NYS Music 20​15

Category: Show Reviews

  • The Indie Pop Scene Takes Over Cooperstown

    Cooperstown was the place to be on July 26, for baseball aficionados and indie pop fans alike. In addition to it being the Baseball Hall of Fame’s Induction Weekend, just a few miles south, Brewery Ommegang was proud to present The Decemberists with very special guests Lucius. Having been lucky enough to catch a set by Lucius at last year’s Mountain Jam, and hearing stories of the wacky stage antics and audience interactions for which The Decemberists are known, there was no doubt that this show was going to be fabulous.

    To get everyone pumped for the evening’s main act, Lucius was a force to be reckoned with, with the two leading ladies Jess Wolfe and Holly Laessig being played in by multi-instrumentalists Andrew Burri, Peter Lalish, and Dan Molad. Donning identical outfits and hairdos, Wolfe and Laessig do much more than dress in unison.

    Whether singing the same notes together sounding as one, or harmonizing blending together the most unlikely but simultaneously striking notes, Lucius is definitely a band worth watching. The ladies’ shorter and less-blonde-than-usual ‘dos added a more punkish feel initially to the set, but they turned towards their more folk side later on, having just returned from the Newport Folk Festival where they had the privilege of playing with Roger Waters (and none other than The Decemberists).

    Sandwiched in the middle of their set, Lucius covered three folk tunes, including Paul Anka’s “It Doesn’t Matter Anymore” and Ian and Sylvia’s “You Were On My Mind”. I don’t believe a crowd has ever danced that hard to those old favorites! Giving Burris, Lalish, and Molad chances to demonstrate their expert capabilities, the girls left the stage a couple of times to let them shine, treating the audience to an almost classical sounding guitar duet at one point. Graciously thanking The Decemberists for the opportunity to go on tour with them, and even giving a shout-out to the Hall of Fame Inductees, Lucius adequately prepped the audience for the rest of what turned out to be a thoroughly enjoyable evening.

    With the clouds looking awfully threatening to the south, I quickly grabbed some tasty local grub from the famous Origins Café food truck, fully expecting to be hunkering down in my rain gear for the duration, but thankfully the weather cooperated (at least over Ommegang – who knows what it was doing two miles up the road?). With as dramatic an entrance as to be expected from a band known for their fun live show experiences, The Decemberists walked out onto a dark stage, with a backdrop of the band’s latest album cover, after a classic soundtrack which sounded like music from the 1920s was being played on an old record player blasted over the speakers. The quirkiness of simply having its roots in Portland, Oregon, shined through immediately in The Decemberists’ set, with the first song “The Singer Addresses His Audience,” giving off the feeling of a king addressing his court. Next up was “July July!”, played in an almost Who/Tommy style, featuring Nate Query on the stand-up bass using a bow, which always adds a haunting quality to a tune. After lead vocalist Colin Meloy announced that some of their songs will be good, and some will just be “eh,” the band went into “Down By the Water”. The Decemberists showed off its versatility by switching seamlessly between what Meloy classified as coal miner material with “Rox in a Box”, featuring Jenny Conlee prominently on the accordion, to French Legionnaire material with “The Legionnaire’s Lament”.

    At this point in the set, Meloy took the opportunity to promote the band’s new album What a Terrible World, What a Beautiful World, playing a poppier catchier than usual “Make Me Better.” Getting a bit more emotional, Meloy confessed that he decided to write this next forward-marching song, which featured a lovely piano solo by Conlee, during a tough time he was going through with his family.

    Settling back into some of their older more familiar tunes for a bit, The Decemberists demonstrated just how dedicated a fan base they have generated, with people of all ages who had come out of the woodworks for this show singing along with each and every word of this band’s eccentric lyrics.

    The band also showed how multi-talented each and every musician in the band is, featuring some swirly Hammond sounds from Conlee, and some fancy pedal steel action from guitarist Chris Funk, on top of more beautiful bowed bass playing by Query on “The Island”. After telling the entire audience how beautiful each and everyone looked, Meloy led the band into their famous “Anti-Summer Song.”

    Playing perhaps their most patriotic number, “16 Military Wives”, Meloy enlisted the audience in a sing-along, but not just your typical sing-along: he even went so far as to scold someone for singing when it was supposed to be his solo! After getting back on track from that distraction, Meloy introduced the next tune “Dracula’s Daughter” as being the worst most grievous song he has ever written, and then went straight into the band’s more popular “O Valencia!” The band ironically ended their set with “The Beginning Song”.

    After hearing a comment from an audience member that The Decemberists “make just the right amount of noise,” we were left wanting more, after a seemingly short set. They sure did make up for it with their double encore, the first of which consisted of five songs. Giving the guest background singers a chance to shine through, the first encore “The Hazards of Love” started out with just Conlee rocking out on keys and the two background singers truly belting it out.

    Still not getting enough, the Decemberists caved to the audience’s pressure and came out for a second encore, consisting of perhaps the band’s silliest songs, starting with “Red Right Ankle” and ending with a rousing rendition of “The Mariner’s Revenge Song”, during which the audience was instructed to scream like they’re being swallowed by a whale. I wasn’t quite sure what that would sound like, but the audience did quite a good job, garnering inspiration from the absurdness of the lyrics and stage antics.

    The Decemberists’ members sure did use their time wisely during their hiatus. They have come back with new more personal yet still characteristically fun tunes, and they have added renewed energy and inspiration to their older numbers. Touring throughout the US and Canada, with dates scheduled through October, and more being added every day, the Decemberists are a must see on this tour.

  • Dark Star Orchestra Plays a Collection of JGB Songs at the Saranac Brewery

    Dark Star Orchestra nixed their usual routine of recreating Grateful Dead shows and played a fantastic mix of Jerry Garcia Band tunes Sunday night at the Saranac Brewery in Utica NY. This deviation of the norm was prompted by the absence of guitarist Rob Eaton who was attending his son’s wedding.

    The enthusiastic crowd jammed for four hours to such classics as — “Evangeline” and “Sugaree” and a Beatle cover thrown in as well. Halfway through the second set they performed an excellent version of Shining Star with the audience chiming in on the chorus to the end.

    This was my first Dark Star Orchestra show and I certainly hope it will not be the last. They certainly knew how to channel the vibe of the Jerry Garcia Band and I hope to catch one of the recreated Grateful Dead shows in the future.

    Set List:
    One: Let It Rock, Dear Prudence, Evangeline, It Takes a Lot to Laugh, It Takes A Train To Cry, You Never Can Tell (C’est La Vie), Who Was John, I Shall Be Released, Don’t Let Go, Mystery Train

    Set Two: The Set Harder They Come, Sugaree, Think, Shining Star, Tough Mama, That Lucky Old Sun, Lonesome And A Long Way From Home, Rubin and Cherise

    Encore: That’s Alright Mama

  • Kelly Clarkson Dazzles at Darien Lake

    On Tuesday, July 21, the fans at Darien Lake Center for the Performing Arts were treated to a great performance by none other than original “American Idol” winner, Kelly Clarkson. Kelly was in town promoting her latest album “Piece by Piece.” I remember being a little girl watching the deciding factor between her and Justin Guarini. Ever since that night in June, 2002, America has watched the songstress grow into a superstar.DSC_2859

    I feel Kelly could have had better choices in her line up, but they each brought their own flavor to the mix. To kick the show off was Abi Ann, a country-esque vocalist, the highlight of the act was her back up singer Jennifer Waris, who is a Buffalo native which I thought was a nice treat. Abi was a delight to have on stage and she had great energy on stage and decent vocal range. She dazzled the crowd for the 20 minutes she was on stage.

    Following right behind her was Eric Hutchinson, who did not impress me in the slightest. I went into his set with high hopes because I heard some good feedback from my previous research. I felt Eric may have been having an off day. It looked as if he was trying to give it his all but his voice didn’t want to match the body language. He was falling flat and seemed very out of key but had some moments that made my ears perk up and smile. For an encore he covered Taylor Swift`s “Shake it Off.” He made it his own in a good way and put a little twist to it but unfortunately it was not received well from the crowd.

    Pentatonix opened up for Kelly and I had never heard of them until then. I must say I am hooked! They are an a capella group that covers songs from Ariana Grande to Christmas songs like “Silent Night.” They have such chemistry on stage and I was nothing but impressed by them. The notes the tenor Mitch Grassi hits are out of this world, he left my jaw dropped to the floor.DSC_3062

    Then, as they left the stage and about a half hour past, then the lights dimmed and fans screamed. We knew exactly what was coming. Once Kelly got on staged and started singing you can almost see she was slightly uncomfortable in her own skin. She danced around barefoot on stage and seemed so full of energy. She didn’t seem like she knew what to do or where she fit in.

    Past the body language Kelly interacted with her fans in an adoring manner and had this spunky personality that I couldn’t get enough of. There were a few highlights of the night that really stood out to me.DSC_3195
    Kelly had one lucky YouTube winner perform a song of their choosing. A young Jamie Grace came to the stage and covered Taylor Swift’s “Trouble.” She was talented in her own right and made that song her own. I thought this particular things was a great idea and it showed some humbleness on Kelly`s part. The show became about Grace and not solely about Kelly for those four minutes.

    Another special treat was Pentatonix cam and joined Clarkson for “Hearbeat Song,” which had wonderful harmonies and the crowd couldn’t get enough. Kelly had eventually opened up toward the end of the night and became more comfortable with herself. She put on such a strong performance and we can only see her grow from here.

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  • Def Leppard Brings the Now and Then to SPAC

    As a concert photographer that covers at least ten shows a month, I sometimes feel numb to the experience.  I enjoy the concerts, I love photographing them, but I don’t get into it like a typical fan. When Def Leppard hit the amphitheater stage at Saratoga Performing Arts Center (SPAC) on July 24th that changed. I danced. I sang. I put my horns up. I was in the moment. I felt the energy of the crowd. I didn’t hear the music from a critics point of view, but from a fans.  Something that I rarely get the pleasure of doing anymore.

    Most fans were thrust back in time when rock was ROCK. You couldn’t fight the uncontrollable urge to bust into an air guitar solo. The girls were screaming as Joe Elliot took the stage just like it was 1988, except now those girls were in their 30s or 40s. That didn’t mean their kids weren’t screaming along side them, the crowd actually covered every age group.  There were truly three generations of rockers in the audience, and each one knew every word to such classics as “Pour Some Sugar on Me,” “Rock of Ages,” “Let’s Get Rocked,” or one of the slew of other hits the band had over the past 38 years.

    Def Leppard isn’t stuck on the 80s however, they are still creating new music. In 2008 they released Songs from the Sparkle Lounge, and the first single “Nine Lives” even had country music star Tim McGraw singing along side Joe Elliott.  The band is scheduled to release a new album this year, and there are no signs of slowing down for the British rockers.

    With all the excitement of Def Leppard, I don’t want to neglect the two openers. Legends in their own right. The arena rock gods, Styx, and fellow 80s phenoms, Tesla.

    Styx was absolutely on point, both musically and performance wise. They have always played to the crowd, and in turn the crowd eats it up and gives that energy right back at them. They started their set out with a Dennis DeYoung classic “Grand Illusion.”  The crowd jumped up off their feet and they never sat down the rest of the warm summer evening.  From the pit to the back stretches of the lawn, fans were dancing as Styx played their seemingly too short of a set. With only ten songs from one of the bands that have absolutely been snubbed from the Rock ‘n Roll Hall of Fame, I was left wanting more. Lawrence Gowen and Tommy Shaw still sing in the key the songs were written nearly 40 years ago. That’s just something most singers into their late 50s (Gowen) or early 60s (Shaw) don’t do anymore.

    The night’s opener was none other than the American rock band Tesla, who broke into the scene in 1989 with The Great Radio Controversy and the single “Love Song.” In 1990 they released the Five Man Acoustical Jam album that consisted of a few covers including “Signs” along with their own hit “Modern Day Cowboy.” On this night they played all three to an appreciating crowd that continuously filled up the famed amphitheater and lawn of SPAC. Jeff Keith gave an emotional and tight performance, showing off his vocal talents and — surprisingly enough — his range. Tesla failed to play a single song off their latest release, 2013’s Simplicity. In fact the band didn’t play any of their songs written after 1991, even though they have five original releases since then.

    I have to say, overall if was a fun night of music. The energy overwhelming and the crowd was contagious. Watching the faces and bodies of old school rock stars light up and transform into their much younger selves truly exemplified the power of music.  As if there were any doubt.  I’m sure it won’t be long until LiveNation brings Def Leppard back to SPAC, and I will definitely be there — as both a fan and photographer.

  • Interpol Underwhelms in Last U.S. Show of Tour

    Have you ever fallen for an artist so badly that you couldn’t wait to see them live? That was me with Interpol, and over the past few albums I couldn’t wait to see them live, expecting the same magic that goes into albums like El Pintor and Turn on the Bright Lights. Then I attended the show on July 29 at Upstate Concert Hall and was underwhelmed, having seen the equivalent of their studio work performed live with flashy visual projections drawing more of my attention at times.

    interpolI don’t know what it was about this melancholy post punk shoe gaze rock. There was no onstage chemistry between the band members, who barely seemed to look in the direction of the others while they played their instruments quite masterfully, but I didn’t come to see Paul Banks play guitar and sing, I wanted to see what kind of performance the group would give in a live setting. Live performances of studio songs led to a textbook no frills show where we heard the hits and little else to write home about.

    Granted, Interpol is a band where knowing the discography is a key component to enjoying the live performance, and middle aged post-hipster crowd was certainly into hearing the hits and more, but this was ultimately music to sway to and hardly conducive to dancing. “Narc” had the first good beat of the night with a Modest Mouse feel, “Rest my Chemistry” could have found a spot on the soundtrack to The Crow, while the popular “Everything is Wrong” definitely had some fire to cure it. Generally, the bass and drums highlighted the larger, more danceable numbers, such as “Take You on a Cruise”, but some songs, including “My Blue Supreme”, “Pioneer to the Falls” and “Slow Hands” were downright depressing. I began to wonder what I liked in the albums Interpol put out over the last decade.

    I still like Interpol, but until their live performance gets some balls, I’ll enjoy them from the comforts of home.

    Setlist: Say Hello to the Angels, Anywhere, Narc, My Blue Supreme, Evil, C’mere, Rest my Chemistry, Everything is Wrong, The New, Take You on a Cruise, Not Even Jail, Pioneer to the Falls, Slow Hands, PDA

    Encore: Untitled, Obstacle, All the Rage

  • Brad Paisley’s Guitar Salvages Country Night at SPAC

    In a genre currently dominated by pretty boys, belt buckles and a mundane honky-tonk sound, Brad Paisley sticks out like a sore thumb. Forget the country music industry; Paisley is one of the most talented guitar players on the airwaves today, and he demonstrated his prowess on Sunday night at Saratoga Performing Arts Center, perhaps making up for forgettable performances by opening acts Justin Moore and Mickey Guyton.

    20150726-Brad Paisley-10With Paisley on the stage, sporting a white cowboy hat and a black T-shirt, the focus was entirely on the music. Beginning with his very first song, in which he opened with his 2014 hit “River Bank”, a guitar solo was included in nearly every song. Paisley’s West Virginia roots are evident in his bluegrass style of string plucking, but there was also a certain classic rock influence on his playing. His solos featured rifts up and down the fret board, and he could slide in a way that would make even Steve Miller proud. Between the bluegrass plucking in his right hand and the brilliant fretwork in his left hand, Paisley had remarkable dexterity with all ten fingers, something nearly unparalleled in today’s music scene. His vocal ability isn’t anything spectacular, but his guitar ability was impressive enough on its own merits to make up for it.

    Justin Williamson, the fiddle player in Paisley’s band, also gave a memorable performance, taking numerous solos and getting ovations of his own. There were times in the concert that if you closed your eyes, it would sound like you were at a bluegrass festival. When you opened the eyes, you saw the ma20150726-Brad Paisley-6instream modern country concert it was. The string playing by everyone on stage was fantastic.

    Paisley’s concert team deserves kudos as well for their work on the video boards. During Paisley’s 2003 single “Celebrity,” the video featured satirical newspaper headlines and a man with a Brad Paisley mascot head running amok along the streets of a city wreaking havoc and having fun, poking fun at the different lifestyle that celebrities have. Later on, the board showed an impressive collaboration of New York City time-lapses lined up with the music. When Paisley sang his 2011 duet “Remind Me,” Carrie Underwood sang with him on a FaceTime conversation being shown on the SPAC video board. Paisley and Moore engaged in a duck-hunting video game on the board during the outro of “I’m Still a Guy.”

    Compared with many of his country music counterparts, Paisley didn’t engage in much dialogue throughout the concert. All the focus was on the music. Even when he did engage with the crowd, the focus was around the guitar. After an acoustic performance of “This is Country Music,” he autographed his guitar and handed it to a young boy in the front row. A few songs later, Paisley followed up what many bands have done this summer at SPAC by playing a few acoustic songs for the people in the lawn, performing on a platform stationed directly in front of the lawn folks. Paisley poked fun at the lawn’s drunkenness, remarking that “now I’ll play a few songs for the people that won’t remember it in the morning.”

    Paisley closed his set with perhaps his best known song “Mud on the Tires” and the new song that lends its name to the tour, “Crushin’ It.” When Paisley came out for the encore, he played “Then”, followed by a song that perhaps encapsulated the evening better than any other song, “Alcohol.”

    Justin Moore was the co-headliner of the night, immediately preceding Paisley in the night’s events. Moore, an Arkansas native, won over the crowd with his good looks and some of his commentary, but his music left much to be desired.

    20150726-Justin Moore-5Moore showed a strong vocal ability on a few songs, particularly in his 2011 hit “If Heaven Wasn’t So Far Away,” which he dedicated to the American troops around the world, but much of his performance was disappointing. Starkly contrasting Paisley, he was sub-par on the guitar,and at times it felt like the six-string was a prop instead of an instrument. I’m sorry, but if your ass faces the crowd more than your mouth, I’m not convinced that you’re worried about the music as much as you should be.

    Moore also constantly pandered to the crowd by playing the redneck-card, preaching conservative values. While Paisley (an Obama supporter) restrained from talking politics during his concert, Moore wouldn’t shut up about it, talking about troops and even starting a USA chant at one point. It was disappointing that he wasn’t able to win the crowd over with his music, so he had to use his handsomeness and his rugged political views.

    Mickey Guyton, the opening act of the evening, was fine, but not so fine she’d blow your mind. She recognized the concert as an opportunity to build her platform, saying at one point that “it’s such an honor to play for Brad Paisley’s crowd,” and had strong vocal abilities throughout. Guyton appeared a bit nervous for most of her performance, and was relatively fidgety with the microphone, but she loosened up a bit after large ovations for her songs “Somebody Else Will” and “Cool Ya”.20150726-Mickey Guyton-5

    A positive thing with Guyton, being an African-American, is that she helps bring some diversity to a genre that is almost entirely white. It created a certain crude irony, with a black singer performing to a lawn spotted in Confederate flags and paraphernalia.

    In all, two out of the three artists were a tad dissatisfying, but the headlining artist absolutely brought it, salvaging the concert. Paisley certainly won at least one fan on Sunday night.
     

     

     

     

     

     

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  • Vans Warped Tour 2015: Mud and Metal

    The summer concert season is finally upon us and is in full swing. Vans Warped Tour made a pit stop to Darien Lake as it does every year. This was their 21st year of being on the road and they have been pushing every year to be even fresher and entertaining than the next. They didn’t do so badly this year.

    Upon arrival you could automatically tell this was an event for the younger generations. I’d say the majority of the fans were between 15 and 18 years of age. The line was wrapped around from the front entrance to around the fences at least a quarter-mile back. It was nothing but fouled mouthed scandalously dressed teenagers that were littering all over the place as I walked passed them to the Guest list tent.

    The weather could not have been more beautiful. It wasn’t too hot and it was a rain free day. The afternoon before we had hours worth of rain so the ground was pretty soggy and wet. My converse and calves were covered in mud by the end of the night.

    Taking a walk around and scoping out the area, I had never been to Vans Warped Tour so wanted to see what they had to offer besides the 10 stages of music. In the middle of the event strategically placed in rows like a carnival setting they had band’s tents where you could buy merch or shoot the breeze with them. So I took a peek and continued down the hill to where my favorite part of the event happened.

    I met the one of my biggest influences in life, Adam Elmakias. I have been following his work for couple years now and he is everything I wanted to be in life. Adam surprisingly is not even a year older than me. His job is to go on tour with bands and photograph their everyday lives on the road, on and off stage. I was little star struck but not the Justin Bieber fan kind. I took my picture with him and shot the breeze for a brief moment. He gives me hope that one day I’ll go on tour with a band and take pictures. That’s my dream in life.

    The Unicorn stage was second in command that night. If you have never seen Family Force 5 I recommend seeing them at least once. They were highly entertaining on the stage. Their retro bright straight out of the ’80s fashion-wear, to the trampoline jumping on stage kept things fresh and new. These guys brought so much stimulation to the stage I couldn’t look away.

    I have a couple of friends that just love everything about Attila. I’m sorry but I can’t see what the hubbub is about. Sure they were wonderful to photograph, but vocally and lyrically it left a bitter taste in my mouth. Their first song right out of the gate was called “Middle finger”. Crowd was nothing but obsessed with this song. Then when they started singing their second song “Rage” all hell broke loose. The crowd surfing and moshing began and was in full force, as a photographer in the pit when that happens can become a dangerous scenario if you are not aware of your surroundings. The only thing I enjoyed about Attila’s set was that they had life plastic red garbage cans set up filled with beach balls. The idea behind this was to give the fans the balls and have them play some beer pong.

    Most of the melodic hardcore bands or borderline metal bands were placed in the far back on the Monster stage. I found myself unable to be peeled away from this particular setup, as most of the bands there were so tight on point. There are a few worth mentioning that were really pleasant to listen to as well as photograph.

    Escape the Fate, this band I had been eagerly waiting to see because a couple of people I talked with said they were fantastic live. So upon arrival a few minutes before show time I was pleasantly surprised by the hustle of the stage crew. So as the show began the outfits immediately caught my attention. They seem to match accordingly on stage which I thought was a nice touch. Some bands put in little effort towards appearance and it looks poor on their part. I was not disappointed at all by Escape the Fate. They kept my attention the entire time by delivering such a powerful performance.

    Fit For A King, These guys were recently in town for a show at a tiny club called The Waiting Room. I did not attend but from what I understand they put on a great performance, according to a colleague this one trumped over the previous. Front man Ryan Kirby delivered a strong solid performance and newest member who is bassist and clean vocalist Ryan O` Leary was nothing but energy on the stage.

    Hard Rock Kevin Says Stage had any miscellaneous band that didn’t quite fit into the pop metal categories. Alvarez Kings I must say out of all the bands on that stage I saw were the most relaxed. They weren’t your typical warped tour kind of band. They were softer and it wasn’t what I normally listen to you, but nevertheless enjoyable. I would certainly go out of my way to listen to them while doing a relaxing activity.

    Ernie ball stage was hopping the entire day; it was conveniently placed by the concession stands. This stage is meant for local winners of the Battle of the Bands competition. My favorite part about this is that it’s a truck that has a stage built into it. While I was paying a ridiculous amount for a hot dog that my wallet still hates me for, I couldn’t help but overhear a couple of bands that made me stop and take a listen.

    Until We Are Ghosts, Until we are ghost are based out of Rochester, NY which is approximately only hour away from Darien Lake. I have had the pleasure of working with these guys doing live photography for them on several occasions when they come to Buffalo. When I heard they were playing on warped Tour I couldn’t have been happier for them. I have seen how hard they have worked to get here. They deserve it all and more. The guys started off their set with Repression. Vocalist Rob Anders always brings an unbelievable performance every time I’ve seen them. Today was no different.

    A Story Inspired, These guys are from my hometown of Buffalo, NY. Never previously heard of A Story Inspired until I captured them on the Ernie ball stage in the early afternoon. These guys have clearly become of my go to favorite local bands when I need a heavy music fix; which is often, especially at the gym. The band consists of two vocalists Zachary Mecca, and Josh Karlis. These two are perfectly in sync and I couldn’t peel my eyes away from the stage.  Bassist Noah Elardo is well-known for his “Lion Mane” hair, he used this to his advantage on stage giving the ladies something to be googly-eyed over. These guys were one of my favorite bands by far. Everything about their set was tight and choreography was synced to a T. My hope is to see this band take off and go all the way in this music industry, it shows that they have put every last stitch of energy into their music and would want nothing more.

    The Shark stage was one of two stages that had the big named veteran musicians on. The first major headlining band to kick things off on the Shark stage at was Silverstein. I listened to these guys a little bit in high school. They brought their aggressive melodic punk style in full swing. Shane Told and his band brought their best to the stage Wednesday. Second song in they played “Smile in Your Sleep”. This song got the crowd screaming and starting mosh pits.

    August Burns Red is from our friendly bordering state Pennsylvania. Vocalist Jake Luhrs and his band have been together for just about 13 years now and their sound was spot on. Drummer Matt Griener had such great dynamic drumming, and their lyrics and sound are so skillfully crafted to make it their own.

    Quintet group Blessthefall was one of those bands, a forced to be reckoned with that day. They are a melodicore band from Arizona. These guys brought and left every last ounce of energy on the stage. The vocal presence of Beau Bokan was undeniably the strongest I heard all day. They opened up with “you wear the crown but you’re no king”. The middle of their set they played one of their most popular songs 2.0. This is primarily a song they are known for.

    Asking Alexandria was one of the last bands to close out the evening at approximately 8pm. They had introduced their new singer Denis Stoff. He certainly brought his own flavor and did justice to all of their harder songs. I was impressed by them all around and thought they put on a good performance and kept the crowd enticed for the entire performance. Once they started singing “Breathless” The crowd just lost their minds. Moshing began and extreme crowd surfing commenced.

    Well my very first Warped Tour was a success. I Spent approximately nine hours shooting and walked away with a little sunburn, muddy covered shoes and feet that felt like they were going to fall off; but I wouldn’t have traded it for anything. All the bands brought their own flavor and it was enjoyable for all on one level or another. I will see you next year Warped Tour 22.

  • Camp Bisco: New Place, Better Party

    Walking into Camp Bisco was quite different this year than in years past. For starters, the bikers were replaced with police which kept things on the up and up and lead to a safer vibe throughout. As I walked in, there were two rows of your standard concert venders: merchandise, burritos, wicked gems, and further down the path was a small stage called Steamtown Stage. This stage was located in a smaller area right in front of the entrance to Montage Mountain, where there always seemed to be a bunch of people having fun.

    Once you walked through the main gate there were, of course, more vendors, but also there were water stations strategically stationed around the venue so people could be safe and keep hydrated. The path further led to the main stage, Electric City Stage, with a pavilion feel and covered with a huge white tent — which would come in handy later on in the weekend. Past the Electric City Stage there were more vendors and checkpoints on the way to the water park, which had three slides, a wave pool and a lazy river. With the temperatures as high as they were, this would come in handy for those who wish to partake. Even cooler, just past the wave pool was the second main stage, which stage looked over a mountain where you could catch a glimpse of people zip lining or going on a scenic chair lift ride. This area was also home to the disco lounge. Inside the lounge DJs spun records and kids hula hooped, which continued throughout the festival. All in all, Montage Mountain was set up perfectly for Camp Bisco.

    On Thursday, the Business Casual Disco started things off with a bang on the electric city stage. The smooth bass beats set everyone up for what was to be a rocking weekend. Kung Fu brought their unique sound to the Above the Waves stage, which is a double entendre — being next to the wave pool, and also being one of the Disco Biscuits classic songs. With the newly recruited Beau Sasser on keys, his presence was made very prominent throughout the band’s set. Being next to the wave pool and surrounded by tons of water rides, one might have asked themselves “Where am I?” You, my friend, are at the new Camp Bisco, where Kung Fu played their intricate part in adding excitement and fun to the party. It was almost Kismet as the band was finishing up their set, the sun slowly sunk behind the stage making for a most blissful moment. Sound Tribe Sector 9 tore things up back on the Electric City stage, and with beats galore a smile was on everyone’s face. Opening with “March” was the perfect choice. A bouncy number that had even the biggest skeptics hooked. A different rendition of the Nina Simone classic “New Dawn, New Day” was also a treat. It enabled people who may not be familiar with the bands catalog to connect. There was no other act better suited to open up for the The Disco Biscuits.

    Marc Brownstein began the Biscuits set on the microphone with an announcement that they had started in Pennsylvania in 1999 and after a few years away it was good to be back home. When that segued into the Prince’s Purple rain hit “1999,” the crowd went totally nuts. Starting out with this song was an inspired way to kick off the party. Everyone was into it and it left the door open to endless possibilities, such as “Mr. Don” and a huge “Reactor” closer, which left confetti strewn all over as it popped right at the end. Sheer entertainment brilliance. After the Disco Biscuits, Twiddle played on the Above the Waves stage to a miniscule crowd — it didn’t help that Pretty Lights was playing the Electric City stage. Regardless of the numbers, these guys tore it up. With the raspy lead vocals of Mihali Savoulidis and his wailing guitar, there was no way those in attendance weren’t going to have a good time.

    Pigeons Playing Ping Pong brought their raging style to the Above the Waves stage to kick off day two. Although there were many highlights in this electro fusions band’s set, none was more prominent than the Talking Heads cover “Psycho Killer.” The way lead singer Greg Ormont captured the spirit of the song was unparalleled, they had the whole crowd into their set with people actually walking around like pigeons! It was kind of weird but enormously fun. American Babies, Tom Hamilton’s home base, played a stellar set. The vocal range of Hamilton was soothing with passion while bassist Clay Parnell played with one hand. (His left hand appeared to be in a brace of some sort.) Hamilton’s shredding guitar brought the set to a close, leaving fans old and new wanting more. The indie electric duo CHERUB brought a new sound to the stage. Reminiscent of MGMT, the duo uses a lot of looping and beats to make their sound different. Their vocal ranges were in a league of their own hitting high and low all in the same line of a song. It’s refreshing to see a band take an idea and make it a reality, which is what CHERUB did.

    For their second night of music the Disco Biscuits focused on their inversion style, inverting four songs in two sets. This is a style unique to the Biscuits which involves playing the middle and the end of the song before going back into the beginning. It’s really something to see. Opening with “Beethoven’s Fifth” and going into an inverted “House Dog Party Favor” was out of this world and performed flawlessly. As a surprise and a pleasant one at that, Marc Brownstein called up a guest singer to help the Biscuits take on the Hall and Oates number “She’s Gone.” This throwback got everyone’s attention, resulting in high fives circulating through the crowd and there was a happy vibe throughout the whole pavilion. The second set opened with the Grateful Dead’s “Help on the way > Slipnot” with a little help from Tom Hamilton. It was cool how they played homage to the Dead in a different way than most bands do. This was the Biscuits playing as the Biscuits, but playing a Dead song – not your average cover. This is when the fun really started for the fans as well as the band. Three inversions in a row: “Confrontation,” “Overture” and “Above the waves.” The Biscuits kept the crowd on their toes never knowing which song was coming next or which way it would be played. The covers continued with a take on Pink Floyd’s “Us and Them” featuring Dominic Lalli of Big Gigantic on the saxophone. This slow melodic song showed a different side of the Biscuits, a more patient side and Dom’s sax only added to that serenity — really nicely done. This segued into the set closer “Helicopters” which took the subdued crowd and brought their energy back, preparing them for day three of Camp Bisco.

    Saturday at Camp Bisco is always a little more filled with music than the days prior. The Disco Biscuits played 3 sets and if that wasn’t enough, there was something happening on most of the stages all day so boredom didn’t have a chance. The Disco Biscuits opened the Electric City Stage with the crowd pleaser “Astronaut,” a perfect start to the set, followed by a dark version of the staple “Vassilios” and finishing with an epic “I-man.” If this was the kind of set they opened with, one could only imagine what was to come later on. Reptar, a band hailing from Atlanta, Georgia played at the Above the Waves stage. Reptar had an indie punk feel to them with a lot of energy and the crowd ate it up. They would have been a great segue into Papadiso but due to a severe weather warning their set was pushed back and everyone was asked to please seek shelter. This is where the white tent came in handy. People huddled around the area waiting for the storm to pass. When it finally did, it left a euphoric rainbow and fantastic vibes. Since most people were under the tent anyway, they stayed for the Disco Biscuits. The energy was intense. Opening up with the classical piece “Saber Dance” the band showed off their diversity and solidified that they are not just a transfusion band, as they previously did in the festival by playing “Beethoven’s Fifth.” This set was solid with “Konkrete,” “Crystal Ball” and a Muse cover “Knights of Cydonia.” The latter was an extra special treat as it was the first time they had ever played it. Bassnectar was up next and made a lot of people extremely happy. His legions of fans took over the pavilion leaving Disco Biscuit fans to wander around aimlessly waiting for the Biscuits to reemerge. T just kept going and going and every song or beat or whatever it was sounded the same, but these fans ate it up. One fan actually said “I live for Lorin (Bassnectars real name).” Everything may not be for everyone but the crowd seemed to have a really good time. As the Bassheads dispersed to one of the DJ venues, the Bisco fans proudly regained their seats and were ready for the last set of the weekend, performed by the festivals namesake, The Disco Biscuits. Their last set was played so tightly and patiently you were able to tell that the boys have been practicing. This became even more apparent when they covered LCD Soundsystems “Home”. The whole crowd was bouncing and high fiving. It was definitely the highlight, not just of the set, but of the festival as a whole.

  • Wilco’s Solid Sound Festival: A Solid Way to Kick off Summer

    In the foothills of the Berkshire mountains, lies the quaint town of North Adams, Massachusetts. In a town known for its fine dining, the Massachusetts College of Liberal Arts and a plethora of museums, one of its finest landmarks is Mass MOCA, Massachusetts Museum of Contemporary Art. With its unique design and set up, this museum is one of a kind. Making it even more special is the Solid Sound Festival, where every other summer is a home of Wilco’s.

    A festival unlike any other, Solid Sound features a very family friendly atmosphere as well as some of the best musical acts, both known (NRBQ) and on the rise (Parquet Courts). Run like a well-oiled machine, there are parking lots set up across town and school buses running shuttles. There are many different performance venues set up throughout the museum. Joe’s field, the largest, is a beautiful field with a river running on one side of it and a train chugging along on the other.

    The sign has moved!!!#solidsoundfest

    A photo posted by NYS Music (@nystatemusic) on

    On Friday night, Real Estate, a band hailing from New Jersey, started things off on Joes Field. Their melodic shoe gazer sound captivated the audience. Next up were Solid Sound curators, Wilco. Making this night particularly unique, Wilco would go unplugged – a undertaking the 20 year old band had never taken on before. The band opened their set with “Misunderstood,” a sing a long classic from the Wilco archives. Much of the set would follow suit. As Wilco front man, Jeff Tweedy said “they’ll bring the rock tomorrow night.” This caused a mighty stir from the audience. As they raised their arms and sang along to “She’s a Jar,” I’m always in love” and “Kamera,” the audience was left to wonder: What would be left for the next night? There was plenty and the festivities were just beginning. As the fresh morning air blew over North Adams Saturday morning, there was a feeling of togetherness throughout the town. As we first walked into the museum courtyard there was a blue grass group playing freely, unfettered by equipment or speakers. It was a sight to see.

    Walking into the museum lobby, it was hard to decide in which direction to explore first. The comedy group, Superego, was performing in the Hunter Center – it was a mixture of funny and not so funny. The act was peppered with corny improvisation that seemingly only make sense to the performers, because they were the only ones laughing. They tried though, and it is possible a select portion of the crowd enjoyed this – there is something for everyone! Ryley Walker, a Chicago native, started off Saturday’s music program. With his Nick Drake-like voice and harmonies, Walker was the perfect way to musically kick off the Day’s festivities. His passion infused every word, captivating the crowd from the depths of his soul. The audience could not turn away as they knew they were in for a great day of music. LULUC, an Australian duo made up of Zoe Randell and Steve Hassett, occupied Courtyard D, a midsized viewing area. Their sound was quite unquiet, with strong soothing lyrics coming from Randall’s beautiful voice. The peaceful guitar on top of melodic vocals just had the audience in awe. They hit their stride and stayed there throughout their set.

    LULUC harmoniously welcome the afternoon. #solidsoundfest

    A photo posted by NYS Music (@nystatemusic) on

    NRBQ, a band who has been around nearly fifty years, put on a party in the late afternoon. Courtyard D went from melodic to Mayhem. With wailing saxophones and screaming guitars, NRBQ brought the ingredients to have a a good time.

    NRBQ#solidsoundfest

    A photo posted by NYS Music (@nystatemusic) on

    The Parquet Courts, led by the voice of A. Savage, were the stand out surprise of the festival. People were bopping to the music at this special treat, swaying back and forth. The audience embraced the sound wholeheartedly, agog that this act was exceeding all expectations. By the end of the set, Savage’s vocals screaming through the air had the whole front of the stage jumping up and down, while the rest of the crowd was all smiles.

    As the clouds thickened overhead, Wilco decided to move up their set times by an hour, not wanting to have a repeat of their second Solid Sound festival – it rained, it rained a lot. So Mac Demarco and crew took stage on Joes field. Cultivating a rocking sound that held the audience, Mac got the saturated crowd ready for Wilco.

    With rain making a steadier presence and the temperature beginning to drop, Wilco fans, ponchos and all, came out in droves to see the men of the hour. After promising a rocking evening the night, Jeff Tweedy delivered and “Art of almost,” “Impossible Germany” and “Ashes of American Flags” were prime examples. With soaring solos from guitarist Nels Cline, and a whole aura of musicianship, Wilco showcased a tight band. There seemed very little they could do to make the audience any happier, unless, of course, they could have stopped the rain!

    Sunday was a very relaxing day. The vibe throughout the museum was satisfaction and amazement at some of the galleries displayed. The Hunter Center was very happy to play host to The Autumn Defense and the Windy hills, featuring Johns Straitt and Pat Sansone of Wilco, who dedicated a set to the cult surfer classic Spirit of Akasha. This highlighted creativity and style that a fan may not have seen just watching a Wilco show.

    Upstate New Yorkers,The Felice Brothers took the staged at Courtyard C to play a set of their unique style. Their storytelling was just that – telling. It was as if you were following them through their journey as they paved the way with their lyrics. People bobbed and waved, and exuded genuine happiness.

    The final act of the festival was Tweedy, and Friends. The first half of the set featured the band Tweedy, highlighting Jeff and his son, Spencer. The second half of the set included almost every musician who played over the weekend – Ryley Walker, LULUC, Cibbo Matto, The Feelice Brothers, and all of the members of Wilco in one form of another. This collaboration was a great way to close out the festivities. Seeing the family on stage mirrored by the family-focused vibe of the whole weekend, this set brought everything full circle and it was done delightfully.

  • Bringing the Jams to Jersey- Umphrey’s McGee at The Stone Pony

    On Friday July 17, The Stone Pony Summer Stage was packed and ready for the funk driven 75 minute set from Lettuce to begin the night ahead of Umphrey’s McGee. Chicago’s finest took the stage just after 8 p.m. opening their 2-hour set with “Le Blitz” followed by “Educated Guess.” The crowd was energized and showed their appreciation with the band’s signature two hand rock signs raised high. Outside and along the venue, fans were standing in the back of pick-up trucks trying to catch a glimpse of the show while others without tickets scattered blankets in the grass nearby.

    There’s nothing like a gorgeous night at the Jersey Shore, walking along the boardwalk, hearing the waves crash gently against the beach. One of the true icons of the Garden State, the famous wooden planked avenue is a place where children play and couples walk hand in hand, sneaking a kiss as they take in all that Asbury Park and its rich history has to offer. What was once a booming boardwalk complete with a casino, The Palace Amusement Rides, The Convention Hall and the renowned Tillie, still serves as home to the famous music venue The Stone Pony which has given rise to many local musicians, most notably Bruce Springsteen.  While just a whisper remains of what Asbury Park once was to New Jersey, remarkably, The Stony Pony has remained while expanding their repertoire of musical acts and creating an outdoor Summer Stage to bring some energy and enjoyment back to a once sought after New Jersey beach destination.

    On this gentle evening, Umphrey’s brought out the hard jams with “Push the Pig,” “Dump City” and “Mulche’s Odyssey.”  Another jam filled selection entitled “Conduit” had a slight twist to it which was greeted delightfully  by an appreciative audience as the band added a small cover of Rage Against the Machine’s “Bulls On Parade” before transitioning back to the song. This was not the only cover of the evening  either with Ween’s “The Grobe” making an appearance as well as a lengthy four song encore which began with the iconic guitar riff and impeccable performance of Led Zeppelin’s, “The Song Remains the Same.”

    Setlist: Le Blitz. Educated Guess, Deeper > Miss Tinkle’s Overture, Final Word > Push the Pig, Eat, Similar Skin, The Grobe, Conduit > Dump City, Mulche’s Odyssey

    Encore: The Song Remains the Same, Ocean Billy > The Triple Wide > Ocean Billy