Day 1: Arrival to Chillicothe, just north of Peoria, IL, took 16 hours from Albany, and while the drive may seem daunting, it wasn’t that tough of a trip. Back in the 1990s and early 2000s, if you wanted to go to a music festival or travel to see a band, you had to drive out of your comfort zone for the experience. What has become common place, seeing festivals within an hour or two of where you live, used to be far from reality. This may sound like a ‘back in my day’ mantra, but making this drive brings back the allure of the destination driving the journey, something that has become less frequent with the rise of music festivals and cost of travel. Read more
Day 2: Friday at Summer Camp was a day to reconfigure, reassess and prepare for the onslaught of music that was ripe for the choosing. Now that your on site presence was established and something resembling a campsite had been formed among friends and neighbors. The weather was pristine: sunny skies, a passing cloud, a little dusty but it definitely felt like summer had arrived. Read more
Day 3: It is now Sunday morning and to recap what went down on Saturday at Summer Camp, here’s a play-by-play morning until late night.
10am: wake up after three hours of sleep and sunrise kickball. Feel refreshed, not exhausted. Breakfast of banana, yogurt, life cereal and yerba mate and I am ready to roll.
11am: Head to the church (media area) and get writing my review of Friday. Read more
Day 4: The final day of Summer Camp featured some of the largest acts on the lineup and two regular contributors to the festival: Rain and wind. Even with the beautiful weather the past few days a little rain was expected, if not needed. A strong storm cell blew through around 1pm, causing minor delays in the music while cooling down the festival grounds and erasing the dust that had been ever present during the weekend. Strong winds tested the strength of tents and EZ-Ups, with gusts barely ceasing until fans began to load out on Monday. After three days of near-perfect weather, it was a refreshing change of pace. Read more
The final day of Summer Camp featured some of the largest acts on the lineup and two regular contributors to the festival: Rain and wind. Even with the beautiful weather the past few days a little rain was expected, if not needed. A strong storm cell blew through around 1pm, causing minor delays in the music while cooling down the festival grounds and erasing the dust that had been ever present during the weekend. Strong winds tested the strength of tents and EZ-Ups, with gusts barely ceasing until fans began to load out on Monday. After three days of near-perfect weather, it was a refreshing change of pace.
moe.’s rain-delayed set with Bruce Hornsby featured “New York City” and five Grateful Dead songs: “Sugaree,” “Loser” and the trio “Help on the Way” > “Slipknot” > “Franklin’s Tower.” Bruce then came out with The Noisemakers for his own set of originals and classics. Steve Miller Band treated an enormous crowd to a slew of hits, including “Jungle Love,” “Abracabadra” and the less well known “Sugar Babe.” It was hard to find anyone not singing along to or bobbing their head to these classics.
On the Sunshine Stage, Yonder Mountain String Band treated fans to a set that highlighted new member Allie Kral (Cornmeal) who sang lead on “Son of a Preacher Man” and “Jolene” before closing with an enthusiastic “Casualty.”
Widespread Panic’s eagerly anticipated sets were nothing short of fantastic and treated first-timers to impressive jamming of songs that typically got a more standard treatment. Opening up with a jam that worked into “Little Kin” and represented tighter segues than in past years, especially from “Action Man” > “Pleas”. The second set opened with “Junior” > “Second Skin” and a monster jam during “Rebirtha” and the newer song “Honky Red.” Widespread Panic could be in the middle of a band renaissance, due in part to Duane Trucks’ presence behind the drum kit for the past year. John Bell thanks the rain gods for holding off during their set, which may have tipped the gods off because shortly afterwards, the skies opened up once again to cool the hot night down.
The Starshine Stage featured the progressive jamgrass of Greensky Bluegrass, who tore through Traffic’s “Light up or Leave me Alone” with a jam of “Tweezer Reprise” in the middle. Meanwhile at the Moonshine Stage, Big Gigantic brought the house down with an impressively loud set, similar to Griz’s set on the Sunshine Stage. If you needed a bit more moe., there was plenty to be had during their final set from 12:30 am to 2 am, highlighted by “Do or Die” featuring breakout group Here Come the Mummies joining the band onstage.
On the VIP stage, Twiddle invited Scott Hannay of Mister F to sit in during “Apples,” to which keyboardist Ryan Dempsey cartwheeled off stage. Hannay sat in later that night with Twiddle, along with Dan Shaw from The Werks on keys at the Campfire Stage during “Mamunes the Faun”.
The final set of the night to check out was North American Scum, an LCD Soundsystem cover band who might be the best band to close out Summer Camp. Members of the group are formerly of This Must be the Band, a Talking Heads band from Chicago, who have traditionally played one of the final sets at Summer Camp. This incredible two hour set featured the entire Sound of Silver album and, because everyone else was playing Grateful Dead songs, a spirited version of “Scarlet Begonias” to cap the night.
Monday morning came and the campgrounds were half abandoned with dreary and exhausted looking fans milling about their sites, packing up tents, deciding what property would be left behind to make the trip to the parking lots easier. By late Monday, Three Sisters Park was vacated and the cleanup beginning in earnest. With all the memories from this year’s festival, one full year until Summer Camp 16 doesn’t seem too far away.
Check out our coverage of all four days of Summer Camp 2015
It is now Sunday morning and to recap what went down on Saturday at Summer Camp, here’s a play-by-play morning until late night.
10am: wake up after three hours of sleep and sunrise kickball. Feel refreshed, not exhausted. Breakfast of banana, yogurt, life cereal and yerba mate and I am ready to roll.
11am: Head to the church (media area) and get writing my review of Friday.
12pm: Review submitted. I head over to the Camping Stage with camp counselor Nick Stock and catch American Babies. Good stuff, somehow I don’t see them often enough despite playing back in Albany somewhat frequently. Good catching up with Nick too – sometimes you have to meet halfway across the country to hang with your friends.
1:00pm: Field Day. Team Purple with Mer, Mitch, Lisa and two guys from Miami (Ohio) among others. Listened to Orphic during Capture the Flag, Floodwood during Spelling Bee.
3:30pm: Back to the Sunshine Stage for The Floozies. My friend Carrie was talking about them for weeks and for some reason I felt like they were some local/regional band playing hokey rock. This couldn’t have been farther from reality. A drummer and guitarist manning a laptop made for a sick duo ala Big Gigantic. The crowd was in love and rage sticks were everywhere.
4:00pm: Amazeballs Mini-golf! Jason K has an awesome addition to Summer Camp and many other music festivals. In addition to 15 holes you have an opportunity to Make a Difference and win a pair of VIP tickets for Summer Camp 2016. This was a lot of fun.
5:00pm: Back over to Vibe Tent to see how Field Day ended – Red and Yellow were neck and neck, Purple was out of the running but we did clean up the most cigarette butts. Milk n Cookies were playing on the Vibe stage – this is easily the best tent to discover brand new music, especially if you like DJs and EDM.
5:30pm: I meet up with John and head backstage for Joe Russo’s Almost Dead (JRAD). Despite numerous opportunities over the past year, I still haven’t seen them. By 7:00pm I’ll understand the hype. Choice covers of “Viola Lee Blues” and “The Eleven” stood out, with Russo leading the charge on drums. This was phenomenal. Stopped and chatted with Scott Hannay from Mister F and Evan from Aqueous before heading up to the Relix tent with Stephen.
8:00pm: Finally back to the site for a short break, time to decompress and change for the night’s music. Washed my face and got some food to prepare for the next six to eight hours. Listened to Victor Wooten’s set from the Starshine Stage (central camping location is perfect for not missing music on four of the seven stages). Wooten’s set seemed a little soft, but then he dropped a few Sly and the Family Stone songs to close it out. I still think his sit-in with STS9 Friday night was a highlight of the fest.
9:00pm: I head to the pit for Umphrey’s. Lighting designer Jeff Waful clears rage sticks from his sightline. There is dude about four rows deep front row keeps singing ‘Party with my dick out’ and no one thinks this is out-of-place. He keeps it up until the lights go down. Umphrey’s opens with “Plunger,” “Pay the Snucka” and “Higgins”. I head backstage for a few, enjoy a couple of beers and catch up with Chicago friends.
10:15pm: Head to pick up my charger at the Relix tent (thank you guys) and try to make it back for The Werks. This band still eludes me. Meet up with Erika, Drew and Phil at the site and head back over for the final set of Umphrey’s.
11:00pm: A “Wappy Sprayberry” opener sets the tone for the rest of the night, “Divisions” has great build and peaks upon peaks, but the encore was the highlight of the night – “Glory > Divisions > ‘Jam for Jesus’/A Love Supreme (for a dude in the crowd) > Divisions”.
12:30am: Beers at the site and then down to Moonshine Stage for moe. I remember a big segue into “Meat”. Saw a few familiar faces from New York in the crowd. The crowd for moe. at Summer Camp is larger than any moe.down I attended. Midwest moe. fans are a fun bunch.
2:00am: I walk to my car to get my rain gear with a forecast of showers during the day on Sunday and Monday. This proved to be a great choice since, as I write this review, a thirty-minute downpour passed by. At least the dust won’t be an issue.
3:00am: Back to the site, I lay down on a bench and listen to a brief shower pass by. This was the perfect way to relax after a long, long day. I am exhausted but beyond excited for Bruce Hornsby, Yonder Mountain String Band and Widespread Panic.
Friday at Summer Camp was a day to reconfigure, reassess and prepare for the onslaught of music that was ripe for the choosing. Now that your on site presence was established and something resembling a campsite had been formed among friends and neighbors. The weather was pristine: sunny skies, a passing cloud, a little dusty but it definitely felt like summer had arrived.
Music wise, it was a day long effort to see as much music as possible. Highlights included moe. getting things going and filling the bowl on the Moonshine Stage with “Buster” and “Captain America,” Oteil Burbridge and Roosevelt Collier making for a fantastic groovy duo. Deep bassy trance from Citizun; high energy bluegrass via Old Shoe, in the Soulshine Tent, and Xavier Rudd and the United Nations combining funk and world music for the highlight of the day.
But wait, there’s more!
Umphrey’s opened their first set of the weekend with “Mulche’s Odyssey”. Debuted a new song from UMBowl VI, “Remind Me” and a raging “Bad Friday”; Bassist Ryan Stasik effortlessly posing and strutting on the stage. For the second set, Umphrey’s brought up Gene Ween for GODBONER, with Gener singing “Spinal Meningitis,” “Baby Bitch,” “Voodoo Lady” and a surprisingly awesome cover of Billy Joel’s “The Stranger”. Set three was highlighted by “Phil’s Farm > Upwards > Phil’s Farm” and an encore of “Slacker”.
But if you weren’t at Umphrey’s, there were still some hidden gems to catch. While I was bummed to miss Krewella’s set, so were the fans who complained about the high energy duo on the lineup. Aqueous played to a more intimate crowd for the diehards compared to Thursday at the Camping Stage, blasting off a “Master of Puppets” cover to close the set. Dopapod played a tweener set on Starshine stage, raging a “Vol. 3 #86”.
Then the night got late. EOTO was a lot of noise and lasers, so STS9 was the preferred destination for the night. This band with new bassist Alana Rocklin, played one of the best all around sets, and is an improvement on the musical priapism that was sts9 of old. An unexpected Victor Wooten sit in was the icing on the cake.
Daft Rock – Future Rock performing a full set of Daft Punk made the Soulshine Stage a dusty haven for ‘A’ game dancing. With hits and a few deep cuts, Future Rock curated a set that was more than cursory covers of the legendary EDM duo. It felt like a club show with accelerated live mixes of Random Access Memories tracks. The Midwest has some hidden gems that are hard to compete with.
The annual tradition of sunrise kickball began with Ryan Stasik hosting a who’s who of who’s still awake. It was worth the spectacle if you were still awake, but after a day like Friday, it understandable if you caught rest while you could.
Time to get some sleep and prepare for what awaits on Saturday – Field Day, more moe., Umphrey’s, JRAD, The New Deal, The Motet and late night from Pink Talking Fish.
The 15th annual Summer Camp is off to a great start amid beautiful albeit chilly weather in Central Illinois. Thousands arrived late Wednesday night and throughout the day on Thursday for the unofficial start to summer music festival season throughout the country.
Arrival to Chillicothe, just north of Peoria, IL, took 16 hours from Albany, and while the drive may seem daunting, it wasn’t that tough of a trip. Back in the 1990s and early 2000s, if you wanted to go to a music festival or travel to see a band, you had to drive out of your comfort zone for the experience. What has become common place, seeing festivals within an hour or two of where you live, used to be far from reality. This may sound like a ‘back in my day’ mantra, but making this drive brings back the allure of the destination driving the journey, something that has become less frequent with the rise of music festivals and cost of travel.
The only issue with arrival at a festival such as Summer Camp is that once you arrive, you still have to get your gear searched and set up camp, adding to any exhaustion and surfeit crankiness. The line to get into Summer Camp involves a thorough search for alcohol, among other contraband items; while the check-in was expanded, we stood in line for six hours before our gear was finally given the thumbs up. There wasn’t much music we missed as a
result but the exhaustion took a toll, especially without shade from the bright sunny day. Chicago Funk Mafia performed on a stage near the check-in area to entertain the thousands in line.
Once inside and setup between the Sunshine Stage, Starshine Stage, Vibe Tent and Camping Stage. A money location. We caught Capital District rockers Wild Adriatic on the Starshine Stage who had the attention of the crowd with “Strange Persuasions” and a cover of Bill Withers’ “Use Me”. Family Groove Company, one of Chicago’s finest jam acts for over a decade, opened their set with an extended instrumental jam on “Thriller” bringing up the Third Coast Horns for much of the set. If you missed them on Thursday, see them Saturday on Starshine Stage at Noon for a perfect wake up to the day.
Floodwood performed a Grateful Dead set, including “Cumberland Blues,” “New Speedway Boogie,” “Casey Jones,” and others. Vinny Amico and Al Schnier mixed things up and swapped roles with Al on drums and Vinny on vocals. I had to miss some of the set in order to catch yet another New York State act, Aqueous, on the Camping Stage. The handful of fans I talked to seemed to enjoy a band they were seeing for the first time, and were treated to a set of “Underlyer, Complex Pt. 1, Fame > Origami > Don’t Do It”.
Back at the Starshine Stage, Future Rock, one of the best livetronica trios you’ll ever see, closed out the Starshine Stage for the night, pounding out incredible dance music with no chill. Late night had options for The Red Barn: Dopapod, Turbo Suit & Friends, and Manic Science. I rested up and got ready for DJ no DJ, a Daft Punk cover band made up of members of This Must be the Band, among others. You won’t see Daft Punk touring these days, and this might be the next best thing to a local band covering “Get Lucky”. Name a Daft Punk hit and they have it covered and covered WELL. The Soulshine Tent was the place to be latenight for one of the true treats of Summer Camp.
More music is planned for Friday, starting with moe. kicking off the Moonshine Stage and Umphrey’s McGee on Sunshine Stage, among many, many other options. Stay tuned for more updates via NYSMusic’s Facebook, Twitter and Instagram.
Whether or not you have a ticket for one of the Grateful Dead’s Fare Thee Well shows at Soldier Field -Chicago will be the place to be 4th of July weekend. The windy city will host dozens of after shows and one very special art event. Part of the mix for the Dead Head invasion of Chicago is “PhanArt Presents: In All Good Company, Celebrating 50 Years of Grateful Art.” The one-of-a-kind free art show will take place Friday, July 3 through Sunday, July 5 2015 from 12pm-6pm daily at the Congress Plaza Hotel in Chicago, IL – only a mile from Soldier Field.
Exhibited art includes limited edition posters, clothing, pins, tye-dyes, books, photography and other unique Grateful Dead inspired art from a variety of vendors and artists. Musical performances from Chicago bands Jack Straw and Under the Willow will compliment the artists throughout the art exhibition.
The lineup of artists and exhibitors for “In All Good Company” so far includes:
John Warner Art
Phil Kutno
Richard Biffle
Rhoney Stanley
Tye-Dye by Courtenay Pollock
Uncle John’s Outfitters
Tripps Prints
Kingpin Designs Good Thoughts Printing
Not Fade Away Artwork
Michael Boyer
Dr. Wookles
Serlo Studios
Pin Me Down Dead Images by Robbi Cohn
Heady Teddy’s Outfitters
Erin Cadigan
The Shakedown Shop
Andrew Bryant
Pinsanity
Get Shit Done
Scott Harris Photo
Eden’s Rose Foundation
Grateful Girls Scarves
Zenster
Memorial Day weekend is almost upon us and despite all the festival potential in store across the Northeast, the Midwest holds one of the best festivals of the year – Summer Camp Music Festival. Now in its 15th year. Summer Camp has become the Midwest’s number one destination for all things jam, rock, electronic, bluegrass and plenty of general partying and hollerin’.
There’s a lot going on this year at Summer Camp, including some just announced improvements and rules changes that fans need to be aware of. Read here for a detailed list, but take note of the following in particular:
Entry: A new main gate setup and more efficient entry procedures will allow for quicker and easier entry this year.
Vibe Tent: To accommodate some of the massive EDM artists playing this year’s festival, expect a bigger-than-ever Vibe Tent! From the production and sound, to the stage and the tent itself, Summer Camp has expanded and fine-tuned every element of the stage.
Charge your cellphone on site with Solar Go’s Custom USB Recharging Batteries: Order your battery now and it will be charged and ready when you arrive. Then, each day you can exchange it for a fully charged one, and at the end of the festival you take it home with you.
Chinese Fire Lanterns are banned!: Due to safety concerns (and common sense) these have been added to our prohibited items list, and will NOT be allowed at Three Sisters Park!
You can access the Summer Camp schedule here and use the app for IOS or Android to build a customized music schedule.
Of course, the music and activities at Summer Camp are the reason you are coming, not to block the view of Jeff Waful with your ragestick (leave those home too) so here are the Top 15 acts and events not to miss at Summer Camp 15.
15. Keller Williams / Keller Williams & Grateful Grass
With the release of his latest album Vape, Keller is back with new material and a Dead set with Grateful Grass that offers anything but the traditional Grateful Dead covers. Being the Dead’s 50th year, expect plenty of tributes to the Grateful Dead at this year’s Summer Camp. (2am Friday, Campfire Stage // 5pm Friday, Moonshine Stage)
Increase your social and environmental awareness as you make a difference at Summer Camp this year in a variety of ways. Check out non-profits, help clean the grounds, take part in the treasure hunt, and spread the word! Summer Camp is a great way to have a blast and kick off the summer, as well as do a good part for your community! (Throughout the weekend, Soulshine Tent)
13. Pink Talking Fish
We have had the luxury of Pink Talking Fish playing a bevy of shows in their native Northeast, and checking them out at Summer Camp will be a real treat whether you have seen them or not already. Combining Phish, Talking Heads and Pink Floyd songs in unique ways – you won’t be disappointed. (2am Saturday, Soulshine Tent)
12. Krewella
I haven’t seen Krewella, but given the amount of vitriol some fans gave the female electronic duo when they were added to the lineup, even going so far as to start a petition to have them removed from the lineup, now I REALLY want to see them. I enjoy EDM and don’t pass judgment until I see music live, and with the duo hailing from near Chicago, IL, they are now a must see. (9pm Friday, Moonshine Stage)
11. Field Day
Akin to Camp Bisco’s Color Wars, Field Day is a great friendly competition that features dodgeball, capture the flag, a spelling bee, a Manolo’s Pizza & Empanadas eating contest, and more! Pre-register here and Go Purple! (12pm – 5:30pm Saturday, 312 Beer Garden next to Vibe Tent),
10. Wild Adriatic
One of the best bands to come out of Upstate New York, Wild Adriatic has played SXSW and will perform at Bonnaroo this summer, and are well-known throughout the Northeast for rocking sets and choice covers, including “Ain’t No Sunshine”, featured on their new EP Never Enough. (5pm Thursday, Starshine Stage)
9. North American Scum
If you love LCD Soundsystem even a little bit, you have to stay awake on Sunday and catch North American Scum. I saw them in Chicago last July and was blown away – it’s as close to the real deal as you can get. Watch below and see for yourself (2am Sunday, Soulshine Tent)
Music festivals have been waiting for this one – mini-golf! Amazeballs Amusements is an awesome addition to Summer Camp and will host a unique 15 hole miniature golf course in honor of Summer Camp Music Festival’s 15th Anniversary. Bonus: the mobile mini golf course will be free to play all weekend! Proceeds from Sunday afternoon will benefit a special Make a Difference Drive. Stop by the Soulshine Tent, cool down in the shade or avoid the rain while hitting some balls. (Daily 10am-6pm)
7. Aqueous
Making their return to Summer Camp with two full sets on Thursday and Friday, this Western NY jam has a great summer tour ahead of them and a thriving fan base that Umphrey’s fans have begun to take note of, and for good reason. See the band NYSMusic named their 2013 Band on the Rise. (8:30pm Thursday and 8pm Friday, Camping Stage)
6. Family Groove Company
Chicago has a presence at Summer Camp, and for good reason. The number of bands that have come out of the Windy City in the past 15 years is remarkable, and Summer Camp offers a chance to see some of the best. Family Groove Company is a stellar jam band, offering a complete sound, especially with Janis Wallin rockin the bass. (6pm Thursday, 12pm Saturday, Starshine Stage)
5. Umphrey’s McGee and GODBONER
Umphrey’s has played their festival since the beginning, so naturally they are on the list. With The London Session and UMBowl VI in their rearview, expect 4 incredible sets, along with a bonus – Gene Ween joins Umphrey’s for GODBONER! (6pm, 7:45pm & 9:45 pm Friday, 9pm & 11pm, Sunshine Stage)
4. Yonder Mountain String Band
With a lineup recently made official, adding Allie Kral (fiddle) and Jacob Jolliff (mandolin) and new album Black Sheep due out this summer, Yonder’s daytime set at Summer Camp is a must attend, and with a slightly different sound but the same vibe and jamgrassy goodness you love, you’ll want to see where the new lineup takes them. (2:45pm Sunday, Sunshine Stage)
3. Future Rock/Daft Rock
Future Rock is a fantastic electronic trio from Chicago and the fact they are playing two sets insists you see at least one of them – but their third set, as Daft Rock, is the one that is truly intriguing and why they are #3 on the list. A set of Daft Punk from this talented trio is going to be one of the highlights of Summer Camp, guaranteed. (Future Rock – 9:30pm Thursday, 12:30am Saturday – Starshine Stage // Daft Rock 2am Friday, Soulshine Stage)
2. Widespread Panic
The past two years have seen Widespread Panic turning out some of the hottest shows and tours in recent years with a strong connection between Jimmy Herring and Butch Trucks (filling in for Todd Nance on drums) leading to jams that are beyond what the Southern rockers have been known for in previous years. Get floppy with Panic! (7pm & 9pm Sunday, Sunshine Stage)
1. Bruce Hornsby and the Noisemakers/moe with Bruce Hornsby
Music legend Bruce Hornsby brings The Noisemakers, playing originals and covers with his iconic voice, but his set with moe. will be the most looked forward to set this Summer Camp, simply for the potential of what is in store. A band such as moe. playing along with the piano and voice of Bruce Hornsby is one of the best collaborations to come out of music festivals since Steve Winwood joined Widespread Panic at Bonnaroo 2002. Don’t miss this one! (1:15pm & 3pm Sunday, Moonshine Stage)
Summer Camp Music Festival has released their Daily Schedule and now the tough part begins – among these 100+ bands over 4 days, who DO you see? While the Soulshine and VIP schedules have yet to be announced, check out the schedules for each day at the Starshine Stage, Vibe Tent, Campfire Stage, Camping Stage and Red Barn. Acts in Bold are NYSMusic’s Don’t Miss artists for the 2015 installment of Summer Camp Music Festival. Buy your tickets now.
Thursday, May 21
STARSHINE STAGE
2:00 PM Chicago Funk Mafia
3:30 PM Dead Language
5:00 PM Wild Adriatic
6:30 PM Family Groove Company
8:00 PM Floodwood
9:30 PM Future Rock
VIBE TENT
1:00 PM The Dawn
2:30 PM Moontang
4:00 PM Fanny Pack
5:30 PM Hog Magundy
7:00 PM Ifdakar
8:30 PM Artifakts
11:00 PM Sun Stereo
12:30 AM KREACH
1:00 AM DJ AMPlifi
2:00 AM Positive Vibr8ions
3:00 AM Filibusta
CAMPFIRE STAGE
1:30 PM Earphorik
3:00 PM Abnormous
4:30 PM The Accidentals
6:00 PM Fox Valley Harvest
7:30 PM Yojimbe
9:00 PM The Werks
11:30 PM The Nth Power
1:30 AM The Infamous Stringdusters
CAMPING STAGE
1:00 PM Blake Gardner & The Farmers
2:30 PM Business As Usual
4:00 PM Little Pizza
5:30 PM Hyryder
7:00 PM Homestretch Ride
8:30 PM Aqueous
10:00 PM Horseshoes and Hand Grenades
RED BARN
11:00 PM Dopapod
12:45 AM Turbo Suit
2:30 AM Manic Science
Friday, May 21
MOONSHINE STAGE
2:30 PM moe.
5:00 PM Keller Williams and Grateful Grass
7:00 PM Trampled By Turtles
9:00 PM Krewella
11:15 PM EOTO
SUNSHINE STAGE
1:00 PM The Infamous Stringdusters
3:45 PM Xavier Rudd & The United Nations
6:00 PM Umphrey’s McGee
7:45 PM GODBONER MEETS GENE WEEN
9:45 PM Umphrey’s McGee
12:30 AM STS9
STARSHINE STAGE
1:00 PM The Nth Power
3:00 PM Oteil Burbridge & Roosevelt Collier
5:00 PM Trigger Hippy
7:00 PM Dopapod
9:00 PM Papadosio
11:00 PM Karl Denson’s Tiny Universe
VIBE TENT
12:00 PM Mass Relay
2:00 PM Filibusta
4:00 PM Louis Futon
6:00 PM Klingande
8:00 PM Break Science
10:00 PM Manic Focus
12:00 AM Destructo
1:00 AM Brodinski
2:00 AM Tchami
3:00 AM Claude VonStroke
CAMPFIRE STAGE
12:00 PM Cirrus Minor
1:30 PM SOAP
3:00 PM Digital Tape Machine
4:30 PM Van Ghost
6:00 PM Horseshoes and Hand Grenades
7:30 PM Jakubi
9:00 PM The Main Squeeze
11:00 PM All Them Witches
12:30 AM Keller Williams
2:00 AM Trigger Hippy
CAMPING STAGE
11:00 AM Electric Orange Peel
12:30 PM Bones Jugs N Harmony
2:00 PM 28 North
3:30 PM Citizun
5:00 PM Consider the Source
6:30 PM Koa
8:00 PM Aqueous
10:00 PM Modern Measure
RED BARN
1:00 AM moe.
2:45 AM theNEWDEAL
Saturday, May 23
MOONSHINE STAGE
2:00 PM Freeman
3:45 PM A-Trak
5:30 PM Joe Russo’s Almost Dead
7:45 PM Violent Femmes
10:00 PM moe.
12:30 AM moe.
STARSHINE STAGE
12:00 PM Family Groove Company
2:00 PM Floodwood
4:00 PM Turkuaz
6:00 PM The Motet
8:00 PM Victor Wooten
10:00 PM The Werks
12:30 AM Future Rock
VIBE TENT
1:00 PM Orphic
3:00 PM NADUS
5:00 PM Milk N Cookies
7:00 PM Hermitude
9:00 PM Protohype
11:00 PM Bakermat
12:00 AM Liquid Stranger
1:00 AM Bondax
2:00 AM Kill The Noise
3:00 AM Snails
CAMPFIRE STAGE
12:30 PM Joe Hertler & The Rainbow Seekers
2:00 PM Old Shoe
3:30 PM Caravan of Thieves
5:00 PM Tauk
6:30 PM Sun Stereo
8:00 PM Judah and The Lion
10:00 PM Sinkane
12:00 AM Elliot Moss
2:00 AM Kung Fu
CAMPING STAGE
12:00 PM Go!Tsunami
1:30 PM American Babies
3:00 PM SPREAD
4:30 PM Fergus Daly Band
6:00 PM The Way Down Wanderers
7:30 PM Crow Moses
9:00 PM Indigosun
RED BARN
1:00 AM The Floozies
2:30 AM STS9
Sunday, May 24
MOONSHINE STAGE
1:15 PM moe. with special guest Bruce Hornsby
3:30 PM Bruce Hornsby & The Noisemakers
5:30 PM Steve Miller Band
8:00 PM Cherub
10:30 PM Big Gigantic
12:30 AM moe.
STARSHINE STAGE
2:00 PM Turnpike Troubadours
4:00 PM Dumpstaphunk
6:00 PM Nahko and Medicine for The People
8:00 PM Here Come The Mummies
11:00 PM Greensky Bluegrass
VIBE TENT
1:00 PM DJ McFly
3:00 PM Positive Vibr8ions
5:00 PM Gibbz
7:00 PM Wick-It The Instigator
9:00 PM Klevah
10:00 PM Haywyre
1:00 AM Black Tiger Sex Machine
2:00 AM Paper Diamond
3:00 AM Sound Remedy
CAMPFIRE STAGE
12:30 PM Edward David Anderson
2:00 PM Matthew Curry
3:30 PM Chicago Farmer
5:00 PM Brainchild
6:30 PM Pigeons Playing Ping Pong
8:00 PM Jon Wayne and the Pain
10:00 PM Earphunk
2:00 AM Twiddle
CAMPING STAGE
12:00 PM Strung Like A Horse
1:30 PM American Aquarium
3:00 PM Flaccid
4:30 PM Melk
6:00 PM Church Booty
7:30 PM The Heard
9:00 PM ProbCause
RED BARN
4:30 PM Everyone Orchestra
1:00 AM The Motet
2:30 AM Big Gigantic and Friends featuring Cherub & Griz
April 18, 2015 was a celebratory day for music in America. Not only was it National Record Store Day throughout the nation, it also was the 30th Annual Rock & Roll Hall of Fame Induction Ceremony. Each year the Rock and Roll Hall of Fame, located in Cleveland, Ohio, honors musicians and those in the music industry with the highest accolades possible. For the last thirty years, artists have come home to this regal glass structure to accept recognition from an industry and loving fans, and add their names to the glass wall.
Recently, I ventured on a journey to this mecca of sorts to see and experience the destination of the Rock & Roll Hall of Fame. This amazing glass sculpture erected on the banks of Lake Erie, stands majestically. The architectural design of the facility matches the creativity of those it honors. Designed by renowned architect I.M. Pei, “it is a composition of bold geometric forms and dynamic cantilevered spaces..anchored by a 162-foot tower. The tower supports a dual-triangular-shaped glass “tent” that extends (at its base) onto a 65,000 square-foot plaza, providing a dramatic main entry facade”. The building is spectacular. Its 55,000 square feet of exhibition space and administrative offices encapsulates the vitality of rock and roll and becomes a worthy accommodation to house all the memories of where the innovation of music and rock and roll began here in America.
Welcomed by the staff, and given a quick overview of upcoming exhibits and projects to look forward to in the very near future, I was sent on my way like a kid in a candy store to view each and every square inch. I immediately was greeted with photos and music of the great Louis Armstrong, Nat King Cole, and so many other legendary musicians who made a footprint on music history in an exhibit of “The Roots of Rock”. As I listen on the most high quality apparatus, it transformed me back into the times when the juke joints were hopping and the nightclubs were popping.
This road of discovery of American music was paved out splendidly in the “Cities and Sounds” exhibit. I felt as though I was traveling along a pathway of how it unfolded over the course of time. It shared details along the way of how rock and roll wasn’t always socially acceptable (what?!!), and how rock and roll itself made a journey of diversification from the sounds of Hank Williams Jr. and Ray Charles, to Elvis and Hip Hop legends. While along the way sharing tangible pieces to help visually transcend there. It demonstrated an evolution of musical instruments, the means in which music was brought to listeners, as well as featured those iconic voices on the radio we came to know personally. In exhibits outlining these DJ’s and these mediums of music, you couldn’t help think of how far we had come since it’s inception.
Your path took you through cities that spawned unique sounds and started cultures of their own. First stop, Memphis with Johnny Cash, then off to Detroit and the Motown sound. After that, you hop across the pond to London (Liverpool) where the Beatles and Hermans Hermits introduced us to a new culture of the English influences. Making our way back to the west coast we saw San Francisco in the 1960’s and influences of artists like the legendary Santana, before making our way down to LA where we are greeted with Stevie Nicks, Momma Cass, the Eagles, and Linda Ronstadt. As we travel down these pathways of “Cities and Sounds”, we see a new focus of life emerging not only in the cities in which these artists came from, we also see a transcendence of sounds throughout the years and how they evolved and took bits and pieces of other genres to create unique sounds.
London in the ’60s and London in the ’80s brought us whole new experiences with artists. The sounds of the ’60s coming from Liverpool and London from the Beatles had evolved to the newer sounds of artists from both London and New York such as The Ramones, Blondie, The Sex Pistols, and Adam Ant. We also saw drastic changes as we go from sounds of Otis Redding and the R&B flavors, to the ’80s and ’90s with hard rock hair bands like Alice Cooper, AC/DC, to a whole new sound with Seattle’s grunge invasion of Nirvana, Pearl Jam, and Alice in Chains. These were sounds like nothing else we had ever heard before. I really enjoyed “The Music of Cleveland and The Midwest” exhibit, featuring musical stars such as Devo, Kansas, and Eminem to name a few. Musicians come from all over and to celebrate those from your hometown is so important. This demonstrates to those who may wish to pursue a musical career that those from your hometown had the same dream, went after it, and achieved it. As I reflected on all that I had seen while traveling through all the wonderful exhibits of the “Cities and Sounds” I felt as though I truly had transcended through time to gather an appreciation of how music had evolved in America. This ground floor exhibit space absolutely laid the foundation necessary to take in the rest of the museum while highlighting musical greats like Elvis, Jimmy Hendrix, The Beatles, Rolling Stones, The Doors, U2, and so many more.
One of the newest exhibits that I was super excited to take in was the “Paul Simon Words & Music” exhibit. Narrated in the fist person by Paul Simon himself, we learned first hand his musical journey while viewing and hearing the his story, his music, and his artifacts. To stand there and hear Paul Simon as I meandered through the memorabilia that included original writings, special photographs, a Grammy, and so much more gave me a very personal experience with this exhibit.
As a child of the ’60s, ’70s, and ’80s, I went through an entire process of musical transition from albums and single LP’s, to 8 tracks, cassettes, and then CD’s. I also was from the generation that first experienced MTV; you know, the channel that used to focus solely on music and music videos. One of my favorite exhibits was “Video Killed the Radio Star”. As you see below, this exhibit truly demonstrates our generation of videos. As I sat there with my son and his friends I couldn’t help but keep saying, “I remember that one, and that one…and that one.” Those of you that were with my generation will truly appreciate this exhibit as some of the most memorable videos flash upon a multitude of screens giving you visual overload.
As a musical photojournalist, the next area that truly excited me was the “Rolling Stone Magazine exhibit. Iconic covers of musical legends papered the walls here, igniting my dream once again to one day work for this iconic magazine. As we veer away from written news in today’s day and age, these covers, this medium of musical news, becomes so much more important to us as it may one day disappear altogether.
As we continued to move upward, you can’t help noticing the large Phish-furter flying high above you, or the cars dangling from the rafters above. This spectacularly open space creates areas and light for your eyes to constantly take in something amazing that had such cultural significance. As I came off the escalator on the third level, my musical senses became tingley as this is the floor in which all the Inductees are recognized. It must be a music journalist super power of some sort. Not sure what to expect, I was totally blown away by this exhibit and could have stayed there all day looking at the numerous famous signatures on the walls of those that have been inducted into the Hall of Fame over the course of the last thirty years. To me, it was the perfect way to highlight these greats visually. Spectacularly done, for spectacular individuals.
Finally making my way up towards the top of the museum, we unfortunately couldn’t go up to levels five and six as they were preparing those floors with new upcoming exhibits. At that point I was so blown away with what I had already experienced, that I felt that level four was the cherry on top of this musical cake of a day. Here I experienced music as part of an exhibit as I stood below “The Wall”, an exhibit dedicated to Pink Floyd’s song “The Wall”. This monstrous exhibit brought you right into the song as it played in the background, and as you made your way through the walkways underneath a gigantic creature, you found the lyrics to sing along to the song. Epic.
As I completed my tour of the Rock & Roll Hall of Fame, I couldn’t help feel proud of American music and the history that surrounds it. I knew immediately that I would definitely come back, and not just because they had a new exhibit scheduled to open “Herb Ritts: The Rock Portraits”, that would be featuring some of the unpublished works of rock and roll photographer Herb Ritts. Not because my son’s music program would be soon visiting to perform on the stage within. I just knew that one visit couldn’t possibly be enough to truly take it all in and digest it. I needed several visits, I needed more time, I needed to come back to celebrate our national innovations of Rock & Roll, R&B, Jazz, Blues, Country, and all music that is truly an American.
As I write this article a few months have passed since my visit and I purposely waited to tell you my story as I knew that the 2015 Rock & Roll Hall of Fame Inductions were quickly approaching and I wanted to share with you an experience and not just report on an event. The 2015 Rock & Roll Hall of Fame Induction Ceremony is now in its 30th years and this years inductees were once again among the elite in their fields and genres sharing their talents over a course of their lifetimes to their fans that couldn’t get enough. Last night’s event was spectacular, and the stage was peppered with the who’s who in the musical community paying tribute to those inductees. Those in attendance of the sold out event enjoyed amazing performances by Miley Cyrus and Joan Jett & The Blackhearts, Zac Brown and Tom Morello, Beck and Karen O., Leon Bridges, Green Days Billie Joe Armstrong, John Mayer, Gary Clark, Jr., and Bill Withers and John Legend. Presenters included Miley Cyrus inducting Joan Jett & the Blackhearts; Paul McCartney inducting Ringo Starr; Stevie Wonder inducting Bill Withers; Patti Smith inducting Lou Reed; Peter Wolf inducting the Paul Butterfield Blues Band; Fall Out Boy inducting Green Day; John Mayer inducting Stevie Ray Vaughan & Double Trouble, and Steve Cropper inducting the “5” Royales. Our sincere congratulations to all the Inductees from NYS Music.
If you have been on the fence as to where to go for a quick day trip, an extended weekend trip, or a full fledge vacation, I strongly urge you to take in the Rock & Roll Hall of Fame and Museum. Located in downtown Cleveland, this family friendly, walking city boasts not only this spectacular museum, it also has a rich cultural history and plenty to keep you busy. I suggest though that first thing on the list however must be a full day planned at the Rock & Roll Hall of Fame and Museum so that you have plenty of time to meander and read each and every piece there. This amazing state of the art facility, successfully brings to you not only “stories of the people, artifacts and events that shaped rock and roll — through Museum exhibits, materials in the Museum’s Library and Archives, traveling exhibitions, and a wide array of innovative educational programs and activities”, it also brings to the community musical festivals, educational programming, and concerts year round.
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
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Photo Credits – Rock & Roll Hall of Fame and Museum
Rock & Rock Hall of Fame and Museum
Rock & Rock Hall of Fame and Museum
Rock & Rock Hall of Fame and Museum
Rock & Roll Hall of Fame
Rock & Roll Hall of Fame
The Wall – Rock and Roll Hall of Fame
Video Killed The Radio Star – Rock and Roll Hall of Fame and Museum
Rock & Rock Hall of Fame and Museum
Joan Jett & The BlackHearts – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Rock & Roll Hall of Fame
Paul McCartney Perfroms – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Paul McCartney and Ringo Starr – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Leon Bridges Performs – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
Green Day – Photo by Kevin Mazur/WireImage for Rock and Roll Hall of Fame
An impressive group of musicians will play a group of pre- and post-party shows in Chicago billed as The Music Never Stopped to complement the Grateful Dead Fare the Well GD50 reunion run.
The Music Never Stopped run kicks off Thursday, July 2, with shows at different venues by Thievery Corporation with special guests yet to be announced, Gene Ween with special guests Mariachi El Bronx, and a Rex Foundation benefit called High Steppin’ Into Town featuring Greensky Bluegrass, Keller Williams’ Grateful Grass and the Infamous Stringdusters.
On Friday, Karl Denson’s Tiny Universe will start at 10 p.m., and Edwarde Sharpe and the Magnetic Zeros will perform at another venue from 11 p.m. to 2 a.m.
Saturday, the Fourth of July, Railroad Earth will start a show at 11 p.m., and Edward Sharpe and the Magnetic Zeros will again play another venue with an 11 p.m. to 2 a.m. show.
Sunday is the big culmination with the Fiyawrapper All Star Jam starting at 11 p.m. This group features Jennifer Hartswick of the Trey Anastasio Band as musical director and will include two other TAB musicians plus members of the Allman Brothers Band, Soulive/Lettuce, the Revivalists, Big Gigantic, Snarky Puppy and Break Science/Pretty Lights.
Silver Wrapper, a group of Chicago-based independent promoters, assembled the shows. Tickets are available via their website.