Category: Genres

  • DMX Now a Hip IHop Artist

    Where My Hot Dogs At? No, the headline is not a misprint. Yes, rap artist DMX was seen working at a Buffalo-area IHop flipping some chicken fajita omelettes. But as of right now, the troubled hip hop star has no plans on working at the fast food breakfast chain.

    Dmx artistIn fact, DMX, who decided to stay in the Buffalo area after his early release from prison on Friday, was at the restaurant to meet his manager.

    DMX was so impressed with his meal that he wanted to go in the kitchen and thank the cooks. When he did, the rap star became so friendly with the cooks that he decided to pick up a pan and crack some eggs. He even put an IHOP employee’s nametag on his shirt while he mastered the grill.

    DMX was incarcerated near Buffalo for child support issues.

    DMX IhopOn January 25, 2018, Earl Simmons, better known as DMX, played B.B. King Blues Club in NYC shortly before the venue permanently closed its doors. Despite his late arrival, DMX managed to put on a great show and win back the restless crowd that waited hours for him to arrive.

    The crowd went crazy when he finally came out, but many were skeptical if he was going to be able to perform due to his recent issues with substance abuse. DMX proved everyone wrong who doubted him as he started his set with the hard hitting “We Right Here.” He sounded like he did in ’98, the year his first album, It’s Dark and Hell is Hot came out. 

    Read more at NYS Music…

  • SU Organist Annie Laver to Play in Troy Friday

    The Syracuse Alumni Club of the Capital District and the American Guild Of Organist are teaming up to bring a special music outing from Annie Laver to Troy.

    Laver is an instructor at Syracuse University‘s Eastman School of Music, where she also acts as coordinator of Organ Outreach Programs and Events for the Department of Organ, Sacred Music, and Historical Keyboards, which included running the annual Eastman Rochester Organ Initiative Festival, as well as directing summer organ institutes for high school students and a retreat for Eastman organ alumni. SU Organist

    She frequently performs solo organ recitals in the United States and Europe.

    Annie Laver will perform music from Bach, Mozart, Judith Bingham, Pärt and Vierne at the First Presbyterian Church located on 1915 Fifth Ave. in Troy this Friday, Oct. 2, starting at 7:30 p.m. The church’s pipe organ was originally a 1907 Hutchings & Votey (Boston) instrument, though it has seen substantial rebuilding in 1962, 1981 and 2001.

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    Admission is free, though the Syracuse Alumni Club of the Capital District will be gladly accepting donations.

  • Hearing Aide: Turkuaz ‘Digitonium’

    NEWTURK_highres2The nine piece funk phenomenon known as Turkuaz are releasing a new studio album Digitonium on Oct 2. The 23 track album is a mature testament to the bands growing sound that continues to push the boundaries of funk with heavy ’80s influences. The album is full of instrumental segues of experimental melodies that set the stage for evolutionary funk tunes with classic, raw Turkuaz energy. Digitonium is built upon layers of exploratory themes, characters and repetitive lyrics that get the listener to pause, rewind and think outside the album. It’s the future of retro pop funk.

    While the entire album is thoroughly enjoyable, some songs are sure to be stand out favorites. “Nightswimming” has that familiar Turkuaz pop rhythm, blaring horn build ups and catchy chorus that is sure to make it a big hit when performed live. “Percy Thrills The Moondog” explodes out of the speakers in true Turkuaz nature of slamming guitar riffs and crashing cymbals, complete with growling, barking and howling.“Doktor Jazz” has groovy bass plucking with rain fall synth melody and haunting, echoing vocals that give it a mad scientist toe tapping vibe. One track with possibly the heaviest 80s sound is “European Festivity Nightmare” with dark lyrics set to an upbeat digitalized street rhythm that sends the heart racing like Talking Head’s “Psycho Killer”. Digitonium is the ideal listen for any pre-party or when you are just ready to share in the groove.

    In celebration of their new album, Turkuaz will perform a two night run at Brooklyn Bowl in their hometown of NYC on Sept. 29 with Polyrhythmics and Yo Mama’s Big Fat Booty Band on the 30th with the PitchBlak Brass Band on both nights. You can pick up a copy of Digitonium at their merch table at any of their many fall shows across the country or download online via iTunes on Oct. 2.

    Key Tracks: Nightswimming , Percy Thrills The Moondog, Doktor Jazz

    Fall Tour Dates:

    09/29 – Brooklyn, NY – Brooklyn Bowl**+
    09/30 – Brooklyn, NY – Brooklyn Bowl*+
    10/01 – Boston, MA – Paradise Rock Club*
    10/02 – Ardmore, PA – Ardmore Music Hall*
    10/08 – Phoenix, AZ – Last Exit Live
    10/09 – Joshua Tree, CA – Joshua Tree Festival
    10/10 – Flagstaff, AZ – Orpheum Theatre
    10/11 – Albuquerque, NM – Marble Brewery
    10/14 – Kansas City, MO – Knuckleheads***
    10/15 – Ozark, AR – Phases of The Moon
    10/16 – Ozark, AR – Phases of The Moon
    10/17 – Denver, CO – Cervantes Masterpiece Ballroom****
    10/20 – Missoula, MT – Stage 112
    10/21 – Moscow, ID – John’s Alley Tavern****
    10/22 – Boise, ID – The Reef****
    10/24 – Placerville, CA – Hangtown Halloween Ball
    10/25 – Placerville, CA – Hangtown Halloween Ball
    10/28 – Bend, OR – Domino Room****
    10/29 – Seattle, WA – Tractor Tavern****
    10/30 – Portland, OR – Wonder Ballroom****
    10/31 – Eugene, OR – HiFi Music Hall****
    11/04 – Fort Worth, TX – The Live Oak Music Hall
    11/05 – Austin, TX – Spider House Ballroom
    11/06 – Houston, TX – Last Concert Cafe
    11/07 – New Orleans, LA – The Parish at H.O.B.
    11/10 – Birmingham, AL – Zydeco
    11/11 – Atlanta, GA – Aisle 5
    11/12 – Charleston, SC – Charleston Pour House&
    11/13 – Jacksonville Beach, FL – Freebird Live&
    11/14 – Boca Raton, FL – Funky Biscuit&
    11/15 – Tampa, FL – Crowbar Live&
    11/18 – Charlotte, NC – The Rabbit Hole&
    11/19 – Raleigh, NC – The Pour House&
    11/20 – Richmond, VA – The Broadberry
    11/21 – Baltimore, MD – Baltimore Soundstage

    * with Yo Mama’s Big Fat Booty Band
    ** with Polyrhythmics
    *** with Roxy Roca
    **** with The Quick & Easy Boys
    & with The Fritz
    + with PitchBlak Brass Band

  • Carolyn Kelly Blues Band and Charlie Musselwhite Bring the South to Syracuse

    Southern flair washed the Westcott Theater in spicy fits of harmonica and blues guitar Sunday, Sept. 13. Carolyn Kelly Blues Band opened, the leading songstress demonstrating her powerful vocals for a mature, introspective crowd. Nearly every audience member was seated, either in the rows of collapsible chairs closer to the stage, or further back on the beer keg stools clustered around small bar tables. They sat quietly, listened thoughtfully and applauded graciously after each song. Kelly was joined by Terry Mulhauser (guitar), Don Sollars (drums), Jerry Neely (keyboard), Jim Pavente (bass), and special guest Skip Murphy on harmonica.

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    For their final number, Kelly announced, “It is Sunday so we’re gonna’ take it to church on this one,” then reaching deeply into her soul, bellowed a rich opening solo of “Amazing Grace” before the band joined in. The historically statuesque crowd came alive, feeling compelled to clap along to this final number, revved up by the intensity of the band’s performance.

    Charlie Musselwhite and his musical crew including June Core (drums) Steve Froberg (bass) and Matt Stubbs (guitar), followed quickly after. Musselwhite attempted to warm up the crowd calling out “It’s so quiet in here. We got some blues in the house tonight,” as if reminding the audience they were permitted to be a little more rowdy. A spunky performance of “River Hip Mama” proved too irresistible for an older woman to the left of the technical booth as she whipped out her shiny iPad to snap a quick video. Musselwhite brandished an impressive set of pipes given his seniority in the blues scene, hitting every note like a pro.

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    Singing aside, Musselwhite’s harmonica maneuvers are largely what draw crowds. His masterful playing produced a sea of shrill pitches mixed with more mellow hums, delivering that thirst-quenching satisfaction blues harmonica offers fans. Stubbs’ blues-rock persona could have given the allusion both visually and sonically that he was the long-lost third member of the Black Keys. With greased, combed back hair, scruffy beard and sporting dark t-shirt and jeans, his heavier guitar riffs completed the allusion.

    Musselwhite played with the crowd a little, prefacing “Stranger in a Strange Land” with the inspiration behind the song, which came from his experience as an eighteen-year-old looking for a factory job. He began, “A couple years ago when I was 18…” and the crowd chuckled. He continued, “Sometimes it still feels like I’m eighteen, though it’s fleeting.” Musselwhite vibed a mix of old wisdom and young charm, effortlessly switching between modest humor and sly sauciness.

  • Three Days Grace Shines, Pop Evil Shows no Heart to End Summer in Clifton Park

    Three Days Grace and Pop Evil took over Upstate Concert Hall in Clifton Park on a beautiful, end of summer day. Hundreds of area rock fans lined up outside the venue sharing their past experiences and opinions about various music subjects along with the usual Matt[Walst] vs Adam [Gontier] debate that every fan must express their vast opinions over.

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    This show really looked good on the tour poster, but in the end fell flat and somewhat disappointing. There was nothing really memorable or notable about the show except the feeling that some who took the stage, were just going through the motions. Both Three Days Grace and Pop Evil are currently touring in support of new studio albums.

    Pop Evil was set to hit the stage first. Upstate Concert Hall was packed wall to wall with fans ready to get the night started. Fans sang in unison to Bon Jovi’s “Living On A Prayer”, as it played over the house speakers while they waited for the band to take the stage.

    Pop Evil hit the stage around 8pm for a forty-five minute opening set. Fans cheered louder and louder as each band member became barely visible on stage in the dark venue knowing the show was about to start.

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    After a small pause, the band started things off with their hit single “Deal With The Devil,” from their third studio album Onyx.

    It was clearly visible that frontman Leigh Kakaty was not into performing. The uninspired performance came off as bad karaoke as he butchered song after song. It was amazing that someone of his talent would put forth an effort like this to paying fans. His expressions and body language were as if he couldn’t wait to be doing something better. Kakaty was so off-key during the song “Last Man Standing,” you would think he was doing it on purpose. To Kakaty’s credit, he did perform the songs from their current and forth studio album Up, with a little more heart.

    The rest of the band put in a very energetic set. Joshua “Chachi Riot” Marunde behind the drums is a show all of its own. Chachi is one of the most animated live drummers out there as he gestures to the lyrics. Bassist Matt DiRito is another one to watch onstage. DiRito loves to gyrate and play to the crowd as he sings along to the songs. Kakaty stated that this was their last show on the Three Days Grace cycle. The band then ended with their song “Trenches.”

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    After a small break for stage hands to tear down, set up and test gear, Three Days Grace chants started throughout the building as the lights dimmed in the venue.

    Three Days Grace one by one made their way onto the stage for the first song in the set “I Am Machine,” which is off their current and fifth studio album Human. Human is the first studio album recorded with current frontman Matt Walst.

    Walst shows a lot of liveliness on stage but sometimes comes off as trying to be something he’s not to overcome the fact that he is not Adam Gontier. He does a great job singing all the 3DG hits and showed tons of heart, passion and emotion on stage. Matt showed signs that he is becoming more comfortable as frontman for 3DG since joining the band over two years ago. Walst changing his image from his time in My Darkest Days to mimic Gontier does not help fans forget the fact that they wish Adam was on stage singing, but that shortly went away once the music starts and Walst was embraced by fans

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    Walst got up close and personal with fans in the crowd several times through the night as he left the stage for the security barrier to sing with the more than willing fans. Walst tried several times to start a circle pit during the bands set. Unfortunately for Walst, two factors were not going to allow that to happen as the venue was packed tight with a mixed crowd of all ages who were there to support their love for rock music and to sing along with the show rather than get rowdy.

    Guitarist Barry Stock loved playing to the crowd as he threw out several guitar picks to fans in between songs. Stock seemed very blissful playing for the fans. Even breaking a string on his guitar during the song “Pain,” couldn’t wipe the smile off Stock’s face.

    Coincidently, drummer Neil Sanderson broke one of his snare drums in the middle of the song “Break,” which sent their stage manager scrambling and replacing the drum in seconds. Between the songs “Home” and “Painkiller,” Sanderson played an exceptional drum solo to the delight of fans.

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    During the song “Home,” 3DG transitioned into a cover of the song “Sober” by Tool, then blended back into the finish of “Home.”  Fans sang every word to every song on the set list. Three Days Grace ended the night with fan favorite “Riot.”

    Pop Evil Setlist: Deal With The Devil, Last Man Standing, Dead In The Water, Torn To Pieces, Ways To Get High, Take It All, Hero, Footsteps, Disarray, Trenches.

    Three Days Grace Setlist: I Am Machine, Just Like You, Chalk Outline, So What, Pain, Break, Human Race, Home (Sober Interlude), Drum Piano Interlude, Drum Solo, Painkiller, Fallin Angel, The Good Life, I Hate Everything About You, Never Too Late, Animal I Have Become Encore: The Real You, Riot.

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  • Little Big Town Performs Under a Rare Supermoon Eclipse

    Little Big Town (LBT) performed at Tag’s Summer Stage in Big Flats, NY under a rare super moon eclipse. Kimberly Schlapman of LBT said it best — “We have been together for 17 years and have never had this happen. Look to the heavens tonight and enjoy the view, normally we would be offended if y’all look away but not tonight. The next time this happens wont be until 2033 when we’re all old and sittin’ on our front porch sippin’ sweet tea”

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    It was a nearly sold out show at Tags Summer-stage and the crowd was beyond excited to see LBT after an original postponement from earlier this summer.

    Up and coming Nashville artist, Cam opened the show with David Nail coming on stage next with a “follow your dreams” message with hits including “Whatever She’s Got,” “Kiss You Tonight” and “Night’s On Fire”.

    Little Big Town opened their set with “Day Drinking” followed by “Quit Breaking Up With Me” and “Front Porch Thing”. The 20 song set was packed with all their hits including “Painkiller” and “Little White Church,” and of course for the encore, “Girl Crush”.

    The harmony-smashing quartet looked and sounded amazing with their signature vocals, melodies and hooks. Jimi Westbrook, alongside band-mates Kimberly Schlapman, Phillip Sweet, and Karen Fairchild sounded as good as ever following throat surgery earlier this summer.

    Setlist:
    Day Drinking, Quit Breaking Up With Me, Front Porch Thing, Pain Killer, Bones, Faster Gun, Little White Church, Bring It On Home, Tumble and Fall, Pavement Ends, Sober, Your Side Of The Bed, Smokin and Drinkin, Things You Don’t Think About, Turn The Lights On, Save Your Sin, Tornado, Pontoon

    Encore:
    Girl Crush, Boondocks

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  • Holly Bowling to Perform Solo Phish Renditions at Saint Rose

    Classically trained pianist Holly Bowling will perform her re-imagined Phish songs for the Capital District with an event to take place at the Massry Center for the Arts at The College of Saint Rose on Wednesday, Oct. 28. The two-and-a-half-hour show will start at 7:30 p.m., with tickets costing between $10-$20.

    Holly Bowling Relix Brian Stollery 4

    Bowling began playing piano when she was 5 years old. Holly has attended more than 300 Phish shows and became obsessed by their famous July 2013 rendition of “Tweezer” from Lake Tahoe. This event possessed Holly to transcribe the 37-minute improvisational masterpiece into a solo piano arrangement.

    Even though the process is painstaking, Holly’s inspiration to transform other Phish songs, along with well-known live jams, into solo piano interpretations has left her feeling fulfilled.

    These events eventually helped lead Bowling to her debut album, Distillation Of A Dream: The Music Of Phish Reimagined For Solo Piano, which is a two-disc set that features 15 tracks. Three of those songs were transcribed from live renditions, including the Tahoe “Tweezer.”

    Bowling’s arrangements are not just tributes to the modern day kings of jam, but are considered as fully developed classical pieces.

  • Nothing More Packs The Lost Horizon

    There aren’t many bands that have been on the road as much as Nothing More as of recent. After countless opening slots on tours and a few headlining gigs, Nothing More are out on the road once more headlining the Monster Energy Outbreak Tour, which came through Syracuse to the Lost Horizon Sept. 23. Monster Energy put together a tour with not only an awesome headliner but with three other great bands — The Color Morale, Turbowolf and Separations.

    The Lost Horizon show was the sixth show on the tour. From the time Separations came on stage, both levels of the floor were filled up with fans waiting patiently for Nothing More. Although many fans were there to see the headliner, they were open to seeing some other great bands. Both Separations and Turbowolf did a good job of getting the crowd involved in the set. Although both sets were on the short side, the bands got to get their music and message to the crowd. Those who were interested in more were invited to the merchandise booths in back to hang out and meet the bands.

    After Turbowolf ended their set, The Color Morale took the stage. These guys were a late addition to the tour after Marmozets had to drop off last minute. Marmozets were forced to cancel their tour due to a knee injury by one of their members who ended up needing surgery. Even though The Color Morale were added on late, it didn’t seem like they were short of any fans there. These guys really got the Lost Horizon moving and kept security busy. From start to finish, this band had the crowd on its feet, moshing, and being all around wild. The Color Morale were definitely ready to get on this tour and show Nothing More fans they have what it takes to hang on the road.

    After The Color Morale left the stage and the lights were dimmed, fans knew who was ready to come on stage and close the night. With new drummer Ben Anderson behind the kit, Jonny Mark and Dan came out and jumped right into their song “Christ Copyright”. The best thing about seeing a headlining Nothing More show is that they’re playing a bunch more songs than an opening set. In other words, they play almost their entire self-titled album Nothing More. Unlike most albums these days, Nothing More put out a killer album from start to finish last year and have been riding on it ever since.

    The entire night was filled with good vibes and amazing energy from the band and the crowd. With a small venue, the guys in the band were up close and personal with the crowd all night long. One of the best parts of catching a Nothing More show is seeing the amount of fun they have on stage and how happy they are playing for fans. The night wasn’t as smooth as Jonny Hawkins, who’s the lead singer, would have liked it to go though. To start things off, Jonny’s in-ear monitors died on him. Jonny decided to try and play without them, but quickly decided he needed them as he couldn’t hear himself. The blame was placed on the crowd for being too loud according to Jonny, while he laughed and got a backup set. The backup set saved the night for Jonny who almost lost them during the bass solo. While Mark and Dan were on the bass, Jonny sat on the floor looking for his lost monitors. Once he found them though, it was an easy night the rest of the time.

    Nothing More ended the night with 3 monster tunes “Jenny”, “This Is The Time (Ballast)” and “Salem (Burn The Witch)”. Every single person in the crowd at the Lost Horizon knew “Jenny” and showed the band that Syracuse loves Nothing More. The crowd knew after the band played “Jenny” that they needed energy for two last songs. When the opening riff for “This Is The Time” started, both levels of the Lost Horizon were on their feet, jumping up and down and pumping their fists in the air. To end the night, Jonny said there would be no wasting time walking off stage making fans wait for an encore. The band told fans they needed everything they had left and in return Nothing More would give them the same. Nothing More ended the night with “Salem” which is the only song they played that evening that was not from their latest album. This tune had everyone in the band playing with drumsticks. Jonny, Mark their guitar player and Dan their bass player all joined Ben on their personal drums to smash along to “Salem”.

    With a busy rest of the year touring, Nothing More has their mind set to make a new album at the start of 2016. Fans can look forward to that and Nothing More coming back to the Syracuse area soon.

  • Pope Francis Set to Release First Album In November

    While Pope Francis was en route to Madison Square Garden to say mass on Sept. 25, the Vatican announced a new album, Wake Up!, from His Holiness will be released on Nov. 27.  The album is available for pre-order on iTunes now.

    Pope Francis

    The first single from the pontiff’s debut, titled “Wake Up! Go! Go! Forward!” was posted on Soundcloud earlier in the day:

    “Wake Up! Go! Go! Forward!”

    Prog Rock musician and former Van Der Graaf Generator collaborator Tony Pagliuca composed several tracks on the album. Producer Don Giulio Neroni has been the musical guiding force behind releases from Pope John Paul II and Pope Benedict XVI in addition to his work on the new Pope Francis venture.

    Since being elected in 2013, Pope Francis has created a sense of renewed energy in the Catholic church and beyond. The creation of this album, using popular music, is another way for him to spread his message and is sure to top the charts upon release.

    Pope Francis wrapped up his historic visit to the U.S. this past weekend in Philadelphia.

    Wake Up! Track List

    1. “Annuntio Vobis Gadium Mangum”
    2. “Salve Regina”
    3. “Laudato Sie…”
    4. “Poe Que’ Sufren Los Ninos”
    5. “Non Lasciatevi Rubare La Speranza!”
    6. “La Iglesia No Puede Ser Una Ong!”
    7. “Wake Up! Go! Go! Forward!”
    8. “La Fa Es Entera, No Se Licua!”
    9. “Pace! Fratelli!”
    10. “Per La Famiglia”
    11. “Fazei O Que Ele Vos Disser”

  • Up North Grace Potter is Grand

    With flawless vocal delivery, an array of acclaimed guest musicians and a fiery light show, Vermont rocker Grace Potter wowed a crowd of thousands at Burlington’s fifth annual Grand Point North festival.

    Up North Grace PotterPotter, originally from Waitsfield, has found success on an international level in recent years, topping iTunes charts and even collaborating with The Rolling Stones. Light rain on the first day of the weekend festival did little to dampen the spirits of an enthusiastic crowd who traveled from both near and far to see acts that also included The Flaming Lips, Shakey Graves, and Mike Gordon of Phish. As Potter walked onto the stage, her skin glistening from raindrops, the audience went wild. Potter, now a solo artist after disbanding Grace Potter & the Nocturnals, put on an astounding performance, showing off her piano, guitar, and bluesy vocal skills. Crowd favorites included “Paris (Ooh La La),” “Low Road,” “Runaway,” “Stop the Bus,” “Hot to the Touch” and “Delirious.”

    Up North Grace PotterWhen Potter sang a passionate rendition of “Stars,” having prefaced the performance by explaining that the song was about losing someone close to her, some in the crowd were moved to tears. The surprise of the night came when special guest Kenny Chesney joined Potter to perform their single, “Wild Child.”

    Earlier in the day, performers included Amy Helm, daughter of Levon Helm, who played with her band Amy Helm & The Handsome Strangers, Odessa, Madaila, and Maryse Smith with Michael Chorney. These musicians, along with Shakey Graves, Phish’s Gordon, and Burlington-based singer Kat Wright, joined Potter on stage for the final song of the evening, “Burning Down The House.” 

    Written by Alexandra Provost, Photos by Laura Carbone