and the purely intimate setting it provides with summer camp style cabins for lodging close to all the stages and designated camping areas strewn between them all. RV parking is also available for $150 and the festival offers both VIP ticket purchases and upgrades. In addition to an incredibly packed musical docket, there’s also Open Mic sessions being offered on Saturday and Sunday afternoons as well as yoga classes.

    Tickets for $195 and one last chance to experience one of the true hidden gems of the festival circuit can be purchased here.

  • End of Summer Jam Festival Feat. TAUK, DJ Logic, and Local Acts Coming to Peekskill This Saturday Sept.12

    With Labor Day weekend just behind us, everyone seems to be scratching their heads as to where the summer went. The good news is that it’s not quite over yet and there’s another chance coming up to enjoy some great music indoors and outdoors before the leaves start to change. The Paramount Hudson Valley in Downtown Peekskill is throwing their first End of Summer Jam Festival on September 12.

    The new music festival is free with music on the streets and inside the theater throughout the afternoon and evening. The festival is all about NY, bringing acts from around town and around the state.

    Several local vendors and restaurants will be taking to the streets from 12pm – 8pm featuring free music from Rufus RufasuChloe Cannon, Andy Revkin (Hudson Valley), Phineas & the Lonely Leaves (Peekskill), The Godfather Johnny Giovanni, Trifecta (Mahopac), and The New Resistants (NYC).

    Hitting the stage inside the Paramount will be DJ Logic (The Bronx), Gedeon Luke and The People (NYC), Yard Sale (New Paltz), and TAUK (Long Island). TAUK is hitting a handful of other spots around NY, and for more information on their shows check out NYS Music’s preview of those shows here.

    Although End of Summer Jam Festival is free, there is a $5 suggested donation which will support the Paramount’s non-profit Paramount Hudson Valley Arts.

    Linup:

    Outside
    1pm – Rufus Rufasu
    2pm – Andy Revkin
    3pm – Phineas & the Lonely Leaves
    4pm – Chloe Cannon
    5pm – Trifecta
    6pm – The Godfather Johnny Giovanni
    7pm – The New Resistants

    Inside
    2pm – Yardsale
    4pm – Gedeon Luke & The People
    6pm – DJ Logic
    8pm – TAUK

  • Norah Jones Tour Making Multiple Stops in New York State

    Genre-hopping and genre-defying singer/songwriter Norah Jones is embarking on a few-week-long tour that will be closing with a three-show run through New York state.

    The nine-time Grammy winner has collaborated with everyone from Ryan Adams to Billy Joe Armstrong to Bill Frisell on her way to selling over 40 million records. Her latest solo album, 2012’s …Little Broken Hearts, was produced by Dangermouse, whom she had previously worked with on Italian composer Daniele Luppi’s spaghetti Western project, Rome.

    Fans can expect to hear songs from across Jones’ entire catalog on her fall dates.

    The tour makes a stop at KodakHall at Eastman Theater in Rochester on Nov. 6, then moves on to the State Theater in Ithaca the next night before concluding at the Capitol Theater in Port Chester on Nov. 8. Ticket presales start today, and general on sales have not been announced at this time. Full tour dates are listed below.

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    10/20 – Wilkes Barre, PA – FM Kirby Center
    10/21 – Pittsburgh, PA – Carnegie Music Hall
    10/23 – Columbus, OH – Ohio Theater
    10/24 – Bowling Green, KY – SkyPAC
    10/26 – Memphis, TN – Orpheum Theater
    10/27 – Tulsa, OK – Brady Theater
    10/29 – Wichita, KS – Orpheum
    10/30 – Ames, IA – Stephens Auditorium
    11/1 – Milwaukee, WI – Riverside
    11/2 – Ann Arbor, MI – Michigan Theater
    11/4 –  Rama, Ontario – Casino Rama
    11/6 – Rochester, NY – Kodak Hall at Eastman Theater
    11/7 – Ithaca, NY – State Theatre
    11/8 – Port Chester, NY – Capitol Theater