Category: Genres

  • Fly 92.3 Summer Jam 2015

    The annual Fly 92.3 Summer Jam hit Saratoga Performing Arts Center June 6 this year with a promising line up and beautiful day. Seven diverse yet talented acts were set to preform throughout the day with other activities going simultaneously all throughout the venue from signings to Frisbee to various venders with games and prizes for attendees. It was sure to be an all around fun day for families and young adults alike.

    Jake Miller kicked off the event with a high energy and fun set that certainly appealed to the younger demographic at the show. Miller had a quite a few fans at the edge of their section hoping to get as close as possible to sing along to their favorite songs. Miller played a mix of songs off of his most recent release the EP renamed the Dazed and Confused, formerly known as Lion Heart and his full length Us Against Them. Miller’s fans happily sung along to some of their favorite songs and are undoubtedly excited for his upcoming tour this summer.

    Warner Bro.’s Records’ Echosmith took the stage next with a fun—filled, high energy set with family fun on stage and in the crowd. Echosmith is comprised of Sydney Sierota and her three brothers Jamie, Noah, and Graham Sierota all of whom bring a unique element to the group dynamic. The group did a fantastic job of getting the crowd to their feet and involved in the set. The group has recently been making quite a name for themselves, even sharing the stage with Taylor Swift a few days after Summer Jam. The group’s first full length was released on Warner Bros. Records in 2013; Talking Dream was very well received and catapulted the family of young musicians into great success. They played a mix of songs off of the record throughout the set and closed out with their most well known song, “Cool Kids”. This song went double platinum in the U.S. and received a great deal of radio play due to its high success. Much like their song “Cool Kids”, their performance at SPAC was very well received by all in attendance. Echosmith are certainly a band to check out for anyone that has not heard of them before.

    The next act to take the stage was the most unlike the others on the lineup, B.O.B. and yet was still well received by the crowd. B.O.B. took the stage to play portions of many well known songs including “Strange Clouds” and “Airplanes” both of which received great success with fans. He even threw t-shirts into the crowd and took a “selfie” with each section of the crowd, right, middle and left which had people up and out of their seats hoping to make his Instagram later that evening.

    Walk the Moon was up next with quite a few fans extremely excited to see their set. The group has recently been making a strong name for themselves since their 2012 self titled release Walk the Moon. The group played a mix of songs off of their self titled release and their 2014 release Talking Is Hard which received even greater success than the previous release. Among the songs played during Summer Jam were the two most popular releases from these records, “Anna Sun” and “Shut Up and Dance” respectively. Walk the moon are also a band that have great potential and have already taken the stage at many well recognized events and will continue to do so in the future.

    Next to take the stage was All Time Low fresh off of their Future Hearts Tour which closed out the prior week and had sold out the last three nights long with other nights throughout the tour so a large crowd was nothing new for the four piece pop- punk band from Baltimore, MD. They started off their 45 minute set with “Satellites” off of their new record, Future Hearts, which was released on Hopeless Records this year. Over 80,000 copies of this record were sold the first week, which made Future Hearts the most successful record for both All Time Low and Hopeless Records. It was also the band’s third time reaching #1 on the Billboard Rock Albums Chart. Their nine song setlist consisted of a mix of songs off of their more recent albums including Nothing Personal (2009), Don’t Panic (2012) and Future Hearts (2015). “Stella,” “Damned If I Do Ya (Damned If I Don’t)” and “Weightless” were played off of Nothing Personal. None of these songs making the setlist would come as any great surprise to avid All Time Low fans however, “Therapy” not making the cut was quite a surprise for many in the crowd as it is one of the more sober, slow songs that has become a staple for the group over the years. “Kids in the Dark,” the first single off of their new record and “Somethings Gotta Give,” the second single off of Future Hearts were the only other songs played off of the record which left “Missing You” off the list. With yet another one of the groups few serious songs that have become staples not making the cut it would seem as though the group decided on keeping a faster—paced set for the family friendly event. This would be in keeping with the severely toned down antics the group usually brings to the stage. Jokes often stray into slightly crude, teenage boyish humor and based off of lead guitarist Jack Barakat’s joke about what he was allowed to say on stage it would seem as if they had been instructed to keep everything family friendly. During “Kids in the Dark” Barakat took off and left the stage to run through the audience and play the entire song up at the soundboard which certainly got a rise out of the crowd. They closed out their set with “Dear Maria, Count Me In” off of their 2007 release So Wrong, It’s Right. It is by far one of their most popular songs which is why it comes as no great surprise that the avid fans that were clearly here for All Time Low were singing along passionately, and those new to the group seemed to really enjoy the song as well as the entire performance. After All Time Low closed out their set they were scheduled to have a signing which lead to a mass exodus from the seats to line up to meet the group. After their set it was clear that many in the audience had come to see All Time Low in particular based off the sing along that had been most of their set and the abundance of people who left after the set and signing were over.

    Charli XCX was up next and certainly captivated the interests of the young girls in attendance with her performance. She took the stage alongside her two female guitar players in high heels and dresses ready to put on an interesting and enjoyable set. Charli XCX is most known for her part in “I Love It” by Icona Pop and “Fancy” by Iggy Azalea, however she has been doing great things on her own including opening up for Katy Perry on the European leg of her Prismatic Tour earlier this year.

    When it was time for the last performer to take the stage he was greeted with a very warm, hometown welcome. Sawyer Fredericks certainly knew how to draw a crowd, especially here. Fredericks recently won the popular TV show, The Voice, on NBC. This was his first time taking the stage in the area since that phenomenal victory, so it was a bit of a celebratory performance as well as a wonderful welcome home. Being from the area the chance to play at such a fantastic venue and summer event, let alone headline it was certainly something very special to Fredericks, who took the stage with an enormous smiled painted on his face. That smile did not fade all throughout the evening as he clearly was having as amazing of a time as those in the crowd were. He opened up his set with two of his own songs both of which were extremely well received and already loved by the crowd as the majority sung along happily. Lighters and phone lights lit up the orchestra seating and were scattered throughout the lawn for Fredericks’ second song, which made for a stunning sight to see. This young man has an outstanding voice and very charismatic personality; it would have been impossible not to enjoy his set! Signs were held up all throughout the set and t-shirts were proudly worn all day expressing individual’s (and family’s) support of Fredericks during The Voice and going forward from that victory. It was clear the area is quite proud of the young man from their hometown who has worked so hard to achieve his dream and will continue to support him going forward. Although Fredericks is not yet signed to a label with the support he has received and will continue to have, he will continue to make his hometown supporters proud and will certainly grow as a musician in the upcoming months.

    With a lineup of talented and engaging artists, a beautiful day, and the hard work of so many this years Fly 92.3 Summer Jam was a huge success. The event was a fun-filled event for the whole family and undoubtedly left attendees looking forward to next year’s show.

  • Widespread Panic Beams Under the Sun at Artpark

    What a difference a year makes. For the weather at least. The band, Widespread Panic, was steady as always. But instead of tempting the dark ominous clouds by playing “Hatfield,” which resulted in a show-shortening electric storm at their Artpark show in 2014, 2015 was nothing but blue skies and sunshine.

    The show was both the opening of Artpark’s summer concert series as well as the opening show of Widespread Panic’s summer tour. Both were dialed in like it was midseason. It is difficult for a venue to capture the full breadth of sound that the 6-member jam rockers bring, but Artpark was up to the task, presenting incredibly crisp sound all night, especially for an outdoor space.

    widespreadpanic-artpark-6-16-15-0425

    As a fan of the band since the early 90’s, going into a show these days, I am hoping to hear the old Panic classics. Since I’m only seeing about one show a year, if that, the newer songs haven’t really entered my vocabulary. The boys delivered on that wish in spades with the first set they put together. The show opened “Traveling Light,” “Weight of the World,” “Can’t Get High,” “Ride Me High” and it wasn’t until a mid-set “Shut Up and Drive” that saw a song which was debuted after 2000. After that blip, it was right back in the saddle with a one two three punch to the jam gut with classics “Pilgrims,” “Space Wrangler” and a massive “Greta” that saw guitarist Jimmy Herring flexing his jazz and prog rock muscles. Playing flurries of time-shifting notes that were difficult to comprehend, the jam reached multiple peaks. Dave Schools reined it in, leading the band smoothly into the Jerry Joseph-penned anthem, “North.” John Bell appropriately sang, “I go North, the sun it hurts my eyes” as the crowd shielded their eyes with the burning orb setting slowly behind the stage. Paired with last year’s storm-predicting Hatfield, seems like the band is reading the weather report as closely as the fans. In one of the more surprising moments of the night, “North” included a get down and funky segment led by JoJo Herman on the organ, before a set-closing big rock finish.

    Second set, on paper, was what I fear. Dreaded new songs. Even 15-year-old songs, like set-opening “Second Skin” is new in my mind. But “Second Skin” was a fine opener, with Herring again taking control and exploding through his solos while Bell kept his own, proving he is one of the more inventive rhythm guitarists on the scene. A stop-on-a-dime dropout into their funky “Rebirtha” got the crowd singing along in glee, while Herring again was the shining star on stage. That transitioned into “Cotton Was King,” another new-ish tune that actually didn’t stick out as such. The band finally stopped for a breather before kicking into “Henry Parsons Died,” the second song of the evening written by their Bloodkin pals Danny Hutchens and Eric Carter. A wonderful spacey jam then bled into a brand new tune, “Cease Fire.” This one took a journey that started in late-era Talking Heads, mixed in a little samba flare, moved into a segment that harkened early Genesis, before finishing off with a stretched out mellow jam reminiscent of the ending of “Layla.” Intriguing to say the least and amazing to see this veteran outfit, whom I wished only to see the classics, was still full of new and exciting surprises. But wait, Widespread Panic still had more “new” up their sleeve. “Cease Fire” ceased slowly and effortlessly into “Jamais Vu.” A slinky bass-led groover that melted into the spaciest jam of the evening, with Herring weaving drawn out notes in between Herman’s trickling clavinet playing. After the drums segment, a strong “Surprise Valley” gave them one last opportunity to show that they are the masters of the segue. “Rock” emerged and served perfectly in the requisite heavy-finish role.

    After playing two by their buds from Bloodkin, Panic evened the score, encoring with “Chainsaw City,” the second Jerry Joseph tune of the night. On right at 6:30pm, off right at 10:00pm, they jammed Artpark with as much of their jam as they were allowed, making up for last year’s short show as well as they could.

    Setlist:
    Set 1: Travelin’ Light, Can’t Get High, Weight Of The World, Ride Me High > Shut Up And Drive, Pilgrims, Space Wrangler > Greta > North
    Set 2: Second Skin > Rebirtha > Cotton Was King > One Arm Steve, Henry Parsons Died > Cease Fire > Jamais Vu > Drums > Surprise Valley > Rock
    Encore: Chainsaw City
    [FinalTilesGallery id=’265′]

  • Moe. Packs Saranac And Celebrates New ‘Hoppy Hour Hero’ and ‘moe.saic IPA’

    moe. continued its 25th anniversary celebration with two shows at its hometown Saranac Brewery Friday and Saturday night. Old friends and new were on hand, as well as a brand new Saranac Double IPA named Hoppy Hour Hero in their honor.

    Hoppy Hour Hero
    moe. Saranac Brewery

    Friday’s big surprise was the return of original moe. drummer Ray Shwartz. Shwartz left the band following the band’s Fatboy album in 1992. Current drummer Vinnie Amico graciously stepped aside while Shwartz sat in for the moe. classic “Don’t Fuck With Flo.”

    Hoppy Hour Hero
    Saranac brewed a special batch in honor of the hometown boys’ return to the brewery for a pair of shows June 19-20.

    The weekend had a mini-festival vibe about it, with Twiddle opening Friday night and Cabinet and Kung Fu joining in Saturday. Additionally, Shnier and Amico’s side project Floodwood took to the Celtic Harp stage following Friday’s show, and the legendary Ha Ha the Moose did the same Saturday night. Ryan Montbelau was another post-show option for fans at Lukin’s just up Varick Street.

    Hoppy Hour Hero
    moe. Saranac Brewery

    moe. spent little time getting to the down and dirty on Friday, opening with “Tailspin” into “Bearsong” followed by the introduction of their new beer and the tried and true Saranac theme song “Happy Hour Hero” (for the record, as an avowed beer snob, your author made sure to grab a growler of the Hoppy Hour Hero from the Tavern. This is one of Saranac’s best outings, in this reviewer’s humble opinion).

    Friday night’s setlist

    Set I: Tailspin > Bearsong, Hoppy Hour Hero, Mar-DeMa > Y.O.Y. > George > Lazarus

    Set II: Don’t Fuck With Flo*, Tubing The River Styx > The Pit > meat., White Lightning Turpentine, Blue Jeans Pizza > Downward Facing Dog

    Enc: Billy Goat, Low (Cracker cover)

    Notes: * with original drummer Ray Schwartz

    Saturday saw Cabinet kicking things off with its blend of bluegrass and jam. Truly appreciative of the Utica love, they made an appearance in the merchandise tent following their solid set.

    Kung Fu followed and proved to be a formidable act to follow. They brought the funk promptly at 6:30 and proceeded to move many a booty in the Saranac crowd. If you haven’t had a chance to check out this fusion quintet, it is highly recommended. They blend Hancock’s Headhunter-era fusion with James Brown funk and some Zappa thrown in for good measure.

    moe. hit the stage Saturday with a rousing “Captain America” to engage the huge Saranac crowd. Over several years of shows at this venue, this one ranked among the highest attended.

    Hoppy Hour Hero
    moe. Saranac Brewery

    An easy ride through “Akimbo” was followed by “Not Coming Down” which seemed to mock the few sprinkles that started falling from the sky midway through.

    By far, the highlight of the night was the guest appearance of Tim Palmeiri and Rob Somerville of Kung Fu during “Silver Sun.” The addition of the sax invigorated this newer song and Palmieri’s guitar battles with Garvey and Schnier were the stuff of moe. legend. Check out this YouTube clip for just a scant view of what was truly something to behold in person:

    Following a quick set break, moe. returned with “Okayalright” which segued seamlessly into “32 Things.” The boys were on their game here. Aside from the Kung Fu sit-in, this segue ranked as one of the high points of the show.

    If there were any doubt that twenty-five years in, these guys are tired of the game, this was quickly laid to rest with an epic “Recreational Chemistry” encore to finish the run. Derhak was at his best during this twenty-seven minute version of their classic and while some fans bemoaned the fact that this one has been frequently played on this mini-tour, it’s tough to argue with the intensity of the version played Saturday night.

    Twenty-five years in and moe. is still playing with the energy and fervor they did back in their club days. A weekend such as this was a celebration of moe. A celebration of all that they have given their fans all these years. A celebration of their roots. It was evident that they had a grand old time in their old stomping grounds this weekend. What would you do for freedom?

    Saturday’s setlist

    Set One: Captain America > Akimbo, Not Coming Down > Wormwood > Skrunk, Loser >(nh) Silver Sun*

    Set Two: Okayalright > 32 Things, Nebraska, Time Ed, Wind It Up

    Encore: Do Or Die, Recreational Chemistry

    * – w/ Tim Palmieri on guitar & Robert Somerville on sax from Kung Fu

  • Grace Potter Summer Tour Begins Friday

    Blues-Rock bombshell Grace Potter kicks off her summer tour this Friday in Oklahoma City as part of the city’s annual OKCFest. Oklahoma’s show is the first of 26 dates this summer, eventually ending up in Nashville this October. The Grace Potter tour comes in the midst of her forthcoming album, Midnight, available Aug. 14.

    gp_midnight_cover

    Potter, known for her chill-inducing vocals and rock-solid song writing is no stranger to the road, starting her musical career at the age of 14 and quickly gaining the reputation of a must-see act.
    Over the years she has continued to grow. She puts on a high-energy performance, rich with grit and soul.

    Buffalo residents will be lucky enough to have Potter in their backyard, with a July 28 date at the gorgeous Artpark Theater, located right along the Niagara River. Other New York dates include Canandaigua (CMAC) on Aug. 2 and Radio City on Oct. 3.

    A complete list of tour dates are available below. And as a general warning — if you feel like Grace “looked at you” or was “giving you the eye,” or if you think that you are “in love” and “100 percent sure she’s the one,” just remember: Everyone else is thinking the exact same thing.

    Grace Potter & The Nocturnals
    Grace Potter & The Nocturnals

    GRACE POTTER SUMMER TOUR 2015:

    June 26
    OKC FEST
    Oklahoma City, OK

    July 17
    BRENTON SKATING PLAZA
    Des Moines, IA

    July 19t
    BLUESTEM CENTER FOR THE ARTS AMPHITHEATER
    Moorhead, MN

    July 20
    MEYER THEATRE
    Green Bay, WI

    July 23
    IROQUOIS AMPHITHEATER
    Louisville, KY

    July 24
    TAFT THEATRE
    Cincinnati, OH

    July 25
    FLOYDFEST
    Floyd, VA

    July 26
    XPONENTIAL MUSIC FESTIVAL
    Camden, NJ

    July 28
    ARTPARK
    Lewiston, NY

    July 30
    DANFORTH MUSIC HALL
    Toronto, ON

    July 31
    OSHEAGA FESTIVAL
    Montreal, QC

    August 1
    THOMPSON’S POINT
    Portland, ME

    August 2
    CMAC
    Canandaigua, NY

    August 4
    DEER VALLEY RESORT
    Park City, UT

    August 8
    CELEBRITY THEATRE
    Phoenix, AZ

    August 9
    RIALTO THEATRE
    Tucson, AZ

    August 12
    VINA ROBLES AMPHITHEATRE
    Paso Robles, CA

    August 13
    THE FONDA THEATRELos Angeles, CA

    August 14
    THE FONDA THEATRELos Angeles, CA

    August 15
    FOX THEATER
    Oakland, CA

    September 19
    RED ROCKS AMPHITHEATRE
    Morrison, CO

    September 20
    KAABOO FESTIVAL
    Del Mar, CA

    September 30
    INNSBROOK PAVILION
    Glen Allen, VA

    October 1
    CLAY CENTER FOR THE ARTS & SCIENCES
    Charleston, WV

    October 3
    RADIO CITY MUSIC HALL
    New York, NY

    October 10
    ASCEND AMPHITHEATRE
    Nashville, TN

  • Twiddle: A Growing Brand, the Peaking Phenomenon and the Next Big Fan Base

    I’ve come across a great number of Twiddle fans in the past year and found that a band I rarely see has far more fans than I expected. If you live in the Northeast, it’s highly likely that you know at least a few of them. There are a few reasons that Twiddle has blown up in the past year, with the main one being a vibrant, rabid and insane fan base of Twiddiots who resemble the larger fan bases among jam bands at earlier stages. In meeting these fans and seeing the band recently, I’ve found Twiddle’s music as comfortable and easy to access with a well-rounded sound, but more importantly, I have discovered Twiddle fans to be the next great fan base waiting to be tapped.

    Twiddle

    Having seen Twiddle three times in the past three months – Upstate Concert Hall in April, Rock n Roll Resort in May, and Disc Jam Music Festival in June – I have come to be amazed by the fans while enjoying the music. It’s not that I’m not interested in the music — I just find the fans hanging on every note of this band eerily similar to that of the fan bases of Phish, Widespread Panic, moe. and Umphrey’s McGee. It appears that Twiddle is a jam band for fans of the post-EDM explosion who grew tired of the music and scene but retained a desire for a larger community aspect of EDM, particularly PLUR – Peace, Love, Unity, Respect, things all found within the Twiddle community. While I can go to a Twiddle show and listen to the music and enjoy it to a degree, the fans are the main attraction – young, exciting, seemingly even male/female, in college and containing a desire to be a part of something larger.

    There are those jam bands with strong fan bases that come out in droves for shows, buy all related merchandise (both fan made and official), focus squarely on all components of the band and intertwine it with their daily lives. Twiddle fans are similar to those of Phish, Widespread Panic, moe., and Umphrey’s McGee, just at an earlier stage – the Vermont-based band is only in its 10th year and the fan base, while far from fledgling, is supportive of the band and growing rapidly as each of these now established bands saw their fan base grow around the same point of their careers. They’re not the same musically, but they have their die-hard fans as well as their detractors, an annual music festival many consider to be the band’s own and offer up-and-coming bands a fan base that is as fertile for exposure to new music and brands as they are enthusiastic for every note Twiddle plays. Twiddle fans are a once in a great while occurrence – a fan base thriving around one band and everything they bring to the table.

    Twiddle fans seek, and find, a more inviting environment and acceptance among a new community. They could be Phish fans first, but with Phish, you have an older group, some of whom have been closely following the band for 25 years or more, and with a greater amount of jaded fans and a larger degree of negativity and criticism compared to other fan bases, it makes sense that a 18 year old might go see Twiddle more often than Phish and find a home among the former’s community.

    It may be that Umphrey’s might be over their heads, Widespread Panic too Southern-based and moe., like Phish, having an older fanbase that may not be as accessible to find space in as they do Twiddle’s. This is entry-level fandom with ease via a consistent and growing touring schedule, fan groups on Facebook, as well as Friendly Gathering this weekend, and a fan base that is welcoming for the most part. moe. is smart to bring Twiddle in for shows and festivals, knowing full well that their fans might become moe.rons, and vice versa.

    This targeted marketing to the fan bases via performances at moe.down, Saranac Brewery in Utica in mid-June and Waterfront Park in Burlington this August, serve as testament to the viability of Twiddle through its fans; those who can harness that fan base will find great success.

    Twiddiots (a term of endearment, much like moe.rons despite sounding negative upon first glance) were the driving force behind Twiddle’s Kickstarter campaign for their upcoming album Plump (due out later this year), which hit a goal of $20,000 in 24 hours, more than doubling that goal by the end of the campaign and catching the eye of outsiders, myself included.

    The fans have uTwiddle, an online community with setlist stats and news on the bands, a growing fan art community and a plethora of pins that are highly sought after. Grassroots California could retire on sales the now iconic Twiddle hats alone. The fans are what makes the band, and seeing the band feed off the fans and vice versa is the connection between band and fan that is rare to find at such a nascent stage and one that is worth paying attention to. Watch their fans and you’ll see a swarm that look like they are having the greatest time ever while experiencing pure bliss during each song played. You might not get it, but they do. The music makes the fans happy and the vibe and pe/king (more on that in a minute) carries through and can make you want to enjoy the music or disregard it wholly.

    Those who detract from Twiddle and make it a point to rip on them do so because of the fast rise of the band, the ascendance and coronation from their fanbase as ‘the next _____’ (insert notably large jamband here) without having heard a note, having seen the fans and not wanted anything to do with it. You’d be skeptical too if you heard some band was considered ‘the next ______.’ I read an article about The Jauntee being the next Phish – I enjoy The Jauntee but that label is always going to be there because of that article, and there’s a certain level of comparison that can make it hard to forget. Regardless of the fact no band is the next _____, there are the haters who simply don’t like the band or their fans.

    Being in the Northeast and around Twiddle fans more than others, it can be easy to grow tired of peaking and the discussion of songs and shows at length, especially when a more established band may provide more content, musically and otherwise to lead to a more familiar conversation, one that is safer and doesn’t involve knowing a great deal about a new band, their musical mythology and all the inside jokes. Some find early Twiddle fans to be less receptive to new fans, ironic as fans of other jam bands are not as receptive to Twiddle in general. A cited lack of originality in sound paired with the inability of Twiddle fans to handle criticism echo other fans bases when something hot, new and exciting takes attention away from their current fixation. “I don’t want to learn new stuff” seems to be the mantra behind some of the vitriol, but that goes in lockstep with Deadheads hating Phish heads, Phish fans refusing to cross over to moe. or Umphrey’s, and now Twiddle fans finding ire among non-fans. Twiddle is Buzz Lightyear to the established and accepted Woodys of the jam band world – shiny, sleek, new, full of new features and immensely popular as of late – all valid reasons to question viability and scoff at the new sound.

    grassroots hat twiddle

    Kevin Rondeau, Twiddle’s manager since 2011, is another factor in the growth of the band in the past few years. Rondeau began booking shows for Twiddle in 2010 then in 2011 became manager while continuing to book shows before the band signed with Madison House in 2013. Now with a growing staff including Kevin, road manager Dan Travis, Sam Johnson running sound, a lighting designer joining the crew soon, a well-respected publicist in Destiny Beck, as well as web designers and various artists part of the growing Twiddle Co., the band’s growth has led to changes in the behind the scenes for the band, a positive step as the band is not about to test the brakes anytime soon.

    “I think Twiddle’s music right now is as good as if not better than any of the top jam acts. All of this growth that is happening, we all knew it would happen; it was just a matter of time. We have pushed a philosophy of friendliness and positivity and the fan base has embraced it,” cited Rondeau when asked about growth in recent years. “The fanbase is incredible and we have a lot of close relationships with fans. When I was walking around Disc Jam on Sunday, I saw fans I have known for many years now and it resembles a family in many ways. I try and keep a very steady presence in the fan base so that they are informed of what is going on.”

    “I asked my wife if she thought we could get people to fly to Costa Rica for a Twiddle festival, and she said certainly. There are a lot of dedicated people now among the fans.”

    Under Rondeau’s guidance, the band has moved from side stages at festivals to hosting its own festival, sort of. Frendly Gathering (yes, Frendly, no I), held this weekend at Magic Mountain in Londonderry, Vermont, is not the band’s festival, but rather promoted by professional snowboarders Jack Mitrani and Danny Davis, with Twiddle acting as the official unofficial host band. While Frendly Gathering is a separate event from the band, the two are connected and benefit each other – the festival has a headliner bringing a guaranteed crowd and the band has a festival identified as their own, increasing their visibility and building comparisons to bands such as Phish, moe. and Umphrey’s, where the band has a vested interest in a festival as well as being comparable to festivals of similar size bands – The Werks (The Werkout), The Mantras (Mantrabash), Lucid (Backwoods Pondfest) and Pigeons Playing Ping Pong (Domefest).

    A recently formed fan-based charity, White Light Foundation, connects the band and fans together, giving back to local charities and gaining visibility thanks to generous donations from both Twiddle and Burton Snowboards. These and other donations will help to raise funds at Frendly Gathering for Love Your Brain and Kurn Hattin Homes for Children, both Vermont based organizations. Founded by Jay Segal and Steve Perlah, they cite inspiration from the charitable efforts of the Phish community who they herald as “amazing role models for a fledgling organization.” Fans looking out for each other and supporting their local community are a part of the growth of many bands and Twiddle and their fans seem to be on the right track in giving back to local communities of which they are a part.

    Musically, a reggae jam seems to be the recurring theme of the music, and overall, it is very happy music, jams and compositions both. With more chances to watch the band members perform, their individual talents and position in the band are more apparent.

    Twiddle

    • Mihali Savoulidis has a voice similar to that of Dave Matthews but distinct in its own right. Wearing a Bob Dylan hat on his head and permagrin on his face, he looks like the happiest guitarist ever while playing and singing to the fans, whether shredding or noodling or anything in between.
    • By evidence of wearing a winter hat on stage nearly all the time, bassist Zdenek Gubb is from house Stark; winter isn’t coming – winter is already here. Any given song and Gubb drops some serious meatballs and adds depth to compositions.
    • Keyboardist Ryan Dempsey is talented in every capacity behind the keys but is a wild card otherwise, the oddball among oddballs in the band and off stage. Accessible and visible among fans, he revels among the fan base and doesn’t shy away from the spotlight.
    • Brook Jordan is a clutch drummer and exciting to watch in every instance – he keeps the beat while the other three meander about a jam and serves as a point of reference for accessing the music.

    Together on stage they dial in and flow together nicely, if without taking a great number of chances. This is not Buddy Mihali and the Crickets, with Mihali taking lead throughout, but his presence is undeniable whether on stage or off. He knows he’s a rock star but doesn’t come off like one. He’s the band frontman but seems to shy away from the spotlight.

    Twiddle has two side projects, Gubbulidis, a duo featuring Mihali and Zdenek, and Best Good Frends, a new band that recently held their first three shows in early May of this year, featuring Mihali, Zdenek, Ryan Clausen and Josh Dobbs (Dead Set Tuesdays) and Ratdog saxophonist Kenny Brooks. The latter group has great potential for extended improvisational jams as witnessed at their second ever show at The Hollow Bar and Kitchen in Albany, where six songs were played over the course of two sets and an encore. If there is an exciting aspect of Twiddle’s music to pay attention to, this is the one.

    Twiddle w/ Honeycomb - Rock N Roll Resort

    Twiddle also offers a great deal of generosity and assistance in supporting up-and-coming bands, giving the next wave of bands and musicians a shot. At the three shows from the past three months, every show featured sit-ins from musicians who may not otherwise be introduced to the Twiddle fan base. Too many in total to list, but among them, I wouldn’t know who Honeycomb is without Twiddle, as he has sat in twice with the band and twice I’ve been blown away by this beatboxer out of Windsor Locks, Ct.

    Then there is peaking, or pe/king as Twiddle fans type the term. The concept, developed by Twiddle fan Spencer Frank, with Sam Luke and Nick Cioffi, was conceived by the fans to make an otherwise bad day seem far better than it truly was – a way of pumping themselves up to events yet to come. Popularized via Gubbulidis shows in Burlington on Tuesday nights, when Ryan Dempsey asked about peaking, Spencer replied “Dude, its the next level,” and with that, it crossed from fan idea to band supported identification which fans therefore find greater participation with. In seeking a definition of peaking, Frank returns with “I would say that peaking is taking any situation at its current status and bringing it to the next level.” For Luke, peaking is used “as a fuel to inspire ourselves to maintain constant optimism and motivation.”

    “I think peaking is awesome,” notes Rondeau. “Fans have little symbols and hand gestures, and it’s cool that fans have adopted something. There’s an obvious drug reference to peaking, but I don’t think that the way in which our friends use it. It could be any moment in life, at a concert, feeling bliss and something incredible, a great feeling of positivity and all those things can be experienced at a Twiddle concert with a bunch of friends. It’s a great way for the band to communicate to the crowd that they appreciate that the music is being appreciated, it’s an acknowledgement of feeling the same way, doing what we love.”

    Added Rondeau, “Nothing is possible without the fans, the band is super aware of that.”

    “What was really cool was when we realized that it’s different for everyone, but that we were organically sort of creating a community where people were supportive of each other’s /s (peaks)” Cioffi observed. “I think we are just taking concepts like mindfulness and positivity and rewording them in a way that is digestible and translates well to the medium of Facebook as well as the real world and it’s cool because there are people posting hikes they have taken, and their kids doing something awesome, or talking about how they have been sober for a few months, or how they are psyched for the upcoming shows its just pure positivity and support.”

    For those who are finding Twiddle as an entry level band and fan base, peaking can be something that resonates with newcomers and established fans, a message of community and positivity and support, a well as a challenge to do better. Sure, it’s a cliquey concept, but Umphrey’s fans do that thing where they put their fists together and stick the pinkies and other fingers down to make a UM sign, but there is more to it than just saying ‘rock on’ in Umph-speak. Yet peaking is all inclusive, much like how the Twiddle fan base appears, although some older fans do retain a certain ‘OG’ status that can be off putting to some, something that can be found among every fan base of established jam bands.

    In talking with Twiddle fans about highlights from Disc Jam Music Festival, the two that were offered up immediately were Turkuaz’s Craig Brodhead sitting-in on “Polluted Beauty” and the jam during “Apples” which saw Mister F’s Scott Hannay (keys), Formula 5’s Joe Davis (guitar) and James Woods (bass), Honeycomb (beatbox) and Michelangelo Carubba of Turkuaz (drums). I referred to the pair of songs as personal highlights of the weekend at Disc Jam and specifically stated that these two songs were ‘the tits.’ This, to Spencer, Nick and Sam is the equivalent of pe/king. There is a universality of pe/king that can provide an inroad to understanding what their fans are peaking about, and which also carries with it an outsider perspective of ‘what the fuck is that?’ Much like two languages having two words to describe the same thing, the peaking phenomenon is more familiar than outsiders may realize, despite being on the dork side of all things Twiddle.

    Twiddle is definitely not for everyone, but those that identify with it are really into it. It brings to mind the Jerry Garcia quote about licorice and the Grateful Dead: “We’re like licorice. Not everybody likes licorice, but the people who like licorice really like licorice.” Twiddle isn’t the next Phish, but its fans may very well be the next Phisheads, Spreadheads, moe.rons or Umphreaks, and that is well worth paying attention to.

    https://www.youtube.com/watch?v=opbZdlP3TxQ&t=54s

  • Cheap Outdoor Lettuce in Rochester

    No, this isn’t a poorly thought out ad for the Wegmans produce section; it’s your tip that the world’s funkiest band is making their way to Western New York. That’s right, on the heels of Taj Mahal cancelling his appearance at Rochester’s Party in the Park due to health reasons, the promoters scrambled and quickly brought in New York City’s Lettuce as the replacement. That is one hell of a substitution, and while Taj Mahal will certainly be missed, there weren’t many complaints upon his departure.

    Lettuce has a head (no pun intended) full of steam. Over the last year or so, the band has been touring more regularly and hitting many regions across the U.S. The band followed up last year’s opening slot performance at Red Rocks with a headlining date there just a couple of weeks back that included the likes of The Motet, Exmag, and DJ Jazzy Jeff. If that momentum wasn’t enough, the band will soon release their latest album. And although the release date hasn’t been established, fans have already gotten an early taste of it as the band has been regularly playing the new cuts.

    Thursday’s headlining performance will also include Spirit Family Reunion and Uptown Groove. Lettuce will be bringing it hard as they ramp up for some major festival dates like Electric Forest the following day (June 26) and All Good Music Festival on July 10. Tickets are $5 and you can grab them here or at the gate. If you’re traveling in to the R-O-C, Party in the Park is held downtown at Dr. Martin Luther King Jr. Park at 353 Court St. (corner of Court and Chestnut streets), right near The Strong Museum. The show starts at 5 p.m. with Lettuce hitting the stage at 8:30.

    *Special Note: Individual tickets purchased for Taj Mahal on June 25 will be honored for Lettuce or may be returned to the place of purchase for refund until June 30. Refunds can only be made on non-stubbed/attended tickets. Once a ticket is used for entry on June 25, a refund can no longer be issued. Season tickets will be honored for the Lettuce show.

  • Bear Creek Music Festival Canceled

    The Bear Creek Music and Art Festival will not happen this year.

    bear creek header
    The funk-laden festival, held for the last eight years at the Spirit of Suwanee Music Park in Live Oak, Florida, was scheduled for Oct. 1-4 this year, and had an initial lineup set (Galactic feat. Macy Gray, Soulive, Dumpstaphunk, Victor Wooten, The Motet, Pee Wee Ellis and the Assembly, Khris Royal and Dark Matter, Freekbass & The London Souls). But organizers canceled it today via a message on their website and social media channels.

    Full text of the announcement:

    Dear Bear Creek family,
    It is with heavy hearts we must announce that Bear Creek 2015 has been canceled. Bear Creek was one of the top boutique festivals in the US, and a primary reason it has been so special is because of YOU, our dedicated fans. We spent eight amazing years together filled with beautiful music, dancing, laughter and celebration, and those memories will always live on. In hopes of producing the best possible event for everyone involved, we switched our dates and tried to diversify our lineup to keep things fresh. Unfortunately, things just were not working out in our favor this year and we were not willing to let the show go on unless everything was absolutely perfect.

    All Bear Creek Music Festival ticket purchasers will be refunded from point of purchase.

    Much love,

    The entire Bear Creek staff

    Festival organizers said on the event’s Facebook page that they are working to move a group of the scheduled artists to the MagnoliaFest Lineup for this year, and to standby for details about that.

  • Hearing Aide: Imagine Dragons ‘Smoke & Mirrors’

    Imagine Dragons has released their newest album, Smoke & Mirrors. With the huge success of their first studio album Night Visions in 2012, selling more than 2 million copies to date, Imagine Dragons took the world by storm and by doing so set the bar pretty high for themselves when it came to following up with their second studio album. They had fallen into the proverbial trap of having such a huge success right out of the gate, that anything following was bound to be held to a higher standard.

    imagine dragons Smoke & Mirrors
    Imagine Dragons Smoke & Mirrors

    So with this dilemma, how did this Grammy Award winning band follow up their first hit album? They did it like they should, with an album written for themselves. After all, isn’t that what music is about? Personal messages paired with instrumentals to express themselves.

    Writing continuously while on the road touring , the band compiled and recorded demos and as the Night Visions Tour ended, they purchased a house in Las Vegas, converted it into a studio, and for the next 8 months put together a story of sorts from experiences on the road that were laden with a roller coaster of personal emotions. After all, the whirlwind of life on the road from local venues to sold out arenas, had to take a toll on them emotionally. What better way to share than through song?

    Hailed as one of rock n roll’s greatest newcomers in the 2013, their new found popularity and accolades brimmed over the top as America welcomed them with open arms. As new artists trying to achieve success, was the photo in their mind exactly what they pictured once achieved, or was it writ with unbeknownst angst they would encounter throughout the tour and along the way? I believe it may have been some of the latter. As I listened to the new album the creative differences between the two albums were not as apparent as other seemed to say.  I still saw the same vocals and rhythmic distinctions still shining through.

    Smoke & Mirrors

    I love Imagine Dragons, and I believe it’s their unique sound and truthful lyrics that caught my attention initially and holds it still today.  It’s not their commercial success that makes them stand out. They are not mainstream music, they are not mainstream artists, and their unique style and sound is representative of who they are and how their creative process. Yes, their sound has been compared to a mix of The Killers, U2, Coldplay, Mumford & Sons, and Arcade Fire; taking bits and pieces from each band when making that generalization – influences have that kind of effect on you. You tend to find yourself creating similar sounds because, well you like them in the first place.  They have been criticized for using every technical instrumentation trick known to mankind in their new music, and my reply to that is, ‘so what?’ That’s why it exists: to use it. Artists are known for creating something from their souls. It doesn’t have to be what you would want it to be. If that was the case, it would be your creation. So the fact that they use any or all technical tricks doesn’t lessen their musical creations to me in the least. I feel it has an energy to it. Although the lyrics on this album brim with a deep dark almost undaunting edge, the pulsating rhythms and melodic vocals give it an upbeat sound that over plays the underlying message.

    Working along side Alex Da Kid on this album, his reputation for bringing out the creative sides of artists like Eminem and Christina Aguilera, demonstrates the perfect example why he’s a perfect match with Imagine Dragons on each of their studio albums.

    As I listened to this album I had to do so a few times before I could collect my thoughts to develop a constructive opinion. In true Imagine Dragons style you have the strong percussions and amazing vocals and harmonies with a mix of synthesizer in there throughout the album, but with this particular album you got something else. You get variety in sounds that represent their travels with the first album. What the audience had become accustomed to (vocal/harmonies/percussion/synth) from Imagine Dragons was there in songs such as “Shots” and “The Fall”, but you also got a hint of some R&B with “Friction”, mixed with a flair of the Middle Eastern sounds in there as well. In “Hopeless Opus” you’ll see a flavor of Asian sounds intermixed with a bit of rapping, guitar solo, synth. Heck you pretty much get a bit of everything in that song. Same goes for “Summer”. The beauty though is how well they were all mixed together seamlessly. In fact in most of the songs you’ll see a variety of sounds and tempos within the songs that without the expert help in mixing could have been a disaster. This is where the expertise of Alex Da Kid played a huge part.

    I have to say my favorite tracks were “I Bet My Life” and “Trouble” demonstrating their folky sounds mixed with a huge helping of underlying percussion. Just love their take on this sound. Running close second would be “It Comes Back To You” and “Dream” where I can definitely see influences from Coldplay and U2 in this song. It was the upbeat tempo and lyrics in this song that hooked me; “…all the things you had lost will find their way to you… am I a shadow you drew.” I can definitely see a commercial success with this release.

    Criticized by others on this album, I definitely can see a darker side in their lyrics though with an underlying message perhaps of life on the road wasn’t all they expected, but I can’t understand the criticism. Music is an expression of life and everyone’s message is different. Give me a break negative Nellies. In both “Gold” and “Polaroid”, focus should be on the mixing of sounds, not the lyrics. “Gold” was another example of expert mixing. “Polaroid” to me was a little disappointing but only because as a photographer I had hoped this track would be as upbeat a message that the tempo held. But hey, everyone sees something different in a photo hence the saying “a picture is worth a thousand words”, and the message was something totally different. But still, it was a good song. No one is going to like every song on an album; you can’t expect every album to be Sgt. Peppers Lonely Heart Club Band.

    The title track “Smoke and Mirrors” and “I’m So Sorry” give the listener a true rock and roll feel to the songs. These will be great live songs with the guitar and percussion in them.

    After listening to the whole album several times, I came one conclusion: it’s a great album. Was it what the public anticipated from them? Perhaps not. Was it the mix of techno sounds with anthem rock and pop beats they are known for? Yep. With so many negative reviews and plays on words with the title, I find Smoke & Mirrors nothing but honest and forthwith. I can see the growth within the band, and the influences of experiences of the last few years in their lyrics. It’s the honesty on this album though that makes it the perfect second album. As far as commercial success, I believe those that loved Imagine Dragons will agree with me that this was a great album. It may not be a mainstream as some expected, but when it came to making an album that is true to themselves, this definitely met their expectations. This is one of those albums I think that when you listen to it initially you may not get it right away, so listen a few more times. Read the lyrics and see the messages. Then go back and listen to the music once again, and you will see that this really was a great album and will play out even more so as a great live performance.

    As they roll into town this week to the First Niagara Center in Buffalo, they will be joined by Metric and Halsey.  Show starts at 7pm and tickets can be purchased through Live Nation.  Hope to see you there.

    Key Tracks: Shots, I Bet My Life, Dream

  • Hearing Aide: Consider the Source ‘World War Trio Parts II + III’

    coverIf pop music is reading at an elementary level, Consider the Source‘s latest release, World War Trio Part II + III, is at least a 400 level college course.

    For someone only exposed to American music, the concept might be lost. That has always been the case with Consider the Source though who has always pushed global boundaries. Never before though has the band done it this masterfully and with such vision. This isn’t just food for thought, but a feast, with such lush sonic depth that can’t simply be explored in one pass. This is music that commands focus in a time when fans are more flippant than ever. You could say the band is fighting a natural progression, but I applaud the effort and what they force a willing listener to listen to. The continuity between songs is beautifully orchestrated and only possible with an overall delivery being kept in perspective from the onset.

    Consider the Source continues to improve upon the layered depth the trio creates. Most bands employ a second guitarist or a keyboard player to fill in some of those aural gaps the ear senses. Consider the Source somehow rarely leaves those though, instead filling the air with enough character and integrity on both the individual level and collectively as the full body of work.

    It’s difficult to break this album down like a typical review because it lends itself more to a movie score than an actual music album, weaving rhythm and melody like a story line. This certainly isn’t a movie for everyone though. Hell, it might not even be for most, but for those willing to spend the time, this album is certainly capable of hitting you places wouldn’t think music could.

    Staying with the movie parallel, this is no comedy, but a serious drama. It’s the type of movie that’s meant to make you think and not entertain per say. While there are plenty of parts where the band digs into a danceable groove, the vast majority is a complex structure meant to unlock pieces of your imagination and brain that may have been untouched otherwise.

    In terms of sound, the band has always had their Middle Eastern and Sci-Fi elements, and while I would say the former is true on this album, the latter has now been pushed outside of this galaxy. The Middle Eastern elements underscore all of these other directions the band is going in. You can hear heavy metal influences this time around and that’s not a bad thing as they use it tastefully for emphasis throughout. I also heard Latin rhythms and a tonal landscape that covers so many other cultures. To someone with chromesthesia, these guys are coloring with the big box of crayons. Again, it must have taken an impeccable vision to be able to weave a thread through all of this the way they do.

    On the individual level, these guys are simply incredible musicians in their own right and have found a chemistry that allows them to have a musical conversation. Jeff Mann should be commended for his uncanny ability to keep these two explorers on track, while bassist John Ferrara pulls double duty holding the rhythm and providing a sturdy base for Gabriel’s melody lines. Ferrara isn’t just support though and steps out many times throughout to take the reins and lead with the low. On guitar, Gabriel’s tonal breadth is equal parts beautiful and haunting. His understanding of timbre and where and when a tone should be called upon is literally right at his fingertips with his instrument’s flexibility. For example, when he needs a xylophone, like the solo on “Up to, But Not to Exceed…Whoa,” he does and he makes that perfect call every time. The three have hit a stride on this like they’ve never hit before.

    The album ends on a dream-like wave of layered tones. The beautiful blend has a very natural and earthy feel to it that slowly draws this masterpiece to a close. The play between the various instruments perfectly compliments one another and the gentleness of the track is a great counterpoint to some of the more aggressive playing that proceeds it. This is not a loose collection of songs, but a score. The tracks below were some gems, but it really deserves a full listen to understand the concept.

    Key Tracks: This Dubious Honor, Up to, But Not to Exceed…Whoa, I’ll Fight for the Imp, You Are Disappearing

  • Disturbed End Hiatus And Reunite With New Single And Album

    More than “Ten Thousand Fist’s” will be in the air as Disturbed fans everywhere will once again be able to get “Down With The Sickness.” After almost four years, the wait is finally over. Disturbed has announced that they will indeed end their hiatus as they released a new single to radio called “The Vengeful One.” Disturbed will also release a new album titled Immortalized on Aug. 21 which is available for pre-order.

    On June 20, fans saw the band post a picture of a new Disturbed logo, and the first of three short cartoon video clips of their mascot “The Guy,” on their Facebook page. Each Clip saw The Guy become more and more to life leading up to an official announcement from the band on what these video clips actually mean. June 22 saw an official countdown clock appear on the band’s website.

    Disturbed went on hiatus in Oct. 2011. Since then, members of the band have all worked on different side projects in other bands. David Draiman started the side project Device as Mike Wengren and Dan Donegan took part in the band Fight or Flight and John Moyer joined Adrenaline Mob.

    Disturbed has released five studio albums in their career. Those releases include The Sickness (2000) –  Believe (2002) – Ten Thousand Fists (2005) – Indestructible (2008) and Asylum (2010). A month after their planned hiatus, Disturbed released a compilation album of unreleased tracks cleverly titled The Lost Children.

    June 20

    Posted by Disturbed on Saturday, June 20, 2015

    “>teaser video – June 21

    Posted by Disturbed on Sunday, June 21, 2015

    “>teaser video – June 22

    Posted by Disturbed on Monday, June 22, 2015

    “>teaser video

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