Syracuse hardcore band GhostxShip have officially announced their farewell show at the St. Clare Annex in Syracuse on Sunday August 30. GhostxShip started out in 2009 and has cultivated a massive local and national fan base. They have been dubbed as the torch bearers of the Syracuse straight edge Hardcore scene by local predecessors.
Some notable career highlights include: playing the Heart fest in 2013 and 2014, the iMatter Fest in 2014 and 2015, South EastBeast in 2015, the notable New England Metal & Hardcore Fest in 2015 and playing with Metalcore legends such as Earth Crisis, Shai Hulud, Bane and Stick to Your Guns to name a few.
Photo by Taylor Rambo
“These are the moments that we live for”
Even though this is a farewell show, GhostxShip has no intentions of “fading away” completely. The band issued the following statement earlier this summer after they announced they would be ending GhostxShip to pursue other projects, “Here’s the thing… We have NO intentions of just playing a few shows and fading away. No, that’s not how we do things. We are going to be playing weekends and festivals all summer. We will uphold as many obligations as possible and we will try to get to as many places as we can. This will all culminate in August 2015 at our farewell show.”
Those who are not familiar with the craziness that occurs at GhostxShip shows, be prepared for crazy folks in costumes, balloons, pillow fights, an assortment of pool toys, the infamous “mosh cam” and more unusual surprises. If you haven’t been to one of their shows…remember this is your last chance! The band assures all in attendance that this will be their biggest party ever, even more epic than the show they played with Stick To Your Guns last year. In fact, they say it will be a party like that times ten! So, epic is an understatement. Everyone come on out and help sink the craziest ship in Syracuse! Don’t miss GhostxShip’s farewell show. You have been warned.
The Details: Date: August 30 Where: St. Clare Annex 810 N. Salina St Syracuse, NY Doors at Noon -$10 All Ages
Fear Factory returns with its ninth album, Genexus, and this album does not disappoint. It’s absolutely amazing that nine albums in, the band still continues with the same sci-fi theme about the dangers of machines and technology. They sustain that industrial thrash metal sound that parallels their breakthrough album Demanufacture.
One bold move this album did, was the decision of moving away from the drum machine they used on the previous album, The Industrialist, and hired Mike Heller to handle the drums on this album. Dino Cazares handles all the guitars and bass tracks, while Burton C. Bell has laid down all vocals.
The album kicks off with a robotic track “Autonomous Combat System,” which reminds us that this is a Fear Factory album. A real stand out track is “Dielectic” which interestingly enough, uses a little bit of orchestral arrangements throughout the track. That’s really what makes this Fear Factory album stand out. We are used to hearing program arrangements, synthesizers, keyboards, and other electric sounds in almost every Fear Factory album, but this album continues that tradition, also using orchestral arrangements.
“Soul Hacker” is another killer track on this album, featuring some of the best vocals I Hacker” is another killer track on this album, featuring some of the best vocals you will hear from Bell. Halfway into the album, the title track features more the heavy and fast guitar riffs from Cazares that are so clutch with the double kick drums with synthesizers buried cleverly underneath. “Church Of Execution” has a bizarre and catchy riff that will get stuck in your head. Finally into the tenth track “Expiration Date” is a ballad which is a great way to end this album. It’s not very often Fear Factory graces an album with a ballad. Then this album offers two bonus tracks with “Mandatory Sacrifice” remix and “Enhanced Reality” which adds value to this album.
In conclusion, I do believe this is Fear Factory’s best album since 2001’s Digimortal. Some people may find this album redundant because of the constant theme and sound that Fear Factory has always used, but most people should appreciate all effort that was put into this album because of all the industrial arrangements that is timed out so well with the music. Fear Factory continues the momentum on Genexus and these songs need to be heard live.
Highly recommend the purchase. You can buy Genexushere.
Key Tracks: Dielectic, Soul Hacker, Church Of Execution, Expiration Date
This past weekend metal-heads from all over ventured to Montréal for the three-day festival known as Heavy Montréal. From Friday, August 7 through August 9, fans filled up Parc Jean-Drapeau and were ready to see their favorite bands. The weekend consisted of a large variety of metal sub-genres and it seemed to sit well with everyone.
With 4 stages hosting bands all day it was impossible to catch every band playing over the weekend. It seems fans had a game-plan going into the festival each day with a list of bands and their set times. Some fans though, decided to rail camp all day to catch the headlining act of that night from the front row. Luckily all three days had perfect weather so people could get away with that and not die from the heat some festivals get. Friday had a handful of bands that drew some awesome crowds. During the early afternoon, Venom Inc. and Arch Enemy had giant crowds at the Scène HEAVY Stage. Venom Inc. was the replacement for Mastodon who dropped off the lineup just a few weeks before. For being a late addition to the festival, they sure did look and sound prepared and the crowd was loving it.
The next band to take the Scène HEAVY Stage was Arch Enemy that day. With their new singer Alissa White-Gluz and new guitar player Jeff Loomis, Arch Enemy took the title for best band on that stage for the day. Having Michael Amott and Jeff Loomis in the same band makes for some serious guitar shredding. Alissa connected with the crowd throughout the set because she’s originally from Montréal and spoke mostly all French to the crowd. After Arch Enemy finished their set, Extreme started their set on the Scène Molson Canadian Stage. This band definitely appealed more to the older fans in the crowd but was respected by all. Extreme is led by singer Gary Cherone, who many know as the guy who was “that other singer” for Van Halen. On guitar for Extreme was none other than Nuno Bettencourt. For those who pay close attention to rock news, Nuno was just at the House of Blues on the Sunset Strip in West Hollywood as a special guest for Steel Panther who played the final show there before they demolish it.
Within Temptation
Before Extreme was able to finish their set, many fans started the walk over to the Scène de la Forêt Stage for Nothing More. Easily one of the most anticipated bands of the weekend, Nothing More gave everything they had. Opening with “Mr. MTV”, Nothing More gave Montréal a performance that left fans eager for more. Not many bands can put on a performance like Nothing More did in just 30 short minutes. The band closed their set with, “This Is The Time (Ballast)” and “Salem (Burn The Witch)”. During their short time, Nothing More still setup their bass rig and the band all unloaded on it making crazy beats. At the end of the performance the entire band took to their personal drums to hammer away in the woods. After the performance was over, the band came off stage and greeted all the fans that stuck around to talk to them at the rail. The crowd showed incredible support for Nothing More and from the looks of it, they could have played on one of the main stages.
Dokken
The last two bands that were caught on Friday were Meshuggah and Korn. Meshuggah who is a Swedish extreme metal band, seemed to fit in with the vibe of the weekend very well. The people of Montréal and surrounding areas seem to love the “heavy” and “extreme” metal that this festival brought in. While not every single person in the crowd was waiting to see Meshuggah, there were still a sea of fans screaming their name and banging their heads with singer Jens Kidman. Last up on Friday night was Korn, which was the band everyone there was waiting to see. Shortly after 9 P.M., the sea of people tightened up and everyone pushed closer to the stage. The set started with that very familiar cymbal intro which lead to a big “Are You Ready?!” from Jonathan Davis. Starting with “Blind”, then moving through the rest of their debut album Korn, the band had the crowd going wild. Fans may have seen Korn 10 times already, but this set was very special and has only been done numerous times since the band announced they would be playing Korn in its entirety for its 20th anniversary. After finishing the album with “Daddy”, easily the most emotional song ever written by Jonathan Davis, Korn played a 3-song encore. The three songs were, “Falling Away With Me”, “Here To Stay”, and “Freak On A Leash”. Heavy Montréal couldn’t have picked a better band to set the mood for the next two days of the festival.
Slipknot
On Saturday, the music once again started at 1 P.M. sharp. Some of the bands to open up the day were Slaves On Dope, Deafheaven, The Brains, Mass Murder Messiah and Rock From The Crypt. The crowd for the first few hours of the day seemed to scatter from stage to stage until they were ready to camp for a certain band. Starting at 3 P.M. is when the crowd seemed to shift mainly toward the 2 main stages. Lita Ford took the Scène HEAVY Stage at 3 P.M. and she absolutely rocked for her age. Some people may have scratched their heads when seeing her on the lineup for this festival, but she surely didn’t disappoint the least bit. After her set Abbath took the stage to keep the crowd right there in the main area.
Lamb Of God
Although Abbath sounded pretty great, many of the fans stayed right in front of the Scène HEAVY Stage. The reason why many fans stayed put was because Gojira was next up on that stage. These metal giants from France had a huge fan base in French-speaking Montréal. The mosh pits during Gojira were unlike anything seen the previous day and a half. Following fan favorites Gojira, Testament was ready to keep the crowd moshing. Fans must have known Testament was going to come out all business just by seeing their cryptic looking backdrop, one of the most bad-ass ones of the weekend. Their set consisted of a mix of songs spanned across 5 albums but mostly from The New Order which was their 2nd album. That being said, old-school Testament fans had a smile on their face. Unfortunately for Testament, their bass player and drummer couldn’t make the show so Tilen Hudrap from Vicious Rumors took over bass duties and Alex Bent from Battlecross took over on drums. Even with the fill-ins, Testament sounded great and casual fans probably didn’t notice any difference at all.
Bullet For My Valentine
After Testament, the attention shifted over to the Scène de l’Apocalypse Stage for The Devin Townsend Project. This band is led by Canadian born Devin Townsend who was the head of Strapping Young Lad from 1994-2007. Now Devin focuses on his solo project and it’s just as heavy. Taking the stage Devin told the crowd to get ready for the nerdiest show of the weekend, due to the fact he wears headphones on stage now. The DTP was one of the best performances of the entire weekend. Devin did a fine job mixing crowd interaction, humor and straight up metal during the set. Right after watching the entire Devin Townsend Project set, fans shifted to the Scène de la Forêt Stage to catch a bit of Battlecross. This band just seemed to fit on this stage perfectly with the look they had.
Testament
Unfortunately due to other acts, time with Battlecross was cut short. Die-hard fans definitely stayed the entire half hour, but many shifted to the main stages for Iggy Pop and Faith No More. Iggy Pop put on one hell of a show for his age. Although he may not be “heavy metal”, this 68-year-old was most likely an influence for half the bands playing over the weekend. This punk-rock legend definitely had the respect from the crowd and other artists who came out to see him perform. Last up on Saturday was Faith No More. These legends who just got back together in the recent years have been headlining major festivals all over the world and Heavy Montréal was next on their list. The band opened with “Motherfucker” off their album Sol Invictus, which came out this year. Faith No More dug into this new album six times throughout the night. It only took the band 5 songs to play their biggest hit “Epic”. The crowd definitely knew Faith No More would be playing “Epic” and hearing the whole crowd sing, “You want it all but you can’t have it” was simply amazing. After “Epic”, the band eventually played other hits such as “Midlife Crisis” and “Easy”. To end the set before the encore, the band picked their song “Superhero” which was also on Sol Invictus. The set was ended with “Digging The Grave”, “This Guy’s In Love With You” and “Just a Man”. Faith No More certainly didn’t have a metal atmosphere going for their stage setup; dressing in all white, having an all white stage decorated in only flowers. Although it was different from what the rest of the day had musically, Faith No More still drew a very large crowd that kept the energy going throughout the late hours of the night.
Lita Ford
The final day of Heavy Montréal seemed to have the best lineup judging by the increase in people right from the get-go. Chris Jericho opened the day with his band Fozzy. This guy earned a lot of respect from other guys in the music community and that showed when Corey Taylor from Slipknot and Randy Blythe from Lamb Of God came out and watched his band side stage. Next up for the day was Motionless In White, who seemed to have a huge number of fans there.
Devin Townsend Project
After Motionless In White, was 90s band Coal Chamber which is led by front-man Dez Fafara. For those who don’t know, Dez is also the singer from DevilDriver. After being split for nearly 7 years, Coal Chamber just recently got back together and released their new album Rivals on May 19th. Dez and the rest of Coal Chamber got the crowd moving while security had the fire hose out cooling them down after moshing. The next two bands up on the main stages were a blast from the past, Warrant and Dokken. Warrant has been out on the road with singer Robert Mason after the death of Jani Lane their original lead singer. With Robert in the band, Warrant still plays all the classics and sounds like them took a time machine from the 80s to 2015. Unfortunately, the same could not be said for Dokken. With Don Dokken and drummer Mick Brown being the only original members still in the band, they had a lot to live up to. That being said, the band itself sounded great but the vocals just aren’t there anymore. After almost singing for nearly 40-years, Don Dokken at the age of 62 just can’t hit the notes he could in the past. Although the set wasn’t an absolute disaster, the power wasn’t there in Don’s voice. In some instances it did sound like the notes could be hit, but there was no power behind them. Most of the energy from their set came from drummer “Wild” Mick Brown, who introduced Dokken to the crowd.
Faith No More
After Dokken, Andrew W.K. came on the other main stage as the singer for Marky Ramone’s Blitzkrieg. This was a very cool pairing and Andrew W.K. seemed to have that energy to keep the rest of the band behind him going. After a 45 minute set, things shifted back to the Scène Molson Canadian Stage for Asking Alexandria. These guys from England just filled their singer vacancy after the departure of Danny Worsnop with singer Denis Stoff from the Ukraine. With an identical voice to Danny, Denis is the perfect fill in for this band. His youth and energy brought life back into Asking Alexandria, which seemed to die out during Mayhem Tour last summer. AA just finished up their summer on Warped Tour where Denis got to show the US crowds that he could fill the big shoes that Danny left empty. The crowd at Heavy Montréal was filled with fans of Asking Alexandria to the point where Denis didn’t even have to sing any of the screaming parts of their last song “The Final Episode (Let’s Change The Channel)”. Hearing the entire crowd yell, “Oh My God” during the intro of the song easily proved that Montréal has Asking Alexandria fans.
Venom Inc.
Next up was Within Temptation on the Scène HEAVY stage. This Dutch symphonic metal band was stellar. Sharon den Adel the lead singer of the band was an absolute delight to watch. Within Temptation was a complete different breed of what the rest of the festival had over the weekend, but they showed they had what it takes. There’s no wonder why this band sells out all their shows over in Europe. The 11-song set they played seemed to not be enough for festival attendees.
Korn
The last bands to close out Heavy Montréal were absolute monsters. Those three were the ones from the Summer’s Last Stand Tour: Bullet For My Valentine, Lamb of God and Slipknot. Before and after Bullet’s setlist, two great bands got stuck with bad set times over at the Scène de la Forêt stage: Upon A Burning Body and Wilson. Unfortunately not many people wanted to lose their spots at the main stages to go see them.
The good news for Bullet For My Valentine fans was that they got to play a bit longer than they have been on their tour with Slipknot. In the previews for the festival, fans knew they could expect songs like “Your Betrayal” and “Scream Aim Fire”, but Bullet added a few more in the set for Montréal. Fans got to hear songs like “Alone”, “The Last Fight”, and “4 Words (To Choke Upon)”. It was obvious that Bullet was itching to play a longer set for quite some time, as they had even more energy to spare.
Nothing More
Lamb of God also got to play a little longer on Sunday with a 12-song set. Unfortunately for those looking to hear new material off VII: Sturm und Drang, LOG only played “512” and “Still Echoes”. Even though the set wasn’t heavy on new material, Randy and the rest of Lamb of God put on a brutal show that surely left fans bruised and sweaty.
There’s no better way to end a 3-day heavy metal festival then with Slipknot. When there’s 9 guys on stage wearing masks and playing loud music with flames going up everywhere, that’s how to end a weekend. Corey Taylor is one hell of a leader on stage. Corey has the ability to control the crowd with ease. The highlight of Slipknot’s setlist was easily during “Spit It Out”. There’s a huge difference watching Corey control an amphitheater and a sea of people in an open field. Every single person at Parc Jean-Drapeau was down on their knees waiting for Corey to give them the command “jump the fuck up”. When that command came, the entire crowd at once lifted into the air and went absolutely insane. When that song was over, there was no time to rest because Slipknot went right into “Custer” which was off their latest album .5 The Gray Chapter. With time running out on the weekend, the band ended with a 3-song encore featuring “(sic)”, “People=Shit” and “Surfacing”.
Heavy Montréal proved to be a huge success this year going for a full three days of music. With a perfect variety of bands, a perfect venue and a large variety of food and drinks, Evenko set up one killer festival. Anyone who likes to attend festivals such as Rock on The Range, Carolina Rebellion, etc., try to attend Heavy Montréal at least once.
*Be sure to check here periodically for next year’s Heavy Montréal festival info*
The free event takes place from 11 a.m. to 8 p.m. Saturday, Sept. 12 (rain date is Sunday, Sept. 13) and offers a family friendly mix of musical styles that involve percussion, such as rock, jazz, classical, African, reggae and more. As indicated in the festival name, all performances will highlight percussion instruments.
Performing this year is the legendary jazz percussionist Jack DeJohnette, who is also on the board of advisors for the event. DeJohnette, a legend himself, has also been a sideman for such performers as Miles Davis, Bill Evans and Stan Getz. His drumming style has been described by Modern Drummer magazine as “beyond technique.”
Legendary Jack DeJohnette holding a clinic at a past Drum Boogie Festival in Woodstock, NY
Other performers include NEXUS, NYU Steel Drum Band, Valerie Naranjo and The Big Takeover Reggae Band, seen here:
http://www.youtube.com/watch?v=WSJlWsfl-cE
Attendees are encouraged to bring lawn chairs or blankets and plan to spend the day. Food vendors will be on site as well.
The free, biennial festival, directed by Garry Kvistad of Woodstock Chimes, “presents world class talent while providing an opportunity for emerging or lesser known talent to perform together.” It was established to entertain, educate and enlighten while promoting percussion music from around the world. For more information, visit the festival’s website.
Director F. Gary Gray (“Friday”, “Law Abiding Citizen”) did wonders in portraying the dangerous reality of Compton and South Central L.A. and the brutality of the music industry. Writers Jonathan Herman and Andrea Berloff put together a master script as well. My only complaint about this movie (and it is aimed at the writers) was the dialogue in the first half of the movie seemed just a tad bit exaggerated between everyone in the movie. I believe the whole purpose of that was to keep some of the elements light-hearted and humorous to keep the audience engaged in a movie that had a dangerous tone to it.
The acting was excellent. I would have to say the star of the show is easily Ice Cube’s son O’Shea Jackson Jr. who portrayed Ice Cube. This movie is definitely his breakout role and he is going to have a bright future in the movie industry. It is amazing how much he looks and acts like his father. Corey Hawkin’s portrayal of Dr. Dre was very powerful as well.
If you know your N.W.A. history, you will like this movie. If you have no clue about N.W.A., you will like this movie. The movie follows all the big events revolving around N.W.A., from their shaky start and struggle, to the controversy that followed the song “Fuck Tha Police,” to the breakup of Ice Cube and Dr. Dre leaving the group, and having leader Eazy-E struggling to keep the band happy as well as dealing with their manager Jerry Heller.
This movie is a celebration of what I believe was the golden era of hip hop, a reminder on how N.W.A. paved the way for all hip-hop artists today, as well as a call for the Rock N’ Roll Hall Of Fame to induct N.W.A. Do yourself a favor and see this film and then go blast the album Straight Outta Compton.
The summer evening had people out of their house on a Tuesday, July 7 and into the one of the local metal music stomping grounds, The Montage Music Hall. The driving factor to come out this night was SOiL, listed as the special guest of Powerman 5000. Although it was a Tuesday night, the walk through the venue doors became a gateway into the future and it became Friday night. The venue had all that was needed for a good time to take place by hosting the bands on the Powerman 5000 tour.
SOiL had brought in music lovers. The talk and chatter of people clearly interpreted a cohesive understanding that this band is a staple to go see live whenever they are on tour. SOiL played an important role to progress metal to the airwaves with hit singles. These songs became a part of mainstream radio from the 2001 Scars album release. That release included two songs that were included on the set list for the evening, “Halo” and “Redefine.”
Ryan McCombs vocals were on point; full throttle power seemingly came from somewhere deep within him. The venue was over taken by a full out sound blast filling every inch of the place. Indications of acceptance that the band was delivering were immediate. People moved in as close as they could to the stage, phones glowing, ready to grab a picture before bodies started moving. The energy of the crowd shifted as they were embraced with the sound waves; that was the moment that confirmed this was a show worth going to. It became an experience, not just a night out. As the metal groove was in full play, even the biggest bad ass was moving to the beat, showing giddy approval of what they were witnessing.
Bassist Tim King did his thing by keeping the crew together in the foundation core for both the harmony and rhythm. The band was one system, one body that fed off each other. As the bass and drums built the intensity, a pulse was alive and strong. Drummer Mitch Gable literally hit it. The combination of the two were a countdown for all systems and ready for take-off. The crowd felt the pulsating vibrations to their core with the bass and drums fully in check. Harmony streamed in from guitarist Adam Zadel’s skills for people to get their metal sway on.
The connection of all systems was completed when McCombs vocals took hold, containing passion and deep meaning, what serious metal music fans want to hear and see. He was at one with the microphone, the song, his boys and himself. People were connecting and were in the moment with the band in a unique moment of time. Ryan sang with a powerful roar that included perfect pitch, pure emotion and soul. Add in qualities of stage presence and a sense of deepness and he is unique, not just through his vocals or the rasp in the voice. He is the full package as the front-man.
Each of these guys bring to the stage the talent and coolness that are combined and meant to complement each of their skills. No wonder why these guys have sold over 1 million records worldwide.
It would be dismissive not to talk about Powerman 5000 (PM5K), who displayed a wild experience and definite change up to the metal hardcore that was on before them. Described as futuristic electronic metal, the confidence in their style and skill kept everyone engaged. Spider One connected immediately with the Rochester crowd by introducing an off-topic conversation. He asked and waited for answers regarding restaurants that are open and have food in Rochester. People started yelling back responses, “WindJammers!” and then a specific response “Pizza!” Spider’s response was that he would have loved that information earlier in the evening.
Powerman 5000 performed with a futuristic sound of rap with metal and an electronic edge mixed well with the green laser lights shooting from the drum sticks, guitars and not to mention the outfits that had everyone thinking they had traveled to a future time. The tour is supporting the release of the latest album Builders of the Future.
Unfortunately for Rochester, time travel from the Friday night vibe had to return to Tuesday as the show ended. Not one person left dissatisfied with their time travel trip.
Sublime with Rome at the beautiful Constellation Brands – Marvin Sands Performing Arts Center (CMAC) Aug. 4, had a very laid back festival vibe going on. Intended or not, that was the feel for the night. And it was just fine.
There were guys and gals from the 20-something age bracket mostly. Flowers in their hair, some bearing bare feet, girls with hula hoops, tie dye and reggae nation shirts decorated the shiny happy people in the venue tonight. Everyone came together this warm yet cloudy summer evening to witness the vibes we know as Mickey Avalon, Pepper, Rebelution and Sublime with Rome.
Sublime with Rome
Pepper heated up the night like the hot tamales trio they are. Mixing things up with rock edge to their reggae, hip-hop sound they immediately hit the stage and got right into the tunes. The only request they had been for the sound guy: “Hey sound guy, this place is made of metal, turn up our bass” ordered front man Kaleo. That’s when their energetic upbeat flare came out and got the crowd going. People were singing along loud and proud. Which resulted in a some excitement, clapping along bopping around and when asked to jump around by the band, the crowd up in the front rows delightfully accommodated. With a tight-knit fast paced set, all in attendance were primed up and ready for more. The band members, a divine mix of fellas, two are from Hawaii and one from San Diego, California. They are now just based out of San Diego, Ca. They definitely seasoned the night with their good vibrations of beach hang tunes, and weekend party anthems. Pepper is: Kaleo Wassman– vocalist/guitarist, Bret Bollinger-vocalist/bassist drummer Yesod Williams.Pepper is still out in support of their 2013 sixth studio album, this one self- titled and released on their own record label Law Records.
Rebelution comes cruising in from Isla Vista California. The band consists of Eric Rachmany – Guitars, vocals, Marley D. Williams – Bass, Rory Carey – Keyboards,Wesley Finley – Drums and two special guest touring members: Khris Royal – Sax, percussion, Zach Meyerowitz – Trumpet. They are out spreading the love and good vibrations in support of their current release Count Me In Remix EP
These guys came right out and went directly into the set with their signature uplifting rocking, world reggae sound, complete with a two-man brass section. It set the mood for their sway and sing-a-long set. A perfect warm summer breeze that came through completed the “beach” feel to a now full house under the shell, once someone announced for all who were on the lawn to come in due to sprinkles of rain that started during the Pepper set. One would think this would cause chaos, but there were a few seats to be filled. Actually, it worked out quite nicely because well,everyone one was in a peace and love mood while Rebelution sang ‘To blessed to be stressed’. Everyone came together to enjoy the night while beach balls and glow sticks were being tossed around, girls danced enchantingly with their hula hoops. An even cooler aspect to the set, there was a young girl and guy up on stage painting on a canvas while the band played. Rebelution played one song into the next which kept the flow of the night moving in the right direction. They seemingly could have played forever with the amazing energy they contained and the crowds response, neither side seemed like they would have minded if they played all night. Like most things though, it had to come to a beautiful end.
Once the Sublime with Rome banner was set into place for their arrival. Some serious nostalgia and excitement took over the venue, when a euphoric cheer came about from the crowd. With a bat of the eye they all came out with a sharp set and kicked it off with the infamous single ‘Date Rape’from the Sublime 1992 debut album 40 oz. To Freedom with original front man Bradly Nowell, who passed in 1996 and is dearly missed.
The placed filled right up, fans were in every seat, filled every space and every aisle to come together for the show. Sublime with Rome ripped into a very fast-paced on point-set, all that came to see them we very much into it as everyone sang along to just about every song.
They played approximately 20 songs. Playing a lot of the Sublime hits, ‘Summertime’,” ‘Pawn Shop’, ‘Bad fish‘, and ‘Smoke two joints’. They sprinkled in a few Sublime with Rome songs ‘Same old situation’ from the debut album Yours Truly, with the new front man Rome. Where ever you go off the current release Sirens. They also managed to mix in a Led Zeppelin cover ‘Ramble on’ before taking a break to come back out of and do an encore with ‘Santeria’ and ‘What I got‘,” Rome called out “Rest in Peace Bradly Nowell!”
As it is known, there is a history with Sublime which is how Sublime with Rome came to be. The current members of Sublime with Rome are Rome Ramirez – lead vocals, guitar. Eric Wilson – bass, Josh Freese – drums, percussion. Eric Wilson an original member of Sublime, Rome came to be in 2009. Sublime had to legally change the name to Sublime with Rome due to trademark issues disputed by the Nowell estate. Sublime has toured on and off between albums since 2010. Regardless, it was clear to see Sublime songs and new songs by Sublime with Rome were graciously excepted by all. They keep the feeling and the Sublime spirit musically and tastefully alive.
This evenings show with (Mickey Avalon) Pepper, Rebelution and Sublime with Rome felt like a mini vacation, from the fun-loving crowd that came to see the show, to the bands that came to play. It took you out of your life for a moment and created relaxing fun evening with a not-to-soon to forget atmosphere.
Phish will return to Watkins Glen International this coming weekend to celebrate their 10th festival. Magnaball will be a three day festival held Friday, August 21, through Sunday, August 23. As with past festivals, there will be a multitude of activities outside the music. However, this time around, the band is pulling out all the stops to make their 10th festival extra special.
Music
As with Super Ball IX, there will be seven official sets of music. Set times are as follows:
Friday, August 21 – Two sets beginning at 7:30 pm Saturday, August 22 – Three sets beginning at 3:00 pm Sunday, August 23 – Two sets beginning at 7:30 pm
It is expected that there will be an unofficial, unannounced “secret set” occurring sometime late Saturday night, similar to the “Storage Jam” that took place at Super Ball IX.
Food & Drink
Magnaball will feature an upgraded offering of food vendors, focusing on local and regional food vendors. The vendors will be setup throughout the festival grounds, including in the campgrounds. They will feature wood-fired pizza, tamales, crepes, smoothies, burgers and more. The food selection covers many different cuisines from around the world. Cafes will spread throughout the grounds, including 24-hour offerings. As with past festivals, there will be a farmer’s market on site selling local produce, baked goods and other pre-made food and drink.
In addition to the upgraded selection of food vendors, Magnaball will feature a full service restaurant called Festival Ate. Five-course, prix-fixe dinners will be available each night of the festival. The Steam dinner on Saturday night will feature pairings with five different beers from Brooklyn, N.Y.’s Sixpoint Brewing, including a Bière de Garde and an Imperial Porter brewed with Stumptown coffee. The restaurant will also be open from 10 am to 1 am each day with an attached bar. Attendees can stop by for a light bite to eat. Festival Ate will be managed by LOFO, a farm-to-table restaurant in Syracuse, N.Y.
Magnaball will feature a craft cocktail program with Phish-inspired drinks, such as The Red Red Worm and Satan on the Beach. Sierra Nevada Brewing Co.’s FOAM lager will return. Additional beer selections include brews from Vermont favorites Hill Farmstead Brewery from Greensboro Bend, Vt, and Lawson’s Finest Liquids from Warren, Vt. Sixpoint Brewing will also be supplying two of their beers throughout the festival.
Ben & Jerry’s will be on site serving free cups of Phish Food and Save Our Swirled ice cream. They will also be taking signatures to petition the leaders of developed nations to work towards clean energy initiatives.
Free water bottle filling stations will be available around the festival grounds. There will also be filtered water filling stations for $1 per fill for up to 32 ounces. Proceeds will be donated to The WaterWheel Foundation. Magnaball Nalgene bottles will be available for purchase. Use of these bottles will allow free fills from the filtered water stations.
Activities
Magnaball will feature a variety of organized and unorganized activities to keep attendees entertained throughout the festival. Lawn games, game shows, yoga and the JEMP Records Store will all be part of the fun.
Cornhole sets will be available throughout the festival for pickup matches. There is also an organized cornhole tournament planned. Those interested in signing up for the tournament can register a team of two people by sending an email to magnatourney@phish.com. You should provide them with your team name, the names of the team members and a cell phone number at which they can reach you during the festival. The tournament will start on Friday. Teams can also register at the Cornhole Tourney Tent located at the crossroads in the festival grounds.
Studio X is the location for many of the other activities. Free yoga classes will be offered Friday through Sunday at 9:30 am. There will be two trivia game shows held during the weekend. On Friday and Sunday at 11 am, teams of four can compete in Survey Says, a survey-style game show with Phish trivia. On Saturday at 11 am, registration opens for Subtle Sounds – A Name That Phish Gameshow. Contestants will battle it out over naming Phish songs by just a few notes. The game begins at 11:30 am, but is limited to only 54 contestants. It is recommended that you arrive early if you wish to participate.
The JEMP Records Store will once again be a part of this festival. The store will include an exclusive release of Rift on blue vinyl. The release will be packaged with a limited edition screen print by David Welker. Past vinyl releases from Phish and side projects will also be available at the store.
An official US Post Office will be setup on site to allow attendees to mail posters, vinyl and other purchases directly home.
The Glurt Institute and Drive-In
The art installations at Magnaball seem to have a science and energy theme. The Glurt Institute and Laboratory will be setup not far from the concert field. There, attendees can learn about the Gravity Harmonograph and about how the magnaphysics of the vortex pendulum work. Adjacent to the Institute is the Drive-In, a 175-foot widescreen display. Thursday night will be movie night, along with a late night showing on Friday. Movie showtimes are as follows:
Thursday 10:00 pm – The Beast from 20,000 Fathoms (1953) Midnight – First Men in the Moon (1964) 2:00 am – The Time Machine (1960)
Friday 3:45 am – Sullivan’s Travels (1942)
Bunny Radio and Webcasts
The Bunny is back for Magnaball. The Phish festival radio station will broadcast locally on 104.9 FM and on SiriusXM’s Jam On. All Phish sets will be broadcast live. Tune in to hear an eclectic mix of tunes, the much-anticipated From the Archives shows and reports from the festival. SiriusXM offers a 30 day free trial for new customers.
For those not attending the festival, LivePhish is offering a webcast of all three days of Magnaball. The webcast can be pre-ordered at http://livephi.sh/Magnaball.
Shuttle
Festival attendees will be able to take a shuttle off site on Friday and Saturday. The shuttle will cost $10 cash only for a round trip and will run on a 40 minute loop into town and back. There will be a very limited number of tickets available, beginning Friday at 8:30 am, at the Merch Check tent next to the Info Booth. If tickets remain, they can be bought at the box office by Gate 4A. The shuttle will make stops in Watkins Glen at 9th and Decatur, Seneca Harbor Park and downtown, Walmart, Shequaga Falls and historic district before returning to Watkins Glen International. The shuttle begins running at 10:00 am and the last bus will return at 6:00 pm Friday and 4:00 pm Saturday.
Tickets for Magnaball have sold out. If you are still looking for a ticket, please visit our friends at Cash or Trade. Volunteer opportunities to gain admittance to the festival are also still available through the the Work Exchange Program and Clean Vibes. Tickets for the dinners at Festival Ate are available from TicketsToday. If you wish to For additional information, please visit http://phish.com/magnaball.
In a recent interview with Zippo Encore Artist Spotlight during Slipknot’s Summer’s Last Stand tour, Slipknot and Stone Sour frontman Corey Taylor enlightened everyone about performing live, Slipknot fans and what he would do for a day job if he didn’t find music.
Corey Taylor on performing live:
“Getting fired up for stage is pretty easy, um cause I love to play.”
“Put the stuff on, um you know, you know touchin’ base with all the guys, ah comin’ together for the huddle. You know going back stage and waiting for the audience to pop, I mean that gets the adrenaline going like nobody’s business and just the fact that knowing you’re gonna play songs that you absolutely love.”
“It’s a lot of little things that, just make every show not only unique, but vital for me.”
“I’m not one of these guys who waits 3 hours to go on stage, I can’t wait, and if we’re late going on I’m losing my mind so I, I just love playing live.”
Corey Taylor on Slipknot fans:
“I love our fans, you know I mean the fans are the whole reason we have this. The fans are the whole reason we get up in the morning. There the whole reason why we strap this stuff on every night and then the whole reason that we kill each other on stage Every Single Time.”
“Some of the most passionate, intelligent, crazy fans on the planet and ah were very, very lucky to have them.”
Corey Taylor on music possible different career:
“Music is everything. I mean music is so important to me that, if I didn’t have it , I would not be the same person and for the longest time I dint know that I wanted to do music, I mean I wanted to be a teacher, I wanted to be a history teacher. um but I kinda just kept coming back to music.”
“The music is probably the last “Vital”, emotion that we all have in common and it doesn’t have to be the same style, but its the one thing that ties us all together.”
“Clown said it best, every show is a war, every song is a battle and If you’re not trying to win, there’s no point to it.”
Corey and the boys from Slipknot are about to close their current Summer’s Last Stand tour on Sept. 5 at the Gexa Energy Pavilion in Dallas, Texas.
Coming off the heels of an extensive summer tour which included a gig at Red Rocks and multiple festival appearances, Twiddle took its momentum home to Burlington Vermont for two shows. The quartet played a sunset two-set show at Burlington Waterfront’s Maritime Festival on Friday and a late night party at Higher Ground on Saturday evening. The Twiddle community has grown immensely over the past few years, and it was shown by attendance at both their shows out numbering fellow jam band moe.
Twiddle
Twiddle performed on Friday evening under a breathtaking sunset over Lake Champlain for Burlington’s Maritime Festival. The first of two sets featured an opener of the semi rare “Atlantic Mocean>BBQ>Atlantic Mocean” to get things started. The fan favorite “White Light” followed and featured an extensive jam, with the song clocking in at 19 minutes. “Latin Tang” was up next, and featured a plethora of sit-ins that included Russ Lawton (Soul Monde) on drums, Ray Paczkowski (Soul Monde) on keys, and Dave Grippo (Giant Country Horns) on saxophone. “Lost in the Cold” was played next and was no surprise to anyone, the band has played it 18 times since it was written by lead guitarist Mihali Savoulidis in early 2015. The lyrically inspiring “Hatti’s Jam -> When it Rains, it Pours” closed out the first set in perfect fashion. The jam heavy second set saw Twiddle play 4 songs. “Brick of Barley” opened and featured a great jam. “Gatsby the Great,” a song about keyboardist Ryan Dempsey’s college pet duck came next and showcased the jam of the night, and possibly the weekend. It included classic sandwich of Bela Fleck’s “Big Country” in the middle of the song. After the song ended, fans could be heard cheering “Frankenfoote” and the band responded by closing the set with a smoking version. The band returned for an encore of “Doinkinbonk!!!” before handing things off to moe. over at Higher Ground for their late night set.
Twiddle
The band took to Higher Ground on Saturday evening to play a late night show after moe.’s set at the Maritime Festival. The show opened with an electronic dance party, started by drummer Brook Jordan and dubbed “DJBJ” by Mihali as each remaining band member slowly trickled into the jam. “Mamunes The Faun” was up next, and contained a lengthy jam that was followed by instrumental “The Catapillar.” A cover of the reggae tune “Harder They Come” by Jimmy Cliff saw keyboardist Josh Dobbs sit in and finger the ivories. An excellent version of “Jamflowman” was up next and the set closed with “Bronze Fingers”. Already after midnight, nobody in attendance showed any signs of letting up, the band included. A fiery “Wasabi Eruption” opened the second set and segued into a 20 min version of “The Box,” that contained an amazing jam with a soaring guitar solo from Mihali. The serious song “Tiberius” was next, and was standard but welcomed. The band ended the second set with jammed out rendition of “Cabbage Face” and the slower, lyrical, “Amydst The Myst,” An encore of “Mad World” by British band Tears for Fears closed out a spectacular weekend of music.
Twiddle
Waterfront Park, Burlington, VT – 8.7.2015
Set 1: Atlantic Mocean > BBQ > Atlantic Mocean, White Light, Latin Tang[1], Lost in the Cold, Hatti’s Jam -> When it Rains, it Poors
Set 2: Brick of Barley, Gatsby The Great > Big Country > Gatsby The Great, Frankenfoote
Encore: Doinkinbonk!!!
[1] “Latin Tang” featured Russ Lawton (Soule Monde) on drums, Ray Paczkowski (Soule Monde) on keys and Dave Grippo on saxophone.
Higher Ground, Burlington, VT – 8.8.2015
Set 1: Mamunes the Faun, The Catapillar, Harder They Come[1], Jamflowman, Bronze Fingers
Set 2: Wasabi Eruption, The Box, Tiberius, Cabbage Face, Amydst the Myst
Encore: Mad World
[1] “Harder They Come” featured Josh Dobbs (Cats Under The Stairs) on keys
Fear Factory 
The next band to take the Scène HEAVY Stage was Arch Enemy that day. With their new singer Alissa White-Gluz and new guitar player Jeff Loomis, Arch Enemy took the title for best band on that stage for the day. Having Michael Amott and Jeff Loomis in the same band makes for some serious guitar shredding. Alissa connected with the crowd throughout the set because she’s originally from Montréal and spoke mostly all French to the crowd. After Arch Enemy finished their set, Extreme started their set on the Scène Molson Canadian Stage. This band definitely appealed more to the older fans in the crowd but was respected by all. Extreme is led by singer Gary Cherone, who many know as the guy who was “that other singer” for 
Director F. Gary Gray (“Friday”, “Law Abiding Citizen”) did wonders in portraying the dangerous reality of Compton and South Central L.A. and the brutality of the music industry. Writers Jonathan Herman and Andrea Berloff put together a master script as well. My only complaint about this movie (and it is aimed at the writers) was the dialogue in the first half of the movie seemed just a tad bit exaggerated between everyone in the movie. I believe the whole purpose of that was to keep some of the elements light-hearted and humorous to keep the audience engaged in a movie that had a dangerous tone to it.
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