Category: Funk/Soul/R&B

  • Time To Reflect Back On The 2015 Great NY State Fair

    As the dust settles and we begin to experience a last surge of heat for the season during this balmy November, it seems like the perfect time to reflect back and savor the amazing week of events, shows, and spectacular activities and eats offered this year at the 2015 Great NY State Fair.  After all, the week immediately preceding is generally so busy with back to school running around, Labor Day celebrations, etc… you don’t really get an opportunity to sit down and digest what an amazing week (twelve days really) we really have right here in New York State.  After all, it was voted the fifth best State Fair in the nation by USA Today in 2015. Nothing to sneeze at.  We also can bolster that we hold the prize and honor of being the first State Fair ever.  So take that Minnesota. Wait till next year, you’ll be looking up to us as we sit at number one.

    Breaking records on Day One with more than 16,042 above last years opening day,  it was a great start for the Fair, as crowds visited throughout the twelve day event.  With gorgeous weather, stellar performers scheduled each day, and special $3 Thursdays, and $1 Labor Day, attendees were able to take advantage of the fun at an affordable family price. Day One’s attendance record could possibly be attributed to the first of only a few final Grandstand shows scheduled.  With the new Lakeview Amphitheater opening across the street, it’s exciting to be able to offer patrons the best in the business with state of the art equipment once again in this region.  But, it also was bittersweet to be part of the final days at this venue before it’s demolition this year.

    Over the thirty eight years the Grandstands at The Great New York State Fair hosted shows to fair goers.  Memorable acts such Whitney Houston, Garth Brooks, Frank Sinatra, Neil Young, James Taylor, Ted Nugent, Rihanna, Brittney Spears, ZZ Top, Justin Bieber, Alicia Keys, and so many others graced the stage and filled the seats bringing Central New Yorkers some of the greatest names in the business while Chevy Court attendees were treated to free shows.  Over the years the tide turned and the free concerts became the place to be.

    As larger names were brought in to Chevy Court, records began to be set, with this years Steve Miller Band hailing the largest crowd ever at Chevy Court with approximately 36,900 attendees.  Nonetheless, all good things do come to an end, while some have bright new beginnings.  Next year fair goers will sadly reminisce about those days at the Grandstands, but will return to a brand new Chevy Court as national acts will once again treat those patrons to free entertainment with state of the art equipment and stage.

    So as we reflect back on the final shows at The Grandstands this year, it was only fitting that country favorites Eric Church and Hank Williams Jr. held the last hooray and gave it a final farewell, fittingly deserved of those thirty eight years.  The throw back ticket pricing for all acts including legendary Patti LaBelle and comedian Jim Gaffigan, and was a proper thank you to all attendees as they enjoyed the final moments at was once Central New York’s summer venue place to be.

    Eric Church started the party off right with special guests Cadillac Three on Day One.  This group of long haired rowdy boys, set the bar high with their country rock and roll and introduced those newcomers to their Cadillac Three style of in your face hard core rock with an edge of country thrown in.  Eric Church, well of course this handsome mysterious country star shone bright as he filled to near capacity once again a venue paying homage to those before him.  Playing hits such as “Cold One,” “Talladega,” “Give Me Back My Hometown,” “Drink In My Hand,” “Smoke A Little Smoke,” and of course the hot and steamy song, “Like A Wrecking Ball.”  Yep, this down home country boy did this crowd proud and started this party off right.

    Hank Williams Jr. brought his rowdy friends to the Grandstands on day four of the fair and kicked up some some dust with his Honky-Tonk hits. The Louisiana born country star brought some of his most well-known songs such as Neil Young’s “Are You Ready for the Country,” “All My Rowdy Friends,” “The Blues Man,” “There’s a Tear in My Beer,” and “A Country Boy Can Survive.” The audience was ecstatic to have Hank visit Syracuse, and Hank was equally happy to be performing to grateful audience. Among the crowd favorites in the set, was an impressive collection of his father’s songs including “Move It On Over,” “Kaw-Liga,” and “Your Cheatin’ Heart.” Adding even more intensity to the show, were a few unforgettable mash-ups, the greatest one covering “Outlaw Women” > “Dinosaur” > “There’s A Tear In My Beer” > “All My Rowdy Friends Have Settled Down” > “Good Ol’ Boys” > “I Walk The Line.” Of course, the evening would not have been concluded without an epic sing-a-long version of “Family Tradition.”

    While Hank was bringing down the house over at the Grandstands, Chevy Court had a few shows to bring in the crowds themselves on Day Four.  Up first for the 2p.m. show was country favorites The Swon Brothers.

    The Swon Brothers are perhaps known by most as the lovable country brothers on season four of The Voice.  On team Blake, these two siblings made their way to third that season, but are number one with all their country fans.  Singing their hits “Later On” and “Pray for You,” Colton and Zach revved up the crowd and had them singing along in no time.  In fact, the crowd even became part of the show with a sound of cheers as to which brother they liked best.  Like a good mother always says, I love you both the same.

    As the evening began to roll around Chevy Court was filling up with eager fans awaiting the amazing Nate Ruess.  Best know perhaps as lead singer of the indie group Fun, it seems like every song he touches becomes a hit.

    With his new band the Romantics, their set list was ridden with hits from both his bands Format and Fun with songs “Oceans” > “We Are Young” > “Some Nights” > “Carry On,” to some songs from his new solo album Grand Romantic (“Great Big Storm” > “You Light My Fire” > “What This World Is Coming To” > “Nothing Without Love” > “Harsh Light” > “Ahha”), and covers (Prince’s, “Let’s Go Crazy”). This amazing musician may be best known for his strong vocals, but don’t count him out as his songwriting abilities are top notch as well.  As part of a collaborative effort, Ruess partnered with Pink in 2014 on the number one billboard song “Just  Give Me A Reason” which was nominated for two Grammy Awards in 2014. Yes, the NY State Fair surely brought in the big guns on day four, for sure.

    On Tuesday, Day Five, Chevy Court once again welcomed Bowzer’s Rock & Roll Party back to rock out the afternoon crowd.  This lovable 50’s icon, known to most as a member of the popular 50’s Doo Wap group, Sha Na Na, has entertained us with not only his humor and personable demeanor, but his musical talents for more years.  Jon Baumann, his real name, is a native of Brooklyn, New York and studied classical music at Juilliard at a very early age, and whether it was playing Mozart or with Sha Na Na, his mothers greatest moment was seeing her son at Carnegie Hall.

    One Day Six, Chevy Court was packed with fans awaiting their favorite new 2015’s ACM New Artist of the Year, Cole Swindell.  With such an amazing group of new artists this year to be nominated, what was it about Cole Swindell that stood out above the rest? One quickly learned it was his stage presence.  He had the ability to draw an audience in like no other.  Perhaps it was the eye contact, the waves, or the pointing to individuals that made you feel like he was singing right to you.

    An accomplished songwriter way before releasing his self titled debut album, Cole Swindell, Cole was no stranger to the music business.  Penning hits for other country artists such as “Roller Coast,” “Get Me Some of That,” and “This Is How We Roll,” to name only a few, Swindell had made his mark in country music and touching souls of those his words spoke to.  Singing his hits “Chillin It” > “Ain’t Worth The Whiskey” > “Hope You Get Lonely Tonight” > “Let Me See Ya Girl,” he had this crowd in the palm of his hand.  With a mischievous smile and a country charm, this down home country boy was definitely a crowd favorite at the Fair this year.

    On Tuesday, September 6th, Day Six, country was once again represented by country favorite Joe Nichols at Chevy Court.  Joe’s smooth country sound is clearly what some critics consider “traditional country” music and not the new “Bro Country.” His vocal comments against the turn of the tide has not gone unheard by many in the business and he even joked about it this year at the Fair. Singing Sir Mixx A Lot’s, “I Like Big Butts,” as only Joe could, the audience loved his countries version of rap as it confirmed why he is best suited for the country genre.

    On Wednesday, September 7th, Day Seven of the Fair, Snoop Dogg was scheduled to perform but was forced to cancel the night before. To everyone’s surprise, the fair was able to bring in rapper Nas as Snoop’s replacement. The fair on Wednesday didn’t seem as packed as it had been the last week but that didn’t stop an estimated 30,000 people from coming to Chevy Court.

    On Thursday, Day Eight, R&B superstar Jason Derulo performed for a packed crowd at Chevy Court. Derulo put on an excellent performance that included a backing band and a group of dancers. For a night that featured two other major artists at the Grandstand and the new Lakeview Amphitheater, Jason Derulo filled Chevy Court with no sign of any competition. As someone who just played at the fair last year, Jason Derulo drew an estimated 25,000 screaming teenage girls.

    On Saturday, Day Ten, Chevy Court welcomed home many local talented artists right from our own back yard.  At the 2pm Chevy Court Show, crowds welcomed Amanda Lee Peers; Syracuse native, Josh Batstone; and season eight’s winner of The Vocie, Sawyer Fredericks.  It was heartwarming to be able to welcome all our hometown heroes to the stage and celebrate their music.

    The 8pm show on Day Ten welcomed Motown greats, The Jacksons.  Consisting of original members, Jackie, Tito, and Marlon Jackson, the crowd went wild as they danced and sang along with hits “Can You Feel It,” “Rock With You,” “2300 Jackson Street,” “ABC,” “Dancing Machine, ” Shake Your Body (Down to the Ground)” and many, many more.

    It’s hard to believe that this marks their 50th anniversary tour, but still today fans went crazy, dressed in costume, and got up on their feet to sing and dance along to all their favorites.  For me, it was a walk down memory lane watching video clips of live shows and interviews and clips of their Saturday morning cartoon that I watched so many years ago.  A fun evening of music, those guys still have the moves for sure.

    The Steve Miller Band came to the Great New York State Fair on the second to last night and brought along a record 37,000+ (the largest crowd to date). As the quintet hammered down on Syracuse with their hits from the last five decades, the performance got better as the crowd sang louder to each song. Opening the show with “Jungle Love,” gave a great representation of the fair with how all of the fun, food, crafts, and entertainment can sometimes feel overwhelming. The show included major plays consisting of “Take The Money,” “Shubada du ma ma,” “The Joker,” “Fly Like and Eagle,” and “Keep On Rockin’ Me.” Little Walters’ own “Blues With a Feeling” made an appearance during the show and despite Millers’ tender age of 71, he showed some animation during a rendition of “Loving Cup.” Before the crowd knew it, the enhanced encore had arrived with the group playing “The Stake,” a very bouncy “Swingtown,” and ending the high ride with extended “Jet Airliner.”

    As the final day approached, I knew that an early arrival was mandatory to secure my seat amidst the Millennium generation that was sure to have already staked out the best seats available awaiting teen heartthrob, Nick Jonas.  Arriving at 11 a.m. I realized that I was in for the longest day ahead, on what was to prove to be the hottest day of the fair.  Surprisingly enough, the crowd of Nick Jonas fans remained upbeat with little to no complaints, and by midday the NY State Fair staff began handing out free waters to those who refused to budge from their seats, lest give up the prime real estate while in absence.  The refreshing donation hit the spot and spoke volumes on what a great event and what great folks work to bring this event to everyone.

    As the time neared and Nick Jonas came out to the stage, he set right out playing his number one song “Chains” following it up “Numb” > “Levels” > “Wilderness” > “Good Thing” > “I Want You” > “Santa Barbara” > “Under You” > “Roses” > “Teacher” > “Take Over” and for an encore, “Jealous.”  How he managed to wear that jacket through half the show was beyond me as I was literally melting into my seat.  Jonas’ first solo tour, and one of the first times out by himself, it was a great ending to the Fair, and great beginning for his new upcoming tour to get his footing on stage with his ultra hip band.

    Okay, so we’re number five in the top ten best state fairs in the nation.  Perhaps you can see why this twelve day event becomes the traditional ending to New Yorkers summers’.  Whether you come for the rides, the events and competitions, the exhibits and opportunity to buy some Ginsu knives, the food (you know you do), or the music, it proves each year to raise the bar and bring in what fairgoers want.  Looking forward to the 2016 Fair, they will once again raise that bar, and hopefully continue to bring in the biggest names in the business to their ultra new and state of the art Chevy Court.  I predict that next years shows will exceed this years, they’ll book much quicker than years past, and once again the Great NY State Fair will prove to be the place to be to end our summer on the highest note possible.

  • Giant Panda, The Simpkin Project, Haewa and Ocular Panther Groove at the Westcott Theater

    An impressive crowd turned out for All Hallow’s Eve at the Westcott Theater October 30. Giant Panda Guerrilla Dub Squad usually lures a sizable slew of reggae lovers, affording The Simpkin Project an opportunity to bask in the splendor of a well attended venue for the last stop of their east coast debut. Haewa and Ocular Panther appetized the quickly growing crowd with more abstract instrumental compositions.

    Ocular Panther, a self proclaimed organic/electro band featuring Jason Gilly (bass), Collin Jones (guitar/synth/samples), and Michael Pantano (guitar), kicked the night off. Despite an optimistic concoction of notes culminating in a highly danceable jam beat, the crowd was not loose enough to dance in response. By the end of their short-lived set, the crowd had already grown to roughly seventy participants.

    Rochester band Haewa followed, again utilizing Jones for his guitar work and vocals, plus Brendon Caroselli (drums/percussion), and Ben Chilbert (bass). For Caroselli’s second time playing with the band, he fit into their musical puzzle quite comfortably. Jones’ grungy fashionableness matched his Kurt Kobain-flavored vocals, adding some dimension to their  instrumental, at times face melting musical offerings.

    The Simpkin Project marked the third band of the evening paying no mind to the looming holiday by sporting a discernible Halloween costume. Phil Simpkin (guitar/vocals), Shawn Taylor (B3 organ/vocals), Sergio Sandoval (percussion) and Jules Luna (guitar/vocals), were joined by Giant Panda members and long time fans of the band, Chris O’Brian (drums) and James Searl (bass). The Simpkin Project’s mild mannered, warm presence conjured that satisfying sensation of joy akin to tearing open a homemade cornbread muffin hot from the oven before slowly savoring each textured, spongy bite.

    Their mid-set song, “Everything You Want” professed a deep rooted love. Simpkin sang sweetly, “You are the shelter that protects me from the storm/The vindication for the reason I was born/I want to be everything you are to me/The center of my being.” Such enamor called to mind more than the simple indulgence of nibbling on a plain jane cornbread muffin. The slow-roasted, pan seared passion steaming out of this lyrical love plate was piled high with mashed potatoes, gravy and roast beef (ethically slaughtered of course).

    Throughout their set, O’Brian and Searl happily mouthed the lyrics to many of the songs, fully immersed in the experience of playing alongside their musical heroes. Members of The Simpkin Project mirrored their gratitude, announcing towards the end of their performance, “This was a life changing experience, and what it taught us: we’ll be back.”

    Giant Panda opened up with Searl soothingly offering the crowd, “This is a group meditation, please enjoy yourself,” following it up after the first song with “The first step to positivity is moving your body,” spoken like a true music yogi. Searl stood front and center, flanked by Dylan Savage (guitar/vocals) and Dan Keller (guitar/vocals), with Chris O’Brian (drums) and Tony Gallicchio (keys) rounding out their sound.

    They covered a lot of ground, playing a range of older material from their 2006 debut album titled Slow Down, and mixing in a collection of everything since then including tracks off their May 2015 release Bright Days. Searl, Savage and Keller stood in a row, gatekeepers of reggae revolution, harmonizing before a crowd of mostly humans, mixed in with a few dancing pandas, princesses and superheroes, cuz ya know, Halloween.

    As Giant Panda flowed into the marijuana-endorsing number “Mr.Cop,” the crowd dutifully sang along, to the delight of Searl and Savage who exchanged toothy grins as they strummed along. Before the next song, Keller divulged his entertainment from earlier in the day which consisted of flying a stunt kite. This anecdotal story was most certainly not followed by any references to how elevated the kite or any persons involved may or may not have been.

    Known for effortlessly blending from one song to the next in a continuous swell of sound, Giant Panda transitioned from “Pockets” to “Healing,” followed by “Steady” and “Move” in a nonstop reggae rumble. Toward the end of the evening Simpkin reemerged as a guest vocalist. Sandoval added his percussive expertise to the high energy “O.K.” with Keller briefly adding some saxophone work to the lively tune. Leaving the audience buzzing with energy, Searl bid them farewell bellowing, “Peace, Panda and good night!”

  • Mike McDonald Departing Formula 5

    Albany jam rockers Formula 5 announced Thursday that founding keyboardist Mike McDonald, is departing the group at the end of 2015 for personal reasons, so he can focus his attention toward building his family.
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    Here is the announcement as posted on their Facebook page:

    Hi friends and fans,

    We’ve reached a juncture here in Formula 5 camp and it pains us to announce that our own Mike McDonald will be stepping down as a member of Formula 5 at the end of 2015. Mike has been with us since the beginning and has been a big part of what we have built here with our music, business, and community. As a group, we have been discussing this change for some time now and while it is a very emotional and difficult decision for us all, we all support Mike with his decision to step down and wish him luck in his future endeavors. This decision was made on good terms – it was simply a personal decision that had to be made.

    One thing we want to assure everyone of is that Formula 5 will continue on. Mike will always be a big part of Formula 5 but his decision was made to allow F5 to continue to grow, and keep making music and bringing joy to people. And that is what he has urged us to do. While bittersweet, we are accepting of the changes and excited to announce that we will welcome a new member and long-time friend Matt Richards to take over keyboards and vocal duties. Matt is an excellent musician that has experience playing with the prog-funk group The Assortment of Crayons and we are excited to see how this new chapter of Formula 5 evolves. We are very grateful to be able to perform music and appreciate everyone’s continued love and support for F5.

    McDonald took to the social media site to express his sincere thanks for his time in the band.

    It is with a heavy heart that I announce that I will be stepping down as a member of Formula 5. This was not an easy decision and one that I (and the band) struggled with for quite some time now. First off, I want to say that I love music, I love performing, and I love this band. That isn’t going to change. Writing music with these guys, performing live, learning about the business, and traveling around the northeast and meeting some amazing people and musicians has been phenomenal and something that I will be forever be grateful for. The business side of music can be quite grueling and often not even close to profitable – But this band, the music, its members, our fans, and the northeast music community is something very special and has made it all worth it.

    The struggle of balancing my family, my “other” full-time career, and the development of this band has become too much for me to commit to the countless hours I believe are necessary to keep pushing Formula 5 upward with the momentum we have seen over the last few years. Despite all this, it would pain me to see this band simply fade away because of my own personal situation changing. This is something that we, as a band, have discussed greatly over the last year or so. While a very difficult decision for me personally, we all have worked too hard to get where we are today and I would hate to see this band and community fade away – that is why I am stepping down.

    But Formula 5 is far from done. These guys are my family and I know that they are making better music than ever before and the future looks very, very bright. The band is very excited to announce that a long-time friend and a fantastic keyboard player and musician, Matt Richards will be stepping in as a new member. He has written and performed with The Assortment of Crayons and I truly think he is a fantastic addition to push Formula 5 into its newest chapter.

    Change is good. While still a somber situation for me personally, I strongly urge all of you to still support Formula 5 and the great music that they are and will continue to create.

    I will be finishing out the rest of the calendar year playing the next 3 shows with Formula 5 – my last show being on December 12th at dinosaur bbq in Troy. If you feel so inclined, come on out and bid farewell to this chapter of F5.

    ** Sat Nov 14th – Monopole Bar – Plattsburgh, NY (2 sets) –https://www.facebook.com/events/990469491013152/
    ** Friday Nov 27th – Annual Black Friday Bash w/ Formula 5, The Jauntee & Sprocket – The Hollow – Albany, NY!The Hollow Bar + Kitchen – Albany, NY (w/ The Jauntee, Sprocket) –https://www.facebook.com/events/825373814250781/
    ** Sat Dec 12th – Farewell Show – Dinosaur BBQ – Troy, NY (2 sets)

    Thank you to my family, friends, and fans for supporting me throughout the last 5-6 years as I followed one of my dreams.

    This post will be updated as more information becomes available.

  • Hearing Aide: The Nth Power ‘Abundance’

    ABUNDANCE-HI RESIt’s been a long time coming, but The Nth Power has finally delivered their debut album, Abundance, in all of its glory. The band has been around since 2012, and with a stacked lineup of musicians they decided to tour first and hit the festival scene to start growing a fan base. It’s almost unfathomable how they blew up as quickly as they did without an album for people to dig into, but that’s what happens when you’re this talented. Regardless, the wait is finally over! Abundance is being released Friday, November 13, and if you’ve been lucky enough to catch this special act, the album doesn’t fall short of showcasing all that they represent. Just as the band has done live, Abundance is mixed with touches of soul, R&B, funk, and jazz into their own self-defined genre of “Love” and few would disagree.

    The band opens up with the strong and powerful overarching message, “Only Love,” evangelizing all that they stand for. It’s been quite sometime that a band has come with a message as potent and strong as The Nth Power bring to the table, both lyrically and through the non-verbal dialogue of their instruments. There is a deep feeling and they’ve really captured the essence of their message overall as it’s felt right from the opening of the album.

    The band really puts the rhythm in R&B on the song “Right Now.” With a rhythm section as strong as this band has though, it’s no surprise. Nikki Glaspie [drums], Weedie Braimah [percussion], and Nate Edgar [bass] are all masters of their instruments and give this track some serious teeth that immediately dig in from the opening pattern. The bassist isn’t always called out, but Nate Edgar needs to be commended for his overall work throughout as he does a stellar job all over this record. While never trying to openly stand out with solos, he plays the support role to a degree most bassists could never reach while still churning out some complex lines in the process.

    NEWNTH
    (From L to R) Nate Edgar, Nikki Glaspie, Nick Cassarino, Courtney “Jay’Mel” Smith, and Weedie Braimah

    As the album progresses, the feeling of love and joy is thoroughly reinforced in the most uplifting way. The bands tightness and focus on this delivery is something that is a testament to the time they took before releasing the debut. While lyrics aren’t always included in the liner notes these days, Nick Cassarino’s beautiful words were chosen to be laid out. Paging through them in sync with the album, it is clear he put as much effort into them as the band collectively put into developing the music. Nick’s honest and introspective words and heartfelt delivery is matched by his impressive chops on his guitar. You can feel that the band really poured their heart and souls out throughout the musical journey.

    The album finishes very strongly with the trio of songs, “Home,” “Soul Survivor,” and “Altar Call.” Each are distinctive in their own right, but make up a solid run to the finish line. “Home” is beautifully introspective, both musically and lyrically, while “Soul Survivor” is where the band takes the time to step away from the lyrics a little and focus on some of the incredible chops they have as musicians. That being said, the chorus on “Soul Survivor” is easily the most anthemic on the album as the band proclaims their ability to survive through hardship. It finishes up with “Altar Call” which could be the most underrated song on the album. The overall construct and ethereal beauty of it can draw out the deepest of emotions. The track is the only one without a lyrical presence and it showcases an elegant and subtle beauty to the band’s musicianship as they explore the meaning of love musically and express it without words.

    Overall, Abundance is exactly how The Nth Power should’ve made their debut album. It captures their live energy and delivers on the messaging they’ve settled upon since they formed just a few years back. The musicianship and perspective are a fresh one and one everyone should welcome with open and loving arms. If there’s ever a time for a pick me up or a need for some uplifting, scoop up Abundance and take it for a spin.

    If you’d like to pick up The Nth Power’s debut, click here. The band is currently on tour and making several stops throughout New York State in support of the new album. They will be in Woodstock at the Bearsville Theater on Nov. 14, in Buffalo at The Tralf on Nov. 18, and in Brooklyn at The Hall at MP on Nov. 20. Click the respective links to grab tickets and catch them live.

    Key Tracks: Only Love, Home, Soul Survivor

  • The Revivalists Prove Size Doesn’t Matter in Albany

    Upon pulling up to find parking outside The Hollow on November 5, I noticed a familiar face taking a solo stroll down Pearl Street. The late 20s/early 30s man was staring up at the many abandoned buildings that seem to colonize the area as of late. With a closer look, I realized the stranger was Zack Feinberg, guitarist of The Revivalists, the New Orleans based rock hybrid group I was about to see.

    Revivalists Rocco DeCarlo 7
    Photo Credit: Rocco DeCarlo, 2015

    “Oh God, this place must look so lame,” I thought to myself.

    Here is a band whose tour has recently included the likes of Telluride and Red Rocks in Colorado, various festivals including Kaaboo, a sold-out Halloween show at the 9:30 club in Washington D.C., and poor Zack here can’t even find a pizza joint open in downtown Albany on a Thursday night.

    Fortunately the Hollow was jam packed on this particular evening. A combination of the unseasonably warm weather and the rising popularity for the raw talent of the band. I felt at ease that “Smallbany” would at least provide an energetic crowd, ranging from backwards snap-back sporting college girls to business casual school district administrators who were attending a conference nearby.

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    Photo Credit: Rocco DeCarlo, 2015

    To my surprise, our small city and relatively petite venue seemed to have provided an opportunity for the band to relax and have some fun. While initially pulled back, singer Dave Shaw literally let his impressively voluminous hair down as he bounced about the stage. At times he crouched down so close to the women in the front row, I could practically feel the heat coming from their blushing faces. Had he removed his shirt – as he is known to do – I would have questioned whether we were at a concert or an evening with the Chippendales.
    With a few exceptions, the set was mostly tunes from their most recent album Men Amongst Mountains, providing plenty of solo opportunities for the horn section featuring Rob Ingraham on the saxophone and Michael Girardot on trumpet and keys. These two help provide the familiar NOLA sound, while the steel pedal guitar played by Ed Williams announced a twang all his own.

    Revivalists DSC_9749
    Photo Credit: Rocco DeCarlo, 2015

    Shaw continues to woo the ladies by physically joining them in the crowd. Even Williams jumps up from his steel guitar to playfully ask “Why don’t you love me, baby” during “When I’m Able,” a song from their City of Sound album. This particular song provides room for improvisation and crowd interaction. Crystal clear notes rise from the keys, Shaw breaks out the tambourine and an intense faceoff ensues between Feinberg and Williams. These guys are clearly having a blast in Cap City.

    After exiting momentarily to take a breath, the septuplet returned to the stage for an encore of “Need You,” an emotionally charged and powerful song from the new album. And finally the cherry on top of this Cajun sundae, the boys closed out the evening with Prince’s “When Doves Cry.” Although they weren’t dressed the part as they did for their Halloween show, the Revivalists nailed the cover while adding their own grit to this pop classic.

    If the Revivalists were unimpressed with Albany, it certainly wasn’t evident by the intensity of their set. So there you have it – at least when it comes to cities and venues – size apparently doesn’t matter.

    Setlist: Bullet Proof, Stand Up, Fireflies, Amber, Monster, When I’m Able, Keep Going, Fade Away, Criminal, It Was a Sin, Wish I Knew You
    Encore: Need You, When Doves Cry

  • Third Annual Hulaween Reigns as Largest Festival Ever at Suwanee

    There are moments in one’s life that will stay with them long after the music has stopped. The third and 2015 edition of Hulaween once again curated a festival experience for the ages. One that will be stuck in festival goers minds for a long time to come, until next year that is.

    third hulaweenThe third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.

    Hosted once again by The String Cheese Incident, Hulaween brought many other big name musical acts to the party, some for their first appearance at Suwannee. With a total of seven sets over the course of the weekend, including their Halloween “Ghoul Train” cover set featuring Wu Tang’s Gza acting as Don Cornelius, plowing through crowd favorites such as “Brick House,” “Boogie Man,” “Car Wash,” and “Dance to the Music,” SCI held nothing back, whipping revelers into a dancing frenzy at every opportunity.

    A highlight at the Amphitheater Stage Friday was undoubtedly Primus, getting the crowd started with “Those Damn Blue Collar Tweakers,” they left it all on stage with favorites like “Mr. Krinkle,” “American Life” and the coveted “Jerry Was a Race Car Driver.” Their set was not without Les Claypool’s usual witty banter with the crowd, as well as some less usual songs like “Jilly’s on Smack” and “Salmon Man.”

    Pretty Lights played to a majority of the attendees Friday night interspersing some new music into a set chock full of his trademark energetic glitch hop, with horns and keys aplenty. A highlight at the Amphitheater Stage on Saturday was Suwanee virgins Odesza who harnessed the crowd’s energy and magnified it into an incredible set of danceable electropop and chillwave grooves leaving everyone in a breathless sweaty heap by the end of their set. With many festivals opting for a relaxed schedule on Sunday’s to encourage a relaxed crowd, Hulaween had other plans.

    After a tight bluegrass set by SCI on the main stage, the skyrocketing Griz took the amphitheater by storm announcing that it was the “Funkiest party in the galaxy until Lettuce takes the stage.” Hit after hit had a packed amphitheater crowd bouncing and gyrating until it appeared to form into one massive dancing organism. After String Cheese played their final set, Lettuce indeed brought the funkiest set of the weekend, playing new material off of their fourth studio album Crush. Many were seen looking for their jaws on the ground afterwards.

    Closing Hulaween down were none other than livetronica pioneers Sound Tribe Sector 9. Once again the main concert field was packed with fans drawing from energy reserves to dance their hearts out for one finale set of music.

    The expansion of Spirit Lake brought many new art exhibits and interactive sculptures, as well as the return of exhibits from previous years. With some stellar performances by Manic Science (Manic Focus X Break Science) and The New Mastersounds at the Spirit Lake Stage, the art wasn’t the only selling point.

    Silver Wrapper Productions and The Spirit Of Suwanee Music Park have outdone themselves, once again. Time will tell if it’s possible to bring together a more impressive line up, a more perfect lay out, or a more incredible all around music and art experience together in one gorgeous package.

  • The Milkman Cometh: An Interview with Ray Paczkowski

    Ray Paczkowski, the bearded, bespectacled Vermonter behind the keys in Trey Anastasio Band, and is a hard man to track down. Having first played with TAB in the summer of 2001, ‘The Milkman” has been a staple of Stage Left, holding down the organ, clavinet and keys and adding funk to the well-rounded sound of Anastasio’s side-project.

    Paczkowski is also one half of the duo Soule Monde, alongside drummer Russ Lawton, whose funk blend infuses jazz elements and Brazilian and World music themes for a full bodied sound.

    Ray Paczkowski

    Currently on Fall Tour with Trey Anastasio Band, Paczkowski and drummer Russ Lawton recently released a new EP, Smashed WorldThis June at a music festival in the Berkshires, Ray found time to sit down and have a conversation with NYS Music about his music.

    Pete Mason: How did you get your name “Milkman?”

    Ray Paczkowski: I worked on a dairy farm for 10-12 years when I was first in Vermont, doing gigs and milking cows. Trey always thought that was funny.

    PM: When did you first start playing piano?

    RP: I took piano lessons as a kid and started playing out in various projects. I always wanted to just play piano but you can’t haul a piano around, and digital pianos I just hated. Then I started hearing Jimmy Smith, (John) Medeski, and those guys and the sounds that they were getting out of that instrument, it was just so cool and I found that the Hammond has the same quality as a piano and everyone is different and every night there’s some kid of sound that pops out and that’s when I started doing it. A guy I worked with had a Hammond and just said take it.

    PM: When was this?

    RP: Early ’90s

    Ray Paczkowski

    PM: How did you get on Trey’s radar along with the Vermont musicians that have made up Trey Anastasio Band, particularly on your first tour in Summer 2001 with fellow Vermonters Jennifer Hartswick, Dave Grippo and Andy Moroz?

    RP: I was in a band for a long time called Viperhouse and the lead singer, Heloise Williams, did some work with Trey, and we were kind of on a similar circuit, Phish had just started taking off, like we would be playing a club and they’d be next door in the arena. We would see them all the time, it’s Burlington, it’s a small musical community. I would play with Vorcza, a jazz trio and Trey would come listen to it and when he decided to put a band together, he asked me to do it.

    PM: What was that first meeting like?

    RP: We were doing a gig with Viperhouse in Winston-Salem, NC at Ziggy’s and they were playing next door in the arena. We went over to their show, they came over afterwards and he mentioned that he was thinking of putting a band together and said if I was ever interested and I said ‘Yeah’, but never really thought about it after that. A year later he showed up at a gig I was playing and asked me to do it. I thought about it for like five minutes and said ‘yes’ (laughs).

    Ray Paczkowski

    PM: What were those first shows like for you on the Summer 2001 TAB tour?

    RP: It was at a whole other level with bigger shows, a full crew, and it was kind of bewildering going from just driving around in a van to a full scale operation. It was really fun with such a big band, and at that time I was playing in a trio and they had a much smaller sound, so fitting into that thing (with TAB) it was interesting, it was really cool. It was more orchestrated, I don’t know what the word would be exactly. I liked everyone and the music was great.

    PM: Did you and drummer Russ Lawton know each other before playing together in Trey Anastasio Band?

    RP: We had met here and there but I only knew him as a drummer. I didn’t meet him until we were playing together.

    PM: So Soule Monde formed directly out of TAB?

    RP: Yup.

    PM: What were you seeking to create with the side project?

    RP: I live in Vermont and Russ and his family had just moved here, and they were in the next town over. He called me up one day and said “I know this place that has a Hammond organ, let’s go there and make some shit up.” So we did, just kind of went from there. That was maybe 2008 or so.

    soule monde

    PM: One of your first shows was a late night show in a cabin at StrangeCreek Campout. It was an unknown performance, knowing that two musicians in TAB were performing under the name Soule Monde, making for an intimate performance.

    RP: I remember that, that was one of the first shows. We would just play at this place in Vermont and just make shit up.

    PM: And now you’ve gotten to the point where you have songs and a wide array of compositions, have released one self-titled album and plan to release a new album this fall (the recently released Smashed World)

    RP: Yeah we’re at a ‘one album every three years’ pace these days.

    PM: How did Trey come to sit in with Soule Monde at Iridium Club in New York in May of 2014?

    RP: It was just kind of random, we were driving to New York and I thought ‘Let’s call Trey, see if he’s around and wants to come to the show.’ We thought maybe we’d see him and hang out a little bit. He said “Mind if I bring my guitar?” I’m never one to ask, ‘Hey, come sit in with us?’ so he came down and played the whole second set. It was great!

    PM: How has Soule Monde been on tour and the audience response over the past few years?

    RP: We don’t travel much, do a lot of local stuff, like Disc Jam, that has a close range to Vermont, but the response has been good all around. With the new album, we’re trying to push it up to the next level, whatever that might be. It’s been really good and people are coming out. I think that not many people know the name Soule Monde, who or what it is. It’s really a factor of just hammering on the name even though we’re not on the road a lot, months out of the year.

    PM: You and Russ being out of Vermont and knowing the local scene, and even the more rural areas, are there any musicians in Vermont that people should know about?

    RP: I know a lot of players that are involved in various things, from folk type stuff to soul. I know a lot of musicians, but not so much the bands they are in. There’s a lot of good shit coming out of Vermont.

    PM: Is there any music that you are listening to right now that is catching your ear?

    RP: I have a 15 year old daughter and she turns me onto all this electronic type stuff.

    PM: There must be an interesting connection between that genre and playing keys.

    RP: It’s a cool genre, I don’t know that much about it. As far as listening to music, I’m a radio guy. When I’m traveling around, I’ll scan through things and if you’re in any area with college radio, you’ll get this weird stuff and find some new music.

  • Halloween Dance Party with Mister F, and Lucid at Putnam Den

    Halloween parties at Putnam Den are often some of the best gatherings of the year, with enthusiastic audiences & bands wearing their favorite character costumes, decorative rooms, grotesque drink mixes, and supreme music selections. The theme of every party is to dance, celebrate, enjoy the visuals, and celebrate.

    This year, hosted a social event like no other at the Putnam Den in Saratoga Springs, with the help from Albany based Mister F and Plattsburgh’s own Lucid. As the holiday fell on a saturday with clear skies, Saratoga was open for menace.

    Jim Houle - Putnam Den NYSMusic - 10-31-15-2

    Mister F kicked off the evening with their eclectic mix of funk, rock, and sophisticated rhythms which attracted many ghouls and goblins right from the start. This local four piece hit the stage dressed as characters from the movie Spaceballs and ripped up an hour performance from out of this world. Their set highlights were an original “Answer the Dog,” featuring members from Lucid and Formula 5 and Bela Fleck & the Flecktones cover, “Sinister Minister.”

    Lucid brought an inspiring set with their north woods folk rock grooves that made all the skeletons shake their bones. These handsome devils attired the Village People and busted out their set with a greatest hits medley. Highlights from their set were “Backwoods” featuring George Wurster and “I Kill People” with Scott Hannay of Mister F.

    Formula 5 raucously hit the stage running with a Jay & Silent Bob skit featuring Scott Hannay of Mister F and the contagious cover of “Jungle Love” by Morris Day and the Time, a tune long favored by their chosen characters. Highlights from their the Formulaic set was the Huey Lewis and Ray Parker Jr. mix, “I Want a New Drug” > “Ghostbusters” > “I Want a New Drug.”

    Formula 5 Set:
    Jay & Silent Bob Skit@ > Jungle Love^ > Excalibur, Perch Above the Earth$* -> I Want A New Drug* -> Ghostbusters -> I Want A New Drug -> Mister Elixir* -> Perch Above the Earth > Mister Elixir, Low Rider!, Catch Me, Nu-GEN#* -> Pedro* -> Night Time In The Switching Yard, Epiphany
    Encore: Magic Carpet Ride
    @ – featuring Scott Hannay (Mister F)
    ^ – featuring Matt Pickering and Scott Hannay (Mister F), Lowell Wurster (Lucid),
    $ – Thriller Jam
    * – Unfinished
    ! – Featuring Jamie Armstrong, Chris Shacklett and Lowell Wurster (Lucid), Scott Hannay (Mister F)
    # – Featuring Andrew Chamberlaine and Scott Hannay (Mister F)
    ‘Jungle Love’ – Morris Day and The Time (1st time played)
    ‘I Need a New Drug’ – Huey Lewis & The News (1st time played with James and Joe)
    ‘Ghostbusters’ – Ray Parker Jr. (1st time played with James)
    ‘Low Rider’ – War
    ‘Night Time In The Switching Yard’ – Warren Zevon
    ‘Magic Carpet Ride’ – Steppenwolf (1st time played)

    Mister F
    Mister F

    Mister F Setlist:
    Vocoder > Everything You Say, This One Goes to 11@, See Level > Answer the Dog#, Inside, Eye Level > The Machine, Do It Again%, Sinister Minister^, On and On, Don’t Lose Your Watch

    @ – w/ The Munsters Theme Tease
    # – w/ Joe Davis (Formula 5) & Lowell Wurster(Lucid)
    % – Original, First Time Played
    ^ – Bela Fleck & The Flecktones Cover

    Lucid
    Lucid

    Lucid Setlist:
    Village People Medley (YMCA > In the Navy > Macho Man > YMCA), 4 Bangers and Hash (Styles of the Smooth > Yanomamo Lullaby > R.L. > The Russian), Gemini Eye > Surf Side Rock Side, Black Smoke, Came and Went > Silhouettes, Backwoods*, Dirt
Whiskey Dreams > Shinbones, Blessed and Cursed, I Kill People ^

    * with George Wurster
    ^ – (Andrew James Deller) w/ Scott Hannay of Mister F

  • Hearing Aide: Lettuce ‘Crush’

    It’s only been three years since we last heard an official release from the funky innovators known as Lettuce. And while that might feel like an eternity, the coming of Crush (Expected Nov. 06, 2015) marks the quickest turnaround between albums in the band’s history. It can likely be chalked up to the extensive time spent together on the road, sparking tons of raw material for the band to work with.

    lettuce crushWith eighteen tracks and a musical journey covered throughout the album, it’s tough to touch on just a few highlights. Damn near every song has at least one riff or section that can grab your ear and dial you in to a fat groove, and that’s being modest. Either way, they’re back with the most aggressive, ambitious, and funkiest album to date; Lettuce all be thankful.

    Crush starts off with the sounding of the Shady Horns, announcing “The Force” and setting the tone for the rest of the album. The band’s play on words with Lettuce Crush (Let Us Crush) is felt from the start with a tight pocket and hypnotically heavy riffs. An immediate evolution is heard on the first track as trumpeter Benny Bloom and saxophonist Ryan Zoidis’ effect-laden horns blaze the way. They’ve certainly been toying more in the live setting with effects, but it’s great to hear it on an album. Zoidis’ sax solo on “The Force” provides some brass foreshadowing for the rest of the album. From start to finish though, this song serves as an anthem to announce the bands triumphant return!

    If you’ve seen the band out on the road in the past year or so, there are a good number of songs that will sound familiar. The band used that time together to road test and evolve their ideas. That being said, there were many on Crush that haven’t been played at all, or at least minimally, and are just getting turned loose now. The deeply introspective “Phyllis” was from the road tested bucket. While simple and laid back in nature, Lettuce somehow captures that live magic and is one of the early highlights. The song allows the listener to catch their breath after a typical Lettuce onslaught of fast-paced funk that starts things off. Going back to back with “Phyllis” is the light-hearted Nigel Hall led “Sounds Like a Party.” As with other Nigel songs from previous albums, they nail another classic sing-along and will have you piping in by the time the second chorus comes around.

    As the album blazes on, there’s a noticeable sense of diversity that hasn’t been explored to this depth on previous Lettuce albums. While the band has always had their hand in funk, hip hop, jazz, and soul, this album seems to dive in and explore other dimensions to a deeper degree. “Trillogy” specifically is one of the standouts on the album, exploring a hip hop sound like they never have before. It’s  also one of the heaviest songs with the first two phases of the song building before taking a dip into the heaviest groove on the album. With innovation like this, there’s a hope that we might one day see an actual MC make a debut on a Lettuce track as a guest. The band has deep connections and fans would fully support an appearance from Talib Kweli, a member of the Wu, or another gifted rapper they’ve crossed paths with.

    lettuce crushFollowing “Trillogy” is the dynamic and fluid “Pocket Change.” This could be a play on words as the band places a heavy focus on the pocket in terms of rhythm and this certainly changes its rapid pace throughout. This song harkens back to some Soulive-jazz influences and reminiscent of the rhythmically intense song “Nyack” from their 2002 release Outta Here. The stark difference between “Trillogy” and “Pocket Change” is something that Lettuce is not only capable of, but one of their strengths. Solos on this include a Zoidis/Deitch syncopated back and forth battle early on that surely spurred the subsequent appearances of Eric Krasno’s guitar in response. Neal Evans and the Shady Horns interplay throughout is an interesting conversation to listen to as well. With so many layers, its easy to say that you should never get bored with this band.

    If you’ve never had the opportunity to dive into some Lettuce head first, now might be a better time than ever. Crush is the convergence of road tested and polished material, musical exploration, deep pockets of groove, and a band that is simply on top of their game. With a discography full of hits, this album somehow stands above them all. For the non-musician, the band has endless groove with an allegiance to the pocket and a keen ability to get your foot tapping. For the musician, the band has all sorts of rhythmic and melodic folds to listen for that can keep you eating for days. This album is no different from any of their previous records in that manner, but so different in every other sense. Lettuce all be thankful that they’re back and ready to Crush.

    Key Tracks: Phyllis, Trillogy, Pocket Change

    The album is set to be released this Friday, November 6. If you’d like to pre-order Crush, click here. There are a ton of limited edition bundles and every order comes with instant downloads of “Phyllis” and “Elephant Walk.”

  • After Funk and The New Daze Support Each Other at Funk ‘N Waffles Downtown

    A stately stuffed zebra proudly greeted guests from the front of the stage as they entered Funk ‘N Waffles Downtown Saturday Oct. 24. The zebra, fondly known as Uncle Stremnf, abided as the reigning mascot for electro-jam band The New Daze, who opened for progressive soul group After Funk. Uncle Stremnf gazed longingly into the crowd, his soft muzzle begging to be pet by those dancing near the stage. A few patrons obliged, feeding into the mystique of Uncle Stremnf’s presence.

    after funk til the sun comes upThough entertaining, perhaps silly to many, band members Max Flansburg (guitar/vocals), Jamie Knittel (bass/vocals), Steve Graff (drums) and Erik Hoffman (keys) take Uncle Stremnf’s existence very seriously.  They harbor as much affection for their equine affiliate as they do for eccentrically accessorizing. Knittel dapperly sported a pair of vintage 100% acrylic grey plaid trousers he’d purchased at a thrift shop for a mere six dollars. Though a bit baggy, he paired the look with an equally loose-fitting grey beanie that would periodically either fall over his left eye or slide off the back of his head depending on the trajectory of head thrashing. Hoffman opted to rock a gold medallion imprinted with a cheesy smiley face. The bling nicely complemented his thick mustache that might at any moment take on a life of its own and flutter right off his face.

    While expressive in their dress, the members of The New Daze were also extremely emotive in their musicianship. Flansburg and Knittel, equipped with instruments affording them greater mobility, were free to bounce around and animate their guitar and bass playing. Flansburg frequently flaunted a charming toothy grin, jumping up and down in place as he played. His buoyant expression was counterbalanced by Knittel’s straight-faced, almost scowling visage. With feet spread apart, he took on a wide, commanding stance, body rocking side-to-side rather than mirroring Flansburg’s vertical movement.

    Speaking of fancy moves, a quick glance through the crowd revealed the rather zebra-like persona of a woman dressed in black and white striped leggings and matching tank top. With arms outstretched in front of her, they danced up and down to the music like a rearing horse might paw the air. Emulating her inner zebra, she danced on behalf of Uncle Stremnf, whose decidedly inanimate disposition prevented him from joining in.

    The New Daze performed sequences seeking to take listeners on a journey, drifting between funk, jazz and experimental rock. Delivering a high energy set from the start, the crowd wasted no time breaking into a swell of swaying and head bobbing. The band’s last three songs featured the sexy saxophone playing of Robert Araujo, who added a warm dimension to their sound. Knittel thanked him on stage, perfectly demonstrating the band’s playful demeanor by stating sarcastically, “Thanks for coming here instead of the Nickelback concert.”

    After Funk perpetuated a playfulness, with Yanick Allwood (keys/vocals), Jaime Rosenberg (drums), Justin Bontje (bass) and Phil Tessis (guitar) flashing an array of overstated facial expressions and synchronized dance moves. The band members instantly resigned themselves to lovable dork mode. They matched their efforts in humor to entertain the surprisingly thinned out crowd by serving up a musical feast of progressive techno funk. They soldiered through a mix of original songs including those off their recently released Til the Sun Comes Up, along with some old school funk covers.

    Throughout the set, Allwood repeatedly contorted his face into looks of seemingly utter confusion, staring off at the ceiling while furiously tapping away at the keys. Despite his confused looks, the sounds he produced made it clear he knew exactly what he was doing: which was communicating with aliens. Tessis’ animated smirks and grimaces often seemed in direct response to either his own wicked guitar playing or Allwood’s key work, appearing to be in near constant bewilderment at the magic developing on stage.

    Adding to the crisp, golden soufflé of sound were Allwood’s savory soulful vocals. Opening their performance with an uptempo rendition of Stevie Wonder’s “Signed, Sealed, Delivered I’m Yours,” set the stage for what drives their inspiration.

    During a cover of Parliament’s “I Call My Baby Pussy Cat,” Bontje snapped a string in his furious bass picking. Knittel of The New Daze was quick to the rescue, offering his own bass to Bontje from the side of the stage. Bontje accepted the act of camaraderie with an appreciative nod, waiting until the end of the song to switch instruments.

    Towards the end of the set, Rosenberg  embarked on a heart rattling drum solo, momentarily vanquishing his bandmate’s worthiness to remain on stage. Allwood recoiled to the stage steps, staring back in appreciation and shaking his head in disbelief. Tessis walked off stage altogether, guitar in hand to grab a beer before the end of the solo. Their overplayed actions added an element of comedy to the obvious respect they have for each other as musicians. Before ending their set Allwood made sure to give a shout out to their opener, exclaiming, “Bass sponsored by The New Daze,” once again illustrating the sense of mutual support and companionship prevalent throughout the evening.