NYS Music 20​15

Category: Albany

  • Bogie’s to Close its Doors

    Legendary underground music venue, Bogie’s, in Albany, will be shutting its doors for business at the end of May. Upstate Black N Blue – who partly run and hold shows through multiple venues in the Capital Region – announced via Facebook that they are no longer able to able to keep the place running.

    Bogie's closeBogie’s officials cited financial problems as a cause for closing. Not enough people have come to shows to support costs between upkeep and regular bills. Bogie’s recently had a $10,000 crowd funded overhaul which covered a new roof, flooring, and other much-needed equipment.

    However, after a ‘state of our scene’ type meeting at the venue, attendees were given the down to earth truth: Bogies was not making ends meet, and the lack of support had become a strain for a while.

    Representatives of Upstate Black N Blue say that they will continue to hold live shows for underground musicians at nearby venues such as Upstate Concert Hall and Trickshots, as well as Fuze Box, which is just blocks away from Bogie’s.

    Bogie’s, which saw bands like Blink 182, Black Flag, as well as The Acacia Strain, and many more, will have its last show in Albany on May 31. Show lineup will include Recon, GhostXShip, Vice, Artisan, Before I Had Wings, and Towers.

  • Seven Day Music Marathon Day 7: Tulip Fest, Upstate Concert Hall and The Hollow

    Why see one show to end a week-long Music Marathon when you can see three? That was the plan on this final day of seeing music of all varieties across the Capital District over the course of a week. And being Tulip Fest weekend, what a better way to start things out than music in the sun with hundreds of fans in Washington Park?

    tulip fest the hollowShow 1: Even though I didn’t really have intentions to go to Tulip Fest this year, you couldn’t beat the weather today and I was in need of some fresh live music that I had been introduced to by 102.7 WEQX. If I’m doing a Music Marathon, I may as well hit the first free city-wide music event of the year.

    Hitting the WEQX stage, I missed Flagship but caught Joywave and The Kooks. Even though the Kooks were the headliner, I found Joywave to be way more intriguing and appealing overall. Joywave has a bassist who sounds like and has an on stage persona akin to Flea, a keyboardist and drummer who give a Pet Shop Boys meets Duran Duran base for guitarist Joseph Morinelli and singer Daniel Armbruster (who sounds like Bono) to build a song from. It was Nine Inch Nails with post-hipster vocals, especially on “In Clover”. Joywave is one of the best discoveries this week and being from Rochester doesn’t hurt either.

    The Kooks, from England, took the stage at 4pm with what passes for pop rock in the UK, and while I’ve heard it on the radio and enjoyed it, hearing them live was just like listening to the radio. Maybe we all had too much sun, but it felt like snooze rock for the first half hour, then picked up quite a bit with “Westside” and “Junk of the Heart”. The first track off their latest album Listen, “Around Town” was the highlight of the set, coming late when it should have led. Hints of Beck, INXS, Talking Heads and even Michael Fitzpatrick (Fitz and the Tantrums) were found throughout, but overall it felt like good but not great inspirational pop rock.

    Show 2: Flat tire and car issues = drove back home after only making it 2 miles towards Upstate Concert Hall. I was pissed to be missing this show, especially a metal show with 4 bands would really round out the music I saw this week. Bummed to miss Dark Matter and Crown the Empire in particular. Ah well, something was bound to go wrong.

    Show 3: Taking the bus to The Hollow for Kopecky, the post-Tulip Fest show was good poppy American rock from Nashville, but the real draw tonight was the second show from Best Good Frends, a group made up of Mihali Savoulidis (guitar) and Zdenek Gubb (bass) from Twiddle, Kenny Brooks (sax) from Ratdog, Ryan Clausen (drums) and John Dobbs (keys). This is a new side-project of Twiddle and the venue was packed with great anticipation. Best Good Frends took a song to launch a jam from, explored that jam without rushing before returning to the original number. Kenny Brooks took the lead on an early funk jam that kicked off the night, while Justin Henricks (Beau Sasser’s Escape Plan, Groovestick) joined on guitar for “Boogie on Reggae Woman” and the jam that ensued. Sublime’s “What I Got” started the second set and Mihali and Kenny went back and forth to build the jam to a head. “Folsom Prison Blues” led into a weird circus calliope like jam with many asking “What was the name of that song?” yet it was all improv, right down to the really weird lyrics that seemed to come out of nowhere. The encore of “Brown Eyed Woman” found more fun inside the framework of the song and continued the dancing that had only paused for setbreak. This was a real treat and hopefully more shows are planned in the future in the Northeast.

    Final tally: Nine shows at eight venues seeing a total of 17 bands, all in seven days time. There’s a ton of music in the greater Albany area, and some very pleasant surprises in store if you just go out and see live music!

  • Seven Day Music Marathon Day 6: Mister F and ELM at The Hollow

    It’s Day 6 of this Music Marathon and for the first time this week, I am seeing a band that I have seen before and am quite familiar with – Mister F. It’s roughly Mile 20 of this marathon and I hit a smooth flat stretch this evening with excellent new music from ELM and Mister F’s themed ‘White Lightning’ show.

    mister f ELMThe idea for the show was hatched in the van while Mister F thought of a theme for their first hometown show since February. Keyboardist Scott Hannay explained that the theme for the show arose from band members tossing out colors and words to see what would stick to develop a theme for the evening, and based on the propensity of songs with ‘white’ and ‘lightning’ in the band name or song title, ‘White Lightning’ turned the show into a unique event. The band even wore white shirts and had pictures of Whitey Ford, Barry White, Vanna White, White Chicks (the movie), Betty White, Jaleel White and the White Power Ranger around the venue, but alas, no Golden Girls theme song teases. (A complaint has been lodged with management.)

    Opening the night was ELM (Electric Love Machine) from Baltimore, an electro-jam band with truly impressive drumming from Steve Gorsuch who lead the way for the one of the best discoveries of the week. How has ELM skirted the radar thus far? This is beyond the formulaic jamband I have grown accustomed to seeing and one with intense potential. A cover of “When the Levee Breaks” was an extended highlight that rolled into a well crafted jam, followed by Scott Hannay sitting in with ELM on “Dance Floor Politics.” This was ELM’s second trip to Albany and a must see at any festival this summer.

    Mister F’s ‘White Lightning’ set began with “Lightning Strikes” with a clean segue into original “On and On”. The first real treat of the night was a mashup of “Everything You Say” and The White Stripes “Seven Nation Army”, a true test of playing one song while singing another, then switching those two up without missing a beat. I guessed early that “White Room” would be included in the show simply because of the familiarity and general excellence of the song, and was rewarded with a fantastic version that hopefully isn’t the only performance for the band. Hannay’s vocals and Andrew Chamberlaine’s guitar didn’t copy the original – they made it their own, which gets far more mileage than a straight cover of a song. I did not expect “White Wedding” to work into the setlist, but given that fans and band alike were wearing white clothing, it was a perfect fit. An encore of “Octo-Puss-E” by Rock Candy Funk Party ended the night around 2am and a well planned and received theme show from Mister F.

    Setlist: Lightning Strikes* > On and On, Don’t Lose Your Watch, Everything You Say/Seven Nation Army^ mashup, ‘New Song’, The Machine, Keep Your Pimp Hand Strong& > Hedgehog, Answer the Dog, Oasis > White Pickle# > Oasis > White Pickle > Oasis > White Room@, Inside, Vocoder, White Wedding$ > Unisex Collider, White Lightning§ > Greased Lightning¶ > This One Goes to 11µ
    E: Octopus-E
    * first time played, Cypress Hill, intro only
    ^ first time played, The White Stripes/Mister F song mashup
    & first time played, Consider the Source, intro only
    # first time played, Umphrey’s McGee, unfinished
    @ first time played, Cream
    $ first time played, Billy Idol, unfinished
    § first time played, George Jones
    ¶ first time played, Grease
    µ w/First Tube (Phish) and Gone Gone Gone (The New Deal) teases

    Next up: The musical equivalent of Heartbreak Hill. Why see one show when I can see three? Tulip Fest this afternoon in Washington Part, followed by Dark Matter, Adhara, Volumes and Crown the Empire at Upstate Concert Hall, and finally Kopecky at The Hollow.

  • Seven Day Music Marathon Day 5: Hal Ketchum at The Egg

    During a week of seeing music both new and old, I opted for something Ole, specifically Grand Ole Opry member Hal Ketchum, performing at the Lewis A. Swyer Theater at The Egg Performing Arts Center. Not being too deep into country music (short of Johnny Cash and his peers) Hal Ketchum is a new name to me, but the voice was familiar from the few songs I listened to beforehand, retaining a Warren Haynes solo quality to his seated performance.

    hal ketchum the egg
    Hal Ketchum – The Egg

    Forget the pop country that has ruined the genre for the past 20 years – this was the real deal, with a Texas twang from a local boy – Ketchum grew up in Greenwich, NY, a short drive north from Albany. The mighty fine Kenny Grimes accompanied Ketchum and provided the lead for a variety of old-country tunes. “The Continental” was a hilarious song based on the “Saturday Night Live” skit featuring Christopher Walken, explained by Ketchum with a story before the song, as he did nearly all songs this evening.

    The Continental – Hal Ketchum @theeggpac #country #snl #musicmarathon #nysmusic =yourmoneyisonthedresser

    A video posted by pete mason (@phanart) on

    This was soft country at its finest, but at times the tempo picked up to a good foot tapping and head bobbing and that was the only workout the audience was getting tonight. “Small Town Saturday Night” was one of these songs, a pure American song through and through, full of twang and Mellencamp lyrics and guitar. Meanwhile a chatty crowd began to throw song titles out to him left and right, and while his setlist addressed some of these requests he was clearly growing frustrated, chiding the crowd with “What am I, a jukebox?” He shook his head and an audience member said “Play what you want!” with a bit of applause in favor. “Chickadee” was dedicated to his five grandchildren, and “Mama Knows the Highway” was played despite not being practiced, but came off perfect. Hal said afterwards, “Good country music will never steer you wrong.”

    hal ketchum egg
    Hal Ketchum – The Egg

    The encore, “Trail of Tears” was a sad song to end the night on, but Hal wasn’t looking to go out on a high note. He had played a wide range of songs and appeased some of the audience’s requests while giving a long-awaited performance at The Egg.

    With the show at The Egg ending by 9:15 PM, I made my way down to Parish Public House to catch Dangermuffin, a South Carolina jamgrass band that I have waited a long time to see. Local band Hawbuckees opened the quiet night on Broadway, while Dangermuffin gave a set alternating between covers and originals with mild bluegrass and reggae jamming throughout. Nothing too adventurous, Dangermuffin worked through “Quinn the Eskimo”, “Franklin’s Tower”, Seal’s “Crazy” and a combo of Harry Belafonte’s “Jump in the Line>Iko Iko”, all of which had good jams in the outros. What was most surprising was the lack of a bass guitar, but you would never know it due to guitarist Dan Lotti doing something to produce the bass sound, something you have to see live to believe. An acoustic set in front of the stage with upright bass and acoustic guitars featured the original “Banjo Love” followed by the bluegrass staple “Midnight Moonlight”. Dangermuffin was a perfect musical compliment to Hal Ketchum and drew Day five of this Music Marathon to a close.

    Next up: Mister F with ELM at The Hollow

  • Seven Day Music Marathon Day 3: Halestorm, The Pretty Reckless and Starset at The Palace

    Working into Day 3 of this Music Marathon, I found myself once again seeing music I was unfamiliar with and had little knowledge of beforehand so I had no expectations. The only thing that made tonight’s show different was the venue – The Palace Theatre, where I would see a vastly different crowd take in the great music Albany has to offer compared to the usual shows I attended, with a lineup of Halestorm, The Pretty Reckless And Starset.

    Halestorm The Pretty RecklessUnfortunately, I walked into this show with Nickelback on my mind, but only for the most hilarious reasons. Starset snapped me out of it with symphonic sounds brought about by lead singer/keyboardist Dustin Bates, who spoke to me later citing Hans Zimmer, Nine Inch Nails and Sigur Ros as influences on their sound. I was impressed, and reminded of Stabbing Westward amid the intensity of the show. The band wore light up masks which added depth to the pageantry, capped off by mentioning the “Starset Society”, a latter day KISS Army or nonpoint Nation. The concept of a band-driven community instead of a community-driven band intrigues me – its the opposite of what I’m used to, but if it keeps the fan base strong, go for it.

    The audience for the three bands was such a mix of rock fans, young and old, kids with parents and parents without kids. I knew nothing about these bands but couldn’t help but remark on the diversity of the crowd, the metal heads and rock stars lightly thrashing to the music throughout the night. It was a nice break from the usual for me and The Pretty Reckless were the stand out set of the night. With a “For Whom the Bell Tolls” intro followed by sounds of a woman moaning, this female fronted band was heavy, but not metal. Taylor Momsen has great stage presence and an incredible voice, while drummer Jamie Perkins looks like Mick Foley. They have a good ‘rock god’ motif down, and has an edge of Pantera influence to the music, especially on “Going to Hell.” Overall I found The Pretty Reckless to be like Grace Potter and the Nocturnals, but from the wrong side of the tracks, and by wrong I mean the hard rocking side. They were great.

    Halestorm, fronted by Lzzy Hale made this night into a rarity – two female-fronted rock bands, and I could only count four off the top of my head upon Halestorm taking the stage (Heart, Joan Jett and the Blackhearts, Hole, L7). Encouraging fans to raise their devil horns high, I heard Whitesnake through the guitar work of Joe Hottinger and an altogether more polished sound than The Pretty Reckless.

    The set seemed to mellow about halfway through – the first seven or eight songs were straight fire, but the drum solo and all that followed were underwhelming. They could have thrown in a Def Leppard cover or something – the lack of covers this night surprised me greatly – but instead it was all originals. “Apocalyptic” was pretty solid, and the three encores were good and catchy, especially “Like a Reckoning”, but it was pushing on soft rock at that point. To cap the night, the band had the crowd serenade bassist Josh with “Happy Birthday” while toasting shots of Jagermeister. Halestorm is solid and has a rightful following, but I’m thinking that The Pretty Reckless could lap them in a few years time, with Starset showing strong potential if the fans can dig it.

    Next up for Seven Day Music Marathon: I head to Saratoga Springs for Dave Pedinotti and the Masters of Nostalgia at One Caroline Street.

  • Seven Day Music Marathon Day 2: Knuckle Puck, Firestarter and more at Bogies

    I don’t go to Bogies often, because that was the high school/early college venue for me, with few bands sparking my interest to bring me to Albany’s famed dive venue; Nietzsche’s, eat your heart out.

    I found out about this show through Jambase and was surprised to learn the only band listed on the lineup, Firestarter, was not the headliner. In fact there were three bands that played prior to Firestarter – Broken Field Runner (Albany), Coldfront (Canada) and Routine (Albany, playing their first ever show), all who had 20 minute sets. Knuckle Puck, out of Chicago and drawing the majority of the crowd, headlined the night.

    Firestarter is an Albany based band with influences from Blink 182, New Found Glory, Silverstein and Starting Line. I was thrown back to the late ’90s and my pre-jamband heyday with the influences ringing loud and clear, and it was alright. Matt Bliss, Firestarter’s lead guitar/vocalist spoke to me about the two year old band, who have done four cross-country tours and four regional tours, generating solid fanbases in pockets around the country, as well as a few Warped Tour shows. For a band this young and with an audience that is flocking to shows and singing every word, their potential is limitless. A new EP, A Life Inconsistent, is due out this summer.

    Firestarter at Bogies. All I hear is Blink 182 #musicmarathon #nysmusic

    A video posted by pete mason (@phanart) on

    Knuckle Puck, a great rock n roll band name if there ever was one, had a similar sound to Firestarter, but their audience was not just singing/shouting every single word of every single song alongside the band, they were more raucous and lively than before. Crowd-surfing and moshing was the norm for most of the night, just without the flying fists. Being Star Wars night (May the Fourth be with you), the crowd also had lightsabers worked into their fist-pumping action. The dudes in the front row were singing the words right into the face of the lead singer, pushing ever closer towards the lip of the stage, with surfers falling into the pit. I still don’t get moshing, but the crowd was welcoming and full of energy all night.

    .@knucklepuckil at Bogies #maythefourthbewithyou #punk #blink182 #moshing #nysmusic #musicmarathon

    A video posted by pete mason (@phanart) on

    The band has a vast following and an intense crowd at that, and while Knuckle Puck is far from my usual listening, it was a treat to see a thriving fan base for a completely different genre pack 200 people into Bogies, one of the last four shows at the venue, which is closing on May 31.

    Next up in this Music Marathon: Halestorm and Pretty Reckless at the Palace Theatre.

  • Golden Novak Band to rock World of Beer in Albany May 9

    In and around Syracuse, Jess Novak has made quite a name for herself. She is one of the strongest voices in music Journalism with her work for the Syracuse New Times, but it’s her passion for performing music that is bringing the 28-year-old notoriety.

    jess novak
    Brian Golden, left, and Jess Novak bring their unique sound to Albany on Saturday.

    So many musicians and bands are often labeled as eclectic, but Novak, who is half of the Golden Novak Band, truly fits that billing, melding blues, rock and roll, pop and rhythm and blues with hints of improvisation to form something that you need to experience to understand.

    “There’s a lot of great musicians in Central New York,” Novak said on April 28. “We try not to stick to just pop or blues; we play everything. And we’re weird! I sing boy songs; Golden plays his heart out. I just think we’re different.”

    Novak plays her violin on many songs, and busts out her acoustic Alvarez on others, while taking the share of lead vocal duties. Brian Golden, the fleet-fingered fret master who has been playing guitar for 24 years, provides a bluesy sound with his instrument and gritty voice.

    The pair will be joined by pianist Mark Nanni (of popular Syracuse blues outfit Los Blancos) and drummer Phil Leone this Saturday, May 9 – when the group comes to Crossgates Mall for a gig at the World of Beer. It’s a free show that begins at 7 p.m.

    In late 2013, Novak released her first album, titled Bad Habit, and it consists of 11 original songs that feature her powerful voice, ability to craft emotive songs and her chops on the violin. Songs such as Haven’t Found You Yet and Bad Habit translate well to the live setting, where Golden tends to display his talent as a soloist.

    Novak said the band has an IndieGoGo campaign out to help fund a new recording, tentatively titled Rodeo. You can help the group get to its $5,000 goal here.

    Last August, the pair released their first album, titled The Golden Novak Duo. In support of the release, the pair packed up an SUV, and toured from Vermont to Florida, opening eyes and pleasing ears on an exhaustive tour. Because of this tenacious touring schedule, the band has been booked for a five-night New Year’s run at Margaritaville in Key West after auditioning for the Jimmy Buffet-owned string of clubs.

    “We have been really well-received,” Novak said. “There were a lot of bands who didn’t get it, but they seemed to love us. It really has opened up a lot of doors for us and it feels good.”

    The band has been playing World of Beer up and down the coast, and Novak said that has helped them grow and become more visible, but won’t pat herself on the back too much.

    When asked if the combination of an attractive young singer with a powerful voice mixed with a seasoned guitarist makes the band an easy sell, Novak did not agree.

    “No, I don’t think we’re just an easy sell,” she said. “I think people are still trying to figure us out.”

    I met Novak when I first moved to Syracuse in 2011. She got me some assignments with the newspaper, and we started jamming together with a mutual friend. We used to play on my front porch for hours at a time, repeating “Friend of the Devil,” “Folsom Prison Blues” and even Phish’s “Waste” among other songs. What struck me the most about Novak was her enthusiasm to keep playing and honing her skills

    What I recall from that time was seeing Novak develop a passion for making music that has grown into an obsession. She’s played in Syracuse group Master Thieves and Jess and the Beards in the last few years, and the evolution of her as a musician is easily visible. If you ever take advice from a music writer, take this: Get out and see Novak and Golden on Saturday, before they get really big and popular. Because that will happen.

    The group’s dedication may just set the band ahead of others, as they are constantly announcing new shows or hosting open mics in Syracuse or jamming with other local musicians. It shows in Novak’s smile, and Golden’s soloing face.

    “For Golden and I especially, we’re always going, meeting new people,” Novak said. “We’re always trying to promote new shows, and that’s a lot of the fun in this. Our live show if fun; it’s just different.

    “There are a lot of great musicians around here, but not all of them travel like we do. In the near future, I would like to be opening for a huge act!”

  • Strawberries & Song, Live on the Lawn at Judson Meadows in Glenville

    Strawberries and Song, with music on the last Tuesday of each month this summer, is a new music series coming to Glenville, NY, outside of Schenectady. Events are held at Judson Meadows Assisted Living home from 6:30 – 8:00 p.m., with vendors onsite for each show.

    The lineup:

    Tuesday, June 30th — The Nellies (Bluegrass/Alt Country Night)
    Tuesday, July 28th — The Hot Club of Saratoga (Jazz Night)
    Tuesday, August 25th — The Tichy Boys (Oldies Rock & Roll Night) feat. John Tichy of Commander Cody

  • Seven Day Music Marathon, Day 1: Black Mountain Symphony

    Throughout this week, I’ll be seeing one show a night in the Albany area, aiming for seven shows in seven days. Here is Night one of a marathon week of music.

    Black Mountain SymphonyStarting the night at The Low Beat was Dylan Jane, a singer/songwriter with Liz Phair lyrics and a slightly raspy voice. She brought up a mandolin and fiddle player for her last three songs which were the strongest of the night – the mix of string instruments and Dylan’s voice are a natural combination. Looking forward to seeing her down the road.

    Cobblestone, a folk/Americana band with a touch of Lumineers worked in, picked up the energy with a dialed back version of Bob Dylan and Old Crowe Medicine Show’s “Wagon Wheel” and a great cover of “Uptown Funk.”

    Black Mountain Symphony, a six-piece folk group with a strong jam edge were consistent and had crazy energy in a Railroad Earth style. The songs built up in tempo with a Appalachian/Hackensaw Boys vibe, including a very danceable version of “Rhiannon” and a big closer with the original “We the People,” off their recently released album. All together, a lively start to a week of music.

  • Hearing Aide: Wild Adriatic ‘Never Enough’

    Saratoga area trio Wild Adriatic haven’t stopped picking up speed in the past few years, gaining fans worldwide with their contagiously fun and dance-able yet heavy in just the right ways blend of blues, soul and good ol’ straight up rock ‘n roll. They released a full length album in January 2014 and since have been on the road almost non-stop, touring coast to coast and for the first time taking their live show overseas on a European tour. During a six-week residency in Austin, Texas they released a new five-track EP on March 17 titled Never Enough that is a fantastic sampling of the talents and sounds they bring to the table.

    wild adriatic never enoughThe title track to this release starts off with a big, dirty, head bang inducing guitar riff that will grab any listener’s attention whether they’re ready for it or not. Then when the sounds of Mateo Vosganian on drums and Rich Derbyshire on bass join in together, it’s clear that it’s time to crank the volume as loud as possible, because this band is about to show you a damn good time.

    The second track, “Strange Persuasions” slows down slightly, with hip swaying grooves. After an electrifying solo towards the end of the song, when guitarist/vocalist Travis Gray comes back in with the words “Tell me now do you want me?” you can envision the ladies in a crowd nodding, weak in the knees after the shredding that just swept them off their feet. Then they let the listener down softly for a moment with the ballad “Because of Me” showing that although good times are what they’re known for, they’re equally able to melt every heart in the room. The last-minute of the song Gray lets his guitar take a verse, showing that his playing can portray the same level of emotion as his soaring falsetto vocals.

    The fourth track, “Trouble” full of hard-hitting yet intricate drum fills, funky keys, pulsing bass lines and rocking’ riffs, is a song that in the live setting would be a challenge for anyone to sit still through. This release is short and sweet, and for a new listener, an ideal introduction to what this band on the rise has to offer. Yet the studio version of this trio is only a fraction of the band that they are on stage, a true powerhouse of sound and energy where they take their songs to new levels in each performance.

    Oh, and there’s also a cover of Bill Wither’s “Ain’t No Sunshine” but not much needs to said about that. When this trio decides to do a cover, they fill it with soul, make it their own, and exceed all expectations.  From releases to live performances, everything Wild Adriatic does continues to set the bar higher and higher for the band. They are truly a band to watch this year and beyond as they continue to grow their sound, picking up influences and styles as they continuously hit the road running. With their intense touring schedule, it’s likely they’ll be in a town near you soon, but until then, Never Enough will keep you smiling, dancing, and singing along from whatever speakers you’re blasting it from.

    Never Enough is available at wildadriatic.bigcartel.com and via iTunes.

    Wild Adriatic have announced tour dates through August, including Bonnaroo (Manchester, TN) and Summer Camp (Chillicothe, IL). Full list of dates can be found at wildadriatic.com