Category: Jam/Progressive

Woodstock at Last: An Interview with Dopapod Drummer Scotty Zwang

In anticipation of their upcoming show on November 14 at Bearsville Theater in Woodstock, Dopapod’s drummer Scotty Zwang took some time to chat with NYS Music about summer tour highlights, Woodstock, and pranking Papadosio.

This weekend’s stop is part of the progressive groove quartet’s extensive fall and winter tour with soul-funk quintet, the Nth Power. The tour follows an action packed summer, with appearances at Bonnaroo, Mountain Jam, Red Rocks, Peach Fest, Electric Forest, Disc Jam, High Sierra and more. Dopapod refuses to stay within the boundaries of one distinct sound. Show-goers will get a taste of prog rock, synthesized keys, and even some country inspired songs, all that have aided in their ever growing and loyal fan base.

Tickets are available for $18 through Ticketmaster, or at the Bearsville Theater box office. Doors at 8, show at 9. Other upcoming dates include:

Nov 14 – Woodstock, NY – Bearsville Theater
Nov 18 – Buffalo, NY – Tralf Music Hall
Nov 20 – Brooklyn, NY – The Hall at MP
Nov 21 – Philadelphia, PA – Theatre of Living Art

Click here full a list of scheduled stops on their Fall/Winter Tour.

Erin Clary: Even though you’re touring, do you ever get a chance to go to shows yourself? And if so, who do you go see?

Scotty Zwang: Yes. That can range. I mean I’ve been off for about ten days since the last show. The day after I got home on Halloween I went to see Ben Folds with yMusic which was really awesome. All things can vary. I try to go to as many shows especially bands that really influence me and bands I don’t necessarily get to see all the time. I like to go see friends, like the Disco Biscuits are playing in New York the day after New Year’s so I am going to go see them after seeing Phish. I try to go to as many shows, not necessarily just jam band ones, but different ones as often as I can, not as often as I would like. Frankly, by the time I get home from tour sometimes the last thing I want to do is go see live music.

EC: It’s been a year since your last album release, do you have another one in the making or are you focusing on touring and improvisation?

SZ: We’ve been focusing a lot on touring for the last year since the album (Never Odd or Even) came out and yeah, usually in general we’re pretty busy with touring. We are actually planning on taking a good chunk of time off in the beginning of the year to finish songs that we’ve been working on on the road and also to write some songs from scratch so that hopefully by next year at some point, or maybe beginning of the following year, we will have an album finished. But we are going to take some time off first and see where that all goes and hopefully take some time to get in the studio shortly after that.

EC: Dopapod crosses a range of musical styles, some are sort of hard, others are a little twangy, others sound more like video games. What is your personal favorite?

SZ: I guess I really do love the darker and proggier kind of stuff. Although the video gamey kind of stuff when Eli synthesizes the sound I think is the more quirkier writing that the band does. I do enjoy all of that. And even some of the twangy… I mean we have a song that is pretty much country, bluegrass, more of an up-tempo kind of feel. As a drummer, I do have to say some of the proggier stuff, when I play correctly on stage, I do feel very good about myself like I’ve accomplished something. Even though we wrote the songs, sometimes I do end up still messing things up live. When something is that challenging it’s definitely rewarding and I still feel good about being able to pull that off live. I would like to say it’s done correctly every time, but sometimes people do mess up. I know Neil Peart from Rush said that anytime he played a song like “YYZ” or “Tom Sawyer,” he wrote it and spent a lot of time focusing on difficult drum parts, and he still gets that excitement when he actually pulls it off live and I would say the same goes for me.

Dopapod, Mountain Jam, 2015

EC: You guys have had some pretty interesting profile pictures on Facebook recently. Who is the creative genius behind those graphics?

SZ: They’re usually fan based. We have a fan page created by fans on Facebook. It’s our top fans around the country or wherever else and they call themselves “Dopafam.” There’s usually some weird stuff that goes around in there (laughs) and every once in a while there is a picture that is just gold. The one you’re talking about is Chuck in his underwear riding a razor scooter on the rainbow road from Mario Cart. That was created by a fan and I’m not even sure exactly who did it. We have some super creative fans I guess because sometimes they strike gold. If anyone in the band likes it, (it’s) usually Chuck and not just because he happens to be in this photo, but usually he will put it up. Chuck has kind of realized throughout the year – well we all have – that people don’t necessarily want to see or have the time and patience to watch a video, or read a long, thought out and touching thing. They just want to see pictures of whatever. Chuck always says that when he goes on Facebook if he doesn’t see a picture of a dog within 10 seconds then he just signs off.

EC: Was that picture from Jam on the River in Philly?

SZ: (laughs) So yeah, there was a bet that happened with Papadosio that was betting Chuck to go out on stage and ride the razor scooter in his underwear. I kind of pushed him to do it because I think those things are funny and that is what people will remember…

EC: Oh I remember it quite clearly!

SZ: I kind of pushed him to do it and I kind of had this thought of how funny this with be if this was an ongoing prank with Papadosio because we play so many festivals with them and they truly are some of our best friends. So at High Sierra, once again I egged Rob, our guitarist to do it and he went out in his underwear on the razor scooter. It was just hilarious and no one expected it. It kind of opened up a whole can of worms since I kept making people do it, I had to do it myself. So I finally did it at The Werk Out. We’ve all done it except for Eli but at this point I don’t want Papadosio to think that every time we play together that one of us is going to appear on stage in his underwear, so I’m not sure that trend is still alive.

EC: Do they ever prank you guys?

SZ: They tried to prank us at the same festival when I did it but because they had to get out of there and go to another show they didn’t have enough time. So it was passed onto the Werks and Dino, their bassist, came out in his underwear wearing…I got this poop mask, it’s a mask that looks like the emoji of the pile of poop with a smiley face. It’s essentially that exact thing. So he came out in his underwear wearing the mask because no one had a razor scooter I guess.

EC: “Nerds” from Never Odd or Even – what’s the story behind this? Are you guys mocking someone in the very beginning?

SZ: No…well kind of. It was Chuck’s idea when we were in the studio and we had a lot of empty space and build up before the lyrics kicked in, which aren’t really a lot of lyrics it’s just “no words.” But it was kind of a nod to Frank Zappa because in…I forget which song, maybe it was “Catholic Girl,” he kind of does a ‘Valley Girl’ impersonation, kind of making fun of people in the California area that he is from. Chuck just thought it would be funny. We came up with this song and originally the band just had a lot of instrumentals. Jam bands are kind of known for not having the best voices at times. We were kind of just mocking the same kind of valley girl and if she was at a jam band show, and all these songs are long and they don’t have any words. So Chuck, after we recorded all the instrumentals and everything was done, we just had a night at the studio where maybe we drank a little too much or something, and he went in there and gave it his all.

EC: I saw you a few times this summer at Disc Jam, and at Mountain Jam where you played two sets, one was on that outdoor main stage. Isn’t it huge?!

SZ: It was the biggest stage I think we’ve ever played on. I am trying to think back because we did have some big performances this summer, but I do remember getting to Mountain Jam and thinking, “this is definitely the biggest stage this band has ever performed on. It’s just massive.”

EC: Massive! I’ve been going there a lot of years and it’s just gotten bigger and bigger. I’ve seen you guys on plenty of regular sized stages so to see you on something like this was really impressive!

SZ: Thank you! It’s funny because that stage next to it is a pretty nice stage and you could have a regular production on it, but it is just dwarfed by how big that main stage is.

EC: What was your favorite festival this summer? You guys really went after it.

SZ: Yeah there were a lot of them. They start pretty early. Obviously we do have random festivals that go into the fall or destination ones in the winter, or musical festival in the end of February or beginning of march this year. So they just go all year long now. Summer Camp is a real great one as far as “real festival” season in summertime, its kind of the first weekend. Bonnaroo was a dream ours and the biggest audience we’ve ever played for. It was broadcasted over the Internet for RedBull.com and we were interviewed by Sal Masekela, who I’ve been watching as the host for the X Games since back in the day when I was a little kid and loved flinging myself off of stairs and other things, whether it was a bike or skateboard or whatever. It was just a really crazy experience to just look and someone is powdering his face and asking us if we want water, and actions like que cards in order to sync with the video. So that was definitely one of the most mind blowing experiences of the summer. There was just so many great ones. I mentioned The Werk Out is a lot of fun. High Sierra in California is great. It has a really nice family vibe and is one of those festivals that has survived two decades. It’s a festival that is almost as old as all of us in the band. It’s really cool to be a part of stuff like that.

EC: Now that the season has changed in the Northeast, it’s time to go inside. What are you looking forward to and what can we expect from your show at the Bearsville Theater in Woodstock on Saturday.

SZ: It’s our first time playing in Woodstock. Although my family has a house in West Saugerties, it’s actually on the same road as the house where The Band lived, ‘Big Pink.’ So I have a lot of experience in Woodstock and when I joined the band we actually went up to my family’s house and did videos of songs like “Nerds” and “Picture in Picture” for the first time. That was all shot in Woodstock. So really excited. I’ve actually never seen a show at “the bears,” and my family really loves it there. They’re excited that we’re finally there, we get to have dinner next door at the café. It’s going to be a great time. It’s got such a great vibe, especially with music and especially this time of year, it’s just very beautiful.

EC: Will your family and friends be coming to the show?

SZ: Oh yeah, I know I have my brother-in-law, my sister, my mom and dad, in-laws and my girlfriend, everyone is coming up. It’s going to be quite the weekend. I hope I don’t disappoint them.

EC: Looking forward to it!

November 13, 2015
Third Annual Hulaween Reigns as Largest Festival Ever at Suwanee

There are moments in one’s life that will stay with them long after the music has stopped. The third and 2015 edition of Hulaween once again curated a festival experience for the ages. One that will be stuck in festival goers minds for a long time to come, until next year that is.

The third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.

Hosted once again by The String Cheese Incident, Hulaween brought many other big name musical acts to the party, some for their first appearance at Suwannee. With a total of seven sets over the course of the weekend, including their Halloween “Ghoul Train” cover set featuring Wu Tang’s Gza acting as Don Cornelius, plowing through crowd favorites such as “Brick House,” “Boogie Man,” “Car Wash,” and “Dance to the Music,” SCI held nothing back, whipping revelers into a dancing frenzy at every opportunity.

A highlight at the Amphitheater Stage Friday was undoubtedly Primus, getting the crowd started with “Those Damn Blue Collar Tweakers,” they left it all on stage with favorites like “Mr. Krinkle,” “American Life” and the coveted “Jerry Was a Race Car Driver.” Their set was not without Les Claypool’s usual witty banter with the crowd, as well as some less usual songs like “Jilly’s on Smack” and “Salmon Man.”

Pretty Lights played to a majority of the attendees Friday night interspersing some new music into a set chock full of his trademark energetic glitch hop, with horns and keys aplenty. A highlight at the Amphitheater Stage on Saturday was Suwanee virgins Odesza who harnessed the crowd’s energy and magnified it into an incredible set of danceable electropop and chillwave grooves leaving everyone in a breathless sweaty heap by the end of their set. With many festivals opting for a relaxed schedule on Sunday’s to encourage a relaxed crowd, Hulaween had other plans.

After a tight bluegrass set by SCI on the main stage, the skyrocketing Griz took the amphitheater by storm announcing that it was the “Funkiest party in the galaxy until Lettuce takes the stage.” Hit after hit had a packed amphitheater crowd bouncing and gyrating until it appeared to form into one massive dancing organism. After String Cheese played their final set, Lettuce indeed brought the funkiest set of the weekend, playing new material off of their fourth studio album Crush. Many were seen looking for their jaws on the ground afterwards.

Closing Hulaween down were none other than livetronica pioneers Sound Tribe Sector 9. Once again the main concert field was packed with fans drawing from energy reserves to dance their hearts out for one finale set of music.

The expansion of Spirit Lake brought many new art exhibits and interactive sculptures, as well as the return of exhibits from previous years. With some stellar performances by Manic Science (Manic Focus X Break Science) and The New Mastersounds at the Spirit Lake Stage, the art wasn’t the only selling point.

Silver Wrapper Productions and The Spirit Of Suwanee Music Park have outdone themselves, once again. Time will tell if it’s possible to bring together a more impressive line up, a more perfect lay out, or a more incredible all around music and art experience together in one gorgeous package.

November 9, 2015
Dead & Company Albany – Much More Than Expected

Photo by Henya Emmer

Dead & Company was an idea that to most, floating on an initial thought, may have been hard to conceptualize. To a very large amount of the Grateful Dead community there was a vast amount of skepticism around how it could be possible for John Mayer to find his place as the lead guitarist for an adaptation of the Grateful Dead, involving three of the ‘Core Four.’

To many of his faithful fans, Mayer could do no harm. However, even those who bridged the gap between Mayer fans and Deadheads would likely respond that Mayer may be most likely to have what most would see as a tenuous grasp of the Dead musical lingo. After all, John Mayer had little knowledge of the depths of the Grateful Dead library until he signed on to this project. On October 29 in Albany, NY, Dead & Company officially began their first tour.

Fast forward a little over a week, five live shows into what seemed like an experiment. This newly created band called Dead & Company takes the stage at Madison Square Garden for the sixth show of their first tour; a free show to those lucky enough to score a ticket in a small number of lotteries between sponsoring names like American Express and Headcount. One could tell from the initial sounds of what would turn into a “Shakedown Street” opener that this experiment had completely transitioned into a band that had found their groove.

The communication among the bandmates was obviously fluid; they were on the same page. The first set was solid and showed great signs of how this band has matured in a short period of time. From the first show, it was clear that there was confidence in each individual player, but from the first moment of the first set on November 7 there was an immediate indication that all involved were working as one, including the crowd.

Three of the ‘Core Four’, Bob Weir, Mickey Hart, and Bill Kreutzmann, were joined by three other musical monsters, John Mayer, Oteil Burbridge, and Jeff Chimenti, and moved deftly through a quick, hour-long first set, bringing home in strong fashion songs like “I Need a Miracle,” “Cold Rain and Snow,” and “Jack Straw.” The quick set brought up thoughts of whether this free show was going to be a layup for the band and allow them to have a brief two sets, while still keeping their fans happy.

Then came set two. A strong and long second set is something anyone would be looking for and even more so after a short first set, and what was sought after was certainly delivered. Bobby, John and the crew came out and fired off with “Help on the Way” and from there they could not be stopped. One amazing rendition of what could now be seen as age-old jam band tunes flowed into the next.

Jaws were dropped multiple times as Mayer and Burbridge conveyed just how hard they have worked to contribute to this next step in Grateful Dead adaptation. Dead & Co. gracefully and masterfully presented the crowd with a wonderful, heartfelt “Franklin’s Tower,” sung by Mayer, and really showed what potential they have with a “St. Stephen,” that caused the fans to erupt in cheers multiple times. This second set, which was nothing short of magical, flowed through eight continual songs that ended with “Drums>Space>The Other One,” before a break in the action was taken. The set was capped off with Bobby warming the audience with “Stella Blue” and a seamless transition into “Not Fade Away,” which did not seem to end until the band came back out for encore. The crowd just could not be silenced, clapping the drum cadence and continuing to sing, “You know our love will not fade away!”

When the boys did return for encore, everyone was announcing what song they expected for encore and even those who did not guess right were not disappointed. Dead & Company finished off their sixth show of the tour, the third at Madison Square Garden, with an unbelievable “Brokedown Palace.” Everyone has heard Bob Weir sing that song many times. However, hearing John Mayer contribute to the singing with Bobby was something that brought a free concert, filled with such fun and emotion, to a very happy ending.

Setlist:

Set One: Shakedown Street > I Need A Miracle > Cold Rain & Snow, Tennessee Jed, They Love Each Other, Jack Straw

Set Two: Help On The Way > Slipknot! > Franklin’s Tower, He’s Gone > St. Stephen > Drums > Space > The Other One > Stella Blue > Not Fade Away

Encore: Brokedown Palace

November 9, 2015
Borg Supergroup Poised to Assimilate Western New York this Christmas

Christmas just got a whole lot more interesting in Western New York. A brand-new supergroup of New York-based musicians coined Borg Party will be playing a two-night stint this December at Buffalo Iron Works (Dec. 22) and Flour City Station in Rochester (Dec. 23).

Consisting of Rob Compa (guitar/Dopapod), Mike Gantzer (guitar/Aqueous), Mikey Carruba (drums/Turkuaz), James Searl (bass/Giant Panda Guerilla Dub Squad), and Wiley O’Riley (keys/The Niche), the Borg Party should attract a star cruiser full of assimilated dancing fans.

With all of these musicians have collaborated multiple times in the past, attendees should expect far more than a simple night of improvisation and covers. In the past year alone, Compa’s Dopapod has played entire mash-up sets with Aqueous and Turkuaz.

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Tickets for either night are $15 pre-sale.

Also don’t miss catching Dopapod Wed, Nov. 18, at Buffalo’s Tralf Music Hall.

November 9, 2015
Everyone Got Their Mag on At Magnolia Festival

Stephen Foster wrote what became the Florida state song “Way Down upon de Swanee Ribber Far faw Away.” That is where Magnolia Festival lies and October 15-18 marked the 19th annual Magnolia Fest being held at The Spirit of the Suwannee Music park in Live Oak Florida. The park spans over hundreds of acres and has sustained a reputation for being one of the most gorgeous places in the south hidden right in the middle of the pan handle, between Tallahassee and Jacksonville. Every year thousands of music festival enthusiasts patiently wait the time to return to the Suwannee to “Get their Mag On,” and that is what many did.

It truly was a surreal weekend of music and fun. One thing can absolutely be agreed on, the weather was perfect. There was always a cool breeze, fair amount of warmth from the sun hidden under all the beautiful Spanish Moss and absolutely no rain. The perfect atmosphere to set the stage for funky bass lines, smoking fiddle solos, and some of the most soulful singing ever heard.

The Lee Boys kicked off the festival by setting the bar quite high! Between the powerful guitar solos to the thumping bass the boys played a set with such high energy no one could stand still. Their melodies soared up to the trees as they sang “Testify.” Band of Heathens not only boasted great harmony vocals but also featured two lead guitar players. It seemed after every song it was time for a different guitar.

The Congress set the mood for a soulful night under oak trees. One of the highlights of the set was a tasteful rendition of the classic “People Get Ready” and just about everyone in the audience joined in the singing. The voices echoed against the trees and filled the amphitheater with beautiful voices. The Motet and their upbeat funky dance music made for the perfect late night dance party under the stars. This band really had the perfect amount of finesse and sass, each solo spontaneous and sensationally crafted.

After The Motet it was time to head over to the Porch Stage, located near vendor row between the Amphitheater Stage and Meadow Stage. The crowds gathered close for the sweet mountain voices of Nikki Talley and Jason Sharp. The duo tour regularly but hail from the Asheville area and recently released Out from the Harbor and included many of the songs in their set that night. It is really wonderful to see two musicians compliment each other so well. Sharp’s smooth guitar solos create the ideal accompaniment to Talley’s full vocals. Talley puts down her guitar and picks up her claw-hammer banjo. She plays a rendition of the old time tune “Railroad Boy.” the song creating a pleasant tension in the audience as everyone lingers on the lyrics.

Closing out the evening back on the Amphitheater Stage was Boston’s own Lake Street Dive. The band truly packed a punch into the evening with their powerhouse set. Lead singer Rachael Price has a voice with such fidelity. It is incredibly relaxed, soulful and you can hear the joy she lets out when she performs. She and bassist Bridgette Kearny compliment each other in a way that most musicians can only dream of. Towards the end of the set they played a fun version of Annie Lennox’s “Walking on Broken Glass,” resulting in a very well-deserved standing ovation.

Friday was yet another beautiful day, and taking the Amphitheater Stage was Grits and Soul, a duo featuring Anna Kline on guitar and vocals and John Looney on mandolin and vocals. They are currently working on recording a new album to be released in 2016, and it will be fun and exciting to see the results. Later in the afternoon the Habanero Honeys took the stage inside the music hall. The band is typically comprised of Cathy Lee, Beth Judy, and Tom Nelly, and today welcomed Stef Lee, Jeff Sachs, and Bobby Burns from Sloppy Joe as well as Nikki Talley. The super group played a variety of original songs and Beth Judy also recited a couple of poems while being accompanied by Nelly and members of Sloppy Joe.

The Meadow Stage was the place to be for driving bluegrass this afternoon. Del McCoury is without a doubt a bluegrass legend and his vocals are undeniable with one of the tightest bands in the bluegrass world alongside him. For the more progressive bluegrass fans, the “boys” as they are fondly referred to performed an amazing jam filled set back at the amphitheater following their meadow performance. Most bluegrass fans would agree that this band continues to uphold the traditions of bluegrass but at the same time release a new energy to their own brand of new grass.

Finally, it was time to make the trek back to the Meadow Stage for the Grammy award winning husband and wife team, Susan Tedeschi and Derek Trucks, the heart of Tedeschi Trucks Band. Susan Tedeschi’s vocals are comparable to the blues legend Bonnie Raitt. To say that Trucks is a phenomenal guitarist would be a great understatement. After seeing Trucks as a member of The Allman Brothers Band, it is refreshing to see Trucks leading his own project and accelerating into musical success. Packing a loud punch, The Tedeschi Trucks Band is complete with a full horn section and back up singers.

Closing out the evening was another set from the Motet. However when their set concluded the night was not over. One of the most unique things about Magnolia fest is that when the stages end for the evening the music does not stop. There are two campground stages on the festival map which welcome campers to come jam in their camps until the early morning hours. Slopryland hosted by the band Sloppyjoe from Wisconsin is famous for their Halloween decor. Upon approaching the campsite campers are dazzled by over a hundred illuminated Jack O’lanterns hanging from the trees. The Jack O’lanterns in the picking tent were vivid sculptures this year depicting a plethora of facial expressions, while the Bill Monroe shrine is also a favorite place for the pickers to congregate. Don’t be surprised to see many stage performers there swapping solos and sharing new original songs. Between Slopryland and The Bill Monroe Shrine, a great time is guaranteed. Each are different, but both are a picker’s paradise.

Back from the Brink performed at noon on the Amphitheater Stage. The band features father and daughter Steve and Lyndsay Pruett, two musical virtuosos who bring it to every ensemble they perform in. The Pruett’s play with a sort of musical telepathy and it is apparent that their connection is the result of many years of practice, dedication, and mutual support. I spied a few teary eyes when the lead singer’s own daughter was guest featured and sang a lovely version of Brandi Carlile’s “The Eye.”

Late in the afternoon it was time to go see Grammy award winning Steep Canyon Rangers, recently famed for having recorded and toured with Steve Martin, performed an exceptional set. Rapid fire fiddle and banjo solos arose throughout the set, while midway through the set, John Stickley and Jeff Austin were invited to sit in for the remainder of the set. This made the perfect segue for Austin’s own set shortly after.

One of the hidden gem’s of the festival was New Orleans own Grammy Award winning Rebirth Brass Band, started thirty two years ago and well known from HBO’s Treme. They have been giving their true brass sound to the world all these years but never forgetting where they are from. The best part of their set is when they did a great rendition of “When the Saints go Marching Home” in honor of their beloved New Orleans Saints.

At last it was time for the headlining Avett Brothers! It was especially exciting to see Tania Elizabeth of The Duhks tearing it up on her violin and harmony vocals. The Avett’s played hits such as “Murder in the City” and “The Prettiest Thing,”while the night concluded with the traditional Saturday night dance party with Magfest staple band “Donna The Buffalo.”

Sunday’s at Magfest are always bitter sweet. Some of the best music is heard Sunday afternoon but even the greatest of things must come to an end. Keller Williams and Grateful Gospel brought an unforgettable show to the table. Featuring the soul singers from William’s ‘More than a Little’ touring band, the group played an extensive array of songs from The Grateful Dead in a gospel style. Melvin Seals of Jerry Garcia Band fame ripped on the Hammond B-3 and truly helped transform Grateful Dead classics into a rejoicing experience for all. The festival ended with another great set by Donna The Buffalo, which included many guests including the infamous Jim Lauderdale, who performed festival favorite “Except for That One Time” and kicked up the energy to a whole new level. That is what is means to ‘Get your Mag On’ as many veterans confidently say. Magfest is a Southern tradition rooted in music, community, and love. It is the venue for people from all walks of life to unite in one of the most beautiful places in the world, set up camp and celebrate music. It has been an exhilarating nineteen years and the festival family hopes for many more exciting Magnolia fests in years to come. You do not have to wait for Magnolia Festival next year to appreciate this amazing park. Check out Musicliveshere.com for plenty of upcoming events.

November 8, 2015
The Milkman Cometh: An Interview with Ray Paczkowski

Ray Paczkowski, the bearded, bespectacled Vermonter behind the keys in Trey Anastasio Band, and is a hard man to track down. Having first played with TAB in the summer of 2001, ‘The Milkman” has been a staple of Stage Left, holding down the organ, clavinet and keys and adding funk to the well-rounded sound of Anastasio’s side-project.

Paczkowski is also one half of the duo Soule Monde, alongside drummer Russ Lawton, whose funk blend infuses jazz elements and Brazilian and World music themes for a full bodied sound.

Currently on Fall Tour with Trey Anastasio Band, Paczkowski and drummer Russ Lawton recently released a new EP, Smashed World. This June at a music festival in the Berkshires, Ray found time to sit down and have a conversation with NYS Music about his music.

Pete Mason: How did you get your name “Milkman?”

Ray Paczkowski: I worked on a dairy farm for 10-12 years when I was first in Vermont, doing gigs and milking cows. Trey always thought that was funny.

PM: When did you first start playing piano?

RP: I took piano lessons as a kid and started playing out in various projects. I always wanted to just play piano but you can’t haul a piano around, and digital pianos I just hated. Then I started hearing Jimmy Smith, (John) Medeski, and those guys and the sounds that they were getting out of that instrument, it was just so cool and I found that the Hammond has the same quality as a piano and everyone is different and every night there’s some kid of sound that pops out and that’s when I started doing it. A guy I worked with had a Hammond and just said take it.

PM: When was this?

RP: Early ’90s

PM: How did you get on Trey’s radar along with the Vermont musicians that have made up Trey Anastasio Band, particularly on your first tour in Summer 2001 with fellow Vermonters Jennifer Hartswick, Dave Grippo and Andy Moroz?

RP: I was in a band for a long time called Viperhouse and the lead singer, Heloise Williams, did some work with Trey, and we were kind of on a similar circuit, Phish had just started taking off, like we would be playing a club and they’d be next door in the arena. We would see them all the time, it’s Burlington, it’s a small musical community. I would play with Vorcza, a jazz trio and Trey would come listen to it and when he decided to put a band together, he asked me to do it.

PM: What was that first meeting like?

RP: We were doing a gig with Viperhouse in Winston-Salem, NC at Ziggy’s and they were playing next door in the arena. We went over to their show, they came over afterwards and he mentioned that he was thinking of putting a band together and said if I was ever interested and I said ‘Yeah’, but never really thought about it after that. A year later he showed up at a gig I was playing and asked me to do it. I thought about it for like five minutes and said ‘yes’ (laughs).

PM: What were those first shows like for you on the Summer 2001 TAB tour?

RP: It was at a whole other level with bigger shows, a full crew, and it was kind of bewildering going from just driving around in a van to a full scale operation. It was really fun with such a big band, and at that time I was playing in a trio and they had a much smaller sound, so fitting into that thing (with TAB) it was interesting, it was really cool. It was more orchestrated, I don’t know what the word would be exactly. I liked everyone and the music was great.

PM: Did you and drummer Russ Lawton know each other before playing together in Trey Anastasio Band?

RP: We had met here and there but I only knew him as a drummer. I didn’t meet him until we were playing together.

PM: So Soule Monde formed directly out of TAB?

RP: Yup.

PM: What were you seeking to create with the side project?

RP: I live in Vermont and Russ and his family had just moved here, and they were in the next town over. He called me up one day and said “I know this place that has a Hammond organ, let’s go there and make some shit up.” So we did, just kind of went from there. That was maybe 2008 or so.

PM: One of your first shows was a late night show in a cabin at StrangeCreek Campout. It was an unknown performance, knowing that two musicians in TAB were performing under the name Soule Monde, making for an intimate performance.

RP: I remember that, that was one of the first shows. We would just play at this place in Vermont and just make shit up.

PM: And now you’ve gotten to the point where you have songs and a wide array of compositions, have released one self-titled album and plan to release a new album this fall (the recently released Smashed World)

RP: Yeah we’re at a ‘one album every three years’ pace these days.

PM: How did Trey come to sit in with Soule Monde at Iridium Club in New York in May of 2014?

RP: It was just kind of random, we were driving to New York and I thought ‘Let’s call Trey, see if he’s around and wants to come to the show.’ We thought maybe we’d see him and hang out a little bit. He said “Mind if I bring my guitar?” I’m never one to ask, ‘Hey, come sit in with us?’ so he came down and played the whole second set. It was great!

PM: How has Soule Monde been on tour and the audience response over the past few years?

RP: We don’t travel much, do a lot of local stuff, like Disc Jam, that has a close range to Vermont, but the response has been good all around. With the new album, we’re trying to push it up to the next level, whatever that might be. It’s been really good and people are coming out. I think that not many people know the name Soule Monde, who or what it is. It’s really a factor of just hammering on the name even though we’re not on the road a lot, months out of the year.

PM: You and Russ being out of Vermont and knowing the local scene, and even the more rural areas, are there any musicians in Vermont that people should know about?

RP: I know a lot of players that are involved in various things, from folk type stuff to soul. I know a lot of musicians, but not so much the bands they are in. There’s a lot of good shit coming out of Vermont.

PM: Is there any music that you are listening to right now that is catching your ear?

RP: I have a 15 year old daughter and she turns me onto all this electronic type stuff.

PM: There must be an interesting connection between that genre and playing keys.

RP: It’s a cool genre, I don’t know that much about it. As far as listening to music, I’m a radio guy. When I’m traveling around, I’ll scan through things and if you’re in any area with college radio, you’ll get this weird stuff and find some new music.

November 6, 2015
Moon Taxi Release ‘Year Zero’ Music Video

Alternative indie rockers Moon Taxi have premiered a new music video for their single “Year Zero.”

The video was directed by Collin Palmer at Vessel Creative. The single comes off their brand-new record Daybreaker, their fourth studio album, which is released on 12th South Records under the BMG banner.

Daybreaker was produced by Jacquire King, who has also produced albums for the likes of Kings of Leon and Modest Mouse. The “Year Zero” single is already making waves on the AAA radio chart. The new single is in constant rotation across the United States including KINK in Portland, WRLT in Nashville, WXRV in Boston, KGSR in Austin and WTTS in Indianapolis.

Reigning from Nashville, the five-piece quartet is quickly making a name for themselves. Moon Taxi has had some of their singles grace national TV, landing spots for BMW, Major League Baseball, The National Football League, HBO Sports and ABC’s Nashville.

Moon Taxi has also made TV appearances on Late Night with David Letterman, Conan and NPR World Café.

Moon Taxi has made several major music festival appearances including Bonnaroo, Governors Ball, Austin City Limits, Firefly, Lollapalooza and Forecastle to name a few.

Rolling Stone has stated that Moon Taxi has worked their way up from Bonnaroo buzz-band to something approaching Kings of Leon country, playing pleasingly cross-bred rock.

Moon Taxi is currently on a fall tour that started at the Gothic Theatre in Englewood, Colorado, and will conclude on New Year’s Eve in their hometown of Nashville, at the War Memorial Auditorium.

November 6, 2015
Camp Bisco Permit Saga Continues

Well, Disco Biscuit fans, it looks like Camp Bisco will for sure not be returning to Schenectady County anytime soon as the permit saga drags on.

On Oct. 28, state Supreme Court Justice Vincent Reilly Jr. deemed the county’s ruling and safety issues raised as valid reasons for permit denial, as reported by Times Union. The summer event had been planned for a July 15 through 19 revival at Indian Lookout Country Club in Mariaville, where the three-day festival was held for seven consecutive years; however, the application for a mass-gathering permit was rejected by the county with major opposition from its sheriff.

This news continues a chain of events that has plagued Bisco since its 2014 hiatus, regarding safety concerns with transportation, emergency plans and insurance coverage, plus the festival’s failure to create a zero-tolerance drug policy. But the EDM-focused concert did return this summer with a venue change; Bisco 13 went off without a hitch at Montage Mountain in Scranton last July, and NYS Music contributor Jimmy Chambers reported on its success in his glowing review of the festival (revisit Camp Bisco here).

While the Philadelphia-based band has yet to announce plans for Bisco 2016, hang tight and take a look back at Camp Bisco 13 with the recently released aftermovie.

https://www.youtube.com/watch?v=1zT1SazqseQ&feature=youtu.be

November 6, 2015
Halloween Dance Party with Mister F, and Lucid at Putnam Den

Halloween parties at Putnam Den are often some of the best gatherings of the year, with enthusiastic audiences & bands wearing their favorite character costumes, decorative rooms, grotesque drink mixes, and supreme music selections. The theme of every party is to dance, celebrate, enjoy the visuals, and celebrate.

This year, hosted a social event like no other at the Putnam Den in Saratoga Springs, with the help from Albany based Mister F and Plattsburgh’s own Lucid. As the holiday fell on a saturday with clear skies, Saratoga was open for menace.

Mister F kicked off the evening with their eclectic mix of funk, rock, and sophisticated rhythms which attracted many ghouls and goblins right from the start. This local four piece hit the stage dressed as characters from the movie Spaceballs and ripped up an hour performance from out of this world. Their set highlights were an original “Answer the Dog,” featuring members from Lucid and Formula 5 and Bela Fleck & the Flecktones cover, “Sinister Minister.”

Lucid brought an inspiring set with their north woods folk rock grooves that made all the skeletons shake their bones. These handsome devils attired the Village People and busted out their set with a greatest hits medley. Highlights from their set were “Backwoods” featuring George Wurster and “I Kill People” with Scott Hannay of Mister F.

Formula 5 raucously hit the stage running with a Jay & Silent Bob skit featuring Scott Hannay of Mister F and the contagious cover of “Jungle Love” by Morris Day and the Time, a tune long favored by their chosen characters. Highlights from their the Formulaic set was the Huey Lewis and Ray Parker Jr. mix, “I Want a New Drug” > “Ghostbusters” > “I Want a New Drug.”

Formula 5 Set:
Jay & Silent Bob Skit@ > Jungle Love^ > Excalibur, Perch Above the Earth$* -> I Want A New Drug* -> Ghostbusters -> I Want A New Drug -> Mister Elixir* -> Perch Above the Earth > Mister Elixir, Low Rider!, Catch Me, Nu-GEN#* -> Pedro* -> Night Time In The Switching Yard, Epiphany
Encore: Magic Carpet Ride
@ – featuring Scott Hannay (Mister F)
^ – featuring Matt Pickering and Scott Hannay (Mister F), Lowell Wurster (Lucid),
$ – Thriller Jam
* – Unfinished
! – Featuring Jamie Armstrong, Chris Shacklett and Lowell Wurster (Lucid), Scott Hannay (Mister F)
# – Featuring Andrew Chamberlaine and Scott Hannay (Mister F)
‘Jungle Love’ – Morris Day and The Time (1st time played)
‘I Need a New Drug’ – Huey Lewis & The News (1st time played with James and Joe)
‘Ghostbusters’ – Ray Parker Jr. (1st time played with James)
‘Low Rider’ – War
‘Night Time In The Switching Yard’ – Warren Zevon
‘Magic Carpet Ride’ – Steppenwolf (1st time played)

Mister F

Mister F Setlist:
Vocoder > Everything You Say, This One Goes to 11@, See Level > Answer the Dog#, Inside, Eye Level > The Machine, Do It Again%, Sinister Minister^, On and On, Don’t Lose Your Watch

@ – w/ The Munsters Theme Tease
# – w/ Joe Davis (Formula 5) & Lowell Wurster(Lucid)
% – Original, First Time Played
^ – Bela Fleck & The Flecktones Cover

Lucid

Lucid Setlist:
Village People Medley (YMCA > In the Navy > Macho Man > YMCA), 4 Bangers and Hash (Styles of the Smooth > Yanomamo Lullaby > R.L. > The Russian), Gemini Eye > Surf Side Rock Side, Black Smoke, Came and Went > Silhouettes, Backwoods*, Dirt Whiskey Dreams > Shinbones, Blessed and Cursed, I Kill People ^

* with George Wurster
^ – (Andrew James Deller) w/ Scott Hannay of Mister F

November 4, 2015
Mister F Gives Fans Insider Pass to ‘FTV Cribs’

Who can forget when Mariah Carey showed off her plush Manhattan penthouse, with its decadent chandeliers, lavish closets and Marilyn Monroe’s piano, or when Lil Wayne revealed his mobster movie-obsessed living room and impressive car collection on MTV Cribs? It was a show that rocked a generation by allowing an exclusive peek into the personal lives of favorite culture figures before social media came along and made such connection instant. Well, get excited fans of Albany-based Mister F — now you can take an all-access tour of the band’s neat-and-clean dude ranch on YouTube.

Published on the band’s channel last week, the near 13-minute “FTV Cribs” episode gives viewers a satirical but honest look at the home of these “hard and dangerous rock stars,” plus their whips, yard and places “where the magic happens” for Andrew Chamberlaine (Mister A), Ben Pickering (Mister B), Scott Hannay (Mister S), Matt Pickering (Mister M) and Mike Dean (Mister Manager). According to the press release, the idea was in the making before Mister F was even a concept.

Hannay said in the release:

Our drummer Matt had been wanting to make an MTV Cribs-style video for the band house since six years ago when the other guys were still in Timbre Coup… Over the last year, I put together a very silly Vulfpeck-esque video of us playing with a bare-bones setup in totally nonsensical costumes around a dinner table (“This One Goes to 11 – Live at the Dinner Table“) and a three-song series of more serious in-studio multi-cam videos (“The Snow Day Sessions“). I’d gotten back into the swing of video editing, and so we decided to finally make our own MTV Cribs-style episode, aptly titled “FTV Cribs.”

The virtual tour begins in the living room where the band catches up on Netflix (Arrested Development, of course) to the “all around awesome” two-acre party lot set up with plastic patio ware and can jam before moving into the bare-cupboard kitchen with Mister B who highlights a heady collection of craft beer and opens the fridge door to showcase “all the fixins for hamburgers and hotdogs.” After a short faux commercial break featuring Now! That’s What F Calls Music, a compact compilation of the “crunchiest jams to bop your head to” from Aqueous, Twiddle, The Heavy Pets, McLovins and more (found here), the segment returns with a private look at the shabby chic bedrooms—take note of Mister M’s hat and shoe collection—and concert poster covered practice room before kicking viewers out. So sit back, tune in and invade the space to see “how the other F lives.”

November 4, 2015