Category: Genres

  • Chase Bryant: Nashville’s Newest Sensation

    Music.  It evokes feelings, transports me back in time and recharges me almost as though it’s a battery pack.  Music for Nashville’s newest sensation, Chase Bryant, is the same.  It’s in his blood.

    Coming from a musical family in small town Texas, Chase heard Jerry Lee Lewis’ “Lewis Boogie” and that was all it took.  From that point on, his course was set.  Learning to play the guitar at a very early age, he jokes that there were 20 guitars in his hometown, and he owned all of them.  After seeing Chase perform recently at The Taste of Country Music Festival, his hard work and dedication to learning his skill showed as I was floored by his shredding ability and how he made his guitar sing.

    Chase Bryant - Taste of Country Festival 2015
    Chase Bryant – Taste of Country Festival 2015

    As Chase and the Shotgun Rider Tour comes to town Thursday, July 3o to Darien Lake, Chase will open for Nashville favorites Billy Currington and Tim McGraw.  He graciously agreed to speak with our readers and share some details to what makes him tick.


    Kathy Stockbridge (KS): Hi Chase, thank you so much for agreeing to speak with NYSMusic.  You have taken Nashville by storm since your arrival and your fans and our readers just love you.

    Chase Bryant (CB): Why thank you.

    KS: Music seems to be something that has always been in your blood.  For those that aren’t aware you grew up in a family of musicians.  Share a little about what that was like for you growing up.

    CB: Well it was definitely a loud household. My grandfather was a keyboard player for Roy Orbison, and he played along side him throughout high school and right up until the summer my grandfather bowed out of the band because his mom said he couldn’t play rock and roll music any more. After that he went on to college and played with Waylon Jennings, and then on the Glen Campbell television show in Lubbock Texas, and then my two uncles played in a band called Ricochet and had the hit “Daddy’s Money” back in 1996.

    KS: I remember that song! So it was in your blood, you were destined. You were born to do this.

    CB: Yep, there was nothing I could do about it, and I’m glad there was nothing I could do about it, because I love it.

    KS: Share with our readers a little about your relationship with Barbara and Alex Orbison and how that relationship played  a role in your career in Nashville.

    CB: Alex I used to say was one of my best friends, but I think he’s now more like a second brother to me. He’s been great to me and we’ve built a really great relationship when it comes to music and life in general. He’s been so supportive of my music and his mother Barbara as well has been one of my biggest fans.  I couldn’t thank her enough for signing me.  She was a great lady and I was her last signing at her company before she passed away.  So that was a pretty awesome experience.

    KS: When you came to Nashville, Benny Brown — founder of BBR Music Group — was so taken back by your talent as a producer of your demo tapes, he allowed you to co-produce your album with Derek George, which I must add is not something he does often.  Share with us a little about how you taught yourself the production end of recording and how you have grown since those early days as a producer.

    CB:  I was on a panel the other day and I was asked how do you teach someone producing, and you really can’t.  If your ears aren’t there and you can’t hear the music then it might not be for you.  There are some great artists that never produced their own records or played on their own records, or maybe even wrote the songs.  But they were great records and ones I definitely looked up to.  I got lucky and sometimes I think that maybe what I do isn’t always right, but Benny sure has given me an opportunity to expand on it.  Whatever my name is or the sound that goes along with it, Benny Brown and Broken Bow and Red Bow Records have really let me carve that path and let me become who I really want to be. I’m thankful for that.  I was able to write all the songs on this record, co-produce the record, and I played all the guitars.  I didn’t produce it by myself either. I co-produced with my best friend Derek George.  We had a blast making that record.

    KS: Well the finished piece was amazing and you have a great ear for it.

    CB:  Well thank you.

    KS:  In addition to producing, you also write your own music.  You say that you wrote 400 lousy songs before you wrote your first good one…what was that one song that caught the attention of Nashville manager, pluggers, and publishers?  Did you know when writing that one, it as the one?

    CB:  I think “Take It On Back” was the first really organic, not left of center or anything that had never been done, but it was one of those songs that defined who I was and that sound that people know me by now.  I think it was that, and a song called “Change Your Name,” and probably another one that did it, called “Wish I Was A Plane” was another one that set the radar for the label and set the tone for the record.  Now “Wish I Was A Plane” is one we play live (isn’t on record). You have those couple of songs that lead to other songs, and those three definitely lead to probably 15 or 16 songs to be on this record that I would like to say are collectively my best pieces of music I could make at the moment.

    KS: Yeah, “Change Your Name” is my fav.

    CB:  Well thank you.  I’m hoping that’s a single in the near future. We’ll see what happens.

    KS: It will definitely be a hit.  You also are an amazing guitarist.  You are a left hand guitarist that plays a right handed guitar upside down.  It’s not something you notice either.  I shot your set at Taste of Country Festival this past June, which by the way you killed it, and after I read that you had this unique talent…I went back to study the photos and sure enough…you rock that guitar left handed, upside-down!  Wow…how did you manage to learn that skill?

    CB: I don’t know, I’m still learning.  Everybody always says “how do you do that, how do you do that?” There’s times I look at and go “why am I doing it this?” But it just happened.  I think a lot of people told me no, and a lot of people thought that I would never play it like that, so I was a stubborn kid growing up and therefore I had to do it.  It also saved my mom and dad a lot of money buying me my first right handed guitar because left handed ones are way too expensive.  I know my mom thinks I have way too many guitars but in the end it ended up saving us a ton of money.

    KS: You recently had the opportunity to do a project with Kia Motors and Michael McDonald in their ground breaking digital series Rediscovered. Share with my readers a little about that project and what that experience was like for you.

    CB: Oh gosh! Ya know, I listened to the 70’s records a lot, whether it be Fleetwood Mac Rumours, or The Doobie Brothers Minute By Minute or Takin It To The Streets, any of those records defined who I wanted to be as a singer.  Musically I thought Michael was just an absolute genius. The sounds that he had coming as a keyboard player and the tone of his voice; there is no way you could ever hear that voice and undoubtedly not think that was Michael.  Nobody else you could think of, could it be.  With modern technology today people hit their phone and ask Siri “who is this on the radio?,” and I think that is the quickest response from Siri is Michael McDonald because it’s one of the most recognizable voices of all time.

    KS: I have to say when I watched that four part series (which I strongly urge my readers to watch the entire series) you nailed it. I could tell he was genuinely impressed as well.  Now in that series you talk about your experience of playing at the Opry.  Share with me what it was like for you the first time you performed at The Grand Ole Opry.

    CB: Playing the Opry is one of those things that every time I play there I quote “there is no bigger religious experience for a country musician…than standing in that circle”. It’s just one of those things as a country artist, when you step in that circle you don’t know what to expect.  I took a friend out to my last performance and the first time they toured the Opry they don’t know what to expect.  It’s the same when you are standing in that circle; you don’t know what to expect.  It’s one of those venues that are full of people who love country music.  It’s not a crowd that’s going to walk into the show and scream and yell your whole entire set.  They are there to listen to great music, and I’m just a proud part of that and I’m very glad that they asked me to come back again and again.

    KS: Your first EP Chase Bryant charged out of the gate with its hit “Take It On Back.”  We love that song and I love that video.  How did the setting at the Tennessee Railway Museum for the video come about?

    CB: I’m a huge train fan.  My grandfather, who was a big influence of course, a huge huge huge influence musically but he and I were both obsessed with trains. When Wes Edwards threw out the idea, I didn’t know who was shooting the video, I just knew that “BAM” that was the one. Especially for my first single.

    KS:  Your newest release Little Bit of You is racing up the charts right now and grabbed the attention of Rolling Stone Magazine as they labeled you as one of it’s “10 New Country Artists You Need To Know.” That must have been awesome to see your name in Rolling Stone Magazine. Do you find yourself pinching yourself at moments saying…can this be really happening?

    CB: There are some great names in that article and some of them I moved to town with,  people I’m really really rooting for, and people somewhere down the road we’re still together in this.  I grew up reading Rolling Stone and was a big fan, and once again it’s one of those things to know I’m a part of it is an honor to be included.

    KS: Your music is what I consider feel good, toe tapping, smile making music. Your live show is amazing and full of the same energy.  I get the impression that you are a very positive person from your music. Do you find that when create music, your wanting to send a message with each song or do you want your audiences to find their own meaning in the songs?

    CB: My message in my music is who I am and who I’ll always be.  I don’t know if there’s another way of saying it.  I just know that whoever Chase Bryant is, and whatever you see live, and whatever you hear on the radio; that’s me and who I am.

    KS: I love your philosophy on music.  You said that “I’m just the guy with the guitar.  If I wasn’t, I’d be the guy on the front row with his arm around his girl raising a glass to the guy onstage.  No questions, it’s just who I am. Music is everything.”  I think this philosophy truly defines you and why we adore you.  You are in it for the music and sharing that passion with your fans, thank you.  One final comment and question — you hands down win for best hair in country music!!! What’s your secret for keeping it perfectly in place as you are moving around on stage.  That’s difficult…I know…my son struggles to keep his hair styled like that!

    Chase Bryant - Taste of Country Festival 2015
    Chase Bryant – Taste of Country Festival 2015

    CB: Well that’s actually funny, as I went through a few different hair cuts when I came to town, and thankfully I had a label that was very good and very patient with me getting my image correct. Who knows if it’s correct now but it’s nothing more than blow drying the thing up in the air and putting some paste in it. It’s a pretty simple process. It’s nothing tough or too hard to happen; and sometimes it happens when I wake up on the right side of the bed.

    KS: Well you have that image down pat. Thanks again Chase for taking the time to speak with us and we can’t wait to see you at Darien Lake July 30th!!


    As I ended the interview I could not help think what a nice young man he was and how well his music fits his personality.  He is an upbeat, positive, fun loving young man who loves what he does, and it shows. He’s the next generation of country.  With so many critics out there today picking apart country criticizing the new sound, I find Chase Bryant the perfect example of how the next generation is taking the roots of country, that he was whole heartedly immersed in as a child, and giving it the spin to generate new fans from this generation.  As a role model, he’s definitely my choice, and again, hands down he wins my “Best Hair” award.

    I’m truly looking forward to seeing his set again, and I strongly urge all of you to not miss this show as Chase, along with Billy Currington, and Tim McGraw will blow your socks off for a fun filled evening of country entertainment.

  • Trapt’s Chris Taylor Brown Gets in Argument With Local Band in New Jersey

    Singer Chris Taylor Brown of Trapt reportedly got into an argument the day after their performance at K-Rockathon 20 in Syracuse. On Sunday, July 26, Brown can be seen arguing with local bad Too Far Lost at the Stanhope House in New Jersey before his band mate ushered him away. A 30-second cell phone video clip popped up on Youtube showing the altercation.

    Too Far Lost was one of the opening acts for Trapt that night. According to Andy Bane, frontman for another opening band on the bill called Dangerkids, Trapt told Too Far Lost band members that they could not sell their merch at the show. Bane also stated that Brown proceeded to call the band fat, worthless and told Too Far Lost members, “You’re in a local band so you don’t matter.”

    Zach Myers, guitarist for Shinedown, posted a response on a fan’s Facebook page that posted about the Brown incident. Myers said Brown talked $#!t about Brent Smith of Shinedown, and Brent confronted Brown at K-Rockathon, though Brown ignored Brent and the band. Brown later posted on social media that his band Trapt was better than Shinedown. On Monday, Brown released a video on the band’s

    Wanted to explain where this rage I’ve had lately comes from. Had a lot to say, so thought I would do so in a video.

    Posted by Trapt OFFICIAL on Monday, July 27, 2015

    Alternative Press reported that Trapt and Bane were bantering back and forth on Facebook. The post has since been taken down. Bane posted,

    “You make a post about bullying and then an hour later tell one of your openings bands (who were required to sell tickets to your shitty show) that they can’t sell their merch? Call them fat and worthless and ‘you’re in a local band you don’t matter?’ Sorry ‘Headstrong’ hasn’t been relevant in over 10 years. Maybe you should hang it up.”

    This prompted Trapt to reply by posting:

    “Worry about your own band and your own career and maybe writing a song that people like. Our one Top 40 hit, that was the biggest alternative song of last decade, is one of our 12 songs that crossed at least the top 20 in rock, so I guess you can only have a hit if [it’s] on pop stations in your opinion. Douchebag.”

    Trapt also posted:

    “‘Headstrong’ makes more money yearly than you’ve made in your whole life. You’re so dangerous… No one said they can’t sell merch. That band wanted 3 fucking tables and we wanted our main support to have at least 1 table. That girl in the video bitched and said then we will take our stuff and leave and we said go ahead and then that local band said if they didn’t go out and sell tickets than no one would be at the show, all 20 tickets they sold. The second local was [way] better and did a much better job promoting the show and selling the [tickets]… We rely on hard-working local bands to promote Trapt when we come to town. Fuck you! See you out there sometime!

  • Road to Backwoods Pondfest: Sophistafunk

    Get your Backwoods Pondfest party started with the ultimate New York funk trio, Sophistafunk. With the combined talent of Jack Brown’s hip-shaking vocals, Adam Gold’s keys, bass and vocals, and Emanuel Washington’s groove-inducing drumming, they’ll get you dancing and work the audience into a frenzy through deep instrumental grooves.

    Recently featured in Relix Magazine “5 Artists You Should Know About” (May 2015), this funky indie trio was also featured on Diners, Drive-ins and Dives when Adam Gold’s venue/restaurant Funk ‘n Waffles was profiled on the Food Network show.

    Backwoods Pondfest keeps getting better and better, and there’s plenty more in store! Check out the lineup and pick up tickets to this incredible festival today!

  • Dark Star Orchestra Plays Frontier Field for Their First Stadium Show

    Dark Star Orchestra has one more stop to make in New York state before they head to Gathering of the Vibes this weekend in CT. Following a JGB set in Saranac Lake Sunday night, the band will return to Rochester for their first ever stadium show at Frontier Field tonight.

    Frontier FieldThe band that seeks to recreate the set list of past Dead Shows is excited to share this moment with the Rochester Dead Head community and we plan to show them how excited we are to be a part of it. With the celebration of Jerry Garcia’s birthday fast approaching, they have been heating up shows all tour.

    Tickets are still available for $15 and will increase to $18 at the door. This is an all ages show so bring the family for what should be a beautiful summer night of Dead tunes.

  • What Does the VibeTribe Mean to You? Here are Your Answers

    The official Gathering of the Vibes 2015 countdown is down to two DAYS. Before we finish stuffing all our camping equipment into our cars, we wanted to up the suspense by asking members of the ever-growing VibeTribe to tell us what they love about GOTV, and what being a member of the VibeTribe means to them. In no particular order, here are the responses we love the most.

    Submission by cdrhead:

    “My first introduction to ‘the vibe tribe’ was when I started collecting GD tapes. I lived in the next town over from Terrapin Tapes so I would walk in and buy blank Maxell’s there. I switched to cd and started buying blank cds there too. I got to know some of the folks that worked there a little. I would see Ken barefoot at shows, and I was slow to catch on to festivals but when I learned Ken was the promoter I knew GOTV would be good (and I still see him barefoot at shows). I got into message boards at dead.net, then moved to an international forum that got shut down. I came to the vibes board and found lots of friends. I live in CT so I started going to the Vibes full time when they moved it back to Bridgeport. The family feeling is there, we are one tribe.”

    Submission by jefferjm:

    “Being part of the Tribe means knowing that at least once a year I can arrive in a place where I can be completely myself, and free of worry and the judgement of others.  It’s also my chance to spend the highest possible quality time with my 19 year old son. He was born 3 months after Jerry passed but Vibes and all the shows we attend together gives him the chance to see the community that changed my life for the better when I hopped on the bus on Halloween 1979 at the Nassau Colosseum.  Vibes continues to be the highlight of our year.”

    Submission by Occifer Boland:

    “I could go on for pages upon pages…. I won’t. In 2002 my big brother passed away at 37 years old. He was a ‘boardie’ at the time . He died one month before Vibes 2002… He bought my ticket for us to attend together. I wasn’t going to attend, as I was still a mess from losing him. Five days before event, my brother’s crew told me my bro Bob would want me to attend. I went…NEVER LOOKED BACK!!! Only missed 2 Vibes since then. Became ‘family’ with so many. As someone else stated, this is my yearly vacation. I am now 37 years old (age my brother was when he passed away), I am grateful for the years I put in to honor his memory of a festival he enjoyed. And this year The String Cheese Incident is playing, the last fest I saw them was in 2001 with my bro.”

    Submission by Depends:

    “My first vibes, 2008, I knew no one there.  Now, 2015, I have high hopes of seeing and hanging with upwards of 50 people, 25 of which I’m more than happy to call friends. I used to sit and wonder how/why so many younger people were there. I thought that it was an older person thing. Then I remembered my first GD concert, I was 15. I knew then, the teens and 20/30 somethings have had that same feeling. It’s home, with a heart.”

    Submission by In A Silent Way:

    “I wandered in by accident as the publicist for a local radio station, and met some of my favorite people in the world. I’ve been to two Vibe Tribe weddings, and my kids have had the privilege of growing up at Vibes. There is nothing, NOTHING like the hooting, hollering, and hugging that happens when the festival opens and everybody is saying ‘HAPPY VIBES!”

    Submission by Lostsailr:

    “In 1996, it was an ad in Dupree’s Diamond News that got us to get a sitter for out one year old twins and head to SUNY Purchase, to listen to some music to fill the void after the loss Of Jerry Garcia. We all wondered what would  happen, now that there were no more shows to go to (there will always be more concerts, but not any ‘Shows,’ though Chicago did just prove me wrong on that point). We came upon a group of fellow deadheads we never met, but automatically knew we were home. We were even greeted by the first volunteer we came to that day, and have been greeting others the same way ever since: ‘Welcome Home!”

    Not excited enough yet? The team at Gathering of the Vibes just announced some new acts this past week, including Road To Vibes winners Relative Souls, along with the incredible Nigel Hall and Eric Krasno. In addition to great music, great weather is being forecasted for this weekend, upward of 86 degrees. We hope you all try to get through the first half of your work week, and we thank everyone for their responses. We can’t wait to see you over this sunny, musical weekend.

  • Eminem / Dr. Dre Rep Says No Plans for N.W.A Tour

    Rolling Stone reported that a rep for Dr. Dre and Eminem stated that the duo have no plans to tour together either solo or with N.W.A.

    N.W.AWith all the buzz about the biopic movie Straight Outta Compton coming out in theater’s on Aug. 14, and with Ice Cube, MC Ren and DJ Yella performing together for the first time in 26 years at The BET Experience in California, rumors were flying.  It also doesn’t help Eminem’s strong ties to Dr. Dre and that he appears on the soundtrack for the N.W.A movie.

    The rumored reunion tour had Eminem playing the role of Easy-E. Eric “Easy E” Wright died on March 26, 1995 from the AIDS virus. The planned tour was speculated to take place in Europe on the same day as the movie release date.

    N.W.A debuted in 1986 and has sold over 10 million records in the U.S. The group was known for being one of the first gangster rap groups in history with their lyrical hatred towards the police and women and the glorification of drug use and guns.

    After the band split, Dr. Dre and Ice Cube went on to have successful solo music careers. Dre has also become a very successful entrepreneur. He has produced many music artist to go along with his former brand of headphones called “Beats,” which he sold for 3 billion dollars to Apple. Ice Cube has gone on to also become a successful movie actor and filmmaker.

  • Hearing Aide: Lonesome Crow, ‘Lonesome Crow’

    Central New York-based Lonesome Crow know right where the sweet spot is when it comes to Southern Rock/Outlaw Country music. Their pedigrees that include Savoy Brown, Mad Jack and Last Train Out gave them plenty of road experience, along with opening for such acts as The Outlaws, The Marshall Tucker Band and Blackberry Smoke.

    Composed of “compadres for decades,” Lonesome Crow is Rick Jewett (keys, harmony and  vocals), George Lamb (bass), Lou Kaplan (acoustic and electric guitars, lead and backing vocals), Slaus Brown-Paul (lead and slide guitars, banjo, harmony and vocals) and Barry Westfall (drums). Recording was done at Conan Fioramonti’s The Ghetto studio in Syracuse, produced by the band, engineered by Fioramanti, mixed by Bill Aldrich, Jewett, Brown-Paul, mastered by Scott Patnode.

    lonesome crow
    Photo by Deborah Brooks Miller

    This band could claim to be formed in the early to mid-1970s southern rock scene in the Carolinas and Georgia. They can honky tonk it with anyone, each member knows their role and is strong within it. Kaplan and Jewett are the primary songwriters with Brown-Paul contributing two songs as well, they even re-make a couple of Mad Jack numbers in the middle. While the terms Outlaws, Hell Raisers and Renegades are thrown around a lot these days, LC live it as much as reality allows. Much like their influences and heroes, LC’s live shows are spirited romps through decades of history while creating their own on the way.

    “Rollin’ Into Town” (K), the opener of this eponymously titled album, establishes much of what “Lonesome Crow” is all about. Melodic, well-written songs that are easy on the ear and easily remembered. This could’ve come straight from a Marshall Tucker (MT) issue, much like ‘Lay Me Down’ (K/J), the next track. The story is plausible, the mix is smooth and you can dance to it. Gary Burns’ steel line with Jewett’s piano just make it bounce, the rest is solid, especially Brown-Paul’s solo. ‘American Small Town Boy” (J/K), revs it up several levels, Jewett’s piano and Hammond sound just right with Brown-Paul’s raved-up rhythm. George Lamb and Barry Westfall are great role players, with lead abilities. This music isn’t going to ask them for gymnastics, do what you do, everyone’s feet listen. Kaplan is out front and he knows how to sell what he’s got, he has the look, swagger and chops to get it.

    “Wicked Ways” is the first Jewett/Kaplan (J/K) piece although they switch to Kaplan/Jewett (K/J) too, I’ll note them as they have a different flavor and the mix of them is cool. Kaplan does his best Doug Gray and the band is swinging or skiffling, is that a word even, great ooos in the background, Brown-Paul’s finger picking and slide drops. Jewett honky-tonks it and off they go, he delivers a great solo mid-song too. “Pick-Up Truck” (J), is where Jewett takes the mic and kicks it into gear, his organ sounds are dead-on and Brown-Paul’s pick and slide jump like Toy Caldwell, the bluesy backing shouts and the same in Jewett’s voice compliment nicely. Brown-Paul shines again in solo, did I say the rhythm section was tight? That.

    lonesome crow“Shot To Hell” (K/J), brings a bit of Allman Brothers Band here with the acoustic rhythm brought up, the slide and the piano. The MT is still present as Kaplan re-takes the lead and the harmonies really come through with the help of Fioramanti in the equation, a percussion shake too. Brown-Paul’s (B-P) first piece, “You’re The One” is also his first lead singing role, his voice is softer and smoother, it is just right for this true sad country tune. Gary Burns’ lilting steel guitar licks behind the tremble of B-P’s vocal, Jewett gets a little country majestic and you could wring the sweet out of the backing vocals. “Tonight We Ride” TWR is a (K/J) plus Alan Macomber and Mike Brown piece from their former band, Mad Jack, as is the next one, ‘Desperation Road’ DR. ‘TWR’ is a nice up-tempo love song, more country flavored with a updated guitar solo and a Allman Brothers bridge. It’s got the right swing and sway, DR has it too while of course the topic matter is 180 degree spin. DR opens in a dark mood, Westfall paces with a marching snare, but quickly turns its cheek, Brown-Paul leads to Jewett mid-song as they stretch it out with a couple of great solos. Lamb is running steady on the bottom as Kaplan tells the tale of redemption from his soul and heart. Cool outro too.

    “Way Past Mad” (B-P), with B-P at the lead, is tweaked with Texas-Blues and a similar swing. It feels like you’re riding a railroad car, then Jewett jumps on piano line right out of a western barroom. All of the elements that culminate in Texas Swing with a big-rock ending. Great jam. “Fast And Free” (K/J) rocks a bit more than previously heard here, Jewett stealing the show in the middle with a ripping piano solo, only to have B-P top it off. When Kaplan sings, “Packin’ up this old guitar, Packin’ up my guns, Loadin’ down that truck out in the drive, Say goodbye and wish you well, Put the hammer down, Takin’ one last run while I’m alive”, you know he’s been there before. Then B-P drives it home.

    “Take My Drunk Ass Home” (J/K) closes with a bluesy country twang, Jewett at the mic, it’s a descriptive, with the title’s protagonist talking to himself. It’s possible he’ll get everything he’s lost back, but we know what he’ll have to do. LC’s dexterity within a loose genre is expressed throughout this album. They tell you stories, whether they’re reality or fiction, they’re plausible, they’re presented authentically and played at the level that is allowed by most prefectures. They love what they do and it shows clearly what the idea of being in a band is all about. If’n all y’all maight prefer this heya musical style, might right give a listen, all y’all be durn happy fo it! Check out Lonesome Crow on facebook.

    Key Tracks: “Pick Up Truck,” “Way Past Mad,” “Fast And Free”

  • Interpol to Play Penultimate Show of North American Tour at Upstate Concert Hall

    Back with a trimmed lineup on the heels of the critically acclaimed 2014 album El Pintor, Interpol brings the a darker, deeper sound to Upstate Concert Hall. July 29, the penultimate stop on their North American tour.

    interpolThe indie rockers combine Depeche Mode sound with smooth electronica that is evenly spliced, just proper enough to establish but not kill a mood. Interpol is a consistent upper, the yerba mate to Tame Impala’s oolong tea. Steady, not too strong but certainly not too weak.

    Home in New York City for a July 21 performance at Brooklyn’s Prospect Park, they performed many songs off their debut Turn on the Bright Lights, as well as the recent El Pintor. They recently spent some time in Buffalo during a November 2014 snow storm, stranded on their tour bus for 48 hours. They will find much better weather as they head north to Clifton Park, one night before wrapping up in Montreal and a month long tour in Europe before taking a break. 

    Interpol takes the stage at Upstate Concert Hall on July 29, with opener Cosmicide playing at 8pm.

  • Vans Warped Tour 2015: Mud and Metal

    The summer concert season is finally upon us and is in full swing. Vans Warped Tour made a pit stop to Darien Lake as it does every year. This was their 21st year of being on the road and they have been pushing every year to be even fresher and entertaining than the next. They didn’t do so badly this year.

    Upon arrival you could automatically tell this was an event for the younger generations. I’d say the majority of the fans were between 15 and 18 years of age. The line was wrapped around from the front entrance to around the fences at least a quarter-mile back. It was nothing but fouled mouthed scandalously dressed teenagers that were littering all over the place as I walked passed them to the Guest list tent.

    The weather could not have been more beautiful. It wasn’t too hot and it was a rain free day. The afternoon before we had hours worth of rain so the ground was pretty soggy and wet. My converse and calves were covered in mud by the end of the night.

    Taking a walk around and scoping out the area, I had never been to Vans Warped Tour so wanted to see what they had to offer besides the 10 stages of music. In the middle of the event strategically placed in rows like a carnival setting they had band’s tents where you could buy merch or shoot the breeze with them. So I took a peek and continued down the hill to where my favorite part of the event happened.

    I met the one of my biggest influences in life, Adam Elmakias. I have been following his work for couple years now and he is everything I wanted to be in life. Adam surprisingly is not even a year older than me. His job is to go on tour with bands and photograph their everyday lives on the road, on and off stage. I was little star struck but not the Justin Bieber fan kind. I took my picture with him and shot the breeze for a brief moment. He gives me hope that one day I’ll go on tour with a band and take pictures. That’s my dream in life.

    The Unicorn stage was second in command that night. If you have never seen Family Force 5 I recommend seeing them at least once. They were highly entertaining on the stage. Their retro bright straight out of the ’80s fashion-wear, to the trampoline jumping on stage kept things fresh and new. These guys brought so much stimulation to the stage I couldn’t look away.

    I have a couple of friends that just love everything about Attila. I’m sorry but I can’t see what the hubbub is about. Sure they were wonderful to photograph, but vocally and lyrically it left a bitter taste in my mouth. Their first song right out of the gate was called “Middle finger”. Crowd was nothing but obsessed with this song. Then when they started singing their second song “Rage” all hell broke loose. The crowd surfing and moshing began and was in full force, as a photographer in the pit when that happens can become a dangerous scenario if you are not aware of your surroundings. The only thing I enjoyed about Attila’s set was that they had life plastic red garbage cans set up filled with beach balls. The idea behind this was to give the fans the balls and have them play some beer pong.

    Most of the melodic hardcore bands or borderline metal bands were placed in the far back on the Monster stage. I found myself unable to be peeled away from this particular setup, as most of the bands there were so tight on point. There are a few worth mentioning that were really pleasant to listen to as well as photograph.

    Escape the Fate, this band I had been eagerly waiting to see because a couple of people I talked with said they were fantastic live. So upon arrival a few minutes before show time I was pleasantly surprised by the hustle of the stage crew. So as the show began the outfits immediately caught my attention. They seem to match accordingly on stage which I thought was a nice touch. Some bands put in little effort towards appearance and it looks poor on their part. I was not disappointed at all by Escape the Fate. They kept my attention the entire time by delivering such a powerful performance.

    Fit For A King, These guys were recently in town for a show at a tiny club called The Waiting Room. I did not attend but from what I understand they put on a great performance, according to a colleague this one trumped over the previous. Front man Ryan Kirby delivered a strong solid performance and newest member who is bassist and clean vocalist Ryan O` Leary was nothing but energy on the stage.

    Hard Rock Kevin Says Stage had any miscellaneous band that didn’t quite fit into the pop metal categories. Alvarez Kings I must say out of all the bands on that stage I saw were the most relaxed. They weren’t your typical warped tour kind of band. They were softer and it wasn’t what I normally listen to you, but nevertheless enjoyable. I would certainly go out of my way to listen to them while doing a relaxing activity.

    Ernie ball stage was hopping the entire day; it was conveniently placed by the concession stands. This stage is meant for local winners of the Battle of the Bands competition. My favorite part about this is that it’s a truck that has a stage built into it. While I was paying a ridiculous amount for a hot dog that my wallet still hates me for, I couldn’t help but overhear a couple of bands that made me stop and take a listen.

    Until We Are Ghosts, Until we are ghost are based out of Rochester, NY which is approximately only hour away from Darien Lake. I have had the pleasure of working with these guys doing live photography for them on several occasions when they come to Buffalo. When I heard they were playing on warped Tour I couldn’t have been happier for them. I have seen how hard they have worked to get here. They deserve it all and more. The guys started off their set with Repression. Vocalist Rob Anders always brings an unbelievable performance every time I’ve seen them. Today was no different.

    A Story Inspired, These guys are from my hometown of Buffalo, NY. Never previously heard of A Story Inspired until I captured them on the Ernie ball stage in the early afternoon. These guys have clearly become of my go to favorite local bands when I need a heavy music fix; which is often, especially at the gym. The band consists of two vocalists Zachary Mecca, and Josh Karlis. These two are perfectly in sync and I couldn’t peel my eyes away from the stage.  Bassist Noah Elardo is well-known for his “Lion Mane” hair, he used this to his advantage on stage giving the ladies something to be googly-eyed over. These guys were one of my favorite bands by far. Everything about their set was tight and choreography was synced to a T. My hope is to see this band take off and go all the way in this music industry, it shows that they have put every last stitch of energy into their music and would want nothing more.

    The Shark stage was one of two stages that had the big named veteran musicians on. The first major headlining band to kick things off on the Shark stage at was Silverstein. I listened to these guys a little bit in high school. They brought their aggressive melodic punk style in full swing. Shane Told and his band brought their best to the stage Wednesday. Second song in they played “Smile in Your Sleep”. This song got the crowd screaming and starting mosh pits.

    August Burns Red is from our friendly bordering state Pennsylvania. Vocalist Jake Luhrs and his band have been together for just about 13 years now and their sound was spot on. Drummer Matt Griener had such great dynamic drumming, and their lyrics and sound are so skillfully crafted to make it their own.

    Quintet group Blessthefall was one of those bands, a forced to be reckoned with that day. They are a melodicore band from Arizona. These guys brought and left every last ounce of energy on the stage. The vocal presence of Beau Bokan was undeniably the strongest I heard all day. They opened up with “you wear the crown but you’re no king”. The middle of their set they played one of their most popular songs 2.0. This is primarily a song they are known for.

    Asking Alexandria was one of the last bands to close out the evening at approximately 8pm. They had introduced their new singer Denis Stoff. He certainly brought his own flavor and did justice to all of their harder songs. I was impressed by them all around and thought they put on a good performance and kept the crowd enticed for the entire performance. Once they started singing “Breathless” The crowd just lost their minds. Moshing began and extreme crowd surfing commenced.

    Well my very first Warped Tour was a success. I Spent approximately nine hours shooting and walked away with a little sunburn, muddy covered shoes and feet that felt like they were going to fall off; but I wouldn’t have traded it for anything. All the bands brought their own flavor and it was enjoyable for all on one level or another. I will see you next year Warped Tour 22.

  • Mayhem Festival Bring the Heat to Hartford

    This year’s edition of the Rockstar Energy Drink Mayhem Festival stopped at the Xfinity Theatre in Hartford, Connecticut, on Sunday July 19th. Along with 14 bands, the festival also brought scorching temperatures with it. Sunday’s heat was no match for metal fans though, as many camped out at the rail all day long or participated in throwing down in the mosh pits.

    Music started on the Victory Records Stage shortly after 1pm with the Coldcock Band Winner, Dead By Wednesday. Although many fans were still in the parking lot hanging out or making their way into the festival, Dead By Wednesday didn’t seem to care and gave Mayhem everything they had. After their set was over, they welcomed fans to come hang out with them at the Coldcock tent. After a short 5 minute stage change, Code Orange was next up. This band formed back in 2008 and continues to grow. When they came on stage the Victory Stage area was starting to fill in and the mosh pits started. Code Orange did a good job getting the crowd ready for a long day of music.

    Dead By Wednesday
    Dead By Wednesday

    The next two bands to take the stage were Shattered Sun and Sworn In. Shattered Sun took the stage right around 2pm when pretty much everyone was inside. People were either checking out the tents set up all around the venue or checking out what Shattered Sun had to offer. Touring behind their recent release Hope Within Hatred, the 6 piece band Shattered Sun showed they weren’t stopping any time soon. Sworn In took the stage after with a very aggressive and hardcore approach. At the start of their set, their singer told the crowd he wanted someone in the ICU by the time the song was over. This made for a fun time for anyone who was partaking in the mosh pits.

    After Sworn In and a 15 minute stage change, Sister Sin took the stage. This female-fronted Swedish band was different then the rest of the more hardcore bands on the Victory Records Stage. Sister Sin had more of a throwback metal style that made it feel like the 80s. This change of style was accepted by the crowd and the entire crowd got into this band. After their set was over, Sister Sin went to their merchandise tent to meet fans who were already lined up waiting during the set.

    Sister Sin
    Sister Sin

    With the heat not letting up at all, Jungle Rot took the stage at 4pm and delivered a killer set behind their recent release Order Shall Prevail. Even with only having a short 25 minute time limit, Jungle Rot ripped through a handful of songs from 3 different albums including their newest. Fans were definitely left wanting to hear more heavy riffs and killer drumming out of the guys in Jungle Rot. Once Jungle Rot was done, fans used the quick break to go hydrate at the Rockstar Energy Drink booth and other places. Luckily, the setup was done perfectly with everything right around the Victory Records Stage, so fans didn’t have to miss any action. Thy Art Is Murder was up next. Touring behind their June release of Holy War, these guys were ready to show Mayhem what they were made of. Their setlist features tracks from both Holy War and their previous release Hate. The highlight of their set is when they kicked an autographed soccer ball into the crowd for the fans.

    The last band to take the Victory Records Stage before things got hectic with the Rockstar Energy Drink Main Stage and Victory Stage going back and forth between bands was Whitechapel. Generally classified as a deathcore band, Whitechapel displayed many different traits of other genres. This 6 piece band, which features a 3 guitar attack were the reason why many of the fans at the rail had been there all day. The dedication paid off those fans who stood in the heat all day long because Whitechapel surely did not disappoint anyone in Hartford.

    Whitechapel
    Whitechapel

    The Rockstar Energy Drink Main Stage started off with The Devil Wears Prada. These guys had quite the mix of clean melodic vocals and hardcore screams. Being the first band to open the main stage, they didn’t have much space up on stage from being in front of every other band’s gear after them, but they were making the most of it. These guys were all over the stage and really getting the crowd prepared for the rest of the evening. As the skies darkened, there was no better time for Kissing Candice to take the Victory Record Stage. This gore-core band took the stage with masks and blood covered clothes. Fans who were lucky enough had the chance to pose for photos with them earlier in the day at the Coldcock tent.

    With the music then shifting back over the main stage, fans were ready to see HELLYEAH. This band had the pit section inside ready to go before they even walked on stage. All the fans there knew who HELLYEAH were and they were prepared to thrown down. The set opened up with Vinny Paul standing up on his drum riser and giving the crowd the go ahead signal. The setlist was dominated by their last album, Blood For Blood. The only two songs that weren’t off that release were “War In Me” and the closing song “You Wouldn’t Know”. Lead singer Chad Gray took the time between songs to thank fans and to speak to them about how important music was to him. HELLYEAH continues to grow and this tour is only proof of that. Be sure to follow them in the news because there’s already talks about their next album coming early 2016.

    HELLYEAH
    HELLYEAH

    The last band to play on the Victory Records stage came all the way from Melbourne, Australia and they were called Feed Her To The Sharks. This band was another that featured both clean melodic lyrics with a mix of heavy metalcore screams. They mixed their elements quite well and impressed everyone who left their spots at the main stage area. Their set was very short but they like many of the other bands made the best of their available time.

    Overshadowing their setlist was the lurking set time for the mighty King Diamond. Starting right on cue, the lights dropped right at 8:10pm. King Diamond shortly appeared from the top of the stage structure they had set up. This was the first band of the day with a serious production. Complete with gargoyles and inverted crosses, King Diamond had a fantastic theatrical set. Not showing their age one bit, King Diamond and the rest of the band sounded absolutely fantastic. Even though the set was only an hour, the band got to play 10 songs and had a nice mix of both King Diamond and Mercyful Fate covers.

    King Diamond
    King Diamond

    After a long 35 minute wait after King Diamond, Slayer fans watched the big white banner finally fall, revealing a relatively empty stage for a headliner. There was no time for disappointment though as Slayer opened the night with their new single “Repentless” which is the title of their new album that’s due out on September 11th. Along with this new track, fans who were just cooling down finally got blasts of fire from the stage. Fans knew there was a reason for just one big screen behind the stage and a row of cabs on each side of drummer Paul Bostaph. The pyrotechnics continued all through the evening and were on queue with the music. The giant screen behind the stage displayed album covers from each song or animated videos. This stage setup was spectacular and went with the music perfectly.

    Slayer
    Slayer

    The band was spot on all night long in every aspect. Tom Araya sounded absolutely fantastic behind the mic. Guitarists Kerry King and Gary Holt were top-notch, representing themselves as two of the best thrash metal guitarists of all time. Finally, Paul Bostaph was a beast behind the kit, not missing a single beat. Many people were skeptical with the recent changes that Slayer had gone through, but it is apparent that this change has rejuvenated the band and there’s no letting off the gas pedal.

    Slayer Setlist: Delusions of Saviour (Opening), Repentless, Hate Worldwide, Jihad, Disciple, God Send Death, War Ensemble, When The Stillness Comes, Implode, Mandatory Suicide, Chemical Warfare, Ghosts Of War, Dead Skin Mask, Hell Awaits, South Of Heaven, Raining Blood, Angel Of Death

    Mayhem Festival was scrutinized this year after they released the lineup, as it was deemed weak and not as impressive as previous years by fans. This was definitely not the case this year. Slayer, King Diamond, HELLYEAH, The Devil Wears Prada and everyone who took the Victory Records Stage put on one hell of a show that needs to be seen.

    The tour has less than 2 weeks left to go before it ends in Dallas, TX. Check out the rest of the dates and cities here.

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