Category: Electronic

  • Third Annual Hulaween Reigns as Largest Festival Ever at Suwanee

    There are moments in one’s life that will stay with them long after the music has stopped. The third and 2015 edition of Hulaween once again curated a festival experience for the ages. One that will be stuck in festival goers minds for a long time to come, until next year that is.

    third hulaweenThe third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.

    Hosted once again by The String Cheese Incident, Hulaween brought many other big name musical acts to the party, some for their first appearance at Suwannee. With a total of seven sets over the course of the weekend, including their Halloween “Ghoul Train” cover set featuring Wu Tang’s Gza acting as Don Cornelius, plowing through crowd favorites such as “Brick House,” “Boogie Man,” “Car Wash,” and “Dance to the Music,” SCI held nothing back, whipping revelers into a dancing frenzy at every opportunity.

    A highlight at the Amphitheater Stage Friday was undoubtedly Primus, getting the crowd started with “Those Damn Blue Collar Tweakers,” they left it all on stage with favorites like “Mr. Krinkle,” “American Life” and the coveted “Jerry Was a Race Car Driver.” Their set was not without Les Claypool’s usual witty banter with the crowd, as well as some less usual songs like “Jilly’s on Smack” and “Salmon Man.”

    Pretty Lights played to a majority of the attendees Friday night interspersing some new music into a set chock full of his trademark energetic glitch hop, with horns and keys aplenty. A highlight at the Amphitheater Stage on Saturday was Suwanee virgins Odesza who harnessed the crowd’s energy and magnified it into an incredible set of danceable electropop and chillwave grooves leaving everyone in a breathless sweaty heap by the end of their set. With many festivals opting for a relaxed schedule on Sunday’s to encourage a relaxed crowd, Hulaween had other plans.

    After a tight bluegrass set by SCI on the main stage, the skyrocketing Griz took the amphitheater by storm announcing that it was the “Funkiest party in the galaxy until Lettuce takes the stage.” Hit after hit had a packed amphitheater crowd bouncing and gyrating until it appeared to form into one massive dancing organism. After String Cheese played their final set, Lettuce indeed brought the funkiest set of the weekend, playing new material off of their fourth studio album Crush. Many were seen looking for their jaws on the ground afterwards.

    Closing Hulaween down were none other than livetronica pioneers Sound Tribe Sector 9. Once again the main concert field was packed with fans drawing from energy reserves to dance their hearts out for one finale set of music.

    The expansion of Spirit Lake brought many new art exhibits and interactive sculptures, as well as the return of exhibits from previous years. With some stellar performances by Manic Science (Manic Focus X Break Science) and The New Mastersounds at the Spirit Lake Stage, the art wasn’t the only selling point.

    Silver Wrapper Productions and The Spirit Of Suwanee Music Park have outdone themselves, once again. Time will tell if it’s possible to bring together a more impressive line up, a more perfect lay out, or a more incredible all around music and art experience together in one gorgeous package.

  • Camp Bisco Permit Saga Continues

    Well, Disco Biscuit fans, it looks like Camp Bisco will for sure not be returning to Schenectady County anytime soon as the permit saga drags on.

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    On Oct. 28, state Supreme Court Justice Vincent Reilly Jr. deemed the county’s ruling and safety issues raised as valid reasons for permit denial, as reported by Times Union. The summer event had been planned for a July 15 through 19 revival at Indian Lookout Country Club in Mariaville, where the three-day festival was held for seven consecutive years; however, the application for a mass-gathering permit was rejected by the county with major opposition from its sheriff.

    This news continues a chain of events that has plagued Bisco since its 2014 hiatus, regarding safety concerns with transportation, emergency plans and insurance coverage, plus the festival’s failure to create a zero-tolerance drug policy. But the EDM-focused concert did return this summer with a venue change; Bisco 13 went off without a hitch at Montage Mountain in Scranton last July, and NYS Music contributor Jimmy Chambers reported on its success in his glowing review of the festival (revisit Camp Bisco here).

    While the Philadelphia-based band has yet to announce plans for Bisco 2016, hang tight and take a look back at Camp Bisco 13 with the recently released aftermovie.

    https://www.youtube.com/watch?v=1zT1SazqseQ&feature=youtu.be

  • Hulaween 2015: All Aboard the Ghoul Train

    NYSMusic is excited to announce our coverage of the third annual Hulaween, a three-day music and camping festival held at Spirit of Suwanee Music Park in Live Oak, Florida. Presented by Silver Wrapper and Purple Hat Productions, Hulaween 2015 is headlined by Colorado’s very own String Cheese Incident, who will be playing seven sets over the weekend.

    hulaween 2015The festival hosts more than 50 artists over three days, including Pretty Lights, Primus, Odesza, and STS9. For those looking to start their weekend early Hulaween is throwing a pre-party on Thursday, Oct. 29 — including New York’s esteemed Joe Russo’s Almost Dead, the eclectic electronic improv duo Eoto, as well as funk stalwarts Dumpstaphunk. Other notable New York acts include surging funk legends Lettuce, who’s looming album release is highly anticipated, the tight dance grooves of Dopapod, Brooklyn’s own Break Science in collaboration with Manic Focus to create “Manic Science” and the soulful funky licks of Sister Sparrow & the Dirty Birds.

    As north easterners hunker down and prep for winters onslaught, Spirit of the Suwanee is bustling with activity in October, beckoning to the north to flee south and join the Southerners for one last hurrah in the sunshine. Often touted as a magical, even mystical place, Suwanee boasts a devoted fan base that borders on extended family from its ability to bring people together and cultivate an atmosphere of unfettered fun in a temporary communal setting.

    Festival goers should be excited for an extended version of “Spirit Lake,” an experimental collage of multimedia metalwork, paintings, sculpture, light projections and live performances that transforms the primal forest into a vivid psychedelic dreamscape. Held on Halloween weekend means costumes. Hulaween’s costume theme is “Ghoul Train” a blend of the late ’70s hit show “Soul Train” and “Monsters” or “The Addams Family”. Be sure to get in the spirit and dress to impress.

    There aren’t many places that cultivate a communal feel quite like Suwanee. To celebrate that, Hulaween is once again hosting an Ultimate Campsite Contest. Giving fans and their #HULACREW a chance to build their own theme based campsite, a celebrity committee of judges will scope the campsites Friday evening and choose their favorite site. The entire campsite will receive Werewolf VIP upgrades on the spot (up to 8 people per campsite). The upgrade includes discounted beer and liquor drinks, VIP indoor bathrooms, VIP viewing areas at the main stage, VIP swag bag, complimentary massages and complimentary golf cart shuttle service throughout the park at designated VIP stops.

    For a sneak peek at the full schedule go here and don’t forget to pace yourself and make it to the Silent Disco, which will run from 2am to 5am on Friday and Saturday, featuring a variety of  electronic  artists  including Vlad the Inhaler, Prophet Massive (aka Jason Hann of SCI), MZG and Unlimited  Aspect among others.

    For Hulaween goers traveling from out-of-state, keep in mind a brand spanking new program will offer Scoobie Shuttle Buses to and from Jacksonville International Airport. One way tickets are $35 and include all taxes and fees, on-sale through Elevate at suwanneehulaween.com.

    Tickets & Ultimate Incident VIP Packages are on-sale now. To join the wait list for cabins, golf cart rentals and RV hook-ups, please contact SOSMP at +1 (386) 364-1683.

  • Glass Animals and Empress Of materialize from the Neon Fog

    Flocks of leather jacket-clad twenty-somethings shuffled through the dim narrow corridor of Terminal 5 Thursday, Oct. 15 for the luminescent lullabies and dance beat ballads by Glass Animals and Empress Of. Fans donning zebra masks and those carrying pineapples (a Glass Animals emblem) all found their silhouettes shrouded in a hazy green light, with tropical flora caressing their shoulders as they trudged toward the music. Ticket stubs in hand they made their way to the high ceilinged gymnasium style venue, as a politely prompt Empress Of began trilling her gentle, innocent vocals right at 8:00 pm.

    glass animalsThough Empress Of, known off stage as Lorely Rodriguez, performs as a solo act, she was accompanied on stage by a keyboardist and live drummer. She stood close to the front of the stage with untamable confidence, her wild mane of curly hair giving her a distinct and eye-catching profile as she thrashed her head to the beat, corkscrew ends illuminated by vibrant hazy hues of purple, red and blue. After her first song, Rodriguez thanked the crowd with a breathy, unexpectedly sheepish “I’m so excited to be opening for Glass Animals.” Her soft tone between songs painted a distinct contrast to her bold presence while performing.

    During her second song, “Everything is You,” the first track off her debut album Me, Rodriquez’s fluttery vocals delicately flickered as the audience swayed, processing the powerful bass beat tickling their leg hairs. With her left arm completely outstretched to the side with mic in other hand, Rodriguez created a prophetic presence, repeatedly singing the existential line “You are everything, everything is you.”

    Next came “Need Myself,” a song describing an inherent need for independence. The lines “I think I’m the one I need” and “Just need myself/To love myself” were paired with a fierce sequence of rib cage-rattling bass. It got the heart pumping while the words invoked a more acute awareness of the metaphysical heart and the need for self-love. Distinctive beams of white light cascaded down upon the stage, illuminating Rodriguez at varying intervals, accentuating her singularity and independence as a performer.

    Throughout her set, Rodriguez emitted an undeniable honesty and sincerity with her songs. She stood before fans as a young passionate artist, with a great deal of emotional prowess from which to pull inspiration for her music. There were times when she almost appeared to get lost in the throes of her own sentiments, head banging to the beat, yet still singing flawlessly. Her voice carried through the room, taking a willing audience along for the spirited journey.

    Glass Animals followed, steeped heavily in fog, busting onto the scene with “Walla Walla,” which opens with a powerful and distinctive tribal drum beat before the bass adds to the heavy tone of the song. The incongruity of the convoluted lyrics add a fascinating contrast to the crisp, concrete beat. Lines like “Wiggle toes on wicker braids/Hanging with their nails so frayed/Mini fruits all bone dry/And a cape, black tie-dyed,” leave their meaning completely up to the listener’s interpretation.

    glass animals empress of“Hazy” offered a more nuanced beat riddled with subtle effects incorporating what sounded like a collection of snaps, rattling bones and exaggerated rain drops. Lead singer David Bayley, equipped with a tambourine, bounded around the stage in an explosion of animated energy. The crowd sang along to the chorus, providing additional background effects for fellow band mates Drew MacFarlane (guitar/keyboard), Edmund Irwin-Singer (bass/keyboard) and Joe Seaward (drums) to feed off.

    The audience cheered wildly when crowd favorite “Gooey” oozed from the loudspeakers as gentle xylophone pirouetted with Bayley’s velvety vocals. After a few measures of vocals and percussion conducted their delicate dance, the bouncy drum beat pounced and the sea of humans in front of the stage erupted into motion. One gentleman sporting a white Hawaiian-style shirt dotted in small pineapples smiled sweetly to his lady as he impressively mouthed the lines of nonsensical lyrics.

    Many other couples were too busy intimately enjoying the inner workings of each others mouths to sing along. For those still observing the stage, several large incandescent bulbs with what looked like satellite dishes ensconcing each, stood erect around the perimeter of the stage. Each time Bayley recited the words “peanut butter vibes,” the bulbs splashed a golden luminescence across every surface of the room. While visually encapsulating, the musicality of the live performance accurately captured the magic Glass Animals offers with their debut album Zaba.

    The English indie group ended the evening with “Pools,” which renders moments of clarity with more direct language. The distinct possibility that it might be a love song was supported by the lines, “We sip the wind through lips of dust/And out it comes, warm wisps of love.” Bayley delighted observers during the energetic song by tossing a whole pineapple off stage, in an act of love and solidarity for all of his pineapple-brandishing fans. The playful gesture concluded the show with a warmth and satisfaction as audience members bonded over the sight of an airborne pineapple.

  • Hearing Aide: Papadosio ‘Extras In A Movie’

    “When spring arrives epiphany/I’m still the last leaf on the tree.” As homage to the changing seasons, Papadosio has changed their musical hues from bright neon to softer, more organic colors in their fourth phenomenal studio album, Extras In A Movie. 

    Despite their label as a “genre-bending” group of musicians, Papadosio’s initial album releases of Observations and T.E.T.I.O.S. did in fact fall under one specific category- and that was electronic music. Yes, adoring fans may argue that they possess the improvisational capabilities inspired by jazz, progressive rock, and even jam rock to shape their melodic phrasing and musical transitions, and thus don’t belong under the same umbrella as electronic artists Skrillex or Bassnectar. However, I saw a dash of prog rock and a sprinkle of jazz for what they really were to Papadosio- and that is mere sensibility. I believed that to be labeled as a band that dismisses categorization, each style of music had to be crafted on an individual basis, incorporating the key elements and instrumentation of that style, yet somehow creating one inner voice over the entire work, as a subtle reminder of the single creator.

    It wasn’t until the release of Extras In A Movie that I felt this proficiency in musical obscurity towards Papadosio, but I am confident that this album will break ground for many listeners, especially those who may not have approved of the band’s stylistic approach at first.

    With an addition of some interesting sound effects, acoustic guitars, and tight harmonies, opening track “The Last Leaf,” and tracks “Epiphany,” and “Bypass Default” bring a strong introductory splash to the album, with an erratic yet satisfying mess of musical classes, ranging from styles of barbershop quartets to Pink Floyd to Awolnation. Anthony Thogmartin’s adaptation of vocal timbre throughout each track is complimentary and appropriate, while the surrounding band of Mike Healy, Rob McConnell, Billy Brouse, and Sam Brouse tend to throw in some instrumental surprises, most of the time in an effective and aesthetically pleasing manner.

    The fact that the average track is about three minutes long throughout this sixteen track album speaks great masses as well- this album was created to defy the standards of recorded music, and the ideas were organized in this fashion to isolate and preserve the individual conception of each instance.

    By writing, recording, mixing, and even video conceptualizing themselves, Papadosio has become the purport of the avant-garde composer, keeping the pillars of studio-induced creativity a strong part of their foundation. Their ability to showcase psycadelia-inspired electronic anthems like the album single “Glimpse of Light,” followed by the stripped down acoustic rawness in “Anima Mundi,” “Gazing the Great Oscillator,” and “Open” adapts Papadosio to any kind of setting, guiding listeners into an array of color, vibrancy, and authenticity. Along with developing their own voice, I also heard inspiration from other great genre gods, including Incubus, Genesis, and Daft Punk.

    As part of their grand release, Papadosio has introduced a tour they’ve cleverly named Extras In A Movie Tour – Act 1. If that doesn’t leave you with a curiosity of what “Act 1” implies, I don’t know what will. I suppose the only way to find out is to hitch a ride on their tour, with stops at Irving Plaza, the Westcott Theatre, and Town Ballroom in November.

    Key Tracks: The Last Leaf, Epiphany, Bypass Default, Anima Mundi

    [soundcloud url=”https://api.soundcloud.com/playlists/129943861″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]

  • Glass Animals and Empress Of will Take Over Terminal 5

    An evening of enchantment awaits those who intend on attending Terminal 5 in New York City Thursday, Oct. 15. Solo artist Lorely Rodriguez, going by the stage name Empress Of, will open the show, immersing the crowd in a sea of handpicked electronic beats layered with her ethereal Spanish-influenced vocals. Rodriguez released her debut album Me, in September 2015, and will be pulling from this freshly published collection of sound confections.

    glass animals empress ofEnglish indie rock group Glass Animals will take over, performing songs off their debut album Zaba, which dropped in June 2014. Frontman Dave Bayley’s feathery falsetto voice will be accompanied by his keyboard prowess along with Drew MacFarlane (guitar/keyboard), Edmund Irwin-Singer (bass/keyboard) and Joe Seaward (drums). Their eclectic and undeniably sexy sound ambience instils vivid depictions of tropical scenery leaving the listener to feel as though they’ve been immersed in a dance jungle of of desire. Don’t miss this.

    Doors at 7:00 pm. Get tickets here

  • Backwoods Pondfest 2015: Small Festival with Big Heart

    One of the best kept secrets in the festival circuit took place on August 7 and 8, 2015 in the Adirondack region known as Backwoods Pondfest put on by Full Circle Music Productions. The intimate festival is located at Twin Ponds Campsite in Peru, NY (almost Canada) with less than 2,000 attendees, most of whom have been coming to Pondfest for years and rejoice in the North Country reunion. The open car camping provides festival goers with spacious sites in the grassy fields, pond side or quiet wooded area.Newest and biggest upgrade to the festival was the large circus, cone shaped tent over the Woods Stage that offered quality sound and intrigue late night visuals. The event features over 20 musical talents from all genres and calibers of local favorites and national acts, with back to back performances on two stages. Guests who took advantage of the Early Bird Thursday night tickets got prime real estate and a live stream of Albany’s Formula 5 show in Lake George.

    Pondfesters arrived all throughout the day on Friday, unloading and setting up under crystal blue skies and sunshine. The Lynguistic Civilians voted Vermont’s best hip hop groupand making their debut at Pondfest, engaged the crowd with old school favorites and original, expressive lyrics. Pigeons Playing Ping Pong was another group new to the festival and was received with open arms. Their lighthearted, psychedelic funk was at an all-time high with a splash of reggae stirred in was the perfect start for the party on Friday night. “F U” got an extended jam with extra voltage from Max Garrett on trumpet from Capital Zen. The all string, quartet of Blind Owl Band call the Adirondack region and are no strangers to Backwoods Pondfest with a dedicated fan base at the Woods Stage. It was a hot set of bluegrass with an extra steamy, ferocious cover of The Allman Brother’s “Whipping Post”.

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    Lucid took a break from festival hosting duties to perform their traditional first set of the weekend on the main stage. “Simmer On Down” had beautifully stretched peaks of tropical melodies that splashed down into a psychedelic middle eastern ride. The crowd got charged up as Lucid brought up George Wurster on harmonica for the “Backwoods” theme song. The night only got hotter after the sun went down with the fire spinners whipping and juggling the flames in sync with the North Country music and to the awe of the audience. At the woods stage,Gang of Thieves, Vermont’s funk rock and roll band slayed their first Pondfest with a mighty Led Zeppelin medley that sent chills all over the backwoods. Headliner of the night, Particle, brought their dirty Philly street funk to Pondfest for a set full of high organ groove courtesy of Steve Molitz and heart racing rhythm of Allen Aucoin. Guitarist Ben Combe and bassist Clay Parnell unfolded layers of riffs that drove the vibrant rock. Friday night wasn’t over yet as Albany’s Mister F closed out the woods stage with a late night set of chilling livetronica. Fans who stayed up for the action got a special Steve Molitz sit in that raised the bar for the rest of the weekend.

    Saturday began as another beautiful day at Pondfest with perfect weather settings and an incredible lineup to look forward to. Those seeking a space of meditation and peace found it with Samantha Jo at her morning yoga class. Dozens participated in the deep breathing and stretched that were so desperately needed after a night of dancing. Meadow and Kevin Sabourin of Lucid serenaded the yogis with soft, acoustic lullabies. One of the best things about this festival being so small is that you can hear the music from the stages at your campsite. You’re always in the music. The Balkun Brothers, Steve and Nick Balkun invited everyone into the sandbox of the Wood Stage for train track, funk rock. Festival host and performer, Lowell sat in with his mean harmonica soul as the Balkun music awed the crowd. Twiddle fans were gifted with a Mihali Savoulidis acoustic Story Telling set on the Main Stage for a mellow ease into the afternoon. The raw and intimate set featured beat box looping of Twiddle classics about love and friendships, with behind the scene tales of how they came to be.The Heavy Pets kicked it up a notch with improvisational tight jams of rock and roll. Their deep focused peaks provide high cliff hangers when the chorus catches up with you.

    [FinalTilesGallery id=’470′]

    One of the most anticipated sets of the weekend was the Ex Presidents featuring Eric Gould of Particle, Todd Stoops of RAQ and Kung Fu, Neal “Fro” Evans of Dopapod, and Andrew Block of Big Sam’s Funky Nation. There was plenty of hype to go around with it being their first performance and let’s hope it’s not their last. The chemistry these veteran musicians have is impeccable with a fluid groove that kept the set fun and airy. Jeff Lloyd of Heavy Pets joined the talented crew for an awesome cover of Lou Reed’s “Walk on the Wild Side.” Stoops made the announcement of Evans becoming the newest member of RAQ with a side of jokes of everyone joining each other’s bands.

    http://www.youtube.com/watch?v=i__QLSM3_y4

    The night took a turn towards a urban street party as Sophistifunk packed out the Woods Stage with old school hip hop that had the ground shaking. The big event of the night was Backwoods Pondfest veterans, Spiritiual Rez blowing up the Main Stage at midnight. You could see the steam rising over the band as they feverously rocked out with a climactic unannounced fireworks show that flawlessly matched up with “Let’s Go Out With A Bang.” Normal Instruments brought the key ingredient of late night festival life with high energetic livetronica with fast rhythm and blaring chords.

    The festival ended as quickly as it began. The pack up is never as much fun as setting it up but we carry the memories with us until next year’s festival. Backwoods Pondfest continues to be a close knit festival of friends and family working together to host talented musicians that bring incredible music and smiles. It’s one of the best weekends you could have of the summer in Upstate NY so be sure to meet us in the backwoods for next year’s Backwoods Pondfest.

  • Catskill Chill Preview: One Last Dance at Minglewood

    As the summer festival season draws to an end, next week’s Catskill Chill Music Festival which takes place September 18-20, a week later than it is usually held, also marks an end of an era. The 6th annual festival, which has grown in popularity each year, will be the last one held at its original home of Camp Minglewood in Hancock, NY before the party moves elsewhere next year.

    Catskill ChillFittingly, upstate NY jam legends moe. will serve as musical headliner and Particle, the only band to play every Chill, will close out the weekend in grand fashion along with help from a number of other guests and friends.

    This year’s festival also offers a number of other intriguing musical collaborations as this seems to be a theme for the weekend. In addition to their own sets on Sunday, Dopapod and Turkuaz will be combining forces on Friday night and recreating a night at Studio 54. Shwizz and Fikus will follow their Saturday sets with a joint one featuring musical selections from the ‘80s before the Chillfam All-Stars perform what is sure to be an entertaining tribute to Herbie Hancock. This isn’t even the only All Star band of the weekend as the Stratosphere All-Stars, featuring members of Lotus, Particle and Digital Tape Machine, will help usher in the Saturday night dance party.

    If a band on this bill isn’t collaborating with another one, there’s a good chance they’re pulling double duty and performing multiple sets. Consider the Source will be doing both an acoustic and an electric set on Friday and Twiddle will be performing a set of Grateful Dead covers in addition to a set of their own Saturday night.

    Other notable performers this weekend include upstate NY’s own Aqueous and Solaris as well as Lettuce, Zappa Plays Zappa, The Motet and Electron.

    Catskill Chill is known for its home of Camp Minglewood and the purely intimate setting it provides with summer camp style cabins for lodging close to all the stages and designated camping areas strewn between them all. RV parking is also available for $150 and the festival offers both VIP ticket purchases and upgrades. In addition to an incredibly packed musical docket, there’s also Open Mic sessions being offered on Saturday and Sunday afternoons as well as yoga classes.

    Tickets for $195 and one last chance to experience one of the true hidden gems of the festival circuit can be purchased here.

  • SOiL with Powerman 5000 Take Fans on a Time Travel Trip

    The summer evening had people out of their house on a Tuesday, July 7 and into the one of the local metal music stomping grounds, The Montage Music Hall. The driving factor to come out this night was SOiL, listed as the special guest of Powerman 5000.  Although it was a Tuesday night, the walk through the venue doors became a gateway into the future and it became Friday night.  The venue had all that was needed for a good time to take place by hosting the bands on the Powerman 5000 tour.

    SOiL had brought in music lovers.  The talk and chatter of people clearly interpreted a cohesive understanding that this band is a staple to go see live whenever they are on tour.  SOiL played an important role to progress metal to the airwaves with hit singles.  These songs became a part of mainstream radio from the 2001 Scars album release.  That release included two songs that were included on the set list for the evening, “Halo” and “Redefine.”

    Ryan McCombs vocals were on point; full throttle power seemingly came from somewhere deep within him.  The venue was over taken by a full out sound blast filling every inch of the place. Indications of acceptance that the band was delivering were immediate.  People moved in as close as they could to the stage, phones glowing, ready to grab a picture before bodies started moving. The energy of the crowd shifted as they were embraced with the sound waves; that was the moment that confirmed this was a show worth going to. It became an experience, not just a night out. As the metal groove was in full play, even the biggest bad ass was moving to the beat, showing giddy approval of what they were witnessing.

    Bassist Tim King did his thing by keeping the crew together in the foundation core for both the harmony and rhythm. The band was one system, one body that fed off each other.  As the bass and drums built the intensity, a pulse was alive and strong. Drummer Mitch Gable literally hit it. The combination of the two were a countdown for all systems and ready for take-off.  The crowd felt the pulsating vibrations to their core with the bass and drums fully in check. Harmony streamed in from guitarist Adam Zadel’s skills for people to get their metal sway on.

    The connection of all systems was completed when McCombs vocals took hold, containing passion and deep meaning, what serious metal music fans want to hear and see.  He was at one with the microphone, the song, his boys and himself.  People were connecting and were in the moment with the band in a unique moment of time.  Ryan sang with a powerful roar that included perfect pitch, pure emotion and soul.  Add in qualities of stage presence and a sense of deepness and he is unique, not just through his vocals or the rasp in the voice.  He is the full package as the front-man.

    Each of these guys bring to the stage the talent and coolness that are combined and meant to complement each of their skills.  No wonder why these guys have sold over 1 million records worldwide.

    It would be dismissive not to talk about Powerman 5000 (PM5K), who displayed a wild experience and definite change up to the metal hardcore that was on before them. Described as futuristic electronic metal, the confidence in their style and skill kept everyone engaged. Spider One connected immediately with the Rochester crowd by introducing an off-topic conversation.  He asked and waited for answers regarding restaurants that are open and have food in Rochester. People started yelling back responses, “WindJammers!” and then a specific response “Pizza!”  Spider’s response was that he would have loved that information earlier in the evening.

    Powerman 5000 performed with a futuristic sound of rap with metal and an electronic edge mixed well with the green laser lights shooting from the drum sticks, guitars and not to mention the outfits that had everyone thinking they had traveled to a future time.  The tour is supporting the release of the latest album Builders of the Future.

    Unfortunately for Rochester, time travel from the Friday night vibe had to return to Tuesday as the show ended.  Not one person left dissatisfied with their time travel trip.

  • Hearing Aide: Todd Rundgren “Global”

    Todd Rundgren released his 25th album, Global, on April 7 and immediately set out on a 34 date North American tour. Having had the pleasure of seeing Todd in concert several times, reading some of the early reviews didn’t surprise me at all. If you expect to hear “I Saw The Light,” “Can We Still Be Friends” and “Hello, It’s Me,” TR never disappoints, but, he may make you wait and tease you a few times before giving in. I grabbed a couple of quotes from a good friend’s Facebook posting post-show, before delving deeper.

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    “Todd always brings his own cutting edge and set his own parameters, very few artists are this talented and confident. If fans struggle with change and evolution, they should choose another artist to follow.”

    “It takes a lot of courage as a fan to follow him with an open-mind, but the rewards are worth the effort”, Tommy Allen.

    “Just a killer show, filled with positive energy from the girls (The Global Singers) and the DJ (DaM FunK). Todd was in fantastic voice and delivered all of the songs with passion. The choreography and light show turned the whole thing into a very immersive experience. Don’t listen to the bad reviews on the internet, this is a very unique and futuristic show,” said Mark Doyle.

    Honestly, it took several spins of Global to get the feel, but being familiar with his previous release, State, it warmed me quicker to the work. The opener, “Evrybody” sounds like a slap in the face to the entitled or a call to arms for the populace. Either way it sets the tone for the album. As on most albums, it’s all Todd, all of the time. Almost exactly the way he would take it on tour. “Flesh & Blood,” another EDM-like tome that pokes fun at DJs while showing what really can be done electronically with real lyrics that have something to say. The verses sting, the chorus, “You’ve got free will, but you’re flesh and blood” simplifies and drives the message. Keep in mind this man is one of the fathers of multi-media, usually several steps ahead of the game, ultimately disenfranchising some. A pity really. “Rise” is right to the heart of the state of things, yes, globally. He speaks directly to the Romanesque status of civilization, “Time’s ticking away, time keeps ticking away. If we don’t rise, then we will fall.” Pretty simple and right on the point. This leads into “Holyland,” a rhythmic adventure into the definition of what that is exactly. Everything. If this track doesn’t hit home, you’re simply not paying attention.

    “Blind” slows the pace a blue-eyed, soulful bit and illuminates the false-flag of media. “I’m not a scientist, everybody likes to brag these days. And yet they still insist, twisting all the facts their way.”  Directly aimed at climate-change deniers, god-trusting book wavers, that believe all will be taken care of for them, perhaps still on the entitled ones. Shielding their eyes from the reality in front of them. “You have to be blind, blind, blind. Eyes that will not see it. (Writing’s on the wall.)” “Earth Mother” kicks back into EDM as a anthemic call to action, from a Rosa Parks reference to the choruses repeated message, “Can I get a shout-out from my sisters, a shout out from my girls. Now go out there and change the world. “Global Nation” flows right into the theme of one world, one cause, one solution. “Calling out to the planet, calling out to the world. (Global Nation) I wanna wrap my arms around the world, wrap my arms around the world and dance.”

    TR always has his moment when his heart bleeds out, “Soothe” is this record’s example. His lyrical emotions move you, the timbre of his wavering voice speaks directly to the listener, whomever it may be. Something TR does exquisitely. This is chicken-skin arms material. “Maybe I can’t make gray skies turn blue, but I can soothe you. When your lovers are untrue. And the whole world seems out to hurt you. Know that I would try, everything I knew, to soothe you. I will soothe you.” “Terra Firma” sequences forward analogously as a tale of the intrepid explorer casting-off to someplace unknown. With solid ground being the love and home he left behind, “I am off to great adventures, leaving you behind. Far beyond the border and I have no clue what I will find. But the thought of home never leaves my mind, no. Though the minutes stretch to hours and the hours stretch to days. With the trials and tribulations, well it seems like I’m so far away. And it’s just too high a price to pay. There’s one thing I can always say. Whenever I feel the rain I put my faith in terra firma. And I’m never far away, because you’re my terra firma. (terra firma) Whenever I feel alone, I go home to terra firma. (terra firma) The place I can call my own, because you’re my terra firma (terra firma).”

    “Fate” poses destiny as a card game and addiction that everyone seemingly has. The future being out of our hands like a roulette wheel spinning out of control. No one wants to face up to the realities of our time, it’s easier to rely on fate than make an effort to change. Manifest destiny, worldwide. “Skyscraper” shines the light on the trappings of civilization. Buildings and cars, partying with friends, living in the moment with no regard for what’s ahead. “This Island Earth” closes and wraps it all up, neatly exposing what needs to be for change to happen, allowing the future a chance to exist beyond man’s current course. “There is no other place in this universe, like this island earth. We fantasize about this spoiling other planets, like this island earth.”

    When taken as a whole, this album is yet another message from a very old soul, living on the cutting edge of technology. Drawing distinct lines between reality and fantasy, fate and destiny, what can and cannot be. A statement from one of the bravest, deepest songwriters of our time that is not to be ignored.

    Of course TR has multiple platforms to read and learn from. Check out more on facebook and his website.

    Key Tracks: They’re all key tracks, it’s Todd Rundgren! Check out “Terra Firma” and “Soothe,” they crush.