Category: Show Reviews

moe. Comes Home Again to NYC

moe. continued to thrill crowds of .rons on their 25th anniversary winter tour as they packed houses and came home again to New York City.

moe. continued to thrill crowds of .rons on their 25th anniversary winter tour as they packed houses in New York City last weekend.

The weekend began Thursday night with the band — guitarists Al Schnier and Chuck Garvey, bassist Rob Derhak, drummer Vinnie Amico and percussionist Jim Loughlin — playing an intimate show at Le Poisson Rouge, a 700-capacity club in Greenwich Village.

Then the boys moved their Friday and Saturday shows to the Best Buy Theater, an arena in the middle of Times Square with a capacity of 2,100. The corridors around the venue formed a bit of a maze, but the theater area made for a great show with a floor section below the stage, a short platform behind that and maybe 20 rows of raised seating behind it

The Friday night show started with a first set that took its time with each song, extending all but “Annihilation Blues” over 11 minutes. Fans got a not-oft-played “Darkness” that segued into “Bring You Down,” a combo that thrilled the crowd. Annihilation jammed right into a “Meat” that brought the energy up, then down, then built it back up again to end the set on a raging note.

The second set started with “New York City” — obligatory but so much more meaningful when it’s actually played in the city it was written about — then on “Do or Die” Jim broke out his drum set attached to a chest harness and ventured over to hang out with Vinnie and Al for a bit.

Members of the crowd throw their hands in the air as they sing along.

“Kyle’s Song” segued into “Same Old Story,” which has only twice before been segued into. It’s been used more often to segue out of at the end, but the song is high-energy fun any way they play it.

The final four songs of the set turned up the heat with “Don’t Fear the Reaper” by Blue Oyster Cult, then “Spaz Medicine” shifting into “Akimbo” into the ever-epic “Rebubula.” Boobs can occasionally fall into the rut of being a quick-hitter that draws a lot of audience emotion but doesn’t explore much, but this one took plenty of time to chill out before building to a frenzied sing-along at the end.

After the moe. show, most of the crowd filed out and ventured two blocks down to B.B. King’s, where Ha Ha the Moose was on the loose.

The hilarious moe. side project features Rob, Chuck and Jim wearing luchador masks and capes and taking on the persona of their alter egos, Dr. Guano, Jeff VonKickass and Sludge.

They played some old classics to a crowd so boisterous at points that it distracted band members. They also included some popular covers including “Have a Cigar by Pink Floyd and “Don’t You Forget About Me” by Simple Minds, forever etched into our memories by its poignant placement at the end of “The Breakfast Club.”

They also reprised “Courtesy Flush,” which they debuted in January at moe.’s Tropical Throe.down in Jamaica. They ended the set with “Redneck Trilogy” and “In the Name of Freedom” and during the latter, Guano got an apt response when he questioned the audience what they would do in the name of freedom: “I would throw a music festival, even if no one came and I didn’t make any money,” the moe.ron said, referencing the lack of a moe.down this year.

After having a few hours off to romp around the city, moe. was back at it Saturday night. Saturday night’s show at the Best Buy sold out during that day. Highlights of the show included an intense “Runaway Overlude,” “She,” “Billy Goat” segueing into “Head,” plus Shannon and Terry Lynch of the Conehead Buddha horns joining the band on “Not Coming Down,” “Threw It All Away” and “Dr. Graffenburg.”

The full Conehead Buddha band played a great official after-show in the Lucille’s room of B.B. King’s Saturday night for anyone who somehow had energy left after raging the city that never sleeps.

moe. heads to Chicago this weekend and south to the Carolinas in April to finish out their winter tour. The band has yet to announce summer tour dates besides a few festivals (SweetWater 420 Fest, Summer Camp, Mountain Jam and All Good, plus the Dear Jerry show celebrating Jerry Garcia in May) but fingers are crossed that they’ll at least spend a weekend at the Saranac Brewery in Utica this June. Keep an eye on NYSMusic.com for moe. news as dates trickle in.

March 20, 2015
Cabinet Throws A Celebration In Blairstown

There’s a lot to be said about the state of Pennsylvania, and producing quality bluegrass is an undeniable trait. As most music genres spawn into different subgenres it’s easier now to seek out string bands that sincerely push the envelope of what the general public views as bluegrass. While that original Bill Monroe sound is relevant and active in the scene today, it has naturally evolved into a monstrous playground scattered with sounds of varying influences. The crossroads of this trend concerning progressive string music lies within acts with drummers like Railroad Earth, Hot Buttered Rum and a group that’s taking their turn to rise to the top from the Eastern hills of Pennsylvania, Cabinet. And on March 6, the first of two nights right over the border into New Jersey at the Historic Blairstown Theatre was not their introduction to the intimate space.

Hot off the heels of a new release entitled “Celebration” the first four tracks were mixed in with staples of this almost 10-year-old band. The diversity from song to song represents the sharing of songwriting duties but when you stack songs like “The Dove” and “Old Farmer’s Mill” against each other (both highlights from different sets) the explorative instrumentation and people behind them are the two remaining similarities. At certain points it’s hard to imagine you’re seeing the same band mid set. “Wine and Shine” comes off as light on its feet and compliments their feel good sound, but something like “Eleanor” gives off a matured emotional feel. After years of playing some of these songs in front of a bunch of people a bunch of times certain coined instrumental phrases stick to the song, like a snowball rolling down the hill.

Aside from the new album, “Treat Me So Bad,” is a favored new song that takes from both soul and funk to melt over the smooth plucking and vocals of Pappy and JP Biondo respectively. The night was filled with applaudable solos and an overall heartfelt performance that gives you that longing for more. However, as the hard work continues to pay off for these six musicians, you can’t guarantee that you’ll see them in small rooms for much longer, so catch them when they’re rolling by.

Listen to the Blairstown Theatre Show on the Music Archive – with many thanks to Keith Litzenberger

March 20, 2015
Zepparella Mesmerizes Buffalo with a Tribute to Led Zepplin

On Thursday March 12, 2015 the all-female Led Zepplin tribute band Zepparella left the crowd mesmerized at The Forvm in Amherst , NY.

But before Zepparella took foot on the stage they had local alternative rock band Letter Box open up for them. Front man and founding member Paul Alguire and guitarist Andrew Douglas were the Letter Box Duo until that night. They brought bassist Ian Elder and drummer Ryan Lindfors into the mix for the very first time, and announced that this would be their new line up. Paul had stated this was their first live show together as a full band. As Letter Box started to play you would have never known that this was their first show together. They had such wonderful chemistry, and all their movements and timing were in synch. Ian and Ryan were just what they needed to complete this band. Letterbox was thoroughly impressive and made a large impression on the crowd. People were lining up for the free Eps they were handing out that night. I hope to see more from this band in the coming months

This was my first time ever seeing them and being a long time Led Zepplin fan I was a little hesitant for what I was about to witness. These girls are not only beautiful but they had the talent and pipes to pull off Led Zepplin with their own twist to perfection. The attendance for this show was phenomenal. The fan base was very diverse that night. There were individuals in their best attire to hard-core fans in their Led Zeppelin concert T-shirts with their frizzy ’80s hair-do. No matter what walk you were from, that night they all united and sang along as front women Noelle Doughty nailed every last note.

As the band played classics such as Dazed and Confused, and Ten Years gone. Drummer and founding member Clementine had her own drum solo for a solid five minutes and you could sense and hear that John Bonham was her biggest drumming influence. Once her hard-hitting intricate solo finished the band came together and finished off the evening with a three more songs. After all was said and done they met fans back and their merch table and took the time to talk to everyone and sign photos and take pictures. All in all this was a very impressive showing of what this examiner calls one of the best Zeppelin tribute bands around.

If you missed this show, you really missed a good one. You won’t want to miss the next time these ladies come back to rock the Buffalo area, or it surly will be your loss again.

March 20, 2015
Bowlive VI – Day 4 – Soule Monde and Soulive with Chris Robinson
After a two-day recess, night four of Bowlive VI was underway in formidable fashion, with guest Chris Robinson. As far as the opener setting the tone for the evening, Soule Monde has been the most musically appropriate choice of the run to date. The jazz/funk duo of Russ Lawton (drums) and Ray Paczkowski (clavinet, organ) were quick to put everyone in the mood. Lawton continually pushed the pace faster as Paczkowski followed on his Hammond B-3 and laid down deep funky riffs on his clavinet. Paczkowski has you wondering where the third hepcat was keeping the groove going on his four string. They set the stage for Soulive to bring their own style of modern funk to the table.

Soule Monde

While Eric Krasno kept himself busy during the short break in the Bowlive residency, sitting in with Phil & Friends for his 75th birthday show at The Capitol Theater, fans got a much-needed hiatus from all the dancing. The fourth night started same as all the previous ones with just the three Soulive members on stage. Charging out of the gate with the classic original tune “So Live” off of their debut album, 2002’s Turn It Out. Once the mood was set, the trio went into the more soulful “Bubble” which segued wonderfully into the first of many covers for the night, The Beatles “Something.” The Extra Shady Horns on this night consisting of Zoidis (sax), Bloom (trumpet). The first guest of the evening was DJ Williams (guitar, KDTU) who joined in the fun for another old school Soulive original “Uncle Junior.” Williams and Krasno took this out for a ride and were upended by a screaming solo by Zoidis’ sax.

As the show was compressed from two sets down to one, most likely to placate the strap hangers with early morning meetings. At the end of the first hour of mostly Soulive originals, Chris Robinson finally made his way onto the Bowlive stage. He was joined by Cochema Gastelum (sax, Dap Kings) and backup singers Sasha Ortiz and Maya Sharpe. The first tune that Robinson crooned for his enthusiastic fans was Otis Redding’s “Fa Fa Fa Fa Fa Sad Song.” Only one song in and Robinson picked up his guitar to join Krasno on a medley of cover tunes. The Dr. John classic “Quitters Never Win” was up next followed by Robinson’s Bowlive coming out party as he blew the roof off the joint in a funk laden take on the Grateful Dead’s “West LA Fadeaway.”

Everything was coming up blues as we heard takes on Joe Cocker’s “Space Captain” and Allen Toussaint’s “Get Out My Life Woman.” Robinson and Neil Evans led the charge with their take on the Jerry Garcia/Robert Hunter tune “Sugaree.” To close out the night, which had the crowd singing along for the last hour, Robinson channeled his best Mick Jagger impersonation for The Rolling Stones “Gimme Shelter.” His soaring vocals led the crowd in what was the most authentic sounding cover of the night. To close out a night of classic rock tunes everyone was back on stage and joined by Ross James (guitar, Terrapin Family Band) for a cover of “Lovelight” that sounded more like the original Bobby Bland version than the more widely known Grateful Dead version. Based on the audience’s reaction, Robinson might have been the standout guest so far, and everyone will have another chance to see him Wednesday as he closes out his two-night stand with Soulive.
March 19, 2015
Melvin Seals and JGB Pack Putnam Den

Melvin Seals and the JGB stopped at the Putnam Den in Saratoga on March 12, during the middle of their spring tour.

Playing for a packed house, they jammed through JGB classics that included “Roadrunner,Tough Mama, and The Harder They Come” and a few covers of Eric Clapton’s “Lay Down Sally” and a night ending pairing of JJ Cale/The Beatles “After Midnight>Eleanor Rigby>After Midnight”.

March 19, 2015
moe. Relentlessly Rocks Binghamton

moe. jumped into their set and did not yield on the throttle the rest of the night at Binghamton’s Forum Performing Arts Theatre on Wednesday, March 11. The midweek throw-down featured two sets of neatly flowing rock produced by masters of the art that left the crowd craving more.

After an opening set by Cabinet, moe. came out to raucous applause from the Binghamton constituency. While the Buffalo-born-band only has one more scheduled Upstate date, it was hinted that another show is in the works. Regardless, they threw the kitchen sink at The Forum, seldom taking a break between mammoth jams. With Guitarist Chuck Garvey, drummer Vinny Amico and bassist Rob Derhak all adorned in silver-sequined jackets to celebrate the band’s 25^th anniversary, they kicked the first set off with “Kids.” As band members got their feet underneath them and settled in, the tune picked up momentum and, at some point, unnoticeably transitioned into “Skrunk.”

“Skrunk” became “ZOZ” from 2008’s album Sticks and Stones which morphed back into “Kids.” Somehow, an hour was gone and having played only four seamlessly segued songs, moe. demonstrated why it has been on top of the jam scene long enough to celebrate a silver anniversary. Time signatures ebbed and flowed and, while the tone stayed mostly bright, there were periods of weirdness dispersed throughout the huge block of music. Percussionist Jim Loughlin captivated the crowd with his dexterity on the xylophones; harmonizing the percussion with Garvey on guitar and Al Schnier on the guitar and/or keys adds an extra layer of richly toned texture unique to moe. The three got into a deep groove when they returned to “Kids.” After a long ovation, moe. concluded the first set with a cover of “Godzilla” that helped gently return onlookers from the wild musical ride moe. just created.

Like the first set, the second was a fluid jam that lasted over an hour without ceasing. “The Pit” acted as bookends with an emphatic version of “Four” and energetic rendition of “Happy Hour Hero” as highlights in the middle. Throw in “Seat Of My Pants,” “Tubing the River Styx,” and a couple other tunes, and a 75 minute set was over without a single break to catch one’s breath. Again, seemingly in the blink of an eye, fans cheered boisterously as a tightly packed set flew by.

An encore consisting of moe. original “It” and a cover of “The Weight” featuring members of Cabinet was the finishing touch of a nonstop night of jamming. Between the dual-shredding abilities of Garvey and Schnier, the in-your-face bass proffered by Derhak and the one-two punch on percussion with Amico and Loughlin, moe. torched the Forum Theatre in many ways. The band’s creativity and talent created an incredible evening of rock in Binghamton that won’t soon be forgotten.

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March 18, 2015
The Nth Power’s Escape Plan: Bring the funk

People huddled around in front of Putnam Den, trying to stay warm, trying to stay excited for the night of funk that was to ensue inside with Beau Sasser’s Escape Plan, and The Nth Power on Friday, Feb 27. They were surely in for a treat as both bands prepared hot sets to warm the chilly bones of the crowd.

To start the night, Beau Sasser had his Escape Plan ready to tear things up. The animated lead vocals and centerpiece of the group, Mary Corso, held the crowd’s attention with a soothing voice and a natural stage presence, and had the many in attendance eating out of her hand. High energy guitar solos by Justin Henricks and Craig Brodhead were a non stop staple throughout the set.. “Taxman” The Beatles staple, was an interesting choice for a funk band to tackle, but The Escape Plan did it flawlessly. Between the vocals of Mary and the drums of Max Creeks Bill Carbone, the beat was a completely different arrangement than the Beatles – a treat hearing a new twist on an old standard. “Whipping Post” the Allman Brothers classic, exemplified this tremendously, and the crowd was moving rapidly to the southern rock groove sprinkled with the sweet funk for which The Escape Plan is known. This was sheer brilliance. The band played a few encores, which was pleasurable to everyone in the packed room. The encore highlight came, however, when Nigel Hall, The Nth Powers organist sat in with the group. Beau moved over and the two geniuses went to town on the keys bringing cheer to all. It was the perfect was to end the set, and The Nth Power was still yet to come. It seemed there would be no way they could keep this fantastic vibe going, but Nigel and crew would bring an elegant mixture of rock , funk and blues to the stage that was nothing less than mind-blowing.

Slow riffing guitar is not the typical way to kick off a funk show, nevertheless, Nick Cassarino proved that this could be done superbly. As the slow groove was picked up with drums by Nikki Glaspie, it threw a beat that left the crowd with little choice but move themselves to dance. The screeching solo and roaring drums were the perfect way to kick off funk. With musicians such as Nigel Hall, bassist Nate Edgar and percussionist Weedie Braimah the group was complete. As the evening moved forth they proved it time and time again, with tremendous drums solos sending energy through the building and the uncontrollably frantic audience. Funk also has a cousin, and that cousin is the soul. The Nth Power possessed so much soul it was exuding throughout the crowd and the melodic harmonies were out of this world. Glaspie and Cassarino made their voices seem as one, as the highs and lows blended in a way that could be matched by few others – these guys have it. The vocals were a gigantic part of the festivities, as Mr. Nigel Hall would provide some heavenly vocals backed up by the other two, to create the perfect three-part harmony.

Weedie Braimah’s percussion was definitely a high point of the show. He genuinely looked as if he was having a spiritual experience while honing his craft, which overflowed into the crowd as they were even more uncontrollable than previously. Weeddie and Nikki dueled, leading the audience to know that they would each outdo the other, but how? Amazing. The music these five people made was exactly the sound they were going for. There are definitely bigger things to come for The Nth Power.

March 17, 2015
Bowlive VI – Day 3 – Bowlive for Kids, Cabinet, Soulive w/ Sam Kininger and Jennifer Hartswick
Shortly after night two of the eight night Soulive run came to an end, day three began for one of the hardest working men in music. Eric Krasno joined by bandmates Alan Evans, and Neal Evans, took the stage joined by The Shady Horns — Ryan Zoidis (sax) and Eric Bloom (trumpet) for the annual Soulive For Kids concert. Doors opened at noon and by the 2PM show time Brooklyn Bowl was jam-packed with families, kids of all ages were eating, and bowling while parents were enjoying a bloody mary or mimosa. Krasno, looking dapper in his suit and tie, led the band in classic Soulive funk laden tracks. The seventy-five minute set was brought to a close with covers of The Beatles’ “Eleanor Rigby” and Sly & The Family Stone’s “If You Want Me To Stay” which had fans of all ages singing along.

Bluegrass outfit Cabinet, who has been gaining quite a reputation on the festival circuit, was an interesting selection to open the third evening of Bowlive. Hailing from Scranton/Wilkes-Barre, Pennsylvania – JP Biondo (mandolin), Mickey Coviello (guitar), Pappy Biondo (banjo), Dylan Skursky (bass), Todd Kopec (fiddle), Jami Novak (drums). They brought their own Appalachian Chic stylings for a night out in Brooklyn. Off their newly released album Celebration, Cabinet original “Shine Like The Sun” sounded inspired by American Beauty era Grateful Dead with Pennsylvania bluegrass influences. While for “Bottom Of The Sea” and “Poor Man’s Blues” Coviello and Skursky traded in their acoustic instruments for electric and the band took on an entirely new progressive jamgrass feel. The band returned to their acoustic instruments to close the set with the Biondo penned Susquehanna Breakdown a fast paced traditional bluegrass tune that definitely left the crowd wanting more.

For their second show of the day Soulive began the night with just the core three members on stage, for what was to be a night of classic Soulive collaborations. After just one song the band was joined on stage by original band member Sam Kininger (sax). Sam took center the stage and led the band through Soulive classics “Hurry Up and Wait” off of the 2001 album Doin’ Something and “Rudy’s Way” off of the 2002 Turn It Out. The Shady Horns then joined on stage while Kininger sat in with the horns section for the rest of the first set. Set two began with Kininger and The Shady Horns on stage for “Backwards Jack,” before finally being joined by second special guest of the evening Jennifer Hartswick (vocals, trumpet) and the first surprise guest Bob Reynolds (Snarky Puppy, sax) for a soulful rendition of Etta James “Tell Mama”.

Next to join onstage was Chris Bullock (Snarky Puppy, sax) for Soulive original “Povo” and lastly Miker Maher (Snarky Puppy, sax) joined in on “Blues for Mama,” the second set was brought to a close with the 2002 smooth jazz original “Tuesday Night Squad.” This set already seemed to be the hands down winner for best set of the run so far before Jennifer Hartswtick led the trio in a building shaking rendition of Led Zeppelin’s “The Ocean.” Eric Krasno will spend the next two days joining some of the other hardest working men in music Phil Lesh and Warren Haynes at the Capitol Theater for Lesh’s 75th birthday Phil & Friends show before returning to Brooklyn Bowl Tuesday night for the fourth night of Bowlive joined by Chris Robinson of Black Crowes fame.
March 17, 2015
Bowlive VI – Soulive w/ Charles Bradley – The Screaming Eagle of Soulive

In what has become an annual Olympics of sorts for NYC music lovers, Soulive kicked off their sixth annual eight show residency at Brooklyn Bowl, dubbed Bowlive VI, with Charles Bradley. Bowlive has become famous for special guest headliners and even more special surprise guests. This is the first year that it did not coincide with the Allman Bros. Beacon residency and standard sit-ins by the likes of Warren Haynes, Derek Trucks, and Susan Tedeschi.

It was only fitting that local outfit WOLF!, consisting of band leader Scott Metzger (guitar, JRAD), Jon Shaw (bass), and Taylor Floreth (drums) opened the run in what may appear to be a passing of the torch of Brooklyn based rockers. Metzger awed the crowd with his shredding guitar solos and commanding stage presence as they rolled in with excitement for the main event. Before they left the stage, Metzger announced that they will be releasing their debut album this April on the Royal Potato label, with a record release party at Brooklyn’s Hometown BBQ April 2.

Soulive took the stage with just the three core members Eric Krasno (guitar), Alan Evans (drums), and Neal Evans (keyboard, organ) to lay down a couple of funky grooves to get the crowd ready for what was yet to come. The first guests of the evening, The Shady Horns – Ryan Zoidis (sax) and Eric Bloom (trumpet) – who will be sitting in all eight nights, came out for soulful renditions of “Hat Trick” and “Vapor.” After much anticipation, the 66-year-old Charles Bradley, who was unknown until 2011, strutted out in a silver sequin tank top blowing kisses to the crowd. Bradley has a voice and stage presence akin to James Brown, whom he impersonated as Black Velvet up until his solo career was propelled by Dap-Tone Records. He crooned three of his original tunes to end the first set: “Ain’t It A Sin,” “The World (Is Going Up In Flames),” and “Why Is It So Hard.”

The second set began like the first with the core three members taking the stage for a cover of the 1967 Jimi Hendrix tune “Manic Depression.” The Shady Horns were back out followed by Bradley and Metzger. Bradley took over again, pulling out some classic soul inspired dance moves as he fell to his knees with the mic stand raised high over his head. Bradley gave way to the first true surprise guest of Bowlive VI, Tash Neal (guitar, The London Souls) who closed the second set with The Beatles classic “Get Back.” The first night of Bowlive came to a close with two powerhouse guitarists on stage for a cover of Buddy Miles “Them Changes” with a mesmerizing solo by Neal.

March 16, 2015
The Future of Funk & Soul – D’Angelo at Best Buy Theater, March 11

When an artist remains mostly anonymous for the greater part of 15 years, the anticipation of the audience is bound to grow with every minute that goes by. On this night, the sold out Best Buy Theater was electric with energy that grew with every flicker of the lights. The impatience of the crowd was finally released when D’Angelo took center stage, by himself, laying down his first solo vocals of the evening from “Prayer”mesmerizing the crowd with his harmonious R&B melody.

While the album title Black Messiah may lead one to expect a conceited performance, D’Angelo constantly recognized his band and allowed each member to solo and show off their individual talents while he cycled through vocals, keys, and guitar. One by one, The Vanguard took the stage, first with Jesse Johnson (guitar, Prince) who showed off his glitter covered guitar and Hendrix-esque shredding capabilities. Next up was Pino Palladino (bass, The Who post-John Entwistle) who laid down deep bass lines and funky grooves that kept the crowd bouncing all night, doing his best Bootsy Collins impression. The remainder of The Vanguard consisted of Chris Dave (drums), Isaiah Sharkey (guitar), Cleo “Pookie” Sample (keyboard), and Kendra Foster (vocals, P-Funk) who brought beauty, energy, and harmony to compliment D’Angelo’s blissful melodies.

http://youtu.be/ykIpS4xaG-U

As we moved through the first hour D’Angelo weaved in and out of tunes new and old, with well thought out segues between smooth rhythm & blues and pure funk grooves. The band was joined on stage by a small strings section composed of violists and a cellist for “Really Love” and the Heatwave cover “Star of the Story”. At this point the strings were substituted out by a duo of horns consisting of “Brother” Jacques Schwarz-Bart (saxaphone) and Darren Barrett (trumpet) while D’Angelo serenaded the ladies on a soul thumping rendition of his 1995 hit “Brown Sugar”. Once the horn section joined in, it was a non-stop funk party for the last hour of the night. The band weaved in and out of D’Angelo originals covering tunes from all three of his albums with some highlights being the hip-hop driven “Chicken Grease” off of 2000’s Voodoo, “Lady” off of Brown Sugar, and “Back To The Future (part 1)” the aptly named song off of Black Messiah.

The D’Angelo concert experience is like a funk and soul “Back To The Future” trip conjuring images of ’70s and ’80s icons transformed into a futuristic world saving setting a la Wyld Stallyns.

Setlist: Prayer, 1000 Deaths, Ain’t That Easy, Feel Like Makin’ Love, Really Love, One Mo’Gin, Star of the Story, Brown Sugar, The Charade, Sugah Daddy
Encore: Lady, Back To The Future, Left & Right, Chicken Grease
Encore 2: Till It’s Done, How Does It Feel

Setlist via SetlistFM

March 14, 2015