The appearance is in part to celebrate the 25th Anniversary of their 1990 debut album People’s Instinctive Travels and the Paths of Rhythm.
Fallon’s backing band The Roots’ drummer and bandleader Questlove has strong ties to A Tribe Called Quest, being close with Q-Tip.
A special edition reissue of the album will also be released today. The reissue was remastered by longtime Tribe engineer Bob Power and will feature remixes by Pharrell, Cee-Lo Green and J. Cole.
When asked about the landmark album, Q-Tip stated:
I had this album in my head for years before I did it. Looking at it over all, to see the thoughts of a 16-year-old gain any kind of acknowledgement makes me feel like I have arrived. But to see it in this incarnation…I’m Humbled.
Phife Dawg also chimed in about the album:
Epic LP that was way before its time! Q-Tip’s thought process was beyond genius, an album that 25 years later, you can still listen to from top to bottom!!!!
When A Tribe Called Quest split in 1998, the group stated that they wouldn’t play any more live shows together. Since then, and over the last 20 years, we have seen the group reunite a handful of times since their split, one time coming six years later in 2004 when the group made an appearance at Rock the Bells.
A Tribe Called Quest’s most recent appearance together came as the opening act on the two New York stops at Madison Square Garden on Kanye West’s Yeezus Tour. Q-Tip stated that this would be the group’s last performance together.
A Tribe Called Quest can also be seen on Saturday, Nov. 14, for their official anniversary party at the Santos Party House in New York City.
A Tribe Called Quest is Q-Tip, Phife Dawg, Ali Shaheed Muhammad and Jarobi White. White left Tribe in 1991 after the group’s first album.
Better news for fans of Bad Brains. Gary “Dr. Know” Miller, guitarist for the seminal D.C. hardcore band, was admitted to the hospital on November 3 in critical condition and placed on life support. On Tuesday, the band announced through its Facebook page that Miller is no longer considered critical but remains under the watchful eye of doctors. The nature of Miller’s illness has not been disclosed and the family has asked for privacy as he heals.
The Family of Gary (Dr. Know) Miller and the entire Bad Brains family would like to thank everyone for their well…
Good will and PMA (Positive Mental Attitude, a mantra of Bad Brains) are flooding social media for Miller’s continued improvement. Mickey Melchiondo of Ween posted on his Facebook: “Pray for him, or at least smoke a huge spliff and keep him in your thoughts.” And Corey Glover, lead singer of Living Colour and devotee of Bad Brains, wrote, “Sending #PMA healing vibes, and positive energy to #DrKnow of #BadBrains — I urge you to do the same.”
Bad Brains was formed in Washington, D.C. in 1977 and quickly rose to prominence in the hardcore scene. The band incorporated elements of punk, hardcore, jazz and reggae into their sound to create a unique style of music that became hugely influential to not only black musicians looking to break into the hardcore scene, but all punk in general. The band was prominently featured in Dave Grohl’s HBO documentary Sonic Highwaysalongside Fugazi/Minor Threat leader Ian MacKaye.
Tool fans that have been waiting forever for good news can finally get pumped, as it appears the reclusive foursome will be planning a winter tour this January.
The prog-metal group’s last studio album 10,000 Daysdropped close to ten years ago and their last tour that even touched the Eastern side of the country was in 2012. Yesterday someone posted a cryptic message on their Facebook page indicating dates for a 2016 tour would be dropping soon:
No dates or other info has been released. Tool most recently played The Monster Mash music festival in Tempe, AZ this past Halloween. The band played the entire show dressed as Led Zeppelin and busted out a rare cover of “No Quarter.” Fans of course are hoping this announcement will also come with news on the bands long awaited next album, with previous band statements indicating most of it is complete.
Stay tuned as we gather more information on this developing story.
An impressive crowd turned out for All Hallow’s Eve at the Westcott Theater October 30. Giant Panda Guerrilla Dub Squad usually lures a sizable slew of reggae lovers, affording The Simpkin Project an opportunity to bask in the splendor of a well attended venue for the last stop of their east coast debut. Haewa and Ocular Panther appetized the quickly growing crowd with more abstract instrumental compositions.
Ocular Panther, a self proclaimed organic/electro band featuring Jason Gilly (bass), Collin Jones (guitar/synth/samples), and Michael Pantano (guitar), kicked the night off. Despite an optimistic concoction of notes culminating in a highly danceable jam beat, the crowd was not loose enough to dance in response. By the end of their short-lived set, the crowd had already grown to roughly seventy participants.
Rochester band Haewa followed, again utilizing Jones for his guitar work and vocals, plus Brendon Caroselli (drums/percussion), and Ben Chilbert (bass). For Caroselli’s second time playing with the band, he fit into their musical puzzle quite comfortably. Jones’ grungy fashionableness matched his Kurt Kobain-flavored vocals, adding some dimension to their instrumental, at times face melting musical offerings.
The Simpkin Project marked the third band of the evening paying no mind to the looming holiday by sporting a discernible Halloween costume. Phil Simpkin (guitar/vocals), Shawn Taylor (B3 organ/vocals), Sergio Sandoval (percussion) and Jules Luna (guitar/vocals), were joined by Giant Panda members and long time fans of the band, Chris O’Brian (drums) and James Searl (bass). The Simpkin Project’s mild mannered, warm presence conjured that satisfying sensation of joy akin to tearing open a homemade cornbread muffin hot from the oven before slowly savoring each textured, spongy bite.
Their mid-set song, “Everything You Want” professed a deep rooted love. Simpkin sang sweetly, “You are the shelter that protects me from the storm/The vindication for the reason I was born/I want to be everything you are to me/The center of my being.” Such enamor called to mind more than the simple indulgence of nibbling on a plain jane cornbread muffin. The slow-roasted, pan seared passion steaming out of this lyrical love plate was piled high with mashed potatoes, gravy and roast beef (ethically slaughtered of course).
Throughout their set, O’Brian and Searl happily mouthed the lyrics to many of the songs, fully immersed in the experience of playing alongside their musical heroes. Members of The Simpkin Project mirrored their gratitude, announcing towards the end of their performance, “This was a life changing experience, and what it taught us: we’ll be back.”
Giant Panda opened up with Searl soothingly offering the crowd, “This is a group meditation, please enjoy yourself,” following it up after the first song with “The first step to positivity is moving your body,” spoken like a true music yogi. Searl stood front and center, flanked by Dylan Savage (guitar/vocals) and Dan Keller (guitar/vocals), with Chris O’Brian (drums) and Tony Gallicchio (keys) rounding out their sound.
They covered a lot of ground, playing a range of older material from their 2006 debut album titled Slow Down, and mixing in a collection of everything since then including tracks off their May 2015 release Bright Days. Searl, Savage and Keller stood in a row, gatekeepers of reggae revolution, harmonizing before a crowd of mostly humans, mixed in with a few dancing pandas, princesses and superheroes, cuz ya know, Halloween.
As Giant Panda flowed into the marijuana-endorsing number “Mr.Cop,” the crowd dutifully sang along, to the delight of Searl and Savage who exchanged toothy grins as they strummed along. Before the next song, Keller divulged his entertainment from earlier in the day which consisted of flying a stunt kite. This anecdotal story was most certainly not followed by any references to how elevated the kite or any persons involved may or may not have been.
Known for effortlessly blending from one song to the next in a continuous swell of sound, Giant Panda transitioned from “Pockets” to “Healing,” followed by “Steady” and “Move” in a nonstop reggae rumble. Toward the end of the evening Simpkin reemerged as a guest vocalist. Sandoval added his percussive expertise to the high energy “O.K.” with Keller briefly adding some saxophone work to the lively tune. Leaving the audience buzzing with energy, Searl bid them farewell bellowing, “Peace, Panda and good night!”
“Keep It Goin’” – that seems to be the theme these days in The Barn at Levon Helm Studios in Woodstock, N.Y. In fact, one could say that it’s been the theme for many years prior leading up to the iconic Helm’s death in 2012. On November 6, the Georgia born Shawn Mullins kept it going by returning to the intimate studio in support of his latest release, My Stupid Heart, Mullins 9th studio release and 14th overall album dating back to 1992’s Better Days.
The American singer-songwriter, who swiftly acknowledged Helm at the start of the set, is best known for the 1998 single smash hit, “Lullaby” which reached #1 on the US Billboard Hot Adult Top 40 Tracks. Mullins was joined on stage, after “Twin Rocks Oregon” by Tom “Panda” Ryan to a house of nearly 100 or so middle-aged music lovers. Ryan ripped through 14 of the 17-song set on bass guitar providing near perfect harmonies on songs like “Beautiful Wreck” and the Sunshine State inspired “Pre-Apocalyptic Blues,” co-written by Ryan.
There’s a great deal of empathy and even more compassion in Mullin’s live performances these days and he appears to be at ease with where he is in his life, even if his personal past marital relationships have slipped away from him, they are used to fuel the song writing fire on My Stupid Heart. The 10-track release comes from a depressed place which makes it honest and heartfelt and is a record that is not overproduced and closely resembles his masterful live performance passion.
Opening for Mullins was Boston based songwriter Amy Fairchild who entertained on the acoustic guitar but was in her element when she ventured un-mic’d at the piano especially belting out the emotional, “It Won’t Be Mine.”
Setlist: The Great Unknown, Twin Rocks Oregon, Pre-Apocalyptic Blues, Shimmer, Lonesome, I Know You To Well, Sunshine, Ferguson, My Stupid Heart, Catoosa County, Light You Up, California, Ghost of Johnny Cash, Beautiful Wreck, Friday Night Fights At Al’s Place, Lullaby, To Beat The Devil*, House Of The Rising Sun^
On Saturday November 14, rising talent in American rock ‘n’ roll will grace the stage at Putnam Den when Lukas Nelson and Promise of the Real come to Saratoga Springs. Having performed at Farm Aid when the annual concert made a stop at SPAC in 2013, Lukas and P.O.T.R. recently backed Neil Young on his latest album The Monsanto Years.
Having made a promise at the age of 11 to his father Willie, that he would teach himself how to play guitar alongside Hendrix and Vaughn, the now 24 year old Nelson has found his calling amid touring year round across the country to continually growing audiences among some of the greats – Neil Young, John Fogerty, Bob Weir, B.B. King, and Bob Dylan, to name a few. No Depression magazine has noted of Lukas’ voice “With a unique voice and gift for penning timely socially conscious lyrics stretched over muscular guitar riffs, Lukas Nelson is earning not only fans but, heaps of critical praise as well.”
Supporting Lukas Nelson and Promise of the Real are Glens Falls natives Joe Mansman and The Midnight Revival Band, a 5 piece rock band influenced heavily by outlaw country, roots, blues, and folk. Rich Ortiz starts the night with his one man band drawing on inspiration from the likes of Jim Croce, James Taylor, Stevie Wonder and Willie Nelson.
More information on the show can be found through Putnamden.com.
It’s been a long time coming, but The Nth Power has finally delivered their debut album, Abundance, in all of its glory. The band has been around since 2012, and with a stacked lineup of musicians they decided to tour first and hit the festival scene to start growing a fan base. It’s almost unfathomable how they blew up as quickly as they did without an album for people to dig into, but that’s what happens when you’re this talented. Regardless, the wait is finally over! Abundance is being released Friday, November 13, and if you’ve been lucky enough to catch this special act, the album doesn’t fall short of showcasing all that they represent. Just as the band has done live, Abundance is mixed with touches of soul, R&B, funk, and jazz into their own self-defined genre of “Love” and few would disagree.
The band opens up with the strong and powerful overarching message, “Only Love,” evangelizing all that they stand for. It’s been quite sometime that a band has come with a message as potent and strong as The Nth Power bring to the table, both lyrically and through the non-verbal dialogue of their instruments. There is a deep feeling and they’ve really captured the essence of their message overall as it’s felt right from the opening of the album.
The band really puts the rhythm in R&B on the song “Right Now.” With a rhythm section as strong as this band has though, it’s no surprise. Nikki Glaspie [drums], Weedie Braimah [percussion], and Nate Edgar [bass] are all masters of their instruments and give this track some serious teeth that immediately dig in from the opening pattern. The bassist isn’t always called out, but Nate Edgar needs to be commended for his overall work throughout as he does a stellar job all over this record. While never trying to openly stand out with solos, he plays the support role to a degree most bassists could never reach while still churning out some complex lines in the process.
(From L to R) Nate Edgar, Nikki Glaspie, Nick Cassarino, Courtney “Jay’Mel” Smith, and Weedie Braimah
As the album progresses, the feeling of love and joy is thoroughly reinforced in the most uplifting way. The bands tightness and focus on this delivery is something that is a testament to the time they took before releasing the debut. While lyrics aren’t always included in the liner notes these days, Nick Cassarino’s beautiful words were chosen to be laid out. Paging through them in sync with the album, it is clear he put as much effort into them as the band collectively put into developing the music. Nick’s honest and introspective words and heartfelt delivery is matched by his impressive chops on his guitar. You can feel that the band really poured their heart and souls out throughout the musical journey.
The album finishes very strongly with the trio of songs, “Home,” “Soul Survivor,” and “Altar Call.” Each are distinctive in their own right, but make up a solid run to the finish line. “Home” is beautifully introspective, both musically and lyrically, while “Soul Survivor” is where the band takes the time to step away from the lyrics a little and focus on some of the incredible chops they have as musicians. That being said, the chorus on “Soul Survivor” is easily the most anthemic on the album as the band proclaims their ability to survive through hardship. It finishes up with “Altar Call” which could be the most underrated song on the album. The overall construct and ethereal beauty of it can draw out the deepest of emotions. The track is the only one without a lyrical presence and it showcases an elegant and subtle beauty to the band’s musicianship as they explore the meaning of love musically and express it without words.
Overall, Abundance is exactly how The Nth Power should’ve made their debut album. It captures their live energy and delivers on the messaging they’ve settled upon since they formed just a few years back. The musicianship and perspective are a fresh one and one everyone should welcome with open and loving arms. If there’s ever a time for a pick me up or a need for some uplifting, scoop up Abundance and take it for a spin.
Popa Chubby, the long-time stage name for Ted Horowitz, has been playing a mean guitar for over 25 years. Fresh off of playing shows in Europe this past month, he returns state side starting off a winter tour this Friday Nov. 13 at 8pm at The Hangar in Troy with several other New York appearances on the schedule. Tickets for his show at The Hangar are on sale here.
His other New York shows include: Nov, 28 at Daryl’s House (Pawling), Dec. 12 (Christmas Concert) at Roulette Theater (Brooklyn), Dec. 31 at The Turning Point (Piermont), and Jan. 16 at Treme Blues & Jazz (Islip). Check out his full tour schedule here.
In anticipation for his appearance at The Hangar on Friday, Popa Chubby chatted with NYS Music about his music, playing guitar and his new double-live album, Big, Bad and Beautiful.
Steve Malinski: You’ve got a sound that’s quite your own, sort of a cross roads of blues, rock and roll with quite a level of musicianship.
Popa Chubby: Yeah man, I appreciate that. I started off playing rock and roll, metal, punk rock and speed metal before I got into the blues.
SM: And I’m sure growing up in New York City had and impact on your sound –
PC: – NY Hardcore! –
SM: – So what lead you to find the groove you have today?
PC: It was like 1980 – no, the late 1980’s and the hardcore scene had kind of dried up by that point. There was a lot going on and I just wanted to play. Somebody gave me a Muddy Waters record and I heard it and was like holy cow this is awesome. So I put a little band together. We started playing in bars around NY and it just took off. A couple of years later I had a big record deal with Sony/Okeh, made a record with Tom Dowd, then went to Europe and it’s just been going on ever since, for 25 years.
SM: I’ve kind of pinned your sound as a version of Blue Cheer with a big guitar sound.
PC: Well, I will take that as a huge compliment. I like to rock, man, you know. I like to crank it up. I’m into the raw sound so it’s definitely got a healthy aspect of rock and roll and punk in it for sure.
SM: Kind of like how Ted Nugent plugs directly into his amps and rips from there.
PC: (laughter) Yeah, the Nuge! Luckily he and I are nothing alike politically.
SM: I recently came across a video of you jamming out with Johnny Winter at his 70th birthday celebration at B.B. King’s in NYC last year. How awesome was that for you?
PC: That was just a legendary night. Johnny’s 70th birthday. He asked me to play with him. Ironically the first concert I ever saw was Johnny Winter. So it was a real monumental night for me.
SM: Was that the big highlight of your career so far?
One of Popa Chubby’s idols, Leslie West, at Bethel Woods (Woodstock 40th Anniversay) Aug. 15, 2009. photo: Steve Malinski/The Polytechnic
PC: One of them. There have been a lot of high points and that’s definitely one of them, on stage with one of my idols. I was really lucky too because he passed away shortly after that. It’s been quite a year. I’ve gotten to play with a lot of the guys I grew up listening to. Johnny Winter, Leslie West, just great stuff. It’s been awesome.
SM: You just returned from a Eurpoean tour that spanned five countries. What was that experience like?
PC: We did a month long European tour, myself and a band I’m working with called the Balkun Brothers out of Hartford, CT, a duo along the lines of the Black Keys…Blue Cheer, MC5, like the heavier side of blues rock. So we just killed it in Europe and now we’re coming back. It starts this weekend in Troy and I’m really psyched to be up there, I love the area. I’ve played I the Albany area for a long time and it’s gonna be great.
SM: Are the crowds over there in Europe much different than what they are like here?
PC: I wouldn’t say they’re different. It’s just… it’s just been awesome, so great. I’m just so lucky to be doing what I’m doing, man. I’m sitting in my studio right now and I’m looking at my wall with poster of a lot of my heroes. People like Hubert Humlin, and Leslie West is up there, and of course Johhny’s up there, Jimi Hendrix. I’m just so lucky to be doing what I’m doing. Really just happy to be playing music and guitar.
SM: So I’ve counted 24 releases that you’ve had in your career and you’ll soon be adding a 25th – a live album. What can you tell us about that?
PC: A double live record, Big, Bad and Beautiful. I think in a large sense this is a career-defining record for me. It really sums up 25 years of work and it really came together, man. We recorded it last spring in France when we were on tour and I’m really proud of it. It’s 27 songs and it reflects a lot of my stuff – old, new, and in between. So I’m really happy about this record and it’s been great. It’s coming out on Cleopatra in January.
SM: I’ve never had a chance yet to see you live but from what I’ve heard of you since I first stumbled on you music at my college radio station
back in 2007 and from videos I’ve seen it seems like you have a deep passion for music. What’s so special about the blues and rock and roll to you?
PC: You know what, I can’t really speak for the blues and rock and roll, but I can speak about my music. It’s hard and it’s raw. It’s like…my music reflects what I grew up listening to. For me, like when punk rock came around, seeing bands like The Ramones and Richard Hell & The Voidoids, The Damned, and The Deadboys and stuff like that. There was an immediacy, that and the guitars would just rip your face off. And even seeing bands like Motörhead, Metallica and Black Sabbath, then going back to listen to people like Muddy Waters and Buddy Guy, it’s all got the same element to it. It’s like, no bullshit, man. It’s like, straight up.
SM: You’ve got a lot of shows coming up, including the one this Friday at The Hangar in Troy, Daryl’s House, Roulette Theater –
PC: – Yeah we do, man, it’s non-stop. We’ve got a lot, and in January we’re going back to Europe again. Business is just really kickin’ for me. We just got an offer for a festival in Juno, AK, then back to the west coast in the summer.
SM: With all these shows in your home state, do you have anything special lined up?
PC: I’m always happy to play in New York, man. Especially this time of the year – November, December – is when I’m local and get to play all my favorite shows. And definitely Troy/Albany is a hotspot for me. I’ve recorded a lot of records there, also in Saratoga back in the 90’s…oh man, I can’t even remember the name of the club! It might have been Metronome or something like that [The Metro]. But anyway we recorded Hit the High Hard One up there. So that region has always been really great for me and I’m really excited to get back up there to play. So it’s gonna be a great show. Thanks for taking the time to talk to me, I really appreciate it.
Two of New York’s big names in music are no stranger to each other. Back in 2009, Paul Simon joined long-time friend Dion onstage at Madison Square Garden to help sing Dion’s “The Wanderer” as part of the Rock and Roll Hall of Fame’s 25th Anniversary concerts.
Dion DiMucci, better known simply as Dion, first became popular in the wave of early 1960s pop (as Dion and the Belmonts) and later adopted more mature aspects in his music giving him another boost in the music world. He was inducted into the Rock and Roll Hall of Fame in 1989 by Lou Reed.
“New York Is My Home” is the title track off of an album Dion is set to release in February, marking his 29th studio album. The song features fellow New York City musician Paul Simon and is dedicated to the fullness of life in New York.
The single “New York Is My Home” can be ordered and downloaded online through iTunes, Amazon and Google Play.
Aside from the Rock and Roll Hall of Fame Anniversary concert, Dion and Simon performed together at Radio City Music Hall in 1987 and recorded “Written On The Subway Walls/Little Star” on Dion’s 1989 release Yo Frankie. Check out the video of that below, featuring both Dion and Simon.
The Belmonts still perform today as a doo-wop trio.
Original Motorhead drummer Phil “Philthy Animal” Taylor died Wednesday, Nov. 11, at the age of 61 after a lengthy illness. Former bandmate “Fast” Eddie Clarke confirmed the news on his Facebook page Thursday.
RIP Phil “Philthy Animal” Taylor (1954-2015)
Taylor, along with Clarke and Ian “Lemmy” Kilminster, formed the groundbreaking metal band Motorhead in 1975, and in the process influenced hundreds of metal musicians since.
Taylor served two stints in Motorhead (1975-1984/1987-1992), playing on the band’s first seven albums, including the groundbreaking albums Ace of Spades, Iron Fist and Overkill.
Clarke eulogized Taylor on his Facebook page Thursday:
My dear friend and brother passed away last night. He had been ill for sometime but that does not make it any easier when the time finally comes. I have known Phil since he was 21 and he was one hell of a character. Fortunately, we made some fantastic music together and I have many many fond memories of our time together. Rest in peace, Phil!
Taylor’s original exit from Motorhead, while never confirmed by him, was said to have been the result of a dispute with Clarke and Kilmister during the recording of a cover of Tammy Wynette’s “Stand By Your Man” with shock rocker Wendy O. Williams.
Taylor and Clarke rejoined Motorhead onstage at a show Nov. 6, 2014 in Birmingham, England.
A special edition reissue of the album will also be released today. The reissue was remastered by longtime Tribe engineer Bob Power and will feature remixes by Pharrell, Cee-Lo Green and J. Cole.
It’s been a long time coming, but 
