Category: Hip Hop/Rap

  • Best of NYS Music 2015: Staff Picks for Out-of-State Festivals

    While most might dream of tropical getaways when it comes to vacation time, music fans accrue their days to travel across the country—or world—for weekends jam-packed with live performances, indulgent food and experimental fun. From the east to the west coasts to the Midwest, NYSMusic staffers traveled near and far throughout the year to see their favorite groups in action. Here we give you our top picks for out-of-state festivals of 2015.

    2015 festivalsBest Small Festival: Arise Music Festival, East Coast Tsunami Festival, Grand Point North Festival and The Werk Out Music and Arts Festival

    With the growing number of small-scale festivals that seem to pop up each year, it’s no wonder that our team could not pick just one or two as their favorite—so we decided to include the ones we felt deserved an honorable mention. First up is Arise Music Festival, an event in Loveland, CO, that according to Andrew Wyatt “offers a spicy jambalaya of multi-cultural live music, electronic performances, art presentations, along with numerous workshops centered around eco-activism, social justice, and spirituality practice.” With nearly 100 musical acts, the three-day festival now in its third year featured the likes of the Polish Ambassador, Rising Appalachia, Sister Sparrow and the Dirty Birds, Lukas NelsonTurkuazGiant Panda Guerilla Dub Squad, Trevor Hall, Emancipator Ensemble, Ozomatli and Joe Russo’s Almost Dead, among others.

    Headlined by Wu-Tang Clan and Life Of Agony, the East Coast Tsunami Festival held in Reading, PA, treated hip hop, hardcore and metal fans to two full days of shows, including favorited groups Body Count, Mobb Deep, Murphy’s Law, Madball and more. And despite sound issues during day one, Jay Saint G. still dubbed the festival as “a wave of brutality that every music lover should experience.”

    Up next is the Grand Point North Festival held in Burlington’s Waterfront Park with views of Lake Champlain and the Adirondacks. Headlined by Vermont’s sweetheart Grace Potter, the fifth annual installment boasted two nights of music featuring Phish’s Mike Gordon, the Flaming Lips, Shakey Graves, Greensky Bluegrass, Amy Helm and the Handsome Strangers, among others, and special guests like Kenny Chesney who joined Potter to perform their single, “Wild Child.” Alexandra Provost and Laura Carbone noted that “as Potter walked onto the stage, her skin glistening from raindrops, the audience went wild” and that she “put on an astounding performance, showing off her piano, guitar and bluesy vocal skills.”

    And finally the Werk Out Music and Arts Festival at Legend Valley, a venue favorited by the Grateful Dead in the ’80s. With a stacked lineup featuring the Werks, Papadosio, Dopapod, Lettuce, Umphrey’s McGee, the Floozies, Consider The Source, Break Science and Tauk, the sixth year for the Thornville, OH, festival “was as always a ridiculously good time for all who made the journey,” according to Ben Landsman. With three stages, a silent disco and one fan wedding,Landsman noted that “between the beauty of Legend Valley, the bright spirit of the fans, the innovative music, this festival is one of the treasures of the Midwest.”

    Best Midsize Festival: Green River Festival
    Honorable Mention: Aura Music and Arts Festival, Boston Calling, Camp BiscoDelFest, McDowell Mountain Music Festival

    Held at Greenfield Community College in Greenfield, MA, the sold-out 29th annual Green River Festival was “fresh, exciting and invigorating,” according to Eli Stein. Featuring four hot air balloon launches, the family-friendly July event pulled out all the stops with a craft tent, Frisbee dog show, acrobats, karate demonstrations, swimming, a Mardi Gras-style parade and exotic local fare like elk, boar and venison burgers, a Korean food truck and kabob vendors. Throughout the three-day weekend, more than 40 performers ranging from Americana to dance, blues and jam graced the event’s three stages nestled in the foothills of the Berkshires, including Eilen Jewell, the Wood Brothers, Rubblebucket, Marco Benevento, MAKU Sound System, Langhorne Slim and the Law, the Punch Brothers and tUnE-yArDs, which Stein noted was the perfect mixture:

    Musically, the festival served up a heaping slab of New England comfort food. The rest aforementioned activity, as they say, was just the gravy. Not only were the band selections great, they were clearly hand-picked and not just pulled off the nearest passing festival train. The music flowed wonderfully from set to set, and built to a nice peak at the perfect times. There was an evenness to the passion and approach of the musicians that made for a smooth transition no matter where you went.”

    Best Large Festival: Gathering of the Vibes and Summer Camp
    Honorable Mention: Austin City Limits, Bonnaroo, Hangout Music FestLockn’ Music FestivalPeach Festival, Rock Allegiance, Rock On the Range

    Celebrating its 20th year, Gathering of the Vibes offered up an impressive lineup with headliners Wilco, Weezer, Tedeschi/Trucks Band, Dark Star Orchestra, Ben Harper, Greg Allman and the String Cheese Incident. The late summer festival returned to Seaside Park in Bridgeport, CT, and treated fans to a super jam called Vibes 20th Anniversary Spectacular featuring Gov’t Mule guitarist Warren Haynes, saxophonist Branford Marsalis, Meters founding bassist George Porter Jr., Marco Benevento on keys and Joe Russo behind the drum kit, plus Jackie Greene on guitar. Although the four-day festival will take a break in 2016, VibeTribers Julia Wolfe and Steve Olker recounted the last day of the 2015 event and dubbed this run as one that would set the pace going forward:

    As the sun set over Vibes for the last time, [Ben] Harper closed out with his song “Better Way,” and it was finally time to head home. Seeing so many bands perform was both enticing and overwhelming at the same time, making leaving Vibes even more bittersweet. The range of genre, popularity, age and background is what makes Gathering of the Vibes separate from other festivals. After 20 years, Gathering of the Vibes has remained one of Connecticut’s most well-known festivals, and it’s attention to bringing about change while discovering your own inner peace is what will bring success for future gatherings to come. Until next time, thank you vibes for a real good time.”

    With more than 100 bands over four days on seven stages, this year’s installment of Summer Camp Music Festival in Chillicothe, IL, saw a stacked lineup of bands like moe.Umphrey’s McGee, Steve Miller Band, Widespread PanicSTS9, Big Gigantic, John Butler Trio, Krewella, Trampled by Turtles, Keller Williams and Grateful Grass, Yonder Mountain String BandViolent Femmes and many, many more. Festivalgoers also had access to on-site camping, the infamous late night Red Barn Shows, musician workshops, a nonprofit village, arts and crafts and unique food vendors, plus some impressive improvements. In Pete Mason’s review of the festival’s final day, he detailed what made the perfect ending to the much celebrated event:

    The final set of the night to check out was North American Scum, an LCD Soundsystem cover band who might be the best band to close out Summer Camp. Members of the group are formerly of This Must be the Band, a Talking Heads band from Chicago, who have traditionally played one of the final sets at Summer Camp. This incredible two hour set featured the entire Sound of Silver album and, because everyone else was playing Grateful Dead songs, a spirited version of “Scarlet Begonias” to cap the night.”

    Read more from Summer Camp Day 1, Day 2, Day 3 and Day 4.

  • Photo Gallery: Stevie Wonder at First Niagara Center, Buffalo

    Legendary Stevie Wonder performed to a packed house at Buffalo’s First Niagara Center. The “Songs In The Key of Life” show was a nearly four hour concert to the delight of the crowd.

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  • Hearing Aide: Kimberly Schad “Mystic Kingdom”

    Kimberly Schad debuted her new self-produced, four-song EP, Mystic Kingdom, Friday evening at The Palace Theater, bookending her eighteen song set with the tracks from the new release. In this case I saw the concert before listening to the EP, it gave insight to the formal version and how Kimberly sees the music in a bigger picture.

    Kimberly Schad Mystic Kingdom
    Photo by Sandra Jackson for Sublunar Studios and NYS Music

    She is an artist who has complete control over her music and how it’s presented. In the studio she handles all facets of the project, from vocals, piano, keys, to programming, mixing and producing, besides one tasty guitar track on “Secret” from Kevin Farrell (Hard Promises, The Hurricanes). Live, the lush stage production and instrumental ensemble represent her complete vision.

    Her backing band consisted of her long-time partner Will Masiclat – keyboards, sampling and video, Travis Reed – piano, Andrew Greacen – guitar, Jim Lucas – drums and Gary Lucas – percussion. All of this tied together with her father, Tim Schad, mixing F.O.H. and her uncle, Steve Schad, as L.D.. The stage was set with flowing white drapes, an elevated, spinning riser at the center with an antique chaise lounge and access ramps on each side dressed in white. Dozens of moving light fixtures cast their colors in dramatic scenes accentuating the setting combined with a rich, full mix of ear candy for the highly receptive crowd that assembled. All of the songs performed were Kimberly’s compositions with the exception of four covers that will be noted along the way.

    Kimberly Schad Mystic Kingdom
    Photo by Sandra Jackson for Sublunar Studios and NYS Music

    The show and EP opener, “Secret” has a Spanish note and feel, brought to bear through the acoustic performed by Andrew Greacen and the drums/percussion/sampling. Her vocal reading gives many hints at what was to come from her in both the concert and the EP. She has a tremendous grasp on what she feels, believes and practices. “After Midnight” is deep and proggy, while flexing her R&B and trip-hop chops. The breadth of Kimberly’s lyrical content becomes evident even more here, as she often does, speaking from her soul, deeply.

    “Dirty/Money” features the piano of Travis Reed, a voice we’d hear from often through the show, a brilliant young talent who played as if he wrote the material. A deft touch with ease and a knack for the open spaces. Kimberly mixes in a taste of Drake’s “Star 67”, the code on your phone used to block your number when dialing someone. Stalker? Joker? You decide. The next song is one I’ve been told the background story for and it has twisted my listening a bit since. “Nothing But a Bitch” is a biting send-off to emotional attachment delivered with an appropriate bitch-slap. “Where R U Now?” was the first cover of the evening, the Skrillex/Diplo collab. featuring Justin Bieber is given a fittingly electro-pop read and hits right in her sweet spot.

    Following a costume change, Kimberly took to the piano, solo, where her art truly comes from. Hitting on yet another mark of professionalism, that being the whole picture, the aesthetic, were well looked after. “Afterglow Confessions” is a post-show expression of love and emotion toward her muse. These moments directly after baring your soul to an audience can be some of the most reflective to an artist. One of the highlights of a show filled with them, this one stands out clearly. Travis took the stage again for Stevie Wonder’s masterpiece, “All Is Fair In Love” with more than a hint of Jennifer Hudson’s take on it. Immaculately executed, Kimberly’s voice and Travis’ piano brought the crowd to a height of exuberance, it was simply brilliant. “Look Outside” and “Twice,” a Little Dragon cover, stayed in the piano/voice form, lending clarity to the vocals and space to the piano, both flourishing within it.

    “When I Think Of You,” “Might As Well Be Magic,” and “Solid Ground,” all being from Kimberly’s deep repertoire, grow and develop with time and perspective. They’re reflective of her maturing as an artist and a person, it’s remarkable to behold. “Two Weeks,” the final cover of the night, this time by FKA twigs, is emblematic of where she is now. Dream Pop, Trip-Hop, Prog R&B, Trap Nouveau, way too many different influences to pin-point, which is probably thee point.

    “Fly” and “See Your Face” lead us to the final two songs of the night expressing more themes from her life. She exhibits her behind the scenes skills in tracking, sampling and triggers that become pillars of her compositions. It shows in every note. “One More Time” marks Greacen’s chance to bring his electric guitar to the ensemble, he does it well, perhaps a bit under the mix, but layering textures is what it’s all about. I’d like to hear more of him. The closer, “Mystic Kingdom”, is a signature piece that is perfect in its placement and character. It sums up much of what the performance was about and what we have to look forward to from Ms. Schad.

    While Mystic Kingdom is Kimberly’s first officially released EP, it’s apparent that there is much more to be heard from her. She has plenty of material for two full length albums and her skills as a writer, performer, producer and engineer are growing in giant steps. Her consciousness toward the larger picture and vision are strengths many will never enjoy. At twenty-six, she has a very long way to go and all of the faculties to get her there. Congratulations on the magnificent work and we cannot wait to hear and see what comes next.

    The EP is available for purchase on iTunes and CDbaby and can be streamed on Spotify.

    Setlist: Secret, After Midnight, Dirty/ Money, Nothing But A Bitch, Where R U Now? (Skrillex/Diplo), Afterglow Confessions, All Is Fair In Love (Wonder), Look Outside, Twice (Little Dragon), When I Think Of You, Might As Well Be Magic, Solid Ground, Two Weeks (FKA twigs), Fly, See Your Face, One More Time, Mystic Kingdom

    You can see many videos of the songs performed in earlier concerts on Kimberly’s Youtube page, and keep up with her on her website, Facebook and Twitter.

  • Space Jesus Touches Down at Slake

    At Slake on Friday, November 20, Space Jesus threw quite the party for the release of his brand new album, Close Encounters. The highly anticipated album drew a crowd that was teeming with energy.  Even the line waiting to get in was buzzing with electricity.  That element of infectious excitement seemed to flow through the whole evening to the very last beat.

    ThomasMcKenna_SpaceJesus_18

    The lineup was fire, with the ultra danceable sounds of producer/DJs Esseks, Brightside, and Soohan, the world debut of super far out rapper Pipus, and the staggering beat-boxing talents of the show’s host, Honeycomb. The venue was absolutely packed with fans who created a genuine family-like community.  The amount of smiles, fist bumps, hugs, and high fives going around engendered a feeling of old friends coming together to celebrate the new creations of their leader, Jasha Tull, better known to them as Space Jesus.

    By the time Tull took the stage everyone was in full party mode and surrendered to his presence as he completely took over.  The performance was visually captivating with an absolutely stunning light show (by Drew Suto of Dutch Masterson Design) filled with the juiciest neon and primary colors.  The whole stage was packed with raging fans and friends.  Up high there were cages filled with gorgeous women moving effortlessly to every sounds pouring off the stage as smoke and screams of euphoria filled the air and the warm buzz of powerful bass passed through every being present.

    “Close Encounters” has a heavy hip hop influence, which has been evident in his earlier albums but perhaps not quite to this extent.  With a span of diverse multicultural genre samples and at times a haunting, almost eerie feel the record displays lyrics with raw truth, beats with just the right amount of sex appeal, and bass that won’t quit.  His entire performance was undeniably evocative and left everyone in the room satisfied and dripping with sweat.  The future seems bright for this up and coming artist.  Or in the words of the DJ himself, “everything’s cake.”  Killer party, Space Jesus. Can’t wait till the next one.

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  • Redman Confirms ‘How High 2’ Movie in the Works

    Although it has been has been tossed around the past decade or so, “How High 2” may be in fact happening after all.

    XXL Magazine conducted an interview with Redman on the release of his latest album Mudface.  The following is an excerpt from the interview.

    Will fans get to see another Blackout 3 album in the future?
    Absolutely. We actually want to make it the soundtrack to How High 2.

    So when is How High 2 dropping?
    Yeah, How High 2 is not going to drop until at least 2017. The writers are still writing the script. Just looking at it time wise and being realistic about it. By the time we shoot it, get it edited, color corrected, that’s going to be a year or so, so yeah about 2017.

    Back in 2010, when Method Man and Redman were touring for Blackout 2, they played a show at the Upstate Concert Hall in Clifton Park, and Meth asked if everyone wants to see a How High 2.  The crowd roared in favor of it.  Time will tell if this will happen but this is first bit of news on any progress of the film in quite some time.  Until then, we can laugh to the original.

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  • Time To Reflect Back On The 2015 Great NY State Fair

    As the dust settles and we begin to experience a last surge of heat for the season during this balmy November, it seems like the perfect time to reflect back and savor the amazing week of events, shows, and spectacular activities and eats offered this year at the 2015 Great NY State Fair.  After all, the week immediately preceding is generally so busy with back to school running around, Labor Day celebrations, etc… you don’t really get an opportunity to sit down and digest what an amazing week (twelve days really) we really have right here in New York State.  After all, it was voted the fifth best State Fair in the nation by USA Today in 2015. Nothing to sneeze at.  We also can bolster that we hold the prize and honor of being the first State Fair ever.  So take that Minnesota. Wait till next year, you’ll be looking up to us as we sit at number one.

    Breaking records on Day One with more than 16,042 above last years opening day,  it was a great start for the Fair, as crowds visited throughout the twelve day event.  With gorgeous weather, stellar performers scheduled each day, and special $3 Thursdays, and $1 Labor Day, attendees were able to take advantage of the fun at an affordable family price. Day One’s attendance record could possibly be attributed to the first of only a few final Grandstand shows scheduled.  With the new Lakeview Amphitheater opening across the street, it’s exciting to be able to offer patrons the best in the business with state of the art equipment once again in this region.  But, it also was bittersweet to be part of the final days at this venue before it’s demolition this year.

    Over the thirty eight years the Grandstands at The Great New York State Fair hosted shows to fair goers.  Memorable acts such Whitney Houston, Garth Brooks, Frank Sinatra, Neil Young, James Taylor, Ted Nugent, Rihanna, Brittney Spears, ZZ Top, Justin Bieber, Alicia Keys, and so many others graced the stage and filled the seats bringing Central New Yorkers some of the greatest names in the business while Chevy Court attendees were treated to free shows.  Over the years the tide turned and the free concerts became the place to be.

    As larger names were brought in to Chevy Court, records began to be set, with this years Steve Miller Band hailing the largest crowd ever at Chevy Court with approximately 36,900 attendees.  Nonetheless, all good things do come to an end, while some have bright new beginnings.  Next year fair goers will sadly reminisce about those days at the Grandstands, but will return to a brand new Chevy Court as national acts will once again treat those patrons to free entertainment with state of the art equipment and stage.

    So as we reflect back on the final shows at The Grandstands this year, it was only fitting that country favorites Eric Church and Hank Williams Jr. held the last hooray and gave it a final farewell, fittingly deserved of those thirty eight years.  The throw back ticket pricing for all acts including legendary Patti LaBelle and comedian Jim Gaffigan, and was a proper thank you to all attendees as they enjoyed the final moments at was once Central New York’s summer venue place to be.

    Eric Church started the party off right with special guests Cadillac Three on Day One.  This group of long haired rowdy boys, set the bar high with their country rock and roll and introduced those newcomers to their Cadillac Three style of in your face hard core rock with an edge of country thrown in.  Eric Church, well of course this handsome mysterious country star shone bright as he filled to near capacity once again a venue paying homage to those before him.  Playing hits such as “Cold One,” “Talladega,” “Give Me Back My Hometown,” “Drink In My Hand,” “Smoke A Little Smoke,” and of course the hot and steamy song, “Like A Wrecking Ball.”  Yep, this down home country boy did this crowd proud and started this party off right.

    Hank Williams Jr. brought his rowdy friends to the Grandstands on day four of the fair and kicked up some some dust with his Honky-Tonk hits. The Louisiana born country star brought some of his most well-known songs such as Neil Young’s “Are You Ready for the Country,” “All My Rowdy Friends,” “The Blues Man,” “There’s a Tear in My Beer,” and “A Country Boy Can Survive.” The audience was ecstatic to have Hank visit Syracuse, and Hank was equally happy to be performing to grateful audience. Among the crowd favorites in the set, was an impressive collection of his father’s songs including “Move It On Over,” “Kaw-Liga,” and “Your Cheatin’ Heart.” Adding even more intensity to the show, were a few unforgettable mash-ups, the greatest one covering “Outlaw Women” > “Dinosaur” > “There’s A Tear In My Beer” > “All My Rowdy Friends Have Settled Down” > “Good Ol’ Boys” > “I Walk The Line.” Of course, the evening would not have been concluded without an epic sing-a-long version of “Family Tradition.”

    While Hank was bringing down the house over at the Grandstands, Chevy Court had a few shows to bring in the crowds themselves on Day Four.  Up first for the 2p.m. show was country favorites The Swon Brothers.

    The Swon Brothers are perhaps known by most as the lovable country brothers on season four of The Voice.  On team Blake, these two siblings made their way to third that season, but are number one with all their country fans.  Singing their hits “Later On” and “Pray for You,” Colton and Zach revved up the crowd and had them singing along in no time.  In fact, the crowd even became part of the show with a sound of cheers as to which brother they liked best.  Like a good mother always says, I love you both the same.

    As the evening began to roll around Chevy Court was filling up with eager fans awaiting the amazing Nate Ruess.  Best know perhaps as lead singer of the indie group Fun, it seems like every song he touches becomes a hit.

    With his new band the Romantics, their set list was ridden with hits from both his bands Format and Fun with songs “Oceans” > “We Are Young” > “Some Nights” > “Carry On,” to some songs from his new solo album Grand Romantic (“Great Big Storm” > “You Light My Fire” > “What This World Is Coming To” > “Nothing Without Love” > “Harsh Light” > “Ahha”), and covers (Prince’s, “Let’s Go Crazy”). This amazing musician may be best known for his strong vocals, but don’t count him out as his songwriting abilities are top notch as well.  As part of a collaborative effort, Ruess partnered with Pink in 2014 on the number one billboard song “Just  Give Me A Reason” which was nominated for two Grammy Awards in 2014. Yes, the NY State Fair surely brought in the big guns on day four, for sure.

    On Tuesday, Day Five, Chevy Court once again welcomed Bowzer’s Rock & Roll Party back to rock out the afternoon crowd.  This lovable 50’s icon, known to most as a member of the popular 50’s Doo Wap group, Sha Na Na, has entertained us with not only his humor and personable demeanor, but his musical talents for more years.  Jon Baumann, his real name, is a native of Brooklyn, New York and studied classical music at Juilliard at a very early age, and whether it was playing Mozart or with Sha Na Na, his mothers greatest moment was seeing her son at Carnegie Hall.

    One Day Six, Chevy Court was packed with fans awaiting their favorite new 2015’s ACM New Artist of the Year, Cole Swindell.  With such an amazing group of new artists this year to be nominated, what was it about Cole Swindell that stood out above the rest? One quickly learned it was his stage presence.  He had the ability to draw an audience in like no other.  Perhaps it was the eye contact, the waves, or the pointing to individuals that made you feel like he was singing right to you.

    An accomplished songwriter way before releasing his self titled debut album, Cole Swindell, Cole was no stranger to the music business.  Penning hits for other country artists such as “Roller Coast,” “Get Me Some of That,” and “This Is How We Roll,” to name only a few, Swindell had made his mark in country music and touching souls of those his words spoke to.  Singing his hits “Chillin It” > “Ain’t Worth The Whiskey” > “Hope You Get Lonely Tonight” > “Let Me See Ya Girl,” he had this crowd in the palm of his hand.  With a mischievous smile and a country charm, this down home country boy was definitely a crowd favorite at the Fair this year.

    On Tuesday, September 6th, Day Six, country was once again represented by country favorite Joe Nichols at Chevy Court.  Joe’s smooth country sound is clearly what some critics consider “traditional country” music and not the new “Bro Country.” His vocal comments against the turn of the tide has not gone unheard by many in the business and he even joked about it this year at the Fair. Singing Sir Mixx A Lot’s, “I Like Big Butts,” as only Joe could, the audience loved his countries version of rap as it confirmed why he is best suited for the country genre.

    On Wednesday, September 7th, Day Seven of the Fair, Snoop Dogg was scheduled to perform but was forced to cancel the night before. To everyone’s surprise, the fair was able to bring in rapper Nas as Snoop’s replacement. The fair on Wednesday didn’t seem as packed as it had been the last week but that didn’t stop an estimated 30,000 people from coming to Chevy Court.

    On Thursday, Day Eight, R&B superstar Jason Derulo performed for a packed crowd at Chevy Court. Derulo put on an excellent performance that included a backing band and a group of dancers. For a night that featured two other major artists at the Grandstand and the new Lakeview Amphitheater, Jason Derulo filled Chevy Court with no sign of any competition. As someone who just played at the fair last year, Jason Derulo drew an estimated 25,000 screaming teenage girls.

    On Saturday, Day Ten, Chevy Court welcomed home many local talented artists right from our own back yard.  At the 2pm Chevy Court Show, crowds welcomed Amanda Lee Peers; Syracuse native, Josh Batstone; and season eight’s winner of The Vocie, Sawyer Fredericks.  It was heartwarming to be able to welcome all our hometown heroes to the stage and celebrate their music.

    The 8pm show on Day Ten welcomed Motown greats, The Jacksons.  Consisting of original members, Jackie, Tito, and Marlon Jackson, the crowd went wild as they danced and sang along with hits “Can You Feel It,” “Rock With You,” “2300 Jackson Street,” “ABC,” “Dancing Machine, ” Shake Your Body (Down to the Ground)” and many, many more.

    It’s hard to believe that this marks their 50th anniversary tour, but still today fans went crazy, dressed in costume, and got up on their feet to sing and dance along to all their favorites.  For me, it was a walk down memory lane watching video clips of live shows and interviews and clips of their Saturday morning cartoon that I watched so many years ago.  A fun evening of music, those guys still have the moves for sure.

    The Steve Miller Band came to the Great New York State Fair on the second to last night and brought along a record 37,000+ (the largest crowd to date). As the quintet hammered down on Syracuse with their hits from the last five decades, the performance got better as the crowd sang louder to each song. Opening the show with “Jungle Love,” gave a great representation of the fair with how all of the fun, food, crafts, and entertainment can sometimes feel overwhelming. The show included major plays consisting of “Take The Money,” “Shubada du ma ma,” “The Joker,” “Fly Like and Eagle,” and “Keep On Rockin’ Me.” Little Walters’ own “Blues With a Feeling” made an appearance during the show and despite Millers’ tender age of 71, he showed some animation during a rendition of “Loving Cup.” Before the crowd knew it, the enhanced encore had arrived with the group playing “The Stake,” a very bouncy “Swingtown,” and ending the high ride with extended “Jet Airliner.”

    As the final day approached, I knew that an early arrival was mandatory to secure my seat amidst the Millennium generation that was sure to have already staked out the best seats available awaiting teen heartthrob, Nick Jonas.  Arriving at 11 a.m. I realized that I was in for the longest day ahead, on what was to prove to be the hottest day of the fair.  Surprisingly enough, the crowd of Nick Jonas fans remained upbeat with little to no complaints, and by midday the NY State Fair staff began handing out free waters to those who refused to budge from their seats, lest give up the prime real estate while in absence.  The refreshing donation hit the spot and spoke volumes on what a great event and what great folks work to bring this event to everyone.

    As the time neared and Nick Jonas came out to the stage, he set right out playing his number one song “Chains” following it up “Numb” > “Levels” > “Wilderness” > “Good Thing” > “I Want You” > “Santa Barbara” > “Under You” > “Roses” > “Teacher” > “Take Over” and for an encore, “Jealous.”  How he managed to wear that jacket through half the show was beyond me as I was literally melting into my seat.  Jonas’ first solo tour, and one of the first times out by himself, it was a great ending to the Fair, and great beginning for his new upcoming tour to get his footing on stage with his ultra hip band.

    Okay, so we’re number five in the top ten best state fairs in the nation.  Perhaps you can see why this twelve day event becomes the traditional ending to New Yorkers summers’.  Whether you come for the rides, the events and competitions, the exhibits and opportunity to buy some Ginsu knives, the food (you know you do), or the music, it proves each year to raise the bar and bring in what fairgoers want.  Looking forward to the 2016 Fair, they will once again raise that bar, and hopefully continue to bring in the biggest names in the business to their ultra new and state of the art Chevy Court.  I predict that next years shows will exceed this years, they’ll book much quicker than years past, and once again the Great NY State Fair will prove to be the place to be to end our summer on the highest note possible.

  • A Tribe Called Quest to Reunite on Jimmy Fallon

    NBC has announced that hip hop group A Tribe Called Quest will reunite once again, as the group is booked to appear on The Tonight Show with Jimmy Fallon.

    The appearance is in part to celebrate the 25th Anniversary of their 1990 debut album People’s Instinctive Travels and the Paths of Rhythm.

    Fallon’s backing band The Roots’ drummer and bandleader Questlove has strong ties to A Tribe Called Quest, being close with Q-Tip.

    tribeA special edition reissue of the album will also be released today. The reissue was remastered by longtime Tribe engineer Bob Power and will feature remixes by Pharrell, Cee-Lo Green and J. Cole.

    When asked about the landmark album, Q-Tip stated:

    I had this album in my head for years before I did it. Looking at it over all, to see the thoughts of a 16-year-old gain any kind of acknowledgement makes me feel like I have arrived. But to see it in this incarnation…I’m Humbled.

    Phife Dawg also chimed in about the album:

    Epic LP that was way before its time! Q-Tip’s thought process was beyond genius, an album that 25 years later, you can still listen to from top to bottom!!!!

    When A Tribe Called Quest split in 1998, the group stated that they wouldn’t play any more live shows together. Since then, and over the last 20 years, we have seen the group reunite a handful of times since their split, one time coming six years later in 2004 when the group made an appearance at Rock the Bells.

    A Tribe Called Quest’s most recent appearance together came as the opening act on the two New York stops at Madison Square Garden on Kanye West’s Yeezus Tour. Q-Tip stated that this would be the group’s last performance together.

    A Tribe Called Quest can also be seen on Saturday, Nov. 14, for their official anniversary party at the Santos Party House in New York City.

    A Tribe Called Quest is Q-Tip, Phife Dawg, Ali Shaheed Muhammad and Jarobi White. White left Tribe in 1991 after the group’s first album.

  • Third Annual Hulaween Reigns as Largest Festival Ever at Suwanee

    There are moments in one’s life that will stay with them long after the music has stopped. The third and 2015 edition of Hulaween once again curated a festival experience for the ages. One that will be stuck in festival goers minds for a long time to come, until next year that is.

    third hulaweenThe third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.

    Hosted once again by The String Cheese Incident, Hulaween brought many other big name musical acts to the party, some for their first appearance at Suwannee. With a total of seven sets over the course of the weekend, including their Halloween “Ghoul Train” cover set featuring Wu Tang’s Gza acting as Don Cornelius, plowing through crowd favorites such as “Brick House,” “Boogie Man,” “Car Wash,” and “Dance to the Music,” SCI held nothing back, whipping revelers into a dancing frenzy at every opportunity.

    A highlight at the Amphitheater Stage Friday was undoubtedly Primus, getting the crowd started with “Those Damn Blue Collar Tweakers,” they left it all on stage with favorites like “Mr. Krinkle,” “American Life” and the coveted “Jerry Was a Race Car Driver.” Their set was not without Les Claypool’s usual witty banter with the crowd, as well as some less usual songs like “Jilly’s on Smack” and “Salmon Man.”

    Pretty Lights played to a majority of the attendees Friday night interspersing some new music into a set chock full of his trademark energetic glitch hop, with horns and keys aplenty. A highlight at the Amphitheater Stage on Saturday was Suwanee virgins Odesza who harnessed the crowd’s energy and magnified it into an incredible set of danceable electropop and chillwave grooves leaving everyone in a breathless sweaty heap by the end of their set. With many festivals opting for a relaxed schedule on Sunday’s to encourage a relaxed crowd, Hulaween had other plans.

    After a tight bluegrass set by SCI on the main stage, the skyrocketing Griz took the amphitheater by storm announcing that it was the “Funkiest party in the galaxy until Lettuce takes the stage.” Hit after hit had a packed amphitheater crowd bouncing and gyrating until it appeared to form into one massive dancing organism. After String Cheese played their final set, Lettuce indeed brought the funkiest set of the weekend, playing new material off of their fourth studio album Crush. Many were seen looking for their jaws on the ground afterwards.

    Closing Hulaween down were none other than livetronica pioneers Sound Tribe Sector 9. Once again the main concert field was packed with fans drawing from energy reserves to dance their hearts out for one finale set of music.

    The expansion of Spirit Lake brought many new art exhibits and interactive sculptures, as well as the return of exhibits from previous years. With some stellar performances by Manic Science (Manic Focus X Break Science) and The New Mastersounds at the Spirit Lake Stage, the art wasn’t the only selling point.

    Silver Wrapper Productions and The Spirit Of Suwanee Music Park have outdone themselves, once again. Time will tell if it’s possible to bring together a more impressive line up, a more perfect lay out, or a more incredible all around music and art experience together in one gorgeous package.

  • East Coast Tsunami Made a Loud Splash In Reading

    When you take some of the best hardcore, metal, and hip hop and throw them into Reading, PA over a course of two days?  You get The East Coast Tsunami Festival. It was beautiful and chaotic that packs a punch to the mouth and ears that gets stuck in your system for days. That occurred to me when Wu-Tang Clan headlined the Santander Arena on Friday, September 25 and Life Of Agony finished everything off the next night over at The Reverb.

    Let me take an opportunity to get the negative out of the way first. And it occurred on day one: sound issues. Never in all my years of attending concerts did I see so many sound issues that kept recurring for EVERY act that played on stage. People paid good, hard earned money to see their idols perform, and for the sound staff over at the Santander Arena should be ashamed of themselves. Countless times, microphones were either turned off or not working, ruining every performance. I give props to all the performers that just continued and not let it get to them. When Body Count was on stage, frontman Ice T was not having it and had to start one of their songs over. It was just obnoxious.

    Day 1:

    The main headliners were Wu Tang Clan, Mobb Deep, and Body Count. The beautiful thing about day one was the variety of fans of every ethnicity, age, and culture gathered for the same purpose. There was mainly hip hop acts, but there was a few hardcore bands and of course Body Count is a mixture of both. Overall a brilliant bill for that night and the floor / pit area was packed.

    Early in the night….the two bands whom I never seen who really stood out to me was Strength For A Reason, because they had the most sound issues than any other band but they handled themselves so well and Wisdom In Chains really made the crowd go bananas. Never seen a band have so much fun on stage yet they kept the atmosphere so brutal. They definitely made a fan out of me that night.I was also really impressed with Gillie The Kid. It was hip hop in it’s finest form. He really knew how to connect with the people on the floor during his performance and his hooks, freestyle, and rhymes were just a blast to behold.

    I was absolute ecstatic to finally see Body Count, I felt awful that I missed them during their run last year at Mayhem Festival, so to me, they were the main attraction. I was also fortunate enough to meet lead guitarist Ernie C before the show, who was such a nice person and a pleasure to meet. The thing that’s so fascinating about Body Count is the chemistry and timing they share on stage, now I was not old enough or lucky enough to have seen the original lineup over twenty years ago, but the current lineup of Body Count still give the old songs justice. They kept their setlist faithful by opening with “Necessary Evil” and “Bowels Of The Devil.” Ice T, who isn’t afraid to speak his mind or show his sense of humor really ripped into masculinity and society before going into “Manslaughter.” But the song that stood out the most was the classic and iconic “There Goes The Neighborhood.” Drummer Ill Will was just insane behind the kit. The spirit of Beat Master V lives on through Ill Will because his timing and speed was just off the chain and that song really showcased that. And what better way to end their ten song set with the controversial anthem “Cop Killer.” If Ice T can manage to find more time for Body Count, a headlining tour must happen.

    Mobb Deep took the stage after Body Count and delivered a knockout punch to the crowd. Now I am not familiar with Mobb Deep’s catalogue, so I can’t honestly tell you much about their setlist, but I can tell you that it was a stellar performance, and even though it was already past midnight, the crowd was at their peak and Mobb Deep owned the crowd.

    Wu-Tang Clan closed out the night and it was one of their better performances that I have seen with them. Each member got their moment on stage, they played a massive set that included not only from the early Wu Tang catalogue like “C.R.E.A.M.” and “Bring The Ruckus” but even some solo material such as Raekwon’s “Criminology”, Ghostface Killah’s “Black Jesus”, and GZA’s “Liquid Swords.” And of course there was plenty of Ol’ Dirty Bastard tributes and highlights during their set.   But hands down, the member that stood out the most was Method Man. Meth is clearly a born performer, entertainer, and is one hell of a lyricist. And the crowd was also treated to some freestyles from Masta Killa and GZA. Another big highlight was the group even had a showcase from DJ Mathematics who went bezerk on the turn tables and really wowed the crowd. In conclusion, Wu-Tang clearly is still bringing their A-game and showing no signs of aging. I would expect great things in the near future from the Wu.

    Day 2:

    The Reverb did an excellent job hosting day two of East Coast Tsunami. It was a really long day and all the bands were clutch, but there was one band that dared to be different. Murphy’s Law totally changed the entire atmosphere of the night. They were bold enough to use humor, go into the crowd, share a few drinks and just be goofy. It was totally refreshing, because all day it was all hardcore bands. Serious hardcore. And as soon as Murphy’s Law hit the stage everything changed. It was also cool to see a saxophonist in a hardcore band. That’s not something you see everyday. Later into the night Doyle hit the stage bringing his spookfest into the club. Also…seeing Doyle made me want to hit the gym. That man is in ridiculous good shape for a man his age. And it was also amusing to see him blowing bubbles from his chewing gum as he is playing his guitar.

    After an amazing set from Walls Of Jericho, Madball put on the performance of a lifetime by wiping the floor with everyone. The pits were fierce and the bodies were continuously flying off the stage and into the crowd. Opening with “Demonstrating My Style” they played all the songs you would expect such as “Set It Off” and “Black And Blue.” Freddy Cricien is one hell of a frontman…I honestly don’t know where he gets the energy to perform at such a high level throughout the whole set. As for the band, you can tell they were having fun with each other and with the crowd as well. Madball is living proof that hardcore still lives.

    The night closed with a special performance with Life Of Agony, who was the ultimate cherry on the brutal sundae that was East Coast Tsunami Fest. Not disappointing what so ever, most of their set consisted of River Runs Red. Opening with the title track off that album, along with “This Time”, and the always catchy “Method Of Groove.” Mina Caputo proves she’s the ultimate frontwoman for the band, and still sings the songs the way they were meant to be heard. Joey Z was an absolute fiend on the guitar and where ever he and the band went, the crowd responded. This was such a treat to behold to see all four original members tearing it up. It would be crime of the century if don’t play more shows around the east coast. The highlight of the show would have to be “Bad Seed.” Never have I seen so much stage diving going on during a show. I was almost worried for the bands safety, but clearly they loved it.   Appropriately, they ended the night with ”Underground.” There is nowhere to go but up for this band. This is why they closed the entire two day festival, Life Of Agony is in a class of their own right now.

    To sum this all up, East Coast Tsunami was a wave of brutality that every music lover should experience. What could make it better? Perhaps, a three day festival in the future? Only time will tell.

    etc_2015

  • DMX Now a Hip IHop Artist

    Where My Hot Dogs At? No, the headline is not a misprint. Yes, rap artist DMX was seen working at a Buffalo-area IHop flipping some chicken fajita omelettes. But as of right now, the troubled hip hop star has no plans on working at the fast food breakfast chain.

    Dmx artistIn fact, DMX, who decided to stay in the Buffalo area after his early release from prison on Friday, was at the restaurant to meet his manager.

    DMX was so impressed with his meal that he wanted to go in the kitchen and thank the cooks. When he did, the rap star became so friendly with the cooks that he decided to pick up a pan and crack some eggs. He even put an IHOP employee’s nametag on his shirt while he mastered the grill.

    DMX was incarcerated near Buffalo for child support issues.

    DMX IhopOn January 25, 2018, Earl Simmons, better known as DMX, played B.B. King Blues Club in NYC shortly before the venue permanently closed its doors. Despite his late arrival, DMX managed to put on a great show and win back the restless crowd that waited hours for him to arrive.

    The crowd went crazy when he finally came out, but many were skeptical if he was going to be able to perform due to his recent issues with substance abuse. DMX proved everyone wrong who doubted him as he started his set with the hard hitting “We Right Here.” He sounded like he did in ’98, the year his first album, It’s Dark and Hell is Hot came out. 

    Read more at NYS Music…