Two saxophonists, Mike Wilbur and Wenzl McGovern with a drummer James Muschler make up the phenomenal band Moon Hooch, who performed at Winter Carnival 2015. They call it “Cave Music” I call it the best new jazz out there, aka Rashim Roland Kirk. Hold on to your drum hat and start your cyclic breathing, this band will make you dance.
Funky, wild, free yet so organic is the groove that the only primal thing you can do is move. Let other bands do covers, this band has captured a unique sound that has propelled it from busking on subways to hitting the top numbers on Billboards jazz charts and packing dance halls around the country. Picked up by Mike Doughty (formerly of Soul Coughing) when he saw them play in the subway and liked them so much that he had them open for him on a national tour. The Moon Hooch phenomena has just grown from festivals, to pastures, to museums, to cooking vegan in the van, to inducing alpha brain waves in the audience. They just released their second Album, This is Cave Music, and they are an act not to be missed. Photos from their show at The Waterhole at the Saranac Lake Winter Carnival as well as prior to the show,with a giraffe.
And yes, they tore the house down and all were dancing to…..jazz.
One can see why they have been welcomed with such great acceptance in blues-aware England and played with T-Model Ford in the Delta. They have been awarded first place in the On The Rise competition at the 2014 Floydfest and are currently number one across the board on 
Touring in support of Phosphorescent Harvest The CRB, as they are known by their fanbase, played a few highlights of the album with “Meanwhile in the Gods…” and “Jump the Turnstiles” in the first set. The band was tight throughout the evening, which was great to see as they are breaking in new drummer Tony Leone. Sometimes when bands change members it takes a while to gel as a group, but The CRB was in fine form. Chris Robinson was in vocally great, as he always is, and even showed off some impressive guitar playing from time to time. Neal Casal handled much of the work on the guitar and it was wonderful to listen to his playing all night. He can solo with the best of them, but can also intricately shape songs without taking over the whole sound. “Tulsa Yesterday” closed the first set out with a thrilling jam that was a preview of what the meat of second set was going to be.
After a short break they came back out and hit the ground running with “Try Rock & Roll”. Everyone in Bearsville was tuned in to what the band was giving them and smiles were seen on everyone’s face, including the band between songs. Adam MacDougall seemed to be steering the jamming ship throughout the second set with some great work on the keys. The psychedelia was strong from his side of the stage and only pushed the others to join in. Chris Robinson is of course no stranger to that sound, so it was easy to see why he recruited Adam into the band. Mark Dutton may have gone unnoticed by many throughout the evening on the bass, but he has mastered being the grounding sound during the intense jams that happened. The biggest jam of the night took place during “Vibration & Light” that bled into “Hard to Handle” with a beautiful transition. The two songs were great, but the middle area where the band got weird and just jammed for a while was the clear highlight of the evening. This was followed by “Rosalee” where they once again went off the rails of the traditional song and let the space around them dictate where the song would go. Coming back with a live debut cover of Van Morrison’s “Call me up in Dreamland” was a fitting end to the evening.
Set 1: Good Rockin’ Tonight, Jump the Turnstile, Shore Power, Roane Country Blues, Star or Stone, Meanwhile in the Gods…, Tulsa Yesterday