The lineup for the So What?! Music Festival has been announced, and it includes Albany’s State Champs, New York City’s Bayside and Long Island’s Stray From The Path.
So What?! Music Festival (formerly South By So What?!), now in its ninth year, will take place Saturday and Sunday, March 19 and 20, at Quiktrip Park in Grand Prairie, Texas. The initial lineup for the 2016 festival was announced this week: New Found Glory and Underoath will headline the festival on Saturday and Sunday, respectively. State Champs and Bayside will play Saturday, while Stray From The Path will play Sunday. Other artists include Neck Deep, Real Friends, The Devil Wears Prada, Saosin and Beartooth.
From the press release:
Different from other music festivals, So What?! is a “festival made by fans for fans,” stated founder and promoter Mike Ziemer. Opening its doors in 2008, Ziemer and his company Third String Festivals had a vision to create an alternative music festival where fans could get away from the massively growing South by Southwest. The festival was designed for a more intimate ambiance for fans at a reasonable price. Located just a few hours shy of Austin, So What?! Music Festival delivers an array of musical acts including rock, metal, folk, dance, pop, pop-punk, and this year an all new acoustic stage (artists yet to be announced). Previous artists include Asking Alexandria, The Early November, Motion City Soundtrack, G-Eazy, Pierce The Veil, Cartel, Sleeping With Sirens, A Day To Remember, Taking Back Sunday, and more.
Tickets for So What?! Music Festival are available now. Single-day passes can be purchased for $50. Two-day weekend passes are available for $75. VIP packages are also available, starting at $150.
The year after its 20th annual edition, popular music festival Gathering of the Vibes will take a break in 2016.
Festival founder Ken Hays announced today that he needs a “time out,” calling producing the festival as an independent promoter a challenging endeavor.
According to the statement posted on the festival’s website and social media and emailed to the festival’s mailing list:
This is not the end of the Vibes, my friends; it’s simply a pause, an opportunity for us all to reflect on the memories, explore new and exciting festival initiatives while planning our triumphant return in 2017.
The four-day festival started as a gathering at SUNY Purchase for people mourning the loss of Jerry Garcia in 1996, and it has had strong ties to the Grateful Dead community ever since, hosting all of the original band members at various points throughout the festival’s 20 years. The festival was held in several New York locations before relocating to Seaside Park in Bridgeport, Connecticut. Gathering of the Vibes 2016
As the dust settles and we begin to experience a last surge of heat for the season during this balmy November, it seems like the perfect time to reflect back and savor the amazing week of events, shows, and spectacular activities and eats offered this year at the 2015 Great NY State Fair. After all, the week immediately preceding is generally so busy with back to school running around, Labor Day celebrations, etc… you don’t really get an opportunity to sit down and digest what an amazing week (twelve days really) we really have right here in New York State. After all, it was voted the fifth best State Fair in the nation by USA Today in 2015. Nothing to sneeze at. We also can bolster that we hold the prize and honor of being the first State Fair ever. So take that Minnesota. Wait till next year, you’ll be looking up to us as we sit at number one.
Breaking records on Day One with more than 16,042 above last years opening day, it was a great start for the Fair, as crowds visited throughout the twelve day event. With gorgeous weather, stellar performers scheduled each day, and special $3 Thursdays, and $1 Labor Day, attendees were able to take advantage of the fun at an affordable family price. Day One’s attendance record could possibly be attributed to the first of only a few final Grandstand shows scheduled. With the new Lakeview Amphitheater opening across the street, it’s exciting to be able to offer patrons the best in the business with state of the art equipment once again in this region. But, it also was bittersweet to be part of the final days at this venue before it’s demolition this year.
Over the thirty eight years the Grandstands at The Great New York State Fair hosted shows to fair goers. Memorable acts such Whitney Houston, Garth Brooks, Frank Sinatra, Neil Young, James Taylor, Ted Nugent, Rihanna, Brittney Spears, ZZ Top, Justin Bieber, Alicia Keys, and so many others graced the stage and filled the seats bringing Central New Yorkers some of the greatest names in the business while Chevy Court attendees were treated to free shows. Over the years the tide turned and the free concerts became the place to be.
As larger names were brought in to Chevy Court, records began to be set, with this years Steve Miller Band hailing the largest crowd ever at Chevy Court with approximately 36,900 attendees. Nonetheless, all good things do come to an end, while some have bright new beginnings. Next year fair goers will sadly reminisce about those days at the Grandstands, but will return to a brand new Chevy Court as national acts will once again treat those patrons to free entertainment with state of the art equipment and stage.
So as we reflect back on the final shows at The Grandstands this year, it was only fitting that country favorites Eric Church and Hank Williams Jr. held the last hooray and gave it a final farewell, fittingly deserved of those thirty eight years. The throw back ticket pricing for all acts including legendary Patti LaBelle and comedian Jim Gaffigan, and was a proper thank you to all attendees as they enjoyed the final moments at was once Central New York’s summer venue place to be.
Eric Church started the party off right with special guests Cadillac Three on Day One. This group of long haired rowdy boys, set the bar high with their country rock and roll and introduced those newcomers to their Cadillac Three style of in your face hard core rock with an edge of country thrown in. Eric Church, well of course this handsome mysterious country star shone bright as he filled to near capacity once again a venue paying homage to those before him. Playing hits such as “Cold One,” “Talladega,” “Give Me Back My Hometown,” “Drink In My Hand,” “Smoke A Little Smoke,” and of course the hot and steamy song, “Like A Wrecking Ball.” Yep, this down home country boy did this crowd proud and started this party off right.
Hank Williams Jr. brought his rowdy friends to the Grandstands on day four of the fair and kicked up some some dust with his Honky-Tonk hits. The Louisiana born country star brought some of his most well-known songs such as Neil Young’s “Are You Ready for the Country,” “All My Rowdy Friends,” “The Blues Man,” “There’s a Tear in My Beer,” and “A Country Boy Can Survive.” The audience was ecstatic to have Hank visit Syracuse, and Hank was equally happy to be performing to grateful audience. Among the crowd favorites in the set, was an impressive collection of his father’s songs including “Move It On Over,” “Kaw-Liga,” and “Your Cheatin’ Heart.” Adding even more intensity to the show, were a few unforgettable mash-ups, the greatest one covering “Outlaw Women” > “Dinosaur” > “There’s A Tear In My Beer” > “All My Rowdy Friends Have Settled Down” > “Good Ol’ Boys” > “I Walk The Line.” Of course, the evening would not have been concluded without an epic sing-a-long version of “Family Tradition.”
While Hank was bringing down the house over at the Grandstands, Chevy Court had a few shows to bring in the crowds themselves on Day Four. Up first for the 2p.m. show was country favorites The Swon Brothers.
The Swon Brothers are perhaps known by most as the lovable country brothers on season four of The Voice. On team Blake, these two siblings made their way to third that season, but are number one with all their country fans. Singing their hits “Later On” and “Pray for You,” Colton and Zach revved up the crowd and had them singing along in no time. In fact, the crowd even became part of the show with a sound of cheers as to which brother they liked best. Like a good mother always says, I love you both the same.
As the evening began to roll around Chevy Court was filling up with eager fans awaiting the amazing Nate Ruess. Best know perhaps as lead singer of the indie group Fun, it seems like every song he touches becomes a hit.
With his new band the Romantics, their set list was ridden with hits from both his bands Format and Fun with songs “Oceans” > “We Are Young” > “Some Nights” > “Carry On,” to some songs from his new solo album Grand Romantic (“Great Big Storm” > “You Light My Fire” > “What This World Is Coming To” > “Nothing Without Love” > “Harsh Light” > “Ahha”), and covers (Prince’s, “Let’s Go Crazy”). This amazing musician may be best known for his strong vocals, but don’t count him out as his songwriting abilities are top notch as well. As part of a collaborative effort, Ruess partnered with Pink in 2014 on the number one billboard song “Just Give Me A Reason” which was nominated for two Grammy Awards in 2014. Yes, the NY State Fair surely brought in the big guns on day four, for sure.
On Tuesday, Day Five, Chevy Court once again welcomed Bowzer’s Rock & Roll Party back to rock out the afternoon crowd. This lovable 50’s icon, known to most as a member of the popular 50’s Doo Wap group, Sha Na Na, has entertained us with not only his humor and personable demeanor, but his musical talents for more years. Jon Baumann, his real name, is a native of Brooklyn, New York and studied classical music at Juilliard at a very early age, and whether it was playing Mozart or with Sha Na Na, his mothers greatest moment was seeing her son at Carnegie Hall.
One Day Six, Chevy Court was packed with fans awaiting their favorite new 2015’s ACM New Artist of the Year, Cole Swindell. With such an amazing group of new artists this year to be nominated, what was it about Cole Swindell that stood out above the rest? One quickly learned it was his stage presence. He had the ability to draw an audience in like no other. Perhaps it was the eye contact, the waves, or the pointing to individuals that made you feel like he was singing right to you.
An accomplished songwriter way before releasing his self titled debut album, Cole Swindell, Cole was no stranger to the music business. Penning hits for other country artists such as “Roller Coast,” “Get Me Some of That,” and “This Is How We Roll,” to name only a few, Swindell had made his mark in country music and touching souls of those his words spoke to. Singing his hits “Chillin It” > “Ain’t Worth The Whiskey” > “Hope You Get Lonely Tonight” > “Let Me See Ya Girl,” he had this crowd in the palm of his hand. With a mischievous smile and a country charm, this down home country boy was definitely a crowd favorite at the Fair this year.
On Tuesday, September 6th, Day Six, country was once again represented by country favorite Joe Nichols at Chevy Court. Joe’s smooth country sound is clearly what some critics consider “traditional country” music and not the new “Bro Country.” His vocal comments against the turn of the tide has not gone unheard by many in the business and he even joked about it this year at the Fair. Singing Sir Mixx A Lot’s, “I Like Big Butts,” as only Joe could, the audience loved his countries version of rap as it confirmed why he is best suited for the country genre.
On Wednesday, September 7th, Day Seven of the Fair, Snoop Dogg was scheduled to perform but was forced to cancel the night before. To everyone’s surprise, the fair was able to bring in rapper Nas as Snoop’s replacement. The fair on Wednesday didn’t seem as packed as it had been the last week but that didn’t stop an estimated 30,000 people from coming to Chevy Court.
On Thursday, Day Eight, R&B superstar Jason Derulo performed for a packed crowd at Chevy Court. Derulo put on an excellent performance that included a backing band and a group of dancers. For a night that featured two other major artists at the Grandstand and the new Lakeview Amphitheater, Jason Derulo filled Chevy Court with no sign of any competition. As someone who just played at the fair last year, Jason Derulo drew an estimated 25,000 screaming teenage girls.
On Saturday, Day Ten, Chevy Court welcomed home many local talented artists right from our own back yard. At the 2pm Chevy Court Show, crowds welcomed Amanda Lee Peers; Syracuse native, Josh Batstone; and season eight’s winner of The Vocie, Sawyer Fredericks. It was heartwarming to be able to welcome all our hometown heroes to the stage and celebrate their music.
The 8pm show on Day Ten welcomed Motown greats, The Jacksons. Consisting of original members, Jackie, Tito, and Marlon Jackson, the crowd went wild as they danced and sang along with hits “Can You Feel It,” “Rock With You,” “2300 Jackson Street,” “ABC,” “Dancing Machine, ” Shake Your Body (Down to the Ground)” and many, many more.
It’s hard to believe that this marks their 50th anniversary tour, but still today fans went crazy, dressed in costume, and got up on their feet to sing and dance along to all their favorites. For me, it was a walk down memory lane watching video clips of live shows and interviews and clips of their Saturday morning cartoon that I watched so many years ago. A fun evening of music, those guys still have the moves for sure.
The Steve Miller Band came to the Great New York State Fair on the second to last night and brought along a record 37,000+ (the largest crowd to date). As the quintet hammered down on Syracuse with their hits from the last five decades, the performance got better as the crowd sang louder to each song. Opening the show with “Jungle Love,” gave a great representation of the fair with how all of the fun, food, crafts, and entertainment can sometimes feel overwhelming. The show included major plays consisting of “Take The Money,” “Shubada du ma ma,” “The Joker,” “Fly Like and Eagle,” and “Keep On Rockin’ Me.” Little Walters’ own “Blues With a Feeling” made an appearance during the show and despite Millers’ tender age of 71, he showed some animation during a rendition of “Loving Cup.” Before the crowd knew it, the enhanced encore had arrived with the group playing “The Stake,” a very bouncy “Swingtown,” and ending the high ride with extended “Jet Airliner.”
As the final day approached, I knew that an early arrival was mandatory to secure my seat amidst the Millennium generation that was sure to have already staked out the best seats available awaiting teen heartthrob, Nick Jonas. Arriving at 11 a.m. I realized that I was in for the longest day ahead, on what was to prove to be the hottest day of the fair. Surprisingly enough, the crowd of Nick Jonas fans remained upbeat with little to no complaints, and by midday the NY State Fair staff began handing out free waters to those who refused to budge from their seats, lest give up the prime real estate while in absence. The refreshing donation hit the spot and spoke volumes on what a great event and what great folks work to bring this event to everyone.
As the time neared and Nick Jonas came out to the stage, he set right out playing his number one song “Chains” following it up “Numb” > “Levels” > “Wilderness” > “Good Thing” > “I Want You” > “Santa Barbara” > “Under You” > “Roses” > “Teacher” > “Take Over” and for an encore, “Jealous.” How he managed to wear that jacket through half the show was beyond me as I was literally melting into my seat. Jonas’ first solo tour, and one of the first times out by himself, it was a great ending to the Fair, and great beginning for his new upcoming tour to get his footing on stage with his ultra hip band.
Okay, so we’re number five in the top ten best state fairs in the nation. Perhaps you can see why this twelve day event becomes the traditional ending to New Yorkers summers’. Whether you come for the rides, the events and competitions, the exhibits and opportunity to buy some Ginsu knives, the food (you know you do), or the music, it proves each year to raise the bar and bring in what fairgoers want. Looking forward to the 2016 Fair, they will once again raise that bar, and hopefully continue to bring in the biggest names in the business to their ultra new and state of the art Chevy Court. I predict that next years shows will exceed this years, they’ll book much quicker than years past, and once again the Great NY State Fair will prove to be the place to be to end our summer on the highest note possible.
Making its debut at Hulaween was Atlanta based Incendia. Built by Cory Glenn, Incendia started as a backyard project that has blossomed into a tour de force of fire, music, and performance art and has been on a tour of music festivals, Burning Man, and regional burns all over the U.S., including festivals such as Mysteryland and Creatures of the Night. NYSMusic was able to get an exclusive interview with Cory regarding Incendia, it’s origins and future.
Mysteryland
Chris McMullen: How long have you been a burner/going to Burning Man?
Cory Glenn: I’ve been attending burns since 2009, when I stumbled across the incredibly passionate, creative, and resourceful community that is the Georgia burn scene, which is centered around an annual event called Alchemy.
CM: How many Burns have you been to, both main and regional?
CG: I lost count of how many burns I’ve been after around a dozen, but I can definitely remember that I’ve been to Burning Man twice.
CM: What inspired you to start making domes? And add fire to them?
CG: This is definitely a case of the chicken coming before the egg; I discovered our awesome flame effect whilst fooling around with fire in my backyard. Geodesic domes are just a simple, safe, and ultimately aesthetically sound way of framing this fire effect we’ve grown to call ‘fire inversion’. The more I began to work with, and learn about geodesic structures, the more amazed I became at their elegance, symmetry, and geometric majesty. They’re just so damn beautiful to me in their simplicity, and the more I studied them the more layers I found, and potential possibilities to expand and complement their inherent grace kept becoming apparent.
CM: Did you plan on taking Incendia to music festivals? Had you attended music festivals previously?
CG: I definitely expanded Incendia from a small prototype ‘proof of concept’ dome into the larger, more logistically challenging, and time-consuming behemoth it is today with the intention of turning it into a business. Music festivals were, and continue to be, the primary source of revenue for us. We are however endeavoring to expand our services into different markets such as private events, corporate showcases, pop-up restaurants, and the like. I had never really attended for-profit and musically-motivated festivals before, being too focused on large-scale projects within the burn scene. However in 2015 we’ve done close to 15 festivals, ranging from small mom-and-pop bluegrass jams to internationally-renowned events such as Mysteryland and Hulaween, and I’ve lead the build on all but two of them.
CM: What are your thoughts on Hulaween in particular in regards to the crossover of burns and music festivals?
CG: I wouldn’t consider Hulaween to be a crossover between a burn and a music festival in too many ways, as Hulaween does not uphold nor espouse the Ten Principles of Burning Man, which are tenets that play an integral role in creating the unique environment of a burn versus a commercial festival. However, I will say that Hulaween was excellently curated art-wise. Spirit Lake contained a greater density of incredible art projects than I’ve seen at any non-burn event, and definitely reminded me of the experience of wandering the open desert at Burning Man in search of art with which to interact. Furthermore, many of the experiences I witnessed people sharing in and creating together were very reminiscent of those at a burn. Oh, and radical self-expression. Hulaween’s attendees had that in spades, bunch of goofballs… the ultimate campsite contest too, to me that was a great way to encourage teamwork á la the burner principal of communal effort. I guess Hula’s doing more than I realized, I hope they keep it up!
CM: Is this a good thing for the future of Burning Man?
CG: It is no secret that American pop culture and mainstream commercial festivals have seen a greater influence from ‘burner’ culture. Unfortunately I think this is most apparent in the things that these separate entities previously shared; love of music, style and fashion, and technology. Whilst now I see a subtle permeation of burner fashions, musical sub-genres, and gadgetry and art into the greater American consumption machine, what would make me far happier to witness is the adoption of some of the tenets such as leave no trace, decommodification, and civic responsibility.
Is this ‘good’ for Burning Man? Depends on who you ask! Depends on how you define ‘good’! Whom exactly is influencing whom? One of the most striking things that has kept me going back to burns is this intangible and ethereal experience of human connection and personal fulfillment that I get. Imagine summiting Mt. Everest, only instead you’re summiting Maslow’s Hierarchy of Needs. THAT feeling. Can people reach this state at a commercial music festival? Undoubtedly so, given the right circumstances. Can this euphoric state be recreated in the day-to-day? It’s been a goal of burners everywhere since we started tracking playa dust back into our living rooms years ago. So if the permeation of burner culture into greater society results in this positive influence, then yes, I’d say it’s ‘good’ for Burning Man. If it results in the commercialization, dilution, and bastardization of our culture and it’s values, then no, I’d say it’s not good. Only time will tell.
There are moments in one’s life that will stay with them long after the music has stopped. The third and 2015 edition of Hulaween once again curated a festival experience for the ages. One that will be stuck in festival goers minds for a long time to come, until next year that is.
The third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.
Hosted once again by The String Cheese Incident, Hulaween brought many other big name musical acts to the party, some for their first appearance at Suwannee. With a total of seven sets over the course of the weekend, including their Halloween “Ghoul Train” cover set featuring Wu Tang’s Gza acting as Don Cornelius, plowing through crowd favorites such as “Brick House,” “Boogie Man,” “Car Wash,” and “Dance to the Music,” SCI held nothing back, whipping revelers into a dancing frenzy at every opportunity.
A highlight at the Amphitheater Stage Friday was undoubtedly Primus, getting the crowd started with “Those Damn Blue Collar Tweakers,” they left it all on stage with favorites like “Mr. Krinkle,” “American Life” and the coveted “Jerry Was a Race Car Driver.” Their set was not without Les Claypool’s usual witty banter with the crowd, as well as some less usual songs like “Jilly’s on Smack” and “Salmon Man.”
Pretty Lights played to a majority of the attendees Friday night interspersing some new music into a set chock full of his trademark energetic glitch hop, with horns and keys aplenty. A highlight at the Amphitheater Stage on Saturday was Suwanee virgins Odesza who harnessed the crowd’s energy and magnified it into an incredible set of danceable electropop and chillwave grooves leaving everyone in a breathless sweaty heap by the end of their set. With many festivals opting for a relaxed schedule on Sunday’s to encourage a relaxed crowd, Hulaween had other plans.
After a tight bluegrass set by SCI on the main stage, the skyrocketing Griz took the amphitheater by storm announcing that it was the “Funkiest party in the galaxy until Lettuce takes the stage.” Hit after hit had a packed amphitheater crowd bouncing and gyrating until it appeared to form into one massive dancing organism. After String Cheese played their final set, Lettuce indeed brought the funkiest set of the weekend, playing new material off of their fourth studio album Crush. Many were seen looking for their jaws on the ground afterwards.
Closing Hulaween down were none other than livetronica pioneers Sound Tribe Sector 9. Once again the main concert field was packed with fans drawing from energy reserves to dance their hearts out for one finale set of music.
The expansion of Spirit Lake brought many new art exhibits and interactive sculptures, as well as the return of exhibits from previous years. With some stellar performances by Manic Science (Manic Focus X Break Science) and The New Mastersounds at the Spirit Lake Stage, the art wasn’t the only selling point.
Silver Wrapper Productions and The Spirit Of Suwanee Music Park have outdone themselves, once again. Time will tell if it’s possible to bring together a more impressive line up, a more perfect lay out, or a more incredible all around music and art experience together in one gorgeous package.
Stephen Foster wrote what became the Florida state song “Way Down upon de Swanee Ribber Far faw Away.” That is where Magnolia Festival lies and October 15-18 marked the 19th annual Magnolia Fest being held at The Spirit of the Suwannee Music park in Live Oak Florida. The park spans over hundreds of acres and has sustained a reputation for being one of the most gorgeous places in the south hidden right in the middle of the pan handle, between Tallahassee and Jacksonville. Every year thousands of music festival enthusiasts patiently wait the time to return to the Suwannee to “Get their Mag On,” and that is what many did.
It truly was a surreal weekend of music and fun. One thing can absolutely be agreed on, the weather was perfect. There was always a cool breeze, fair amount of warmth from the sun hidden under all the beautiful Spanish Moss and absolutely no rain. The perfect atmosphere to set the stage for funky bass lines, smoking fiddle solos, and some of the most soulful singing ever heard.
The Lee Boys kicked off the festival by setting the bar quite high! Between the powerful guitar solos to the thumping bass the boys played a set with such high energy no one could stand still. Their melodies soared up to the trees as they sang “Testify.” Band of Heathens not only boasted great harmony vocals but also featured two lead guitar players. It seemed after every song it was time for a different guitar.
The Congress set the mood for a soulful night under oak trees. One of the highlights of the set was a tasteful rendition of the classic “People Get Ready” and just about everyone in the audience joined in the singing. The voices echoed against the trees and filled the amphitheater with beautiful voices. The Motet and their upbeat funky dance music made for the perfect late night dance party under the stars. This band really had the perfect amount of finesse and sass, each solo spontaneous and sensationally crafted.
After The Motet it was time to head over to the Porch Stage, located near vendor row between the Amphitheater Stage and Meadow Stage. The crowds gathered close for the sweet mountain voices of Nikki Talley and Jason Sharp. The duo tour regularly but hail from the Asheville area and recently released Out from the Harbor and included many of the songs in their set that night. It is really wonderful to see two musicians compliment each other so well. Sharp’s smooth guitar solos create the ideal accompaniment to Talley’s full vocals. Talley puts down her guitar and picks up her claw-hammer banjo. She plays a rendition of the old time tune “Railroad Boy.” the song creating a pleasant tension in the audience as everyone lingers on the lyrics.
Closing out the evening back on the Amphitheater Stage was Boston’s own Lake Street Dive. The band truly packed a punch into the evening with their powerhouse set. Lead singer Rachael Price has a voice with such fidelity. It is incredibly relaxed, soulful and you can hear the joy she lets out when she performs. She and bassist Bridgette Kearny compliment each other in a way that most musicians can only dream of. Towards the end of the set they played a fun version of Annie Lennox’s “Walking on Broken Glass,” resulting in a very well-deserved standing ovation.
Friday was yet another beautiful day, and taking the Amphitheater Stage was Grits and Soul, a duo featuring Anna Kline on guitar and vocals and John Looney on mandolin and vocals. They are currently working on recording a new album to be released in 2016, and it will be fun and exciting to see the results. Later in the afternoon the Habanero Honeys took the stage inside the music hall. The band is typically comprised of Cathy Lee, Beth Judy, and Tom Nelly, and today welcomed Stef Lee, Jeff Sachs, and Bobby Burns from Sloppy Joe as well as Nikki Talley. The super group played a variety of original songs and Beth Judy also recited a couple of poems while being accompanied by Nelly and members of Sloppy Joe.
The Meadow Stage was the place to be for driving bluegrass this afternoon. Del McCoury is without a doubt a bluegrass legend and his vocals are undeniable with one of the tightest bands in the bluegrass world alongside him. For the more progressive bluegrass fans, the “boys” as they are fondly referred to performed an amazing jam filled set back at the amphitheater following their meadow performance. Most bluegrass fans would agree that this band continues to uphold the traditions of bluegrass but at the same time release a new energy to their own brand of new grass.
Finally, it was time to make the trek back to the Meadow Stage for the Grammy award winning husband and wife team, Susan Tedeschi and Derek Trucks, the heart of Tedeschi Trucks Band. Susan Tedeschi’s vocals are comparable to the blues legend Bonnie Raitt. To say that Trucks is a phenomenal guitarist would be a great understatement. After seeing Trucks as a member of The Allman Brothers Band, it is refreshing to see Trucks leading his own project and accelerating into musical success. Packing a loud punch, The Tedeschi Trucks Band is complete with a full horn section and back up singers.
Closing out the evening was another set from the Motet. However when their set concluded the night was not over. One of the most unique things about Magnolia fest is that when the stages end for the evening the music does not stop. There are two campground stages on the festival map which welcome campers to come jam in their camps until the early morning hours. Slopryland hosted by the band Sloppyjoe from Wisconsin is famous for their Halloween decor. Upon approaching the campsite campers are dazzled by over a hundred illuminated Jack O’lanterns hanging from the trees. The Jack O’lanterns in the picking tent were vivid sculptures this year depicting a plethora of facial expressions, while the Bill Monroe shrine is also a favorite place for the pickers to congregate. Don’t be surprised to see many stage performers there swapping solos and sharing new original songs. Between Slopryland and The Bill Monroe Shrine, a great time is guaranteed. Each are different, but both are a picker’s paradise.
Back from the Brink performed at noon on the Amphitheater Stage. The band features father and daughter Steve and Lyndsay Pruett, two musical virtuosos who bring it to every ensemble they perform in. The Pruett’s play with a sort of musical telepathy and it is apparent that their connection is the result of many years of practice, dedication, and mutual support. I spied a few teary eyes when the lead singer’s own daughter was guest featured and sang a lovely version of Brandi Carlile’s “The Eye.”
Late in the afternoon it was time to go see Grammy award winning Steep Canyon Rangers, recently famed for having recorded and toured with Steve Martin, performed an exceptional set. Rapid fire fiddle and banjo solos arose throughout the set, while midway through the set, John Stickley and Jeff Austin were invited to sit in for the remainder of the set. This made the perfect segue for Austin’s own set shortly after.
One of the hidden gem’s of the festival was New Orleans own Grammy Award winning Rebirth Brass Band, started thirty two years ago and well known from HBO’s Treme. They have been giving their true brass sound to the world all these years but never forgetting where they are from. The best part of their set is when they did a great rendition of “When the Saints go Marching Home” in honor of their beloved New Orleans Saints.
At last it was time for the headlining Avett Brothers! It was especially exciting to see Tania Elizabeth of The Duhks tearing it up on her violin and harmony vocals. The Avett’s played hits such as “Murder in the City” and “The Prettiest Thing,”while the night concluded with the traditional Saturday night dance party with Magfest staple band “Donna The Buffalo.”
Sunday’s at Magfest are always bitter sweet. Some of the best music is heard Sunday afternoon but even the greatest of things must come to an end. Keller Williams and Grateful Gospel brought an unforgettable show to the table. Featuring the soul singers from William’s ‘More than a Little’ touring band, the group played an extensive array of songs from The Grateful Dead in a gospel style. Melvin Seals of Jerry Garcia Band fame ripped on the Hammond B-3 and truly helped transform Grateful Dead classics into a rejoicing experience for all. The festival ended with another great set by Donna The Buffalo, which included many guests including the infamous Jim Lauderdale, who performed festival favorite “Except for That One Time” and kicked up the energy to a whole new level. That is what is means to ‘Get your Mag On’ as many veterans confidently say. Magfest is a Southern tradition rooted in music, community, and love. It is the venue for people from all walks of life to unite in one of the most beautiful places in the world, set up camp and celebrate music. It has been an exhilarating nineteen years and the festival family hopes for many more exciting Magnolia fests in years to come. You do not have to wait for Magnolia Festival next year to appreciate this amazing park. Check out Musicliveshere.com for plenty of upcoming events.
The Utica Music and Arts Festival has quickly become a must-do summer ending activity in Central New York. The 8th Annual version of UMAF, was held at various venues throughout Utica the weekend of September 11-13. The biggest problem involved with attending this festival is being able to fit in all the great music available throughout the weekend.
Going in without a plan is probably the best way to attack this weekend. Doing it this way, one can experience such pleasant surprises as the young brother and sister combo of Jocelyn and Chris Arndt, who played a Saturday mid-afternoon set at Nail Creek Pub, in the process winning over those in attendance.
Jocelyn Arndt
Joceyln is slight in stature, yet huge in vocal talent. She has a soulful, bluesy voice backed up with power; think Bonnie Raitt channeled through Grace Potter with a visit from PJ Harvey. Jocelyn’s animated vocal delivery commands attention. Her brother Chris, who is also her co-writer, delivers a solid and crisp sounding blues-rock style guitar that is the perfect accompaniment to Jocelyn’s voice.
The band’s tour itinerary is scant during the school year, as both are students at Harvard, but they will be hitting stages across New York in the coming weeks. Check here for dates.
Spending the weekend bouncing between Lukin’s and Nail Creek Pub seemed to be what many people were doing but to do so is to miss out on many of the other acts. Tiny’s hosted several jazz influenced bands, including Notified and the Carmen Caramanica Jazz Trio, while D.A. Bentley’s entertained the EDM crowd with sets from DJ D.A., Vongel and Phungeye among others. Harlee’s Pub & Grille was geared towards the metal. Local favorites Nineball and Street Rock Mafia provided Friday crowds with high energy entertainment at Harlee’s. Nineball is also festival producer, Joe Sweet’s main project.
Lukin’s hosted Conehead Buddha on Friday night. The Albany-area band has been on the jamband circuit for twenty years and showed no signs of wear this weekend. While the band has taken a hiatus here or there within that time, on this night it provided a sharp mix of reggae, ska and jam that has endeared Conehead Buddha to the northeast scene all these years. Also saxophonist Shannon Lynch provided much of the theatrics throughout the set, anchoring the big horn sound Conehead Buddha is known for.
Conehead Buddha
Female artists took ownership of this year’s Utica Music and Arts Festival. In addition to Lynch and Arndt’s performances; on Saturday, the festival faithful were treated to the eclectic mix of jangle pop of Sirsy. Lead singer and stand-up drummer, Melanie Khramer and her partner, guitarist Rich Libutti, had the Nail Creek crowd, the biggest one of the weekend to this point, dancing and singing along. Khramer has the uncanny ability to engage the crowd with humor and powerful vocals with lyrics that may take you to a darker place. The fact that the music is typically so upbeat and Khramer so quick-witted with her banter, may disguise some of the darkness in the lyrics but it also gives the listener pause. Krahmer’s Ella-like voice and stage presence added a terrific touch to the band’s final song of the night, a cover of Black Sabbath’s “War Pigs.”
Melanie Khramer of SIRSY belting it out.
Sirsy will be in Utica again on Dec. 8, performing an all-ages show at The Tramontane (known familiarly as The Tram). The show begins at 8:00 p.m. and will be a celebration of the band’s new EP to be released the week prior.
Exploding onto the Nail Creek stage after Sirsy’s set was Brooklyn’s Shinobi Ninja. With an elaborate and energetic stage show led by lead singer, Baby G, clad in an Iron Maiden t-shirt. It was clear from the start that this wouldn’t be your typical rock show. The band’s uniqueness has been described as being “like the Beastie Boys, Slayer and Lauryn Hill all mixed together.” After witnessing the band’s performance, that is an appropriate description. The following video gives a good impression of a Shinobi Ninja experience. Mix in some metal, reggae, rap, a little punk and a whole lot of jumping and you get this.
The uninitiated looked on in puzzling disbelief once the Ninjas took the stage, however in the short time they performed for the UMAF crowd, most of the leery were won over. The true venue to witness Shinobi Ninja is a live one. If this band doesn’t make some noise on the national scene in short order it will be a surprise.
UMAF faves Hank and Cupcakes followed Shinobi Ninja to a welcoming reception. Also based in Brooklyn, this duo is all about the performance. The husband and wife duo originally began performing together while serving in the Israeli Army at the age of 19. Colorfully dressed and highly animated, lead singer Sagit “Cupcakes” Shir isn’t afraid to get into the face of the audience while performing. In addition to pulling off vocal duties, Shir also drums and plays piano while bassist Ariel “Hank” Scherbacovsky keeps the beat and uses samples while safely tucked away stage right.
Hank and Cupcakes deliver a performance that begs to be seen and the elbow to elbow crowd in front of the Nail Creek’s outdoor staage proved that on a rainy Saturday night in Utica.
Hank and Cupcakes rockin’ the Nail Creek
The other Saturday night headliners performed nearly simultaneously up the street at Lukin’s. Floodwood, a bluegrass based band comprised of moe. bandmates Al Schnier and Vinnie Amico, as well as Jason Barady, Nick Piccininni and Zachary Fleitz, put together a two set show that, unbeknownst to all in attendance, would turn out to be one of the band’s final performances with this lineup. Schnier and Fleitz announced their departure from Floodwood in a release just a few weeks ago.
Floodwood
The band packed the house at Lukin’s, playing right up to the 2:00 a.m. hour, performing Floodwood originals mixed with some moe. covers, Dead covers and other bluegrass. A Floodwood show is always a good time. Varick Street Legend, Rainbow Young even made an appearance opening the set with a rousing version of the “Star Spangled Banner” that included maximum audience participation. Rainbow’s presence was seen at Lukin’s throughout the weekend, cementing the festival as a true Utica tradition.
Rainbow Young, Varick Street Legend, performing the National Anthem prior to Floodwood’s set.
If you’re in a music glut and looking for something new to listen to, the Utica Music and Arts Festival is the perfect venue to get you out of that funk. Festival organizer Joe Sweet and his booking crew go out of their way to include a huge variety of music to the festival each year. The 2015 edition was no different. And at a cost of $10 for a weekend bracelet, the music lover in you simply cannot go wrong attending this destination festival.
NYSMusic is excited to announce our coverage of the third annual Hulaween, a three-day music and camping festival held at Spirit of Suwanee Music Park in Live Oak, Florida. Presented by Silver Wrapper and Purple Hat Productions, Hulaween 2015 is headlined by Colorado’s very own String Cheese Incident, who will be playing seven sets over the weekend.
The festival hosts more than 50 artists over three days, including Pretty Lights, Primus, Odesza, and STS9. For those looking to start their weekend early Hulaween is throwing a pre-party on Thursday, Oct. 29 — including New York’s esteemed Joe Russo’s Almost Dead, the eclectic electronic improv duo Eoto, as well as funk stalwarts Dumpstaphunk. Other notable New York acts include surging funk legends Lettuce, who’s looming album release is highly anticipated, the tight dance grooves of Dopapod, Brooklyn’s own Break Science in collaboration with Manic Focus to create “Manic Science” and the soulful funky licks of Sister Sparrow & the Dirty Birds.
As north easterners hunker down and prep for winters onslaught, Spirit of the Suwanee is bustling with activity in October, beckoning to the north to flee south and join the Southerners for one last hurrah in the sunshine. Often touted as a magical, even mystical place, Suwanee boasts a devoted fan base that borders on extended family from its ability to bring people together and cultivate an atmosphere of unfettered fun in a temporary communal setting.
Festival goers should be excited for an extended version of “Spirit Lake,” an experimental collage of multimedia metalwork, paintings, sculpture, light projections and live performances that transforms the primal forest into a vivid psychedelic dreamscape. Held on Halloween weekend means costumes. Hulaween’s costume theme is “Ghoul Train” a blend of the late ’70s hit show “Soul Train” and “Monsters” or “The Addams Family”. Be sure to get in the spirit and dress to impress.
There aren’t many places that cultivate a communal feel quite like Suwanee. To celebrate that, Hulaween is once again hosting an Ultimate Campsite Contest. Giving fans and their #HULACREW a chance to build their own theme based campsite, a celebrity committee of judges will scope the campsites Friday evening and choose their favorite site. The entire campsite will receive Werewolf VIP upgrades on the spot (up to 8 people per campsite). The upgrade includes discounted beer and liquor drinks, VIP indoor bathrooms, VIP viewing areas at the main stage, VIP swag bag, complimentary massages and complimentary golf cart shuttle service throughout the park at designated VIP stops.
For a sneak peek at the full schedule go here and don’t forget to pace yourself and make it to the Silent Disco, which will run from 2am to 5am on Friday and Saturday, featuring a variety of electronic artists including Vlad the Inhaler, Prophet Massive (aka Jason Hann of SCI), MZG and Unlimited Aspect among others.
For Hulaween goers traveling from out-of-state, keep in mind a brand spanking new program will offer Scoobie Shuttle Buses to and from Jacksonville International Airport. One way tickets are $35 and include all taxes and fees, on-sale through Elevate at suwanneehulaween.com.
Tickets & Ultimate Incident VIP Packages are on-sale now. To join the wait list for cabins, golf cart rentals and RV hook-ups, please contact SOSMP at +1 (386) 364-1683.
Over the past decade, music festivals have become the summer thing to do, and not just for live music junkies, but for anyone looking to spend a weekend immersed in what often feels like a whole other temporary world, where rules are different, the party never ends and there is always something new to experience. This isn’t a bad thing. But sometimes there can be too much of a good thing, and every bubble does have to burst, and maybe the festival bubble has begun to push its limits.
In recent years, even the already massive festivals have grown in big ways; we’ve seen Coachella selling out one weekend, to expanding to two weekends and selling out just as easily. Sasquatch, Lollapalooza and Governor’s Ball, all sell out often before full lineups are even announced. People are excited to get in on the experience, and while that isn’t a bad thing, if a festival is selling out before a lineup is announced, perhaps that says something about the reasons many people attend. Maybe now it is often more about the experience, than the bands playing a certain event. A decade ago the headliners at the major U.S. festivals were drastically varied and it seemed they not dare book the same headliners as their counterparts across the country. People from the east coast would travel west to Coachella to see a lineup they couldn’t see anywhere else. Bonnaroo’s lineup would be so unique that it was hard to pass up for people all around the nation.
Now there are dozens of options and large scale events popping up in every corner of the country, making travel easier for fans, while lineups are sometimes starting to look eerily similar. It’s more common to see one, if not several of the same headliners on many festivals. Promoters can meet fan desires to see certain acts, but the lineups are beginning to look more and more similar. The number of festival-ready big name bands is not a never ending list, and those bands, like fans, only have a finite amount of weekends per summer. It’s not a bad thing, for now, but a change will have to come and already slowly is. Trends change, genres rise and fall out of popularity, and in recent years we’ve seen major festivals that used to be alternative rock leaning will have more and more major electronic acts at the top of their bills. It’s what the youth buying the tickets want, so it’s what they get. While it makes sense to promoters and the bottom line, aside from these electronic acts that have been on the rise in recent years, there has not been as many headliner level acts in specifically the rock/alternative world, climbing the ranks to headliner status. This is not the festival world’s fault, but more a reflection on how the music industry overall has changed. Acts like Jack White, The Black Keys, Florence and the Machine and The Killers are all top notch headlining acts, but we have reached a point when you see their names at the top of lineup after lineup and you find yourself staring to say “Oh, cool, makes sense” instead of “Wow, I HAVE to be there”. You don’t HAVE to be there, at the one across the country, because there’s a good chance you’ll see all the same acts at the top of a lineup in your region.
Promoters see the festival trend skyrocketing and there are dozens of new festivals created each year that want to catch the wave. Markets are now beginning to become saturated and toes are being stepped on. Governor’s Ball, held every June since 2011 on Randall’s Island in New York City, is an independent company that in the last month is dealing with a serious threat. AEG Live, creators of Coachella, Firefly and Hangout, have their sights set on Meadows Corona Park in Queens as the site of a new festival, Panorama. Panorama would take place only weeks after Governor’s Ball, and while it’s been reported they don’t yet have all permits in place, booking has started. It was recently announced that the organizers of Governor’s Ball have created a petition, asking Mayor de Blasio to reject AEG Live’s permits, saying it would potentially be pushing them, a smaller local business, out of the picture. They ask that the event be held at a different time, so both festivals can succeed.
However, even if Governor’s Ball gets its way and AEG is forced to apply for permits for a different weekend, it might be that having two large scale events, presumably targeting the same audience, would still have a similar effect. There is after all, a limit on the disposable income the typical festival goer has to spend per year. With it being common that a major weekend festival has a ticket price of over $200, and factoring in any time off from work, travel, accommodations, supplies, food and drink for the weekend that one unavoidably has to spend, realistically the amount of festivals one fan can attend is very likely a smaller number than the ones they would desire to. Eventually it must start to happen that there is simply too much of a festival fan’s favorite thing. Too many “must see” events to choose from in one region will eventually become a bad thing, when fans have to pick and choose between a variety of great options but cutting some out in the process. At some point the amount of major festivals will grow to a point where more people are needed to purchase tickets to let them all successfully continue on as they are than exist in any given market. Increased sponsorship money will be needed to cover costs for all of them. There are only so many companies willing to shell out thousands for festival sponsorship, and competition will rise to claim them.
The largest festivals nationwide is one aspect of the growing festival bubble, but on a smaller scale, the scene of indie rock and jam band oriented festivals is also exploding. In the Northeast alone there are a handful of festivals to choose from each weekend in the warmer months. These are often far more affordable than the larger festivals, but again, there are only so many weekends in the summer. It’s always been hard enough to get a festival off the ground and then able to turn a profit, but now the competition is coming from a growing number of places. There are also smaller, one day events popping up at every turn. A more inexpensive option with lighted commitment can be an attractive option for many possible attendees, but for now, promoters want to get in on the game and ride the wave of festival hype as long as possible. Ask anyone who has been involved in organizing a large scale event, and it is never easy, no matter how many years you do it. Permits, competitive booking, staffing, weather, and now the threat of competition from five guys in your neighborhood trying to do the same thing as you, thanks to perceived success of the overall festival culture.
The greater number of festivals being created with still the same amount of festival ready bands, and weekends available, makes for tough competition. The same bands are desired from festivals not just nationwide but worldwide, every weekend, and when demand goes up, so does price. Bands can ask for more money and festivals have to pay if they want an impressive lineup, and with that, ticket prices increase. The issue becomes how large an act can a festival book before it becomes cost-prohibitive and fans find somewhere else to spend their money; at some point a festival goer will tire of so many lineups looking so similar. Or perhaps festival culture and the experience can become more important than the music itself. Maybe for a growing number of young people, the drugs, the people and the party are the appeal more so than discovering a new favorite band or hearing your favorite songs. Blogs writing about festival fashion looks for the year make many cringe, but they also attract a new audience, looking to jump into a hip trendy new world of partying, where there’s also good music playing in the background.
Is this boom in festival popularity just a fad, and will attending a festival still be the “it” thing to do for young people a decade from now? There were few major festivals throughout the 60’s and 70’s, and then the rise of touring festivals like Lollapalooza and H.O.R.D.E. in the 90’s, but it was not until the last decade or so when we begin to see an incredible boom of weekend long festivals. Young people wanting to get involved in an environment that consists of a weekend long party where new people, new music, and a wide array of ways to enjoy yourself at every turn seems logical. It almost seems strange that it took so long for a festival resurgence, when young people would always have been interested in a large festival scene if one was presented to them.
Perhaps once the bubble begins to reach its true limit, a festival won’t be able to get away with booking similar lineups and having a similar overall feel as its counterparts. Maybe as competition rises it will force organizers to think outside the box and ensure that the experience a fan can have at their event is unlike any other of its competitors. We see so many festivals pop up then fade away in a couple years, and some that don’t even make it out of their inaugural year with their hopes being dashed for a comeback.
Maybe the bubble isn’t ready to burst just yet, with major festivals still selling out in minutes nationwide and some smaller ones getting off the ground each year, but waves of popularity this big don’t always last forever. It will come down to the limits that money and time put on organizers, but equally importantly, the fans. Nobody can accurately predict the future but every bubble has to burst and when it does, inevitably not all will survive. Maybe new, innovative types of events will arise. Promoters just entering this exciting world likely see opportunity, but the point of too much of a good thing may be just around the corner. For now, these are is exciting times for fans to experience live music. Organizers want audiences at their events, and they’ll do all they can to keep fans coming back, a balance of keeping supporters happy and keeping themselves not just exciting, but surviving for one more year.
On Saturday, October 10, metal-heads from all over the Northeast made PPL Park in Chester, Pa., its final destination. PPL Park was host of this year’s Rock Allegiance festival which was sponsored by Monster Energy. Since the festival only lasted one day, it needed to have a lineup that would draw fans from all across the Northeast. The festival promoters couldn’t have done a better job at putting the lineup together because weeks before the event, PPL Park was sold out. With a lineup consisting of numerous bands that could have headlined, Rock Allegiance was set to be a success from the start.
Saturday’s forecast was perfect for the event, consisting of warm weather and sunshine. The beautiful day definitely helped fans get to the stadium early to get things started right after 11 a.m. With three stages going all day, there was something for everyone. The bands that opened the morning and early afternoon were no amateurs. Bands such as Unlocking The Truth who are still in their teens, took the Rock Allegiance Tent Stage and immediately demanded the circle pits to be started. That type of crowd control and confidence will definitely keep those youngsters going for a long time. Other bands such as Devour The Day and Red Sun Rising, kept the early afternoon rocking on the two stages set up inside the stadium.
From Ashes To New
The 3rd band of the day to take the Tent Stage was From Ashes To New. This band has been on the road with Five Finger Death Punch, Papa Roach and In This Moment, all who were also at the festival. From Ashes To New drew a huge crowd for their set time and they were phenomenal. It’s no surprise now why they were on the road with those other bands. The energy and style this rap-rock band was very refreshing because many new bands today go toward the scream vocals and heavy riffs.
Shifting to the main stages afterward, The Glorious Sons took the stage for a quick set of hard-rocking blues rock. They were definitely the band that stuck out the most, but not in a bad way. Although many fans weren’t there to see them specifically, The Glorious Sons got love from the respectful crowd. After they were done, all the attention shifted to Stage East for Nothing More. At this point, if someone hasn’t heard of Nothing More or hasn’t at least heard “Jenny” or “Mr. MTV”, they’re living under a rock. There hasn’t been a band moving up the ladder this fast in quite a long time. Lead singer Jonny Hawkins and the rest of the band put on one of the best live performances today. They’ve been on the road for quite some time now and are taking cities by storm. The crowd at PPL Park definitely could have gone for a longer set because 30 minutes was certainly not enough. The next band that played inside on Stage West was Atreyu, who just released Long Live on September, 18. This was their first album in six years and these guys got a huge welcome. This band may have been overlooked on the lineup due to all of the other big names, but Atreyu proved they still have what it takes to be on the main stage. Lead singer Alex Varkatzas spent most of the set down in the crowd getting up close and personal with people in the front row.
Nothing More
In the meantime while Nothing More and Atreyu were rocking the main stages inside, the Charm City Devils and Superheaven were playing over in the Tent Stage. After their short sets were done, Pop Evil took over back inside the stadium. Touring on behalf of their recent album Up, Pop Evil played a mix of material from their newest album and Onyx. Pop Evil is a band that works off of the crowds energy and they shined on Saturday. The band looked like they were having fun on stage and they sounded great. As soon as Pop Evil ended, the crowd ran over to the Tent Stage to catch a set from the Butcher Babies. The Butcher Babies are a heavy metal band fronted by Heidi Shepherd and Carla Harvey, two of the most metal chicks in the music industry today. These two ladies take control of the stage and put on an unforgettable performance. The girls jump all over the stage and get down on the crowd to sing with the audience. Anyone who decided to skip out on seeing their set missed an awesome show, but luckily the Butcher Babies are always on the road. Their newest release Take It Like A Man will surely keep them on the road for some time. Speaking of girls in metal, right after the Butcher Babies were done, In This Moment took over PPL Park. With a full stage production with costume changes, choreography and more, Maria Brink and the rest of the band proved why they are one of the top metal bands in the scene today. Although the band has a handful of albums now, their two most recent releases Blood and Black Widow have given them radio play and mainstream success. The crowd sang every word with Maria throughout the entire set. In This Moment seem to get better and better every time around and their performance at Rock Allegiance is proof.
Bring Me The Horizon
One of the craziest crowds of the day had to be for Bring Me The Horizon. Even with a throat infection, singer Oliver Sykes made sure the crowd was left bloody with broken bones just as he demanded. The infection didn’t seem to affect Oliver one bit. The band was spot on and had the crowd in their control before they even took the stage. The fans waiting in front of the East Stage were definitely waiting for BMTH all afternoon. Touring in support of their latest release That’s The Spirit, Bring Me The Horizon has been packing venues left and right the last few weeks in the States. All of the momentum they’ve gained at the smaller shows seemed to explode at Rock Allegiance on Saturday. While Bring Me The Horizon played, new “supergroup” Saint Asonia played over in the tent. Fans of Three Days Grace and Staind were surely over in the tent watching Adam Gontier and Mike Mushok. Their self-titled album has been all over the radio since the announcement of the group and debut at Rock on the Range earlier this year. The original voice of Three Days Grace and axe man of Staind seem to blend perfectly together and have created something nobody expected. Their setlist was mixed with singles off their album and covers of Three Days Grace and Staind.
Even with all of the bands mentioned so far, Rock Allegiance was not even half over. After Saint Asonia, Jacoby Shaddix and the rest of Papa Roach took over PPL Park. There’s never a Papa Roach show were Jacoby leaves the crowd disappointed. The crowd for Papa Roach was definitely the most so far out of the day. The highlight of the set was when singer Maria Brink of In This Moment came on stage to join Jacoby in singing “Gravity”. Fans who caught the tour with FFDP, Papa Roach, In This Moment and From Ashes To Knew were definitely expecting this duet because they have been doing it nightly. Watching Jacoby and Maria sing the song together was one of the top moments of the day. During Papa Roach’s set, Hollywood Undead competed for audience in the Tent Stage. It was a hard decision to make for fans to pick one or the other. Papa Roach easily had the majority of the crowd, but the tent was still packed for the rap-rock band. The guys came out in their signature masks and carried on their performance like they weren’t competing with anyone.
Papa Roach
As the sun went down and the night grew cold, Five Finger Death Punch took the East Stage and got the crowd on their feet and moving. Even with a shorter then normal set, Ivan and the rest of FFDP put on a great performance with a mix of material from their catalog. Unfortunately, the band only played 2 new songs off their latest album, Got Your Six which were “Got Your Six” and “Jekyll and Hyde”. With such success on the charts, many fans were hoping for more of the new material then some of the older. FFDP has always been a band that supported the country’s armed forces and they showed their appreciation Saturday night. Ivan took one fan’s sign that read he had been deployed and had the entire band sign it. As usual, Ivan invited some youngsters on stage to rock out to their song “Burn MF.” During the song, Ivan high-fived the kids and gave them energy drinks, guitar picks and arm bands. What Five Finger Death Punch does for their fans and the troops is a prime example of how every band should be.
One of the best crowds of the day, hands down, belonged to Boston rockers Godsmack. Sully Erna is one of the best in the business when it comes to putting on a rock show. Sully makes sure the crowd is into the performance and if they’re not, he’s going to change that. The band recorded the song “Something Different” which is going to be used for a new documentary. During the song the crowd reaction was amazing to watch from the stands. Every person was jumping up and down singing along with Sully. Another highlight of the set was the usual “Batalla de los Tambores” with Sully and Shannon. For those unfamiliar with that song, it’s the dual drum instrumental where Sully and Shannon both play on their own drum kits and Robbie and Tony rock the bass and guitar. They play their own song while mixing in riffs from Metallica, Led Zeppelin, Rush, AC/DC and more. The night was closed out with a cover of Alice Cooper’s “School’s Out” and then their classic hit, “I Stand Alone”. Godsmack could have easily closed out the entire night, but there were still two more bands to go.
While Godsmack was rocking the stage on the right, the stage on the left was empty with the iconic Korn album backdrop from 1994. With the 20th anniversary shows being common recently, many fans were expecting Korn to play the entire debut album. The set started off in that direction with “Blind”, “Ball Tongue”, “Need To”, “Clown” and “Faget”. But once the band dove into the riff for “Here To Stay”, the crowd knew they weren’t getting the full album. Which for many seemed okay because at a festival there’s typically a mix of fans who want to hear more of the hits. Korn seemed to put on the best setlist of the night. The material they picked kept the crowd moving and it didn’t let up. The highlight was when “Shoots and Ladders” went into the ending for “Somebody Someone” and the crowd went absolutely nuts. Surprisingly Korn ended the night with “Freak On A Leash” and then announced that was their last song instead of announcing it ahead of time. Ending the set like that left fans begging for more as Jonathan Davis brought his wife on stage sharing with the crowd that it was their anniversary.
Korn
Once Korn ended, the entire Stage East crowd shifted to the right to be in front of the stage for Rob Zombie. Even though it was apparent some of the crowd had filed out after Korn, Zombie still had a huge crowd. Unfortunately due to smaller main stages, Zombie didn’t have the stage production some people expected. Even without his signature stage production, Rob Zombie and his band put on a hell of a show. The band came out with different costumes and instruments all night long. Guitarist John 5 was a crowd favorite because of his costumes and unique guitars.The night opened up with a White Zombie cover of “More Human Than Human”, which set the pace for the night. During the song “Sick Bubble-Gum” the band had huge balloons for the crowd to amuse themselves with while they chose sides with either Piggy D. or John 5 by chanting “Rock” or “Mother Fucker”. Rob Zombie always has and will continue to be one of the best entertainers in the music industry. Fortunately for fans in Chester, they got to see one of Rob Zombie’s last shows for a while. The band has been on the road for quite some time now and are ready to take a break from the road. Fans ended the night in Zombie style with fan-favorite “Dragula”.
Just as fans thought the night was over with a closing fireworks display alongside the Delaware River, Steel Panther was ready for the after-party under the tent. Three albums in, Steel Panther continue to have success with their parody style 80s hair metal. Not only did fans stick around for the after party, but many band members came out to watch Steel Panther. Watching side stage were members of Korn, Five Finger Death Punch, Nothing More, From Ashes To New and even more. Unfortunately, none of those guys got on stage to do any covers, which was surprising due to all of the guest musicians they usually get on stage. Regardless of whether they had guests on stage, Steel Panther put on a show that was perfect to end the day. The band had the entire tent rockin’ and laughing for the entire hour.
Rob Zombie
Not only did Rock Allegiance have an awesome day of music, it had some great choices for food and drink. Labeled as having “Gourmet Man Food” and craft beers on top of that, PPL Park had it all on Saturday. Throughout the stadium, there were your basic food vendors as there would be at any event there. On top of that were all the food trucks that the festival brought in. The best part about all of the options was that none of the lines got ridiculously long like they do at other festivals. The prices for everything were fair which helped keep concert goers wallet’s happy. Most of all, having options besides your typical hot dogs, hamburgers, etc was a relief. The same goes for the basic festival overpriced beer, Rock Allegiance made sure there were plenty of options. The festival was filled with plastic canning jars which were being used for a variance of alcoholic beverages. Considering the price of tickets and the experience festival attendees got in return, Rock Allegiance was an absolute steal. It was no surprise at all that this event sold out ahead of time and hopefully it will return again next year.
CM: What inspired you to start making domes? And add fire to them?
CM: What are your thoughts on Hulaween in particular in regards to the crossover of burns and music festivals?
The third installment of Suwannee’s Hulaween Music and Arts Festival brought many new faces to Spirit of the Suwannee Music Park in Live Oak, FL. Having grown to over 21,000 attendees this year, it was the largest festival ever thrown at the site since it began hosting. Not without some slight growing pains, long lines on Friday for ticketing and entrance into the event quickly gave way to smiles and wide eyed amazement of what was in store for the weekend.
The festival hosts more than 50 artists over three days, including Pretty Lights, Primus, Odesza, and STS9. For those looking to start their weekend early Hulaween is throwing a pre-party on Thursday, Oct. 29 — including New York’s esteemed Joe Russo’s Almost Dead, the eclectic electronic improv duo Eoto, as well as funk stalwarts Dumpstaphunk. Other notable New York acts include surging funk legends Lettuce, who’s looming album release is highly anticipated, the tight dance grooves of Dopapod, Brooklyn’s own Break Science in collaboration with Manic Focus to create “Manic Science” and the soulful funky licks of Sister Sparrow & the Dirty Birds.
In recent years, even the already massive festivals have grown in big ways; we’ve seen 
